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#creative solutions
raphmybeloved · 10 days
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Hey rise Raph fans I know most of y’all know that alligator snapping turtles technically never stop growing but did you know that past a certain age they never go on land (with the exception of egg laying) because their bodies are just too heavy to move out of the water? Because I have been thinking about that :)
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knotty-et-al · 5 months
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Isometric dot grid stencil tool DIY
Do know when you are getting sad because you want to draw nice shapes on a blank piece of paper - but there is no helpful grid - and you have difficulties drawing straight lines - the isometric dot grid stencil tool is there to help!
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Today I created an isometric dot grid stencil tool with scrap metal. And I want to write a bit about how easy it is to make. (Beware: You still need a lot of patience to punch all these damn holes into a thin slice of metal.)
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[The distance between the dots is 0.5cm btw. [yes, I'm a metric system supporter. ])
Tools I used to create that tool:
- needles (one thinner and sharp needle, and one thicker needle (to dilate the holes afterwards wlth a rotating motion)
- hammer (for making the thinner needle go thru the scrap metal like a knife thru butter (but with more force... ))
- wooden/bamboo/whatever tray with a not too large hole [~ 1-2cm will suffice] (so the needle does not go into the wood, which is annoying and makes the needle unsharp very fast) - For the wooden tray I used a simple cutting board normally used for food preparation - it has a very helpful handle (just a hole with 1.5cm diameter)
- a printed piece of isometric dot paper and sticky tape (to form a tube with the sticky tape, so you can use it as double-sided tape. Add the printed paper to the sticky tube-thingy. Then attach it on the scrap metal. [It will be removed afterwards. (Removing the sticky tape afterwards is still very annoying. Thats why I left a rest on my tool. I put a looot of thought (slight exaggeration) into considering to remove it, but in the end I was too lazy to remove that part of aesthetical annoyance - It has no effect on the practical aspect. I might remove it anytime in the future when it annoys me too much and when I have more nerve to do so. )]
- a lot of patience to make whatever number of holes you want to have in that stencil. [I find this routine work calming actually.]
For the one depicted above I made approximately ~200 holes [I am too lazy to calculate and/or count the holes rn. This approximation might suffice.]
- garden scissors (to cut the scrap metal)
- pliers (to rounden the sharp edges of the cut scrap metal) [last step]
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What could you do with the stencil tool, you migt ask:
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One can use it to draw an isometric dot grid on paper (for furtherly drawing shapes in the dot grid.)
One can also draw circles with it.
And one can also attach a piece of paper or other material and make holes into it with a needle or safety pin.
In the photo depicted above I made a cube pattern (with a mistake). I could continue to sew these holes together, so the cube illustration becomes more visible - and if I use a large enough thread so one could feel the lines - it could also be a card/art a blind person could "see" - alias feel.
Also: It is calming to punch holes in paper with that stencil tool.
Maybe I might also consider doing the stitching activity afterwards... Hmmm.
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art-of-mathematics · 2 years
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How I coordinate my chaotic life right now:
I wanted to share some of my solutions for helping myself with my desorganization and clumsiness:
1. My "wrist office":
(The bracelet-bag-thing was called that way when I ordered it.)
I added a solution for attaching a transparent bag onto the "wrist office" - so I can directly see the content (like some notes).
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I added a velcro place for two numbers onto the tiny transparent bag - say, to attach the current date:
I created some number velcro patches. (I created 1 and 2 twice, as there are two dates per month were you need two same numbers - (11 and 22). Hence, the other numbers are only made once.)
Then I created a patched ruler where I can collect all number patches, so I can fastly exchange them at the transparent bag when needed.
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2. My wallet:
- with a 4-coloured ballpoint pen (for quick notes)
- with an attached spiral notebook at the back
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- with a tiny booklet with PVC sleeves (for collecting important information, and/or storing pictures/quotes/affirming or inspiring stuff I enjoy) [not filled yet]:
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- The notebook at the back has the perfect length so I can secure the front with a hair tie:
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As the notebook's back is "porous" (It's cardboard material, which suffers under being carried around all the time), I Improved by attaching an additional PVC sleeve.
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bookofhappyescapes · 2 months
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Me: Ooh, you’re being fancy
P *holding up a fork*: It’s an arm extension!
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madstars-festival · 3 months
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[JURY INTERVIEW] MAD STARS, WHAT AN EXPERIENCE
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MAD STARS attracts attendees from every corner of the Asia-Pacific region as well as jury members from places as far-flung as Mexico and Sub-Saharan Africa.
We wanted to know what they thought of last year’s festival, so we asked juries from countries near and far.
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Kapil Bhimekar, creative director, Leo Burnett
MAD STARS was a highly inspiring and enriching experience. I was pleasingly surprised in so many ways, be it the quality of work, the venue, or even the whole organization of the event itself, it was so well done.
The thing that especially stood out for me was the people of Busan. I have never felt such warmth. The people from the organizing committee, as well as the locals around the town, were extremely helpful. The city overall has a beautiful welcoming vibe to it.
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James Keng Lim, director of creative strategy, GCI Health
From a purpose and their entries model point of view, MAD STARS deserves all the credit. It embodies the ethos that the maddest ideas can change the world, independent of the size of the proverbial purse strings. I also want to take this opportunity to congratulate and commend the organizers and the relentless work done by the staff.
The festival ran like clockwork. It was well-organized and thoughtfully put together. I think I speak for all the juries when I say it is a festival all of us want to be a part of. That’s a huge compliment and validation of the great work done to put this festival together. 
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Rimantas Stanevičius, creative director, Milk
This was my first time at MAD STARS. While the festival typically doesn't extend invitations to preliminary jurors, my enthusiasm for a complete experience led me to secure a grant from the Lithuanian Ministry of Culture. This allowed me to travel to Busan and represent our local Art Directors Club through podcasting.
I had the privilege of meeting tons of amazing people from the industry, forging new connections, and rekindling old ones. For example, I had a chance to reconnect with fellow alumni from the Berlin School of Creative Leadership. I’d say my time there was well-spent, producing over two hours of interviews talking to Rey Kim of Mad Stars, Gabriel Lora, Jesse Wong, Becky McOwen Banks, and Mohammad Akrum Hossain among others.
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Nurlan Satarov, creative director & creative group director, Cheil Worldwide
This was my third time as a juror since 2019, and I've noticed that the festival's scale and influence keep growing with each passing year.  What sets MAD STARS apart from other awards shows is that it’s free to enter. And guess what? They've got a ton of entries that have won big awards at Cannes Lions, One Show, Spikes, and D&AD (the toughest festival to win, in my opinion). It's awesome spotting hidden little gems amidst the massive cases. Making it onto the list of award-winning works alongside those giants is a sweet deal, even if you land on the shortlist.
I genuinely enjoy heading to Busan and connecting with fantastic folks at Mad Stars. It's such a cozy and welcoming event. Returning to the festival in person after the pandemic was especially wonderful. There's just something special about being able to participate in person and connect with people face to face again. There's no denying it, festivals by the sea have this magical vibe that's hard to replicate elsewhere.
Speaking of the judging process, the system got a major upgrade. All the necessary information and materials were delivered promptly and without any hiccups, making the whole experience smooth and convenient. With over 20,000 entries last year, Mad Stars has certainly become a big fish in the global awards scene. Winning any type of award at Mad Stars amid such fierce competition is a remarkable achievement and a testament to the outstanding quality of the work. It's no small feat to stand out among the world's top-notch entries. A big shoutout to the folks in the jury support division – they made a difference and helped make the whole process even better.
MAD STARS are like ROCK STARS. It's hard not to love what they are doing.
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MAD STARS 2023 was filled with so many diverse experiences and warm memories!
What kind of juries will be joining MAD STARS this year?
We are looking forward to welcoming global experts who will evaluate various creative solutions with a fresh perspective at MAD STARS!
Don't miss out on the opportunity to evaluate outstanding entries from all over the world and make memories in the hot summer in the beautiful city of Busan by the sea!
Want to be a jury member for MAD STARS 2024?!
👉🏻 https://bit.ly/3wcSNp8
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tmarshconnors · 8 months
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The Pointlessness of the SAG Strike 2023
In recent weeks, the entertainment industry has been rocked by news of the Screen Actors Guild (SAG) strike in 2023. While the actors involved in the strike have their reasons and concerns, it's essential to critically examine whether this strike is truly necessary or if it might be, in fact, quite pointless.
Economic Impact: One of the most immediate consequences of the SAG strike is the significant economic impact it has on the industry. Thousands of jobs, from actors to crew members, are being affected. Production companies are losing millions of dollars every day the strike continues. Given the economic hardships that many people have faced in recent times, including the COVID-19 pandemic, one must question the wisdom of causing further financial strain on the industry and its workers.
Demands and Priorities: The demands put forth by the striking actors are not unreasonable. However, one could argue that these demands might not be the top priority in a world grappling with more pressing issues. With global crises like climate change, social justice, and healthcare disparities, is a higher salary for already well-paid actors truly the most critical concern? Many people struggle to make ends meet, and it's hard to sympathize fully with actors making exorbitant salaries, especially when so many others are struggling.
Timing: The timing of the SAG strike is questionable, at best. It's happening in an era when the industry is still recovering from the disruptions caused by the COVID-19 pandemic. Many people in the entertainment business are just getting back on their feet after months of uncertainty and unemployment. Striking now seems insensitive to the plight of others in the industry.
Alternative Solutions: Are strikes the only way to resolve disputes and negotiate better terms? In an industry that thrives on creativity and innovation, one would hope for more imaginative and collaborative solutions. Negotiation and dialogue could lead to more mutually beneficial outcomes without causing widespread disruption and financial loss.
Public Perception: Lastly, it's worth considering the public perception of the strike. In an age where people are increasingly disillusioned with celebrities and their lavish lifestyles, a strike like this may only further alienate the audience. The entertainment industry depends on the support and admiration of the public, and a strike that seems self-serving could harm its reputation.
In conclusion, while the actors participating in the SAG strike 2023 may have legitimate concerns, it's crucial to weigh the impact of their actions on the broader industry and society as a whole. In a world facing numerous pressing issues, this strike may indeed appear pointless to many, given its economic consequences and the perceived priorities of those involved. Perhaps there are more constructive ways to address the concerns of actors and create a fairer and more equitable entertainment industry.
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detectivekirby · 1 year
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roibeard25 · 1 year
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-🎨Creative Solutions -Graphic design -Embroidery, Serigraphy & more. -Multimedia / Customizations & More
Instagram: @Esmarsdo / @Camii.Clothing
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cmweller · 2 years
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Challenge #03589-I300: For Every Trash...
A polity has developed a policy of shooting off ALL waste products from their planet, not to a garbage planet, but to the center of their galaxy, to a black hole. Instead of recycling. It gets interesting when they start running out of resources in their solar system to make new materials, because waste goes to the black hole, instead of being recycled. -- Anon Guest
[AN: Even at ludicrous speeds, someone could catch that thing before it even reaches a black hole. Stellar distances are wild]
There's "Waste not, want not," there's "Conspicuous consumption," and there's whatever the Ceslars have going on. The have a very unique approach to waste disposal, and a similarly unique use for rocketry.
They launch their waste towards the black holes at the centre of their galaxy.
One might easily believe that the Ceslars would run out of material to launch, let alone fuel to launch it with, but their home system has been abundant in resources for most of their existence. It's one of those classic stopthink[1] solutions that work right up until the moment it starts biting a lot of behinds.
[Check the source for the rest of the story]
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missinvisibleandco · 2 years
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"Here's To Creative Solutions"
(9.23.22)
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ghostjelliess · 11 days
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Some of y'all Teslas out here driving like we don't all know where you live. You gotta park in the garage if you're gonna fake-hit cyclists in a bike lane my guy. I jog past your house twice a week; I know which lights you turn on when you leave and your dog doesn't even bark at me anymore. Just give it a little think next time, okay? Some people get creative when they're fed up with assholes coming for seniors, and old man Steve isn't just some cyclist, he's The Professor, and he has fan girls (and also cameras).
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jeonghyeseo · 24 days
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WK10. Poststructuralism
Post-structuralism promotes a deep understanding of reality through diverse interpretations. In this regard, I reflected on the MBTI personality assessment, which has become popular in Korea. MBTI categorises individuals' personalities and behaviour patterns into 16 types, offering amusement and aiding in understanding oneself and others more easily. However, some people tend to overly generalise and judge individuals solely based on MBTI, forming stereotypes and prejudices.
Through this, I understood the positive impact of deconstruction on our cognition and perception. It reminds us that we can't entirely define a person by a specific type and necessitates acknowledging their flexibility and engaging with them from various perspectives. Deconstruction allows us to uncover new meanings in previously defined concepts. This broadens our perception, stimulates critical thinking, and enables richer interactions with the world.
In design as well, deconstruction plays a crucial role in problem-solving and creative activities by dismantling and recombining existing thoughts and values. By re-thinking conventional design approaches, we can generate new design ideas and, through considering various perspectives on problems and dilemmas that arise during the process, we can find deeper solutions by restructuring the relationships between design elements.
Additionally, deconstruction is crucial in design, particularly in language use and communication. It helps to deeply understand the messages conveyed by each design element and their interactions, enhancing effective communication. This provides flexibility and provides new perspectives when it is difficult to break free from the reference’s style and generate new ideas. This approach aids in identifying innovative solutions and understanding the context and significance of design work.
(257 words) 
Thomas Heatherwick's interview
Thomas Heatherwick is a renowned British designer, globally recognised in various fields such as architecture, urban planning, furniture, and product design. Rather than following the traditional academic design that only emphasises aesthetic standards or functionality, he undertakes various global projects with unique artistic approaches and design thinking.
In his interviews, I could sense his creative thinking, as he offered unexpected answers. In one interview, he responded with the ambitious idea of building a prison for things not yet attempted. Despite the negative impression that the word "prison" brings in his interview, he expressed his desire to redefine traditional architecture, from which I could sense post-structuralism.
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References:
"Thomas Heatherwick Interview: The Designer Talks About the Furore Surrounding the Garden Bridge." The Independent, www.independent.co.uk/news/thomas-heatherwick-interview-the-designer-talks-about-the-furore-surrounding-the-garden-bridge-a6721861.html.
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jamaicahomescom · 25 days
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Jamaica: Water Bottles and Construction
In countries filled with structures made out of brick and wood it is hard to believe that they can be made with anything else. Buildings are supposed to be sturdy and able to withstand anything from a clear day to severe thunderstorms. There’s a reason why kings built their castles out of stone, and why the two pigs who built their houses out of straw and sticks had their houses destroyed. It’s…
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art-of-mathematics · 1 year
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Another practical item: a tiny transparent pouch to attach on the hand
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I constantly forget what I wanted to do and where I want to go, so I used a velcro strip, a tiny transparent foil pouch and velcro patches to solve this problem.
I can insert a tiny piece of paper (like a shopping list) in the poch that is visible from the outside.
On the pouch I attached a tiny velco patch - so I can attach part of the current date (day).
It is comfy and doesn't annoy me sensorily.
With this hand construction even my L (for 'Left') tattoo is still recognizable.
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sensory-silly · 1 month
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Goodbye sensory silly and hello new phase!
Gadgets that help with sensory overload (or jokingly “sensory griefing” because sensory issues can not only grief you but also those around you who experience your discomfort)
So rather than you or anybody suffer, why not solve (some of) it with gadgets?
More to come, just want a place to put down all these things I gathered for myself and things I want to try someday (even if nobody reads this, lol)
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madstars-festival · 6 months
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A world view of creativity at MAD STARS: Meta’s Fabio Seidl, & Google’s Artwell Nwaila
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Fabio Seidl is director of global creative development at Meta. He has been based in the US for a decade but grew up and spent his early career in Brazil. Before joining mMeta four and a half years ago, Fabio had worked in major international agencies throughout his career – DDB Worldwide, VMLY&R, 360i and Leo Burnett in the US; Ogilvy, McCann and Africa in Brazil.
Artwell Nwaila is head of creative & ecosystem at Google Sub-Saharan Africa. Before joining Google, he worked as creative director at sport broadcast channel SuperSport in South Africa and was the founder and creative director of creative network, SA Creatives. He also worked in boutique agencies such as Offlimit Communications and Straight Twisted.
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These two creatives from different backgrounds came together at MAD STARS as members of the executive jury that chose the Grand Prix winners. They share their views on Grand Prix-winning creativity, making great creative work and Asian creativity in a whole world perspective.
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[Fabio Seidl]
“We discussed the Grand Prix of the Year for many hours,” Fabio recalls. “And we talked a lot about the message we wanted to leave to the industry. If it was ‘be experimental’ or ‘own your brand’s space’ or ‘show me something I’ve never seen or that I don’t know?’ The latter ended up being stronger. We wanted to make sure that the results showed that creativity, when it is unexpected, is even more powerful.”
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[Artwell Nwaila]
“A big focus for me whenever I judge is whether the campaign answers a real brand need or it aims to be creative for the sake of being creative,” Artwell adds. “The magic in the Grand Prix winners is that they are incredibly clever and creative ideas that actually answer a brand need.”
Artwell also believes that to nurture the kind of creative thinking that wins awards and rewards its clients during campaigns, individuals in creative fields should venture beyond their specialised domains. “By this, I mean that creativity thrives when it is fuelled by a diverse range of experiences. This can only be accomplished by creatives actively acquiring new skills. The greater the variety of skills they acquire, the more expansive their worldview becomes, enriching their creative perspectives,” he says.  
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[Fabio Seidl]
“Collect experiences that are not obvious,” Fabio adds. “Travel, read, meet people, learn what other people don’t know. If you are a new creative but you’re learning from pragmatic formulas, you’re missing your most important asset - a new perspective.”
For any young creatives who think that advertising is an easy career, there is one word – sorry. It’s a tough industry and even tougher when times are hard socially and/or economically. The keys to success right now are also muddied by the rate of change in the world and therefore the industry that reflects it and feeds from it.
For Fabio, one key is mandatory, “Collaboration. And by that I don’t mean ‘everyone is a creative’ which can be inefficient. I mean, ‘bring to the table something only you could think or do’. The industry is tough now because there’s much more to learn every day. Much more information. The audience is fragmented and create their own stories and content. So, we need to partner with talent that can come up with what we would never think:  creators, makers, technologists, artists, producers.”
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[Artwell Nwaila]
Artwell adds a different kind of collaboration. “I believe that the industry should embrace collaboration with technology rather than viewing it as a competitor. Those who can discover ways to partner with technology are more likely to attain success. Secondly, while technology exerts significant influence across various aspects of our industry, it's crucial to remember that creativity remains paramount. It is we the creatives, not machines, who possess the ability to deliver on that front.”
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[Artwell Nwaila]
Artwell also gave a talk called Leveraging Data to Amplify Creativity in Advertising in which he described the power of data for success in a tough industry. “The main highlights focussed on the importance of moving away from assumption based creative development and move towards data driven creativity,” he says. “Consumers are bombarded by more than 5000 marketing messages a day and therefore it’s important to use strategies that make campaigns stand out and deliver return on investment. A point I wanted to land in the talk is that creatives don’t need to be data scientists. Accessing data can be as simple as using Google trends.
“Creatives need to be more curators than ever,” he adds.
Both creatives were impressed by the Asian work they saw at MAD STARS, especially work that was embedded in its local culture.
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[Fabio Seidl]
“MAD STARS’ highlight for me was to see the regional insights working to bring great ideas to life. It was wonderful to see the harmony between simplicity, ingenuity and craft that only Asia can build,” Fabio notes.
[Artwell Nwaila]
Artwell was also struck by the powerful way in which local insights were used. “Based on my observations at MAD STARS, it's evident that the Asian creative community is not just aligned with the global community but, in some instances, leading the way. What particularly impressed me was the emphasis on authentic localization, where creatives craft content tailored to specific regions and address their unique needs. This approach signifies the future of marketing, marking a departure from the era of one-size-fits-all campaigns.”
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