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#even if that first still from s2 is one of my favourites
patroclusdefencesquad · 11 months
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honestly finding it wild how different he looks in these stills like are we sure this is the same man
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teeny-tiny-revenge · 1 month
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Came across this in a fic again and I have to vent for a moment here: Ed's hair isn't unclean or not taken care of. Ever. Even at his lowest, in the first two episodes of season two, his hair is light and blows with the wind, it's got perfect waves, there is zero grime in it. Impossible Birds Ed hair has clearly been fairly recently washed, combed out and conditioned. Ed canonically loves soap, and you don't get that hair without owning a comb or brush and frequently working oil into it. He's at sea! The air is salty! It'll dry out your hair, but Ed's hair doesn't ever look dried out. The day he decides to commit suicide he puts his hair up into a lovely bun, with whispy stands framing his face. I have no idea what some people are watching, because Ed taking meticulous care (and most likely also putting pride and love) into his hair is clear, on-screen canon.
Like, if you want to write about how he was neglecting himself in his depression Kraken era? There's plenty there for you on screen as well! He sobs all night, probably sleeps on the floor if he sleeps at all. He doesn't wear his knee brace. He drinks and does drugs (and admits to that being poison to Frenchie!). He's pushing everyone away, he's pushing himself hard into a role that made him passively suicidal even before the breakup depression. He doesn't watch his back during raids At All. There's so much self harm there to address. If you want to, it would probably be plausible to add him not bothering to properly care for any wounds he might obtain during a raid. But he clearly doesn't neglect bathing and hair care. They're probably the only elements of self-care he actually still does during this dark time!
Even rock bottom Ed doesn't neglect his hair. And that says things about him! It's also something I'd love to see actually addressed in fic (will probably write it myself one of these days...): Taking good care of his hair, putting on jewelry, doing his makeup, these are things that seem to bring Ed joy or relief in his darkest moments. Where's my fic about these quiet moments of self-care being a straw he clutches to when everything else is terrible?
I love a good bathing together/doing each other's hair fic. It's intimate and loving! And Stede and Ed are prime material to write a mutual caretaking and bonding over it couple! Ed canonically loves soap and taking care of his hair! And Stede brought an entire fucking bathtub on a ship, the wonderful madman. S1 Stede's hair is always carefully curled, and we know that's not its natural state (it's wavy but not in this manner) from seeing him in S2, away from his certainly plentiful bath and grooming equipment. Stede probably has an hour of daily hair routine! We know he has nice smelling, probably expensive soaps. Where's the fic where they share in this?
There's so much potential! They can show each other their favourite care products! Sometimes they'll work on each other and sometimes not at all! Ed's rich hair oils will make Stede's hair all sticky and weird! Ed will think it's hilarious and adorable, he'll try to ruffle his hair and make it stick up worse and Stede will pout! 🥺 He'll look like this, just with weird spiky hair! One ill-advised day they try putting Stede's curlers in Ed's hair and then they almost can't get them back out because Ed's hair is so long and has lots of natural wave and it'll cling to the curlers and it's awful (they laugh about it afterwards, once Ed has very carefully brushed his hair out again and it no longer pulls at his scalp).
Makeup was a thing done by men and women at the time, especially for aristocrats (as seen in Episode 5), so Stede will know his way around hoity toity makeup, meaning rouges and whites (contained lots of lead, yuck!). Meanwhile Ed does pirate costume makeup for Blackbeard endeavours, that's a whole different thing. And both of these are makeups they don't actually enjoy doing (Stede avoids heavy makeup for the party, and Ed's Kraken makeup is part of his whole Everything Is Awful And I'm Making Myself Feel That look). But we see Ed do nice makeup that seems to be him! On his supposed to be final day on Earth, he cleans away all the Kraken coal, he cleans up his cabin, he gets rid of drugs, booze, Izzy (everything that was harming him), he does up his hair really nice and in a style that's very much Not Blackbeard, and he puts on a gorgeous bit of eyeliner that really brings out his eyes. And now that they're safe and happy together, when Ed decides he wants to look pretty today, not only can Stede lose his marbles over the look, Ed can also show him how to make his own eyes pop like that. They can stand in front of their mirror together, giggling and trying not to poke anyone in the eye.
Like. This is a fancy bathroom items for fancy bathroom items couple. They will bond over their love of bubble baths and nice smelling soaps and soft oils for hair and skin! They will learn each other's routines and how to do them just right for them. Let Stede learn that Ed loves his baths scalding hot (Stede has to wait a while for it to cool before he joins him in the tub because he'll get all pink and lightheaded). Let Ed learn how to put in Stede's curlers for him if Stede wants his hair to look extra fluffy the next day. Let Ed learn to massage Stede's back and Stede learn to massage Ed's knee. There's so much potential for loving caretaking with this ship. The trope doesn't at all require Ed to not know or not want to take care of his hair and hygiene. Fuck's sake.
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azulaaaaaaah · 27 days
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atla/tlok characters that i think did *it* (but i just can’t prove it)
this is the most unserious post i’ve ever made. (AND I WANT TO PREFACE BY SAYING BY *IT* I MEAN KISSING)
Sozin and Roku
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and history will say that they were just great friends…
this is the only one where ill legitimately die on this hill
like i’m 90% sure roku just showed Aang their friendship in the flashbacks to prevent awkwardly explaining to a 12 year old monk that he was romantically and/or physically involved with the person who committed a g*nocide against his people
LIKE CMON WHY IN THE WORLD WAS SOZIN SO PRESSED IN THE BACKGROUND OF ROKU’S WEDDING ??? AND FOR NO REASON?? WHY WAS THEIR FRIENDSHIP SO INTENSE?
sozin i feel loved roku (to an obsessive level) and roku literally dgaf. king shit
Wan and Raava
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genuinely what the fuck was going on between these two. like i don’t even have any words
canonically at the very least it was a domestic partnership
S2 korra doesn’t make sense at the best of times. imagine trying to explain the intensity of this pair’s devotion to each other, to someone who hasn’t seen the show- all the while knowing raava is a disembodied spirit practically older than time
she’s the embodiment of everything good and light in the universe and he’s just wan. (and he’s wanough <3)
‘do you think we’re soulmates in every life?’
‘bet’
‘wait that’s not what i-‘
Cabbage Merchant and his cabbages (or at least a cabbage)
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yeah i’m not touching this one with a 10 foot pole
Every member of the red lotus squad
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ah yes it’s my favourite evil polycule
amidst plans to kidnap children and topple monarchies what else is there to do except… kiss.
let’s be real there’s something so inherently romantic about being apart of an elite, vaguely murderous anarchist squad
they all share one exact bed. it’s canon
(p’li somehow big spoons all of them)
The S2 Nomads
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these dudes are the textbook definition of anti-monogamy
like they’re obsessed with love so i fully believe that they think ‘it should be spread amongst others’ or some shit
oh to be a travelling communist nomad in a band, wandering the wilds with my wife, and our several partners
they’re somehow the opposite of the red lotus and yet the same. they all share a single bed/sleep area
The dangerous ladies (but all separately)
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i don’t ship any of these particularly and yet can still admit that it’s canon
ty-lee and azula have kissed bc azula probably made up a dumb excuse like ‘oh i don’t want my first kiss with a guy to be… erm… bad’
mai and ty-lee have kissed because they both probably have genuine, vaguely deep rooted romantic feelings for each other
mai and azula have kissed to purely spite zuko (and yknow what ty-lee too)
HOWEVER A KEY ASPECT TO THIS DYNAMIC: azula is completely unaware about the ty-lee and mai thing. it’s uh… better off that way.
Hakoda and Bato
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i ship this about 50% but like… it’s got to have happened once right? considering all that down time they spent together on a boat away from the repercussions of water tribe society…
also considering they were leaders i doubt the other warriors were in a position to ever call them out on it
like cmoooooooon what’s a little kiss between the homies every now and again?
hakoda is where sokka gets his rizz/flagrant bisexuality from and i can’t change that guys
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moonspirit · 1 year
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Armin is basically your guide to leaving the forest. He is what Humanity needs to retain its Humanity.
Armin is hated on so much after S4 for being "useless" and "not living up to Erwin" but people forget, Erwin was so good because he had YEARS of experience. When Erwin died, he was what, 40-ish? At 15-19, Erwin was much the same as any ordinary cadet, you can see in the flashbacks in S3 Part2, a very young Erwin crying with a wounded/dead soldier and trying to fend off a Titan.
Armin is the embodiment of what the survey corps stands for - "Understanding". He is a pacifist and optimist but not naive, he knows that he has to kill when push comes to shove. He doesn't like violence but agrees that it is necessary sometimes. There is nothing wrong with that. He's a very relatable character. Don't forget that Erwin recognised his potential. He literally looked shocked when Armin theorised Reiner to be hiding inside the walls in RTS arc. Armin is the first character in the whole show to internalize his enemies thoughts and actions and try to understand it from their pov. He always tries to talk first and when that doesn't work, he pulls the trigger. You can tell me "his talking doesn't work!" but that doesn't mean you don't try. He's convinced and manipulated people plenty of times. If your only option is always to kill first before anything else, then you're not in your right mind.
A character is not weak simply for wanting peace. Armin doesn't run from his conflicts, he always faces them head on whether he likes it or not. His yearning to choose the method with the least bloodshed is actually admirable - it's easier to just pull the trigger in a world like SnK where people hate you, no? Why go through all the effort of trying to make people understand? He's a very strong character because he stands by his convictions.
It's unfair to burden him with Erwin's legacy at this age. He's also selfless to a fault. While Erwin did care for his soldiers, he never hesitated to use them as bait. Armin lacks that trait - being ruthless. Instead he has shown time and time again that he'd rather sacrifice himself so others can go unharmed. Despite the lack of experience, he still came up with some of the best plans, strategies and deductions in the show, some of them conjured up within seconds, and all that when he was even younger than he is now. Reiner was sweating and shitting his pants when Armin figured out the Female Titan's intentions in under 30 sec. At 15, Armin secured the collosal Titan for the scouts with just 1 casualty - himself. Just a few examples. He lacks Erwin's experience and deals with a severe lack of confidence, but for his age, possesses a lethal brain and outstanding intellect.
One of his most forgotten contributions is during the Scouts vs Kenny's squad. It was his analysis of the anti-personnel ODM gear, and following strategy, that allowed the scouts to exploit the weaknesses of their opponents' weapons. They wouldn't have won those fights with such success otherwise. He's extremely perceptive. Notice that when he fucked with Bert's mind back in S2, it was bec apart from Reiner (who knew from long ago), only he had noticed Bertie boi had a thing for Annie. He pays attention to his surroundings. He picks up on every little detail. He knows where to hit where it hurts. His 'Annie' strategy with Bert in S3P2 fails because he didn't realize Bert was a different person, someone who had stopped Annie from being his weakness. That was a crucial lesson Armin had to learn, but he learned it. He's very good with his words. People don't want him to open his mouth and change their minds (eg, Connie with Falco, Daz & Samuel). He's a genius strategist and war tactician in the making, give him a few years and see what he becomes.
One of my most favourite moments is during the table scene with Eren before getting beaten up, the only psychological attack Eren fired at Armin ("You're only visiting Annie cuz of Bert"), did not sting Armin at all, it only shocked him that Eren would try to bullshit him into that false logic when clearly Armin knew better. So Eren chose to beat him up, but Armin still had the final word. "You're the slave Eren" absolutely got under Eren's skin.
He isn't dumbed down post S4, it's just that the stakes are infinitely higher.
There's a lot of blame on him for "not doing anything in those 4 years despite having a genius brain" etc etc. Armin wasn't commander. They were dealing with a hostile world which they were desperately trying to understand for the first time in a 100-year history of being isolated inside the walls. It is one thing to understand people inside the walls and fuck them up (like Erwin did multiple times) but another entirely to deal with several countries in a world you discovered overnight. Politics and diplomacy is hard af. I doubt Armin would have been able come up with some 20/20 vision plan at that point to end the whole conflict anyway. Pixis didnt. Hange also didn't. Nobody did! The island had other intelligent people too!
Regarding Erwin, the whole point of his death was to show that he was put to rest from his suffering. It is the end of Erwin's story.
I dare say that if Armin had become Erwin 2.0, the haters would have said "Oh, he's just a copy of Erwin, he's not his own person!" So, conclusion: he's not supposed to be Erwin. He's his own person with his own methods and he's 19, leave him alone and please compare people with comparable experience.
Dude also went through a ton of issues as a young kid and has a severe inferiority complex, guilt at being revived instead of Erwin and the constant pressure of living in Erwin's shadow. Add to that his best friend of 19 years disappears, forces him to nuke a port and kill people against his desires, then pushes him away, doesn't explain shit, snaps and goes on a mass murder spree - you have a guy under extreme duress and he's still thinking of the big picture on Paradis, that genocide is wrong even though it's his best friend doing it. He has already subconsciously realised that they cannot stop Eren without joining hands with the same enemies they tried to kill a while ago. So despite having a mental breakdown, he still goes to get Falco back, because as a person, he values humanity and understanding above everything and can't watch another one of his comrades lose his shit and feed a lil kid to a Titan.
I also believe that Armin knew Falco was a decent kid, considering what he was taught in Marley, and choosing to save him was symbolic in that Armin wants to save the one kid who sees through the fucked up hate. In this moment he was the closest he'd ever been to Erwin (since Erwin's death) with that calculated risk, but also very true to being *himself* , very Armin, because he jumped to his death, aka, selfless. Rescuing Falco was a v good call, not only because the kid is a shifter and therefore necessary to form the alliance, but also cuz if you are a manga reader, well, you know why. He slapped sense into Connie, rescued Falco, showed a young Gabi what compassion meant and won her trust , and laid down the foundation for the Alliance before even knowing Hange and Levi were alive. He always sees the bigger picture.
And don't even start with the whole AruAni hate, they had a thing going on right from S1 during training years. If anything, Bert's memories of Marley only reinforced his already existing feelings for Annie and he "understood" her. He didn't forgive her. He "understood" her. See what I'm getting at? AruAni only further supports the fact that children of war are just children in the end, and love can permeate even that imaginary barrier of being on "opposite sides". It's a beautiful ship and I'm fucking glad it's canon. Something to smile about in this depressing show T_T
Kenny's ideology of "everyone being a slave to something" applies to nearly everyone on the show. But not Armin. From his birth, he has only been motivated by one thing - curiosity to see, curiosity to understand, curiosity to experience. There is nothing that ties him down so much that he can't die and give up. He is arguably the most "free" character in the whole of SnK.
Eren sets out to achieve freedom at the cost of freedom itself. But for Armin, freedom is simply the beauty of simple, little things. They are the two sides of the same coin.
I'm not being aggressive in any way, my comment is only to throw some light on Armin's character. I respect everybody's opinions at the end of the day and I'm not engaging in any wars.
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hazshit-hotel-hater · 2 months
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What are your opinions on each of the songs? (you can answer with as much or as little detail as you'd like)
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Big shocker that the songs from the 2 good episodes are in S and the only one that isn’t is still B tier/sar
The first 2 songs in S made me either tear up/shake violently or cry, and therefore they deserve to be up there IMO. Out for love is also just genuinely catchy and had actual build up to it. Also God “Ready for This” just. OOUGGGHHH IT SCRATCHES MY BRAIN SO GOOD LIKE A WARRIOR CATS MAP. I like it a lot. You cant have multiple characters sing about working together and expect me to NOT cry.
“Stayed Gone” isn’t one I listen to often but it’s so peppy and fast and full of hatred I can’t help but enjoy it. Also everytime the song starts my brain does this
I dont know anything about Welcome Home
I have. Issues. With “Loser, Baby” but aside from those the song holds a lot more weight to it than I usually give it credit for. And for as cheesy as the start if it is, the line before of Angel talking about self destructing resonates with me a lot. Also Husk lays down in a puddle of vomit and no one talks about that ever.
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I think the first song in B is “Happy Day in Hell” and I’m adding it there 1. Because it is the first song 2. It gets a reprise thing 3. Charlie almost gets hit by a truck. Other than that it’s not really my favourite but I respect the impact it has.
“Hell is Forever” just fucks. End of story. Alex Brightman killed it.
“Respectless” is good I love Velvette’s VA, but the sudden start of the song and the ending are so out of left field the first time me and my friends watched this show we had to pause cause we lost our fucking minds. Could’ve been better but I’d listen to it again, yeah.
“Hell’s Greatest Dad” is silly and funny and maybe I’m biased as a violin player and jazz enjoyer but a lot of the instrumental tickles my brain so nicely. I will say though it confuses me so much because why does Alastor care about being seen as a father figure?? My mom said it could just be him wanting to show up Lucifer and that’s it but I dunno.
“More than Anything (Reprise)” AKA “Charlie and Veggie Kiss Scene - Hazbin Hotel”
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This song sounds like it’s straight out of Barbie & Th Diamond Castle and I’m honestly pissed the girls in the movie didn’t kiss so I’m coping with this. ALSO THE FACT ITS A REPRISED SONG ABOUT LOVE MAKES ME A BIT CRAZY. I never noticed this was the same song Lucifer sang to Charlie SOMEHOW but that’s actually really cute.
“It Starts With Sorry” Has a big part in Sir Pentious’s character growth and just his character in general. I’ve been working on this in my Pentious rant but I never see people mention how much this song probably meant to him. Yeah it’s super corny, but he was fully expecting to be killed and had just been told to kill himself. This was definitely huge for him and I’m not gonna be convinced otherwise.
“You Didn’t Know” is really good but Lute’s part is by far the best and I pray to GOD she gets her own song in S2 her voice actor can SING. GODDAMN! I am very interested in Lute’s character development and I love seeing what people do with close-minded characters like that and hopefully Vivzie doesn’t condemn her to Vivziepop Woman Syndrome. If she isn’t important in S2 I’m going to be pissed but I dunno maybe S3 if we get one.
“More Than Anything” Wish my dad was like this! This song is incredibly sweet and I appreciate it a lot. Honestly might go way higher on the list if I keep thinking about it.
“Whatever It Takes” Sorry you will never be Imagine Dragons. Vaggie doesn’t sound anything like herself cause her VA is making her voice so much more gruff for her character, which is fine! I like her voice (the voice direction is not very good but I digress) it’s just her voice is so high in this I can’t even tell it’s Vaggie.
“Welcome to Heaven” is boring, but we got a Molly cameo!
“Poison”. Read this and this and this. -10/10. I’d rather make out violently with Elon Musk.
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sunlightsilence · 2 months
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MY THOUGHTS ON SIDE ORDER
If you see this, you don't have #side order or #side order spoilers blocked. .
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So. Side order's gameplay is fantastic to me, I've completed it with all 12 palettes now. I love splatoon and I love roguelikes so this was sort of a match made in heaven for me.
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Creating the OP builds, the final boss, the general colours and music and vibe of the game is amazing! Everything to do with Pearl and Marina are *amazing* and they're so hella gay it's adorable :D And I love that they're not even hiding the queer representation now. Marina having a sprawled out Pearl as her desktop background is so cute, even seeing an elevator scene where they gush about eachother, and another one where Marina worries that Acht is hitting on Pearl.
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And... cannon They/Them Acht! I remember all the people on Reddit being like "it's just the marketing team mistranslating their pronouns in a tweet!" NOPE, it's in game too!
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Hell yeah :D Smollusk is adorable and I love him, and maybe we finally have a splatoon villain tumblr won't turn into a tumblr sexyman since he's a literal infant xD
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And Pearl Drone is so hecking cute, I love her so much!! If you spin around in the lobby she spins too, and if you stay still she falls asleep :D
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I did my first run with Brella cause it's my fav and it has my beloved inkstorm kit from S2! It took me three tries before I beat the tower for the first time, but then every run afterwards with different weapons I've always cleared it (I was got bounced off the tower for that first death and the second I was caught offguard by how fast the reefslider spam is)! Brella was definitely my favourite run, but I also really enjoyed the roller and brush runs. My roughest run was with the Splatling. I had dreaded doing charger after that, but charger turned into my fastest run!
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I could see myself unwinding in this mode hundreds more times. I am saying this all to demonstrate that I really love this DLC, it might be my favourite of all the single player modes so far, either that or S2 hero mode. So my following criticisms are out of love for it because it's close to perfect. So the big one is... "the dlc is too short!" I hear that a lot on both tumblr and reddit and someone inevitably chimes in with "You don't play a lot of roguelikes, do you?" I mean... do YOU? I've done over 100 runs in Wizard of Legend, and thousands of hours on Pokemon Mystery Dungeon and Etrian Mystery Dungeon. Yes it's made to be run multiple times, but when a run is only 20-30 minutes it's still only about 6 hours of content if you do all the palettes. And these could be fixed with the assets they already have! Like imagine an Endless mode where the difficulty (enemy speed and hp values and number of spawns) kept ramping up higher and higher each floor, with the leader board being kept track of on the app. Or a daily tower run to save a random cephalopod from being grayscaled - the daily inkling/octoling's palette giving you a random weapon/sub/special for that day that followed the rules of 8's Octoshot (more hacks = less chip slots). Or like a super hard difficulty mode - imagine a mode where every floor had a danger modifier, and maybe a Parallel Cannon spawns into the stage to try to hunt you down (maybe it's even invincible so you have to run away from it while doing the stage objective?) I know the Octoshot is kind of the "hard mode" (it's still not too bad though since it's basically just like starting from the beginning without hacks), but it's not fun being limited to just the one weapon type. Especially for it for people who find the regular shooters boring. I don't feel like this is an unreasonable request either, Wizard of Legend - a roguelike made by *two* people - for instance has a few options for post game challenge runs (a randomized mode, a mode where the enemies start from the highest difficulty from floor 1, an extra long run that touches on all the bosses, a BOSS RUSH mode, Curses - basically one thing gets massively buffed while a second thing gets massively debuffed). The Mystery Dungeon games tend to have unlockable MASSIVE dungeons that start you off from having nothing. (like imagine a 99 floor floor tower where you started with no hacks, and a basic shooter with no sub/special and you had to earn new weapons/subs/specials/hacks as you go). Could do the Curse style idea with extra special Marina hacks. "Hey 8, I just figured out a hack that turns everyone's Max HP to 1 - both yours and your opponents!" "This hack will make you much faster but the floors will always be dark!" Or those Bonus challenges, imagine if there was an option to do conditional runs with them. Like "Beat the Tower without using your special, unlock a specific splat tag banner" Again, I am only criticizing because I love it. It's just also the easiest and shortest of all the single player campaigns we've gotten I feel, and if they were going to lean into the roguelike genre, I wish they looked into how other roguelikes reuse assets to lengthen the gameplay and provide extra challenges to keep players interested for a long time.
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AND I AM STILL MAD YOU CAN'T PLAY AS A SQUID AND THEY REMOVED THE PLAYABLE SQUIDBEATZ (half joking. Not really upset, but I do find it odd now that there's more campaigns you can play as an octoling than an inking on the switch now despite inklings being the mascots...... rotm/oe/so vs just s2hero/rotm. And I don't see why we can't just have minigames back, they remove more minigames each entry and paying to listen to music now is frustrating...) Haha... But yes, overall, I loved it. It's a 9/10 from me. Adding squidbeatz and some post game longevity / challenge modes would have made it a 10/10. I can't wait to play more, I can't wait to visit Inkopolis Square again next splatfest :')
Now, onto random observations!
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The lobby has jump ramps on the back corner pillars. I don't know why!
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You can turn Color Lock on in the main game and it *does* affect Side Order. It gives you permanently Blue+yellow or Blue+green ink, even in the hub area.
So with this boss, it uses the hairstyle from your S2 hero mode data to get their appearance... But I swear mine is using the feminine voice here and when being splat, despite that hairstyle being locked to masculine inkling voices in Splatoon 2? I do use it with the feminine voice in Splatoon 3. Or maybe the voices are just mixed into one here, I can't quite tell? Well it made enby me happy to see. I do kinda wish we got a challenging superboss fight with 4, these felt a bit weak.. but it seems to imply they aren't specifically 4 but Order made them based on their data... So...where is the real 4?!!! Did she never show up to work? Speaking of that boss....
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Around the room are these white pipe like structures...
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That will be instantly recognizable to anyone who dabbles in japanese model kits - they're sprue trees, like the kind used in Gunpla.
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The robotic boss has robot model kit building pieces in the background :D
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I still don't quite get the intro scene where everything goes digital on the train.... So it's implying either A) your character got Grayscaled.... But your character is fine when you go back to town... you don't even see any characters standing around suffering it's effects, they could have had some npcs spacing out or acting weird ala Persona 3... or B) you're getting pulled into the memverse too, but there's no sign of your S3 character *at all*... (though this would have been a good way to let us play as an inkling too nintendo >:l *angry woomy noises*)
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Honestly I felt kinda like Acht's inclusion was sort of superfluous at first... mostly their role felt like "Pearl & Marina: *does something gay* Acht: wow these two sure are hella gay right 8? i feel like we're third wheels". I kept waiting for some kind of...reveal? Their memories are pretty much fully restored instantly rather than rolled out gradually like I was expecting...I was thinking maybe they'd, like, link them to Paul, or follow up on the recognizing Pearl somehow or being linked to the engineers that created Order or...SOMETHING, but it never came. Other than maybe dropping a hint about the person who instructed them and Marina when they were in school? Their role was really just "I'll hold the elevator and jump in for a song"... But maybe that's okay, eight and Acht are trauma victims and this was meant to be a place to heal them. Maybe it's okay that we take it slow getting to know them.
Okay that's all that's brainworming away at me for now, I'm sure I'll think of more later. Again, I really love it, definitely a 9/10 for me. I hope yall enjoyed it too :)
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littlespoonevan · 24 days
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What is the couch theory? 😅
oh anon, where do i start!!!!! this is possibly my favourite subject of all time so apologies in advance if this gets rambly askdjfh
okay so the couch theory goes all the way back to s5 of 911. at the start of 5B buck asks taylor to move in with him, right? and because she brings all her stuff with her it means they have double of everything, including two couches. so buck gets rid of his and they keep taylor's
however in 5x18 buck and taylor break up so she moves out and, of course, takes her couch with her
when we meet buck again in s6 a few months later he still hasn't found a replacement couch. over family dinner with eddie and christopher, chris makes a joke about it (like father, like son) and buck tells him and eddie that, "he doesn't want to choose the wrong couch again" heavily implying he means he doesn't want to choose the wrong romantic partner again (he also says his last two couches came with girlfriends since ali presumably helped him pick out the first one when he moved into the loft in s2).
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the episode ends with buck moving his armchair to the place his couch used to sit and sitting down with a smile on his face, suggesting he's content on his own for now and thus, the couch theory was born:
buck's next couch/romantic partner will be the Right one
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so we go through the whole of 6A with no couch developments and no real allusions to it be tHEN in 6B after the lightning strike buck's parents comment on his lack of couch and his mother decides she's going to buy him a couch (which is the adult equivalent of getting him a new bike when he hurts himself but that's a different post)
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so margaret buys buck a couch but obviously, it's all wrong. because buck didn't choose it himself. it's not comfortable, he can't relax on it, can't fall asleep on it. and in an episode where buck is feeling smothered by everyone's attempts to check in on him it doesn't offer the comfort he needs so what does he do???
go to eddie's house of course!
and you'll never guess what happens, anon:
buck falls asleep on eddie's couch in about five seconds flat!!!!
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to say 911 had me by the throat at that point would be an understatement lmao
bc that means eddie's the couch, right?????? what other implications could there possibly be when buck has been using his couch as a metaphor for a partner and he falls asleep on eddie's couch so quickly, suggesting he feels safe and comfortable there??? i said it that time but it would literally have been less suggestive to have him sleep in eddie's bed than it would've been to have him sleep on the couch at the point skdjhf
(and none of this is even getting into the fact that when buck wakes up eddie is the first person buck is honest with in the episode about how he's feeling after the accident, further cementing the idea of him being buck's safe space)
anyway by the end of s6 kameron gives birth on buck's couch and effectively ruins it meaning it's time for him to get a new couch again. now this is where everything falls to shit and i WILL be bitter about this for the rest of my life lmao but basically because of the fear of cancellation s6 sort of pivots in the last few eps and the finale makes an attempt to give each of the characters a mini happy ending in case it really is the overall series finale. and buck's 'happy ending' was to ask natalia (who he'd recently started dating) to help him pick out a new couch
now my personal opinion?? i Hated that. not even from a buddie perspective, just as someone who is very dedicated to buck's seasons long romantic arc and the couch theory, i thought it was really weak and far less satisfying than if he'd just ended the season single. especially bc the point was buck was supposed to pick the couch himself. but!!! some people are suggesting he still doesn't have a couch in s7 (though it's hard to tell since all the shots we've gotten have been in the kitchen) so i am privately holding onto the hope that the couch theory lives on aksjdfh
TL;DR the couch is eddie. eddie is the couch 🛋️❤️
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t0ast-ghost · 24 days
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You know this has got me in a pretty deep (Obsession) which is the name of S2 episode 13 of Star Trek tos.
Better luck next time on that opening:
- Kirk’s on edge…
- Star Trek horror episode when?
- is this inspiration for when Doctor Crusher fucks a ghost
- god I love Chapel
- Hot new redshirt is probably the shapeshifter (edit: this is just wrong)
- The fucking gas is sneaking up on ‘em. Of all the things to die to it’s the vampire gas
- Kirk’s boyfriends both think that they should leave and deliver the supplies. Two versus one AND it’s the two that always fight against their favourite idiot
- Kirk ignoring both McCoy AND Spock is not a good sign
- The chief security guy dramatically flopping on his bed is so relatable bbygirl
- Kirk getting paranoid about his bridge crew “conspiring” is like. haven’t you learned trust? Haven’t you learned love? I guess he’s still a soldier at heart or smt
- “I hope I’m not disturbing you, Doctor.” “Interrupting another autopsy report is no disturbance, Mr. Spock. It’s a relief” I just remembered that they’re married and in love
- Spock outright asking McCoy for his advice/opinion is like. YEAH he respects you, he has his own beliefs and ideals but he wants to hear from you! And when he’s worried about your (boy)friend he wants you to be on the same page as him. He wants you to validate his thoughts.
- whatever the fuck this is
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- “Mind if I come in?” McCoy you shouldn’t be able to just enter people’s quarters like that. Can’t you see he’s writing his diary and listening to Mitski in bed?
- Oh my Bones pulling out the big guns.. AND SPOCK. Oh they really were conspiring. You know if they worked together like this more often, they could literally do anything. Like kiss.
- Genuinely unsure if the gas is intelligent or not. I like the mystery of this one.
- “Jim, we’re not trying to gang up on you.” They are though and it’s probably for the best
- Love how the entire bridge crew is just like “this isn’t healthy. Kirk, this is concerning behaviour.”
- OH WOW Kirk came so close to blowing up his own ship
- “Self pity’s a terrible first course, how about you try the soup.” Christine Chapel is literally the best. She also knows how to make threats, not even McCoy knows about (I love how terrifying the medical department is)
- I want a pair of those slutty boots
- McCoy is fucking furious
- “I’m sorry, Jim. I was wrong.” McCoy in short sleeves <3
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- Spock genuinely trying to comfort Kirk cause he has an unhealthy obsession with the creature and Kirk dismissing it
- Spock then trying to comfort the ensign
- He breaks the vent controls with his strength then tries to COVER IT WITH HIS HANDS. Spock, babygirl, that is not logical
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- “Don’t misunderstand my next question. Mr. Spock, why aren’t you dead?” Happy to see you too, Jim
- “Bet he left a bad taste in the creatures mouth.” “Colloquially expressed, but essentially correct.” That is a fucking banger line
- KIRK HEALING ARC
- Spock and Bones at odds once again
- Of course Kirk is gonna be self sacrificial and Spock is going to try and self sacrifice himself.. admittedly Spock had the more logical thought process
- HE FUCKIN KARATE CHOPPED HIS NECK . WHAT THE HECK NEW GUY?!?
- I’d love if I lived on the enterprise and got little updates through the comms by Chekov “stand by for shockwaves.” Of course thank you :))
- Spock is like “I’m to thank, not god, thank me Jim.”
- Kirk healing <3
Better episode than I thought it would be :)
Masterpost
Episode written by Art Wallace
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therainscene · 2 years
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The first time I saw this shot from the van scene, I thought, “oh no, Jonathan knows. And he looks troubled. Is Will’s sexuality going to be an issue for him? Is he going to be a dick about it? I’m sure he’d never hate crime his brother, but...”
Then we got the pizzeria heart-to-heart, in which Jonathan wins the Best Ally of All Time Award and gives Will the most cathartic hug I’ve ever had the pleasure of witnessing. It’s probably my favourite moment in the whole show.
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Because of course this is how Jonathan would react. Of course the guy who always encouraged Will to be himself, who even subtly queer-coded his reassurances on the off-chance that was something Will needed to hear, would be accepting and supportive. Of course that troubled look was because he was angry at himself for being too much of a stoner to notice his bestie suffering in silence.
It was a sobering moment. I knew all this about Jonathan going into the van scene, yet I still walked away from it assuming the worst. I was acting like one of those reddit bros who insist that nothing nice is allowed to happen to the long-suffering gay character because it “wouldn’t be realistic” for a show set in the 80s.
It got me thinking: is Will being similarly paranoid?
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Look at his reaction when Jonathan assures him that he will always love and accept him no matter what... you can see fear, hope, and relief all flooding through him.
It’s like he can’t believe this is really happening, that Jonathan knows what he is and continues to love him anyway.
S4 is the first season in which Will doesn’t have to contend with any supernatural bullshit. Gone are the horror metaphors: his struggles are mundane and depicted entirely literally. But the pizzeria scene still strongly reflects the endings to the supernatural arcs from S1 and S2: with loved ones seeing him in torment and reaching out, reminding him of how deeply and unconditionally loved he is by them.
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(They were extremely unsubtle about this.)
By S4, this boy who’s been targeted by homophobic bullies for as long as he’s been at school is willing to stand up in front of his class and openly identify with a gay historical figure. He even tries to confess his feelings to a boy who (in his estimation) is likely to reject him. Via a portrait with a heart on it! That’s damning physical evidence!
If he can do these dizzyingly ballsy things in a homophobic 80s environment, then surely he’s ready to come out to those trusted loved ones who have demonstrated their love for him time and time again. He could have laid the groundwork for confessing to Mike by coming out to him first, but he didn’t. He could have officially come out to Jonathan during the pizzeria scene, but he didn’t. Why not?
Why is acting gay in a hostile environment somehow easier than coming out to his loved ones?
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I think this is why the GA tend to believe that Will’s arc is about being accepted, rather than about scoring a romance with Mike -- because he really does have issues with acceptance!
What the GA tends to miss, though, is how the platonic love he’s received for four seasons now is not enough. It’s important, to be sure, and it helps for a while... but the demons just keep coming back. He still feels like a mistake.
If Mike rejects him romantically but continues loving him platonically... well, that’s nice, but would it really be any different from all the other times he’s been showered with platonic love? Why would such a bittersweet scenario be the one time platonic love finally defeats his demons once and for all?
Jonathan told Will that it’s okay to be gay... but Mike’s the only person who can show him that it’s true.
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Randomly, on a whim, I decided to re-watch Stranger Things s4. I was focused on other stuff, just letting it play in the background, but I had a realisation about my favourite relationship on the show - Steve and Dustin. And I had to write about it.
In s2, when they were first thrown together, no one, not even the writers, predicted how good and compelling a bond they would form. Steve was going through a tough time, but he still stepped up and helped Dustin with his Dart problem. He gave the younger boy advice about girls, and Dustin grew to look up to him as a capable protector, caretaker and role-model, actively enjoying it when Steve complimented him. Dustin, meanwhile, wriggled his way into Steve's heart with his assertiveness, youthful curiosity, high intelligence, and his sweet nature (also because he essentially followed Steve around like an excitable puppy, and proceeded to not leave him alone).
Along the way, the audience saw how they operated as a team - functionally, they were essentially the trope of 'the brains and the brawn'. Dustin came up with the theories and the plans, and Steve implemented them.
By the end of s2, Steve and Dustin had no specific reason to hang out AT ALL, but they both still chose to. As it turned out, they liked each other's company, despite their differences.
In s3, we got more of the same, with added flavours of Robin and Erica thrown into the mix. Dustin, while still the brains of the operation, needed Robin's linguistic skills, as well as her grounding logic to keep him from going completely off the rails, while Steve also needed Robin to lift some of the weight of responsibility for the younger two. Erica, while only initially needed because of her small stature, kept everyone focused on the task at hand, and also provided an iron backbone to simultaneously criticise and embolden her friends. Their dynamic as a foursome worked, and was many people's (mine included) favourite part of s3.
The relationship between Dustin and Steve, in this time, had clearly become more brotherly, with the bickering and snarking overlaying a genuine trust and care for each other. They were thrilled to see each other again after Dustin had been away, insulted each other to their faces despite being incredibly supportive of each other, and were very protective of each other when in the Russian elevator/base.
In s4, however, the duo, while still the same one we know and love, had developed into something even better - a competent team that knew they work well together, and used that to their advantage (sometimes begrudgingly). Because of their intrinsic differences in intellect, physicality, and general skill sets, they both have very different ways of approaching the same problem.
This is probably best shown in the first basement scene of episode 4 ('Dear Billy', probably my favourite episode of the show overall). Steve, Dustin and Lucas are reading up on Victor Creel, and Steve is vocally confused by the information presented. Dustin criticises Steve on not being able to understand the concept, and goes on to talk about his theories on the Upside Down and HOW it is all happening. Steve then explains his confusion, about WHY Vecna would have done these things, and WHY he had started up again.
And later, in episode 6, 'The Dive', when the Hawkins crew are all updating Eddie at Skull Rock, Dustin again is focused on HOW his compass is acting strangely, and concludes it must be because of a Gate (which he was right about). After some discourse between the whole group about HOW Dustin's compass was going wonky, Steve is the first to question WHY a Gate had opened up.
This is why they make such a fantastic team - because they are 2 sides of the same coin. It reminds me of the most famous detective story dynamic - Holmes and Watson (which is fitting, as Dustin quotes Sherlock Holmes in s4, to Steve).
Dustin (Holmes) provides the scientific, factual evidence and uses this to devise theories on HOW something happened. Steve (Watson) provides the emotional, personal reasons for WHY something happened. They round each other out and build off each other's ideas to form a cohesive through-line that explains both the HOW and the WHY.
There are loads more examples, but here are a few off the top of my head:
S3 - Steve hears 'Indiana Flyer' playing in the background of the Russian transmission. Both Dustin and Robin brush him off, asking him to focus on the Russian, but he wants to know WHY the music is there.
S2 - Steve wants to know WHY Dart and the other demodogs leave the junkyard, and Dustin provides him with the HOW (because of the hive mind).
S4 - Once Steve, Nancy, Robin and Eddie get trapped in the Upside Down, Dustin gets stumped on HOW the Gate opened up. His usual way of figuring things out isn't providing him with answers. So, he turns to another way of thinking - WHY there is a Gate in Lover's Lake. Which then leads him to the answer they needed. (Yes, this is all Dustin, but I truly believe he would not have been nearly so capable of coming up with the WHY of it all pre-Steve. Even in s1, he was the one everyone went to for the HOW).
In conclusion, I once again took a single idea and turned it into a multi-point essay. I always loved the Steve and Dustin dynamic so much, and now my love for it has grown that much bigger.
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succession fic rec list
In honour of succession s4 coming out, I thought I’d make a list of my favourite succession fics. These are all either romangerri or tomgreg, but other characters tend to feature fairly prominently. I’ve split these fics up into two categories: missing moments in canon and fix-it fics. The first category features fics that stick closely to the events of canon and are true to the tone of the show. The latter includes fics that try and give the characters more functional and healthier relationships, and are more optimistic. Fics with an asterisk are my personal favourite. 
As always, check the tags and warnings on ao3 before reading. And without further ado, see below for the fics :)
romangerri
missing moments in canon
the nutcracker [M] by @thefudge [1,218 words] - “Roman. Behave.” (or Gerri and Roman see The Nutcracker. Holiday prompt). 
This fic would fit right in with one of the early s2 episodes, it nails their dynamic from that era perfectly. It’s a romangerri classic: sexual-but-not-really-sexual contact, and its super hot. A must-read.
Must Be Love [T] by @everybodyilovedies [2,719] - On the plane ride back from Tuscany, Kendall and Roman get some time alone to talk about dickpicgate, and the woman at the (attempted) receiving end of it. 
Even if you aren’t a romangerri shipper, I would recommend this fic just for the hilarious dynamic between Kendall and Roman. The author manages to tease the possibility of a reunion between Roman and Gerri, while also staying true to the events of canon. 
the true encounter [M] by wellprince [1,354] - “Hell yeah he is,” Roman says. “He’s about to splash his cum all over this great white nation of ours. And I’m the invisible hand behind the handjob. Look, you’d love him if you met him.” That’s probably not true. Gerri doesn’t love anyone. Whatever. 
This fic is the perfect coda to ep 3.06. Not only is it really well-written, it also functions as a great analysis of Roman’s character, his sexuality issues and explores what pulls him towards both Mencken and Gerri.
**You Could Make a Killing [M] by gaycoruscant [3,633] -  After watching Logan slap Roman, Gerri struggles with conflicting loyalties. 
This fic explores the contradictions of Gerri’s relationship with Roman and her support of his father. Gerri is beautifully written - she’s multi-faceted, and the author does a really good job getting into her head. The writing is beautiful, and there’s a delicious tension between Roman and Gerri throughout. 
fix-it fics
live near your fire as winter blows [E] by @alittledizzy [10,047] - Roman invites Gerri to a cabin in the Catskills and they manage to work through some (not all, but some) of their shit. 
Roman and Gerri get their shit together in a way that feels very in-character. I especially enjoy how the author has handled the age gap - this fic does not shy away from the fact that Gerri is an older woman, which makes both her character and the sex scene feel really natural and authentic. 
Ring the Bells That Still Can Ring [E] by moreculturelesspop [1,800] - Roman considers fatherhood and an alternative life with Gerri. 
This fic is exactly what I imagine the inside of Roman’s head sounds like. It’s very well-written and presents a really interesting study of Roman’s views on parenting and his feelings towards Gerri. Fantastic Roman POV.
holiday [T] by @dollsome-does-tumblr [2,107] - Gerri steals Roman away for breakfast on the last morning in Tuscany. Set after 3.09. 
If you’re worried about what will happen to Roman and Gerri in s4, or still hurting after the s3 finale, read this fic. This fic gives a real sense of closure to the events in Italy and still leaves open the possibility of a reunion in the future.
tomgreg
missing moments in canon
**the old way with the sledge [M] by @round-thedecay [4,390] - Tom takes care of Greg, with many layers of bargaining, withheld information, and slaughterhouse imagery in between. Meanwhile: Tom's marriage will be a slow death.
I can literally hear Tom and Greg’s voices in my head as I read the dialogue in this fic. Even though Shiv only shows up at the end, she feels like such a presence throughout this fic. Both her character and relationship with Tom are really well-handled.
Subterranean Homesick Blues [M] by @envius [9,077] - After a month of separation, Tom gets everything he thought he wanted.
The author really understands the dynamic between Tom/Greg and Tom/Shiv, with both relationships feeling balanced and in-character. This is MY s4, so no matter what happens in the show, I know I’ve always got this fic. 
Three Legs [E] by @neroxsporus [6,603] - Tom and Greg celebrate Greg's moving up. It's hard to say who gets more out of it.
Excellent coda to ep 2.04, where Greg uses Tom as a human footstool. This fic nails the weird, homoerotic aspects of their relationship and explores the culture of toxic masculinity and power at Waystar. Very funny and in-character.
**Saturn's Stomach [M] by baffledbear [6,549] - Things take a turn for the worse when Logan invites Tom and Greg on a secluded hunting trip in Virginia. Deep in the wilderness and with nowhere else to run, the pair must rely on each other in order to survive a deadly game.
This fic feels like it is written by someone who really understands Tom’s arc and what the narrative is trying to convey. The ending is incredibly satisfying, tying in many of the themes from the show. The relationship between Tom and Greg develops in a really plausible manner, and while they are endgame, Tom and Shiv’s relationship is still incredibly meaningful throughout. 
fix-it fics
put your money where your mouth is tonight [E] by asphaltworld [6,964] - Greg smokes and tries to think of what to do, like, with his life in general. 
Greg loves being a sugar baby: The fic. This is a very plausible take on Greg’s character, and the author does a really good job delving into Greg’s POV and his thoughts on Tom. This is a fun, lighthearted read that fits in well with the end of s3.
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jemmo · 1 year
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utsukushii kare really said we’re going to take two of the most fascinating, interesting, well-characterised characters to have ever been written and not just stick them in the same show, but put them in one of the most incredible relationships to be seen on screen and i cannot thank them enough for it. seriously, if you consider the fact that at this point we’re at ep 8 of a 30 minute runtime show; that’s 4 hours. i’ve watched other bls, heck even other ordinary shows, that can’t even cram enough characterisation into a character that hira or kiyoi have in their little fingernail. im not joking. and nothing shows that better than kiyoi in this ep.
i love that we’re already getting an episode from his perspective. we had to wait all the way until ep 4 of season 1 to see things from his side, and that was such an amazing twist and reveal and still to this day that ep makes me cry. but im so glad we get to see his perspective sooner. bc we don’t need that shock twist anymore, instead it serves as a good balance to see where both our characters are at in the first 2 eps. and yet again, seeing things from kiyoi’s pov just opens up the absolute treasure trove that is his character. there are so many stand out points from this ep that i wanna mention but I’ll wait until my big ‘favourite parts of utsukushii kare s2 ep2’ post to list them all. what i wanna say here is that every bit of his character we get to see in this ep comes together so well to create such an interesting, multi-faceted and well-rounded character that it’s kind of astounding. we start off with his softness and vulnerability that’s countered perfectly against hira’s timid reaction, and then we jump back to high school to see this full on longing and the frustration that comes with that, waiting to be confessed to. i wanted to say this about the first season but this serves a good opportunity too; I find it so interesting how they portray hira and kiyoi’s ‘seme and uke’ dynamic (im gonna use those terms bc i can’t think of any better way to describe it, just know im referring more to a more dominant vs more submissive personality, like the confesser vs the confesse, and not anything sexual). You could so easily watch this show, hear the premise, even see the characters, hira and his chronic shyness, kiyoi and his undeniable popularity, and easily place those labels; hira the uke, kiyoi the seme. but in reality, kiyoi so clearly wants to be the uke, and very much is the uke. he begs in his head for hira to confess his feelings fo him, half bc maybe he needs hira to be brave where he can’t be, but I think also half bc he just wants to be confessed to. He wants the boy he likes to tell him he likes him, just like he wants to cuddle in his lap and be looked after. it probably stems from this want to be loved, chosen to be loved, and be cared for where he felt he wasn’t before, but it’s just so refreshing and such an interesting subversion of expectations, to see inside cool, popular kiyoi’s head and it’s just him begging for this shy, nobody kid to like him, and say it out loud.
and then I’ve touched on this before, but you get to see his earnest drive and passion to do what he loves. the cool kid that should fit the stereotype of never caring about anything, pushing to do the thing he loves, putting himself out there. I just can’t describe how excellent of a subversion that is. and the way he is with people at work, with Anna, polite and cordial and sweet, it’s such a reverse of kiyoi’s tsundere shortness and bluntness with hira that it not only shows us that yes, we weren’t hallucinating, there really is an infinite pool of softness within kiyoi that pours out more and more every time we see him, but also shows us that kiyoi is maybe only his true self with Hira. he’s not this polite, nice boy, nor is he this cool, cold popular guy, he’s somewhere in the middle, a fascinating mix of both, that only hira gets to see the full extent of, and I think that says a lot about how comfortable he is with Hira, and how much he trusts him. as much as it may be bad that hira will never find fault with kiyoi, it also makes him his sanctity, his true safe place, where he can breathe and grow and truly be whatever he wants, soft, angry, cute, cool, vulnerable, hira will take it all and adore it no matter what.
and then we get his jealousy of koyama, his protectiveness and possessiveness of hira. it’s kind of endearing how he still feels these things when hira shows him such endless devotion, it’s a testament to how normal he sees their relationship compared to hira, and how he therefore allows himself to feel normal relationship things, including possessiveness. but also in this scene i really love how kiyoi is let’s himself doubt himself, and only when it comes to hira. i feel like we’ve only ever seen him been unsure of himself when it comes to the things he loves, namely his dream of being a performer, and hira. he only looses confidence when he doesn’t do well in the competition in high school, and is only ever doubtful when it comes to hira’s feelings about him, and how he is with hira, maybe bc they’re the only things he truly wants to last forever. so what does he do, just like he does with his acting career? he puts in sincere effort. he humbles himself taking that recipe from koyama, and despite his cluelessness and clear lack of skills, he still tries his absolute hardest to do something for hira. he cooks him a meal, one of the most ordinary and sincere expressions of love. and his shy smile the whole time, him waiting excitedly for hira to come home, it’s such a fantastically endearing contrast from the cold, removed kiyoi we know early in s1 that you almost can’t reconcile them as the same character, and yet the steps that got us here make it clear that they are in fact the same person, that both those people live inside kiyoi and that’s amazing. and of course something as ordinary as cooking a meal for your boyfriend can never be normal for hira and kiyoi but the chaos unfolds is what makes them absolutely them. it mirrors what kiyoi says at the start of the ep about Hira, ‘if it wasn’t disgusting, it wouldn’t be hira’. It’s the same for kiyoi, and the same for their relationship. they don’t want to change it fundamentally, don’t want to take away the things that make it them, they just want to find a way to take this thing they both want and love and build it, strengthen it, so it can last. and i’ll say it until I’m blue in the face, but that’s why kiyoi’s personality, his bluntness, works so well for hira. it provides this iron wall of reassurance based in truth that he needs. I think ‘im not dating a pebble’ might be my stand out line from a bl in 2023 already but it’s also so ridiculously laced in meaning. Kiyoi doesn’t see hira as just some rock, some insignificant thing on the side of the road, that’s not what he’s dating. He’s dating hira, the person. And I think this push for hira to see himself as a person is only something that kiyoi can do because, in a way, hira was the one to see Kiyoi first. I’m a different way, because of the complex hira still has around kiyoi, he may not be a person yet, but hira still saw him in a way no one else did because he cared enough to look and keep looking. He stared and stared at every bit of kiyoi, including the uncool parts, the embarrassing parts, the sweet parts, the upset and angry parts, he’s the one that saw it all and never once looked away. The invisible kid made him feel seen. And I think for someone that’s always looked at but never seen, that’s what you really want.
So yes, this may have collapsed into another ramble, but I hope I can just convey some of the sense of how whole of a character kiyoi feels, even just by the points in this ep. And I just love that he’s allowed to be it all, be chaotic and messy and imperfect and a work in progress while still helping hira along too. I’ve never seen a bl couple that feel so much like they’re growing together, figuring themselves out as people and as a couple and it’s just so fucking refreshing and interesting and beautiful to watch and i will never ever shut up about it
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Here's MY thoughts on the love island the game's seasons, for no reason other than I want to:
Also because the majority of the people following me are here for OM! & I want to drag more people down into the litg hell with me :)
Season 1: why is everyone so bitchy for no reason????? Talia & Jake are okay but other than that it's meh... don't really like the art style either
Season 2: Immaculate. Chef's kiss. They hit a high they never reached again. Somehow managed to balance the drama & the found family aspect and created a dynamic where you can actually believe everyone is friends and having fun even if sometimes they try to kill each other. Characters are flawed but generally decent people who are allowed to grow throughout the season. You get the option to make MC a bi gym-bro who can devour an entire cake in one sitting and bench press her partner. There's a reason this got two sequels.
Season 3: It's fine ig. Short and kind of boring. Nothing much happens. AJ is so cute though she almost makes up for it.
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Season 4: Honestly a close 2nd favourite. We get a lot of character backstory and like s2 it touches on some serious issues. The season with some of the funniest moments/lines of dialogue - multiple moments where I just laughed out loud. I'm still only half way through it but the "villain" is just straight up mean for no reason and doesn't get any character development like the characters in S2 but makes up for it by having some of the funniest interactions with other characters and I was so sad to see her go. Also the season where I desperately wish MC was allowed to be in an open relationship till the very end and finish off the season in a polycule with every other islander who was in the love "triangle"s of the the season because this was the hardest season to pick a LI - Najuma is just all around amazing, Bruno is sweet & funny, Tom is so pathetic* MC & Thabi's friendship is also the best thing? It's great seeing a platonic relationship that is as loving (if not more so) than the romantic relationships. It's literally:
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Season 5: Psychological horror. The producers said 'hey wouldn't it be funny if we torture this woman on national tv' and then committed to the bit. My memories are hazy because even though I only played it earlier this year it upset me so much I did my best to block most of it out but also I'm 100% sure there was actual galighting happening. Don't know why MC stuck around till the end because all she's gonna be able to use the money for is to pay for her therapy. Anyway I think MC should have been allowed to brutally murder everyone, she deserved it <3
Season 6: I liked the concept but I think they should have utilised it more. I'm still right at the very beginning (around ep 9) and I KNOW the general consensus from everyone who has reached the last eps seems to be that Amelia sucks MAJOR ass. But look, this is the first time a game has given me a MC with a canon family member who is also part of the game so in my opinion Amelia could commit war crimes and she's still be the most precious little uwu ever because I'm activating MC's insanely overprotective oblivious to all faults ""big"" sister mode
Edit:
*I just played more of S4 and holy shit someone needs to get this man away from his parents and also maybe get him some therapy jfc
Edit 2:
** youcef, mc & valentina helping tom figure out he likes flowers and pink and tie-dye clothes and makeup and being complimented and called pretty and getting hugs is getting to me okay his parents better watch the show and see their adult son finally discovering himself and what he likes instead of what they think he should like and finally being able to let loose and have fun without worrying about what others think of him and finally being happy and they better get some sense knocked into them OR he should go to therapy and realise that no matter how much he loves his parents their love and regard being so conditional to the point that he's hidden his entire personality and is now so extremely self-conscious of it whenever it does manage to peak out, that he nearly cries on national tv after a practical stranger compliments those hidden bits is not good. Also the man has some of the most insane repressed queer vibes???? What do you mean he sees a canon nonbinary person wearing a floppy hat and is reminded of the floppy hat he loved as a child that his father threw away and replaced with a baseball cap and then when he "lost" the baseball cap his father bought him the exact same one again
Edit 3:
*** i was 100% sure i was going to get mc to stick with najuma (dorky mischevious goth who is so so bad at flirting hello!!!?) but i got caught by "sad & shy with serious self-worth issues hidden badly behind an overconfident exterior (who blushes & gets flustered easily because he so rarely receives genuine praise/compliments) experiences postive regard for the first time and loses his shit" for the third fucking time
Edit 4:
Okay but why does Dylan get (rightfully) called out by everyone in S4 for all the bullshit he does to MC from blatantly lying to her to not listening when she says "No" But in S5 when Suresh (admittedly, more subtly) pulls off the same shit no one says anything, even MC's "friends" don't believe her.
In S2 when Luke/Henrik gets a little too forceful after MC says no, he gets called out by MC's partner and immediately apologises
In S4 when Dylan does the whole "stop pretending you don't want me" routine after MC rejects him multiple times, the rest of the islanders band together and basically chase him off the island
In S5 when Suresh pulls literally the same thing from the very first episode itself but none of the other islanders believe MC, and Suresh keeps getting to do this until almost the very end while also managing to constantly play hot & cold with MC and chase away all of MCs other romantic interests
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doctorsiren · 1 month
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You strike me as the kinda person who would like Lego ninjago or perhaps Lego monkie kid
YEAHHH I LOVED NINJAGO AS A KID GRR ME AND MY NROTHRS WOULD GET NINJAGO LEGO SETS FOR EACHOTHER OFOR CHRISTMAS AS KIDS YEHAH
Zane was always my favourite, even before we found out he was a robot…which is crazy and i think makes him one of the first robot characters I adored (even before we knew)
while rewatching it during Christmas 2022, I realized that Zane was literally autistic-coded (get it hahah bc robot)
Like Sensei Wu says how even though he’s a robot and may not have the same humour as the rest of the crew, he’s still a ninja and is still their brother
We did stop watching after the end of S2(?) because it got all futuristic-y and I was not here for that LMAO
I’ve never seen LMK but I’ve heard from my friends that it’s good
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I love Aziraphale but I DO kind of feel like he was objectively more wrong than Crowley was, bc Aziraphale's plot for most of S2 comes straight out of Terry Pratchett books: he shuts down Crowley and focuses on setting up this storybook romance for them, while ignoring everyone else's distress. Like we see from the start of the season that Crowley is depressed and clearly upset, and it gets worse as it progresses, but Aziraphale doesn't even clock that something is wrong, even when Crowley is outright telling him. Of course this is going to create and nurture a situation where Crowley doesn't communicate. Aziraphale's not listening to him anyway. One of Terry's books features a witch who uses her magic to force fairy tale plots onto the people around her. It's the pinnacle of toxic positivity.
hi anon!!!✨ oooooh i have a feeling that this is going to be a long one, my apologies in advance!!! also, please forgive my ignorance on pratchett's works, im not deliberately ignoring it, but definitely not familiar with it enough to draw on any narrative similarities unfortunately!!!
so on the point of aziraphale not recognising that crowley is depressed, i do think that there are some indicators that if aziraphale paid more attention, he would pick up on it. that being said, i do think that the depth of crowley's not-okayness is largely masked from aziraphale, and is mostly shown only to other characters and obviously to the audience; the scene on the park bench with shax, for example, or any scenes between crowley in/around the bentley. one example that aziraphale could have picked up on:
c: "what i need is for him to be nowhere near me, and the precious, peaceful, fragile existence ive carved out for myself here..."
a: "i thought we carved it out for ourselves?"
c: "so did i!"
so, obviously crowley started in on the fact that gabriel threatened aziraphale in ep6, and quite rightly uses this as a reason to leave well enough alone, get rid of gabriel, and go back to their life as it was before. and crowley's language and delivery is absolutely indicative of how desperate he is to keep the status quo, that he's hanging on practically by a thread. shax and hell are keeping tabs on him, he's living in his car (which i'll come onto later), and he doesn't have much of a Purpose anymore than just existing.
aziraphale should be reading into this, 110%. but, crowley ends up underplaying his own struggle by talking about 'i' and 'me'. that doesn't mean its less true or valid, but to aziraphale's mind, he appears to be thinking only about how gabriel's presence would affect him. it immediately undermines how crowley first went in to trying to convince aziraphale to turn out gabriel, because it reads like crowley is revealing his true issue with the situation. we know that it's because, to crowley, aziraphale is ignoring him and his warning (which he absolutely is).
but crowley hasn't told aziraphale the full story of what happened; what gabriel said. aziraphale doesn't have the context to understand the full scope of crowley's fear and anger. i don't think knowing it would have necessarily changed the ultimate outcome/decision - i do think aziraphale is still kind and forgiving ("it's one of my favourite things!") to a fault - but it might have stopped aziraphale completely closing off and shutting down the continuance of what could have been a communicative and honest discussion. that, despite all of it, crowley is stepping away from aziraphale and planting himself on His (crowley's) Side, not Their Side.
aziraphale attempts to pull the conversation back; he tells crowley he would love for him to help, and that aziraphale is actively asking for help (which, verbally and with full intent, i don't recall aziraphale having done anywhere before this point in canon; he's intimated it, made very strong suggestions that he wants crowley to help/do something for him). this is a big show of vulnerability on aziraphale's part ("i need you!"), to literally put those words into the space between them... and crowley is silent. crowley is absolutely justified in not helping gabriel, but i think aziraphale's reaction is just as understandable.
but then moving on through to ep2, i think the next bit where aziraphale probably should have seen that crowley is Not Okay is the bentley/bookshop discussion, and crowley's reluctance to share it. from crowley's point of view, this car is literally the only tie he has left (will still get to the Sleeping In His Car debacle later) to anything permanent. this car that is literally an extension of him, comforts and shelters him, his complete Ride or Die - even to the end of the world. it is completely understandable that crowley would be jealous of it, want to keep a portion of his world for himself.
from aziraphale's point of view, as suggestive as it can be interpreted, he's opened his doors literally to crowley since at least 1941 - even earlier, if we count the 1800 scene that was cut (where, if gabriel and sandalphon hadn't turned up, i have no doubts that crowley would have been welcomed in straight away). it's definitely believable that crowley, between at least 1800 - 1827, might have been welcome in the shop... possibly even between 1827 - 1862 depending whether or not crowley spent "quite some time" in the pits of hell after edinburgh.
and this is likely to have been an exponential occurrence between 2008 - 2023, possibly even between 1967 - 2008 (depending on whether they had or had not been in continued contact follow the holy water incident). either way, again from aziraphale's perspective, the tie he has to earth and his life on it has been steadily then repeatedly shared with crowley. that's where he feels safe, and is himself, and is an extension of him. it's where they both feel like that in 2023. aziraphale has, presumably, shared that without quibble, has even been - judging by the s2 scene - something he has actively encouraged. it's definitely presumptuous, and possibly even entitled, but i think aziraphale has seen this as crowley being willing to share his life with aziraphale; why wouldn't he share the bentley? he's driven aziraphale everywhere he's wanted to go in it - doesn't crowley trust him enough to let aziraphale drive himself, for once?
ep3 sees a continuation of the above; that aziraphale changes the car, and does so without permission. whilst cute and adorable, and with the best of intentions, there is a major degree of this that is absolutely a violation on crowley, even if he logically would know that it's reversible. potentially, this is even foreshadowing of how he feels in the Final Fifteen with the angel restoration offer (im sure someone else has drawn this parallel somewhere...?).
but i do think it is absolutely a declaration from aziraphale of how wonderful he sees crowley just as he is now (his mf eyes), and how actually he doesn't want to change crowley to something better, but instead to paint the whole world in crowley's image. and its all the more powerful because a) crowley isn't there to see it, and b) he doesn't know that crowley can so viscerally detect changes made to the car.
the fact that crowley doesn't make this connection is surely a reflection of how he sees himself (see: he doesn't), and aziraphale should pick up on that... but if to aziraphale's mind crowley already knows how aziraphale feels about him through other gestures, in aziraphale's mind maybe crowley's just being coy or a bit possessive of his beloved bentley - that's fair, it's practically married behaviour! aziraphale wouldn't necessarily think to infer crowley's objections as anything different.
then we move on to ep4 (and finally talking about crowley living like a nomad), with the last scene of aziraphale helping him take out the plants to the bentley. you know - im still not 100% sure what to make of the whole situation of aziraphale not knowing that crowley is living out of his car. my main two schools of thought are that:
crowley has been spending enough time in the shop that him going out at random intervals is just normal to aziraphale - he's off doing Demon Things! he's just out on a jolly, having some time to himself! but it's okay, he always comes back! that would be possible, but we don't have any narrative to actively support this, and is practically a hc at this point. but there must be something that keeps aziraphale from digging any deeper - he is by all accounts a smart guy, and clocking that crowley has his plants in his car must get him thinking even if only for a moment... (unless he literally just chalks it up to Crowley Being Crowley, which is also feasible lbr)
the alternative thought (and not saying this is right - as i said, i literally do not have a scooby as to why aziraphale doesn't seem, on some level, to realise it) is that aziraphale does realise it, but doesn't want to face the implications of why crowley might have kept it from him, and so he buries it. i parsed this thought out more in a LWA response, full post here, but snippet screenshotted below:
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i'll probably leave that bit there, but absolutely; aziraphale should be realising that something is wrong... but equally - as the king of cognitive dissonance, frankly - i don't think he wants to look deeper into something that, to him, would suggest any reason for there to be distrust between them, or a lack of openness. of course, we can see as the audience that this is a very small drop in the ocean where that's concerned, but to aziraphale - there's surely no possibility that crowley would keep something from him, not something this important.
when it comes to the Loving Gaze in ep6 (i'll come back to ep5 in a sec) that he gives when crowley admits that he's been living in his car, again - not entirely sure what to make of it. obviously it is just pure 'i utterly love/adore him', 'yes, it's you i want to be with, yes', but also maybe a measure of 'oh, you silly demon, why didn't you tell me? not that it's a problem now though, because in time we'll be together properly and you'll never have to be without a home again because your home can be with me'. he does gloss over the fact that crowley didn't tell him, and was obviously not in an okay place - but possibly in a, 'we'll talk about it later sometime, but for now - im just happy about what future we could start having from here on out. everything else is immaterial'. it's dismissive, but i also think potentially an indication that aziraphale does see, but they'll have the rest of their existence now to talk about it and heal.
anyway, back to ep5. the ball. oh lord - i honestly don't know if i have the mental acuity to even go into depth on the ball, rn. it's a Problem, and 100% on aziraphale's part. he's overcome with love, god bless him, isn't he? just so hellbent on showing crowley - it's not even about the girls, anymore, not if aziraphale really admitted it to himself - that he loves him. i think the magic spell that aziraphale creates bewitches even him, slightly - maybe not so literally, but this is a moment that has at least been decades in the making. and crowley is running around telling him there's an issue? well, they're safe in the shop (which, in a way, is absolutely true)! don't spoil this, please just hear me, hear what im trying to tell you unequivocally!
i think in aziraphale's mind, crowley tends to have a habit of overreacting (gabriel as a case in point), which is not true - but understandable when you potentially consider that aziraphale never really has all the facts. he's definitely overprotective, a point that is shown in s1 (imo, aziraphale never actively encourages the damsel-in-distress thing, but crowley just happens to show up at the slightest hint of trouble, and instead aziraphale takes this to mean that saving him, when he doesn't need saving, truly does make crowley happy). this is something crowley through his actions has encouraged - i think to assume that crowley is overreacting in this context is understandable, but yet; no, aziraphale should be listening to him. he should. and it once again feeds into the thought process that aziraphale cannot save himself - on and on it goes.
i don't think there is much to discuss in ep6 (im not going to get into the Final Fifteen - it's been analysed so much better by other people and by me too), this answer is already long enough, and i think for the most part it's fairly obvious. i do however have a dedicated FF tag in my masterpost if you do wish to peruse the various ponderings on the subject.
the only thing i guess that's really left for me to parse out is s1; aziraphale does lie to crowley. a lot. most egregious is lying about finding the antichrist but, i will say, in his defence - crowley has repeatedly asserted that they should straight-up murder a child. aziraphale drew his boundary, and crowley kept pushing, even going so far as to try tempting (and then practically demanding) that aziraphale be the one to do it. i don't think it's unjustified in that respect that aziraphale would keep that knowledge, therefore, from him - and instead turn to heaven. obviously that doesn't work out, in that respect crowley is proven right, and aziraphale immediately takes action to remedy it (calls crowley after the 9-1-metatron call).
but, it's an interesting mirror to what goes on in s2 in the theme of mutual trust and openness between them. crowley doesn't trust aziraphale not to dismiss him and run back to heaven when the going gets tough, nor does he trust him to have any sense of self-preservation (despite, yk, being a literal miracle worker and being the one to actual save their bacon in the 40s s2 minisode). but aziraphale similarly doesn't trust crowley not to try making him do something he has expressly said he will not do, and would betray a core tenet of who he is - temptation, which they both know works on aziraphale, and crowley could arguably exploit as he sees fit if aziraphale were to let him be completely vulnerable to crowley. in this respect, the foundations of their relationship, such as it is, is quite demonstrably built on sand of the quick variety.
so in essence, anon (honestly - gold star for you if you've made it to here), i don't disagree with you at all. but i think it's slightly reductive to not see that they are just as bad as each other. each have their trauma and unreconciled issues that directly inform on the action or inaction they take, and both are completely justified in that. i think it's more than possible to be empathetic to both of their perspectives, because ultimately, imo, their relationship as it was where we left it at the end of s2 was practically doomed right from where we first - in 2008 - properly join their story. im all for a huge, screaming row, and the promise of quieter, more delicate conversations thereafter, in s3; boy, do they need it!✨
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dilftesbiggestfan · 4 months
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more dante pookie hcs plz its rare to see dante stans
on it bro I’m giving u mys and diaries hcs cuz why not we gotta be more annoying like laurence stans
Mystreet:
he gets Gene gifts every Father’s Day since from his perspective he was the one who raised him alongside his mom and was the only father figure he had :,)
Has like 12 guitars (this isn’t over-exaggerating)
started dyeing his hair blue after freshman year of HS, his natural hair color is black
he was a late bloomer so he looked more feminine while the others looked masculine and were developing quickly, Nana thought he was adorable which is why she dated him also at some point Zenix thought he was a girl 💀 after 16 he started developing quickly and becoming more masculine till he finished puberty at 20
grew up in Nashville before moving to the city pdh is located in then he went to college in Spain then he moved to wherever Mystreet is (still haven’t decided but its the USA).
has a masters degree in engineering, and has a great paying job which makes it easier for him to travel a lot, he always takes Gene and his friends/family with him though, he hatessss travelling alone
ages gracefully currently he’s 34 in my rewrite and he still looks 24 same goes to gene (but Mystreet seasons 1 - 3 takes place in their early 20’s and mid 20’s; which is the past I know it’s confusing but so is my head so yeah. If ur wondering seasons 4 - 6 don’t exist and never will be canon to me :))
pretty masculine but still uses makeup and “women’s” perfume / skin care doesn’t care tho
cooks really well but he’s not the best because Laurence is and no one else can compete
when he was dating nana he learned Japanese for her and can speak around 80% of it, basically he can hold up a long conversation he can also speak other languages:
English (obviously, American accent)
French 65% Spanish (Mexican dialect cuz he’s Mexican)
(Spain dialect, he learned the European dialect first then worked his way up to Mexican dialect, he can switch between dialects easily)
he can also understand some Portuguese :)
very picky with fast food, he prefers healthy food but he does like pizza
really calm and chill (unlike his canon version) opposite to Travis who’s extremely chaotic and messy
long hair and refuses to cut it
Eventually he does dye his hair back to black in his 30s after feeling like he damaged it (thankfully he didn’t and won’t be balding like dilfte 😇)
Favourite band is Metallica
nerd when it comes to astrophysics and astronomy
only ex he’s in good terms with is nana who he dated for a while in HS before they decided to mutually split up (no he never dated Nicole I hate that ship)
MCD:
Loves wolves and tames them he treats them like puppies even though they can rip apart peoples flesh :3
is 7’2… …. ..
insanely beefed up because bro ran a village all by himself for 15 years and trained hard everyday also he canonically beat both laurence and garroth in a fight after the timeskip he’s a beast
ambidextrous and can use both arms efficiently when it comes to combat and fighting
Dilfte rarely shows his face like how Garroth used to wear his helmet back in s1? it’s like that
Extremely gentle and cautious with his wife and kids because of his size
has 7 kids including Dmitri and naoki (so 5 other kids) yeah he been busy
in s2 he’s in his early/mid 30s but in s3 of MCD and afterwards he’s in his early/mid 40s
Still madly in love with his wife and still in that honeymoon stage
Unlike Nicole he let Dmitri pick who he wanted to live with and Dmitri chose Dilfte and Nana
Wraps injured people up in his cape and carries them in it
physically very strong slightly above garroth (if we’re counting physical strength and not magic)
as intimidating as he looks he’s super sweet and wouldn’t hurt a fly
likes to go on picnics with his kids and wife
Extremely supportive of his kids and very progressive (keep in mind this is the medieval ages so it was rare)
finds lizards intimidating
bisexual but he doesn’t know what it means all he knows is women and men are both hot
Moved on “quickly” from Nicole because they already were unhappy and distant before breaking up, for months he thought they’d break up the next day so he spent that time wallowing and grieving their relationship until she broke the news to him and left him alone, then he moved on with Nana 2 months later. Which isn’t even quick if we’re being historically accurate.
limits drinking and refuses drinking around any kids, not that he’d go crazy and hurt anyone but still he’s extremely cautious.
Dilfte is probably the only dad who wants his kids to surpass him in the series 💀 he’s very proud of them no matter what though
long hair he puts it up usually (balding and short haired dilfte/dante ur dead to me.)
beard
Still tried to talk to Gene using the amulet even after the incident, Gene would always listen but never respond.
thanks for fuelling the hyperfixation
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