#even if he's like. VERY important 2 the whole plot and LITERALLY all of this. shoutout 2 emerald . i need to draw him more

[wellcomeoneileen]

Post 2/? on Processing QaF

End of qaf -technical points. 

This is a very logistical view on the literal end of the show. My more thematic l thoughts about the whole final season are also under this tag, in post 1. Again, conceding that I am very new to an established fandom and this is my immediate processing of finishing my recent obsession, and there are probably several other posts like this floating around.

I read every spoiler possible. I read nearly every fanfic possible all before I watched any of the last season of QaF. The endless thought pieces really did help sooth me for seasons four and five. I think I was a much more at peace with them than fans who were watching it live back in 2005. But the last one or two episodes had me pausing with my jaw dropped multiple times. I hated it!

And I contemplated why - when I knew every single thing that was gonna happen, even several lines of dialogue I knew!

And I think it comes down to the breakneck pacing and editing.

Because right after finishing, I paced around my home angrily muttering over what had happening. And outlining the end like that, even though I was in a mood, still sort of made sense. 

Brian has been a sex god for several seasons. He let down his guard to let Justin in. Out of fear, he did what fans/Justin thought they wanted, and asked for marriage/said I love you with Justin. Brian loves him enough to not force him to stay, Justin loves him enough to not make him change. Peacefully and lovingly, they go their separate ways with the strong and insinuation that they will either do long distance or reconcile. That sounds good! It was horrible to watch.

The show betrays itself by acknowledging the Britin arc is the most important to the show and viewers by saving it for the penultimate scene. The final episode(s) have all really revolved around Brian. Even the girls leaving was really about Brian (in its show presentation, at least). And Brian and Justin have the final scene of all the characters resolving their storylines. The final, final scene was an ensemble one (as it should be for an ensemble show) which reflected on the show as a whole. That was the epilogue, because Britin was the denouement.

This is tough in two ways.

First, because the Britin arc has a bittersweet end, yet felt more like the writers wagging their finger at the audience instead of a thoughtful conclusion that was necessarily bittersweet. Whole other post.

Second, because of their editing – both storyline wise and visual execution wise.

The decision to show Justin and Brian in bed together, not even see Justin leave, and then show Brian in bed alone was pretty cutthroat. I literally paused and my jaw dropped – but not in a good, teary way, or my heart strings were pulled way, but in a … I felt like the writers were kind of flipping me off? Or flipping the actors off? I literally googled if Randy Harrison had fought with the showrunners because of that (and allegedly, yes, lmao. You can tell!!!). That was just an unpleasant viewing experience.

Then, the writers did not give any sort of breathing room for that emotional beat to end and then the series finale beat to begin. There is no space between Brian being left alone and Brian and Michael going to the club and then dancing. No space timewise, plotline wise, or even visually, as they literally meld the end of Britin into the start of Brian/Michael final.

Because of this, even though I’m sure it was written and outlined as very separate plot points for separate emotional beats for separate scenes, it doesn’t feel that way as an audience member.

Instead, it feels like a run-of-the-mill action-reaction pair for a singular emotional beat. It doesn’t feel, or look, like two separate, contained, emotional beats.

Without being able to digest a very bittersweet conclusion to what is arguably the most important plot line of the entire show, it still feels like we’re still wrestling with that in the final scene. It is LEAPING from denouement to epilogue, which even tacky, bittersweet rom-coms don’t do, if you pay attention ( I am literally thinking of how the HARRY STYLES FANFICTION movie Idea of You handled this similar thing better, good lord.)

Therefore, watching Brian dance alone, while we’re being told the thumpa thumpa goes on, feels like he’s being reset. Because we go oh sad, Britin is getting a bittersweet end :/ then THIRTY seconds later we are seeing Brian party and it’s impossible for audience members to not directly connect those dots. Those are the only dots we’re shown!!

I read a 2005 livejournal where stayci28 said she viewed the end as more symbolic than real. It’s about the queer community continuing matter what and it’s really about people will continue to rise up. No matter what is being given to them and they will persevere, they will be proud, they will be here and they’re not gonna go anywhere. That’s a beautiful sentiment, makes a lot of sense, and is a fitting conclusion for the WHOLE show after the Britin bit is wrapped up.

However, Ron Cowan himself said that was only half true in an interview here: https://bjfic.livejournal.com/2528384.html?

He said that the dance was real and was one last outing. Though the sentiment is true – the scene was meant to be about queers surviving, not Brian being alone or an old party boy. (sidenote: see post 1 for me complaining that if this is one last outing…what is Brian doing, exactly, with his time now??)

But the editing and the pacing did not give the audience that space - and so the final scene still seems to be solely about Brian, not about the overall message of queer survival and joy. It LOOKS, at least, like (as Tumblr user @sophsun1 said) Brian was out with no son, no lover (who was in the city he wanted to be in), in a burnt out club. Rip.

The smallest of changes, like having the Britin ending coming earlier in the episode, or even inserting a single “breathing” scene between the Britin and finale scenes would have established the scene beats much better. Honestly, just changing Michael’s awful line (really that whole convo) about Brian always being young and beautiful to simply be about the ~~hopeful future~~ would have set the tone to be not about Brian being miserable.

When I see really old comments online about the end, I don’t get the sense that people fully “got” the end. From what I’ve seen, even fans who were okay with a bittersweet end weren’t really connecting that the finale wasn’t showing Brian miserable, lol.

I think the writers continuously structured the show to revolve around Brian and Britin, then wrote themselves out of that with various in your face plots/dialog, but ignored that beyond the literal words on script, story STRUCTURE impacts viewing experience just as much! These final two scenes display the embodiment of that issue.

The writers desperately needed to slow down, allow digestion, and visually show a divide of scenes if they had wanted the audience to comprehend the last two scenes as separate beats and not action/reaction.

Later this week, I have lots of thoughts about S5 replacement plotlines that would have easily fit into Cowlip’s established world, and a lot about Brian Kinney’s value system and internalized gender issues :)

#queer as folk #qaf #brian kinney #brian kinney s5 #justin taylor #britin #qaf s5 #let me timetravel back into that writing room and give me editing powers for ONE DAY!!!! #wellcomeoneileen talks qaf #i truly believe all good media runs the risk of eventually by ruined by someone thinking we dont need to edit this

[spidernuggets]

Jason Todd x Fem!Reader

Warning: NSFW, Minors DNI, plot where the use of a safe word is used

"Hey. Don't ever be ashamed that you would want to stop"

Your whole day had been literal torture. All you wanted to do was strip away your uncomfortable clothes, replacing them with the soft cotton hoodie that belongs to your vigilante boyfriend.

You forgot your lunch at home together with your money, so all you ate today was a protein bar. Your boss yelled at you for thinking you misplaced important files when really, it was your coworker who lost them. You accidentally closed an important, unsaved tab from your computer. You still had 2 essays due for your college. You had a horrible headache.

Even when you went to your shared home and laid limp on your bed, you stull felt like shit. You changed into more comfortable clothing and patiently waited for Jason to come home from his late evening patrol.

When he came through the fire escape, he was huffing, clearly coming back from a very active vigil. He took off the heavy plated armour off of his upper body, leaving him in his tactical pants and compression shirt, accentuating the ripples of each muscle.

He was frustrated. Yeah, he successfully took down the criminal, but he noticed his performance was lacking unusually. He got a couple of blows, a punch here and there, and all that he was thinking now was that a good fuck will help him get rid of all that frustration and excess adrenaline.

When he came into your shared room, you were staring at your laptop, trying to finish one of your essays. You notice a large figured presence at you door way.

"You're early," you say, looking at him. Jason didn't say anything. He just walked over to you, saving the document on your laptop before slamming it shut and clumsily placing it on the desk beside the bed.

"Jay, what-" Jason shuts you up by connecting his lips to yours, wasting no time to slip his tongue into your mouth. You whimper at his forwardness, and Jason takes that as a sign to continue. He crawls over you, carefully lying you down as he hovers above you, never breaking the kiss.

Maybe this is what you need. Maybe this'll cheer you up. Maybe all you needed for a good day was Jason's cock deep inside of you.

So, you reach your hands up his neck, tugging a handful of his hair in the grip of your hands, bucking your hips upwards against his as Jason groans in response.

You tried to keep your focus on your throbbing cunt instead of your throbbing head, your headache slightly becoming worse.

Jason disconnects his lips from yours, his hands travelling down your torso, bunching your his hoodie above your waist as he kisses and nibbles on the skin of your stomach.

"Off," he demands, pushing your hoodie higher on your body, revealing your tits, where his hands reach up to fondle them, his thumbs circling around your hardening nipples.

You take off your hoodie, shivering at the cool breeze hitting against your skin. Jason returns to his original position, his nose almost touching yours.

"Fuck, you're so beautiful," he grunts, rolling his hips into yours, making you let out a pleaded moan.

"Jay- please," you begged, wanting more of him.

"My little impatient slut." He attaches his lips onto your neck, trying to tug off your sweatpants in which you hastily do it for him. "So fucking needy," he laughs. His rare degration kink only really shows when he's had a rough night.

He unbuckles his belt, kicking his pants off, revealing the large bulge of his cock that was still covered by his boxers.

"Suck," he demands, holding up two of his fingers into your mouth. You quickly obeyed, your eyes rolling to the back of your head as your tongue swirled around his fingers. "What a good, obedient girl."

He removes his fingers from your mouth, and his hand moves down to your needy pussy that begged for his touch.

Your back arched when you finally felt contact on your cunt, wanting to beg for more, but you kept getting distracted by the pains in your head. Still, you tried to push them aside.

Looking down to where Jason's hand was, you watch as he takes his fingers out, whining at the loss of his warmth, as he puts his digits in his mouth, sucking away your precum.

"Jason-" You cry. "Please- please.. I.."

"You what? Use your words, baby," he says.

"I need you p-please. I need you to fuck me," you barely cried out. You didn’t know if it was because of the ache from your pussy or from the migraine you refused to take care of.

"Polite as usual," Jason praises, giving you a kiss on the forhead before removing his boxers, his lengthy cock springing out.

Every time Jason fucks you, you always see heaven. But right now, because of your splitting headache, it was hard to focus on Jason actually splitting you.

Your moans of pleasure slowly turned into moans of pain, but unfortunately, Jason was so caught up in the moment that he didn’t even notice.

"Fuck, baby, so- so fucking tight. God- my good fucking slut," he groaned, slowly pumping his dick in and out of your hole, his pace gradually getting faster. But with every thrust, a sharo pain bolted through your head and you thought your skull was going to crack.

"Fuck, you like that, huh? My greedy little whore, taking my cock like a good girl. My good little fuck toy." His comments didn't make you want to crave more like it usually would. This time, you took them as insults. The build-up of today's stress didn't go well with the degrading pet names that Jason had given you. And tears began to prick your eyes.

His thrusts became rough, and the sex didn't feel good anymore. You wanted it to stop.

"W-wait, Jay, stop, please," you try to say, barely audible. Unfortunately, you say this often while Jason is balls deep into you, so he didn't get the message.

"Fuck, but your being such a good cock pocket, judt for me. Is that want you want, huh? To be my faithful little cum whore?" He grunts.

Shit, the word. What was the word. You haven't used it before, what was it?

When you and Jason sat down to talk about coming up with a safe word, he didn’t want to use the common traffic light system, knowing that you'd use the nickname 'Red' most nights he came home from patrol.

Red. It was something red. A flower? An animal? A gem? Fuck, what was it?!

Food. No... it was a fruit. Shit, which one. Strawberry, raspberry, watermelon, apple. No, no, no...

Cherry. Jason suggested cherry since you loved everything that was cherry.

"Cherry," you tried to call out, but you were exhausted. it barely came out as a whisper.

"Hm? What was that, sweetheart? Fucking speak up," he hisses, burying his face into your neck.

"Cherry," you were able to say louder, coming out as a whine as you gripped his shoulders, trying to push him away.

Jason's eyes widen as he immediately holds himself up, pulling out as you sigh in relief. His heart raced, and he began to panic.

Shit, what did he do? Did he go too far? Was he too rough? Fuck- Did he hurt you??

His full attention was on your teary face that was covered by both your hands as you sniffled. Jason's heart shattered.

He reached out, wanting to caress your cheeks. But did you even want him touching you?

"Sweetheart?" He weakly called out. He moved away from you, grabbing his boxers from the floor, quickly putting them on, and trying to find wear his discarded hoodie went. When he found it, he picked it up and shuffled to you, trying to offer his hoodie that you've claimed yours.

You shifted yourself to sit up, taking the hoodie, but still avoided eye contact with Jason. He wanted to throw up. And he wanted to shoot himself for wanting to throw uo. Because it was you that was hurt. Ans it was him that hurt you.

"I'm sorry," you quietly cry once you have the hoodie on. And Jason's brows knotted.

What? "Y/n, why.. why would you be sorry?" He asked, his face full of confusion.

"I didn't- I didn't mean to stop, I just," you hiccuped into another fit of light sobs, covering your face once more. "It was just a really shit day," your cracking voice muffled by the sleeves of the hoodie. "It's stupid."

"Darling. Look at me. Please..." He asked in the most gentle voice he possibly could. He slowly reached his hands out, telling you that he's about to touch your face. And you let him.

Both his hands hold your soft cheeks, caressing them with his thumbs. "It's not stupid. And never say sorry ever again for something like this," he tells you, staring right into your eyes.

You shake your head, attempting to look away. You thought it was embarrassing. Jason was out there, risking his life for the city, and right now, you felt like a cry baby. But Jason hold your head in place.

"Hey. Don't ever be ashamed that you would want to stop," he reassured you. He had told you this before. The first time you talked about having sex. The two of you talked about kinks, pleasures, boundaries, and such. And you were so grateful that you had someone like Jason who understands would show you so much respect for you, your comfort, and your body. "I'm glad you understand your own boundaries. I'm glad you wanted to stop, and you told me. I'm glad you used our word," Jason says, his calloused hands feeling soft and safe as they surround your face, leaning into his touch.

"Am I really just a slut to you?" You ask. You thought it was a dumb question. But he was saying it so much, and it just got to your head. Jason always shows that he loves you for you. You were more than just sex to him. Fuck, you were so much more to him.

"No. No, no, oh god, baby, no. You are everything to me. You're my life. You are every single breath I take. My heart is in your hands," he says, and your heart absolutely melts. You wouldn't need any more convincing. You knew he loved you.

"Have a headache," you say. Your throat sounds dry, and you look tired.

He places a soft kiss on your forhead, then another one to your lips as he takes your laptop again, opening it, clicking onto a website. He then places the laptop on your legs, playing 'Barbie a Fairy Secret' movie.

"I'll be back in a minute," he says, first finding a pair of sweats and then disappearing out the door.

When he comes back, he has a glass of water in one hand and a small pill in his other, with a cloth hanging over his forearm.

"Take this," he says, handing you the pill and the glass. Your thirst is queched, feeling the cool water run down your hoarse throat. "I'm gonna clean you up, okay?" He says, kneeling on the bed in front of you, tapping your knee twice.

"Mhm," you nod as he nods back, slowly pushing your legs apart, wiping away any of your precum from your hole.

When he finished, he planted a kiss to your knee, sending you a smile as you gave one back.

"Wanna talk about today?" He offers.

You shake your head. "Probably tomorrow," you say, focusing on the movie when a thought hits your brain. "It's not your fault, by the way," you notice the way Jason's body tenses up, and he looks down at you.

"You didn't hurt me. Not intentionally." You knew Jason had made it a bad habit of blaming himself whenever you got hurt, even if it was a minor injury, while he's with you. He always blamed that he wasn't able to protect you or prevent yourself from getting hurt and such. Ever since he started dating you, there's a voice in the back of his head, yelling at him for being selfish, and that you deserve better than him.

Recently, however, Jason has gotten better that he deserves to receive as much love as he is giving. He's accepting the small affections and acts of service that you present to him. He's accepting that he deserves to be loved.

He nods. "I know," he whispers, leaving a kiss to the crown of your head before watching the movie with you.

"Ken and Barbie look like siblings," he quips as you slap his chest, telling him to shut up as you both start laughing, happy to be in each other's arms.

#jason todd #jason todd is my life #red hood #jason todd x reader #titans jason todd #dc titans #i love jason todd #jason todd titans #red hood x reader #jason todd headcanon #jason todd x fem!reader #jason todd x y/n #jason todd x you #jason todd ff #jason todd fluff #jason todd fanfiction #jason todd fic #jason todd smut #jason todd angst #red hood x fem!reader #red hood x gender neutral reader #red hood x you #red hood x y/n #red hood fluff #red hood fic #red hood fanfiction #red hood smut #red hood angst #red hood dc #dc jason todd

[peekawoocc]

LAW X READER

CW - 18+, smut, really long fanfiction. Lots of words, went too big brain mode on this.

P.s. I noted the sections where smut was in case you just wanted the juicy parts (relatable). Also, I tried to stay with plot similar to the show, so spoiler warnings if you haven't started Wano yet. I literally just started it.

This was really fun to write and definitely was a full day hobby project because I have no self control or concept of taking breaks 🙃

Pretenses - You're a straw hat, and while you're not as strong as the monster trio, you can definitely hold your own and then some if nessacary.

Cockblocked in Wano

You had just arrived in Wano with Nami and the others. Finally, ready to be reunited with everyone, and secretly excited to see Law again.

After running into Luffy, you all made your way into the old ruins to gather an update from Kinemon. After being caught up, Kinemon began giving instruction to everyone about their role. You were the last to receive your instructions.

You were excited to find out what you could contribute to help everyone. Instead, you felt as if your eyes were going to pop out from how wide they became, in complete shock. T-there's no way, you told yourself.

Everyone continued on with doing as Kinemon said so he could provide the proper outfits for each role. You didn't even seem to notice your clothes become a blue floral kimono and your hair now in a bun being held by a beautiful hair pin. You were kind of dissapointed you didn't have a more important task, but the shock was still there. As you came back to reality, it seemed like everyone was already trying to head outside, until you spoke up.

"Wait, why don't I have my own role?"

"My apologies, y/n, I did not have another role in mind. I felt it was best to put you with someone to provide assistance in gathering the nessacary troops," Kinemon answered.

Law came back into the ruins to fetch you, making everything set in completely. I have to be with Law for a whole 2 weeks and pretend to be his wife!?! Noticing the blush spread across your face as you were drowning in your own thoughts, Law caught your focus with a sigh.

"If you don't want to, that's fine, I'm sure you'd rather be partnered with one of your own crewmates," he said, sounding a bit annoyed at the inconvenience.

"N-no, it's fine. Plus, I know you won't bring me more trouble than I bargained for. You think things through so I know I can rely on you if anything happens,". You wanted to say more, but seeing Laws lips turn into a slight smirk you thought it better to just stop talking. It was true though. As much as you appreciated the spontaneous nature of your captain and fellow crewmates, you felt most confident when you had more details and facts to rely on. Knowing your enemy and even your environment can help end a fight more quickly and more efficiently. Or maybe, just maybe, you had anxiety. Which is also perfectly understandable.

"Then shall we be off...y/n?" Law said after finally coming up with a fake name for you.

"Definitely!" You said with appreciation for his thoughtfulness. You had a feeling he was always going to be a few steps ahead of you, as per usual. You both followed the others outside.

And then everything went to hell in a hand basket.

You all started to notice something flying, fast. The huge mass had a very commanding presence.

Yep, that's Kaido.

*time skip to after Luffy and Law dissappear after Kaido*

You had no idea where your partner in crime was, nor your captain. You knew Luffy could hold his own, it was Law you weren't sure about. Rather than go hunting for them, you all decided to go into your roles. Not really sure where to go, you decided to follow Sanji, knowing he wouldn't find you to be a burden. It wasn't that you couldn't hold your own, you were actually quite powerful. However, your task was simply to assist with passing out flyers to future fellow fighters, so you followed the cook in putting up a soba stall.

"I'm so glad I get to spend some alone time with you, y/n~," Sanji said with hearts for eyes.

"Yeah, I guess it's more efficient than trying to hunt down Law right now," you said, not being able to hide the dissapointment in your voice. Sanji noticed the worry on your face, even if he was a little jealous of your attention being focused on another man, he was still your friend and wanted to be there for you.

"You sure you're ok with this?" He asked, trying to help shoulder your troubles.

"Yeah, I just hope he's ok. Not that he's not powerful. Anyway, let's get to work!" You said, deciding to distract yourself with the task at hand.

*time skip to Law showing up*

It had become dark now, and you sat down next to the stall as Sanji began cleaning up from the hard day of cooking he just had. Suddenly, you felt a hand on your shoulder. You turned your head towards over your shoulder and looked up.

"So there's my partner, was wondering where you went," he said with a smirk, but you could see the exhaustion in his eyes.

"That should be my line!" You giggle as relief washes over your face.

"No time to chat, we've gotta go. Sanji, they're looking for you," Law suddenly became extremely serious.

"Who is?" Sanji asked.

"Kaidos men, we'll walk and talk," Law answered.

As you all moved together, you ran into Usopp and Franky. Law filled them in on the details and became interrupted as you saw a building get thrown into the air.

*time skip to when they get to Ebisu town, where Zoro supposedly was*

As you all sat together in the tiny home, you had a huge grin on your face. Who would've thought that the man next to you, who was so intelligent and strict, was also a huge nerd? You began to giggle thinking back to how excited Law was about Sanji's germa raid suit. Thinking about how Law was completely nerding out like a fan boy with a deadpan expression on his face started to make you giggle more. Law noticed how you began to hold your stomach from how hard you were laughing, and he began to raise an eyebrow at you.

"Whats got you giggling so much, sister?" Franky asked, matching Law's confusion.

"I was just thinking about how Law knew so much about the Sora Comics," you began giggling hysterically again, Franky and Usopp joining in your amusement.

Law instantly became flustered.

"I TOLD YOU ALREADY, THEY WERE POPULAR IN THE NORTH BLUE! EVERYONE WAS READING THEM!"

"I know, I know. It's just really cute when you nerd out like that. Plus, it's good to know I wasn't the only one who hated germa in the comics,".

Law started malfunctioning when you called his nerdiness "cute". With his whole face red he got up and stormed out of the house, making the excuse of needing fresh air. You gave him 3 minutes before you decided to follow his lead.

*sexy build up*

He was sitting, legs crossed, upon a freshly dusted off mat on the ground. You walked up behind him and placed your hand on his shoulder as you sat down beside him. With his eyes closed and brows furrowed, it looked like there was still a blush across his cheeks but you couldn't tell with it being so dark out.

"Sorry, I didn't mean to upset you, but you really were cute. I'm also glad to know we share a similar interest," you said cheerfully, trying to bring the mood back up. Cute. There it was again. He looked like he wanted to say something, then began stammering until he just gave up and sighed. Finally opening his eyes, he just stared straight ahead as if he was trying to puzzle his thoughts together.

"It makes me happy to get the opportunity to know more about you. Really makes the mysterious, cunning Surgeon of Death even more attractive than you already were," you brought a hand to your mouth, shocking both you and Law at the realization of what you had just said. Then his face began to soften as he turned his gaze to you. He ended up letting out a small chuckle at seeing you sitting there as if still frozen with shock. The sound of the low chuckle broke you out of your trance and you began to relax, thankful that he didn't look at you with disgust after finding out your true thoughts of him.

"Attractive, huh?" He said in a knowing tone, a smirk on his face as you started tripping over your words.

"U-uh...um...yeah,"

"Likewise,"

"Wait, huh?"

"You're pretty attractive as well," he looked away for a moment before looking back at you.

"I thought so when we first met, but didn't think much of it. After getting to know you in Dressrosa, the feeling grew. What about you?" He asked hesitantly.

"Yeah, it's the same with me. At first I thought you seemed kinda scary back in Sabaody,".

Locking eyes with you now, it seemed like he was asking for permission for something. Noticing the puzzling expression he had, you felt the need to reassure him with a smile. However, you still felt the need to properly explain yourself.

"I-i mean, I don't find you scary anymore. Actually, thinking back, I think it was more of a feeling of intimidation. I wasn't that strong back then either, so the thought of ever having to hold my own against you was a bit anxiety inducing-,".

Before you could keep rambling, he cut you off with a soft kiss. It wasn't that long, but it felt like time had stopped and nothing in the world mattered but him. Your mind completely blank, you felt the tension in your shoulders release and the dull ache of pain that came with it. It seems you had been on edge the whole time, which looking back isn't all that surprising considering the bottled up feelings you had for him. No one knew, because you were too scared to tell anyone. Especially since you weren't sure in the beginning, but now, you're more sure of this than anything else.

As he pulled away, seemingly reluctantly, he locked eyes with you again and happily matched your smile with his own signature smirk but there was something new that you'd never seen before. There was a light in his eyes. You only saw them light up with anger in the heat of battle. This was the first time you felt that you were witnessing Law looking truly happy. Any of the questions bubbling up in your head about What are we? or Am I going to be a Heart Pirate now? were suddenly pushed aside with the new details you were taking note of while looking at his handsome face.

"That was amazing," you said dreamily, you wanted to slap yourself out of embarrassment with how hypnotized you knew you had looked.

"We should do it again sometime," he said with a flirty tone.

You instantly pressed your Thighs together. They weren't that open, but the sexiness of his voice was doing things to you below the waist. Suddenly, you were feeling a bit brave.

*sexy time ensues*

"How about...now?" You asked shyly, expecting him to refuse. He looked at you for a moment as you watched as his Adam's apple bob up and down as he swallowed, hard. He leaned back into you, just barely away from your lips, awaiting for your physical invitation. As you leaned in closer, the kiss had started again. It started slow and became more needy and feverish. He licked your top lip, asking to deepen the kiss, and you allowed it. You then wrapped your arms around his shoulders, lifting yourself up to sit in his lap. You pressed your chest against his, causing him to lean back on one of his arms, which made his hat fall off as he tilted his head back. He broke the kiss, both of you panting for air as you looked into eachothers eyes. His expression hungry and predatory now. You started trailing your eyes down his face to his neck and they stayed there as you subconsciously bit your bottom lip. You decided to stop wasting time looking and decided to give in to your desire as your lips met the side of his neck. Kissing his neck until you found a comfortable spot to sit for a moment as you lightly sucked and bit the spot. You weren't there for more than a few moments, thinking it wouldn't be a good idea to mark him no matter how badly you wanted to. He sucked in his breath, head falling back more as you went a little lower to his collarbone. You kissed and sucked at the defined bone structure until you heard a hushed groan.

"There, you can leave a mark there,".

It was as if he had known what you were wanting to do to him. You hovered for a moment, admiring the rise and fall of his chest in the moonlight. As much as you'd like to see more of his exposed skin, you'd have to settle for the portion of his chest that was seeable thanks to his sluttily open kimono. Law let out a frustrated groan as he became impatient, having no idea that you were actually admiring him, he grabbed a handful of your ass with his free hand. You pushed him back onto the mat, forcing him to lay down. You looked down at him, which allowed him to drink up the view of you on top of him, outlined in light blue moonlight. He sucked in his breathe as you dove your head back towards his neck, going back to his collarbone to finish what you started. You kissed, sucked, and then sank your teeth into him. You deeply sucked on the small bite mark, making it viewable even in the darkness of the night. You went back to being face to face with him, wanting another makeout session. Just when you were only seconds away from having your lips on his, you hear a voice from inside the house.

*PAUSE THE SEXY MUSIC! We got cockblocked guys 😔*

"Uh, where's Sangoro?" Usopps voice said.

"Didn't he say something about spying on girls in the bath house?" Franky continued.

Shit.

You hadn't thought about it until now, but you realize you don't remember him being in the house with you all before you and Law started sharing this moment.

After realizing your lack of acknowledgement of your missing crewmate, you sat up and face palmed yourself.

"Damn straw hats, I swear," Law said annoyed. It was clear he was sexually frustrated about being cockblocked due to Sanji's pervertedness.

"Sorry," you offered a dissapointed smile to Law, begging for forgiveness. How could you overlook a missing crewmate?

"Don't apologize, it's not your fault," he said reassuringly, "I didn't notice he was gone either. Not that I'm mad he's gone. I didn't like the idea of you being all alone with that pervert," he sat up and crossed his arms. With furrowed brows he released another frustrated sigh and grabbed his hat.

"Hang on just a moment. Wait right here for me please," you say, clearly scheming something. Before Law can protest, you stand up above him and walk towards the frantic house. Law watched as you walked towards the house, then down at himself. His once hard erection beginning to lose blood flow due to his annoyance for Sanji. I am so going to go after you first if we become enemies, Sanji, he thinks to himself. He sits still and waits, just like you told him, and starts listening to your crews conversation from in the house.

"Franosuke, Usohachi, why don't you guys go look for Sangoro at the bathhouse nearby, while Law and I stay here in case he comes back?" you asked with a confident smile, knowing they're going to think that's a good idea on your part. Until Usopp opens his mouth.

"Wait, why do you and Law get to relax here? What if that t rex guy shows back up? That's not fair! You just want to be alone with him!" Usopp was unfortunately right on the money, but you were prepared for this due to his squeamish nature.

"Mr.Yasuie? Are the bathhouses in this country seperated or mixed?" You ask, already sure you know the answer.

"Some are seperate, but most are mixed. The closest one here is mixed. I wouldn't recommend you go though, y/n, ma'am. Most of the women around here don't have as many curves as you do, wouldn't want those men getting their hands on a pretty thing like you," he said smiling all the while.

You smiled triumphantly, but this battle wasn't over yet.

"Why can't Law go, you can protect yourself!" Usopp once again protests.

"Because, it's a bathhouse. Law has his jolly Roger tattooed all over himself. Even if this is Wano, they know what pirates are. And Laws jolly Roger looks nothing like Kaido's. That'd bring unnecessary attention to all of us," you argue back, you start to think up another excuse until you see Usopps face become skeptical, the debating lawyer look now faded from his face and voice. Bingo! We have a winner.

"Oh, ok. That actually makes sense since we're trying to lay low," Usopp says as Franky nods in agreement.

"You sure it's ok for us to split up again?" Franky asks, still needing a little push to be convinced.

"Yeah, you guys are strong enough to hold your own if the enemy shows up. Even moreso if you can find Sanjiii-I mean, Sangoro. In the case you do get captured, it wouldn't be good if they caught all 5 of us at once," you say, hoping you just put the final nail in the coffin.

And with that, they started to head off.

"Ok, we're going, but call me on the snail if anything happens or if Sangoro comes back,"

"I will,"

"Oh, one more thing," Usopp leans in to whisper to you, "Don't let nerd alert make you fall for him. He's been eyeing you up ever since we left that dinosaur in the dust. If he tries anything funny, use this,".

Usopp hands you 2 little red seeds.

"What's this?"

"They're puff puff plants. They release a red mist and if it touches your face it feels like it's burning your face off-"

"Nope" you say as you shove them back into his hand.

"But what if he tries something? What if he hurts you?"

"Usohachi, as much as I appreciate you looking out for me, we both know I can hold my own. Plus, I trust him," you say reassuringly.

"You trust him? Well I guess I can hang that 'don't fall for him' mess up. It's too late, you've already been infected," he shrugged.

"Alright, when he gives your heart over to the navy to become a warlord again, I don't wanna hear it," he said crossing his arms.

"Hey, he needs this alliance just as much as we do. And don't worry, if he does give my heart to the navy, I won't complain. Won't have anyone to blame but myself, so I won't cry to you about it,"

"YEAH, BECAUSE YOU'LL BE DEAD!" Usopp yelled as he and Franky exited the house. You made sure to flip him off before turning to Franky.

"Good luck Franosuke! Come back safe!" You waved as they went off into the night.

"Well miss y/n, I'll be retiring for the night. I'm sorry I can't offer you any nice places to sleep or any blankets, I only have one and I'm skin and bones!" Yasuie laughed.

"That's ok, we'll come back inside and sleep on the floor if you don't mind,"

"Not at all, goodnight!" He said as he walked to his room and closed the door behind him.

*sexy part resumes*

You jogged back to where Law was waiting patiently, feeling horrible for how long it took to convince Usopp to leave.

As you walked up to him, he looked peaceful. With his arms under his head, back to the large mat on the ground, eyes looking at the stars. You got closer and noticed that his hat was off again as you laid down next to him. You looked up at the night sky with him for a moment until you decided to speak.

"Sorry about taking so long. I didn't expect to play lawyer with Usopp,"

"It's ok, and I get why he's worried. I'm not a very open personality like most people,"

"That's another quality I like about you, just makes me want to know more,"

"I will say though, I didn't get why he thinks I'd betray you,"

"Me either, after all you told Luffy you wouldn't. Not that I wasn't skeptical at first, but I've learned that you're always honest,"

He glanced over at you gazing at the sky. He didn't expect to be this comfortable around you. This feels almost foreign to him. There was only one other person he remembered being alone with like this and that was a long time ago and in a different sense. He snapped out of his memories as he sees you suddenly shiver.

"Cold?"

"It is a little chilly," you say as you look back at him. Before you can take your eyes off of him, he's getting up and above you. Pinning you as he puts his hands on the ground. He looks into your eyes seeing a reflection of both himself and the starry sky.

"Figured I could be a gentleman and warm you up," he says.

Damn. There it is again. That sultry voice.

You begin to brace yourself off the ground and up into him, but he swoops down to kiss you before the thought becomes an action. It feels like a do over from earlier. Kiss starting slow and then burning into something more again. However, you don't plan to hesitate this time. It was even later into the night, around 2 a.m. now. Everyone in the village would definitely be asleep. He starts trailing down from your lips to your jaw, then to your neck. You suppose that now it was his turn to leave a mark, and he wastes no time doing so. As he makes work of your neck, making it sting so sweetly, one of his hands trails down to the bottom opening of your kimono, sliding his hand up the side of your thigh. He moves to another part of your neck to make yet another mark and moves his hand up to your hip, unintentionally loosening the bow of your kimono and giving him more of your skin to feel. He stops for a moment, hovering over you, he removes his hand from your hip. You whine in frustration at the loss of contact. He let's out a low chuckle as he moves to look down at you.

"How far do you want to take this, y/n?" He asks looking down at you carefully to read your expressions. You shot him a lustful and longing look and before he could start to say "Use your words,", you bucked your hips up in the air to meet his. You let out a quiet moan, never breaking eye contact as you felt his need to be inside you. That made something in him snap into his own desire. The once careful and cautious look of furrowed brows and frowning, now a dangerous smirk with half lidded glazed over eyes. He kept eye contact with you as he lowered his bottom half onto you, grinding against where you needed him most. As he began biting his lip, he slipped one hand under one of your knees to spread your legs out for him, trying to get as much friction as possible. You put a hand over your mouth, not trying to wake up any neighbors with your feverish cries. He stops for a moment, somehow regaining his senses enough to look around and really make sure no one was out and about. Once he makes sure the coast is clear, he takes an extra precaution.

"Room,".

A blue filter surrounded the 2 of you. He wanted to make sure that if someone were to walk upon you 2, that it wouldn't cause another interruption. He couldn't handle stopping now.

"Law, what're you-aaa," you cut yourself off with a moan as Law brought 2 fingers to your entrance and his thumb to your sensitive bud. And he gave a devilish smirk as he realized just how wet you were for him. All for him.

"I wanted to make sure there were no more interruptions like the perverted cook situation," he whispered into your ear as he slowly inserted his fingers into you. Once he was in he began curling his fingers to hit your sweet spot as he rubbed small circles into your clit. You involuntarily bucked your hips to met his rhythm as he started working on you. He contemplates biting and sucking on your ear, but your moans made it evident you needed help with muffling them out, so he kisses you. And he kisses you more desperately then before. He has quite a way of surprising you. It's almost as if he's been planning this moment for a while, taking mental notes on what to do if the moment ever came. He was thoughtful and strategic like that, which made him even hotter.

As he removes his lips from yours, he takes his fingers away at the same time. Denying you the pleasure of having one sensation without the other at the moment. Then he finally opens his kimono, making quick work of stripping his undergarments. You decide to follow his lead, opening the front of the light blue clothing. Before you can remove your panties, he's already doing it. He takes a moment to appreciate the feast in front of him, feeding his eyes at your bare flesh, noticing every freckle, scar, birthmark, all of it. He loves all of you even more than he already did. It felt like the final puzzle piece falling into place. And it was everything he wanted and more still. You were just as transfixed as he was. Studying every single detail of his tattoos as you could. How godly he looked, bare and bathed in moonlight.

"Hey, don't tell me I've bewitched you or sometheing" Law said jokingly, but there was enough worry in his voice to tell you you've been spaced out for a little too long.

"Hmm...what...uh yeah, I-I mean no...sorry," you were tripping and fumbling over your words, trying desperately to form coherent words and sentences.

He looked at you with a smile that was a mixture of the pride in the fact that he had made you a mumbling mess and of how much he adored how cute you were.

"Law,"

"Yes? Able to speak now?"

You nodded, a little embarrassed for feeling so dumbfounded under this extraordinarily intelligent man.

"What is it, y/n?"

"I need you,".

He let out another low chuckle and pressed his chest against yours. He then had his lips next to your ear as he dangerously spoke.

"Tell me how badly you need me, y/n," he said has he lined himself up with your entrance. You practically feel that he was smirking without even looking at him.

"F-fuck, I need you in every conceivable way possible," you whimpered, hoping desperately that he had heard you quiet plea. And oh, he definitely did.

He slowly sheathed himself within you, taking the opportunity to hear every lewd noise you let out as you felt him become one with you. His pace started slow, controlled, but it seemed as time went by he felt more and more the need to lose himself within you. All the bottled up feelings that had been bubbling up between you was being taken out on your body with every rhythmic thrust, becoming quicker and more aggressive by the second. He made sure to keep rubbing circles into your clit, wanting to make sure you enjoyed every second of this. That was the only consistent controlled place of motion he kept on you as he gave in to the rolling of his hips and need to make you his. The louder you got, the more it sounded like praise to his ears. Paying attention to both of your needs as he listened to every beautiful sound you made under him. Once you started to sound a bit too loud, he crashed his lips to yours. He knew that if someone were to show up that he wouldn't have the energy to stop anymore. The coil in your stomach was tightening, you were almost there. You were about to speak up about it, but Laws mouth was still on yours. So, you let your body tell him instead. Walls tightening around him as he gasps, thrusting through every wave of your high until he reaches his own. He looks at you, a bewildering questioning look on his face, sweaty and flush.

"Cum in me," you say, and he does so.

Once he finally catches his breath, he slowly pulls out of you and plops down beside you on his side. He lifts his head to look at the mess he made of your lower half and it's quite a sight. Almost enough to make him want a second round, but quickly dismisses the thought when he looks back at your face. Your eyes are closed, lips slightly parted as you're still trying to get your breathing under control.

"Sorry for dirtying your kimono," he giggles proudly, pressing a kiss to your temple. He's never been more sure of anything in his life as much as he is about you right now.

"If you really feel guilty about it, buy me a new one," you smile at him, eyes dreamily again.

"I don't feel guilty in the slightest about any of this," he smirks.

You giggle as you turn towards him and kiss him, your body shudders, breaking the kiss.

"Whats wrong, is it difficult to move?" He becomes worried so quickly you'd think his personality switched.

"U-Uh, no. Just...um...we should definitely look for a way to clean me up. Kind pouring out like a faucet down there," you say shyly.

He follows your gaze as you open your legs, revealing quite the mess. If the kimono wasn't dirty a moment ago, it definitely was now.

Luckily he had another kimono packed in his bag, he used shambles to get you both inside, switching your bodies with the 2 seeds Usopp had left on the table even after you refused to take them.

He cleaned you both up with a small water bottle of clean water that he had kept secret and a rag from his bag and gave you his second kimono. Of course, it had his jolly Roger on it, and you knew Usopp was going to give you hell when they got back.

#one piece #trafalgar law #trafalgar law x reader #fanfic

[andsomemaniacgotridofthewheel]

I think "Bad Writing on Purpose" is a misnomer.

And people focus too much on it.

First of all, I really don't understand why people were surprised by the cliffhanger. Everyone was talking about how Neil said season 2 was going to be "quiet, gentle, and romantic" but nobody noticed that he also, on multiple occasions, wrote that season 2 was not the sequel he and Terry plotted, but what needed to happen to get the characters to where they needed to be at the start of what they plotted as the book sequel but would now be season 3. He was always completely open that season 2 was a bridge, and after reading it here and there before season 2 came out, I for one knew that season 2 would most likely end with a cliffhanger.

I mean, I surely didn't know we would get OFMD-ed, that was indeed a surprise, but I knew there would be a cliffhanger. Why didn't you?

Now I have read ariaste's famous 15 000 word essay. I find her theory quite brilliant. I don't think she will be (totally) right about it, it's too specific and too reliant on her assumption of how the Book of Life works. I also disagree with some of the details of what she calls "bad writing". Especially Maggie might just be portrayed as a dork neurodivergent. And some of her visual "clues" already turned out to be simple homages. (Not "The Crow Road", though, I think. Yes, Neil and Terry were friends with Ian Banks. But he has written like 40+ books, why choose THAT one, the one that deals in part with people solving a mystery by going through old documents, just after we are shown that Aziraphale keeps diaries and definitely leaves them in the bookshop when he's going to heaven? Even if we ascribe its first appearance to the famous opening line which Gabriel reads aloud, why show the same book a second time, mid-frame?)

Also, yes, I disliked that Aziraphale's & Crowley's new first meeting put them on the wrong foot with each other, when their meeting in Eden had established them as kinda instant co-conspirators from the very beginning. The same with Crowley in the Job episode being the one to introduce Aziraphale to worldly pleasures instead of him discovering them on his own. But that is sometimes what happens when you learn more about characters from new canon, sometimes it doesn't fit your established headcanon. You either roll with it or you choose to ignore that part of canon.

But I do think she is on the right track. And the most important thing that ariaste pointed out is still the missing/unsatisfying payoffs and the unfired Chekov's Guns, which I am pretty sure is the very reason this season felt so "off" for most of us and why ariastes theory found so much resonance. But I wouldn't call that Bad Writing. I would call that at most Weird Writing Choices. Especially if

you view the whole of season 2, the bridge season, the quiet gentle and romantic interlude, as one. giant. setup.

Having Aziraphale use his never-before-mentioned halo as a deus-ex-machina option to defeat the demons in his bookshop is a weird writing choice. Especially when we know we have a literal Chekov's - Derringer - Gun hidden somewhere in there, which is not being used. Mentioning the Book of Life several times and have it be of no consequence, Crowley even doubting that it really exists, is another unfired gun. The Nazi-Zombies, which are somehow left to their own devices and never mentioned again, could be a Chekhov's Gun - and I feel a lot better knowing now that yes, the living dead are apparently part (a sign?) of The Second Coming.

But it isn't bad writing. It is setting up season 3. It has always been about setting up season 3. We got a nice, little, quiet gentle and romantic, fan-fictionesque Ineffable Bureaucracy main plot to go with it, but that was never the raison d'etre for season 2. It's main purpose was always to set. up. season. three.

After all, most paraphrasings of "Chekov's Gun" speak of acts. If a gun is shown in act 1, it has to be fired in act 2. If a gun is shown in one act, it has to be fired the following. If we look at Good Omens as a 3-act-story, with one season being one act, then all the Chekov's Guns were shown to us in act 2, and are not required to go off until act 3 - meaning season 3.

All of you who dismiss this and go "no one ever wrote bad on purpose just to fix it in the next season, why not accept this season was just bad" are missing the point, because you fixate on the "bad writing on purpose" misnomer. It's not bad writing. It's delayed gratification. It's setting up a payoff over more than one season. Which you can absolutely do if you have a plan, if you know where your story is going. It is what everyone still seems to expect from J.J. Abrams, even though we should know better by now. His setups never pay off, because he sets up things he never intends to resolve, never even has an idea about how they could be resolved, and keeps getting away with it. And yet, the overwhelming presence of his shitty writing in media has probably screwed with our expectations from mystery shows, which thanks to him are not very high. But I truly believe that Neil Gaiman (and John Finnemore, a frickin' COMEDY writer, for whom the setup-payoff concept must actually be like breathing) are both simply better than that windbag. There will be a payoff. Only later.

I believe we will come back to the halo. Aziraphale's Derringer Gun will be fired. The Book of Life will have meaning, even if it is different from what we might theorize. The Zombies will at least be mentioned. And I think even the weirdly framed and then forgotten Eccles cakes will make another appearance. We will have an actual, big-stakes gen plot next season. Aziraphale & Crowley will be stopping another apocalypse. It will have to do with Crowley's "all of us against all of them" line from season 1. It will have Anathema & Newt (I remember one Tumblr ask before season 2 where Neil was asked if they would come back for season 2, and he answered no, but they would hopefully be in season 3), and I personally think they're gonna regret burning that second book from Agnes. Crowley & Aziraphale will not have much time to talk about their relationship or to feel sorry for themselves, as a lot of fans seem to expect. This will not be fan-service, this will not be fan-fictionesque. The bigger picture is the second apocalypse and once again saving humanity, and saving earth. Doing that, Crowley & Aziraphale will find common ground again, they will find each other again. They will end up in their shared cottage in the South Downs, openly in love, and everything will be ok. I don't know exactly how, and I don't want to speculate too much, because that almost always ends up with me being disappointed by how canon actually turns out.

But I believe in Neil Gaiman. I believe he cares. I believe he might even care more about "Good Omens" than about any other of his creations. And I believe in the Brilliance of John Finnemore. I don't believe that he would have let Neil get away with these setups without real payoffs if he didn't see the point of them.

(And if Amazon and their greedy CEO/shareholders are the reason we won't get a third season, you'll hear about me in the news, I swear. 😡)

#good omens #neil gaiman #john finnemore #crowley #aziraphale #the magic trick theory #the magic trick you didn't see #ineffable divorce #ineffable idiots #ineffable dumbasses #good omens season 2 #good omens s2 #go2 #anthony j crowley #south downs cottage #good omens 2 #nikku.txt #aj crowley #az fell

[saisaixchan]

Re: the One Piece poll

Guys OP has a s literal army of trans characters, it's actually a plot point, there's literally so fucking many trans and NB and genderfluid people in OP its kind of fucking insane

There's Bon Clay/Bentham from as early as Alabasta in March of 2000, 3 years after the initial publication of OP

Bon's powers let him transform into other people, and he's the only member of a bad guy group with male/female partners who doesn't have a female partner bc he's both the male AND female partner in his rank

He doesn't need one bc he's both

Bon is also consistently one of the best characters who helps Luffy, and who deeply respects the bonds of friendship, and he deeply admires Ivankov (next in the list)

Plus, Bon Clay is only one of two in the villain group to become good guys and befriends the main characters

There's fucking Ivankov, Queen of Kammabakka Kingdom an island full of drag queens and trans people, with his hormone powers that lets him trans all the genders for himself and everyone around him (aka the Newkama in Impel Down- a literal army of trans people who help Luffy break out of prison so he can save his brother)

AND he's the second in command of the Revolutionary Army, a group actively against the World Government that controls the entire globe, and is fighting against it's corrupt politics and ideals, such as allowing slavery for the higher classes, fighting the racism against Fishman it's held up for centuries, and all that stuff

Ivankov is one of the most important characters in the series in regards to the world politics and the fight for freedom against the oppression of the WG, and he works with what are unambiguously the Good Guys in the world, who are headed by Luffy's father

There's Okiku in Wano, who its 100% trans and even gets the horny Sanji treatment

(which is kinda important bc there was some Bad Trans/Queer rep earlier in the series involving Sanji running from drag queens who were harassing him and for a while Sanji was pretty transphobic and it was a whole thing, but Oda seems to have learned or educated himself by this point, so yay)

Plus Okiku is a super strong samurai, fucking powerful girl go off, and everyone treats her as one of the girls and she's the best tbh she deserves the world

She's so sweet and kind and strong af and is just as much a warrior as the rest of her group

Plus there's Yamato

Who, to be very clear, is not CONFIRMED as trans, but has a lot of gender fuckery going on that he belongs on this list imo, come to your own conclusions ig

Yamato is 100% confirmed as the biological daughter of Kaido, which is backed up in several other sources and even a colorspread with only biological women, but everyone in the story itself refers to him as he/him, Including Luffy who calls him by Yama-guy/Yamao

(something Luffy only does for men- he calls Ivankov and other more genderfluid or femme leaning queer folks by -chan)

and Yamato calls himself the Son of Kaido multiple times

Yamato saw someone be so awesome that he wanted to emulate that person and become them-

but as an apparently separate decision, he decided he also wanted to be a man, too! Not just because of Kozuki Oden, but because holy fuck look at that gender, I want that for myself!!!

His identity as Kozuki Oden and his identity as Son of Kaido seem to be separate things, bc Kaido, Kaido's forces, Luffy (our main character who helps us understand how to treat situations), and everyone else around him at least acknowledges that Yamato, is, in fact, the SON of Kaido, and everyone, regardless of which side they're on in the war, respects that and treats it as fact

Meanwhile, absolutely no one treats Yamato like he's actually Kozuki Oden

And there's no sign of Yamato being forced to become a man because Kaido wanted a son- 1), he was called Oni Princess fairly consistently as a child by Kaido's forces, and 2) he only became known as Son of Kaido after Yamato himself decided he wanted to become a man

Yamato has refused everything forced on him by his father, and has run away, hid, and fought back at every moment he could, and his gender and pronouns were the only real decision of his own that have been respected as all his other freedoms were taken from him

(Which doesn't say much about his horrible father- Kaido was guided by an incredibly strong female pirate at a young age, and he has plenty of strong women among his crew. Kaido doesn't care about what gender his kid is, or gender at all)

So yeah while Yamato is not confirmed in the text as trans like many other characters are in much more obvious ways, and several sources confirm that he's biologically female, he still goes by Son and he/him by the other characters and by his own choice, so make of that what you will

Please enjoy this spread of Yamato in the Men's bath (he refused to join the women's bc no mixed bathing), and Okiku in the women's

Anyway yeah op has tons of trans, genderqueer, and genderfluid representation in it, it might not look it but it's been there since basically March of 2000 when Bon Clay was first introduced and it hasn't stopped since

#one piece #op #long post #bon clay #ivankov #imporio ivankov #okiku #o kiku #o-kiku #yamato #yamato one piece #trans rep #queer rep

[errihaienx]

HQ CAPTAINS : when someone tries to flirt with them ♡

(pre-timeskip , aged up characters)

quick disclaimer: these scenarios don't affect the original plot of the series. any information or events that contradict the original plot are purely fictional. (i do not own any of the characters)

warning: could be suggestive (Terushima's) and some inappropriate/cuss words

ꜰᴇᴀᴛᴜʀɪɴɢ: ʙᴏᴋᴜᴛᴏ, ᴜꜱʜɪᴊɪᴍᴀ, ᴋᴜʀᴏᴏ, ᴏɪᴋᴀᴡᴀ, ᴋɪᴛᴀ, ᴅᴀɪᴄʜɪ, & ᴛᴇʀᴜꜱʜɪᴍᴀ (ɪɴ ᴏʀᴅᴇʀ) ꜱɪᴛᴜᴀᴛɪᴏɴ: ʜᴏᴡ ᴛʜᴇʏ ᴡɪʟʟ ᴀᴄᴛ ᴡʜᴇɴ ꜱᴏᴍᴇᴏɴᴇ ᴛʀɪᴇꜱ ᴛᴏ ꜰʟɪʀᴛ ᴡɪᴛʜ ᴛʜᴇᴍ

Doesn't really notice that someone is trying to flirt with him, or to be blunt he doesn't care. 

But he will unknowingly embarrass the girl

"Eh? Why are you clinging your hands– Oh! Y/n is always like that to me omfg she's so cute."

Your name can be heard all the time, so the bitches won't stand a chance. Every person he sees and interacts with fails to grab his entire attention since all he can think about is his woman.

If a girl comes up to him he'll think of: "Woah that hairstyle doesn't look good on this girl, OMG DID I JUST IMAGINED MY BABY WITH THAT HAIR?! SHE'S SO DAMN FINE IM GOING NUTS" he'll be smiling and the girl might think that it was because of her :/

NO. JUST NO.

But okay, if someone will approach him he will walk out. But of course, if it's an important matter he will respond. And his response will be very dry

"I do not give my number so easily for Y/n's peace of mind, I shall take my leave."

Then he'll march his way to you, giving you a little smile acting like he didn't broke someone's heart just a minute ago.

He's a cute flirt only to you though

So girls be throwing themselves at him, but he doesn't give a fuck.

If someone will talk to him especially when it's a girl, openly showing their attraction towards him, he will converse with them and if they'd confess or ask him if he's available he will politely reject them.

"You always look hot Kuroo-san..."

"Thanks"

"How about we meet–"

"I am already deeply in love with someone. please excuse me."

He then turns around smirking, he's thinking of bragging it to you. He just wanna see your annoyed jealous face, he assures you that you're the only one for him. 

Oh please the guy literally have fans

His supporters actually knows about his relationships, like every girl's name that he dated has their name and 'stats' on his fans' memos. The fans also concluded that his typical dating period with someone is 2-3 months.

He's very alluring, and he's also welcoming and so people think it's okay for them to flirt with him. 

You had a couple of arguments with him about this matter. And because he doesn't want that, he will try his best to avoid them.

"Oikawa-san! My birthday is coming could you go out with me?"

"Ohoho, Happy birthday! But I don't want to sleep outside so.......I won't. You can have Iwa-chan right here-"

*/got punched by hajime

Despite of being straightforward, blunt, and gives off idgaf-with-your-feelings vibes he's still popular with girls

Even if the girl isn't done talking he'll leave immediately

He will simply tell them that he's in a relationship already, but that doesn't solve the situation. It ignites the girlies' desire to have him even more. He then eventually thought of a way on how he'll get rid of those kind of situations by involving one of the twins.

"You can ask me to be your date when Atsumu finally decided to leave volleyball alone."

"B-but Kita-san isn't that i-impossible?"

"That's the point."

The man is fine as  fuck so the girlies love him

He will politely turn down them, you know. Your man is good 😌✨✨

"You are the karasuno's Captain, right? Oh my! The whole team's hot but of course the captain is way more-"

"Ah, no... Please spare me."

Some even visit his afternoon club practices just to interact with him, taking advantage of the fact that you are not in the same school as him.

This mf is a chick magnet

He has a habit of sticking out his tongue, and that's where his piercing prevails and with that girls flock around him. 

He kinda likes the attention but of course, he's only yours. you two had arguments about this too but with terushima's personality you just gave up and told him that as long as the girls respect his boundaries as someone's man it is fine for you. 

"OhmYgOsh tOnGuE pIerCiNg!?!? I bEt tHaT pIerCinG cOulD dO sO mUcH~ iT's  sO cOoL!"

"I know right!?! I can make Y/n scream with just this!"

"Lucky Y/n!"

"No no no no! I'm the lucky one, heck I love her so much!!"

#hq #hq captains #hq fluff #haikyuu #haikyuu captains #haikyuu x reader #bokuto #bokuto fluff #kita #daichi #kuroo #ushijima #terushima #oikawa #kita x reader #bokuto x reader #kita fluff #ushijima x reader #ushijima fluff #terushima x reader #terushima fluff #daichi x reader #daichi fluff #kuroo fluff #kuroo x reader #oikawa fluff #oikawa x reader #i love them #i simp for them

[sabh0]

What's your opinion on the anime? I find it pretty funny, but I can't say that I am not disappointed to see so many scenes missing.

For exemple, I wanted to see Dazai cry laugh at Chuuya's young mistress act, show that it was a joke shared by both of them, rather than one made to us at the expense of Chuuya. They took a genuinely funny moment and made me cringe SO hard for no reason T^T

God i could go on for hours about how Bones ruined this series. I'm obviously thankful we have an anime adaptation but. Well just compare bsd anime to jjk one or smth and yeah.

I will be complaining more under the cut,,

First the overall writing choices:

-Deleting or changing skk scenes to the point im not even shocked when ppl think these two actually somehow hate each other.

-The way they portrayed Sigma. They deleted half of his personality and backstory. And just speedrunned the Sky Casino arc like if seeing that place was giving them nightmares. No wonder he gets mischaracterized now.

-Tachihara's internal conflict about belonging to either Port Mafia or The Hunting Dogs? Bones never heard about it. It's not like IT'S A VERY IMPORTANT PLOT POINT.

-Akutagawa's whole character in the anime is just 'edgy and angry and bad grr'. In the manga he had some 'kind' or even seelf-reflection moments that were ommited in the anime. Like where he realizes defeating Atsushi didn't satisfy him (ship fight, season 1). Or when he gives files about the orphanage Director to Atsushi and says he won't fight him today because he lost someone impirtant to him. Sskk vs Fukuchi fight?? No scene where Sskk r helping each other walk. Instead we get Akutagwa just pushing Atsushi away. Won't even start on that last smile that looked more like another angry expression.

-THE WAY THEY CHANGED "DAZAI'S ENTRANCE EXAM" INTO SOME CURRENT TIMELINE EPISODES. IT MAKES ME SO ANGRY LIKE. THIS NOVEL WAS SO GOOD. Showing both Dazai and Kunikida's characters and partnership so well. But no. Let's just??? Put Atsushi there. Let's delete the fact this thing happened 2 years ago. And let's delete everything that was actually important about it, too.

-also some changes in the Dark Era arc. Like. Lord. Dazai is so much more emotional in the novel. His expressions r described so well. But the anime either shows him from the back at those moments (him finding out Oda was almost killed by a sniper in Ango's room) or just deletes/changes the thing (Oda dying. This scene is so emotional in the novel. From the description u can tell Dazai was crying/on the verge of it as Odasaku died. But in the anime he looks calm and then we get a far aeay frame and he just. Gets up and that's it yeah.) They also deleted the scene of him visiting Oda's grave.

-The way they rushed seasons 4 and 5. Just to give us an episode that goes further than the manga and has the shittiest writing ever when it comes to skk's plan revelation (im so angry about this u guys have no idea. I sincerely believe that if this episode never came out, the manga would go differently bc there's no way that Asagiri who wrote things like Stormbringer suddenly thought that some dollar store vampire make up will fool a guy who's centuries old and literally lived next to vampires. But well!! Seems like these two speeches Dazai gave weren't important at all and now we can just forget about them yippiee)

I could definitely mention WAYY more examples of that but this is already long af. Like guys. I know u cant fit everything in an animated show. It takes time to make it and all but. Bro. The character's in the anime r so shallow compared to their original versions.

.

Now onto the artstyle of the anime.

Lord. U know? It was actually pretty in the first 2 seasons. The official arts at the time were also really nice to look at.

No idea what happened later. Why did Bones suddenly decide that those ugly turtle smiles r gonna become the main thing in the character design. Why so many fisheyes. Atp sometimes i look at the official art and i go oh lord even i could fix it. It really feels like they draw some characters ugly on purpose now (Chuuya being the main victim for unknown reasons).

Tho i must say they have their moments even now. Some last episodes of season 5 weren't really bad, especially the Meursault part (love them for animating Dazai and Sigma dancing so well. And for that 101 animation. And maybe for the heartattack they gave me with 109 and Chuuya shooting Dazai so many times.)

.

On some other things, i really like the music! Bsd openings and endings never miss,,,

#sab q&a #tumblr crashed when i was half into writing that and i had to start from the beginning again but it's no longer as detailed bc >:( #my relationship with bones looks like that: i would like to see stormbringer animated but im actually scared of seeing it animated #not because its sad but because there r very high chances that Bones will completely ruin it too #if u want me to talk solely about the manga vs anime skk then yeah just tell me i can do that too muah #sab yapping

[iambicpentameterhamster]

Every umbrella academy character ranked

Prior to Season 4 coming this year, thought I'd share my character rank with you for the first 3 seasons all together. (Spoilers ahead)

#33- Marcus, Jayme, Alphonso and Fei

Painfully insignificant and underdeveloped. Their only character traits being "spoiled and a bit evil" made them EXTREMELY captivating villians...

#32- Christopher

Only higher because I find the idea of someone carrying around a cube on a stick onset really funny.

#31- Sparrow Ben

Hard to watch honestly, especially in comparison to his lovely counterpart Umbrella Ben.

In general, the Sparrows were terrible and pointless characters, and clearly the writers knew this because most were killed off pretty quickly. All except for Sparrow Ben, which just meant we had to suffer watching him for even longer.

#30- Viktor

This is a controversial choice. He is tolerable in season 1, but then just becomes a moochy emo sod who is boring to watch. I don't know if it's the acting, script or both, but he’s just such a meek and flavourless character who is PARTICULARLY bad in season 3 when he jeopardises his whole family and is repeatedly selfish and has a victim complex.

#29- Luther

He caused the apocalypse in season one and you can't convince me otherwise. Got some alamaba shit going on with Allison...

There are so many reasons I hate Luther. He's a self-centred man child who couldn't care less about his siblings and their feelings, showing zero empathy to Klaus or Vanya, for example. He only shows respect and kindness when he is attracted to the person (As shown when seasons 1 and 2 he is only nice to Allison, then completely ignores her when he moves on to Sloane) or when they pose as an authority figure to him. All he does is whine and feel sorry for himself.

What's that? You lived in the apocalypse all alone for 40 years? You are addicted to drugs and lost the love of your life in a war? You have a power you can't control and a lifetime of rejection? WELL LUTHER WENT TO THE MOON

#28- Carl Cooper

Hated him as a character but he was a menacing villian which I can respect

#27- Harlan

Couldn't care less about him, only there for plot convenience and Victor's arc pretty much

#26- Sloane

An improvement from Luther's literal sibling. Further evidence that Luther will simply fall for any woman who gives a flying fuck about the moon.

Personality: attracted to Luther

#25- Pogo

Basil exposition of the first series

#24- Detective Patch

Barely remember her

#23- The Swedes

They were kind of goofy as villians but there was some good acting and they posed a real threat. Cute moments with the cats. In general, alright, but they could have easily been replaced plot wise with something more interesting.

#22- Cha Cha

Lack of character development for me. I think she deserved to be fleshed out more, I don't think it's fair that only her partner got to be a three-dimensional being. What are her motivations? Who is she underneath it all?

But overall i liked the acting and she was a good villian.

#21- That hotel worker from season 3

He's barely a character but I liked his sass so he's on the list.

#20- Reggie (Reginald Hargreeves)

He is supposed to be the main antagonist/villian of the show, yet The Handler stole his spotlight. He's a bit too stereotypically evil and asshole-ish for me, basically twiddling his moustache and stroking a cat in a dark corner the entire show. The delivery is too blunt and that doesn't help to build the tension and mystery surrounding him as much, but if he were more complicated and cryptic in his personality it would be more effective.

This is very nit picky and overall Reggie is fine. He has some hilarious moments with Klaus in season 3 and I am genuinely intrigued about the unanswered questions surrounding him.

#19- Elliott

He wasn't a particularly important or central character but I enjoyed it when he was on screen and he played his role convincingly. He was a good comic relief in some scenes, and when he died (spoiler alert) the reactions from other characters were realistic and quite impactful. I felt for him throughout, which is impressive for less significant characters and he had a lot of depth relative to the size of his role.

#18- Destiny's children

Not a singular character, but I LOVED Destiny's children. It fit Klaus's character perfectly to have a cult and led to some of the funnies moments in the series.

#17- Dave

From the very limited moments we see with this character, a lot of personality and emotion was communicated, and I feel like we got a big sense of the character. That is down to the brilliant acting from both of Dave's actors and from Robert Sheehan that really sold this character with so little screen time.

Anyway please come back to life Dave! Death doesn't look good on you!

#16- Agnes (Donut woman)

Very sweet and I wish her all the best in life.

#15- Sissy

BRILLIANTLY acted and impactful. Stole every scene between her and Vanya.

Also, she looks EXACTLY like Sheldon's mum in young sheldon...

#14- Herb and Dot

I want to put them both in my pocket and protect them from harm.

#13- Kenny's mum

Again, barely present but I love her. She's a queen. I would go to a rave with Kenny's Mum.

#12- Stan

I love Stan, and he's a big part of Diego and Lila's character development and motivations. I hope they adopt Stan and live happily ever after.

But yeah, great one-liners from Stan.

#11- Grace

Very well acted and haunting.

Top 10 *drumroll please*

#10- Harold Jenkins (Lenoard Peabody)

Again, quite a controversial placement, but I stand by my decision. The acting and delivery of Harold Jenkins as a villain is possibly the best in the whole show. I was totally convinced Lenoard was a nice guy and I was rooting for him and Vanya, until he started dropping hints and slowly revealing his true self and losing the facade and its... it's chefs kiss. So realistic. The actor deserves an award and a standing ovation.

The writers also deserve a pat on the back for this one because he has a convincing motivation and backstory, and the dialogue is DELICIOUS when it comes to Lenoard. He is a truly menacing villain without being overtly scary and powerful and dangerous.

#9- Ray

Charismatic, gentlemanly, empathetic, loving, trusting, supportive... Ray is THE IDEAL MAN. I'm a little bit in love with Ray so I don't blame Allison.

HUGE step up from Luther, for sure.

#8- Umbrella Ben

I would have liked to see more of his character, but I liked what I did see. He loves his siblings and shows it. He is selfless and sacrifices his own existence for Vanya, he is blunt with Klaus because he cares and wants him to improve. Of course, he and Klaus are also a hilarious duo.

#7- Hazel

One of the most touching arcs that offers an insightful message about what life is for, and about Love. Beautifully acted, a very real and lovable character who probably resonates with many in some ways. Hazel is adorable and i miss him in later seasons.

#6- The Handler

I LOVE THE HANDLER MORE THAN WORDS CAN EXPLAIN!!! Funny, playful, entertaining, uexpected and whimsical and yet simultaneously dark and menacing, AMAZING villian that stole EVERY SINGLE SCENE she was in. Kate Walsh was the perfect choice for the role and she played it to perfection.

A bit of trivia about the role, The Handler was originally written for a man, and when Kate Walsh got the role she insisted they didn't change the script (which, let's be honest, they would have.) She put a wonderful spin on it and it's just perfect, I wouldn't change a thing. I would 100% watch a spinoff all about the handler. Season 3 was worse than the previous two thanks to them killing her off (amongst other questionable plot choices)

#5- Allison

Allison was the only character who knew what they were doing, and honestly, if everyone just listened to Allison, there would be no apocalypse. Her storyline losing both Claire and Ray and her powers driving her crazy with power breaks my heart but is well portrayed and impactful.

She's charismatic, clever, strong, and kind. I love Allison and I think most of us do.

#4- Diego

He's stupid but in an endearing way, I find him to be so entertaining and funny, and the actor's face is like an open book. He's not show-stopping but his consistent presence just sets the mood and allows others to act off of him, while he really sells it with his expressions. He's like the rock of the show.

#3- Lila

Lila. Mi amor. Mon amour. Amore mio. Meine Leibe.

#2- Five

For several reasons:

A) He is the daddy here, Luther!!

B) That should be the only reason you need

Seriously, though, I was SUPER impressed with Aidan Gallagher and his incredible screen presence, especially at such a young age. He really embodies the character. Five is the face of the Umbrella Acadamy, and is undoubtedly the most iconic character. 10/10, two thumbs up, absolutely BRILLIANT.

#1- Klaus

No justification necessary.

#the umbrella academy #klaus hargreeves #diego hargreeves #five hargreeves #reginald hargreeves #allison hargreeves #lila pitts #ben hargreeves #luther hargreeves #vanya hargreeves #viktor hargreeves #raymond chestnut #the handler #the sparrow academy

[utilitycaster]

In the most recent CR episode I found it really interesting (and really concerning) that it Laudna's truth about wanting Bells Hells to ripcord out of saving the world came hot on the heels of Imogen's truth about not wanting to save the gods

Idk it could just be me, but it seemed like her truth was just another attempt to placate Imogen's moral confusion, while simultaneously pushing those things back onto the whole group

All it makes me think of is the fanon and 4SD discussions about Imogen and Laudna retiring to a farm and living happily ever after. What are either of their reasons for remaining with Bells Hells at this point, if their truths are that they don't want to save the world?

See, that actually seemed fine to me! Fearne had earlier admitted she felt they were ill-equipped for the job and likely to fail, so it's not just them who feel it, and honestly I think that Laudna's confession was one of the more valid ones that I hope get unpacked. Fjord and Jester made a very similar admission to each in both episode 72 and episode 118 of Campaign 2, of "hey, wouldn't it be nice if we just ran away somewhere quiet and never had to deal with this again" and I think that having that admission and then finding a way forward anyway is a really great moment. I didn't write at length about how Orym's "but we have to work together and do this" has also been a really big factor in the party's dysfunction because I covered a lot of that in my discussion of how he handles his own grief well and the grief and pain of others very badly, but honestly it's good that Fearne and Laudna are getting to "we don't have to do this, this was always thrust upon us because an old guy brought us to a cool orc who hired us to look into some stuff and in the process found out that the comparatively small-time political crook was tangentially involved in a a vast cosmic death cult conspiracy that several of our parents are also involved with."

My issue with Imogen is that she literally said two episodes ago she's never prayed and now she's claiming the gods never listened to her, as well as that her reasoning is the horrifyingly self-absorbed "they don't love her", but I actually think it's fine if this party does not wish to save the gods on the grounds of "we feel underqualified and overwhelmed and like we've been at the mercy of many (mortal) masters with no time to pursue our own interests." And I think that Laudna didn't force this specific thing on the rest of the party; she said they could all ripcord, but didn't say who should do it or who felt that way or force them into agreement.

I've talked about the campaign's earlier pacing at length and I don't want to revisit it at length because it evened out, but more so than any other party, Bells Hells has rarely had self-directed adventures. That's a big reason why they're such a mess; they didn't need to develop the tools to come to consensus because Eshteross or Ryn or Keyleth would give them tasks, so we never actually have delved particularly deeply into what most of the party members want to be doing, which is why we're here with this group that's mostly stuck together because they've had jobs to do. I think acknowledging that is an important step, because the task at hand (scouting on Ruidus) is in my opinion within their abilities, but they've been pushed and pushed and have finally reached a point where they can't just keep going. (This by the way is the underlying premise of this post; this is the fundamental reality of Bells Hells as a party. If you like that the most then hell yeah, but a lot of people who claim to love C3 are blaming the entire plot of the campaign for why the party is a mess which is like, so you like the premises of these characters and dislike the vast majority of the actual story in which they exist, and you really just want the story of Campaign 1 or Campaign 2 but Ashton is there.)

With that said though, I do agree that's kind of at the core of Imogen and Laudna. They're so insular, and that's been claimed as a feature, not a bug, for much of the fanon of that relationship. Like, I think Laudna is valid for this specific statement, but unlike Fjord and Jester, who had established in through the course of the campaign both deep ties to each of the rest of the Mighty Nein and a profound sense of responsibility in general, I find myself wondering why Imogen and Laudna don't go off and live in a cottage together and leave the rest of the party to handle this. I mean, Imogen is also impossibly tied up in the fate of Ruidus, but she dithers about the approach so much I wonder why she doesn't decide that perhaps she should stay out of it altogether and retire to that cottage with Laudna until it's all over.

Personally, my thought is that Imogen does in fact secretly like being the special Ruidusborn Exaltant On The Other Side, especially since she's realized her mother wasn't that (as she had hoped). I agree with the fairly common opinion that Imogen and Ashton are in many ways extremely similar people, but whereas Ashton just got a very brutal wake up call of "your parents did fuck up and you're not built different and your desperate attempt to be something special could have hurt everyone" Imogen is still out here going full Javert on everyone's personal thoughts. So I suspect she won't ripcord out in the end, and therefore Laudna won't. But I do think it's valid for Laudna to bring up, and indeed, one of the many things that would make great progress in fixing this party dynamic would be Laudna independently expressing her own needs some more instead of being Imogen's Yes-Woman or projecting her own desires onto other people as I suspect she's doing with Fearne and the shard.

#answered #Anonymous #maintagging bc i think this covers a lot of the nuances that were out of scope for two bigger past posts #critical role

[sapphire-weapon]

Resident Evil 4 Remake's story is structured like the plot of a romance novel: master post

A few months ago, I wrote up a very quick and dirty outline/explanation of how Resident Evil 4 Remake's story had been restructured from the original game to follow the story beats of a romance novel. At the time, I didn't think it was all that important to explain it super in-depth, but now that more and more people are looking at it, I figured I should probably explain what I mean with each of these beats lmao

1) Call to Adventure / The Meet Cute

All that a meet-cute actually is is the scene in which the characters that the romance is centered around meet for the first time. The intention is to show an initial spark between the characters -- they meet under bizarre/unexpected circumstances and, at some point, both characters become aware of just how significant it is, even if neither says anything about it.

Leon and Ashley's meet-cute starts with her swinging a candelabra at his head and ends with Leon holding her in his arms out in the rain for a period of time that is absolutely too long to be normal for the circumstance. They lock eyes in this moment, and it's meant to be seen as Significant.

2) Refusal of the Call / Rejection of the Relationship

This is the "I'm just imagining things" reaction to the significance of the meet-cute. Both characters treat the spark as though it never happened -- and, usually, it's because there's other external factors influencing their ability or willingness to follow the trail of that spark and see where it goes. Instead of going "Hey, you're cute, can I get your number?" both characters just jump straight to "Well, anyway --" and go back to living their own independent lives apart from each other.

After they both snap out of that weird trance they were in after Leon caught Ashley out the window of the church, he goes right back to treating her like a mission objective, and she just has absolutely no idea what to make of him at all. Ashley spends the next few sections of gameplay in shock and disbelief with lines like "Seriously, this cannot be happening." and "I just wanna go home..." Leon ignores all of her complaints, keeps her moving even when she asks for a break, and doesn't really speak much to her at all other than to bark orders at her.

3) Acceptance of the Quest / Giving the relationship a chance

Something Happens that forces both characters back into each other's lives and/or personal attention, and they both find that they do Like each other, actually -- even if that feeling of "like" isn't anything super significant. It could be something as simple as realizing that they enjoy the other's company and wanting to see/talk to the other more often.

This arguably starts when Leon and Ashley first run into the cabin and Leon puts a comforting hand on her back that he absolutely did did not have to put there -- but it's definitely in full swing after the cabin sequence is over. Personally, I would say that it's the revelation about Ashley having a plaga in her that's the Something that Happens between them. The whole mission starts to become a whole lot more personal, because now it's not just about surviving and escaping -- now it's about making sure that Ashley stays Ashley.

She starts to open up to him more, and he suddenly becomes much warmer towards her, as well. He's quick to reassure her ("I won't let that happen. I promise.") and not only responds to her when she talks, but also begins talking to her unprompted as well.

This is also the first time Leon ever tries hitting on Ashley with the "Seems this isn't your first time running from creeps" line, and it fails spectacularly.

4) Trials and Temptations / Three Dates

This one is probably the one that needed the most explaining LMAO I shouldn't have let this one go. The "three dates" don't have to/usually aren't meant to be actual, literal dates in romance novels. They're just three significant events that happen between the couple that builds and then reinforces their bond. (It also doesn't necessarily have to be three -- some stories only do two, some do five, etc. The point is that Things Are Happening that strengthen the relationship.)

That is why I said that their three "dates" are:

1) Ashley busting the window open after the Mendez boss fight, helping brush the embers off of Leon, and helping to pull him to his feet. This is the first time the two of them actually smile at each other and the first time they start to act as a team.

2) Salazar's introduction ("The girl's just fine. With me."). Leon wants so badly to be that cool guy in an 80s movie who shows up out of nowhere and puts his arm around a beautiful girl and looks at some dickhead harassing her and goes "This guy giving you a hard time, babe?" This is the closest he's ever gotten to and will ever get to being that in his life. He's not cool enough to ever actually be that guy for real.

3) The road to the Water Hall (Leon jumping across the chandeliers + this is the first time the "knight and the princess" allegory is stated) (You could also include the Garrador here, because if you take Ashley down there after the fact, there's special dialogue that happens that's... God, Leon sucks at this whole flirting thing. He just sucks, dude.)

5) Midpoint Crisis / I-need-you-but-can’t-have-you

Everything is going so well... until it isn't anymore. The three dates have given the couple a glimpse of how special and important this relationship could be, which is great -- until it becomes a problem. One of the characters gets freaked out by the intensity of the relationship and pulls back out of fear, because there's something else happening in their life that's bigger than either character and more important to be addressed.

In Leon and Ashley's case, it's Ashley's plaga. Saddler takes control of her briefly and gets a hold of Leon's knife, stabs him, and then threatens to cut her own throat. When his hold over her breaks, she's terrified. She needs Leon now more than ever because of this, but she's more afraid of hurting him than losing herself, so she runs away from him in tears.

6) The Road Back / Pulling Back Together

Basically, the plot forces the couple back together, and -- due to the raw, open vulnerability caused by the Midpoint Crisis -- their bond is stronger than ever. The feelings change from "yeah, I like them" to "I want them." Real intimacy starts to form and build here, because the interest in and attraction to each other is allowed by both characters to be acknowledged. This is usually where the sexual tension starts to really kick into high gear, and the audience is just waiting for that moment when it all breaks open.

This starts with the pep talk that Leon gives Ashley when he finds her again -- which is romantically framed and coded with its imagery and cinematography. It continues through the entire Grand Hall segment, which includes the moment in the game in which Leon is at his boldest in terms of expressing his attraction to her. This is the point in the game in which their relationship is at its most playful. They tease each other and flirt and pass compliments back and forth -- and, for a while, it feels like the two of them are unstoppable and able to take on the world together.

7) The Fall

"The fall" is the shortened version of "The moment they actually fall in love." It's the "oh god, I think I love them" moment. The two characters do not necessarily have to admit to each other that they've experienced "the fall" -- and usually, at least one of them doesn't. But they both experience that moment where it hits them.

We see Ashley "fall" at the start of her gameplay segment, where she takes Leon's earlier words to heart and draws strength from them. ("I won't run. Wait for me, Leon.") He's inspired her to strive to be more than she is, and she embraces the way that he makes her feel, in that moment.

We see Leon "fall" as soon as he catches the key that she tosses down to him. He looks up at her with stars in his eyes and offers to catch her if she jumps down. An interesting detail to note is that this is the first and one of the only times in RE4make that Nick Apostolides reverts to using the tone/voice that he used for Leon in RE2make. It's soft and sweet and gentle as he makes her an offer that has no reason to be made, just for the sake of getting to hold her in his arms again.

And, in order to drive home the point, this all happens during a scene that was framed, shot, and directed to mirror/mimic the balcony scene in Romeo & Juliet.

8) Dark moment / The Break Up

Once again, Something Happens and comes between them -- and this one is way, way worse than the Midpoint Crisis. This isn't "I'm scared to be with you" -- it's "I can't be with you." Hope for the relationship is completely lost, and both characters become overwhelmed in their individual despair.

Verdugo breaks them up physically -- not once, but twice. And that second time involves Leon being forced to watch Ashley endure Salazar's weird "ritual" and be unable to stop it or do anything to help her. He just has to sit with that failure and suffer through it until he's literally thrown away and discarded while Ashley screams his name.

When Leon finally finds Ashley again, we see him confront the one moment in the game when he honestly, truly loses hope. He sits down on the floor at Ashley's bedside, and there's nothing more that he can do than wait for her to wake up. Some part of him has already become convinced that they won't make it out of there alive -- not both of them, at least. Not together. And he's ready to commit suicide as a contingency plan.

9) The Sacrifice

This is the "do or die" moment for the relationship in a romance novel. This is the moment where the decision is made to confront not just the external force keeping them apart, but also the internal flaws that are feeding into that avoidant urge. The couple decides that their desire to be together is stronger and more important than whatever fear or force is holding them back, and though it's terrifying to do it, they stand up for the relationship in the face of opposition.

In RE4make, we see this play out through the sequence in which Leon carries Ashley to Luis's lab and how the two of them, against all physical and mental odds, manage to remove each other's plagas. This is especially emotionally significant for Leon, who says the words out loud: "This time, it has to be different..." He's openly acknowledging that his trauma from Raccoon City is what made him so ready to pull the trigger on himself back in that holding cell. Here, now, he puts his foot down, confronts that trauma, and says "No. I have to beat this."

And he does, even at great physical cost to himself. But the sacrifice was worth it, because it was for her.

10) Declaration

In a very literal sense, it's the declaration of love. It's an outward, spoken confirmation of the bond they share, now that the trial from the Sacrifice has been overcome. Traditionally in romance novels, this happens with the actual words "I love you."

But RE4make isn't a traditional romance novel, and Capcom has an entire fanbase of angry nerds who take fictional relationships too seriously to navigate through. So, instead of an explicit "I love you" what we got instead was an explicit verbal confirmation of their bonded status as a team.

"Hey... We're a team, right?"

"Keep this up? I'll be out of a job."

11) The HEA

"HEA" stands for "Happily ever after."

While I could (and did) say that Leon and Ashley literally ride off into the sunrise together, that does feel disingenuous. Even though it's true and the imagery is there, they don't really have a happily ever after. Not really. This is the only part that's missing from RE4make.

And that's because RE4make isn't just a romance on its own -- it's a fairy tale set inside of a story that's self-aware and knows that fairy tales aren't real. And so both Leon and Ashley wake up from this shared dream of a romance they've been having, as reluctantly as they do, because it's time for them to come back to reality.

Fairy tales aren't real. Romance novels aren't real.

Their feelings are real. But life doesn't work that way. Not for them.

They may not have a happily ever after, but they do have this moment to be together -- and for them, it's enough.

Because it has to be.

#resident evil 4 #leon kennedy #ashley graham #eagleone #meta analysis #THIS TOOK ME AN EMBARRASSINGLY LONG TIME TO WRITE #i thought i'd just whip this up real fast after work #BRO SHIT TOOK ME LIKE FOUR HOURS NO FOOLIES #mostly because i had to take all my fantasy mods off and then go back and re-cap all of these scenes with the defaults on #pain in my ass #so i hope ppl fuckin appreciate this!!!! #the next time someone asks you why/how eagleone is canon #just light this son of a bitch on fire and throw it at their head

[ninadove]

Hi Nina! Why transmask Felix and not transfem? Or you are fine with transfem too?

Hi Anon! Hope you’re having a wonderful day! 💖

I do like transfem Felix! In fact, I originally leaned more towards this option. The Senti-lore is extremely queer by nature, and I think it’s wonderful so many people can see themselves in the kids.

Really, it comes down to personal interpretation. Some notes below:

1. Colt Fathom is a massive douchebag.

Nothing groundbreaking here. We been knew. At first glance, you’d assume he would want a male heir for Toxic Masculinity Reasons™; but I think he would prefer a daughter, also for Toxic Masculinity Reasons™.

Colt is the kind of person who wants to elevate his own status in the world, and the solution he resorted to is marriage. This kind of alliances is frequent in the spheres he navigates, as seen in S5 with the Adrigami plot: as such, he would likely see his child not as an heir, like the GDV lineage would, but rather as something he could trade for even more power. A daughter of noble pedigree and born into considerable wealth would undoubtedly be a catch, and give him a leg up in his race against other rich jerks.

Additionally, we’ve seen how he acts around Felix — how he perceives him as a threat and a reminder of his own mortality. Peacock curse or not, asking for a son would have forced him to face the prospect of eventually being overpowered by his own progeniture every single day; but a little girl? Surely, there’s no threat there, right?

2. Felix’s first appearance gives us lots to think about.

Firstly, when it comes to Adrien’s reaction. When Amelie explains that she decided to drop by “so [they] could all be together” on the anniversary of Emilie’s fridging, this is the (adorable) face he makes:

Because he understands! If his aunt is here, surely his cousin must be here too. “All together” means all together.

Yet, when Felix actually appears, draped in dramatic lighting like the theatre kid he is, Adrien still looks strangely surprised:

Which Amelie immediately follows up by highlighting that they look “just like twins”. The characters should not need this comment — they were here the whole time the kids were growing up! Of course, there’s a doylist explanation to this line: we, the public, must understand that Identity Shenanigans Will Ensue (and they did). But what could this mean in-world?

I propose that the cousins did not always look exactly like each other — that they were perfect twins as young kids, but became more and more different as time went by. Perhaps one developed more feminine features, while the other grew up to look more masculine. If the Agrestes did not witness the early stages of Felix’s transition (probably started right after Colt’s death, so only a few months before canon), it makes sense they would be taken aback by the newly recovered resemblance between the kids.

And, of course, it adds some depth to the Identity Shenanigans. Especially if you read Adrien as genderqueer or transfem.

3. Felix exhibits stereotypically masculine behaviours every chance he gets.

This goes from wearing what is basically the Official Rich Boy Uniform (waistcoat, tie, black and white palette):

To certain mannerisms, like putting his feet on Gabriel’s desk to assert dominance against the guy who could literally snap him out of existence:

To the way he perceives himself: a cursed prince from a twisted fairytale, who systematically places himself in the role of the protector (even if it’s not always appreciated by the people in his life).

To me, this sliiightly over-the-top behaviour is very reminiscent of a child who just figured out something huge about their identity and is exploring it to the fullest — to find out what it truly means to them, and which aspects they want to incorporate into their life.

Which leads me to the most important point:

4. The Peacock Miraculous! 💜🦚

Deeply associated with Felix’s reclamation of his safety, freedom and bodily autonomy. And when we think about peacocks, what do we think about?

Colourful feathers. Panache. Ostentation (this is literally what groups of peafowls are called). A conception of masculinity that is different from social standards in most of the Western world, but is there and bold and unapologetic.

We don’t get to see Felix using the brooch for the first time — even his mum, who he trusts with everything, is absent. He needs this privacy to come to terms with his powers and make them his.

But then, when we do get to see him transform — everybody else witnesses it too. Felix goes from hiding behind Adrien’s face, ergo disguising as someone he is not, to revealing his identity to both the audience and the entirety of Paris.

This is Argos embracing who he truly is, even if the world might call him monstrous.

And finally, one more point:

5. Why would Tomoe prefer a model over a quasi-prince as a potential match for her daughter?

I get it — she has a partnership going on with Gabriel. But the woman is leagues smarter than him (What? Like it’s hard?) and could most likely find another way to turn the world into her own little dystopian dream, should she want to. Not to mention, even if Adrien is a catch by most people’s standards, he is still the bane of the GDV lineage.

Felix is the heir. Felix is just as wealthy, if not wealthier than the Agrestes. Felix is the best at everything he does (chess, horse-riding, karate) and as such should be a perfect fit for Kagami, even by Tomoe’s insanely high standards.

Yet, she keeps referring to him as this corrupting influence: not because he is a supervillain (she hangs out with them on the regular), but because he might whisper dangerous ideas about ✨ freedom ✨ and ✨ bodily autonomy ✨ in her sweet daughter’s ear while they make out dressed as Adrien’s parents. We know how important femininity is to the Tsurugi lineage: Duusu forbid this monster talks Kagami into rejecting it in any form.

So, there you have it, Anon. I’m sure there’s a lot of evidence to support other interpretations, but this is the one that resonates most with my brain! 💜🦚🏳️‍⚧️

Can’t believe I almost forgot:

“Felix” literally means happiness and luck: a weird choice from Colt, and it’s unlikely Amelie had any say in the matter. So when Argos says:

“Isn’t it great? We have everything we need to be happy!”

It very much sounds like his first name could be a conscious reclamation on his end!

#miraculous ladybug #felix graham de vanily #argos #flairmidable #feligami #senticousins #graham de family #random ramblings #Transmasc Felix Propaganda

[gojosbf]

Sorry, but I need to say something I've been thinking about for a while. I found geto's death forcing. 1.he loses to a boy with no experience and the power of ''love''. 2.he was stronger and had more knowledge and experience than the boy yuta. 3. It seems that the author just wanted to get rid of geto so that this annoying villain Kenjaku could come. 4. In my opinion, Geto is the best villain. I don't understand why the author didn't want to continue with him. 5. His death was forced because Saturo already had a change in character and personality. What I'm trying to say is that in the film, Satura is already different, he's no longer that immature young man. 6. the serious work was much more dramatic if geto had survived saturo blow he would have become stronger and returned as a villain again with sukuna. Sorry if it's big, but I have these doubts that such a good and well-constructed character had a horrible ending and very little.

I have mixed feelings about this anon but first I'd clarify things point by point for you and then give my opinion if possible

1. Yuuta Okkotsu has a special grade curse, the queen of curses Rika, the power of "love" you speak tho it might sound cliché does fit here well and it was explained in the manga that love is considered the most twisted curse (if you saw the movie you'd have seen that gojo said this line to him too).

2. Yes sure geto had more experience and knowledge but yuuta is an acclaimed prodigy, his cursed technique is mimicry, rika was so scaringly powerful even before she fully evolved, geto KNEW that if he absorbed rika he'd have everything needed to form his "ideal world". He wasn't just any nobody who managed to get lucky.

3. Okay now here there are two reasons and I am trying my best to find words to explain it, yuuta was meant to be the original mc of jjk, he is the op character. Geto wanted rika (as I mentioned in the previous point) to accomplish his dream so if geto won that battle the story as whole would've taken a very different turn, we wouldn't need itadori and the whole first years and their stories. Remember how I said yuuta was supposed to the actual mc? Yeah that's were gege actually made changes so he could make a better and elaborate plot.

4. Geto Suguru was infact an amazing villain, yes. But you've also got to understand that he was sympathetic towards jujutsu sorcerers, he'd never risk harming them (his own last words being "I never hated anyone from jjk high") unless they're in his way. He had to die because we needed someone who'd go all out, no mercy to anyone, no regard and sympathy for anyone and that's exactly why we needed someone like kenjaku, who was equally powerful, evil and not shy to bring hell.

5. Geto's death had nothing to do with "changing gojo's personality", that change already happened after hidden inventory and premature death arc. His death was an important decision for future plot points (explaining why yuuji was special, sealing the strongest etc).

6. This is where I fully give my opinion, sure Suguru would've come back as stronger and even more powerful villain but would he have achieved what kenjaku did? Geto Suguru that we knew would choose any other route than sealing Gojo, he literally did not even try to protect himself and gave gojo a chance to kill him (during kfc breakup), he never attacked jujutsu high until yuuta happened, he worked with rejected sorcerers and never paired up with evil curses like hanami, jogo and mahito. So, to put it simply it was important part of plot that geto first turned evil and then died, that shaped so many important arcs of the manga and it was well thought out for long run. Sure it's sad and frustrating but that was one good writing move on gege's part and there's no denying that.

#okay that got super long but I hope this was clear enough I tried ny best to not confuse facts while explaining #i really suggest reading the manga!! that'd clarify so many of your doubts ngl #imagine me talking about good writing from gege now lol #jujutsu kaisen #jjk #ask #gojo satoru #geto suguru #satosugu #stsg

[west-brooke]

Can you expand more on what would’ve happened if Leo/Mikey/Raph had been the ones to end up being taken by the brother Kraang? I love your work and I’m sorry to hear about your writers block! Hope this helps! ❤️

For sure! Thank you for the ask! I’m not surprised those concepts caught on lol so I think I’ll probably go into some more details on 1) the ideas of what would happen and 2) why I’m writing new hardware with Donnie and not one of the other bros lmao

Putting some of this beneath a cut bc this one’s gonna be LONG.

The Tear AU

In an AU where Leo is taken instead of Donnie, the Krang would have to work fast. Donnie has a tracker on Leo, and even if the tracker is taken out of him at some point, it would at least give the others a much smaller area they have to search. However, Leo’s use of portals would be able to help in this, since the ability to get Krang matter wherever and whenever the Krang wants could give them a huge advantage. It would probably be a much shorter story, since the turtles have a very limited amount of time to stop The Tear and the Brother before things just get absolutely out of hand, but they’ll be able to actually get there to deal with the issues and start fighting relatively quickly. Leo probably isn’t super conscious while any of this is going on, since even though he’s good at strategizing, the Krang probably wouldn’t see much virtue in Leo keeping his capacity for thought and just use him as a portal generator.

The Guard AU

Sorry Raph ily but this would be the least fun for me to write I think lol. You definitely CAN make the “Raph gets krangified again” plot work, but it’s not something I personally wanna dedicate too much headspace too. The whole of the movie was basically this plot, and it would mostly be Raph and the Brother trying to free the other Krang, get the key, all of that stuff. There could definitely be some fun angst of maybe with him critically injuring a member of his family, but most of what can be done here has already been done. There also wouldn’t be much of Raph fighting back bc the Brother Krang (or at least my idea of him) would just kinda. Turn off his brain since it’s not really useful to him.

The Battery AU

In the case of Mikey being captured, it’s probably the most interesting out of the three for me. Most likely how the plot would play out is that Michelangelo is captured, and the Krang probes his memory to find out about the bad future and decides to try and use that power. He brings Mikey back to his den and then there, uses Mikey’s powers to tear open a doorway to the bad dimension and to try and bring the successful Krang and their army in through the portal. Mikey either breaks out or is rescued at that point, and the rest of the story is focused on the brothers fighting off the Krang from the alternate dimension. Mikey being injured in some sort of way from having to use that power is definitely a possibility and some good angst too.

The way New Hardware works and the trope it plays off for me is the idea of the “smart guy” (Donnie, in this case) and what would actually happen in a way if they were removed from a plot. Over and over again in rottmnt and in other media, things can only “get started” once the characters have information to go on, either by convenience or by getting it from somewhere. Characters like Donatello are catalysts in the literal definition, speeding up the process of the plot by getting characters the information they need to go start kicking butt or getting into the action and all that.

Think about the movie, and think about what would have happened if Donnie wasn’t there, if he hadn’t implanted the trackers in anyone. It’s brushed over and then played as a joke that those trackers are there, but the fact it’s brushed over is just an example of how important those characters are to a narrative. They didn’t have to look for Raph that much, they just knew where he was and could focus their attention of fighting the bad guys to get to him instead.

The point of New Hardware is 1) because Donnie is my favorite character and unfortunately for him that means I like giving him angst and 2) to show what would realistically happen in a worst case scenario when characters don’t have that convenient information to go off of anymore. Information is a type power as people say, and without Donnie on their side, they’re at a big disadvantage when it comes to intel.

#westspeaks #rottmnt #rise of the teenage mutant ninja turtles #rottmnt new hardware #cw body horror

[whateversawesome]

I really hope this doesn't come off as hate, I just wanted someone else's input - I feel like the eden kids have become more of the main characters than the forgers have. I know we just finished an important arc with them but it feels as though every other chapter is centered around them. We haven't had a chapter with the forgers together since Anya got rescued and that wasn't even a whole chapter. it feels as though the manga's shifted from its core (a spy dad, assassin mom, esper child and a dog that can see the future). I guess this could just be because of the update schedule though making everything feel slow paced and some plotlines random at times. Again, I hope this doesn't come off as hate. I still love and enjoy the story, and was curious to hear the opinion of another.

Hi! Thank you for reaching out. Your question doesn't come as hate at all and it'll be my pleasure to answer it :)

Your feelings and frustration are totally valid. A lot of us got into Spy x family because of the Forgers (and some of us Twiyor specifically) and miss seeing them. So, let me tell you how I see things both as a writer and as a reader.

As a writer: I'm not worried about where sxf is going because I've written plenty of stories and I can see the seams (meaning the construction of the story). However, I know not everyone is a writer, so this illustration may be useful for everyone:

The beginning of sxf had a great exposition of the characters and the story. This is the part where the readers fall in love and get attached to the characters.

I know it's been going for 79 chapters, but in my opinion, we're barely leaving #2 (conflict) and entering #3 (rising action). Endo set the conflict and not quite started the action yet. So we're just entering the middle of the story.

In my experience (both as a reader and writer), when the middle of the story begins is not the most exciting part and, depending on the story and author, the middle can feel long.

In Spanish, the middle a story is called "nudo", which means "knot". This is where the story gets tangled and very complicated. In fact, the more complicated, the better, because it means that it'll be hard to resolve and the stakes will be high during the climax.

The purpose of the middle of a story is to point towards the climax. This is where the author has to build the tension to get there, where the conflict gets thicker and thicker.

Now, has Endo been doing this?

YES.

Evidence of this are the whole bus kidnapping arc: where he told us how the SSS and government behave towards its citizens (even when they're children). THIS will be key in the story. And the latest 78 doggie competition chapter: where Handler and Twilight literally talk about the main plot of the story.

This reminds us the main plot is still about Donovan Desmond and Project Apple. This doesn't seem random to me. And the fact that we've gotten so much Eden makes me think that Eden is key in the main plot too.

As a writer, his job is to point out to the main plot and head to the climax. If he's been doing that with Eden chapters, that means that's where we're going.

The way I see it, Twilight, Yor, and Anya (Spy, Assassin and Esper) are the main characters, but not the only characters. Because of its cuteness and wholesomeness, it's easy to think of Spy x Family is a simple story about a Spy who adopts a little girl and falls in love with an assassin.

It is not.

This is a monster of a story.

Think of it as a big tree. Stories like this have many branches (secondary characters and side stories) that are connected to the main plot and serve to lead the plot towards the climax. Examples: Lord of the Rings, Fruits Basket, Attack on Titan.

My point is that in these Monster Stories, the plot may not always focus on the main characters, but in the end, everything, every little branch and side story came together to let the main characters rule the story and get to that explosive climax.

And I believe that's what Endo is doing here.

Is it the most exciting thing in the world right now? No.

Sometimes development can feel like a total drag; especially if chapters come out every two weeks and we're all eager for more.

As a writer, I recommend patience. We'll get there, it's just going to take some time.

Now...

As a reader (and a fan): *Big sigh* Yes, I miss the Forgers (and Twiyor) so much and every time there's a new chapter I feel sad we didn't get any interaction.

Yes, I want to see the romance, the pinning, the angst, the first kiss. ALL of it!! At least give me the Forgers shenanigans...

But there is no point in getting upset about it.

Yes, we're kind of in a dry spot in the story, but personally I'm still enjoying it. I'm so grateful for all the good friends I've made thanks to Spy x family. On top of it, I've been having tons of fun writing fics analyzing, and discussing things with other fans.

There's so much talent in our fandom and during this dry season, it's the fans with their gorgeous fanarts and awesome stories what is keeping the fandom engaged and happy. There's no need to feel bored while we wait for the Forgers to come back (and Twiyor to kiss!), let's wait together. Let's have fun together!

One last thing worth mentioning...

I've said it before. It's okay to take a break. There is absolutely no hate in this advice: If the story is becoming too frustrating, if it's detrimental for mental health, if it's becoming more of a bother than a source of happiness, it's okay to take some time off. It's okay to get into other things, other stories and other fandoms. And it's okay to come back after a while to check up on any progress and it's okay to move on too.

Thank you so much for the ask. I wrote a long answer because, as you can see, I'm a big fan of stories and writing.

#thanks anon! #thank you for the ask! #spy x family #spy x family analysis #spy x family manga #ask

[scarefox]

idk maybe we wait till the drama is over before we do the big judging?

Because so far the drama always played with social expectations vs reality AND we constantly get evaluations and realizations from Nont summing his opinions or change of opinions up in monologues (he is one of the characters kind of representing the popular opinions at first just to learn the other side!)

You have to look at the whole drama and characters developments. not just moments because they all go through good and bad (example) phases.

Let's see where the last 2 episodes go before swinging the hammer?

Reminder: Playboyy is NOT about how the ideal world would look like but it is about how it is right NOW (in Thailand especially). Of course our characters get punished for certain sexual behaviors because that IS how society reacts. Part of the characters even represent some of those stances now and then as example. And us audience feeling bad about it is the goal. Also I think it is very well established that Captain is an ass with the worst morals sometimes. Of course we are not supposed to take his opinions and actions as valid life lessons or message even. We are supposed to dislike him (literally the cast says he is annoying and hate-able).

PLUS very important, a misunderstanding I feel happens with some dramas interpretation: sex positivity does not mean to ignore issues that come with sex and pretend as if there were none... But is especially also about talking OPENLY about those things as well as sexual freedom. There are certain possible dangers of working in the sex industry or if you constantly sleep with different people you don't even know who they are.

(bear with me a lot of rambling ahead about topics I have seen here and there the past weeks)

Playboyy is literally about what Nont says in the fist minutes of episode 1

[..]

(* "can create problems" might be a better wording here in the context. basically "sex is more than just some nasty business" and "sex causes problems sometimes" are two things that coexist)

A lot of the plot is Nonts POV which so far had the theme of Nonts discovery of the variety of sex, human feelings and relationships. GOOD and BAD. As well as the dark side of the sex industry (+ drug and mafia connections). He knew nothing about this world and was / still is very judgy of certain things... like the whole doggo video was about him thinking it's murder when it was actually kink play at the end, which he never considered (that's what I mean with expectation vs reality). The treatment of sex worker (btw intentional of the drama that we see both sides here! Please DON'T ignore that in your judgement of what the drama is telling!), the harsh way he judges Nants drug addiction.

aaand all that combined with these 6 categories for each pairing they introduced via one of Nonts monologues as well:

"Mutualism, Protocooperation, Commensalism, Parasitism, Competition, Predation" (btw not set in stone, they can grow out of these)

Do you guys remember that "Y-Destiny" (same director) was based on the week days characteristics and superstition in Thailand? I feel like Playboyy is a bit similar to Y-Destiny just with these relationship categories.

--

Here just some of the things I remember characters said in response to the happenings in the drama or despite the things happening in the drama (which are mainly based on real life issues I remind you)

on the society AND some characters judging virginity:

(Nants downward spiral only happened because he got coerced into losing his virginity to strangers in an industry you shouldn't go in naive. Meaning he wasn't ready for it and stumbled into things just to prove it to his judgy friends)

ignorance in the LGBTq community (is a thing obviously, see trans & queer exclusionists as worst example)

(this statement was about their physical appearance and age. But is by the only 2 characters who wear support trans and 'fuck gender norms' message shirts)

sex as a taboo topic in society:

the whole sex tape issue:

We have Puen calling Captain out on his bs. We see everyone suffering the consequences of leaked sex tapes. As well as the victims of it but also Captain himself (boy just has no self reflection abilities). But also the question on WHY leaked sex tapes are such a big deal (sex as taboo topic) that someone loses their whole career over simply just bein caught having sex. Making sex tapes such a good blackmail tool as well...

the "sex worker get treated like trash" issue:

again, yes that's the point of showing something like this as real life issues. You can't take Captain, First or even Nonts statements as "this is the shows statement" when they are all portrayed as morally grey till morally twisted even. AND we still have this whole big plot point of Aob and Puen AND Phob constantly showing and talking about the issues they have to deal with as sex workers. (+ the Soong, Teena, Jump at the beginning saying it wouldn't be that bad of a job under better circumstances, if their boss wasn't so horrible. again not just a black and white image here). THIS TOO is part of the show and it's message, which weights way more than Nont calling Puen "that sex worker" or whatever (maybe he doesn't even know his name). Nont is pissy and biased of that whole topic and specifically about Playboyy employees because of his brothers death.

And First being a selfish sadistic prick to said sex workers, when they gave him basic consent is a similar issue he had with Soong in the beginning (him not realizing when Soong is not into it or too tired). He knows that he messed up here, he even admitted it to Soong. My guess is that First and Captain just don't want to admit to the others? That just because they got hurt, they can not hurt others (oh that's a recurring theme in the drama btw). And idk I got the feeling First & Captain being hurt wasn't about Zouey accused them of but them both having some issues which makes them act that way?

Because the following is such a weird thing to say in that context??? (is that their "every episode we remind you this may or may not be a fictional story" thing)

"You think of us as clowns or people who make yourself look like a better person." Spoken like someone who doesn't want to admit he may be not a good guy 🤷‍♂️ aka "Oh you think you are better than me just because I am worse. Everyone hates me because I am an ass" uhm yea.

Anyways Zouey is right about criticizing them for hurting others (not the part where he called them perverted. Look not even Zouey is perfect). And I bet everyone watching it agrees with him on that. It does suck that they made him apologize. But again, First and Captain are both not characters you get your life lessons from, especially not Captain. Also the way the whole apology went was weird with these word plays?? Pretty unserious and deliberate confusing:

Like wtf does that even say? Also we know he only apologizes to get them back to work with them on the case.

---

AND regarding BDSM representation: guys, we don't just have Soong x First on that topic! We have:

Prom x Nont / Nant as GOOD example: contract, consent, aftercare, negotiation, communication (regarding sex! not the case)

Jump x Porsche as BAD example: questionable consent, literal abuse cycle and they basically just vent on each other until they realize how shitty that is. While they do have a contract apparently... they don't really follow it. It's just really sad the creators didn't spend more on screen time with developing their change properly... (bruh they literally cut one scene of Porsche kissing sleeping Jump one morning after, it's in a BTS, they should have kept that to show that they do develop feelings for eo...)

Soong x First is a mix, they both have good traits with each other, but also have/had bad traits (Soong consent issue with Nant) and First DOES have a sex addiction since episode 1. That is one of the main issues Soong has in their relationship. And it then happened that First fell down the bad mental path after some people (+ society) treated him already like a monster (treating someone like something evil they will eventually believe it themselves) and then his support system (Soong) left him. He stopped caring since nobody seemed to care about him. The thing with his dad is that the show mislead us here once again (they love to do that but sometimes it's not well done tbh). His dad is not homophobic. But was just worried about the amount of sex and BDSM / kinks his son participates in (based on prejudice tho). Unfortunately he contributed into that self-fulfilling prophecy that way.

That:

VALID and NOT kink shaming!! Having sessions all the time is big effort and can be overwhelming and exhausting if you have that constantly (especially if Soong does the most work in a role that's maybe not his preference)

The key in those BDSM relationships here is to display that bad communication and bad treatment leads to bad outcome (breaking up, causing eo harm) while good treatment and communication leads to them getting together. Them having a bit less violent sex in between (there are more kinks than just rough sex, fam) doesn't mean they turned vanilla. Like Soong x First in ep12 had some food play again 🤷‍♂️ and idk if Jump x Porsche have sex at all atm and considering their circumstances it makes sense if they don't continue the rough path for now (they didn't even had rough sex all the time prior either. It was just that Porsche used power over Jump + one time switch, now they are probably equal). Even as weirdly uncanny it might feel seeing Prom all sappy and softy when he actually tries to get Nont into a relationship outside of their sex sessions. That's not unrealistic either. Most BDSM folks have more personality and interests than just being into BDSM.

While First had his little downfall we have this statement from Prom as well:

Aaaand I will end it here for now. I am at my picture limit for this post and have a migraine ✌

Bottom line is: wait till the finale is over AND view the whole drama together with all characters paths and statements.

I agree on that some parts are rushed, came too short, some bits appear a bit tone deaf (but that can also just be judged at the end since they still have a chance to come around). 14 main characters at once + all the topics they try to address + the different vibes for each pair + connecting all of that in a murder case somehow is definitely a whole ass mammoth project. It's really difficult to manage the storytelling of that and then also consider the limited time frame.

#playboyy the series #hhhh why did I write that much #anyways cut them some slack man #and maybe don't twist the whole meaning of the drama upside down or even assume maliciousness of the writer when that's not the intention #playboyy

[antikate]

I genuinely think romance is a deeply underrated genre that is sneered upon because of its associations with femininity; I think it’s utopian and hopeful and worthwhile and I crave good romance stories. At the same time I hate most romance novels that I try to read.

I had Covid this week and for a few days was too sick to even look at a book or screen so I downloaded a bunch of audiobooks from the library and I gave up on every single one of them:

1. Notorious by Minerva Spencer. I noped out of this a few pages in when one character was described as delectable and luscious and another character’s eyes were described as orbs. The book also comes with a whole heaping of misogyny and Islamophobia apparently.

2. Georgie All Along by Kate Clayborn. The first ??? 20 ??? Or so pages of this book consist of the heroine back in her home town and going into a deli to order a coffee and not having enough money to pay for it because she left her wallet in the car. 20 pages!!! It’s humiliating and is literally like being stuck in the head of the most neurotic person you’ve ever met. Page after page of this woman ruminating about what a loser she is. Exhausting! And I say this as someone who can ruminate at the Olympic level.

3. Pretty Pretty Boys by Gregory Ashe. This one is an m/m series about two cops who fall in love and I had hopes that it might be solid but the characterization was basically “whatever the author felt like writing”. Also the cops act like cops as in they’re abusive to random people and spend a lot of time being horrible, which I don’t really need in a romance.

4. Not Your Average Hot Guy, Gwenda Bond. Idk this was just. A bit? Boring? Also everyone was just a bit too self consciously sassy. The heroine runs an escape room but one of her props turns out to be actually a demonic book. I think one of my issues with this book and so many other romance novels is that banter is a real skill and most people can’t write it. But everyone, regretfully, tries.

5. Liar City, Allie Therin. There’s this one audiobook narrator who has such a snotty voice that I just cannot. This book might have been great but the instant I started listening I knew it was that dude. Maybe I’ll try it as an actual book.

6. The Blacksmith Queen by GA Aiken. This is one of the worst books I’ve ever tried to read. Truly. The heroine is a blacksmith and the hero is a centaur, which I thought sounded fun (also I was wondering how they’d have sex because I’m like that) but it was … puerile? Astonishingly stupid?

7.Capture the Crown, Jennifer Estep. This is also an absolutely idiotic book. The hero has amethyst eyes and the heroine has some other gem coloured eyes and someone else has sapphire eyes and if you took a shot every time it someone’s eye colour was described as a jewel tone you’d be hospitalised for alcohol poisoning by about page four.

8. A taste of gold and iron, Alex Rowland. This is decently written - as in the prose is solid - but the plot is half baked, the characters are tedious, and the world building is intriguing but paper thin. I’d say it’s a much better book than most here, but I still couldn’t bring myself to finish.

Not everything I’d read lately has been terrible so here’s some romance or romance adjacent books I have actually enjoyed:

1. The Heart Principle by Helen Hoang: This book is not going to change your life but it does what sets out to do with a slight if entertaining love story.

2. The Secret Lives of County Gentlemen, KJ Charles: I think Charles is one of the best and smartest historical romance writers I’ve ever read. Her books are everything I want out of romance: the characters are interesting, idiosyncratic, and sympathetic; the details feel right; the stories work; and the sex scenes are both hot and do important plot and character work. Her books are swoony and emotional and feel very real while still being romantic. (The audio narrator of this let it down a little because he took a lot of odd pauses but I’m being super nitpicky.)

3. A Far Wilder Magic, Allison Saft: This is a sweet YA novel set in an interesting fantasy world - I really enjoyed the prickly heroine and her dog.

4. In Memoriam, Alice Winn: This beautiful, heart-rending novel is not exactly a romance - it’s set during WW1 and has very explicit and realistic scenes set in the trenches. The trauma and suffering of the war are achingly portrayed. But it is a love story between two young soldiers, even if it’s not necessarily one with an easy or simple ending. Highly recommend with the caveat that Winn does not shy away from the brutality and senselessness of WW1.

5. Thornhedge, by T Kingfisher: This is a brief but resonant Sleeping Beauty retelling. Not exactly a romance but also not unromantic. My only complaint is that I wanted more. I’m a big T Kingfisher fan, and I adore her practical, earthy characters (like Toadling).

6. We Could Be So Good, Cat Sebastian: I’m here for everything Sebastian writes. Her books are low stakes but still compelling, her characters are likeable and complex, I actually enjoy her banter, and she has a knack for capturing historical details and moments. Her conflicts never feel fake and the resolutions are always earned.

#book reviews #books #from the trenches of Covid #complaining about romance novels #the author is open to recommendations