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#does this make coherent sense
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Bruce: There’s my little babies!! Do you guys want some cookies?? I love you all so so much!!
Bruce’s children, covered in blood and all holding multiple weapons that are also covered in blood: Yeah!
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houseswife · 4 months
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I love how neferiously hugh laurie delivered his lines in that 5x1 scene where house is blackmailing wilson. because the dialogue could’ve been conveyed in a manner that was obviously facetious and unserious (like the way RSL was playing the scene: “You’d jeopardise a patient—? 😒🙄) but he literally chose to go “If it keeps you here😈👹” in the most deadass, diabolical tone. so the result is that we have house sounding like a genuine psychopath as he threatens to let a woman die and then wilson proving he’s an even BIGGER one by responding with, like, mild exasperation at best. 10/10 dynamic no notes
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little-pondhead · 1 year
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Wanted to hop in on the supervillain Danny au questions! Do we think Valerie would have any interest to get in on this? Between being a pawn for Vlad as Red Huntress and her "friends" ditching her as soon as she stopped being rich, I like the idea that evil billionare mastermind is her general vibe. Heck, maybe she and Tucker flip roles and she becomes the guy in the chair, not being a front line powerhouse and actually coming up with elaborate plans.
And on that note, do we think that if Vlad somehow found his way into this mess, he'd see the whole thing as a fun little game of "opposite world" and try his hand at being a hero? Because I for one think that would be hilarious, I actually don't have ideas for that because I can't imagine a heroic Vlad.
Amyway, that's all I got for now. Love your work!
You're one of the vertebrae creatures who keep hoarding all the brain wrinkles, aren't you??
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[Okay, so I lost your ask, wrote this shit, then found it again so it's not exact but I'm trying here.]
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Let's start with Valerie, or keeping up with the trend, Gray in the DC universe.
Valerie is so tired. It's a different kind of tiredness that has a grip on the others. Danny is tired of being a hero, Sam is tired of her parent's expectations, and Tucker is tired of being unable to protect his friends. Jazz is tired of being the bigger person, and Dani is tired of not having someone to rely on. The DC universe is their escape, and honestly, it's doing wonders for their mental health. Valerie notices. She has a shaky truce with Phantom and his crew, but she can't just let him get a leg up on her, can she? So Valerie follows them, through town, through the portal, through the new world they popped up in.
There, she stops. Phantom is now Fenton, and doesn't that make sense? Many things click into place and Valerie starts to understand as she watches the others from the shadows. She's surprised they haven't noticed her, but a little green sticky note on her visor says she had a little hand in her reconnaissance. So when she's done, she returns to her dimension. Back to Amity Park and back to her bed. Valerie lays there for a while, staring at the ceiling and fingering the sticky note, committing every detail to memory.
And you know what? Valerie gets pissed. How come Danny and his friends lovers? and family get to just visit other dimensions whenever they want a break and have no repercussions whatsoever? Just because hero work is hard?? She's a hero too, dammit!
Obviously, someone out there apparently agreed with her because, in a quick, dizzying moment, Valerie finds herself suddenly in the Ghost Zone, plopped down on a ratty blue couch with a very old ghost sitting across from her. He introduces himself as Clockwork, the ghost of time, the regent of the king, and Danny's guardian. Mentor? She wasn't sure; ghost speech always gave her a headache. Either way, Valerie found herself exceptionally calm and somehow struck a deal with the Ancient. To her chagrin, Clockwork informed her that Valerie was well and truly Liminal now, despite her best efforts. (What did she expect? Her suit was practically drenched in ectoplasm.) As part of the deal, Clockwork extended the same courtesy to her that he had to the others. Anytime she wanted, Valerie could have free reign and access to the DC universe and could do anything she liked with no bad consequences. And because of her liminality, he was able to grant her just enough power for her to create her own portals directly to the other realm.
[What did Clockwork get out of this deal? Well, that's up to someone else who's not me.]
So Valerie goes to this new universe. She switches her name to Gray, as if to mock Fenton, who had no idea she was there. She does not try to become a supervillain. And what's this? Outfit analysis time!!
In the show, I've always liked Valerie as a character, and whether it was intentional or not, her design seems to fit her attitude and actions. They were in high school in the early 2000s before her dad lost her job; Valerie was very popular, from what I remember. Her family had money. Other kids expected her to keep up with social norms, so her outfit looked more stylish than practical. She wears yellow, which is most commonly seen as a happy color. Her hair is slicked back so people can see her whole face. She has nothing to hide. She's confident and youthful, ready to lead, and overall enjoying her lot in life. Then ghosts start appearing, and we all know her backstory as Red Huntress. Her suit is tight to her skin, bright red, and overall she's armed to the teeth. Everything about that screams DANGER! Valerie is a threat now.
Her civilian outfit also never changes, which is understandable because this is a cartoon from 2004. But it's secretly genius because yellow is often considered a cautious color. It turns from being a happy color to a warning. Yellow is also associated with anxiety, betrayal, and even egotism, which is something both she and Danny experience during their interactions. She's uptight and constantly on edge. She feels like she has to provide for her family and is quick to anger.
Now for the opposite of that? Valerie is tired of being angry all the time. Rather than go apeshit on a bunch of poor heroes and villains-been there, done that-she treats this whole thing like an actual vacation. Gray wears a soft long sleeve, sweats, and fuzzy slippers. Her hair is relaxed and in a bun, with her bangs hiding half of her face. It takes some pressure off of constantly keeping her expressions in check. People also can't see how she's silently judging them. She lets the stress melt from her shoulders and lets herself curse like a sailor whenever she feels like it. Her clothes are dimmer colors, which don’t stand out or demand attention. She lets herself be not perfect.
Although, just because this is a vacation for her doesn't mean Gray can't just lounge around doing nothing. She has no money! So Gray, after shuffling through a couple decades of this world's history and discovering that Craigslist is universal, applies for the first work ad she sees. In short, Gray joins the Goonion. She ends up making a deal with the guy who hired her. And her new boss. And her new neighbor. And-
Gray very quickly becomes the John Constantine of the criminal underworld. She brushes up on her people skills and learns to talk rings around other people, getting people to owe her favors as much as she dishes them out. Balance is the key here, as she’s learned from Danny. Gray is never tied down by too many IOUs at a time, and her tight grip on her companions and team quickly earn her a questionable but reliable reputation. She presents a morally-gray character, if you will.
Gray’s quick climb to power-that was definitely sped along by Clockwork-earns her a powerful position in the Goonion. If she plays her cards right, Gray doesn’t have to do any work at all. She just leans back and enjoys being paid for wearing pajamas all day and occasionally signing some paperwork. She siphons away bits of her own paycheck to a dimensional bank account she threatened asked Technus to set up, and Gray is finally able to slip more than a few tens into her father’s wallet when it’s time for him to pay his rent. It’s a good life.
Now, Vlad? Oh, he's fucked. This can work for whatever redemption au you want. He can be exactly like he is in the show or working towards bettering himself as a person. I imagine him being halfway to a redemption plot, and in an effort to gain the Fenton's trust, he starts hanging around with the family more. Jack loves this. The others do not, but what can they do? Everyone is just trying to be civil to each other in an effort to make Jack happy. Since old habits die hard, Vlad very quickly notices Danny's improved state of mind and is attuned to the Zone enough to feel when Clockwork stops time on their end. He starts to purposefully rile up Danny and realizes that the time stops happen right after Danny leaves the room in a fit of anger. Then the boy comes back all smiles and sometimes doesn't even remember what Vlad had said to him in the first place.
So he puts his ear to the ground. Whispers are floating around about a new portal that's been opened near Phantom's Keep. A natural one. A permanent one. No one can investigate due to its location, but the young king and members of his fraid have been seen frequenting it more often than late. Not suspicious in the slightest, Danny would have protested. Vlad goes poking around. Entering the Keep uninvited felt like millions of bugs tugging at his skin, but turning human helped ease the sensation. It was laughably easy to slip between the cold stone walls of the Keep, avoiding Fright Knight's walking path and sticking to the shadows. The portal was in the courtyard, under the watchful gaze of two stone gargoyles leftover from Pariah's reign. Right before Vlad can investigate further stick his head in and see what happens the world warps, and suddenly the older halfa is sitting on his ass in front of a very old ghost.
Looks like Vlad fucked around and found out.
Basically, Clockwork yoinked Vlad to his side of existence right before he entered the portal. Even if all he wanted to do was relate to Danny in an effort to mend their relationship, The Master of Time wasn't okay with Vlad going off into the DC universe all willy-nilly. Oh no. Letting Vlad loose in this world would lead to bad things regardless of his intentions. Even if Vlad promised to play by all the rules and pretended to be human, he was bound to slip up and cause trouble.
So there were two courses of action Clockwork could take here. One, he could pull in a few favors and wipe Vlad's memory, sending him back to his own universe until he inevitably went sniffing around again, and this whole song and dance continued. Or second, he could equip Vlad with similar ghost artifacts Manson and Foley possessed and temporarily seal away Vlad's powers while he was gallivanting around the DC universe. He'd be on Clockwork's payroll, so to speak, and could only act on the older ghost's instructions. Clockwork presented these two choices to Vlad. The older halfa chose the second option after weighing the pros and cons. He didn't want to be controlled by Clockwork, but he also didn't want to lose his memories (over and over again, from how he worded it.)
This is how Vlad's hero persona is born. I'm unsure if he should stick with his last name, Masters, or take on something different to distance himself from Fenton and his family. Let's stick with Masters for now.
Clockwork has this drowning little rat man on a rehab program and uses some fancy ghost jewelry to inhibit his halfa abilities. He doesn't make Masters do much, just drops him in here and there when the DC timestream needs a little nudge. It's not like Clockwork will have Danny deal with it; the kid already helps out with every other timestream when asked. Masters can help out here. And since his halfa abilities are blocked, he gets to do everything as a human, which brings its own set of challenges. The idea is that by throwing Masters face-first into a new world filled with people who could end his existence and be forced to win every fight or else, he'll come to appreciate what Danny goes through on a daily basis.
The JL Dark becomes very familiar with the mysterious Masters, who doesn't seem to have any powers but still fights like he does. The man can be extraordinarily clumsy and short-tempered but still graceful and light on his feet when it matters the most. More than once has someone caught Masters muttering under his breath, cursing out gravity and a 'purple-cloak wearing bitch.' Masters always shows up out of the blue at the most random times. He is literally just there, and sometimes even Masters himself looks shocked about his sudden scene change. But he's always suited up and ready to go, so not many heroes question it. They usually need the help anyway.
In the DC universe, Masters is wearing four magic bands, each engraved with the words Dominion of Time on them. Several bands made from tungsten were buried deep with Clockwork's Tower in an old wooden box made from aspen and diamonds. Each band was a blank slate, glowing slightly from magic long past. Clockwork had simply selected the four he needed, engraved the spells needed in ghost speech, and handed them over. Vlad grumbled and tried to find a loophole in the artifacts, but ultimately accepted his fate and wore them whenever Masters was needed.
Vlad's new outfit for this outfit is similar to Valerie's; it's loose and uncomplicated. (Actually, there are a lot of parallels between these two.) In the show, Vlad always wears a tailored suit and dress shoes. He's well-groomed and his hair is slicked back. He always tries to show off his wealth and power by having full control over his appearance. In layman's terms, he's the walking cliché trope of a rich billionaire villain in every superhero media to ever exist. After all, in a kid's show with a teenage protagonist, what's more intimidating than an adult nemesis who has their life together?
As Masters, Vlad is forced to throw all that out the window.
The hero outfit he wears was literally picked up off the street. If glowing metal bands were not adorning his arms, some would assume that Masters was a homeless man. The top was dug out from a dumpster behind a costume store, and the sandals were given to him by a woman who couldn't wear them anymore. His arm sleeves were sewn together from some blackout curtains he found at an old housing demolition site, and the pants were just some sweatpants that were a tad too short. The mask was bought from the corner store, his belt salvaged from a junkyard, and his scarf was actually a gift from Jack-not that he'd wear it around the oaf. The only 'expensive' things Masters wore were the four magic bands, a handful of large glass beads hanging from his belt, and the sharp metal claws he wore on top of each finger. The claws were bought on a whim years ago when Vlad was building his fortune, and boy, was he glad for them now. They were the only real weapons Clockwork allowed him to carry for some reason.
In other words, Masters is exposed. With his loose hair and flowing clothes, Masters is forced to trust the others around him to have his back. He's humbled every time someone covers an obvious blind spot of his that he's not used to compensating for. He gets dirty and messy, fighting to survive against enemies he knows nothing about. His outfit symbolizes his efforts to change. Masters is re-learning what it's like to be truly vulnerable in a world you don't understand with no help whatsoever. Clockwork has no issue pitting him against demons and ghouls even John Constantine would hesitate at, and his narrow victories quickly earn him an invitation to the Watchtower.
The Justice League is puzzled by this walking lump of wet spaghetti. He disappears so easily into the background and doesn't stand out at all. Every once in a while his eyes scrunch up like he's confused about something, but he won't admit that he's lost the conversation. Masters will offhandedly say weird things and turn as if expecting someone to be there, then suddenly stop himself with a soft flinch. He refuses any form of payment. He can stare down Batman. His appearances are random and the man carries no form of contact. Masters often has an aura of resignation and regret around him, as if he didn't want to be there in the first place. He's awkward around kids but fiercely protective of a few teen heroes. (Mostly Conner.)
It finally starts to come together in the JL's mind when Masters becomes more widely known in the world of supers. One of the higher-ups in the Goonion hates him. Dani held a gun to his head. Manson screeched bloody murder when she saw him. Nightingale declared herself his official nemesis. The final piece was when, after a long and exhausting fight, Masters temporarily removed his mask to wipe away some blood around his mouth.
The Flash, who was sitting next to him, nearly let out a squeak.
Masters' blood was bright green.
Masters' teeth were shaped like a shark's.
Masters was another fucking Fenton, wasn't he?
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pr0lis0k-posts · 6 months
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before 2022 people asked me stuff like “do you guys still all live in villages over there?/ do you have electricity over there?/ isn’t it just steppe and nothing else?/ most people there are farmers, right?/ wait, but isn’t it just part of russia?/ is it actually a real country?” (i really wish i was kidding with the last one)
i think sometimes the world forgets about how it ‘forgot’ of ukraine up until our suffering became relevant to the west, yet many people have strong opinions about my nation, my culture, my country, but all of their knowledge is based solely on what they have learned from watching western news media from the safety of their homes
and still for some reason ukrainians who have been actively living through this nightmare are not worthy of being listened to, not a credible enough source, too biased, too ignorant, are just not considering other perspectives, victims of propaganda, paid actors
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likegoldintheair · 19 days
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another thing i can't stop thinking about is how nervous tommy looks just after they've kissed because yes he wasn't afraid to (gently) grab buck's chin and guide him into a kiss but there's still that moment of uncertainty directly afterwards where you can see the thought of did i read this correctly flashing through his mind so he asks and when buck doesn't react negatively he can't help the way his mouth twitches up into a smile before he asks again if it was okay that he did that and when buck once again says yes he becomes a little more sure and assertive and decides to ask him out but there's still a small hint of nerves lingering in his movements and facial expressions because he really likes buck right he likes him and he wants him to say yes again and i don't know i think that those different levels of yes i know what i want now but this is also a tiny bit nerve-wracking that are visible not only in buck but in tommy too are so so so important and beautifully done
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solcorvidae · 4 months
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I've been thinking about how Lambert, Eskel, and Geralt all deal with the trials and how it shapes them into the people they would grow to become.
Lambert remembers his past. He is angry, upset, bitter, and vindictive. He's got this fire in him that is only stoked by the pain and suffering forced upon him. He remembers the boys who did not make it: the hell they all had to go through, and he has a complicated relationship with Vesemir that surrounds it. Lambert does questionable things that Geralt is bothered by in his grief and anger. Geralt calls him out for killing in cold blood, needlessly and mercilessly.
Lambert avoids Vesemir at Kaer Morhen and mocks him when he is not around. He may come off as childish and like an asshole, but Lambert knows what he feels. Lambert doesn't lash out because he can't control his emotions or because he doesn't understand the path of least resistance. He knows. He chooses to avoid conflict with Vesemir at Kaer Morhen by keeping out of his way. He knows he can't control his emotions effectively if he is face-to-face with him for too long. He knows, and he isn't stupid.
Lambert talks to Geralt about the trials and the injustice of it all. He probably looks up to Geralt, hoping his brother feels just as angry about it as he does. He went through the Trial of the Grasses twice for Christ's sake! Why is he not more angry? Why is he so apathetic?
And Geralt brushes him off time and time again. Such is life, is his attitude. We all went through it, he says. Geralt can't be upset because there is nothing he can feasibly do about it. He didn't choose to be a Witcher. He wouldn't have chosen this life. He would have some other job somewhere else, just like he told Regis. He can't change the past. He can't go back and fix something he never had control over in the first place. Besides, they can’t inflict the trials upon a new generation of kids, not anymore. It’s in the past now, so why dwell on it? What’s done is done and thank god no other kids have to suffer the way they did. It’s over. It’s time to move on.
Geralt doesn't enjoy fame. He tells Eskel this in To Bait a Forktail. Geralt is the famous twice-grassed White Wolf. He is The Witcher. The famed Geralt of Rivia. He has expectations piled upon him the size of mountains. He's got to be the perfect Witcher, he's got to be a loyal brother, a lover, and a best friend… Geralt had expectations put upon him that set him aside from the rest since he was a kid. He hates it. Underneath the banter and the wit, Geralt accepts that this is his life, but that doesn't mean he likes it. He tolerates it because it is his reality and nothing more. If he thinks about it for too long… maybe it will consume him.
"You remember her?" he asks Eskel about his mother.
Unlike Lambert, Geralt hardly knows what it means to live another life. He doesn't have that following him like it does with his brother. What little he remembers is not enough to erase the apathy drilled into him at such a young age. Maybe he has a more strict moral code than say, Lambert, (or if you want to bring in the other Witcher schools, most of the Cats and the caravan) but that doesn't make him the most ethical person on the Continent. How could you be? After all that he has endured, the things he was taught? Where do you draw the line? He kills monsters, but like in Velen, it's hard to see where the line's drawn in the sand.
Humans are monstrous too.
Eskel, however? Maybe he's jealous. He did everything right, why shouldn’t he be? He is superiorly skilled in magic, one hell of a good Witcher. He has a reputation for it. Maybe he's not as kind as your average person, but he gets the job done. He's got a more relaxed demeanour than his brothers which reveals itself in his reputation. He's reliable. He is damn good at what he does. So why does Geralt get all the attention? The fame? He clearly doesn't want it.
While Lambert got turned into a vindictive prick and Geralt became a quick-witted nihilist, Eskel? He's exactly who he should be. Why shouldn't he be praised for it like his brother? Why should he be forced to bend over backwards to accommodate people and keep up with his reputation? For what? His skills? Ha! He lives in the shadows of Geralt who's notably a good Witcher, but he's not quite as good as Eskel.
Eskel was beaten shaped into the man he is today because of the trials, his training, and everything else. Should he not get credited for that too? Why does someone who doesn't even want his fame get all the recognition? Genetic predisposition? Shouldn't his hard work be given more consideration and praise? Thank god Geralt survived the hell of being subjected to two rounds of mutagens rather than one, but why should that overshadow the efforts, the time, and the sacrifices that everyone else around him has made? Eskel is exactly the man that they intended him to be by the end of it all. He is an efficient hunter, he is outstanding with signs, and he works diligently for his reputation. He did everything right. He does everything right. Why is that not enough?
TL;DR: Lambert, Geralt and Eskel handle their traumas in different ways. Lambert gets vengeful, Geralt gets apathetic, and Eskel gets borderline jealous. (And it breaks my heart)
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chronicowboy · 1 year
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make sure you're following your heart not christopher's
aka the all paths lead to buck theory that @danielsousa and i are currently spiralling about. this is going to be incoherent and insane but bear with us here because we have connected the motherfucking dots. we've known for a while that the one place both eddie and christopher's hearts have in common is buck. but we didn't realise just how many times one of three has found their way to another through the third. i don't think thats entirely coherent but it will make sense, hear us out:
post-earthquake eddie finds his way to christopher because buck drives him to the other half of his heart
post-tsunami buck only finds christopher after finding eddie
when chris finds out about ana and goes missing, eddie finds him because of buck
post-shooting buck only gets the text eddie is okay when he's with christopher
post-lightning eddie can only find his way to buck's bedside when christopher comes to the hospital
in the coma buck finds his way back to the real world, back to eddie, through christopher
there are hundreds of these moments making it clear that buck and eddie and christopher's journeys are all fundamentally intertwined, their paths all intersect and lead to one place where its the three of them for good. they are all connected by an invisible string and if they find their way to one they find their way to another because they are a unit!! a family!!! and no matter what, no matter how many detours or how much construction, they all end up in the same place eventually. and that's what matters.
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frenchfriedgiraffe · 6 months
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people often talk about how fanfiction is great because you can put your favourite characters in crazy scenarios (like, idk, a mafia werewolf au or something). but my absolute favourite thing is the exact opposite: reading about them doing completely ordinary shit, like going to the supermarket or having a nap. and like maybe that's just my super niche corner of fanfiction but i eat that shit up. it's just so satisfying getting to read about your normally badass super awesome favourite character making toast in the morning.
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rabbithaver · 7 months
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you can always tell what side Silver sleeps on because in the mornings, before he's had a chance to brush it out, the fluff on that side is sticking out in all directions
he basically looks like this for a good 15-20 minutes after waking up
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deerlisteners · 6 months
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there’s smth abt felix telling everyone for years after the western rebellion that the dimitri he knew died in the tragedy, but then when dimitri is supposedly executed and everyone truly believes he’s dead felix refuses to believe it and spends five years searching for him………..
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bruce: that’s it, i’ve had enough. get on top of the fridge
jason: clamoring onto the fridge: this house is a FUCKING NIGHTMARE
damian: todd! is alfred up there?
jason: alfred’s doing the laundry
damian: the cat, todd. i’m asking about the cat
jason: oh, no
tim: why the fuck did you think he meant alfred the human
duke: why are we referring to him as alfred the human
tim: to distinguish
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natjennie · 7 months
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no actually because remember that post I made about button house physically mirroring the progress the ghosts and alison make as a family. and now I'm thinking about how s5 made that even more of a direct relation because like. fanny's whole poem about home and the idea that they are considering selling a chunk of the land just as the ghosts are nervous one of them is going to move on and then the selling of the whole estate is negated when julian makes his speech. oaauggh I need to read a million different things about houses as characters and places as reflections of their inhabitants god
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spoileralxrt · 15 days
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This feels like a hot take nowadays, but Jara (Jason Todd/Yara Flor) was the best possible relationship that could’ve come out of the Elseworld’s Teen Titans. Do I think the series as a whole would’ve been better without a romance plot? Yes, of course, but man do I love Jara.
First of all, both of them are dealing with the pressure of carrying on the legacy of two of the original Teen Titans. I see Cara fans saying “oh, but Batgirl is a legacy name, too,” but it’s really not the same. Cass had Barbara in her corner while Jason and Yara didn’t have Dick or Donna in theirs (at least at the start/not in the same way that Cass had Babs.)
Also, despite the fact that the romance plot from #27 to #36 was forced I admit, they had chemistry before that. Almost from the start, before they were really friends or got along that well, they had banter! There was tension! There was already foreshadowing for the relationship that would blossom between the two of them by #5. 
The specific moment of foreshadowing that comes to mind in issue 5 is Roy’s thought boxes on page 26, where Roy compared the two to him and Donna. Most people say this makes no sense, that it would be better to make a comparison between Dick and Donna, I say this was purposeful to hint at how their relationship would develop.
And at the end, Yara was the one who was there for Jason after he killed Condiment King, helping him as he tried to figure out what it meant to have blood on his hands. All the others, especially Roy, turned their back on him without even asking why he did it (which I suppose we should blame the writers for more than the characters, and how rushed the entire ending is).
In conclusion, whether you like the ship or not, the writers were pushing it from the start. If you’re an Elseword’s Teen Titans fan, you can’t ignore it. Stop getting pissy when people enjoy the CANON ship, and stop trying to make a perfectly normal friendship a romantic relationship… but also qpr cara would slap.
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comradekatara · 6 months
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I'm writing a fanfic rewriting Legend of Korra to make Korra an anti-hero who eventually allies with Kuvira and betrays her friends. It's called "The Tragedy of Korra". Have you ever thought that Korra would have been more interesting if Korra herself was more morally grey? I feel like it would have tied together a bunch of elements that didn't work too well in canon Korra.
i mean korra already is morally grey (liberal). but i do think a narrative wherein korra attempts to undo the (supposed) work of aang & zuko to establish a neocolonial state on earth kingdom land (republic city) by allying with kuvira could be interesting in terms of what would need to change in the plot for her to reach that conclusion. lok pretty uniformly portrays republic city as a good thing that only fascist monsters would attempt to condemn, but kuvira is also just categorically right that republic city is essentially a fire nation colony in a coat of fresh globalist paint, she's just wrong in her conclusion that returning that land to the earth kingdom means returning that land to her specifically. but korra grappling with the ramifications of the darker aspects of her predecessor's legacy is a very "avatar" story (aang w/ roku, kyoshi w/ kuruk, kuruk w/ yangchen, even korra w/ wan in book 2 i guess), and was only really elided by the narrative because we're supposed to agree with the construction of republic city in the first place (ymmv).
we're supposed to buy that aang and zuko established republic city and that rc is an ontologically independent state with no vestiges of fire nation imperialism left in its functioning, but it takes many large leaps in logic to arrive at that conclusion (such as toph establishing a police force; katara being fine with neocolonialism, including in her home; etc.), that this was a largely positive decision and not a geopolitical blunder. but i think taking a more realistic approach, that aang was forced to make compromises and now korra must decide whether/how to rectify those decisions and with whom to ally to do so, was always the kind of dormant subtext of lok that i felt like needed to be teased out more for the show to work in the direction it had been taken (which, again, is not necessarily the only or best direction they could have taken it).
i do think you'd have to change kuvira's character considerably to make her less cartoonishly evil (she is a fascist ethnonationalist who crowns herself emperor, puts minorities in internment camps, and harvests the resources of a sacred swamp to construct a wmd that is launched from a giant robot...) if you want anyone to buy that korra would ally with her, but korra does also ally herself with some pretty questionable figures, so i hardly think her naïveté in that regard is out of character for her either. i think politically speaking, lok kind of already is a tragedy, so you'll probably find yourself with both an easier and harder job than you'd expect attempting to rewrite the narrative from this particular angle.
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hum--hallelujah · 4 months
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I got love in my heart (so let's sneak in from the cheap seats, honey)
The Kids Aren't Alright lyrics in Pete's handwriting // Tourdust photo (edit by @pw-ps used with permission) // to you (unfinished, off the top of my head)
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transmasccofee · 7 months
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this scene is ruining my life at first I didn’t get it but now I get it and Aughdhyfhfheujfuejfjjfjfnv
#Kusuo learning from Akechi that competition can be fun and playful and not like. Torture.#And then learning that Kuusuke despite his shitty brother-isms is deep down seeking that exact thing#but just doesn’t know how to approach it#because of how their relationship functioned for years and how they both are#Like don’t get me wrong Kuusuke is uh. Not a good brother and his inferiority complex lead to him hating and mistreating his brother for#Many Years#And I don’t think this scene functions as forgiveness exactly (Kusuo still has resentment towards him in later arcs)#But I think it’s a moment where he realizes they’re both on some level really lonely people#Who have been fighting their whole lives#And being like “hey I don’t hate you. Let’s be friends instead of enemies.”#And Kuusukes response being “I should really be the one saying that to you”#I just. Like it’s a Start.#IDK like Kusuo was completely justified to hate his brother especially after something like the catgun arc#But he doesn’t and I think it’s because he realizes that his brother genuinely doesn’t hate him anymore#Their whole deal is just really interesting to me but idk how to phrase my thoughts on them coherently#The only thing I wish this arc had was Kuusuke having a “what did I do to you” moment but it is a comedy and we already got that from tori#so ynow#i just say he had that moment post meteor#does any of this make sense#Also it makes me so emo that he pictured akechi
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