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#does god hate me
Thing that I heard my classmate say
Do you think God weeps for his creations every day that they suffer, feeling the bloodstains soaking his hands and the sharp pain in his lungs because everytime he exhales he breathed new life into the world?
Or are we just his OCS or smth.
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angelmichelangelo · 6 months
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why have i had a cold since october
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dewarism · 5 months
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joseph you are literally not allowed to be injured cause i said so
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urprettybunnybaby · 2 months
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im n so much pain
i feel so damn sick
im over heating
im gunna cry n puke
the inflammation the throbbing the stabbing please
it’s a never ending story. stop adding 2 it
please just give me a break for 20 seconds.. please i beg u
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krixt667 · 10 months
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I'm seeing rammstein again on wednesday and the weather forecast terrifies me. Like the fuck do you mean by 34 degrees but also a huge chance of rain 😭
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akinachiri · 1 year
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WHY ARE THERE SO MANY KPOP SCENARIOS AND X READERS IN MY FOR YOU
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processofliving · 1 month
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Is God real.
Is God real.
A very good question. And one that will (probably) never be answered. Apparently there is no scientific way in which to test whether God is real or not. Which is kind of crazy because we generally as people do not like it when questions are just left unanswered. Especially not big questions like this one. And I’m going to have to disappoint you; I’m not going to be able to give an answer to this question myself.
Personally I was raised an atheist, yet some of my family believes in God. I’ve got friends that are religious and I’ve got friends that are not. The one thing I always notice when discussing religion with them is that we’re not talking about whether God exists, but we’re talking about the things people do, say or think based on a religion. In other words, it is not a matter of whether He exists, it’s a matter of what it entails if He were to exist. 
I guess this is partly because it feels quite silly to ask a Christian if they think God is real, you feel like you already know the answer (although I feel it could cause some really interesting conversations as well, I’m sure religious people have existential doubts and questions time to time), but also because the way people ‘use’ religion in their life is what intrigues me. When I say ‘use’, I mean using a Holy Book as a basis for perspectives and behavior I do not feel are in line with the way I see life.
I think some of the very common questions I have, which I’m sure you’ve heard before, concern the following; using a Holy Book to say that being gay is a choice (and a poor one at that), or that people who do not believe in God will go to hell, or that, if someone dies unexpectedly, it was God’s will. These are things I cannot comprehend. I find it intriguing that people can believe in something so vastly different from what others believe in. And it is something I have been trying very hard to understand.
If there is a God, and there might be, would He design us to be gay if it was a sin? If there is a God, would He hate those who do not believe? And, if there is a God, would He choose to let a young child die? Is God not all love? That’s what I’ve always been taught. Yet I don’t have the answers. I’m just a little speck on this Earth who knows just as little about the concept of Deities as you all do. Maybe the people who believe in above-mentioned ‘things I cannot comprehend’ get it all wrong. Maybe ‘true’ religion is all about love. Or maybe it is not, and the people who believe in ‘all love’ are wrong. Or maybe it is so diverse that we will never know. But if there is One True God, I wonder what He thinks.
Concerning religion (and I guess generally as well) I have always felt very compelled to defend my perspective on life and do what I think is right. As if I have to defend those offended by people’s interpretation of their Book of Choice even though I am not the one preaching it. The conversations I have with religious people never turn sour, we are old enough to let our differences be differences, but it is curious that we always want to share our view on life with others and are so convinced that it is the right way. Ironic as well, since this entire blog revolves around my perspective on life. I truly wonder where that stems from, this urge to voice the things we believe in. 
Maybe it is God.
Is God real?
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spiderweaverarts · 4 months
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Wtf about brown soda makes my insides go NO GET THIS SHIT OUT OF HERE TORTURE THEM WITH SHIT BURPS AND TUMMY ACHES AND THROWING UP
Last night with dinner i had a bottle of pepsi (this drink was also not full, i had had half of it earlier in the day) and I was up all night with sulfur burps, throwing up, and yknow, also comin out the other end. Ruled out food poisoning from dinner.
I dont think I have an issue with carbonation, i had two monsters and drank one on saturday, one on sunday, and nothing happened
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magical-bear-dubin · 9 months
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If anyone was asking how my first DnD campaign went so far: i died in my first encounter and were revived, then proceeded to get three nat 1s in a row.
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bloodybellycomb · 10 months
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mazeyphaedra · 1 month
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was rewatching fabian’s baron moment on account of it being the most delicious piece of pvp in my recent memory and ally beardsley’s growth as a player just shone through so brightly and with such clarity. after dusting off their shock they immediately asked about the nemesis ward, had enough knowledge about fellow pcs stocked to remember adaine’s ac with such like frustrated confidence and certainty, suggested to siobhan to dimension door out of adaine’s room, like. they came into this making a character with 4 dex. and now the dice deity offered to roll a check to sense if adaine was in danger. making decisions, asking questions, getting invested in the story, trying so hard with the tools they have to save characters from danger; ally beardsley is an incredible d&d player.
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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poorly-drawn-mdzs · 7 months
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There is a platonic explanation for all this. Right?
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heybiji · 3 months
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dandelion casually dropping traumatic information while insisting that instead of killing the problem wizard they simply burn his tongue
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renonv · 4 months
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Ignore the difference in styles but Two wonderful ppl on discord wanted to see me untwinkify Romano so I had to deliver
“Shirtless” (his tits are already out) vers :
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