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plzu · 4 months

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Hot Chai - (Adrian Chase x Reader)

part 8 <- ☕︎ series masterlist ☕︎ ao3

a/n: happy new year! this fic is almost done ♡ also i almost forgot to post this here today lol summary: Adrian is mad at Chris. You're mad at Adrian. Goff gets loose. It's a whole thing. warnings: canon typical violence (chapter takes place during ep 6: Murn After Reading), no Y/N, nothing else major i don't think but lmk if i missed something word count: 5.2k

Can people be haunted by things that aren’t ghosts? Adrian wasn’t sure, but the image of your watery eyes, and hands shakily hiding your face — it haunts him.

Which sounds excessive. After all, how could you haunt him? You were very much alive. But if hauntings make people uncomfortable, makes it hard to sleep, and makes dread sit with the weight of a sandbag on their chests, then maybe it was accurate. Because nothing has bothered him quite this much since - well. There was the shame he felt at failing to kill Chris's racist dirtbag father, and the potential consequences this failure could lead to. But he got over that fairly quickly. After all, it's not Adrian's fault Peacemaker has a shitty dad.

But you — your eyes dimming when he told you about the threesome. The way your face twisted into something that made his world halt to an unsteadying stop, like the nauseating swaying of a boat at sea. The way your hands hid the stricken sadness from him, too late in hiding the pain.

Because of him. He did that. He didn't mean to, didn't realize he'd say something that could upset you, but still. It was his fault.

Crying generally made Adrian uncomfortable because he had a difficult time empathizing. He doesn't cry, not since he was little. Guts once told him it's because he doesn't have feelings like people do. So he never knew what to do if someone cried around him. It weirded him out, to be honest. He wasn't much good at providing comfort, tended to say the wrong things. And his hands. God, he never really knew what to do with them in those situations, became hyper-aware that he even had hands in the first place. Hands good at killing, but useless in comfort.

He hasn't made someone cry since high school.

Scratch that. He makes grown men cry, like, all the time. Usually accompanied by them pissing their pants because they're terrified Vigilante is going to kill them. (Spoiler alert: he does!)

Like one of the guys in the alleyway downtown, that he saved you from. The one that tried crawling away after Vigilante shot his knees. Weeping and wailing and cowering.

But that's different, obviously. Tears and sobs fueled by fear.

The last time he made someone cry because he hurt their feelings, though, that was definitely high school. Made someone cry because he was just being an asshole. Even if he didn't realize it.

It was eventually explained to him that some people are just weirdly sensitive, so you really didn’t have to try that hard to hurt them. Some people just had emotions like the skin of a too-ripe fruit.

He didn’t think you were one of those people. He never saw you cry in high school, and he definitely would have noticed if you had. Adrian was perceptive like that. ‘Specially with you. I mean, sure, you cried in the alleyway and again in his bedroom but the alleyway tears had to have been from fear like that other guy before he shot his brains out, and then the bedroom tears were from, like, residual fear, he thinks. Not because your feelings were hurt.

But then he told you about the threesome, and the mood shift swept across your face like a fissure, and it was just like when he’d made that girl in high school cry, except worse. Because it was you. You, the person he's been quietly fixated on since, like, the 10th grade. The only other person whose lips he fantasizes about -- either pressed against his, or curved in a smile.

He only ever wanted to make you smile. To laugh. It’s the very sound that drew him to you in the first place.

Instead, he made those pretty lips of your warble and twist into the shape of pain.

He should have listened to you, should have let you drag him to the restroom and take off his mask and shove your bodies together. Because then you would have taken his breath away and, with it, all his thoughts. Because that threesome with Chris pales in comparison to the feel of you touching him.

The memory of the threesome warps his emotions into anger and annoyance. Why the fuck did he follow Chris back into his trailer to bang some chick he didn't even know?

Adrian stands at the front (and only) door of Chris' trailer now. They were off today, no assignments from the Task Force. No Fennel Fields shift for Adrian. Today would have been the perfect day to finally, finally hang out with you, no Vigilante business to get in the way. But if his unanswered text messages are anything to go by, you don't want to see him.

And why would you? He made you cry.

Adrian knocks, and whatever frustrations that spurred him to Chris's place is momentarily put on hold when he hears Chris answer, 'Come in, Adrian' without even coming to the door. Adrian walks into the trailer, impressed despite his annoyance as he closes the door behind him and asks, “how did you know it was me?” to the welcoming back of Chris’s head.

“You knock in a very annoying way.” Chris didn't even turn around to look at him when he said it.

“Oh.” Ouch. Rude.

Adrian opens his mouth to apologize, as he usually does whenever people point out he's being unintentionally annoying, but something about Chris's tone kind of ticks him off. Instead, Adrian says, “well, maybe I didn't realize how annoying my knock was because I was distracted by your bad advice.”

This seems to get the other man's attention. In an irritated and confused huff, Chris asks, “dude, what the fuck are you talking about?” as he turns to face him.

“You convinced me to bang that underappreciated chick with you and now they're mad at me.”

This only confuses Chris more. “Amber's mad at you? Why would she be mad at you?” His face sobers into upset understanding. “Dude, did you give her a fucking STD!? You said you were clean! Great, now I have to get checked. I was just at the hospital, man, I don't have time for this.”

“No! I don't have an STD, I'm not talking about her! I mean my- the barista I've been telling you about!”

Chris rolls his eyes, annoyance rolling off of those huge shoulders of his. He just turns back around in his seat.

Adrian's fists clench at his sides at the action. This conversation is far from over-

Small tapping sounds grab his attention. Adrian looks over and sees the alien thing that flew out of the Senator's face sitting in a mason jar with holes poked into the top. “Dude, you still have that thing?”

“Yeah,” Chris confirms without looking back.

Goff makes squeaky noises inside its glass cage. Its little blue and white bug-like body, long-limbed, strangely animated. It doesn't move or act like any bug Adrian's ever seen (at least, not in Evergreen). There's an awareness about itself that clearly indicates some enhanced intelligence.

“He tried to kill us,” Adrian reminds Chris, “and he cut off half my toe.”

He's still a little sore about that, if he's being honest. Currently he's sore about a lot of things.

“Yeah,” Chris says, sounding weirdly detached, distracted. “Sometimes I just think I'm insecure about my masculinity and I'm making up for it by having a dangerous pet.” He says this all in one breath.

His words only confuse and, honestly, slightly upsets Adrian as Chris continues, comparing himself to 'knuckle-dicks in Georgia.’

Peacemaker has not been the same since he got out of Belle Reve. Yeah, he's still the same solid mass of muscle. He's still a giant jerk that says the funniest, meanest things. He can still kick ass, still sharp with a gun and never misses his targets. But now there are moments where he struggles to pull the trigger.

The wavering lately is worrying, to say the least. Maybe even disappointing.

“Dude, my advice?” Adrian offers. “Cut it out with the introspection. The mind is a den of scorpions better left running from instead of towards.”

He should know. Adrian spent most of his childhood trying to analyze those metaphorical scorpions until he decided it was easier to ignore them completely. But things have been kind of rocky, lately, and Adrian has been finding himself taking a peek now and again. Something about both you and Peacemaker being back in Evergreen at the same time is kind of shaking up his foundation.

Chittering and tapping noises from Goff's mason jar grabs Adrian's attention again. “What is Goff doing?”

Chris spins around in his chair and they both watch as Goff uses whatever weird goop he's sitting in to draw a circle on the glass. Then he abruptly stands and grabs the mason jar in his gloved hands. When he holds it up to the cool, gray light filtering in through the skylight, they’re met with a droopy symbol of peace.

Sitting on Peacemaker’s couch, both men grow increasingly frustrated, but not for the same reason.

Seeing as Goff is attempting to communicate with them, Chris sets them up in his living room, Goff's mason jar on the coffee table, with a few rules for interrogation. There is, obviously, a language barrier, but the alien can understand English just fine.

Adrian is upset about how difficult the rules are to follow. Chris, for whatever reason, finds his confusion unreasonable. Sticking to 'yes' and 'no' questions isn't that easy, especially when Adrian has been finding it incredibly difficult to focus since last night, when he left you to cry all alone in the cafe.

Chris's impatience with him is just making Adrian even more frazzled. Usually he can deal with Peacemaker's snapping. He didn't always understand what he'd done to get yelled at, but it usually blew over.

This time, though, Adrian is finding that he is equally mad at Chris. So when Chris shouts that maybe Adrian should shut the fuck up, Adrian shouts back.

“I see how you are! Your preferred conversation partners are Eagly and Goff! Neither of who are capable of speech. Try introspection on that, motherfucker!”

Chris, for once, does not have an immediate comeback.

Adrian takes in a big, steadying breath, feeling the angry warmth on his cheeks and trying to dispel it. An apology sits at the back of his throat, rising up out of simple habit, but an image of your face -- usually all smiles and twinkling eyes -- flashes in his mind. Tear-stricken.

It's enough to force the apology back down.

Turns out, Adrian doesn't even have to apologize because Chris says he's right (I mean, he knew that already; those words didn't explode out of him out of nowhere), and continues in a tone that is unusually soft and quiet and reflective.

Adrian interrupts. Chris yells. This interrogation is going nowhere.

Adrian, having gotten the hang of the whole 'yes' or 'no' question rule, asks Goff, “would you tell your buddy it's okay to sleep with other people despite him having someone he already really likes?”

Chris yells again. “Dude, what the FUCK are you talking about? How is that relevant to an alien invasion?”

They're interrupted by a phone call, Aqua's Barbie Girl ringing clearly from Adrian's back pocket. Adrian rushes to fish his phone out, hoping very badly that it's you.

It wasn't you.

Adrian and Chris are up in the trees, hiding from the cops that are now tearing Peacemaker's trailer apart. The cops that Murn called to warn about, telling them to get the fuck out of dodge. Goff is strapped to Adrian's back, a brilliant move on his part to free up his hands.

Brilliant, until Adrian falls from the tree flat on his back, where one of the cops is looking for them. But that's not as concerning as the mason jar shattering, freeing Goff.

“Oh, shit.”

Goff shakes off the fall and flaps hurriedly towards the detective, who has her gun out and pointed at Adrian on the ground. Adrian’s less concerned about that and more concerned about what Goff’s next move is gonna be.

Chris lands beside him and both men watch in horror and fascination as the alien flies directly at the detective's face, making her fall flat on her back as Goff starts burrowing into her mouth. The move is quick and aggressive and the detective struggles and fails to rip it out of her.

They rush to her side as blood erupts from her mouth, decorating the side of her face crimson as her body begins to convulse. There is nothing they can do but run once they hear another cop round the corner of the trailer and alerts everyone else to their position.

Adrian throws Chris's cell phone outside of the car window on their way to meet the rest of the team at the abandoned video store they've been operating from.

He says he did it to keep them safe, which is mostly true. They can track them through the phone, you know? When Chris angrily advises that his phone was secure and untraceable, and that now a bunch of Eagly pictures are gone, Adrian can only bring himself to be a little regretful.

Adrian is finding something grimly pleasant about indirectly hurting Chris like this. Something scratching a weird itch in the back of his thoughts. It's similar to when he'd throw dynamites at the other man in retaliation for being almost blown up himself. But that was all in good fun. Just guys being dudes, entertaining each other with violence. Real macho-like shenanigans.

No, this was different. Adrian got some sort of satisfaction from tossing Chris's phone out of a moving vehicle right now because he's... more mad at him than he thinks he’s ever been.

And it's not because the hero he's looked up to has been weirdly introspective lately about the usual way they've handled criminals. That was more irritating than anything. It’s a lot easier to go through life without agonizing the lives you’ve taken; surely he can remind Peacemaker of that again.

No. Adrian is mad at Chris because he blames him for hurting your feelings.

“Thank you, by the way.” Chris sends him a quick, confused glance. “For telling me I could bang whoever I wanted. Real solid advice, bro.”

Chris furrows his brow. “What the fuck- why do you keep bringing up the threesome?”

“Because! If it weren't for you, I never would have made them cry!”

“Why the fuck would you tell someone you like that you had a threesome!?”

“You said it was okay!”

It's all Chris can do to keep from ripping the steering wheel off of this car and beating Vigilante with it.

Their argument evolved into weird hypotheticals by the time they stormed through the doors of the video store, but gets (thankfully) interrupted by the mean blonde — Harcourt.

“Hey! Do you have a diary?”

“No,” Chris half-shouts, voice still carrying the weight of whatever shouting match he was in the middle of having with Adrian.

Adrian holds the door open for Eagly to waddle through. Whatever qualms he has with Chris right now, the bird has nothing to do with it. Eagly is chill. Adrian's not gonna be rude and just not hold the door for him.

The conversation between Chris and everyone gets more heated once Chris reveals that Goff is now free. The team doesn't react well to this, which is probably why Chris kept it a secret up til this point.

“Yeah, we kept Goff,” Adrian clarifies in answer to Harcourt's exclamation.

“You kept Goff!?” Murn shouts incredulously. Eyes wide in angry disbelief. Like he doesn't want what he's hearing to be true.

“Because Peacemaker has masculinity issues,” Adrian explains. His lips quirk into a smirk that has absolutely no joy in it. “Probably the same masculinity issues that convinces your BFF — sorry, second BFF — to join you in a threesome even though it'll hurt that BFF's friend's feelings to do so.”

This makes Chris groan in frustration. “Vigilante! Time and place!”

“What the fuck is he talking about?” Harcourt asks, exasperated.

“He's all pissy because he told this chick he's been seeing about our threesome.”

Someone says 'ew' under their breath.

“He told me I could bang whoever I wanted despite knowing about the person I like!” Adrian can't keep the whine out of his voice.

Adebayo speaks up, addressing Chris. “You encouraged him to sleep around even though he's seeing someone?”

“He said they weren't exclusive!” It kind of feels like Peacemaker hasn't stopped yelling since Adrian stepped foot in his trailer.

“Still,” Adebayo says. “He's, like, obsessed with you and he'll do whatever you say.”

(“Hey!” Adrian exclaims. That's offensive, probably! Regardless of whether or not it's true!)

“He's a grown man,” Harcourt interjects. “He should be able to make his own decisions and not blame it on Peacemaker.”

Chris gestures a massive arm out to Harcourt, saying “Thank you!” at the same time as Economos says, “Someone likes Vigilante romantically?”

“That's enough!” Murn sternly shouts, silencing the room. “Where is Goff now?”

They explain how Goff took over one of the cops - the Asian woman.

Fury and disappointment reverberate off of Murn. “God damn it, Peacemaker.”

You don't know why you let it break your heart. Why you let it keep you up most of the night, curled wretchedly into yourself, weeping in tumultuous silence into your pillow.

Adrian Chase, the guy you got unnecessarily and hopelessly attached to, coolly admitted to having had a threesome. There was no tiptoeing around it, either. No hesitation before saying the words that casually ripped your heart out from your chest.

It really should not have hurt you the way it did. Hell, if he had said anything about sleeping with someone else just a few weeks ago, it would only have mildly annoyed you at best. Perhaps made you a tad bit insecure, but you would have shrugged it off.

But things have been slowly crumbling around you ever since that night your old high school friends ghosted you--

No. That's not true. Your life was falling apart well before that. It's why you came back to Evergreen in the first place. But Adrian showed up and made things momentarily steady. A patchwork preventing the further collapse of your mental fortitude.

But then you found out his secret, and he suddenly had no time for you. And before you could fully make peace with the fact that Adrian Chase -- the dorky weirdo from high school -- is Evergreen's infamous Vigilante, Peacemaker came back and you were no longer the center of Adrian's attention.

Which you are ashamed to admit stung.

And as if that wasn't enough, things at home have been so off and confusing. It's a different kind of nervous than what you're used to, walking through the halls of the strangely quiet house. You could always feel their presence, at home -- your mother's more specifically. You've always been attuned to her, some kind of survival instinct so you know when to avoid her. And you have to finally admit that there's a very vacant gap in the house, and you know it's because your mother has not been around to fill it.

This has caused a very antsy mood shift with your dad, one that would make you anxious if it weren't for the fact that his focus is no longer on you. It's on your mother's absence.

This should worry you.

The confusing part is that your stomach is not twisted in knots over the idea that she hasn't been home. You don't bother asking your dad about it when you see him sitting zombie-like in the living room late at night.

(You tend to avoid asking questions when you're afraid of the answer.)

(Hence why you never questioned Adrian when he'd tell you some unprompted lie.)

Truth be told, you can't help but to feel tentatively euphoric. It's one less thing suffocating you at home. Like the weight of a boot lightly lifted from standing on your neck.

You're about to head out to work earlier than usual—you've had free reign of the house since you woke up because even your dad wasn't home that morning, and it was nice until it got eerie—but just as you approach the front door, it swings open.

Your dad stands at the threshold, silhouetted by the light at his back. When you blink and adjust your vision to the sudden daylight that's poured in, you're startled by the unkempt figure walking through the doorway. It's your dad, yes, but in a way you can barely recognize. He looks rough and unkempt, facial hair growing in unruly patches around his mouth. The bags under his eyes suggest he hasn't had much sleep. It's like he's aged 10 years.

“Hey...” He says, but it's hardly a greeting. He barely even looks at you. Mostly, it's like he's looking through you. “Have you, by any chance, heard from your mother?” He shuffles past you in the hallway, not waiting for an answer. Probably not even really expecting one.

You watch the exhausted shape of his back. You feel weirdly guilty when you answer no.

An empty sort of exhale depletes out of him, and it's the only sound of acknowledgement. He doesn't ask anymore questions, doesn't say anything else.

So you leave. You walk into the cafe half an hour before your shift starts, just in time to hear Matty's vivacious voice call out a 'small hot chai for the tall hot guy.' He's fully ready to flirt with the customer as he hands off the drink, but does a double-take when he sees you slink around the counter and to the back.

Matty's flirty smile slips into a frown as he shares a look with Ashe, who also noticed your sluggish arrival.

The two ambush you as you very poorly tie an apron around your waist. It's Matty who speaks first. “You look absolutely terrible.”

You drag your still-puffy eyes to look at him, unsmiling. “Oh, Matty. Truly, my favorite thing about you is your penchant for unprompted insults.”

Matty just rolls his eyes at your deadpanned sarcasm. Ashe steps in to try to amend his rude comments. “What he means is-” Ashe takes in the sight of your sob-swollen eyelids and chapped lips and crooked disarray of your shirt collar. “-wow, God, no, yeah, you do look terrible.”

You scowl. “Do you two have to be back here? Someone needs to be on the floor.”

“There are, like, two other baristas out there.” Matty quirks a perfect eyebrow at you. “Other people work here, you know. It's not just us three.”

You squint your eyes at him, like that can't possibly be true, but say nothing further on the subject.

As you fix the collar around your neck, Matty asks, “So? Are you gonna tell us why you've been crying or do we gotta pry it out of you?”

“Is this about Adrian?” Ashe's voice is soft with knowing and caution.

You avoid eye contact. “He told me he slept with someone else. Two someone elses, actually. At the same time.”

You squeeze past the two other baristas and start making your way out onto the floor. They give each other a look before following.

“So the man had a threesome,” Matty clarifies, less as a question and more matter-of-factly. And completely uncaring whether the customers in cafe hear his indecent statement. “Ugh, of course that weirdo is having threesomes. I could tell just by looking at him that his dick game is insane.”

“Matty,” Ashe hisses as they give him a light backhand on his shoulder. Then, louder, calls out your name. “So you're upset he slept with someone-”

“Two someones,” you interrupt, face otherwise unphased by anything that's been said so far as you clock in at the register.

(“Again, that's just called a threesome, babes,” Matty helpfully quips as he rubs the spot where Ashe smacked.)

“Right, sure-” Ashe says. “And this was something Adrian was hiding from you?”

You grit your teeth as you float right past the two again, towards the log book the shift supervisors use that's open to today's date. Huh, look at that. There are names scribbled here besides Ashe's and Matty's. “He just told me about it, like it was a cool fun fact.”

A customer approaches the register, keeping Matty from accompanying Ashe as they follow you back.

“I'm sorry he hurt you, but...” your mouth sets into a grim line at Ashe's 'but', still unwilling to look up at them. “didn't you tell me just a few nights ago that you guys aren't even together?”

“Yeah, but...”

But he made you feel like you were singularly special. An illusion that quickly shattered at his admittance to sleeping with this Peacemaker guy. Honestly, it probably would have hurt less if it had been some nameless bimbo desperate for Vigilante's attention. No history and less intimacy.

Ashe waits patiently as you sort through your thoughts, until your shoulders slump with resignation, unable to find the right words to defend yourself.

“I get it,” they say. “I get that it hurts, but it's not exactly fair to him or to you if you haven't told him what you want.”

Ashe is right. It was wrong of you to assume you'd have Adrian's sole attention forever. You just hoped that it would last long enough until you got the hell out of Evergreen.

Oof. When did you become so selfish?

Eyes softening, you finally give Ashe a grateful look. “How are you so wise? You're, like, twelve.”

Ashe smiles. “You make it really hard to want to help you sometimes.”

You once again find yourself alone in the cafe at the end of the night. Matty had stayed an hour past their shift just to absorb all the juicy bits of gossip, catching up on yours and Ashe's conversation. He also offered up a few encouraging words, in his own Matty way.

(“If you don't tie that delicious four-eyes down, I will,” he said, giving you a very pointed look.)

Ashe, once again, insisted on staying late with you.

(“If you can clock in early, then I can clock out late, no?”)

You only smiled and shook your head and told Ashe you were fine, really. It lacked the usual desperation, though, the one that tinged your voice with hopes of Adrian stopping by. This time, you convinced Ashe to leave by telling them you really wanted the time alone to think while also keeping your hands busy. So they left with less worry than usual this time.

You received several texts from Adrian earlier today, and you think about how you ignored all of them as you finish counting out the till. They're all unopened, having only caught glimpses of the texts as they appeared as previews on your still-cracked lockscreen.

The first text was an apology that only made you scowl. At the time, you doubted he meant it, or knew what he was even apologizing for considering last night, he only seemed confused by your hurt reaction.

Then there was the text you scoffed out, where he stated he was off today and could meet up, presumably to talk. If you have to see him in that stupid fucking mask again without seeing his stupid fucking face, you think you might actually scream until both your heads pop.

Now, as you lock up the safe, you think that maybe talking wouldn't be a bad idea. Maybe not the best idea, given your fragile emotional state. You really don't trust yourself not to cry more and Adrian's been no good with tears and you don't want to make him uncomfortable (though that should be the least of your worries).

And even worse than whatever it is Adrian has to say (I mean, what more could the man say? Mentioning the threesome was enough, you don't need to hear about they why or the how or the what went in who's hole-)

-Even worse than whatever else Adrian could possibly say is whatever you need to say. Speak out loud and make yourself more vulnerable than when he has you in the backseat of his Sebring with his mouth against your neck. Relinquish whatever remains of your pride as you put the power in his hands, lay bare the fragile beating of your heart and admit how much you cannot stand to be without him. How terrifying the thought that he might not feel the same, now that his real best friend is back in the picture.

The feelings whirl in your gut all nauseating and you grimace. You hate confessing. To give someone else the chance to hurt you. It goes against your self-preservation instincts.

As the song playing on the store speakers quietly peters to end and transitions to the next track, you hear a noise coming somewhere from the back. You pause, straining your ears to try to listen as the music continues playing. You want very badly to play it off as just your imagination, but you're the only one in the store; after the things you have been through recently, it would be unwise to shrug it off without investigating.

Unwilling to venture into the back just yet, you simply stand from your spot at the safe and lean backwards, gazing into the parts of the backroom you could see, and-

Huh. That's strange. The backdoor is opened a crack. You're sure you closed it after running out the last bit of garbage, but it's hard to trust your own memory when you've been so distracted thinking about Adrian Chase and Feelings.

You steel yourself, blowing out a forceful bit of air through your nose and begin to make your way to the back. It could have just been some critter dumpster diving that made the noise, audible simply because the door wasn't fully closed. You close the door, making sure it clicks firmly shut.

As you turn back around, you discover you are not alone in the store after all.

They're still at the video store/base when an announcement reveals on the t.v. that Peacemaker is wanted, due to evidence found in a diary that Chris says isn't his. It's Goff on the podium, and, distressingly, the tall guy from the woods stands next to her, the one that killed those cops and helped him and Vigilante escape.

It looks like they got him, too. He has a face that looks like its skin is stretched too taut over his skull, so maybe it's fitting that he's joined the bad guys, since he already looks the part.

Vigilante's phone buzzes with a text alert, and it makes him forget the tension in the air for a moment. Only one person would be hitting him up at this hour. Maybe you're finally returning his texts!

Sure enough, it's your name on the screen he sees when he fishes out his phone, and his face almost breaks out into a grin. But when he unlocks it, he is greeted with a picture that makes the excited fluttering of his heart freeze and the smile immediately drops from his face.

You're in the cafe, in your work clothes, tied up to one of the wooden cafe chairs. Head lolled to the side, resting uncomfortably on your right shoulder, clearly (and upsettingly) unconscious.

Another text comes in:

If you care for them, you will bring Peacemaker.

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[ if you would like to be removed from the taglist, pls let me know! it wouldn’t hurt my feelings, i 100% understand if you come to find it annoying or just not currently interested in the fandom. likewise, if you want to be added, i’d appreciate a reblog and/or comment/feedback ]

#adrian chase x reader #vigilante x reader #peacemaker fic #writing #fanfic #mine

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that-ari-blogger · 3 months

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On Grim Spectacle and Greatest Fears

There's a reason Enchanting Grom Fright is beloved by fans of the Owl House, not only is it just a plain old good story, it's also a phenomenal queer story.

But why is that so, and what makes it so important? That's what this post is about.

And if you're wondering whether I'm going to talk about @moringmark in this post, you bet I am.

Let me explain.

SPOILERS AHEAD

If you look at online discourse, there is a lot of discussion about "good representation" and that is certainly an interesting discussion, but I don't think there is much explanation as to why representation is important in the first place. It is a good thing, we all know this, but why?

One word: Normalisation. Representation of varying identities, cultures, and ethnicities is important because it takes apart the implicit bias inherent in society.

The generic individual in western society is white, male, and straight, and while there is nothing wrong with these character traits, this means that anything added to that template becomes a statement. It becomes an important metaphor for the story which doesn't get applied to someone with the three characteristics I mentioned earlier.

For example, there is a question in analysis of what a character being gay does for a story, where a character being perceived as straight doesn't get that level of scrutiny.

This is a problem for a number of reasons, most notably it abnormalizes certain traits that a large proportion of society (myself included) exhibit, effectively othering those people as a result.

Representation does the opposite of this, it allows real people who are not the generic individual to be treated with the same level of respect and for audience members who don't usually see themselves in media to find characters like themselves, to see their own stories reflected in fiction.

I think the best reason for representation actually comes from Ordinary, by Joriah Kwame, the sequel to Little Miss Perfect. This song, written explicitly from Luz Noceda's perspective, says this:

"The characters I read never act or look like me I can't depend on them to lead me through the right door"

Stories are a way of learning about the world and yourself, and in stories with extremely low representation for marginalised people, that lesson is pretty clear.

@jameswoodall has a video essay on YouTube titled How Much Representation Is Enough. In it Woodall discusses the benefits of representation through a queer lens, and argues about the end goal thusly:

"It's not about achieving a certain percentage. It's about making that percentage stop mattering. When queer representation is no longer noteworthy. When queer inclusion is so naturally assumed that nobody feels the need to count anymore. When even if we did put queer rep in every story, nobody would bat an eyelid. Because we have just as much right to be there as anyone else."

So, let's talk about Grom.

Meromorphic is a channel with a two-hour long video about The Owl House as a whole, and while there is a lot in that video that I disagree with (as is the nature of media analysis) it is comprehensive and fascinating, and I would recommend giving it a watch.

However, I am not bringing up that video to talk about its points, instead, I would like to shamelessly steal borrow a term from it: Magic Literalism. In this context, it means when a piece of media uses magic to make physical an intangible concept. In this case, it turns fear into a monster, that being Grom.

When Grom looks into Luz, she sees Luz's mother, and she sees Luz's fear of disappointment. She sees that Luz has a secret that she hasn't told her mother in case she breaks her heart. It's literally about the Boiling Isles, but there's something written between the lines here.

It is possible to read this as Luz's fear of coming out to her mother, and by "it's possible", I mean that this is how I read this.

Coming out is terrifying, even if you have supportive parents, it's still asking people to accept a part of you, and that comes with risk, because if they don't accept you, what do you do?

That's what I think Luz is afraid of.

Amity, on the other hand, is afraid of getting rejected in a similar way, although hers is more direct. Amity is scared of falling in love and not being loved back.

As a side not, I think it's a really cool detail that of Odalia's many flaws, homophobia isn't one. As in, Amity isn't afraid of coming out to her parents, and when she makes passing remarks about having a girlfriend to her mother and father, their surprise is that it's with Luz, not with another girl. Bellos kind of keeps this going, and the message with that is clear. Homophobia is too low, even for these villains.

Anyway, Amity's experience with Grom is the other side of being queer, the romantic part. I am aware that romance isn't something everyone experiences, but when you do, especially when you are queer, confessing your feelings for someone is terrifying.

So, Amity avoids the question and doesn't really confront it directly at all. Even at the end of the episode, she has everything thrust upon her and still doesn't confess. Luz does the same thing with her mother. Fear is a powerful force, and I would argue that the best time to deal with it is when you are ready, not before.

I really like the scene in the forest. The light gives the two a feeling of warmth and safety, and it wards of the night. Once again, it's Luz giving hope to those around her, and here it is in a more personal sense. Light, do not falter.

The colour palate of the scene (that warm light) conveys that these two people are comfortable in each other's presence and can talk freely around each other. They are already in love; someone just needs to say it.

However, there is another side to Grometheus that also factors into being queer. When Amity explains the event, the art style changes into this style that I want to call classical, even though it probably isn't (art nerds, rise up in the replies and tell me what this is please). But she also directly calls the Grom event a tradition.

"Every year it tries to break out and a student has to defeat it before it invades town. Ever the optimist, Bump holds a party and calls it tradition."

Perhaps tradition, at least in the Boiling Isles, isn't all that it's cracked up to be. Perhaps there is an issue with seeing a problem and instead of trying to fix it, stalling it and making a spectacle out of achieving nothing. Maybe there is an issue with willingly putting children in danger for the drama of it. Maybe the fact that certain sports are just the audience enjoying people getting life threatening injuries might be an issue. I'm just throwing ideas out at this point.

If we link Grom with fear, there is the idea that fear spreads from schools and it is the role of the students, as decreed by the adults, to contain it. See the plot of Footloose for an example of this, or certain places in the real world today, where fear of the other (mainly bigotry) takes the form of arguments about schoolbooks.

This is a valid reading, but I'd like to go a bit wild with my interpretation and talk about @moringmark's comics.

Chapter three of A Little Hint of Blue is a brilliant piece of storytelling that actually characterises Bosha a ton. It carries the theme of fear over to both Skara and Bosha, but it shows them in real time. Skara is scared that Bosha won't let her spend time with... (*checks notes*)... Fledermaus?

She has good reason for this, Bosha is overprotective to the point of toxicity and runs on her own fear. Bosha's hierarchical worldview comes from a place of fear as well, she's afraid of being out of control, and a really subtle thing that gets done in this comic is the association of Bosha with fire.

It doesn't really get done in the original series, but Bosha and fire are such a neat thematic paring. They both consume, they both try to reach out, and fire is heavily associated with strong emotions, like anger and fear.

Bosha tries to control everything in the same way she controls her flames, but as it turns out, people aren't fire. People, when they are free, don't immediately destroy things, and a lot of people actually benefit from that freedom. Most notably, artists and musicians, like Skara.

Grom Factor also deals with the subject matter, but from a slightly different perspective.

First up, the most obvious, at least to me. Enna saves the town but it outcast in the process because what she is scares people, despite her heroism, she is not accepted. The metaphor isn't perfect and reading it as a one-to-one analogy is a detriment to the story. For example, the reason for Enna being outcast is because of a curse, and queer people are generally not magically cursed to be queer, they are born that way.

But, there is also the idea of Luz's fear as an adult being the exact same as when she was a child. She is scared of disappointing people, specifically her family and her daughter. This means that she is acutely aware of Ayzee's own mirror of that, and this line is spectacular:

"Make yourself proud"

It's ok to be afraid of what others think, that's part of being human (or a witch, or a demon. It's part of being sentient), but in the end, the only person who you have to make proud, is yourself.

Final Thoughts

I've been dying to talk about the Moringmark comics, and I do plan on talking about them more, but that will happen when I get there. I will do more gushing about their serious artistic and storytelling skill when that happens, so buckle up.

Enchanting Grom Fright is one of my favourite episodes of the series as a whole, and its a testament to the writing of it that there is more that I am yet to cover, and more that I am discovering as I watch it. For example, the storyline with Gus and King is a big part of the episode, but I didn't mention it because it wasn't really relevant to my main point, and the whole thing with the dance is stellar.

Next week, I am looking at Wing It Like Witches, so stick around if that interests you.

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#rants #literary analysis #literature analysis #character analysis #what's so special about...?#the owl house #toh #toh luz #toh lumity #toh amity #the owl house luz #the owl house lumity #the owl house amity #moringmark #lgbtq #lgbtqia #queer community #queer

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gremoria411 · 8 days

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*This post will contain spoilers for Mobile Suit Gundam: The Witch From Mercury. Also, I’ll probably ramble more than usual here, since a lot of my points are interconnected*

Alright then. I was planning on doing a big post breakdown on Mobile Suit Gundam: The Witch from Mercury after rewatching it, since I find that my general thoughts on a series typically coalesce around the second viewing. However that probably won’t be for a good while yet, so I figured I’d do a big post now, and I’ll add a few notes if anything jumps out on me on my (eventual) second viewing.

In a nutshell, I found The Witch from Mercury to be really, really good, with an excellent cast and gorgeous action. However, I feel it’s let down by its comparatively low episode count.

And I’d like to stress that that low episode count is basically my only major criticism - I have several smaller ones, but they’re ultimately all extensions of that low episode count.

The Cast.

As above, really good. You’ve got a good selection of characters coming from various strata’s within society - Spacians, Earthians, Mercurians. It’s a good variety of characters and seeing how they interact with each other. They all feel pretty well-rounded as characters honestly.

Like, Suletta’s great, obviously. I feel like you don’t need me to tell you that which is great, because I’m not sure how to put it. I guess I like how emotive she is, how she portrays how she’s feeling so well, but then that might be because we, the audience are close to her as a protagonist (I’d argue that Miorine and Guel could also be counted as protagonists, if you wanted, but Suletta’s the one we spend the most time with). Suletta’s also good because she’s a newcomer to the Asticassia, so not only do we learn things with her but she’s also absolutely primed to upend the status quo there, which she does fantastically. I like the contrast between her doubts and capabilities - she’s not the most social of characters and doubts herself multiple times, but put her in a mobile suit and she is confidence incarnate.

Miorine feels like an extension of Gundam’s “Princess” archetype: your Sayla, your Relena, your Lacus. I really like how proactive she is - we first meet her in the process of attempting to run away from her school, and her arc feels more about her recognising the power she weirds and how to best use it for what she wants, rather than rejecting it outright. She’s in the process of actively cultivating “soft power” (negotiations, word-of-mouth, etc) rather than just having it inherently and -crucially- because the hard power isn’t actually that valuable. Compared to, say, SEED. Lacus has a whole lot of soft power, but it’s Kira and the Freedom that’s the driving force of the plot. Suletta has Hard Power - Aerial, but it’s borrowed power fundamentally, and it’s Miorine’s soft power that ultimately does more good. Actual Diplomacy versus Gunboat Diplomacy, if you will. I also like how Suletta and Miorine’s relationship progresses - they balance out each other - it starts out with Suletta having the power Miorine needs, but as Miorine grows they start relying more on each other. Also their interactions together are really great. They’re compelling because of both who they are in universe - a pilot and a princess, and because of their personalities with each other and how they spur each others development.

I do want to call out Lady Prospera as being amazing. She feels exactly how Char would be as a mother - manipulative and ruthless, but still caring in her own way. I’m given to understand she’s the first female Char Clone in the series, which is neat. Her relationship with Suletta (and Miorine) is just really good. She’s not unpleasant and she’s certainly charming, but she won’t sugarcoat how things are. Miorine knows she’s being manipulated in her interactions with her, but it’s genuinely good advice so she goes along with it, even as she has her own reservations. It’s also rather telling that once Prospera doesn’t need Suletta anymore, she leaves her. While callous and heart-breaking, we know now that Prospera fully believed she was going to die. While this doesn’t exactly forgive her abandoning Suletta, it does cast her interest in Suletta making friends and having relationships outside her in a new light. Prospera wants vengeance for Nadim and the rest of the Vanadis Institute, but she recognises that that is her and Eri’s vengeance, not Suletta’s. And doesn’t that sound similar to Mr Char “I have never once betrayed any one, in my life, ever” Aznable, who just wants his sister to grow up in peace while he avenges their family? It’s a fun relationship dynamic and it’s done well, is what I’m getting at. I also like how unapologetically villainous she is in some of her actions - both the audience and Miorine kinda clock her as a threat immediately, but we can also see why Suletta trusts her so much, even if it’s not the healthiest relationship. I just really like the juxtaposition of her being sweet with Suletta, uncompromising with Miorine, and absolutely brutal with everyone else.

Setting

I find the school setting genuinely fascinating, I don’t have a clever segue so I’m just going to get into it.

Asticassia School of Technology is a school to pilot giant robots. Great, Instantly appealing. However, then you get into all the ways it’s indicative of the wider society. It’s maintained and run by the Benerit Group - a Mega-Corporation that dominates the field of military-use mobile suits, which requires actual military force to be brought to heel and is basically a sovereign nation all its own - it’s rather telling that we never really see any national representatives throughout G-Witch, it’s all about the companies. So it takes this normally aspirational thing “wow, a school to pilot giant robots!” And extrapolates it out to what kind of setting would create that. Giant Robots are used in military applications, so you end up with a facility basically dedicated to the production of child soldiers to serve this military-industrial complex actively profiting from the glaring class inequality present in the setting, as set out in the prologue. And because the characters exist within that system there is no “easy fix”, the story ends with the characters making small progress against those inequalities rather than solving them in one fell swoop because the inequalities are systemic, and you can’t just take out the superweapon and expect everything to work out on its own. The existence of child soldiers is baked into the setting- not as a desperate gamble or as an illustration of the necessities of survival, as in other series. But as an accepted and -crucially- normalised thing. Notably, no-one expresses surprise or horror at Sophie and Norea being pilots - just that they’re a threat and have GUND Format units. We also see several child soldiers in Fold of Dawn in addition to Asticassia itself, so there’s also the angle of generational differences - the children exist in an unfair world built and maintained by the adults, fighting for the causes they are taught to. Many of the Benerit Heirs have unhealthy relationships with their parental figures, typically conflicting over them wanting different things (Guel vs Vim’s expectations, Shaddiq going out from under Sarius and basically everything about the Elan’s). So there’s the angle of the children fighting against the unfair world of adults, tying into the familial relationships in the cast. Which is a theme Gundam’s got a lot out of historically. So the school setting shows to illustrate how Ad Stella is civilised a first glance, but far more beneath the surface, and demonstrates several of the issues inherent in the setting.

I also really love how GUND format is actively debilitating to its pilots and how Suletta, while still a very good pilot, is essentially unbeatable because she has a way around the downsides for most of the series. Because it feels like an examination of “the Gundam is the strongest mobile suit”. G-Witch essentially states that having a stronger or better weapon does not solve these problems, in fact, the various elements of the company all fighting over Aerial gets several people killed, so if anything it feels like a takedown of “Gundam” as a concept (ie This great strong weapon that will win us the war”). It also puts emphasis on themes of dehumanisation - both the Elan’s and Sophie&Norea show that child experimentation, while not exactly common, isn’t unfamiliar ground in Ad Stella, particularly with Elan being replaceable, which again ties into the child soldier angle. I also find it delightfully hypocritical that Benerit, the weapon merchants, have issues with it because of the PR backlash of it killing its pilots, not because of any “moral” reason. It’s a bad look to have a weapon that can harm its user - who’s going to want to pay for that? The militant liquidation of Ochs Earth was essentially a PR stunt to show that Benerit will not make these weapons (not that that stopped Peil). Which is really horrifying to think about, really.

The Space Assembly League, Quiet Zero and the Interplanetary Laser Transmission System (or ITLS, that big gun in the finale) all function as illustrations of the excess of corporate power - a near full-scale war/ large scale destruction is only prevented because of Suletta and Ericht’s intervention. The SAL functions as a regulatory body for the corporations, but while it isn’t exactly lacking in force, it acts far too late to prevent the damage - Benerit has been allowed to run independently for too long, so it’s difficult to pull back even with evidence and force because it’s just so big. Meanwhile, the ITLS was constructed under the guide of a power transmission system, but it’s intended to be fired as a weapon. Furthermore, the destruction it will cause is written off as “Oh, Peil will get the reconstruction contract”, killing hundreds for corporate gain. The fact that it’s Peil specifically is also notable, since they are probably the most ethically bankrupt of the three corporations and were actively involved in the GUND-format technology themselves. But because the corrupt elements of the governing body favour them (and can presumably cut a deal for reconstruction costs), much of their misdeeds would have essentially been swept under the rug. Notably, other than their stock plummeting, we don’t actually see much in the way of consequences for the Peil CEO’s.

Mechanics

A fairly short one here - I’ll admit I’m not crazy about a lot of the mobile suits in Ad Stellar, but I like how each company has a different designer and are different thematically. Jeturk has big, bulky beetle-esque machines - heavily armoured and analogous to Zaku’s and other grunt suits from the series. Peil focuses on mobility - spindly MS with lots of thrusters, and typically deployed with aerial combat in mind. Finally, Grassley tends to lean towards units with exotic systems, such as the Michaelis’ beam bracer and Anti-GUND format and often have monoeyes. It’s a good illustration of the competing philosophies within the group and each one is distinct and easily recognisable (Burion’s utilitarian, I don’t have much more to say on it). It also emphasises what a big shakeup the Gundam’s are, since they look so different, and can put down any of these units with little trouble. I rather wish we saw more of the smaller developers - those units Suletta swatted aside en masse with the Aerial Rebuild, since they seemed to have a greater variety of designs (I particularly liked the little Acguy-looking one - the Hosler II?). Also, really liked the Prodoros used by Dawn of Fold (though that’s likely due to how it moves).

Criticisms

Or rather Criticism. Your typical Gundam series is usually around 40-50 episodes, whereas Mobile Suit Gundam: The Witch from Mercury is a comparatively paltry 25. Now, one series having a lower episode count than another isn’t inherently a point against it - better a short story well told rather than a long story poorly told, and it’s a new show, and (despite my persistent comparisons with other Gundam shows) should be allowed to stand and be judged on its own merits. But it kinda feels like it was meant to be a 40-50 episode series that was cut-down mid-production and fundamentally, it feels like we could’ve gotten more.

The pacing of the second season ratchets up considerably compared to the first, and I would like to stress that Witch From Mercury is a very-well-paced show - every episode has some sort of plot development, but it feels like that’s because it had to be. And every criticism I have of the show feels like it flows from that cut-down episode count.

It kinda feels like Peil Industries was supposed to be a much bigger player in this, and the Pharact doesn’t really do anything after its opening fight.

Peil’s never brought to justice, and Elan 5 just decides to join Earth House’s move on Quiet Zero. Meanwhile, the real Elan Ceres just resigns from Peil, even though he was presumably in on the Enhanced Person stuff too.

Lauda’s whole subplot about him piloting the Schwarzette had very little foreshadowing - I assume they put just enough of it in that they couldn’t cut it entirely (i.e. the Schwarzette), and it was necessary for Guel’s character arc.

Guel taking over Jeturk Heavy Industries didn’t really go anywhere.

Sophie Pulone and Norea Du Noc are really only there to tick gundam’s “Doomed Child Soldiers” box. Also Dawn of Fold just…… still exists after the events of the series?

The fact that Ochs Earth was still a thing kinda didn’t amount to much did it? Prospera just destroys them and their Gundam Lfrith’s. The ones used by Dawn of Fold might have well been older models, scavenged or bought by them.

Chuatury (Chuchu) Panlunch - great character, great design, excellent illustration of the tensions of the setting, but it feels like she was supposed to have a subplot focused on the people supporting her on Earth.

It just feels like they made the first 12 episodes of a 40-50 episode series, with a bunch of setup that’d pay off later, and then they got cut down to 24 episodes and had to cut a lot of stuff to fit. I’d like to stress I think they made a good compromise - most of my criticisms are minor and the Suletta and Miorine are the heart of the series, and they come out very well. But all the same, I’d rather the compromise didn’t need to be made in the first place, so we could’ve seen the “full thing” as it were.

Even my….. restraint on the mobile suits designs can be pinned on this. My favourite designs are typically Monster of the Week and late-season Weirdo’s - the stuff that’s the purview of your charismatic villain or a specialised grunt. But if you’ve got to cut stuff for space and time, then by their very nature, those designs won’t stick around.

I should however mention that I’ve been unable to find any reputable source as to wether The Witch From Mercury did have its episode count cut, before or during production. My criticism is mostly about the series feeling like it should have had more, not that it was actually cut down. It is possible that Bandai wanted to see if the show could make a comparative return on a smaller budget than usual, especially considering most of their recent Gundam output has been adaptations (IE. Shows that already have a proven audience and prior success, and are consequently a lot less financially risky), like Unicorn or Thunderbolt.

All that said, I do think that the emotional core of the show - Suletta and Miorine was excellently done, and I found the action and themes to be similarly well-done. I’m mostly only complaining we didn’t get to see more of the world, since it has so many interesting concepts that feel like they would’ve been interesting to see.

#gundam #ramblings #mobile suit Gundam the witch from mercury #witch from mercury #Gundam g-witch #Gundam the witch from mercury #suletta mercury #miorine rembran

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kanatajelly · 1 year

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general yandere headcanons - kanato

kanato sakamaki - diabolik lovers

warnings: general yandere themes, unhealthy relationships, physical abuse, verbal abuse/humiliation, guilt tripping, mental and emotional manipulation, biting, forced isolation, delusional behaviour, mentions of kidnapping, mentions of murder (both others and darling), brief mentions of trust/attachment issues, brief mentions of kanato’s doll collection, honestly kanato is his own warning

word count: 1742

what kind of yandere are they?

Kanato is a lot of things in one package honestly, but the most prominent of his yandere traits is his possessiveness. His darling should only be looking at him, no exceptions. If they aren’t, he will make them. He also has a tendency to be intensely jealous, which ties in with his possessiveness.

Kanato is also a very violent yandere. His emotional volatility makes him quick to anger, and when he is angry, he doesn’t hold back at all. He also gets rather violent when he’s jealous. Another trait that ties into the violence is sadism, which shouldn’t be surprising considering that it’s Kanato we’re talking about.

Some other traits that can be used to describe Kanato are clingy and manipulative. His clinginess is self-explanatory, really, as he’s always hanging onto his darling in some way or another. On the other hand, his manipulative side can be expressed in a variety of forms. The one he uses most often is guilt tripping, but he does do a lot of other manipulation as well.

Finally, Kanato is a dependent yandere, which means that his mental stability greatly depends on the presence of his darling. He is a very damaged person and has serious issues surrounding attachment and abandonment, so once he gets close to someone, he really latches on and doesn’t react well at all if they try to pull away from him.

how do they treat their darling?

Goodness, Kanato is just a mess when it comes to his darling. He treats them horribly a lot of the time, so much so that to an outsider, it may seem like he hates them. But despite that, if his darling ever tries to leave him, he lashes out and desperately drags them back. There’s a saying that hate and love are two sides of the same coin, and I think that describes Kanato pretty well.

Kanato expects his darling to go out of their way to do things for him, and gets upset immediately if they don’t meet his expectations perfectly. His darling is eating something and didn’t make any for him? How dare they, they should cook him something right away! They didn’t offer to cuddle with him and make him feel better after one of his mood swings? Well they’d better reconsider that decision unless they want his mood to get even worse.

It’s also worth mentioning that Kanato never voices these expectations out loud, almost like he’s expecting his darling to read his mind or something like that (spoiler alert, they can’t). From his perspective, it makes perfect sense that he’s getting angry with his darling for not doing things that he wanted them to; but from his darling’s perspective, it just seems like he’s blowing up at them out of nowhere.

Kanato is just so abusive almost all the time. Even when he seems to be in a cheerful mood, he’ll still throw some humiliating comments into his speech. Of course, when he’s in a bad mood the abuse gets physical. Kanato is a vampire, so he has strength several times that of a human’s; he knows this, yet does absolutely nothing to control himself.

One of Kanato’s favourite things to do is leave marks on his darling, especially bite marks. It’s the perfect way to publicly declare that they belong to him, especially to his brothers and the Mukami/Tsukinami vampires. Since vampires have very keen senses, Kanato makes sure to leave any and all kinds of marks on his darling so that no other vampire gets any funny ideas.

Another thing that Kanato does very often is manipulating his darling, particularly by guilt tripping them. He has a talent at producing really believable crocodile tears, so if his darling is on the empathetic or kind side (even a little bit), he’ll often use fake tears to get them to do what he wants. In the case that his darling doesn’t fall for his fake crying, Kanato has other tricks up his sleeve. I think he’d be very skilled at using pain/fear as a medium for “educating” his darling. He’s not afraid to punish them until they understand what he wants.

Kanato has no hesitation when it comes to kidnapping and other forms of isolation. If his darling is a sacrifice like Yui, there’s no need to kidnap them… but he still needs to make sure that his brothers don’t touch them. If his darling isn’t a sacrifice, they’re getting kidnapped pretty quickly. In public situations such as school, Kanato makes an effort to socially isolate his darling too. They’re not going to be able to make any friends without him getting in the middle; and even if they somehow manage to make a friend, that friend is going to be dead soon.

Speaking of murder, that’s also something that comes naturally to Kanato. He has no patience whatsoever for interference, so he immediately gets rid of any outsiders by killing them.

However, when it comes to his darling, it depends. If Kanato hasn’t known them for that long and isn’t as attached as he could be, he wouldn’t be shy to kill them if they overstep their boundaries. There’s also a feasible chance that he’d make them into one of his wax dolls after killing them, because of course he would.

On the other hand, if Kanato is in the deeper stages of his attachment where he becomes emotionally dependent on his darling, he would absolutely never kill them… well, not purposefully, at least.

On a lighter note, Kanato is quite physically affectionate, especially in a relationship where he has developed a dependence on his darling. He’s incredibly touch-starved, but he’s also a bit of a cuddle bug at heart. He’ll probably never overtly ask for cuddles because he simply just expects to receive them; but he always appreciates being cuddled, and can also get frustrated if his darling doesn’t give him hugs when he wants them to.

what kind of person would they obsess over?

Kanato is a person who craves affection and comfort deep down, so I think he’d be most attracted to someone who has a naturally kind or sympathetic character. Despite how horribly he acts towards others, he does want to be loved as well. That’s why I think that an empathetic darling is the type he’d most easily fall for.

Moreover, Kanato would probably like someone who’s physically affectionate or who is accepting of physical affection from others. As I mentioned earlier, he’s very clingy and often expects hugs without asking for them, so it’s easier for him if his darling doesn’t have a problem with skinship; even more so if they are the type of person to initiate physical contact out of nowhere.

Despite his sadism and more dominant tendencies, I don’t think Kanato would like someone who’s extremely pliant, because then they’re just boring. He appreciates a little fight, but not so much that they become disobedient.

I can also see Kanato falling for someone who’s a little on the eccentric side. He has his odd interests, like his obsession with Teddy and his wax dolls, and he’d be ecstatic if his darling isn’t the type of person to be disgusted or weirded out by that kind of thing. It’s even better if his darling actually shares his interests, or at the very least responds positively whenever he talks about them.

are they aware of their actions? how dangerous are they?

Kanato is a bit odd in terms of awareness. At times he can be lucid, and at times he gets completely lost in his delusions. It really depends.

His lucid side is more likely to come out in the earlier stages of his obsession, where he’s still getting to know his darling, and when he’s in a particularly negative mental state or a bad mood. In this state, he has some sort of awareness that his behaviour is unhealthy, but he doesn’t really care that much.

However, I think Kanato is more often delusional than lucid, especially when he becomes dependent on his darling. He really wants his darling to love him back, so much so that he’d take any gestures of kindness from them - no matter how small - and add it to a mental list of evidence that “proves” they return his feelings. Something worth mentioning is that it’s not a very good idea to try and snap him out of his delusions. That’s like inviting him to explode in anger.

Kanato is undoubtedly very dangerous. Pretty much all the Diabolik Lovers boys are (except Azusa), but Kanato stands out as one of the worst. His uncontrollable emotions and paper-thin patience make him almost impossible to deal with, and it’s incredibly difficult to get away from him without dying. He’s also extremely dangerous towards others, of course, mostly due to the lack of hesitation he has when choosing to kill anyone who interferes with him.

what is their most dangerous trait? how far would they have to be pushed to bring it out?

It may seem like Kanato is at his most dangerous when he’s still distant enough from his darling to entertain the thought of murdering them, but I actually think he’s at his worst when he’s emotionally dependent on his darling.

Getting away from Kanato without throwing your life away is already an ordeal, but it’s basically impossible if he’s developed a dependence. He would never let his darling out of his sight, and he would never fully trust them even if they claimed to love him back and did everything the way he wanted them to. Any attempts at escape would absolutely set him off, but it wouldn’t be much worse than his regular bouts of violence. There is something that his darling could do that would be even worse than simply trying to leave him.

There is a certain boundary that one should never cross with Kanato, and that boundary is betraying his trust. He doesn’t have much of it in the first place, but that doesn’t mean it’s nonexistent. For example, if his darling was taking advantage of his dependence on them to control him, and he found out about this somehow… He would just break. No, Kanato wouldn’t kill them, lest his mental state fall apart completely. But he would make their life a living hell, so much so that they wished they were dead.

#yandere #tw yandere #yandere x reader #yandere x you #diabolik lovers #diabolik lovers x reader #yandere diabolik lovers #yandere diabolik lovers x reader #dialovers #dialovers x reader #yandere dialovers #yandere dialovers x reader #kanato sakamaki #kanato sakamaki x reader #yandere kanato sakamaki #yandere kanato sakamaki x reader #kanata-writings

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idontblushsrry · 1 year

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Request Headcanon

nuttymouthful asked: Uhh may I make a request for Ouran High School Host club? Just a headcanon for how the host would react to meeting someone how is a big time animal lover. (Like they pretty much live there life like the Irwin family)

A/N: I was thinking about how I’d write this and my brain just went ‘they lost their shit at the sight of instant coffee’, so uhh I hope this is to your liking. I tried to get as much animal variety as I could even though I didn’t really touch on marine animals that much)

Warnings: Like 2 swear words (pinky promise), slight drug mention(literally so small you might not even notice it), spoilers (minor) for Tamaki’s mom

Word Count: 1292

General

So this is under the assumption that like the Irwin family, Reader (or their family) has access to a wide variety of animals (from domestic to wild)

All of them respect the passion you have for animals

While they all might have various feelings on animals (see below), they can’t deny that you truly do love animals

Your family’s sanctuary focuses on healing injured animals and rehabilitating them so they can go back into the wild

Of course, your family has many sanctuaries around the world and some focus more on conservation while others focus on research

The one closest to the school focuses mainly on conservation and as such, is massive and functions like a zoo ( in terms of having people come in and see the animals)

Anyways, the host club is very supportive and often helps you with organizing donation events

Oftentimes, your family will collaborate with them and allow them to rent out parts of the conservation center for events

Aside from the conservation center though, your family owns a few ranches and farms (not for commercial profit, although yall have sold a few animals)

The farms and ranches are relatively small scale but they make great venues for the host club and a great place for getaways/vacations

Your main house is where you keep most of your favorite animals

You have an aviary attached to your room (connected through a hallway that connects to your room) as well as a butterfly garden in the backyard

You also have an aquarium tank, 2 dogs, 1 cat, 1 snake, and a hamster that visits on weekends

You had to be stopped at some point

Tamaki

Tamaki loves animals

He was never really around animals growing up because of how sensitive his mom’s immune system is

So when he sees that you’re an animal person, he’s super excited

Like this man is already planning playdates between Antoinette and your pets/animals

You love his enthusiasm, just one small problem

It’s a little too much enthusiasm

Yes the animals are well trained, but how would you react if a 6′0 giant with long arms came barreling towards you screaming showing its teeth?

So yeah, Tamaki tends to set the animals off/ make them nervous

Because of that he’s only allowed around certain animals (ex. certain monkeys, certain birds, etc.)

He’s happy that he’s allowed around some animals but he still pouts every time there’s an animal he can’t be around

Kyoya

This man

Kyoya does not fuck with animals. Like at all

The first time the host club went to your house, you were holding a hamster and Kyoya moved back about 10 feet

When you asked him what was wrong, he just said “Rats are carriers of many of the most deadly diseases”

You told him that you were holding a hamster and that while hamsters were rodents, the worst he’d get sick with would be salmonella

He doesn’t believe you, but yeah sure whatever

For Kyoya it just gets worse after that

The first time he sees you holding a tarantula, he loses his shit

“Look how cute it is Kyoya!”

“Get that vermin away from me!”

I could go on and on about how much Kyoya doesn’t like animals (even domestic ones like cats and dogs)

He hates going to your house, but he often has to go there in order to set up events for the host club, what a nightmare

While he doesn’t care for animals, the business side of his brain can’t help but think of a marketing opportunity

Mori

Is one of two hosts that are going to be chill about it

He doesn’t feel one way or the other about animals and thinks it’s cool that you’re interested in them

Only thing is; if Honey’s afraid of your animals, he will have to ask you to leave he won’t hesitate to step in “harm’s” way

Surprisingly though, that actually makes him the chillest with your animals

Much to your surprise (and Tamaki’s sorrow), the animals love him

He just has this calming vibe that sets the animals at ease

It also helps that he smells nice and is super tall

For most of them it’s like sitting on a giant tree

He’s not really complaining though, it makes his job of protecting Honey that much easier

Honey

Oh boy

He might actually be the worst with animals

It’s not even an issue of being unable to defend against aggressive animals (Honey could probably solo a grizzly bear)

It’s just he has a very strict “cute” animal policy that changes wildly depending on his mood, the temperature, the angle of the wind, the humidity, etc.

He’s very bougie when it comes to what animals he will tolerate and what animals he will refuse to see

The general safe choices are rabbits (especially bunnies), kittens, cows, tits (the bird species), and baby animals of almost every domestic mammal species)

Him and the hamster you see on weekends are best friends

Also, you have had issues with him trying to feed the animals sweets

Explaining to Honey why rabbits can’t have carrot cake was not an easy conversation, nor was it one you thought you’d need to have

Because of how specific he is about what animals he finds cute, you likened him to a crocodile (because of how sensitive they are to temp. changes in egg)

Needless to say...he was not pleased

Hikaru

So him and Kaoru don’t really care for animals but they try to relate to you in somewhat similar but different ways

Hikaru is always trying to get you to do/recreate stunts with the animals

“Hey Y/N, we should-”

“No Hikaru”

“You don’t even know what I was gonna say”

“No you cannot use the dolphins for hoop tricks, no you cannot teach the gorillas how to roll blunts, no you cannot “bribe” the koalas with eucalyptus...”

Yeah he’s a menace

It’s mostly all in good fun though

Hikaru doesn’t really care for animals but he does find it hilarious that the animals like him more than Tamaki

Also, completely random but Hikaru definitely send you those “horse-sized duck vs duck sized horses” memes

Kaoru

Kaoru also tries to use animals on the internet to relate to you, but he’s a lot tamer than Kaoru

Kaoru is kind of like the parent who learns one thing you like and is like “that’s your entire personality right?”

Poor bby is trying his best

Anyways, whereas Hikaru tries to recreate memes, Kaoru sends you them

They range in quality and format; from top text, bottom text to “is this a ____”

At least once a day, Kaoru will send you a meme or picture of an animal with a caption that says ‘this reminded me of u :)’

It’s so endearing that you can’t even be mad about it

Haruhi

Is the only other one who’s kind of cool about the whole thing

She’s really only been around animals in the park or the occasional pet store

Growing up, she didn’t really have the time (or money) to go to the zoo, that and the fact that Ranka doesn’t care at all for animals (she thinks they’re weird and gross)

When Tamaki hears this, he works himself up into a frenzy, torn that his “daughter” has never been to a zoo (even tho he hasn’t either)

But she likes the fact that you’re so passionate about animals

At heart, she’s a scholar, so she loves learning new things she didn’t know before, she could spend all day just listening to you talk about animals

Not to mention the fact that you’re basically giving her a free informational tour every time you see an animal

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bibliophile-in-training · 9 months

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A Plebian's Review of the Last Voyage of the Demeter

I don't do reviews normally but I have many thoughts I wanted to share after recently watching this movie. In general, I did enjoy this movie and I thought it was a fun watch. As someone who read Dracula and enjoys most modern Dracula stories I would watch it again if it came on. (6/10)

Non-spoilers:

It took some liberties with the source material. Combine the recent Poirot movies with modern vampire lore and that's what you should expect, not something strictly adhering to the novel. Not necessarily a bad thing, but if you're enjoying dracula daily just know this isn't really that.

On that note, Dracula bibliophiles aside, it's a pretty good movie on its own. It's suited for modern audiences and won't confuse them with Stoker's vampire lore (ex. what can and can't kill a vampire, what powers Dracula has).

It had pretty gory moments that you may not be prepared for if slasher movies aren't something you watch. Also, check out doesthedogdie bc there are a lot of potential triggers.

The lighting for this movie was really good imo. There was a strong contrast between day and night which awesome, but you could also still actually see what was going on in the dark. There were a couple times when Dracula was in a shadow and you couldn't really see him but it was for effect as opposed to trying to be "realistic" (looking at you, GOT).

The design for Dracula was cool and they do play into him getting stronger and scarier as he continuously feeds.

The Captain is not the main character (in contrast to the source material's Captain's log). Here, it's Dr Clemens we follow and we get an occasional Caltain's narration from the log.

If you like Until Dawn and other titles from Supermassive Games, you'd probably enjoy it. Dracula's design, the kills, and character choices feel like you're watching a playthrough. Not to mention there are a lot of close-up shots of characters in the same way Supermassive Games does.

Spoilers under the cut:

The Good:

The cinematography was pretty good. I particularly liked shots that followed through the ship to the cargo hold where count bat boi was sleeping.

They also filmed the gory scenes really well, and one scene that stood out was when one person who's become a thrall bashes his head through a door and then slides his nose along the splintered panels as he looks up. Impactful to say the least. They didn't pan away and leave it up to our imaginations but went all in and I applaud it.

Things were recognizable from the novel (names, events, some vampire mythos). I was genuinely surprised that they marked Dracula's coffins with dragons and kept that he slept in dirt, since modern audiences probably wouldn't have known about these things. When we (modern audiences) hear "Dracula" we think it means "vampire" as opposed to "dragon", and we would likely expect Dracula's cargo to be velvet-lined coffins.

The opening scene (finding the ship at Whitby & the wagon train of the coffins) had me immediately invested and excited, and I was already looking forward to this movie (I chose it over Barbie lol).

The Captain's actor was phenomenal. He went all out when he was grieving Toby's death and he really didn't have to but I'm so glad he did. While the character itself wasn't consistent, the actor made it believable. He was strict and kind when he was sane, he was frantic and distraught when he was insane, and his moments of grief and hope were all palpable. Good choice.

"Oh my God it has wings" When I say I LAUGHED SO HARD

Honestly there were a lot of funny moments. Some were genuine to cut the tension and help build characters but being ND and desensitized to horror I don't know if I was supposed to laugh at some of them, like when the cook's dingy knocked against the side of the hull. And when vampire Toby jumped up.

The use of knocking was a cool addition. I enjoyed when they used it like when Toby was in trouble and when Dracula was messing with the two dudes on deck.

One of the key things of Dracula's personality is that yes - he can kill you in 10s - but he won't because he's a sadistic bastard that enjoys drawing it out and playing the wager to see if you'll die of fear before he can bite you. They absolutely captured it. Homie is purposeful in how he terrifies his victims before giving them a gruesome death.

I think the model ship they showed at the end was the original model ship for the Demeter in the 90's Dracula movie (or at least a nod to it), which is how this movie was started apparently. Nice touch.

The Grievances:

Dr Clemens was a mary sue. I'm sorry, there's no way around this. Man has bad main character syndrome. I can accept a black man fighting tooth and nail to graduate Cambridge top of his class and struggle in a world that won't see his abilities because they won't look past his skin color, but on top of that he's an astronomer, a sailer, a strategist, a detective, and everyone immediately falls in love with him? Hell, he cured Toby's [1] grief over losing his lifelong friend (Huck, the dog, who was MUTILATED) and [2] guilt for all the animals dying because it was his responsibility to take care of him, and [3] fear for whatever unknown thing did this, with a headpat and "sometimes shit happens and you can't do anything about it".

He took one look at Anna, Dracula's beef jerky ration, and immediately went "she has an infection, she needs a blood transfusion", then proceeded to give her repeated transfusions over several days and he was totally fine. Up running around and fighting vampires meanwhile in reality he would have been bedridden from lack of blood and possible complications from the procedures.

Also, why is he the only clean person? Everyone's covered in grime and blood and dude looks like he just walked out of a proactive commercial. Even when he's floating in the middle of the ocean for days with an open neck wound he looks like he was just in the shower. Compare it with the Captain's burns and the first thrall's face after banging the through a door and the dissonance just pulls me out of the movie.

Keeping him alive just to sequel bait. Just. Why. Hollywood, it's okay to kill your protagonist. 1912 did it really well. Plus, I personally wasn't invested enough in this character to want to see a sequel following his vendetta with Dracula. We already know about Jonathan and Van Helsing. You can make movies that stand alone. It's okay.

If you want to sequel bait why don't you have him delirious from being lost at sea for several days and end up at the asylum with Dr Seward and Renfield? That would actually be cool and you could still have Dracula show up to taunt him.

Also, in regards to Anna, while I think it was a cool idea to use her for lore dumping and as a surprise for the audience, I was disappointed with her. She had the potential to provide a lot of info and help fight Dracula but instead she had to be the "strong independent woman". I don't hate this trope (think about Ripley in Alien, or any of the women in the original novel) but it wasn't done well here. While it's cool to see her gain confidence and wield a gun against count bat boi I was really hoping she would provide more info like his weaknesses. She says "he ran out of food in my country" but we know this isn't *literally* true because we see people at the beginning. It's the fact her people knew how to keep Dracula away that he ran out of food and he decided to try greener pastures. You could bring up HOW they did that (religious tokens, garlic, silver, etc.).

Also when she does try to give info about Dracula it's still vague and meant to be mysterious. Bruh, you are locked on a boat with this monster and you know your only hope for survival is to flee or work together to get rid of him. Why are you not giving as much info and details as possible? Because that's what the script said bc the writers wanted to make dracula look cool by relying on the characters to say it? Okay.

This movie relies on a lot of telling instead of showing. It's like they don't trust their audience to pay attention or understand what's going on. The only time I legit felt they showed and not told (lol) was when the Captain asked if what happened to the animals could be transmitted to humans and Dr Clemens lied and said no. You could see in the actor's face the inner monologue of telling the truth vs preventing chaos. It was nice and gave more info about the character than him actually yelling his life history at the first mate.

It also suffers from the writers trying to make every scene be memorable. There are too many times characters say things because it sounds cool or would be good in the trailer rather than because it makes sense for the character to say that.

Honestly all the characters fall flat for me (besides the captain who's character is treated like a pinball). They're all archetypes rather than people. The protagonist. The independent woman. The racist drunkard. The child. The religious guy. The guy that makes obscene jokes. The only names I know are Toby, Dr Clemens, and Anna. Bc they get said a lot as opposed to me actually caring about them.

On that note, I am definitely biased because I loved the Captain's log from the novel, but I wish that this was from the Captain's pov, culminating in him tying himself to the wheel and dying from shock or exposure like in the book. Then Whitby.

On that note, I am still upset that they used modern vampire mythos yet again for Dracula. In the book the Captain dies after being taunted for days by Dracula after tying himself to the wheel, only possible because the rosary in his hand protects him. It's a noble but horrific sacrifice made of fear and a duty to not let the evil on the ship reach land. In this movie, however, he reaches the wheel and dies because the rosary has no power over Dracula (it's also how Toby dies).

Oh, also the sun kills vampires. How do we know? Because occasionally some people turn into vampires, but only when it's convenient for the plot (looking at you, Anna). Why don't they use this against Dracula and dump the dirt box they know he's sleeping in during the day? Who knows. But they wasted a lot of potential to play on the audience's expectations (rather than giving into them) by using Dracula during the day. Y'know what's scarier than a vampire picking off your crew at night? A vampire picking off your crew at ANY time when you only expect it at night because SURPRISE sunlight just doesn't let him crawl in lizard fashion.

Are you seriously telling me Dracula sustained himself off of Anna for several weeks, and then decided to slaughter the crew mere days before the boat docked? Yes, he was weak bc of it but I don't think the director knows how blood works (see Dr Clemens's transfusion issue). Also, if that's the case, how did Anna not suffocate in her dirt box for hours on end for weeks? Just fill the other 48 crates with dead people and say Anna was the last caprisun in the box and it would make more sense.

Also, why have their last hurrah be the day before they reach Whitby? It made the movie seem too fast; it felt like it only took a week to get from Transylvania to England. Why not find Anna early on, then disperse the crew member deaths across a couple weeks like in the novel? It would help with the suspense and you could have the Captain tie himself to the wheel then let us experience the time passing after he dies so the audience has a moment to sit with the deaths and feel hopeless. Bc that's what the role of the Demeter is, story-wise. It's supposed to make us afraid of Dracula and feel hopeless in his presence. Not give us hope and make him into our rival we have the possibility to get revenge on. That's what our dear friend Jonathan is for.

Dracula never takes human form. Why do all adaptations refuse to give him his bushy mustache? COWARDS.

Okay, he *sort of* takes human form. But they really just put him in a waistcoat and top hat then expected us to believe that showed he was cunning. You literally said he's both man and beast then only show the beast. One of Dracula's main appeal is that he's clever and his sadistically human traits are the only thing preventing him from immediately ripping you to shreds. And he can pass as human, so he could be anyone. Yet we only see the beast part.

While this movie was fun to watch, it comes off more as a gruesome drama or action movie than a horror. I never really feel any suspense or dread. Compare it to Alien which had the same situation. Alien did such a good job of making you feel scared and claustrophobic when you're surrounded by the vastness of space (in this case, the ocean) and being hunted down by an intelligent monster. I was watching this to see how Dracula killed people rather than seeing how they struggled to survive.

I can believe this movie was in production hell not just because of the writing but some errors. In one scene, the Captain's burn is on the right side of his face but there's a close-up cut and suddenly it's on the left side like someone flipped the screen. And this is just one error out of a couple. No Starbucks cups tho.

It sounds like I don't like this movie because of all of my nit-picking grievances, but I really did like it. I think my issues are just because my expectations were too high going in. I was expecting a loyal expansion of an underappreciated segment of a classic novel, which is really rare these days. And a *suspenseful* horror.

I see why Guillermo del Toro and Stephen King suggested it. It's pretty similar to their stuff, just more fast-paced. So if you like that stuff and Until Dawn I think you'll really enjoy it.

#last voyage of the demeter #dracula #dracula daily #the last voyage of the demeter #movie review #horror #horror movies #re: dracula #yes this is a rant #listen my head is full of THOUGHTS

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primal-con · 11 months

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Mkay my brain is working a bit better today so thoughts on Mirage! Namely his inclusion in the movie instead of Jazz and his change in personality

Rise of the Beasts spoilers below the cut✌️

Now like a lot of folks, when I first saw the trailer I was insanely pumped because I thought Mirage was Jazz. I think we all kinda saw the silver Porsche and lost our minds, and of course, I'm still bummed that we didn't get Jazz because I love him dearly and miss him more than words can express. But! Having seen the movie and had time to chew it over, here're my thoughts on Mirage's character in RotB.

So a lot of initial thoughts regarding the choice to include Mirage, and a very different Mirage at that, rather than Jazz, were of course very valid. But I think ultimately while I would've loved for Jazz to have been there, I understand why they didn't go with him. Cause tbh if everything about the movie had been the same except they called Mirage Jazz, I wouldn't have been happy.

While yes, on the surface RotB Mirage seems really similar to G1 Jazz, they're actually really different in the ways that count. Jazz is bright, sociable, charismatic, and more in tune with Earth culture than most bots. RotB Mirage is also a lot of those things! But the key difference is that for Jazz, that personality is a facade. He's an incredibly grim, ruthless person who's seen a lot and is capable of a lot of terrible things, and he uses that trustworthy persona to mask that and make people more comfortable around him.

Mirage comes off as much more genuine in his naivete. He seems legitimately young, impulsive, and vying for adventure. He does things cause they sound fun, not because he thinks it's a smart idea in the long run. The sad things hiding underneath his bright personality don't come from brutal experience and calculated manipulation, they come from a genuine loneliness and desire to explore the world around him. In a lot of ways he plays a similar role to Bumblebee in most other TF media, the naive young optimist who wants to see the best in people and be a hero. Which narratively makes sense considering Bee was out of commission for most of the movie. He's not necessarily stupid, he's just not wise, and that comes from a lack of experience compared to his so-called "hardass" peers. He sees the other bots as boring and overly serious which contributes to his desire to keep Noah on the team. He wants Someone who he can relate to, someone who's a little closer to him personality-wise, and he doesn't feel like his older and more grim teammates can fill that role.

Which I think also contributes to his likability! Because like I said, Mirage is so genuine. He doesn't usually think things through so everything he says is so honest and unfiltered. I love Jazz because of his complexity and how compelling that facade is to his character, but I ended up loving Mirage because he doesn't feel the need for a mask at all.

I think generally the choice to change Mirage's personality from his G1 characterization was because the writers didn't want too many serious characters? At least that's how it felt watching the movie. I mean even Bumblebee comes off as older and more mature than Mirage. And Transformers is very fond of its goofy, unserious kid-appeal characters who are closest to the token humans. I'm cool with it mainly because big changes between generations are pretty common and this wouldn't be the first or even the wildest change of pace from one appearance to the next. As for why Mirage and not another character, who really knows. Probably the fact that he hasn't had much of an established personality in any of his rare TV appearances. And using a known name is usually easier than making a whole new character, just fan-attachment-wise.

Anyways, sum total thoughts: I liked him! And the movie's enjoyable if you don't go taking it too seriously, though that could be said about most things. It's also better with a friend! It's no ground-breaking cinema, it's an action franchise movie and exactly what you'd expect from one. But the characters have chemistry and personality and that's usually what matters to me. So yeah, all nitpicks aside it's a net positive from me!

#rise of the beasts #transformers #maccadam #rotb mirage #rotating Mirage's goofy ass in my head

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ladyloveandjustice · 4 months

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Fall 2023 Anime Overview: Pluto and Scott Pilgrim Takes Off

Pluto

Premise: Somebody- or something- is killing the most advanced robots in the world, along with humans involved with robots (either robot rights activists or scientists). Gesicht, a robot police detective, is trying to track this killer down. But has the detective himself been compromised? What is going on with these strange memories that keep appearing in his head?

Based on an arc in Osamu Tezuka's Astro Boy, this anime is a tense, tightly plotted robot murder mystery that kept me engrossed and invested. Stuff that deals with "android" rights can often feel cringey at best and insulting at worst, but Pluto avoids this by having a future where robots have already gotten their civil rights. It instead largely uses robots as a metaphor for being seen as a disposable tool in a corrupt system, for how if you resist being a weapon for violence and imperialism, those in power will either discard you or fear you. And it asks the question--can robots feel human emotions like hatred? What happens when they do?

Speaking of imperialism, there are some very obvious allusions to the Iraq War in this and I mean obvious like the "United States of Thracia" stars a war with the "Kingdom of Persia" under the pretense of finding "robots of mass destruction". The anime is deeply sympathetic to the, uh, Kingdom of Persia (and very accurate about how much the United States of "Thracia's" government sucks and is imperialistic), but it does feature content that can be tough to deal with (especially right now), and does have some Middle Eastern antagonists, though they're not one-dimensional . I don't feel qualified to dig into it too deeply, but I just have to note it.

Pluto is impressive with it's sizable cast that all have their own distinct stories. It makes you feel for almost every character. A lot of the plot twists punch you in the gut, and the animation is generally stunning. I

I did find parts of the final episode fell flat. It was a solid finale, but the world-ending stakes and the focus on pretty predictable action beats were so different than the gripping, investigative stuff that came before it that it was a bit of a let down. And it really beat you over the head by constantly verbally repeating the central message.

(I also hate the trope of a male character lying to a female character about information she's begging for and affects her deeply, and it being treated as a great kindness. I wish female characters got more to do overall in this, because the two we had were potentially very interesting. It did give a nod to the female robots being just as advanced at the male ones but that being ignored because they weren't advanced in a traditionally masculine way. But you could feel it's Astro Boy roots in how male dominated the cast was.)

Overall, this is one of the most well-crafted anime of the last few years-- a psychological thriller and meditation on humanity and conflict, rich with story and themes, with not a second wasted. I definitely recommend giving it a shot, you'll probably be hooked in no time. And expect it to break your heart. A lot.

Scott Pilgrim Takes Off

Yes, this counts as an anime. It was animated by a Japanese studio, the director is based in Japan and has worked in anime for years. But there are some spoilers in the premise itself here, so I'm going to put it under the cut.

You have been warned!

Premise: Scott Pilgrim meets a cool girl named Ramona Flowers and falls for her, only to find out she has seven evil exes he must defeat. Unfortunately, he seemingly dies at the hands of the first one. This leads Ramona on a journey where she must confront her evil exes and see if Scott is really dead after all.

So, I was a fan of Scott Pilgrim as a teen. Moreso of the comic than the movie, since the movie didn't have the interesting arcs for the female characters the comic did thanks to it's short runtime and what it prioritized. (Ramona, especially, was done dirty). I liked Ramona a lot in the comic, especially how she went from a mysterious figure to someone just as messy and screwed up as Scott is, and the "final boss" was actually the abusive relationship she was stuck in, and she was the one who really had to defeat it. I liked how Knives outgrew Scott, and I liked how Kim exposed Scott's fantasies as not real, and let her crush on him go. I liked how Scott's arc was realizing he'd treated the women in his life badly and that he needed to grow up and stop being so selfish.

So I was a little excited to see a more comic-accurate version... but what we got was even better. A story that was more from Ramona's perspective, that centered her from the very beginning, and which focused on her understanding, and often reconciling with her exes, rather than them being enemies to defeat. I especially loved seeing Roxie finally get her due. (The comic handled Roxie better than the movie's bullshit, but it still left a lot to be desired). Ramona's ex-girlfriend finally gets treated as an ex-girlfriend, with no "just a phase" bs from Ramona and no Scott doing the straight guy "ooh lesbians so sexy" bs. Instead, it's a sincere, emotional look at their relationship and the ways Ramona hurt Roxie, along with a killer fight scene.

It was also great to see Knives thriving without Scott around, and Matthew Patel getting more of a spotlight. The series has grown up over the years ,but the themes are as sharp as ever. It examines the bad decisions Ramona and Scott have made, and not only the fear of growing up as a young adult, but the fear of what you'll grow into. It explores the fear that relationships will become regrets, the messiness of people trying to connect, and how you need to keep trying to communicate and move forward and take risks anyway.

There were a few things I wish we could have seen more of- like Kim and Envy. (And small yet bothersome nitpick, I also disliked how when Ramona talked about her pattern of "running away" from relationships, Gideon was included, despite the fact he was abusive to her in this version too). The English voice cast was also weak with the voice acting sometimes (likely because most of them were more used to being on-screen actors)- though there were some stand out performances like Satya Bahba (Matthew Patel), Michael Cera (Scott) and of course Mae Whitman (Roxy) (I also think Winstead settled into her role well too)-- though I got used to it after a while, and the Japanese cast is aces.

The animation was also phenomenal, and it had a killer soundtrack.

I'm not sure how this anime would hit if you haven't seen either the comic or the movie, (I've heard some newbies say they liked it) but as a fan of the source material, I was very pleased and found it a treat. Definitely worth checking out.

#scott pilgrim takes off #scott pilgrim #ramona flowers #fall 2023 anime #anime overview #pluto #naoki urasawa's pluto #pluto anime #my reviews #finished at LAST I watched TOO MUCH ANIME this season #but to be fair it was an excellent season

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djsherriff-responses · 2 months

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Personal opinions and general character design critique regarding the Nymphs from Rayman (spoiler: they all suffer from having same face/body syndrome and the designers being too horny to consider other design elements)

Betilla: I feel her origins redesign was a downgrade from her whimsical style in the first game, but I also do understand why they wanted to change her, as origins was meant as a reboot of the franchise and they wanted Rayman to be the only limbless in the Glade of Dreams. But since origins ended up not being a series reboot (with its plot only existing in code) and Rayman having skins/costumes who are meant to be different limbless characters anyways , changing Betilla drastically was already meaningless in the long run , much less the choice to make her be a basic hot nymph

Outside of it being impossible to Google her name in front of family , I personally don’t mind how she looks in Origins as the red hair contrasts really nicely with the greens, if you really wanna push some symbolism imagery here you can make arguments the red + green is meant to be reminiscent of flowers or berries. Ultimately though it is just a green bikini outfit with thigh highs and the only real connection to her role as the nymph of the forest/jungle area of the game is the colours, and maybe the odd stitch work pattern

Which is a bit of shame as you can easily replace the blue stars of her old design with an actual star-ish looking flower called Bletilla (literally one letter off from her actual name) or other flora

I don’t think the issue was they wanted to give Betilla a redesign that had sex appeal , I just think they went in the wrong direction with it. Considering that she played a large role in the old educational games and she was a sort of mentor figure to Rayman (if not just straight up his mother depending on one’s headcanons), they could’ve given Betilla a personality and sex appeal by making her a hot teacher type character (who may or may not count as a milf), hell give her signs of age like small wrinkles to really get the point across she’s older than most of the player characters, and she’s aged like spicy fine wine

Her design in the first game is adorable while giving her the vibes of a mature fairy god mother type mentor, but I don’t think it would work in the more modern Rayman games without some updated tweaks. It is pretty though and does has more personality than her origins design, and the other nymphs for that matter

Holly: I like that there’s some actual details on her and some colour variation compared to her sisters, even if she’s 3 out of 6 nymphs whose main colour is some shade of blue

Besides giving her an outfit that isn’t a skirt and bra, I think her design could better reflect that her domain is the desert of dijiridoos by having some musical elements to her design. It’s kinda odd her tattoos/body paint (which do look good on her and her skin tone) don’t reference musical notes at least, wasted opportunity there

I have this issue with Edith and Annetta as well, but I’m a bit confused about why dead animals seems like a popular fashion choice for these ladies , especially since (in the origins game) none of the nymphs are shown as fighters (not saying they’re incapable, the game just doesn’t show them as such) and we’re not giving lore hints about it? I’ll talk more on this issue when I get to the other two , but it’s odd that Holly’s domain is populated by birds and she’s wearing a bird skull

Was it a nightmare and she kill it? Is it a beloved pet and she couldn’t part with them even after death? 🤷‍♀️

I can’t really think of any alternatives for her or the other two animal hat sisters atm, but at least it’s looks badass even if it doesn’t do much personality wise, so points for looking cool at least

Edith: Edith I think is the worst design of the sisters , hands down, no competition. I mean , what is there to really say about her? “Oh we have a level based around a combination of spicy food and ice drinks with dragon butlers , how should we design this chick?”

“Just put her in red with a lizard hat”

Almost nothing about her design reflects her domain besides that she’s blonde and wears red , and that’s only half of the domain she’s meant to be part off. Her outfit pattern could’ve at least have some reference to the ice levels, or give her literally anything to connect her to those ice levels

I also don’t like how her hair is styled, the colour is fine but the shape looks ugly

Incredibly morbid Edith walks around with a dead butler on her head, especially considering the final boss/king of her level is also a dragon. Unlike Holly and Annetta, I can’t even give Edith credit for looking cool because it’s just more red on a very red and bland design

…… do you think Edith uses her corpse hat as a hand puppet?

Annetta: While I think it’s a weird choice to have nymphs of nature walk around with corpse head gear (much less ones of their domain’s general population) I think Annetta is the most justified of the nymph sisters to be wearing a hat made of a dead animal

Considering that her domain has a notable fishing population and she’s already dressed in fish scales, Annetta wearing a fish skull does actually contribute to showing the lore of her as a character and her connection to her domain. Unlike Holly and Edith , I don’t need to come up with some theory about their fashion choices when Annetta’s reflects already existing lore in origins (what little of it at least)

I personally do think the outfit looks ugly and plain uncomfortable, but I will give this design some credit for having one of the more visually detailed designs by virtue of her scales alone, and it actually makes sense for the nymph whose domain is the literal ocean to be in a skimpy outfit, even if her shell bra has to be glued on to her boobs

Unlike Edith’s outfit colour which is just red, Annetta’s has various shades of blues and teals that are reminiscent of the sea. It’s pretty I like it

Helena: Much like Edith there’s not that much to say here but what I can say is mostly positive

Helena’s a pretty standard design of “blonde chick in cool blues with white fluff details” and yeah that’s generic usually, but here I really like her. I think it’s how the fur and cloth looks textured along how her hair front is styled that makes her incredibly cute to me

Yeah, Helena is a simple but cute character design

Weird that a mountain nymph who has to live through cold weather wears a skimpy outfit with her bare thighs out , but I’m gonna assume that’s because she , much like her sisters, was designed to be sexy first and given aesthetics after they made the body model

Fée de la Mort/VooDoo Mama/Big Mama: As cool as she looks, when compared to both her monster form and the other nymphs , you can tell she wasn’t planned to be one of them, especially when you look up Mamma Hite

I bring that up because while Fee has a good design, she is also a visual metaphor that reflects Origins’ identity: a failed series reboot whose plot was scrapped in favour of goofy extremism (or sex appeal in the nymphs case)

So about Fee’s actual design: I personally don’t like the pink used on her and would’ve liked her Nymph form to reflect the monster form besides the hair

probs to the fact she’s the only nymph with her own pose which already gives her a lot of personality , but the combination of her tattoos, bone jewellery and her baggy looking eyes really sells the fact she’s from the land of the livid dead and thus sticks out amongst the other fairies, even if you ignored the bat wings she has

visually she does work as a undead fairy of the underworld who likes to rock and roll, so job well done with that

I kinda do wish they stuck with the frog though

#rayman #Character design #Rayman nymphs #betilla the fairy #i really wanna do actual redesigns of these girls and not just random sketches

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chromedome-sympathizer · 2 months

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Chromedome, for the send me a character ask? ;)

thank you rushing-waters!!!

(this is probably obvious but many spoilers incoming)

First impression

"wow, the artists really are pushing the proportions on these character designs, huh?" -my thoughts when reading for the first time

no seriously his waist is smaller than his head. why do you have a waist so small? for other bots to grab? (yes) (five husbands)

actually seriously tho mtmte was such an intricate fast-paced colorful blur on the first read that I didn't really notice him in particular until issues #14-#16 where I uh. started paying attention. for obvious reasons.

Impression now

whiny self-deprecating loser sadboy who I love with all my heart and soul

no on subsequent reads I definitely started liking him even more. the happiest scenes are when he's fully just some guy, like in the bar talking with swerve about nightmare fuel or trying to guess people from their transformation noises. he's also really good at his job!! (not just mnemosurgery, but forensics in general!) and sorry rodimus, but I would invite him along just for his dry wit.

Favorite moment

I thought for a long time about this one and I think there's just too many to choose from. but if I had to give one off the dome, (ha), maybe that little moment at the beginning of the time travel arc where he's talking to rewind and defending brainstorm. because yeah! he's his friend! and he likes to think he's good at reading people.

Idea for a story

hm. maybe a post canon / au situation where they're still on the lost light and he joins a dedicated forensics team. because I think it would be good for him to feel useful after giving up mnemosurgery

Unpopular opinion

maybe not unpopular. but his holomatter avatar would not look like that. maybe it's just the 2014-ness of it but it just rubs me the wrong way. I don't know exactly what itd be. maybe long blonde stoner hair. I'm thinking he's still masc. idk. he just needs to look pathetic. sadder

Favorite relationship

I could say rewind or brainstorm, but I'm gonna go the other direction. I'm gonna say rodimus. because rewind is right, he is an enabler. actually it's worse than that, since rodimus is not just enabling self destructive behavior but actively initiating it. ordering it, even, as much as anyone on the LL really needs to listen to his orders. (sorry roddy buddy.)

no but I think about this so much. because we remember a few times in canon where rodimus orders a crew member to shoot another. and it's often the same pattern: "shoot them!" "do I shoot to kill?" "yes!" "uh... are you sure??" "okay just incapacitate them." and in these cases rodimus is asking a crew member to harm (or kill) a crew member.

but with CD, rodimus is asking him to hurt himself for the betterment of the crew. usually for the reason that having the information in a dead or unconscious person's head might tilt the balance toward their survival. so in these times, when rodimus says "hurt somebody! (yourself)" there's nobody to say "are you sure?"

(granted, CD does usually say something like "this could kill me" but I don't count it because he's bent on self destruction and he's already got his needles out. I'm sure rodimus brushes it off as that "dry wit.")

Favorite headcanon

idk where this one came from. I think it's a pretty common fanon interpretation. but I love love love the idea that brainstorm made CD's needles. the drama. the angst. I live for it. it just makes sense too! they're both incredibly skilled in their fields and I think having them overlap in this way is incredibly satisfying. (heartbreaking. gut-wrenching.)

#thank you for the ask!#chromedome #mtmte #transformers #eh I'll tag some other people too since I talked about them #rodimus #brainstorm

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quirkwizard · 5 months

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407 Spoilers!! What are your thoughts on All For One’s backstory, the glowing baby being killed by him, and possibly Spearlike Bones being the first Quirk All For One had?

I'm going to pass on talking about the Glowing Baby and Spearlike Bones. I just have so little to say about either of them. And I want to be clear that I am writing this as of Chapter 409 and I have a feeling that there is more to his backstory then what we've gotten.

I have some mixed feelings on his backstory. I'm just going to come out and say it: All For One's backstory is borderline hilarious. It is so over the top grim that it starts to feel like parody. All For One killed his homeless mother with his birth, had no one else take care of him after that point, and had a kill count by the time he was in daycare. How exactly am I supposed to take this seriously? On a more serious note though, I do think some of the sillier aspects do take me out of the story. Like how does a new born infant have enough faculties to survive the second it is born, let alone live as long as he did? I figured there are some parts of his backstory that are missing that will be revealed later.

I do like the general elements of the backstory. All For One had an extremely simple goal and motivation. He wanted to see people brought to heel out of a greedy desire to be at the top. Plus it clarified what I've always assumed that All For One saw his brother in very nassricistc way. That Yoichi wasn't his own person, he was All For One's brother and that's all that mattered. Though I do think having it be as overt as calling Yoichi a possession and being actively abusive towards him removes a lot of the subtlety of that relationship. My only other reprieve through a lot of this is that All For One is being an unreliable narrator. That some of the events of his backstory did happen, but he's either lying or tricking himself in believing things happened a certain way to fit how own narrative as a demon lord.

And look, I understand what the story is going for with all this. That All For One is unapologetic, total evil without any reasoning for it. It's meant to contrast all the other villains in the series and I don't mind that for this kind of story. However, I'm not sure if that is the story's intention or not. All For One was someone born and raised in pretty much the worst circumstances possible, as far as we are shown. Why wouldn't someone have an immensely warped perspective of the world? If you really wanted to show All For One as pure evil, why not give him a normal life? That All For One was raised in a caring home, but just came out evil out of nowhere or from sociopathic view of the world? I suppose another way to read it is more on the grounds of neglect. All the villains in the series were neglected in some way, so the ultimate evil comes from someone who was neglected from birth, but I'm not sure if that's what I'm suppose to be getting from it.

#My Hero Academia #Quirks #All For One #MHA Meta #MHA Theory

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peach-and-bugs · 11 months

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❤️Natalie Scatorccio NSFW Alphabet❤️ (18+, Minors DNI, you will be blocked)

❤️Read the SFW Alphabet here!❤️

Fanfiction master list

disclaimer: don't repost my work. I only post on Tumblr and on Ao3. anything else is stolen and should be removed immediately

Warnings: Minor spoiler for Season 2 episode 8! It's all dirty [AFAB Reader/anatomy used if any] (18+, Minors DNI, you will be blocked)

Word Count: 1,359

A/N: Hello lovelies! I know a lot of you wanted it, so here you go! Natalie's nsfw alphabet! She actually was a lot easier to write about than expected, probably because she's so straightforward anyways. Not much more for me to say, so enjoy, and as always, feel free to leave questions or comments in my comments or ask box, and happy reading!❤️

Natalie Scatorccio Tag List:

Yellowjackets Tag List: @frasersgf

General Tag List: @summergeezburr

-❤️-

A = Aftercare (what they’re like after sex)

Nat is the type to need a cigarette after sex. I mean, maybe not a cigarette specifically bc I don't remember if she smokes in the show, but in my headcanon it's an every-now-and-then thing for her. But, for whatever reason she never got hooked on it like she did other things. But when it comes to caring for you specifically afterward she’d get you a warm towel to wash up at the very least. Everyone deserves that. But in a committed relationship she’d go as far as running a bath for you if you like and helping you in if it was a rather intense evening

B = Body part (their favorite body part of theirs and also their partner’s)

She loves your hips, I just know it. No matter what shape or size, she just loves having something to hang onto, ya know? It’s just the perfect spot for her hands and she loves running her thumbs over your stomach

C = Cum (anything to do with cum, basically)

I know for a fact that she makes you clean her fingers with your tongue when she’d done with you. She wants you to know exactly what she’s tasting.

D = Dirty secret (pretty self-explanatory, a dirty secret of theirs)

Not really a dirty secret but she loves when her partner and this is only in a “serious” relationship (as serious as Natalie will get at least) takes complete control because she gets to be in a state where she’s not in control, but she knows she’s completely safe

E = Experience (how experienced are they? Do they know what they’re doing?)

Oh, we all know that Ms. Scatorccio knows exactly what she’s doing. When it comes to sex, she’s been around the block and back and she’s always willing to do another lap if she feels the need.

F = Favorite position (this goes without saying)

Imma say she enjoys receiving while face-sitting because it's the best of both worlds. She enjoys being on top, but she also likes receiving, and she loves the feeling of your arms and hands tight around her thighs

G = Goofy (are they more serious in the moment? Are they humorous? etc.)

She’s more serious in my opinion. She doesn’t find sex silly.

H = Hair (how well groomed are they? Does the carpet match the drapes? etc.)

I think she shaves everything (arms, legs, etc) but not regularly. She's cool with having stubble wherever so long as it's not bothering her.

I = Intimacy (how are they during the moment? The romantic aspect)

Eh, again it depends on what kind of relationship you’ve got. I think over time she could learn to be romantic, but at the start, sex is a give and take for her. “You get what you need as long as I get what I need,” kind of thing. She’ll never make a big deal out of it though. She might have when she was younger, but she’d far more seasoned now, shall we say. She knows what she wants and that’s her priority

J = Jack off (masturbation headcanon)

She’s gotten good at using her hands because I doubt they let you bring any kind of toy with you to rehab, but she prefers a vibrator some nights

K = Kink (one or more of their kinks)

I think she’d enjoy mirror sex. She’d like watching herself but also forcing you to watch how she makes you feel. She's also into teeth. Like, not necessarily biting, but she likes someone with a nice set of teeth

L = Location (favorite places to do they do)

She’s down for semi-public sex but still wants some privacy so anywhere with a locked door is fair game

M = Motivation (what turns them on, gets them going)

There isn’t a lot that doesn't turn her on really. Genuine interest in her sexually sometimes is all it takes. But she likes being teased and having her partner play coy with her. It makes her feel like a lady

N = No (something they wouldn’t do, turn-offs)

I think after watching S2 Ep 8 this is a given, but knife play…

O = Oral (preference in giving or receiving, skill, etc.)

She’s into both but has a fondness for receiving, ngl. This girl firmly insists that she’s a switch but she loves to bottom. Might sound like an oxymoron, but she loves the power she holds while receiving. Digging her hands in your hair and holding you where she wants you, squeezing your head or hand between her legs. Honestly, she’d gladly suffocate you if you let her

P = Pace (are they fast and rough? slow and sensual? etc.)

She’s fast and rough when she’s on top, no questions asked. She likes getting to the point

Q = Quickie (their opinions on quickies, how often, etc.)

She’s quite fond of them. If it's guaranteed you’re not getting a night in together she’d gladly take a quickie in a bathroom stall if she needs it

R = Risk (are they game to experiment? Do they take risks? etc.)

Once there is some established relationship I think she’s down to try new things, but she’s not experimenting during a one-night stand, she might have done that before, but by now that’s behind her and she’s only experimenting with established trust from now on

S = Stamina (how many rounds can they go for? How long do they last?)

I don’t think she has a lot of stamina when it’s her cumming. She can have two, maybe three before she calls it quits. She could probably go for longer but once she’s had one or two she’s satisfied

T = Toys (do they own toys? Do they use them? on a partner or themselves?)

She doesn’t have a wide collection, just a few vibratos that she orders online while drunk and horny on random nights. But she’ll use them now and then with herself and whenever you want if that's something you’re into. I think she’d be really into using one on you while you eat her out.

U = Unfair (how much they like to tease)

She’s a big tease. She enjoys being a mean girl sometimes!

V = Volume (how loud they are, what sounds they make, etc.)

I think she’s pretty quiet, but not for any lack of enjoyment. She’s got those breathy moans that swoon from the back of her throat and she tends to suck on her teeth

W = Wild card (a random headcanon for the character)

She’s got nice hands. She keeps her nails short, partly because I think she’s a nail-biter, but she has the decency to file them before anything intimate happens so they’re nice and smooth. But she’s got long, thin fingers that really accentuate her knuckles and she’s always got a plethora of rings on so she makes a show of taking them off for you.

X = X-ray (let’s see what’s going on under those clothes)

She’s quite thin and lanky. I mean, we pretty much saw everything when she was walking around her motel in her bra and her fishnets.

Y = Yearning (how high is their sex drive?)

It’s definitely high, but she knows she can get what she wants whenever or handle anything she needs on her own, so it's not often a “driver” for her or anything. Unless she’s drunk. If she's with someone she’s deemed as her person and she’s drunk, she wants in your pants as soon as possible

Z = Zzz (how quickly they fall asleep afterward)

She’s not the type to fall asleep after sex. She prefers having some kind of nightcap first (a drink or a cigarette or maybe even both to mix things up. Who knows!) you’re more likely than not to fall asleep before her which is when she makes her graceful exit if she’s not in her bed. However, in a committed relationship she’ll get back in bed with you after whatever “treat” she’s finished and hold you from behind till she knows you’re asleep. She likes kissing your shoulders when you’re naked. But she won't fall asleep that way, eventually turning over to her other side

#natalie scatorccio #natalie scatorccio x reader #natalie scatorccio headcanons #yellowjackets x reader #yellowjackets fanfic #yellowjackets #yellowjackets headcanons #charcater headcanons #character alphabet

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