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#enjoy this if you're interested
spaciebabie · 11 months
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ever since i made that one freddy and bonnie smoking weed post i have wanted ta make something specifically so i could put it on my laptop and 2day is the day my friends
YOU can also put it on ur laptop if yu want b/c its a sticker on redbubble :]
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People will really say "Jonathan Sims is a good guy!" or "Jonathan Sims is a bad person!" as if a prominent message of his character arc wasn't that no matter who you are, what you do, or how you behave your actions can cause harm or good without intention, and baselessly assigning morals to people who aren't deliberately causing harm is pointless because our view of them is more about how they affect us than how they actually are.
For better or worse, everyone is just a person. We're all both not at fault and entirely to blame.
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Favourite genre of Starkid character: characters who commit/attempt murder because they want to be included
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prince-liest · 28 days
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The way you write Alastor sometimes comes across as very agender to me and idk if you do that on purpose but I love it
I do, actually! He strikes me as the kind of person who is invested in the performance of masculinity and being a gentleman because it's a part of the way he wants the world to see him, and I don't think he would be very tolerant of people trying to emasculate him in any way because that is an insult with heavy connotations, especially during the time he's from. At the same time, though, I feel like if he'd been assigned female at birth, he would see the presentation of his femininity (and anybody questioning it) exactly the same way.
I write him as seeing gender as a role performance that has important traditional social values, but not ones that are inherently related to who he is as a person. Basically, he's a demon and a monster first, and everything else... I'd say "second," but frankly he barely tolerates people seeing the humanity in him at all.
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glorious-spoon · 3 months
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the thing is, there's a point at which pining just becomes a sort of self-harm, and that can actually be a really interesting angle to write about, the reasons why someone might cling to a romantic attraction that they believe is hopeless to the point that it hurts them, digging the wound open again and again instead of letting it heal
(and what happens then, if the attraction is finally reciprocated? what do you do when you GET what you've wanted for so long that the wanting itself has carved itself in your heart? is it good? maybe. is it EASY? well.)
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tekatonic · 9 months
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So... Chao haven't changed much. Chip however ? HOO BOY. Say hello to ring sprites, also called chips, Light Gaia's minions ! They're scattered fragments of the ring flame ( that firey thing above Chip's head in all the doodles ) that never made it into proper rings.
I experimented a lot with Chip as you can see. Skipped ahead a lot with that last image, but had to include it. Final design ended up being the last one in the middle right labeled "Chip chip !"
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greenerteacups · 3 months
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Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.
My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?
Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.
I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!
I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.
I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.
So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.
Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.
Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.
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finelinens · 7 months
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it always pisses me off a bit when i see people trying to use their platform to Educate The Public and the "educational resources" they provide are twitter threads, tiktoks, and carrds. like yes absolutely a social media post from a primary source is invaluably helpful when it comes to getting first-person perspectives on current events, but you just cannot learn extensive history from tiktok. idk. maybe you can. maybe i'm being too quick to write off tiktok as a whole. it's just rare that a tiktok is going to be well-researched and provide sources for the viewers to vet or use for further research on their own, so it's natural to be doubtful.
people easily believe anything on social media if it's well-said and seems sincere, which is just dangerously stupid. vet your sources. think critically. don't just blindly believe a tiktok because the person filming it is using smart people words
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emmavakarian-theirin · 4 months
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hiiiiiii i've fallen back into dragon age hell (origins, specifically) if anyone wants to DISCUSS things i am here
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fumiko-matsubara · 5 months
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A warm-up portrait of Princess Lea 💜✨
When the no-nonsense perfect honour student Gakushuu Asano went on a whole side quest to prove to you that he is NOT, in fact, a boring person like you told him he was, and that he can certainly act like a normal middle schooler... by cracking jokes and making puns 😭
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sithbelle · 9 months
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utilitycaster · 6 months
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I think I said this after Calamity too but like. It's not that there's a wrong way to enjoy fiction, precisely, but I really do think that when someone's first or even seventh instinct upon watching a tragedy is to say "wow imagine the potential for Everyone Lives Fix-it Fic that gives me the ending I wanted" that is genuinely more unsettling to me than like, the tragedy itself.
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theveryworstthing · 1 year
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to all who Eat today, i hope you Eat Well and your family doesn’t send your mental heath into a death spiral.
to those who Don’t, i get it.
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craftykit · 9 months
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kastillia · 1 month
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my alphabetical list is complete
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crystallizsch · 1 month
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I want the infodump on Jamil and Yuusha ma'am I beg
THIS HAS BEEN UNANSWERED FOR A MONTH IM SORRY AUGH
but thank you so much yes im okay im normal about them i’ll do my best (for context i mentioned in the tags of one of my posts a while back wanting to infodump about them, but i forget which one it was jfkdlsjhl anyways-)
this won't be a full info dump because i think that would somewhat restrict my dynamic of them if i put it all into words (if that makes sense) ;;;
and i realized i lowkey dont have a coherent timeline for them (yet); i just put them in random scenarios of what i think would be fun at the moment
to make up for it i'll also put a silly self-indulgent sketch dump all below ;;;
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I JUST REALIZED I DRAW THEM MAKING EYE CONTACT A LOT (bc something something there's a level of trust that jamil wont use his snake whisper on yuu anymore)
okay now for some random jamiyuu dynamics/hcs/lore
yuu fell first -> yuu lost feelings (bc why would you trust someone who took advantage you) -> ✨ then something happened ✨ -> jamil fell next but harder.
highkey disliked each other -and showed it- in the beginning bc of the whole scarabia drama; then an -accidental- act of service got them to think differently about one another. like "holy shit maybe they're not so bad after all???"
extremely slow burn.
very competitive with one another which then bled into their "flirting" / affectionate acts when they eventually became closer.
basically: “sweetheart” but rivalry -> “babe” but platonically -> “bro” but romantically pipeline.
(“are you flirting or starting a fight”)
yuu kinda throws around “love you” a lot, especially to her close friends; so -during their “platonic” stage- for some reason, jamil was the only “friend” she has not said this to. but it’s okay it’s not like jamil had referred to her as the “f-word” (friend) anyway.
had a mutual agreement that their romantic relationship is temporary because of yuu wanting to go home; they’re just going to “try it out” “no hard feelings”.
yuu made jamil promise to never use snake whisper on her ever again.
jamil: personal beef w/ bugs + afraid of them; yuu: personal beef w/ bugs (w/ a few exceptions) + not afraid of them, just generally pissed at their existence.
dancing and music lowkey became one of their love languages.
kalim genuinely became one yuu’s best friends because of how much they hit it off. jamil always third wheels them no matter the circumstance.
yuu loves grim more than jamil; jamil knows this very well. and so does grim.
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