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#car number 22
joeynewgarden · 1 year
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all chip genassi and andretti autosport drivers having consecutive numbers this season is the sexiest thing i’ve ever seen
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various updates and facts about my family
my mother huffed raid bug spray and ate wallpaper paste as a child. my grandfather believes my autistic sibling is an alien and is asking him to provide the winning lottery numbers. my sister tried to kill her boyfriend recently.
My dad is getting married to his seventh wife.
And my little brother (J) is smelting pawn shop jewelry in efforts to make silver bullets to load in .22 casings
My grandfather swears he was abducted by aliens and they modified his cum.
In 2009, he attempted to trade firearms for an alleged crystal skull which he believed contained the blueprints to rebuild Atlantis.
In 2012, my family created a convey of six cars all loaded with guns, ammo, canned food, etc. in order to prepare for the apocalypse. In December of 2012, my grandfather led us to where he believed our family would hold off the forces of evil, a last bastion for our bloodline- A fucking Super8 motel in Forsyth GA.
My mother used to drink blood in the 90s and beat the shit out of football players as a hobby, so she could beef up for roller derby. She raises baby animals, and has more than once attempted to kill a man during intimacy.
All if my dad's ex wives have tried to kill him. He's had attack dogs sicced on him, beaten with a crowbar, chased with a hammer, run over with his own car, and pushed out a vehicle. His new wife was a pen pal he met when she was in jail.
My aunt believes she convenes with the angels when she's hopped up on ambien and percocet, so she's like the goth version of Mama Murphy from Fallout 4.
I was conceived in a crack den in North Carolina. My mother's organs don't like having kids, so much so that both me and my sibling (J) were born dead and had to be resuscitated. In both cases it was due to the umbilical cord playing a game of Hangman.
My little brother (J) taught Igor, our Vulture, to vomit on command. Nobody knows how.
He has been using the infestation of rats at my family's cabin to do... something. He's been running a rat cannibalism fight club, in an attempt to fish out a Super Rat which he plans to do... Something with?
My little brother (M) spends his spare time firing at passing cars. We have managed to make sure he's using BB guns, is the compromise. (J) went through a similar phase when he was an early teen, and would shoot a bow and arrow at the neighbor's house. I did the same with a potato cannon in my youth. It's a tradition.
My dad is missing his appendix. He has no idea where it went and has no record of it ever being removed.
My grandmother reluctantly admitted to having an affair with a ghost in her 40s.
My brother (M) used to love botany. By the age of 6 he could tell you anything you wanted to know about the flora of southeast GA. He had a garden. And he also grew weed for my step-dad until my mom found out. After that he was banned from gardening and picked up junior robotics as a hobby after i gave him K'nex and some Lego Mindstorms stuff years ago. He took apart an air conditioner in a motel once. To this day we don't know what he did with the screws. He builds airsoft guns from scrap and is a mechanical prodigy. He is almost illiterate.
My brother (A) disturbs me. He was raised by the internet and YouTube. He is whatever this new generation is personified. He's frighteningly... Normal.
I am waiting for the shoe to drop and for him to reveal some darkness to him never before seen in my family.
He's just. A normal kid. A little zoomer that watches Mr. Beast and YouTube long plays. He's also the straight man to most of all my family's bullshit. He's dangerously genre savvy. He also has a weird interest in law???
My sister (H) is your average country girl. She's attempted to kill more than one of her boyfriends (will clarify that they were abusive), has totaled three cars and always walks away from these nightmarish accidents unscathed. She was found on the side of the road last year hitting her vape and flagging down a car, while her own was stuck five feet above a ditch in a tree.
She has a job and plans to go to New York to "see what them city twinks got goin' on"
My other little sister (C) is the only other queer member of my sibling roster. She's a lesbian, and enjoys shooting things. Sometimes living things. She, like (A), is dangerously genre savvy and doesn't play into my family's religious fanaticism. She wants to be a firefighter because she is also a pyromaniac and wants an excuse to see "big things burn".
A bit more about (J)- He claims to speak to the dead, and has used this to become my grandfather's right hand man, and the beneficiary of his estate. He is an autodidact, self taught with blacksmithing and metalworking. He dresses well, and also has a hidden laboratory in my grandfather's shed where he has taken a fixation in herbal tinctures and remedies. He knows they're bullshit. But my family buys his potions, and he uses the money to buy pawn shop jewelry and scrap metal to build stuff. He believes firmly in werewolves, and is convinced Furries are a psyop to prepare the general public for their emergence in society. Which is why he's making silver bullets.
I wish to stipulate that not a single word of this is a joke. This is on god, IRL bullshit I have to contend with.
I should probably update this to remove real names what the fuck
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The majority of censorship is self-censorship
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I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA (Saturday night, with Adam Conover), Seattle (Monday, with Neal Stephenson), then Portland, Phoenix and more!
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I know a lot of polymaths, but Ada Palmer takes the cake: brilliant science fiction writer, brilliant historian, brilliant librettist, brilliant singer, and then some:
https://pluralistic.net/2022/02/10/monopoly-begets-monopoly/#terra-ignota
Palmer is a friend and a colleague. In 2018, she, Adrian Johns and I collaborated on "Censorship, Information Control, & Information Revolutions from Printing Press to Internet," a series of grad seminars at the U Chicago History department (where Ada is a tenured prof, specializing in the Inquisition and Renaissance forbidden knowledge):
https://ifk.uchicago.edu/research/faculty-fellow-projects/censorship-information-control-information-revolutions-from-printing-press/
The project had its origins in a party game that Ada and I used to play at SF conventions: Ada would describe a way that the Inquisitions' censors attacked the printing press, and I'd find an extremely parallel maneuver from governments, the entertainment industry or other entities from the much more recent history of internet censorship battles.
With the seminars, we took it to the next level. Each 3h long session featured a roster of speakers from many disciplines, explaining everything from how encryption works to how white nationalists who were radicalized in Vietnam formed an armored-car robbery gang to finance modems and Apple ][+s to link up neo-Nazis across the USA.
We borrowed the structure of these sessions from science fiction conventions, home to a very specific kind of panel that doesn't always work, but when it does, it's fantastic. It was a natural choice: after all, Ada and I know each other through science fiction.
Even if you're not an sf person, you've probably heard of the Hugo Awards, the most prestigious awards in the field, voted on each year by attendees of the annual World Science Fiction Convention (Worldcon). And even if you're not an sf fan, you might have heard about a scandal involving the Hugo Awards, which were held last year in China, a first:
https://www.nbcnews.com/news/world/science-fiction-authors-excluded-hugo-awards-china-rcna139134
A little background: each year's Worldcon is run by a committee of volunteers. These volunteers put together bids to host the Worldcon, and canvass Worldcon attendees to vote in favor of their bid. For many years, a group of Chinese fans attempted to field a successful bid to host a Worldcon, and, eventually, they won.
At the time, there were many concerns: about traveling to a country with a poor human rights record and a reputation for censorship, and about the logistics of customary Worldcon attendees getting visas. During this debate, many international fans pointed to the poor human rights record in the USA (which has hosted the vast majority of Worldcons since their inception), and the absolute ghastly rigmarole the US government subjects many foreign visitors to when they seek visas to come to the US for conventions.
Whatever side of this debate you came down on, it couldn't be denied that the Chinese Worldcon rang a lot of alarm-bells. Communications were spotty, and then the con was unceremoniously rescheduled for months after the original scheduled date, without any good explanation. Rumors swirled of Chinese petty officials muscling their way into the con's administration.
But the real alarm bells started clanging after the Hugo Award ceremony. Normally, after the Hugos are given out, attendees are given paper handouts tallying the nominations and votes, and those numbers are also simultaneously published online. Technically, the Hugo committee has a grace period of some weeks before this data must be published, but at every Worldcon I've attended over the past 30+ years, I left the Hugos with a data-sheet in my hand.
Then, in early December, at the very last moment, the Hugo committee released its data – and all hell broke loose. Numerous, acclaimed works had been unilaterally "disqualified" from the ballot. Many of these were written by writers from the Chinese diaspora, but some works – like an episode of Neil Gaiman's Sandman – were seemingly unconnected to any national considerations.
Readers and writers erupted in outrage, demanding to know what had happened. The Hugo administrators – Americans and Canadians who'd volunteered in those roles for many years and were widely viewed as being members in good standing of the community – were either silent or responded with rude and insulting remarks. One thing they didn't do was explain themselves.
The absence of facts left a void that rumors and speculation rushed in to fill. Stories of Chinese official censorship swirled online, and along with them, a kind of I-told-you-so: China should never have been home to a Worldcon, the country's authoritarian national politics are fundamentally incompatible with a literary festival.
As the outrage mounted and the scandal breached from the confines of science fiction fans and writers to the wider world, more details kept emerging. A damning set of internal leaks revealed that it was those long-serving American and Canadian volunteers who decided to censor the ballot. They did so out of a vague sense that the Chinese state would visit some unspecified sanction on the con if politically unpalatable works appeared on the Hugo ballot. Incredibly, they even compiled clumsy dossiers on nominees, disqualifying one nominee out of a mistaken belief that he had once visited Tibet (it was actually Nepal).
There's no evidence that the Chinese state asked these people to do this. Likewise, it wasn't pressure from the Chinese state that caused them to throw out hundreds of ballots cast by Chinese fans, whom they believed were voting for a "slate" of works (it's not clear if this is the case, but slate voting is permitted under Hugo rules).
All this has raised many questions about the future of the Hugo Awards, and the status of the awards that were given in China. There's widespread concern that Chinese fans involved with the con may face state retaliation due to the negative press that these shenanigans stirred up.
But there's also a lot of questions about censorship, and the nature of both state and private censorship, and the relationship between the two. These are questions that Ada is extremely well-poised to answer; indeed, they're the subject of her book-in-progress, entitled Why We Censor: from the Inquisition to the Internet.
In a magisterial essay for Reactor, Palmer stakes out her central thesis: "The majority of censorship is self-censorship, but the majority of self-censorship is intentionally cultivated by an outside power":
https://reactormag.com/tools-for-thinking-about-censorship/
States – even very powerful states – that wish to censor lack the resources to accomplish totalizing censorship of the sort depicted in Nineteen Eighty-Four. They can't go from house to house, searching every nook and cranny for copies of forbidden literature. The only way to kill an idea is to stop people from expressing it in the first place. Convincing people to censor themselves is, "dollar for dollar and man-hour for man-hour, much cheaper and more impactful than anything else a censorious regime can do."
Ada invokes examples modern and ancient, including from her own area of specialty, the Inquisition and its treatment of Gailileo. The Inquistions didn't set out to silence Galileo. If that had been its objective, it could have just assassinated him. This was cheap, easy and reliable! Instead, the Inquisition persecuted Galileo, in a very high-profile manner, making him and his ideas far more famous.
But this isn't some early example of Inquisitorial Streisand Effect. The point of persecuting Galileo was to convince Descartes to self-censor, which he did. He took his manuscript back from the publisher and cut the sections the Inquisition was likely to find offensive. It wasn't just Descartes: "thousands of other major thinkers of the time wrote differently, spoke differently, chose different projects, and passed different ideas on to the next century because they self-censored after the Galileo trial."
This is direct self-censorship, where people are frightened into silencing themselves. But there's another form of censorship, which Ada calls "middlemen censorship." That's when someone other than the government censors a work because they fear what the government would do if they didn't. Think of Scholastic's cowardly decision to pull inclusive, LGBTQ books out of its book fair selections even though no one had ordered them to do so:
https://www.nytimes.com/2023/05/06/books/scholastic-book-racism-maggie-tokuda-hall.html
This is a form of censorship outsourcing, and it "multiplies the manpower of a censorship system by the number of individuals within its power." The censoring body doesn't need to hire people to search everyone's houses for offensive books – it can frighten editors, publishers, distributors, booksellers and librarians into suppressing the books in the first place.
This outsourcing blurs the line between state and private surveillance. Think about comics. After a series of high-profile Congressional hearings about the supposed danger of comics to impressionable young minds, the comics industry undertook a regime of self-censorship, through which the private Comics Code Authority would vet comings for "dangerous" content before allowing its seal of approval to appear on the comics' covers. Distributors and retailers refused to carry books without a CCA stamp, so publishers refused to publish books unless they could get a CCA stamp.
The CCA was unaccountable, capricious – and racist. By the 60s and 70s, it became clear that comic about Black characters were subjected to much tighter scrutiny than comics featuring white heroes. The CCA would reject "a drop of sweat on the forehead of a Black astronaut as 'too graphic' since it 'could be mistaken for blood.'" Every comic that got sent back by the CCA meant long, brutal reworkings by writers and illustrators to get them past the censors.
The US government never censored heroes like Black Panther, but the chain of events that created the CCA "middleman censors" made sure that Black Panther appeared in far fewer comics starring Marvel's most prominent Black character. An analysis of censorship that tries to draw a line between private and public censorship would say that the government played no role in Black Panther's banishment to obscurity – but without Congressional action, Black Panther would never have faced censorship.
This is why attempts to cleanly divide public and private censorship always break down. Many people will tell you that when Twitter or Facebook blocks content they disagree with, that's not censorship, since censorship is government action, and these are private actors. What they mean is that Twitter and Facebook censorship doesn't violate the First Amendment, but it's perfectly possible to infringe on free speech without violating the US Constitution. What's more, if the government fails to prevent monopolization of our speech forums – like social media – and also declines to offer its own public speech forums that are bound to respect the First Amendment, we can end up with government choices that produce an environment in which some ideas are suppressed wherever they might find an audience – all without violating the Constitution:
https://locusmag.com/2020/01/cory-doctorow-inaction-is-a-form-of-action/
The great censorious regimes of the past – the USSR, the Inquisition – left behind vast troves of bureaucratic records, and these records are full of complaints about the censors' lack of resources. They didn't have the manpower, the office space, the money or the power to erase the ideas they were ordered to suppress. As Ada notes, "In the period that Spain’s Inquisition was wildly out of Rome’s control, the Roman Inquisition even printed manuals to guide its Inquisitors on how to bluff their way through pretending they were on top of what Spain was doing!"
Censors have always done – and still do – their work not by wielding power, but by projecting it. Even the most powerful state actors are not powerful enough to truly censor, in the sense of confiscating every work expressing an idea and punishing everyone who creates such a work. Instead, when they rely on self-censorship, both by individuals and by intermediaries. When censors act to block one work and not another, or when they punish one transgressor while another is free to speak, it's tempting to think that they are following some arcane ruleset that defines when enforcement is strict and when it's weak. But the truth is, they censor erratically because they are too weak to censor comprehensively.
Spectacular acts of censorship and punishment are a performance, "to change the way people act and think." Censors "seek out actions that can cause the maximum number of people to notice and feel their presence, with a minimum of expense and manpower."
The censor can only succeed by convincing us to do their work for them. That's why drawing a line between state censorship and private censorship is such a misleading exercise. Censorship is, and always has been, a public-private partnership.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/02/22/self-censorship/#hugos
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gootarts · 9 months
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as of 8/3, the most recently updated version of this post is here (it's a reblog of this exact post with more info added)
as a lot of you know, limbus company recently fired its CG illustrator for being a feminist, at 11 pm, via phone call, after a bunch of misogynists walked into the office earlier that day and demanded she be fired. on top of this, as per korean fans, her firing went against labor laws---in korea, you must have your dismissal in writing.
the korean fandom on twitter is, understandably, going scorched earth on project moon due to this. there's a lot currently going on to protest the decision, so i'm posting a list here of what's going on for those who want to limit their time on elon musk's $44 billion midlife crisis impulse purchase website (if you are on twitter, domuk is a good person to follow, as they translate important updates to english). a lot of the links are in korean, but generally they play nicely with machine translators. this should be current as of 8/2.
Statements condemning the decision have been issued by The Gyeonggi Youth Union and IT Union.
A press conference at the Gyeonggido Assembly will occur on 8/3, with lawmakers of the Gyeonggi province (where Project Moon is based) in attendance. This appears driven by the leader of the Gyeonggi Youth Union.
The vice chairman of the IT union--who has a good amount of experience with labor negotiations like these--has expressed strong support for the artist and is working to get media coverage due to the ongoing feminist witch hunts in the gaming industry. Project Moon isn't union to my knowledge, but he's noted that he's taken on nonunion companies such as Netmarble (largest mobile game dev in South Korea) by getting the issue in front of the National Assembly (Korea's congress).
Articles on the incident published in The Daily Labor News, Korean Daily, multiple articles on Hankyoreh (one of which made it to the print edition), and other news outlets.
Segments about the termination on the MBN 7 o' clock news and MBC's morning news
Comments by Youth Union leaders about looking into a loan made to Project Moon via Devsisters Ventures, a venture capital firm. Tax money from Gyeonggi province was invested in Devsisters in 2017, and in 2021, Devsisters gave money to Project Moon. The Gyeonggi Youth Union is asking why hard-earned tax money was indirectly given to a company who violates ESG (environmental, social and governance) principles.
Almost nonstop signage truck protests outside Project Moon's physical office during business hours until 8/22 or the company makes a statement. This occurs alongside a coordinated hashtag campaign to get the issue trending on Twitter in Korea. The signage campaign was crowd-funded in about 3 hours.
A full boycott of the Limbus Company app, on both mobile and PC (steam) platforms. Overseas fans are highly encouraged to participate, regardless if whether they're F2P or not. Not opening the app at all is arguably the biggest thing any one person can do to protest the decision, as the app logs the number of accounts that log on daily. For a new gacha such as Limbus, a high number of F2P daily active users, but a small number of paying users is often preferable to having a smaller userbase but more paying users. If the company sees the number of daily users remain stable, they will likely decide to wait out any backlash rather than apologize.
Digging up verified reviews from previous employees regarding the company's poor management practices
Due to the firing, the Leviathan artist has posted about poor working conditions when making the story. As per a bilingual speaker, they were working on a storyboard revision, and thought 'if I ran into the street right now and got hit by a car and died, I wouldn't have to keep working.' They contacted Project Moon because they didn't want their work to be like that, and proposed changes to serialization/reduction in amount of work per picture/to build up a buffer of finished images (they did not have any buffer while working on Leviathan to my knowledge). They were shut out, and had to suck it up and accept the situation.
Hamhampangpang has a 'shrine' section of the restaurant for fans to leave fan-created merch and other items. They also allow the fans to take this merch back if they can prove it's theirs. Fans are now doing just that.
To boost all of the above, a large number of Korean fanartists with thousands of followers have deleted their works and/or converted their accounts from fanart accounts to accounts supporting the protests. Many of them are bilingual, and they're where I got the majority of this information.
[note 1: there's a targeted english-language disinformation campaign by the website that started the hate mob. i have read the artist's tweets with machine translation, and they're talked about in the second hankyoreh article linked above: nowhere does she express any transphobic or similarly awful beliefs. likewise, be wary of any claims that she supported anything whose description makes you raise eyebrows--those claims are likely in reference to megalia, a korean feminist movement. for information on that, i'd recommend the NPR/BBC articles below and this google drive link of english-language scholarly papers on them. for the love of god don't get your information about a feminist movement from guys going on witch hunts for feminists.]
[note 2: i've seen a couple people argue that the firing was for the physical safety of the employees, citing the kyoani incident in japan. as per this korean fan, most fans there strongly do not believe this was the case. we have english-translated transcripts of the meeting between the mob and project moon; the threats the mob was making were to......brand project moon as a feminist company online. yes, really. male korean gamers aren't normal about feminism, and there's been an ongoing witch hunt for feminists in the industry since about 2016, something you see noted in both the labor union statements. both NPR and the BBC this phenomenon to gamergate, and i'd say it's a pretty apt comparison.]
let me know if anything needs correction or if anything should be added.
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pullhisteeth · 1 year
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classified | eddie munson x reader
summary at your wits end, you put an ad in the classifieds for a special kind of tutor. Eddie finds it and takes you up on the offer. (nsfw) [13k]
contains smut (18+ minors dni!) – p in v sex, oral (f receiving), lots of praise, virgin!reader, fem!reader, hurt/comfort. eddie's a sweetheart, fluff, first time turned something more (?).
author's notes this one's a long one! the idea made me laugh and then it took on a life of its own. I want to say this is meant to be somewhat lighthearted and is not a suggestion that anyone should be having sex if they haven't already – your body's yours, baby, do whatever you want! no one should ever make you feel rushed into anything!!! anyway Eddie is an angel and I want one. bye!
-
Eddie's not sure why he's reading the newspaper. Boredom, perhaps; he's been waiting for Wayne to get home from his shift for over an hour. He's thought about calling the plant, but the walk from the couch to the phone seems to be the perfect amount of time to convince himself that he's probably on his way home already.
It's the Hawkins Post. It gets delivered by a snot-nose boy on a bike every week, thrown far too hard at their tin front door. Wayne reads it some weeks, others it gets used to wrap his lunch. Apparently this one he'd read it, flicked through the pages half-heartedly before leaving it open on a centrefold about the local elections. Trust Wayne to get bored of small-town politics, Eddie thinks.
So he picks up where Wayne left off, slowly pulling the pages apart, skimming stories about the endemic of teen pregnancy, or columns about the rejuvenation plans for downtown Hawkins. 
Finally, he reaches the only bit of the newspaper that Eddie has ever found interesting: the classifieds (and, on the back of the classifieds, the call-girl ads).
He skims them, eyes brushing past ads for cleaners, dog walkers, nannies. Finds the ones hidden at the bottom – the letters written in code, ads for attractive female friends and women seeking younger men. He's never actually interested in them, but they provide a glimpse into the underbelly of Hawkins, a small town that is, for all intents and purposes, entirely normal. But nowhere is ever truly normal, and Eddie likes to seize the opportunity to pry into the scandalous goings-on of his boring hometown.
He's reading one about swingers when the one beside it catches his eye. It's plain – whoever paid for it kept their costs to a minimum. All it says is:
WOMAN, 23, SEEKING FIRST TIME.
He stares at the bold ink, the statement in all caps that, despite being maybe the lowest cost ad in the whole paper – it's in a box about three inches tall in the very corner of the page – jumps out at him anyway. Underneath the title, it reads: young woman looking for judgement-free first time. Min. age 22, max. age 28. Must have experience. At the very bottom, in almost imperceptible print, is a phone number.
Eddie hadn't realised how close his face was to the page until he hears the familiar sound of Wayne's car pull up outside. He throws the paper down onto his lap and sighs before scrambling around to at least try to look casual, and not like all the blood has rushed to his face. In the few seconds he has between the sound of Wayne's car door closing and him coming up the stairs, Eddie tears the page out, folding it quickly and shoving it into the back pocket of his jeans as he stands.
The door opens just as he gets to his feet, and Wayne comes trudging in with his steel lunch pail and heavy boots.
"Hey, Wayne," Eddie says, breathless, trying his best to sound level. Wayne eyes him as he closes the door, before turning to dump his stuff on the table.
"C'mon, kid, you promised me a burger."
-
The piece of newspaper stays in Eddie's pocket for three more days.
Wayne had been late getting home – something came up, but Eddie wasn't listening too hard, brain on that stupid ad instead – so their weekly trip to Benny's had run until the early hours of Friday morning.
And then Friday was work and Hellfire, which Eddie still leads despite having graduated two years ago, and this time the kids kept him going for hours. By the time he got home he hadn't even thought about the page before crashing into bed.
And then Saturday is family day, as Nancy puts it. Eddie had woken up late, rolled out of bed into the freshest clothes he could find, and into his van to act as bus driver for the morning. His little gaggle of unruly teenagers crammed into the back of it one by one, laughing and teasing and shouting. Steve's home became louder and still, Eddie relished in that feeling of peace he gets once a week with all these misfits he calls friends.
By Sunday morning, the newspaper had been long forgotten in the pocket of his jeans that he'd left in a pile on his bedroom floor. He's laid on his back on his bed, head dangling off the edge, puffing mindlessly on a spliff he'd rolled for himself two days ago that had also been forgotten. The room's a little fuzzy round the edges, just the way he likes it, the sunlight creeping warm paws up his arms. It smells funny in here, he thinks, so he turns over, pushes himself off the bed, and reaches up to open his window. On his way back to his bed, he trips on something, landing with a huff as his ribs hit the corner of the mattress.
"Fuck," he hisses, reaching down to pull the culprit off the floor. It's just an old pair of jeans, so he throws them into the corner, out of the way, and resumes his position, splayed out across the bed.
From this angle, with his head hanging upside down, he spots something by the pile of denim he'd just discarded.
His brain's ticking over slowly under the haze of being stoned, but after a second he realises what it is, and clambers all too quickly off the bed and across the room.
Maybe it's that haze, coating his brain with thick fog; maybe it's the fact that, in the year since he graduated, he's had to settle for quick fucks behind the Hideout after a gig; or maybe, just maybe, it's dangerous curiosity.
Whatever it is, something motivates him to move through his room, down the narrow corridor into the kitchen. There's something hijacking his limbs, and it reaches up to the phone on the wall. With eyes on the page in his hand he spins the dial, listening to the tone as it rings, rings, rings.
The longer he stands there, the more convinced he becomes in his intoxicated miasma that this is some kind of prank; he's going to be met with a stupid kid on the other end, laughing at him for bothering to call at all. 
When he finally decides that this is just that, a practical joke, the line clicks. There's a low buzz on the other end, so low he thinks maybe the line just went dead, but then a voice.
"Hello?"
He's taken aback by the sound of it, but not so much that he doesn't notice the sleep coating it. Despite his stupor, he can't help but apologise.
"Shit, sorry, did I wake you?"
"Who is this?" You're sharper now, coming to, and he kicks himself for fucking this up already.
"Oh, shit, uh, sorry. I called about… I got this number, uh, in the paper."
"Fuck," he hears you whisper. He's not sure if he was supposed to hear it. He feels bad.
"Sorry, I'll go, this was-"
"Look, I put that age range in the ad for a reason. I'm sick of gettin' calls from middle aged men, I-"
"I'm twenty-three."
You're silent on the other end for a moment, but he can hear your breath hitch.
"Well, shit," you finally say. "Y'don't sound it."
He laughs an awkward, stilted laugh, unsure what to say.
"Sorry, I've had so many guys – men, old men – callin' me up, tryin' to flirt with me down the phone, I just… The ad was a mistake, clearly."
He likes the way you talk. You've got a pretty voice.
"Uh, thanks," you say.
Shit.
"Fuck, sorry, did I say that out loud?" Moron.
You laugh, the sound fizzing down the telephone line, and it eases some of his insecurity.
"I'm sorry," he says, starting fresh. "I'll leave you be, have a good-"
"Wait," you bite, and he can hear you shuffling around. "Wait just a sec, I- fuck, where the fuck is it? I… Sorry, can you just wait for a second?"
"Sure, sure," he murmurs, trailing off when he realises you've set the phone down. He listens to the faint sounds of you rummaging around and swearing under your breath. He must look like an idiot, stood in his kitchen, smiling at his phone, waiting for a stranger he found in the paper.
He hears you coming back, footsteps getting louder, before you pick the phone back up.
"Y'still there?"
"Yeah," he laughs. You speak to him like he's an old friend and it keeps catching him off guard.
"Okay," you say. "Here's the thing. I put that stupid ad in the paper because I was sad, and my life has been a misery since then, because literally every guy who's called me has been, like, at least forty, which some people are into I guess but I'm not, and- Sorry."
You're rambling, stumbling over your words even though he can tell you're trying to be professional or something. He stays quiet and hopes you'll keep going.
After a beat, you say, "I guess, 'cause you called, you'd be up for it?"
"Uh, well," he stammers. "That's kinda why I called. Care to explain what it is you want, exactly?"
He's not sure where the sudden confidence has come from; maybe the weed's wearing off.
"Okay, yeah," you breathe. "So, uh, my plan, I guess, was that I'd… You'd take, uh, my virginity."
You almost whisper the last part, like it's some kind of slur, and Eddie can't help but laugh on the other end.
You start to sound exasperated, frustrated, so he tries to claw you back.
"Sorry, sorry, it's just so… frank."
"Well, bein' all coy about it hasn't really worked out for me so far."
Can't argue with that logic.
"Okay," he says, trying to ignore the excitement bubbling inside him. You're a stranger, he's a stranger, and this whole thing is kind of weird. Shit, he thinks. Am I a perv?
"How do you want to do this?"
"Well," you start, sounding like you've got this part planned out. "First I need to know you're not gonna murder me or something, so I'll give you an address near my house but not at my house, and we can meet there whenever… and, uh, what year were you born?"
"What?"
"Just… So I feel a bit more sure you're actually twenty-three."
"Hah, okay. 1965."
"Okay, sweet. You got a pen?"
"Shit, yeah, one sec."
His eyes dart around the room. With the phone between his ear and his shoulder, he moves as far as the cord will let him, to a drawer by the front door. At the back there's an old pencil and some scraps of junk mail.
"Got it!" he declares, too enthusiastic but it makes you giggle so he laughs too.
"Okay," you start, and you tell him an address he vaguely recognises, closer to the nicer side of town, halfway between here and where Steve's house is.
"It's a park, kind of. It's pretty public anyways, so if you were, y'know, planning to kill me or whatever, don't bother."
"I'll take that off the to-do list," he tells you through a smirk.
"Very funny," you say, your sentence half-formed like you can't find the words to finish it. "Wait, what's your name?"
"Eddie. Munson."
"Okay, Eddie Munson," you say before telling him yours and deciding that you'll meet him later that day. You tell him it's easier that way, that you can't bear to have to wait all week, sitting on the nerves that might make you change your mind.
That's exactly what Eddie does all afternoon. You'd decided on six that evening, when it's still light but late enough that you both have time to back out, and so he sits, stoned out of his mind on both weed and the phone call, feeling something he's rarely felt before.
It's like cola in his gut, bubbling and frothing every time he tries to move. Is this what people feel when they say they have butterflies? Because it doesn't really feel like that; it feels instead like the madness inside him is floating upwards, fizzing around his heart, prodding and poking at it at uneven rhythms. His mind is reeling, too; he hadn't really thought this through at all. What if, even after that call, you're still planning on playing some kind of trick on him? What if this is an elaborate scheme to publicly humiliate him? Maybe you get a kick out of that kind of thing.
There's another thing, creeping around at the back of his mind, lurking. It's that horrid hopefulness, the what if that feels so far from likely that if he lends too much time to thinking about it, he feels stupid.
What if you're great?
He shakes himself out, standing up off his bed. He'd been lying there for the past two hours, sobering up, dwelling on every detail of the call, lingering in particular on your voice and your laugh and the way you say sweet so often.
He doesn't know who you are. He didn't recognise your name when you told him, even though you're his age. He didn't recognise your voice either, but he likes it, and he wasn't lying when he (accidentally) told you it's pretty.
He looks at the clock beside his bed. The red numbers flicker as they change to 16:52.
One hour.
-
He's early.
It's ten to six, and he's early.
The sun's low but not gone yet, and the park you sent him to is actually kind of nice. He's in his van, waiting until it's a socially acceptable time to get out and wait for you. What is the socially acceptable time to get out and wait for the girl you've got an agreement like this with?
Before he can decide, he sees someone. They're in jeans and a jacket, red Chucks and hair lifting up in the breeze.
Without thinking about it too hard, he opens the door and hops out, slamming it a little too hard. The person looks over, catches his mop of hair over the top of the van, and stops walking.
"Eddie?"
He hears you call his name over the sound of his boots crunching on the ground as he rounds the front of the van. He looks over to find you, the person he saw walking over, looking at him with your hand at your brow, blocking the sun.
You're pretty – really pretty. He still doesn't recognise you, but he has decided that's surely for the best.
You don't recognise him, either, but he's hot. He's not what you expected; truthfully, you really had expected someone older, lying about their age to get in your pants, someone you'd have to turn down in this very public space, going back to your apartment alone and unsatisfied. This is not what you had in mind at all, but you're not mad about it.
As he comes towards you, you watch the way he walks, chest-first like he's exactly where he should be. His hair's long and a bit wild but it matches his style – ringer tee, messy black jeans, obnoxious denim jacket. He's got his hands in his pockets but when he lifts one out to wave at you awkwardly, you see the rings and know you're a goner.
You wave back, laughing lightly as he nears you. He's taller than you so you really have to squint to see him against the setting sun.
"Hey," he says softly. His voice is even nicer in person; he does sound older than he is, and he has an air of maturity about him, like he's too sure in himself to be 23, but there's also a boyishness somewhere underneath that endears you.
"Hi," you reply. "You're Eddie, right?"
He looks around himself, head whipping back and forth.
"No, doll," he says, looking at you with a blank face. "I'm Keith."
"Oh," you say, trying to hide the flush in your cheeks and the way your face drops, but then he laughs and reaches out to hold your shoulder.
"Sorry, that was a bad joke." He squeezes. "Yeah, I'm Eddie."
You choose to ignore the overly familiar touch and the way it sends your knees all funny, and instead you laugh, a little awkwardly, and hold out a hand.
"Nice to meet ya," you say, firm.
He looks down at your hand as he drops his own from your shoulder. His eyes move between it and your face, but he shakes it anyway.
"Well?" he asks, and you watch as he smirks, staring you down, his hand still in yours.
"What?"
"Do I look like a serial killer? Scared I'm gonna murder you?"
With those final words he pulls on your hand, bringing you closer to himself. His confidence is only making that funny feeling in your knees worse, but what you don't know is that he's bluffing; before you stands a terrified boy struck dumb by a pretty girl.
"Hm," you hum, dialling up the dramatics to ponder his appearance. You take the chance to scan your eyes up and down his body, taking in the scuffs on his shoes and the pretty silver chain around his neck. From here you can smell weed and cigarette smoke, pretty aftershave and something deeper. "I don't think so."
"Damn," he quips, finally releasing your hand to run his own through his wild mass of hair. "I was really tryin' to look scary."
"You didn't do a very good job," you tell him, laughing softly, and he looks at you with a smile.
"Oh well," he says. "Maybe next time."
Ignoring the way that makes you feel, you take his hand again. It's your turn to pull him, dragging him behind you. The move startles him and he drags his feet for a moment before catching up, refusing to let go of your hand when you try. He swings them between your bodies theatrically as you walk him across the park, through a line of tall oak trees and onto the street on the other side.
"So," he says, drawing out the word. "We goin' to your parents' or somethin'?"
"No," you reply, shaking your head slightly with your eyes on the ground. You drop his hand and stuff yours back in your pocket. "I have an apartment, up by Main Street. This's just a shortcut."
"Oh."
You don't say much more after that. The walk is short; you were right, this is a shortcut to Main Street, one even he didn’t know about. It takes you past Steve's house, and Eddie prays he doesn't happen to be looking out the window at this precise moment.
You live above the pharmacy. You scramble with the lock for a moment, so he stands behind you, bouncing on the balls of his feet and looking around; it's quiet, the usual lull of a Sunday evening, the sun lower than before. He looks at the back of your hair and the way the light catches in it, hears the low curses under your breath as you struggle with the door. And then it's open, and you're inside in the dark, and he has to bring himself back down to Earth.
Your apartment is small. Behind the door there's a narrow staircase, and at the top another door. It brings him into your living space, which is cramped but clearly well-loved. You offer him a drink and step into the kitchen when he says yes.
He lets his eyes pass over the room. The ceiling is low, reminiscent of his own home, though the walls are more solid than the trailer. They're painted a muted, pale blue, a colour he's sure you didn't choose because you've covered as much of them as you can in things: paintings, framed photographs, postcards. The furniture is more to your taste, he assumes. It's all soft, rich greens and pinks.
You bring him a beer as he sits on the couch, sinks into the cushions, toes off his boots.
"Thanks," he says as you pass him the bottle and take a swig of your own. You take your own shoes off and leave them by the door, hanging your jacket on a hook there too.
"So," you begin, padding back over to him and sitting on the opposite end of the couch. "I don't know how this works."
"Well," he says, turning to you with one arm up on the back cushions, "I can talk you through it, but I need t'know where you're at."
"What d'you mean?"
"Well, how far have you gone before? How far do you want to go today?"
"Uh-" You shuffle, squirming into the couch, clearly looking for the right words. "I've never… This is as far as I've ever got."
He breathes a gasp though he's trying to hide it, trying to stick to the agreement of judgement-free. "You've never been kissed?"
You just shake your head and the way your face creases, brows turned down, makes him ache.
"Okay."
"And I want to go all the way," you say quickly, all in one breath, finding your words. "Not too far, no extra shit, like, kinky shit, but the standard."
"O-kay," he says again, smiling this time. "So you know it's not as easy as… As in and out, right?"
"Yes," you spit. He flinches. "Sorry, it's just… It's hard not to feel a bit, like, insecure about all of this. Makes me a bit defensive, I guess."
"It's okay," he soothes, and his tone really does make you feel better. "No judgement here. I'm not new to sex, but I'm just as new to this whole… situation as you are."
"Okay," you sigh.
"Why don't we just chat for a bit? I'm not in a rush if you're not."
"Yeah," you agree. Eddie is easy, you're finding; no dancing around the point, but you feel you're being handled gently. Exactly what you want.
"So did you grow up here?"
Okay, so maybe the 'chatting' suggestion was a bit of a façade for the fact that Eddie has found himself fascinated by you, even in the short time he's known you. Sure, it's only been ten minutes if you're not counting the phone call, but there's something about you that piques his interest. And, if he's honest, he's not sure why he wouldn't recognise someone his own age in Hawkins.
"No, no," you say, leaning over to put your beer on the table. You wipe your mouth quickly with the back of your hand. "I'm from Illinois."
"Why are you here then?" He takes your que and puts his own beer down too, deciding that being intoxicated probably isn't the best idea.
"I dunno," you say, sighing again. Your shoulders go lax as you let yourself sink backwards and look up at the ceiling. "I wanted to go somewhere new, but not somewhere big. And the middle school here was hiring a tech assistant, so I applied."
"And you got the job?"
"Uh-huh. I start in September, figured I'd just move here early, try to find my feet."
"How's that going?"
"Alright, mister questions." You laugh as you say this and sit up, looking at him again with a smile. "It's going okay so far. People are friendlier here, but I haven't exactly found my people yet."
He hums, nodding, and you say, "My turn."
He looks up at you. "Do your worst."
"Did you grow up here?"
"Kind of. Somewhere near here, til I was eleven."
"Why'd you move here?"
"Hah." He goes all rigid and awkward at your question, shrugging his jacket off with his eyes on the ground. You take note of the ink you can see crawling up to his neck under the collar of his shirt. There's something else there, too; something pale and stretched, like a scar.
"It's complicated." That's the answer he settles on, keeping his cards close to his chest. "But I moved in with my uncle when I was in middle school. Been here since then."
"Is that why you're still here? Your uncle?"
"Kind of, but that's also complicated."
"Wow, okay, is everything complicated with you?"
"It doesn't have to be," he says. It throws you for a loop, the way his voice has dropped, fried and kind of… sexy?
You find him looking at you, and suddenly he feels really close. You feel this urge to climb out of yourself, away from this situation that isn't for you; it's never for you. No one has ever wanted to get this close.
"You okay?" he asks, his friendly tone back.
You're grateful he seems to be able to read you so quickly.
"Yeah, sorry."
"It's okay. If you want to, y'know, stop this at any point, just let me know, okay?"
"We haven't even-"
"Will you?" he presses.
"Yes," you promise him. He looks back at you like he's waiting, yearning for something and you don't quite know what.
"Can I ask you something?" he says.
"Mm-hmm."
"Why are you so far away right now?"
He's gone soft, leaning forward toward you, his arm still up on the back of the couch. Your eyes flicker to his fingers and the rings on them, the way they're sparkling slightly in the dipping sun coming through the window.
It fills your mouth with glue. The combination of his proximity and the question leaves you breathless.
"I just…" he continues. "You're hiding from me over there."
He's got a sticky smirk on his face, like he knows the answer and knows you don't want to tell him. He shuffles forward ever so slightly, letting you breach into his space if you want to.
You do, you really, really do – he's a kind stranger, doing a kind thing for you, even if it is a bit odd. You want nothing more than to relinquish yourself to him, and yet you can't.
There's a momentary staring contest between the two of you. The couch feels miles long and yet he's closing in. You feel suffocated.
"I'm gonna come to you," he says after a minute. "Is that okay?"
All you can do is nod at him. It's like your body's on fire, affronted at the idea of being touched by him and yet harbouring some primal urge, deep under the surface, to let him do it anyway.
He pushes his jacket onto the floor with his elbow as he moves himself down the couch toward you. Your eyes follow his arms and the way they stretch, and then the way one of them lifts. He plants his hand firmly on your knee and it burns through the denim of your jeans. You can't tear your eyes from it, staring blankly at his fingers, the way the tendons flex when he squeezes.
"We don't have to do anythin' you don't wanna do, okay?" he tells you. He's watching you, how you're watching his hand, how your hair still lights up in the sun. You're sweet, and pretty, and most of all he longs to know more.
"I'm gonna talk you through it," he continues, "kinda like a teacher, if that's what you want."
When you don't reply, he calls your name softly, and says, "Is that what you want?"
You look up at him and nod again.
"I need to hear it, sweets."
You tell him yes, that is what I want, trying desperately to keep your voice as level as possible, not letting on that it kills you every time he uses a petname like that.
His fingers dance up your thigh and back down to your knee, a repeating pattern that sends you dizzier the closer he gets to you.
"Eddie?"
His hand stills and he looks at you.
"Yeah?"
When he responds, you feel his breath on your face. He's close enough, now; you can really look at him, at the crow's feet by his eyes, the freckles across his cheek, the bend in the bridge of his nose that looks like maybe he broke it once. His eyes are really pretty, browned sugar and syrup, flitting around as he tries to read you.
"I've never been this close to anyone before."
He's watching your eyes as they move over his face, admiring the slight sense of awe in them.
"That's okay."
There's a sudden absence on your leg where his hand leaves it and it aches, like the bone is realigning. You swallow a whine and close your eyes when his hand finds your cheek.
"I'm gonna kiss you now," he whispers. "That okay?"
You nod again and he lets the pads of his fingers smooth backwards into your hair where they take root, his thumb beside your eye. You feel him pull you in and his breath on your nose and then the strange sensation of his lips.
It's new but not unwelcome. He's soft with it, light as anything and quicker even, gone before you really know it's happened. Some kind of sudden urge takes over, though, because you don't like how quick it was, so you chase him. You plant your lips back on his, firmer than he had, your nose nudging his as you get the angle right. This one's longer and it startles him; you have to pull back when he starts laughing.
"Alright, alright, slow down," he says as you sit back, deflated. "You liked that, huh?"
You nod, giddy, desperate to feel it again.
"Can I show you somethin'?" His hand is on your neck now, burning its fires once more, and you can barely concentrate on him.
"Yeah," you breathe, a sigh of relief as he comes closer again. But as you close your eyes, expecting his mouth on yours, you can't help the whine that escapes when he misses, landing beside it. You feel him chuckle, a puff of air out of his nose, before he dots more kisses along your jaw. It feels nice, gentle and slow, like he's scared to break you if he goes too fast or comes on too strong.
The whine, lingering in your throat, moulds into something like a sigh – or even a moan – when he makes it onto the column of your throat. You swear you feel his teeth graze the skin there, lips following them over your pulse. His kisses turn hotter, heavier, and you can't help the way you keen into him. Without thinking about it, you paw at his shoulders and let your back arch as you breathe thick pants into the air of your living room.
When he pulls back again, you whine his name, gripping tighter where you've pulled his shirt into your fists. He laughs at you, head tipped back, as he smooths his hands up and down your arms; the gentle touch makes you relax and your hands unfurl.
"Good, huh?" His words are viscous, thick with want, but he daren't go too fast.
"Mm-hmm," you agree, nodding, breathing quick. Now that he's stopped, you have time to consider that, actually, you might be a bit overwhelmed; without thinking about it you sit back, returning to your comfortable distance by the arm of the couch, watching as his face falls.
"Sure you're okay?" he asks.
"Yeah, yeah, I just-"
"Yeah, take a second."
"Mm-hmm, just need a minute."
You watch him stiffen, awkward in the wake of the moment, and take the chance to admire him a bit more until you sense his eyes are back on you, and suddenly you feel very small.
"You alright?"
You nod, looking back at him, finding his face all soft and concerned, turned down so it makes you twinge.
"You're being so nice to me," you say. It comes out more as a breath, a string of words tied together with insecurity, all in the same exhale. You're not even sure you said it at all, but his face twists into something like shock.
"What do you mean?"
You sigh. "I dunno, I… You're just being very… kind. Are you always like this?"
He seems taken aback by the question. His hands are in his lap where his left fingers toy with the rings on his right. He looks away from you to stare instead at the beer on the table and the drop of condensation running a race down the neck of the bottle.
"You've really never done this before, huh?" he asks you, and now it's your turn to be taken aback.
"I'm not lying, if that's what you're getting at," you say with perhaps a bit too much venom.
"No," he responds, stern. "I'm just… Finding it hard to believe. I'm sure it's true," he says quickly when you open your mouth to fire something quick at him again, "like, I know you're not lying, but it's so surprising."
"How so?"
He sighs this time. He twists in his seat to face you, bringing one leg up under himself, the other dangling off the edge of your couch. "I'm gonna be honest with you right now, if that's okay."
"Okay."
"'Cause I feel like that's the best way to do this whole… thing, right? Nothin' in it for you, really, if we're not honest, or whatever…"
For the first time since you met him in the park, he's showing his nerves. It gets him all wound up, stumbling through sentences like the words are quicker than he can keep up with. It's endearing, really; nicer in some ways than confidence.
"When I saw that ad it obviously caught my eye, I mean, I called, but I just didn't know what to expect, obviously, and you're… Well, you're… normal? So far, anyway." He huffs the last three words out in a laugh, but you don't return it.
"What does that mean?"
"I just think I expected someone who puts an ad like that in the paper to be weirder, or something."
Your gut twists. Red flares of anger lick up your insides, popping and wheezing in your throat.
"What the fuck, dude?" 
You stand, backing away, feeling that familiar creeping isolation; distance, walls up, get away. His face has dropped to something wider, fear in his big stupid brown eyes and mouth agape.
"I didn't-"
"I'm not weird for being a virgin. And just because you think I'm 'normal' doesn't mean this-" you gesture between the two of you with both hands, "-should be surprising."
"No, shit, sorry," he pants, desperation oozing, "fuck."
"I think you should go," you finally say. Your arms are across your middle, hands gripping your forearms. You don't dare look at him, even when he says nothing.
You flinch when you feel him come nearer. He steps over the threadbare rug on your floor and over to the corner where you've parked yourself.
He calls your name and you despise the way you soften at the sound of it.
"I'm gonna touch you, 's'that okay?"
You scoff, turning away from him.
"Stop fucking patronising me, Eddie."
"I'm not patronising you. You wanted me to talk you through it."
"Yeah, that. Not this."
"This is part of that."
"No, it's not."
"Yes, it is."
"Well this isn't getting me very turned on," you spit, turning back to look at him, your arms still crossed over your chest and the rising fire of anger flares when you find that cocky smirk on his face.
"Will you come sit down with me? Please?"
His hands are hovering awkwardly between the two of you, forbidden to come any closer but refusing to give up completely. You offer him an olive branch, dropping your own arms and taking his hand in yours.
He walks you back to the couch and sits beside you, turning your hand over in his on his lap. You both watch it, the way his thumb grazes your palm, tracing the lines up and over.
"Sex isn't just sex, you know," he says frankly. "Even when it's like this."
"I know," you whisper, eyes transfixed.
"It's about all the emotional shit too, and I'm gettin' the feeling there's a lot of that to get through."
"Mm-hmm." It irks you, the way he seems to know you without really knowing you. "You sound very wise."
He laughs at that, and you find yourself grateful for the reprieve, for the way the tension seems to lift just a little.
"I'm just being honest," he admits through a laugh. And then he turns to look at you, dipping his head to meet your gaze because you won't look up. His gaze on you is oppressive, unfamiliar, but you don't dislike it.
"You're really pretty, you know."
You just look at him.
"Hm?" he tries, dipping even lower to catch your eye properly. "It's true."
"A boy's never called me pretty before," you admit, words too quick for you to call them back. This is dire, this hole you're digging; after all this time, being honest is still so difficult, though it seems to come so easily to him.
"That's a crime" he says. And then he does that thing, the one you've read about in books, daydreamed about, thought about late into the night. He brings his hand to your face and holds your chin between his thumb and forefinger, a light pressure but enough to move you to look up at him, sat upright, with your mouth dropped open in shock.
It's just as electric as you'd imagined; more so, even. Two points of contact. Who'd have thought it?
"I'm sorry I said something stupid," he tells you. "It was dumb."
You giggle as his fingers shift across your skin. Soon enough he's holding you in his hand again and you feel yourself leaning into it, again.
"Thank you for apologising," you say. "I think I can forgive it for now."
"Good," he says. And then, more coy, the act dropped for a moment, "Can I kiss you again?"
"Yes, but…"
Just like before, the words stall in your throat.
"You can tell me what you want, you know. It's why I'm here." Christ, his voice is like honey when he's this close to your face.
You pull a long breath in through your nose and close your eyes.
"I have this… fantasy," you begin, and you hear (and feel) him chuckle.
"Go on."
"I guess it's not really a fantasy, just something I've always wanted to try…"
"That's the definition of a fantasy."
"Hey," you scold, opening your eyes and swatting him on the arm softly. "You wanna hear it or not?"
"Sorry, sorry," he says, laughing again. "Continue."
"Can I sit on your lap?"
"Is that it?" he asks, laugh lingering, threatening to fire up the heat in your cheeks.
"Yes," you say pointedly. "I wanna try it."
"Go for it, baby."
He doesn't miss the way you gasp at the nickname; in fact, he smiles, grins almost. He moves his hands down, leaving your face for now so he can hold your waist as you move onto your knees and lift one over him.
It's funny, you think, how hard all of this feels; really, this is a very normal thing for two 23-year-olds to be doing, and yet something within you makes it feel mechanical, intentional. Perhaps you just need practise.
"Okay," he says as you settle, your hips halfway down his thighs. "You gonna get any closer, or am I gonna have to lean over an' break my back?"
"Am I okay to get closer?" you ask, not taking much notice of how your fingers are dancing around his chest, toying lightly with the chain around his neck. Maybe it does come naturally after all.
"'Course you are, here-"
His big hands pull you in by the waist so that you're seated on him, hips to hips. Your faces are closer now, too, so you can admire those lovely crows feet again and the bend of his nose.
"Gonna kiss me, Munson?"
"O-kay," he says, smirking again. "I like the attitude."
"Oh, for fu-"
He shuts you up with a kiss, takes your breath away like they all say in the magazines; this kiss brings the fire up to the hilt, pulls on the smoke and the kindling and sets everything ablaze. His lips move against yours like molten gold, hot and rich and bright, quick but tender all the same. You feel the heat of his stuttering breaths on your cheek and lean inwards, arching your back slightly, until you feel him moan.
It's a sensation you could get used to, for sure. It's fizzy vibrations on your lips, makes them tingle, all electric. And then, before you can really know it's happening, you feel his tongue on yours.
You're not even sure when you opened your mouth for him. But it's there, the new feeling. It feels wetter, less familiar, but it pulls an involuntary moan out of you and you arch your back even more without thinking.
You get into it, into the rhythm, and let your mind wander to the friction between your hips and the pressure of his fingers under your ribs. They're skirting the hem of your top, his ring finger dipping beneath it onto the skin of your waist. And then you think about it too much, take notice of it too acutely, and you're pulling back and panting, looking down at where his hands are.
"All good?" he asks in a voice that's new to you; it's lazy, his words fuzzy, like he's just woken up. You look up at him and his eyes are hooded, lids low, and he's wearing a dopey half-smile.
"Yeah, just… Feeling lots of things," you say; it's all you can think of to explain this.
"That's kinda the point," he reminds you, and then he's doing that thing he showed you earlier, kissing slowly across your jaw and down onto your neck. It feels just as nice the second time; nicer, even, because you're letting him do it and you're letting yourself enjoy it.
His fingers venture upwards, more of them sliding under your top, until he pulls back and says the fateful words you knew would come soon: "Can I take this off?"
His lips are still on your throat, so he doesn't see the way you wince. When you don't reply he comes back up to look at you. You turn away.
"Hey," he coos, one hand leaving its treacherous territory to hold your head again. "What's up?"
You huff. "No one's ever seen me… naked before."
He smiles, which vexes you. "I'm here 'cause I wanna, baby."
The fucking nicknames.
"I know, I just… Can you just-"
You hold his hand in yours and move it away from your skin, hold it in both of yours to keep it away from you. He breathes an apology but you continue.
"This whole thing, me never doing this before or whatever, I think it's probably got a lot to do with me not really liking this-" you look down at yourself as you speak, "-very much."
You see him take this in, how it melts his features and widens his eyes.
"Okay," he finally says. "We can take this slow, yeah? You wearing a bra?"
"Yes, Eddie, I'm wearing a bra."
"So let's start there. Top off first, and you can see how you feel."
"Okay."
You let go of his hand and he takes your shirt in both. You close your eyes as you feel him lift the fabric, bunch it around your breasts, your que to lift your arms. You do it for him and he pulls up, tugs it messily over your head and throws it somewhere across the room.
"Shit," he hisses.
"What?" you say in a panic, worried something somewhere has gone horribly wrong.
"Look at you," he croons. "So pretty."
The insecurity evaporates, coming off you like a heavy mist, as he dips his head to kiss your collar bones and across the swell of flesh beneath. He takes his time, sometimes pulling the skin between his teeth but never for long enough to leave a mark. At some point he nudges you back and reaches over his head to pull his own shirt off; before he commits, he looks at you. You nod.
This is the most flesh-on-flesh you've ever felt before. It's nice; you're both warm, and he hasn't once mentioned the eighteen thousand different flaws you know are on your upper body.
His is covered in ink – pretty, often in swirling patterns and on his arm there are bats. But between them, there's confirmation of your earlier suspicions: he's got scars everywhere.
You trace them with gentle fingers.
"Don't ask," he says, laughing awkwardly.
"Okay."
You lean back in to kiss him. You’re a lot less confident than he is at initiating, but soon enough you get the hang of it, and he lets you. He doesn't take the reins; instead, he gives himself to you, lets you find your feet by yourself.
You attempt to copy him, kissing his jaw and then his neck, and you enjoy the way he sighs and relaxes under your lips.
As you move further down, teeth grazing his collarbone, he says, "you wanna move? Couch isn't exactly ideal."
You finish your work with a peck to the bump of his shoulder and say, "Sure."
There's some awkward shuffling, and standing in your bra and jeans is somehow more vulnerable than sitting on him, but nevertheless you take his hand and lead him through the door to your bedroom.
He doesn't have as much time to take this room in as the last one, because he wants you on the bed more than he cares to admit. When you flick on the bedside lamp, finally acknowledging how dark it's become now the sun's started going down, all he really notices is how warm the room is.
"Here," he says, manoeuvring you as he pleases. "Lay back, yeah?"
You do as he says, sitting facing him and pushing yourself back so you can lay down with your knees up. 
And then it happens: one of the many cataclysmic revelations of the evening.
"Good girl."
Again, you gasp, looking up at the ceiling.
"Good?" he asks.
"Really good," you tell him. You haven't really noticed that your hands have laid themselves across your chest, but he can't stop staring.
"That's it, see? Love when you tell me what you like."
One of his hands joins one of yours where it's fidgeting with your bra, and the other smooths down one of your legs, urging you to straighten them. You do, and again he says those fateful words: "Good girl. Gonna take these off, yeah?"
"Wait," you snap, sitting up and letting his hand fall so you can lean back with your weight on yours. "Can we do it together?"
"'Course."
"And can I… Can I undo yours?"
"Shit, sure you can."
You sit up and he takes your hands in his bigger ones, moulding them so you're tracing your fingers down the plain of his chest and stomach. You follow the dips and creases, the taught skin of his scars, and finally reach his belt.
He's mumbling nonsense at you, too caught up in everything to keep up the teacher façade, pinching your fingers between his so you can pull the leather through the buckle and get to his zipper.
When you unzip and brush something hard, he drops his hands and tips his head back in a sigh. It's an unfamiliar feeling under your tentative hands but it's not unknown.
"Wow," you breathe, not really meaning to say it out loud.
"Shit, gotta get these off-" He pulls back from your wanting grasp to shuffle out of his jeans, leaving his boxers in place for now. One step at a time.
"Your turn," he declares, smiling, jeans and socks gone. He reaches over to you again to return the favour, undoing buttons and the zip and his wide hand on your hip urges you to lift off the bed so he can pull the denim down your legs.
There's no turning back now; you can never again wonder what will happen the first time someone sees you (nearly) naked.
You've thought about this before, turned an infinity of possibilities over in your mind, but this was never one of them. Not one of them included a pretty boy, standing before you, just as exposed as you are, pawing at flesh and telling you you're beautiful.
His lips ghost over you, beginning at your shoulder and creeping lower. When he reaches the middle of your chest he looks up at you, the angle a little awkward. You nod.
"What're you doing?" you ask him, moving backwards again as he crowds you.
"I'm gonna take this off," he says, tugging lightly at the band of your bra, bringing himself level with you so he's breathing the words into your ear. "And then I'm gonna eat you out."
He may as well be a fire-breathing dragon. His words claw at your scalp like flames and fill your lungs with heat, pulling a sigh from within. You lean back, lying flat on the sheets, and let him have his way with you.
But he doesn't move, first admiring the way you respond and then waiting, lingering above you, too far away.
"What?" you hiccup, looking at him, confused.
"Need you to tell me this is what you want," he tells you.
"This is what I want," you repeat back to him. And then, taking the plunge, you add, "I want you to eat me out, Eddie."
You relish in his response, the way you can almost see him shiver, bare shoulders twitching and chest deflating with a shuddery exhale.
"Christ, yes, okay."
His fingers inch around your back so you arch it, letting him toy with the clasp of your bra. He gets it undone quicker than you expected, and you can't bring yourself to focus on where it goes once it's off because he's got his mouth back on your skin and now he's biting marks in places that would make your past self blush.
You feel his teeth on the swell of your boobs, first the left and then the right, and the rough pads of his fingers over your nipples.
"Shit," you hiss, and then, "no, shit, don't stop," when he halts for a second.
"Feel good?" he asks, muffled with his teeth grazing the stretch of skin across your ribs.
"Yes, yeah."
Gripping the sheets, you arch again, keening into him, chasing the buzz of his lips and the goosebumps they leave.
His fingers leave them, too, especially when they dance over your sides, that bit that makes you feel hollow if you drift over it the right way.
"Can I take these off?" he asks, lifting his head to look up at you from where he's sunk to his knees. You're staring at the ceiling, too preoccupied to meet his eye, and the sight makes him huff a laugh.
"Yes," you respond too quickly.
As you feel his fingers curl around the elastic, he says, "Okay, you're gonna have to give me a hand, alright? Tell me if it feels okay or if you want me to move. Or if you want me to stop, obviously."
"Yes, yeah, fuck, please Eddie-"
"Alright, alright," he laughs, pulling the material down over your knees and feet. At this rate, your bedroom floor must look like an explosion at the laundromat; dirty laundry everywhere, clothes all over the floor.
You're not sure why you're thinking about the logistics of tidying right now, though it doesn't last long, because the cool air on your core is a shock that jolts every limb.
Although he's wedged between them, you seem to have an instinctual reaction to the sensation of being exposed, your legs trying to close around him. His firm hands pull them apart, his fingers grasping the fat of your thighs, and then his lips.
They're on the softness between your legs first of all, nipping and pulling the skin between his teeth as he moves upwards. And then you feel them, the strange, wet contact. There's a feeling, something you think must be his tongue, licking upwards, before it makes contact with your clit.
The pressure is a thunderbolt to the centre, a shock that sends you arching off the bed with a gasp. Your grasp on the sheets tightens for a moment until you feel the roughness of his hair instead; without thinking, you've moved both hands to claw and pet at the crown of his head, earning a muffled moan when you tug ever so lightly.
He calls your name, pulling back, his words heard through cotton wool ears. "You're sure you haven't done this before?"
"Fuck, yes, Eddie I'm sure," you pant in response, desperate for the sensation of his mouth on you again. He obliges your unspoken craving, licking upwards again before settling comfortably at your clit. His firm hands dig deeper into the flesh of your thighs until one of them doesn’t, and before you can think too hard about it, you feel it just beneath his mouth.
The new feeling of his rough fingers on your cunt sends your eyes rolling back; you can't help but squirm and it's driving him wild, the way you're listening to him, the way you can't help but move, the way you're tugging at him without realising.
The gnawing tightness in your core nosedives when he slips, warm breaths replacing his mouth and fingers. You whine like a petulant child, making a noise you didn't know you could.
"I'm gonna use my fingers," he tells you, the distance between him and your cunt not enough to save you from the maddening huffs of breath as he talks. "Have you ever had anything inside before?"
It's funny, how nervous he sounds despite the fact he's knelt the way he is between your knees. His mouth was just all over you, and yet he's still a boy, turned stuttering by sex talk.
"No," you pant, "no, never."
"Okay, it might hurt, alright? You just gotta tell me to stop and I will."
"Okay," you agree.
He settles back into position, his weight rested on his elbows and his face and hand inching closer. You feel it, the stiffness of a finger, but the feeling is unusual and a little uncomfortable.
"You gotta relax," he tells you. "You overthinkin' it?"
"No," you bite defensively.
"It's okay."
You huff and lie back, dropping your shoulders.
"Do you ever…"
Another sigh.
"Do you ever touch yourself?"
There's a momentary flush of embarrassment, a conditioned response to being asked about this kind of thing, but you're here, in this position, naked, so you may as well be honest.
"Yes."
"Okay, what do you think about? When you do?"
"I, uh…"
"It's okay," he says quickly, "don't tell me. Just- just think about it now, right? Somethin' that turns you on."
Something that turns you on? What's turning you on right now is the handsome guy between your legs. His pretty inked skin, the stretch across his shoulders and the ripples in his back. His wide, firm hands, those obnoxious rings, the way he keeps telling you you're a good girl.
It swims in your mind, the vision of him cooing sweet praises, the fizzling memory of those words in his voice.
"That's it, you got it," you hear him tut, as though he can see inside your mind, read your thoughts. It pulls apart the tension in your core and across your shoulders, and then it's back, that feeling, the warmth and the fire, and you sink deeper into the pool of euphoria.
With one finger already half-way inside, he adds a second, his eyes trained on your face in case it's too much. But it's not; of course it's not. He knows he's good, but he doesn't think he's made a girl this happy in his whole life.
You feel it soon enough: there's a fizzing current that licks up from your cunt and into your gut where it lights your nervous system on fire. It runs laps around your body, pinpricks in your fingertips and behind your ears. You grasp at the sheets again, pulling, pulling, pulling, reaching for whatever you can to keep your body from floating away, because it really feels like that's about to happen; either that or you're going to implode, pulling the room and everything else with you like a black hole, hungry for more.
You barely notice the pants, your whiny moans and the repeated prayers of Eddie, Eddie, Eddie, before you're coming apart. He's still going, riding you through it, basking in the sound of his name as it crawls from your mouth. So far he's kept his composure, ignored the searing pain under his boxers, but he doesn't think he'll hold out much longer.
"That's it," he coos, slowing down, rubbing soothing circles into your hip. You're panting, your breath hot and skin even hotter, and you can barely hear him when he speaks. The words carry, though, somehow; his praises of you did so good, and you're driving me wild, and, worst of all with the way it slaps you silly when it comes, I need to be inside you.
You sit up at that, holding yourself up on wobbling elbows to look at him. He's still knelt between your knees, hands resting on them, looking back at you with eyes turned dark and glistening skin. He wipes his mouth with the back of his hand and it takes you a minute to understand that he's waiting for your answer.
"Right," you breathe. "Yeah, okay." You scramble to sit up and twist yourself so you're lying the right way but he laughs and it makes you go cold.
"Chill out, take a minute, yeah?"
His hand hasn't left you; it's on your ankle now, rubbing those same circles over the bone.
All you can say is, "That was insane."
He laughs again, a softer noise this time, and says, "It was, huh?"
"Yeah." You flop back, head in the pillows and eyes on the ceiling above you, your own fingers tracing up and down your stomach.
He watches you from the floor. You're all flushed, glowing something rosy and sprinkled with dewy sweat. And then he watches your fingers, their absentminded journey up from your belly to the dip between your boobs, and back down. You repeat it over and over, and though it's an innocent, repetitive stroke, it's not helping the pressure between his legs.
"I'm gonna take these off," he tells you, giving your ankle a comforting squeeze and tugging his waistband with his free hand. "That okay?"
It dawns on you, as you look at him, that not only are you lying naked in front of a stranger, but that you are about to see that stranger's dick. A stranger who responded to your stupid ad in the paper, who's agreed to this for some stupid reason, and who is stupid handsome and stupid nice.
"Uh, yeah, okay."
He says your name again and it sounds so pretty when he does, and then he says, "We can stop if you want, you know. You don't have to do anythin' you don't want to."
"No, I want to," you say. "I just… This is a lot."
"Yeah," he says with a smile, that one that drips with charm and tugs at your gut. "But you're all good. Done so well so far."
Your body keens at the praise, your back lifting off the bed and it's then that you notice the feeling of want biting ugly marks into the pit of your stomach. You look at him, and he looks back at you, and all you can feel is a gnawing emptiness, a need to be full.
"Let's do this," you declare, sitting back up on your elbows and watching him with needy eyes. He sees it, the darkness that has settled in your irises, the itchy fidgeting of your hands on your sheets.
"Yes, ma'am."
Slowly, he stands and tugs his underwear down his legs and onto the floor. It all feels very real, now that he's stood before you like this.
He laughs at your wide eyes, trained on the straining erection he just let loose. You've never seen a dick in person before, and to be truthful you're not sure you've ever really seen one in a photograph or a video – the adult section at the rental store isn't exactly somewhere you often find yourself – so you have nothing to compare this to, but objectively it looks quite big.
"Will it fit?" you say before you can stop yourself. It comes out a squeak and makes him laugh yet again.
"Yes," he tells you, "it'll fit. But thanks for the ego boost."
He's on his knees on the bed beside you now, moving towards you until he can use his hands to move your legs apart. He settles himself between them and sits back on his heels, leaving one hand on your left leg and using the other to take one of yours. He intertwines your fingers, squeezes, and pulls you to sit up.
"Here," he says, bringing your hand to sit flat on his ribs. He's controlling his voice as best he can, hoping it doesn't sound as desperate as he feels right now. He can't help but stare at you, at how you're looking at him. 
"I'm gonna show you how to touch me, okay?"
"Yeah," you breathe. His hand moves yours down until it reaches patchy hair and then he curls your hand around his dick, his own hand still holding yours.
It's a new feeling, sure, but you're mostly enjoying the short hisses of breath he's letting out. When you move upwards without his help he almost moans, and you decide you'd like to do whatever it takes to make him do it again, and louder.
"Shit, okay, wait. Here-" He brings your hand away and lays it flat, palm up. "Spit."
You look up at him and find his wide brown eyes looking down at you, waiting.
So you spit into your palm, and he brings it back to himself, and moving is easier now.
"Fuck, okay… Yeah, just like that, that's it, shit-"
He drops his hand from yours and leaves you to find your own way, so you copy his pattern of up and down, slowly, twisting your hand as you go.
"Here, move your thumb over the- Fuck-"
You do as he says, perhaps too eager to please, and watch in awe as the muscles in his abdomen tense and he leans forward, resting his weight on one hand planted right beside your hip.
"Okay, okay, that's enough," he says, taking your wrist and pulling you away, ignoring the way you whine.
When he says, "We can worry about me another time," you try to ignore the brief fluttering it elicits deep within your chest somewhere. Dwelling on things said in the heat of this moment isn't fair, you decide; he surely doesn't mean it.
With warm, now familiar hands, he helps you lay back down.
"You got condoms?"
"Oh." You don't, and the truth you're about to tell him is mortifying. "No. They all expired a few months ago."
"That's fine," is all he says, and the fluttery feeling returns when he doesn't ask any follow up questions. No judgement, as promised. "Just wait here."
His hand leaves you at the last possible moment. As he moves off the bed it runs smooth down your leg and over your foot, like he's scared that if he lets go you'll disappear. You watch him hop awkwardly across the room and into your living room, the sight a refreshing injection of humour, helping you relax into the mattress again. He comes back with his jacket in one hand, which he drops on the floor after rummaging in the inside pocket and pulling out a red foil square. 
He pulls it open with fingers that you realise are shaking slightly, and you wonder if he's really nervous, and if so, if he's as nervous as you are.
It takes a few seconds but soon enough he's rolled it on, breath stuttering and dry, and then he climbs back to you and his hands return to your body almost as quickly as they left.
He's hovering over you now, his long hair tickling the sides of your face and the tops of your shoulders, all the places the sun hits on hot days. You're too caught up in watching his every move, too keen to really realise what you're saying before you ask: "Will you kiss me again?"
He smiles and dips down wordlessly, letting his lips slip against yours. It brings back the fluttering and the fizzy feeling, the craving for him. As your tongues move as one, you feel his hand by your thigh, and when he pulls back he says, "You ready?"
You nod, and then, remembering what he said earlier, cement it in words: "I'm ready."
"Alright, I'm gonna go slow, okay? It's gonna stretch more than earlier, but you just keep me clued in, yeah?"
"Yeah."
There's a new sensation at your core, of wetness and something rigid. He's moving against your folds, finding no purchase in the remnants of earlier on, but then he nudges your clit and you jolt upwards and that's when he finds what he was searching for.
He nudges in quickly at first, enough to make you whine a pained sound. He matches it with a low grumble, a vibration right by your ear.
"You okay?" he's quick to ask, head rising to look at you.
"Yeah, yeah, just- slow, please."
"I've got you."
He doesn't move for a beat, eyes trained on the scrunch of your nose. He kisses it and feels you relax, so he keeps kissing, quick flashes over your forehead, your temple, your cheek. Each one brings new relief and as your back hits the bed again, he eases himself in a little more.
The stretch is definitely different; more. There's a burn, but it doesn't completely hide the wave of pleasure you get in the fullness.
"Gonna go a bit more," he tells you, and he does just that, going half an inch further, still watching for any sign of discomfort.
When you bring your knees up by his hips, he knows you're past the worst of it. He chants praise, telling you that you're doing so well, taking me so well as he keeps going, all the way until he's seated inside you, up to the hilt. You breathe in a gasp, filling your lungs, realising you'd been holding your breath for too long. And as you open your eyes, you find him staring down at you with concern and something else.
"You good?" he whispers with his face so close you feel the words as they settle on your cheek.
"Yeah."
"Good girl."
He punctuates this with a kiss, and then another, over the hill of your jaw and onto your throat. Your hands claw up his back, pulling him in until you're sure that if he were any closer, you'd fuse into one.
"Okay," he finally says, lips against the peak of your shoulder. "I'm gonna move. I'll go slow at first."
"Okay."
The feeling of him pulling out is new and nice, but it's nothing compared to the opposite. The combination of the two, the repetitive motion he picks up, is something you want to chase forever.
As he moves, he quickens, trying his best to keep his eyes open and attentive; it's difficult, though, when you feel this good.
"Christ, you're so fuckin' tight, shit-"
"Eddie, this feels amazing, uh-"
Your stomach twists into a coil again, quicker this time, and tightens as he picks up the pace. Above you he's all guttural moans and pretty groans, his lips grazing your cheek each time he moves, and soon his thrusts become too much. You're panting his name and he's panting yours, and along with the sound of skin on skin, that's all you can hear until he speaks gravel-churned words into your ear.
"Shit, 'm so close, fuck- Gotta get you there, baby, huh? C'mon, need you to come for me."
His words are joined by sloppy fingers between your bodies. They fumble in the dark, prodding your belly before finding slippery purchase on your clit. Sparks light up your body and all you can do in response is let it arch into him with a yelp of his name.
"You close?" he asks.
"Yes, yeah, shit, yes," you splutter back. It's like a chase, and you're catching up, quickly, quickly, quickly.
All of a sudden there's a white-hot flash that burns every inch of your insides. You tense, your body yawning open for him, wide and wanting; he doesn't relent, thrusts harder than ever, chases you in return as he feels you tighten around him. You release, the coil snapping, and he brings the pace down to see you through to the end.
There's cotton wool in your ears again but you make out his praises: "That's it, that's it, atta girl… C'mon, I've got you, you did so well."
When your breathing turns regular and your eyes ease open, you feel a warm knuckle on your cheek. He's still going slow, rutting in and out of you with ease now, and when you finally look at him he asks, "Gonna keep goin', that okay?"
You nod, throat closed for the time being so you make it as certain a nod as you can muster. His thrusts become quicker again, and the more he speeds up the sloppier he becomes. You feel sensitive, too warm but also too desperate to see, hear, feel him come undone inside you. It's not long until your wish is granted; soon his groans turn to whimpers and whines, and he calls your name as he shudders to a violent halt. It's intoxicating, experiencing this from underneath him; if this is what everyone's been talking about all these years, you understand why.
The room sways and whistles as he rests his weight on you. His breath, right beside your ear, is like a hot, damp rag, pulling at your sticky skin and the thrum of rushing blood. You hear him groan and then the uncomfortable feeling of him pulling out. The bed bounces gently as he huffs and flops down beside you, and, god, you wish so badly that you could keep those flutters under control because his clammy hand finds yours between your bodies and it's nice to feel the affection he's so devoted to giving you.
Sighing, he says, "Shit."
You laugh, scrunching your face.
"Yeah," you agree, "shit."
He squeezes your hand.
"Did you like it?"
"Yeah. Really liked it."
"Okay for your first time?"
"Yeah." You turn onto your side to face him, looking up at his face. There are a few curls stuck to his pretty pink face, and you admire the bob of his throat as he swallows and the squeeze of his hand in yours.
"You're really pretty," you tell him. You're not sure if this is the post-O haze the magazines talk about, or if it's some kind of clarity, or if it's just that you have this boy in the palm of your hand and you suddenly can't bear the thought of letting him go. Instead you want to plant anchors, heavy lines that will keep him right where he is.
He turns his head to look at you and you see him flush even more.
"So are you," he whispers, with another squeeze and a kiss to your forehead.
There are a few minutes of quiet after that. The light outside is gone for good, so he's glowing a low golden in the light of your bedside lamp. He kisses you again with a fondness that surely shouldn't come with this exchange, which you had rationalised as just that: a transaction, a mutual agreement to get something done.
You see him open his mouth, as if to speak, but close it again, so you reach a tentative hand up and brush some hair from his eyes and trace your knuckle down his temple, urging him.
"My friends," he begins, hesitant, "they're having a party, next weekend. Steve, he only lives round the corner, we passed his house on the way here... You wouldn't wanna come, would you?"
"With you?" you whisper into the fizzy darkness.
"Yeah." He smiles, eyes fluttering shut under your sweeping fingers. "With me."
"Is it a date?"
"It can be, if you want. Or we can just, y'know, go as friends, or whatever."
"No one's ever asked me on a date before."
He smiles, and it's soft and curled with an affectionate pity; one that says I'm sorry, that's not fair, it's nothing to do with you.
"Well, wanna come?"
"I'd love to."
He pulls your hand up and brings it to his mouth, where he kisses your knuckles. Goosebumps raise across your thighs and arms, and you realise you're cold.
He seems to sense your discomfort because you feel him shift beside you. He pulls you up with him and helps you climb off the bed on wobbly legs.
"I should pee," you tell him, heeding the warnings of girlfriends past.
"You should," he says, a little deflated.
You don't move, though. To move would be to acknowledge the end – the end of the transaction, of the favour. It's not something you want.
"I, uh," you begin, stumbling, "Don't- Do you want-"
"I can go now, if you want-"
"No, no, it's okay, I mean, you can go if you want, that's fine, I just-"
Your eyes are darting all over the carpet, skimming discarded clothes, so you don't notice him reach up until he's touching your face, holding it in his palm.
"I'll stay, if you want me to."
"Yes, please."
He smiles at you, sticky with fondness and you can't help but smile back.
"I'm gonna shower," you tell him, leaning further into his grasp.
"I'll be here."
-
"Munson! You made it!"
In the middle of the busy room, there's a tall guy, broad and burly, like all the jocks you went to high school with. He's startlingly pretty, with golden hair and honeyed skin, a wide, bright smile plastered across his face.
He steps on unsure feet over to Eddie, who is stood partially in front of you; you're cowering behind him, willing the courage to lift you and push you into the arms of strangers. For now, holding his hand will do just fine.
"Hey, Harrington," Eddie greets, meeting him in one of those boyish embraces. You look around, taking in the faces; it's not the level of the high-school parties you used to go to, and definitely not the circus of the frat ones you've sometimes found yourself at, but it's busy enough. Where the guy – Harrington – came from, in the living room, there's a circle of people who are all smiling in your direction.
"Who's this?" The guy is looking at you over Eddie's shoulder.
Eddie tells Steve your name, and then turns to you. "This is Steve."
"Hi," you say to him, smiling, trying your best to hide the cruel nerves.
"Nice t'meet you!" he beams back. It's infectious; your smile turns firm and genuine in return. "Here, come meet the gang."
"C'mon," Eddie whispers to you with a kiss to the crown of your head. He pulls you through the entryway, into the large living room, following Steve. He drops your hand to give and return hugs, saying hello to each person. You stand and watch, unsure of what to do, until one of the girls – the first one Eddie greeted – appears by your side.
"Hey," she says, perhaps a little too close.
"Hi."
"I'm Robin." She sticks her hand out and you shake it clumsily.
Eddie's back, with his hand in yours again, on your other side. He calls her Rob and tells her your name, and then does the same for each person – Nancy, Jonathan, Will, Mike, Max, Lucas, Dustin, El – too many for you to remember tonight, but you have a feeling you'll see them again.
"Hi, guys," you return with a wave.
Everything settles after that. You take a seat next to Eddie on the couch, legs up and over his own, making conversation with Robin who you like a lot. Nancy comes over and introduces herself again and you find you like her, too.
And then Steve appears, having disappeared twenty minutes before. He's a little drunker, and he hands you and Eddie a can each. You take it gratefully and open it, taking a swig.
"So," he begins, sitting on the opposite side of the circle to yourself and Eddie. "You from Hawkins?"
"No," you tell him, and repeat the story you told Eddie.
"Sweet! So how'd you meet?"
You turn your head to look at Eddie and find him having done the same thing. His eyes are wide, just as wide as you're sure yours are.
"Uh," you begin, drawing out the sound to buy yourself time. 
"I did her a favour," he says, to your surprise, turning back to look at Steve with a sickly smile. "Just somethin' she'd put in the paper."
"That's so cute," Nancy says from behind you, her words chased by Robin adding a sarcastic, "Adorable."
The conversation moves on after that, and you turn around to Eddie again. He's looking back at you, his face pink and a smile tugging at his mouth. Before you can stop yourselves you're laughing, bursting into happy noises, bent double giggling.
He gives you another kiss, on the cheek this time, and quickly you settle back into conversations. The night is long and for the first time in a long time, it isn't lonely.
-
Hello! This is SO long - it really did take on a life of its own. I considered splitting it but couldn't find somewhere to do it, so I hope you enjoy this absolute beast nonetheless. I love you!
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slvrarrws · 2 years
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Okay but a TikTok of team JBXE (all of them, not just the drivers) dancing to T Swift's 22 when???
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azsazz · 2 months
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Midnight Muse (Epilogue)
Azriel x Reader [Art School AU]
Summary: You and your best friend Feyre have just moved into a new apartment for your sophomore year of college at art school. What you didn't know when you signed the lease is that you'd be living next to three rowdy boys.
Warnings: None
Word Count: 2,783
[Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6] [Part 7] [Part 8] [Part 9] [Part 10] [Part 11] [Part 12] [Part 13] [Part 14] [Part 15] [Part 16] [Part 17] [Part 18] [Part 19] [Part 20] [Part 21] [Part 22] [Part 23] [Part 24] [Part 25] [Masterlist]
Notes: The end of an era 😭😭 Holy smokes I'm so happy and also sad I cannot believe it's over.
_________________________________________
**Seven Months Later**
“Azriel,” you sing-song, bursting in through the open front door to their house. 
At the end of the spring semester Azriel’s father had bought 3rd Street apartments, and none of you had renewed your leases. His father hadn’t even tried to convince him to stay, but that didn’t matter to Azriel. The only thing that any of the five of you seemed to care about was that you’d no longer be living next to each other come summer.
Azriel, Rhysand, and Cassian had found a house to rent on the outskirts of campus. Of course, the place is gorgeous, a modern number that looks like it costs more than Rhysand is making it out to be. He’d been adamant about the three of them staying together, no matter what, and he’d tried to convince you and Feyre to move into another apartment nearby, but it wasn’t the right fit for either of you. 
You wanted something more homey than the new building, something walkable since you nor Feyre have cars. You already miss your old apartment dearly, saddened by what Azriel’s father is going to make it into. Sure, the elevator was a death trap that stuck, and sure, the walls were thinner than paper, but it was home, where you’d found love with your grumpy next door neighbor, though you’re sure in Azriel’s version of the story you were the grumpy one. 
The five of you had spent your last night at the building together, drinking and eating your heart content in waffles and ice cream from Rita’s. It was the perfect last night to end your time in the building, but also the semester. You passed your Drawing 101 final with flying colors, the half swan portrait you drew was something you’d never thought you’d be able to finish. Now, it’s one of your most treasured artworks. 
You’d chosen the swan because of their representation of the awakening of the power of self and self-esteem. When you’d started the semester you’d been unsure of your ability in the creative world, but after hearing the stories of so many around you, Azriel’s included, it awakened your inner artist, and your work only grows more confident by the day.
You’d also chosen to morph yourself with the swan because of their grace. Grace in dealing with others; Azriel’s gnarly attitude, Cassian’s cheekiness, Rhysand’s cockiness, Lucien’s snark, and Feyre’s hidden relationship, which didn’t last long, but still hurt your friendship.
You’ve come a long way since then, and are now in love with the neighbor that had been a thorn in your side for months. Azriel is as sweet as ever now, though he still distracts you from your work these days, but it’s no longer with rowdy music.
You turn towards the living room where you hear Azriel calling your name. You come to a screeching half at the sight of him and Cassian, chests bare as they carry a couch between them, moving further into the room. 
Your eyes zero in on Azriel, his tan chest glistening with effort. It’s move in day for them and they’ve been carrying boxes from 3rd Street apartments all morning. He looks godly in the light spilling in through the large glass windows overlooking the yard. The parties at this place are going to be insane this year, of that you know. It’s all Cassian has talked about since they’d signed the lease, commenting how their housewarming party is going to rival that of Project X. 
“Hey, princess,” Azriel winks at your wandering eyes and you can only beam. So what if he’s caught you admiring his chiseled torso? He’s all yours and you can stare if you please. Although, the sudden dampness between your legs has you shifting on your feet, Azriel’s smirk widening. 
“Can you two stop eye-fucking for one minute?” Cassian groans dramatically, acting like he’s struggling under the weight of the couch. You and Azriel both roll your eyes at the same time, which makes you burst into giggles. “This thing is fucking heavy.” 
“All right, let’s put it over here,” Azriel directs, guiding them a few more feet into the room. They place it in front of the giant TV Rhysand splurged one, and you know movie nights are going to be great in here. It’ll be just like you’re at a movie theater, without all of the extra bodies. 
You and Azriel still have yet to break in the couch, often choosing the privacy of his bedroom (as much as the thin walls give you) over the common rooms he shares with his roommates.
Speaking of, there’s a thump coming from upstairs and the sound of Feyre’s laughter drifting down the staircase. So maybe this new house isn’t that much more private than your old apartment.
As soon as he puts his end of the couch down you’re flinging yourself into his arms, wrapping your arms around his neck. Azriel laughs and swings you around before planting your feet back on the ground and leaning over to kiss you silly. 
The flooding warmth throughout your body only intensifies as he steps closer, pressing his body into yours and rolling his hips a little, allowing you to feel his interested cock in his pants. 
“Hi,” you grin when you part.
Azriel’s gold eyes glitter with amusement. “Hi, princess. How is your morning?” 
Your hands snake down his chest, brushing over his nipples as you go. You don’t miss his reaction to your touch and it makes you giddy all over again. Hooking your fingers into the waistband of his pants, your smile turns sultry, watching his eyes darken. “Much better now.” 
“Is that so?” Azriel quirks an eyebrow. He looks like he’s two seconds away from dragging you upstairs to his new room and breaking it in. You wouldn’t mind that one bit. “Do I want to know why you’re this cheery this early in the morning?”
“You already know,�� you beam, rolling onto the tips of your toes to kiss him on the nose. When you try to pull away Azriel growls, tightening his grip on you. 
“You can’t say that and not want me to fuck you, princess,” he says roughly, leaning down to whisper in your ear. His breath is hot across the shell and you shudder in his arms, eyelashes fluttering at his words. You have to swallow back the moan threatening to escape.
You startle at the sound of a loud crash, turning to see Cassian all but glaring at the two of you, having just dropped a box of books to the ground purposefully. 
“I thought we were supposed to be moving,” Cassian tosses over his shoulder and yells up the stairs, “I can’t have both roommates fucking already. There’s still so much shit to move!”
“I’m coming,” Rhysand yells back and you crinkle your nose.
“Ew.” 
It makes Cassian crack, a smile twitching at his lips. He has his hands on his hips and is still staring at you and Azriel in a false stern manner. “I knew I made a good decision to befriend you, (Y/N).”
“More like forced yourself into my life,” you grumble playfully, following him out to his Bronco, stuffed full with boxes.
“Just for that, I’m giving you a heavy box,” he teases right back, but he wasn’t kidding because your breath is nearly knocked from your chest when he hands you one. It’s falsely labeled ‘Az’s room’ on it because it feels like there’s a pile of bricks in it. 
Azriel glares at his roommate as he rids you of the heavy box. You give him a smile in thanks, sneakily sliding out a box labeled ‘couch pillows’ instead. It takes you back to the day that you and Feyre moved into your last apartment, how the living room box had been the last one you’d brought inside before your very first—and terrible—run in with Azriel.
The smile you wander inside with is a nostalgic one.
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•
“Are you ready?” 
“Yes!”
“Then why are you acting like I’ve already put the needle to your skin?” Azriel argues, sitting back in his chair.
You’re laid up on the table, shirt pulled up to your neck, waiting for Azriel to put the tattoo gun to your skin. You keep squirming, not quite comfortable on the cold table top, but it’s the best he can do while he’s still waiting to hear back about his apprenticeship he interviewed for last week. It’s been a few long, grueling days, and you thought you’d distract him by finally allowing him to give you your first tattoo. It had taken you months to decide, and Azriel hadn’t pushed you once about the matter, no matter how badly he’d wanted to put ink on your skin.
Now, the sound of the gun is making you rethink your decision.
You sigh loudly and Azriel shuts the gun off, placing it on the table. He rips the gloves from his hands and helps you sit up, guiding your shirt back into place.
“Maybe we should wait,” he suggests softly, though you can see the hurt in his eyes.
It’s not that you don’t trust him. No, you trust Azriel with your life. It’s that you’re overthinking the design you’d thought you wanted so badly. 
“I want one,” you huff, sadly, “But I don’t think this is the one.”
Azriel soothes his hands up your thighs. “That’s okay, princess. There’s no rush. You don’t even have to get one, if you don’t want to.” 
“I do,” you whine in frustration. You had it planned for weeks, this idea, and now…you just can’t go through with it. It doesn’t feel right. 
You slide off of the table into Azriel’s lap, resting your head against his chest as he holds you tight. You let the soothing beat of his heart calm you down, the running of his hands up and down your back a relaxing gesture. It makes your heart swell, with the amount of love that you have for him. 
Azriel brushes some hair away from your face when you pull back. He’s studying you with those intense golden eyes you’ve come to adore. You can read everything in those eyes; his annoyance, his happiness, his anger, his lust, even his feelings for you, but right now, you’re not all too confident in what he’s thinking.
“I want to show you something,” he murmurs softly and you frown.
“Okay,” you answer tentatively, but his hand is sure in yours as he laces your fingers together after helping you off his lap. 
He guides you up the stairs and into his room.
“Azriel,” you tease, “I already know this room too well,” you say, alluding to his first night in the house where he fucked you over every surface in his room. It was pure bliss, one of the best nights you’ve shared.
Azriel puffs a breathy laugh and guides you to sit on the edge of his bed. You follow his instructions with obedience, covering your eyes when he tells you.
He waves a hand in front of your face to make sure you’re not looking. “How many fingers am I holding up?”
“Um,” your lips turn into the cutest pout when you think. “Two?”
He’s holding up none but he grumbles. “I was thinking two.” 
You bounce giddily on the edge of his bed and his cock twitches as he thinks of you bouncing on his cock just like that. 
“Easy, princess.” 
You stop your bouncing but not your grinning.
Azriel strides over to his closet, pulling out the canvas he’s been working on, when you aren’t around, of course. Well, he only dares pull it out around you when you’re fast asleep in his bed. It’s consumed him day and night, and finally, his masterpiece is finished.
“What is it?” you ask giddily, unable to rein in your excitement or the butterflies in your stomach.
You hear Azriel’s laughter as he moves closer. “If I told you, that would defeat the whole purpose of me asking you to close your eyes, princess,” he tuts and you swear you can hear him rolling his eyes. “But you can open them now, Miss Impatient.”
“That’s my middle name—” your words stick to your throat as you stare at the canvas he’s holding in front of you. 
You’re in awe, struck by the lines so confidently drawn. You’re transported back to the night of his exhibition, when he’d shown you the blackest parts of his soul, put on canvas. 
Similarly to the centerpiece of the show, the charcoal drawing he has in front of you are two hands intertwined. His, with his rough scars, clutching tightly to a flawless hand, a feminine hand. 
Your hand. 
Azriel shifts nervously on his feet. All you’re doing is staring, open-mouthed, and he’d normally take that as a good sign, but when tears well your eyes his heart pinches in his chest.
“It’s,” you choke, pressing a hand to your aching heart. “It’s so beautiful, Azriel.”
He breathes out a sigh of relief, only managing to move the canvas out of the way when you launch yourself into his arms, sobbing into his chest. He leans it against the edge of his bed and tucks you tightly into his arms, pressing soft kisses to your forehead. 
“Shhh, princess. I’m sorry, I didn’t mean to make you cry.” 
“I’m crying because it’s perfect,” you pull away and he’s wiping softly at your cheeks. Your eyes are red-rimmed and he hates that but he loves the way it makes your eyes pop. He studies them for a little longer, committing it to memory, something to sketch for later. “You’re perfect. And I—I love you.” 
His attention snaps onto your words, holding onto them like they could slip away like a shadow. You haven’t said that before, neither have you. And he’s been wanting to say it for so long now, was going to so many times but it never felt like the right moment. 
And it’s now that he realizes that there was never going to be a better moment than any of the times his lips formed the words, only for nothing to come out. He should’ve said it when he felt it because he knows you don’t care about the moment being this perfect thing, for fucks sake you’re crying in his arms right now and you’re telling him that you love him for the first time. 
He is such an idiot sometimes.
“I love you too, princess,” he admits in a rasp, throat thick with the words. He’s never felt something this strongly for someone before. He wants to be around you all of the time, wants to hold you and touch you and taste you. You consume him, mind, body, and soul.
You’re there, tattooed on his fucking soul, inked in the love he hadn’t known he was missing until you met. The darkness that consumed him was a starless sky, a void waiting to be filled. You. You are the moon and the stars lighting him up, brightening his days.
He fucking loves you. So, so much.
“Yeah?” you ask, your soft crying turns to happy tears, ones he can’t help but to kiss as they roll down their cheeks. “You love me?” 
“I love you, (Y/N),” Azriel says, “I think maybe I always have.” 
“That’s so not true,” you laugh wetly, trying to swat at his chest. Azriel catches your hand in his and kisses your palm, golden eyes gleaming.
“Okay,” he concedes with a grin, “Maybe not always, but for a long time now.” 
You shake your head fondly. Your eyes dart away from him in your sudden nervousness. “Az?” 
“Yeah, princess?” 
You look at the picture once more, admiring it. It’s utterly perfect, just like him. 
Pointing at it, you say, “That. I want that as my first tattoo.”
Azriel stares, shocked. “Are you sure? You know I’ll give you any tattoo that you want, but I need you to be one hundred percent positive. I don’t want you to regret anything.”
“I won’t,” you shake your head in disagreement and the softness in his eyes makes your heart swell. He looks like he can’t believe you’re real and you’re his. You’ll make him believe it and more. Later, you want to hear him say those three magical words while he’s pinning you to his sheets. Now, you want a tattoo. “This has to be the tattoo, Az. It’s us. I want us.”
He kisses you firmly on the mouth. Desperate.
“I want us too.” 
“Then let’s do this thing, Az. I’m ready.”
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
MM Taglist Part 1: @justvibbinghere @nickishadow139 @going-through-shit @honeycries @natashachelsea @thisisew @kennedy-brooke @reiincarnatiion @ccucumbers @secret-ly-here @throneofsmut @cat-or-kitten @sourapplex @magical-mischief-makers @cami26cami @torchbearerkyle @a-frog-with-a-laptop @sevikas-whore @endless-worldss @vellichor01 @bangtans-jagiya @kalulakunundrum @pinksmellslikelove @bookishbroadwaybish @justdreamstars @i-am-infinite @whichwitchisthebitch @i-am-a-lost-girl16 @sia-r @ssmay123 @haivenhoule @18crazybutcutealsopsycho @bloodicka @acourtofbatboydreams @hannzoaks @judig92 @ilikefictionalmen @harrystylesfan2686 @dr4g0ngirl @helensophie @isa1b2h3 @viatorem-maris
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javarium · 6 months
Text
“how i wonder” | r. sukuna
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it’s been ages since he’s celebrated any sort of birthday or holiday. but here he is, with the girl that’s best friends with his little brother, at her apartment with Chinese takeout and watching a Halloween movie on Christmas. and it’s nice, until the power goes out and he’s left with his own thoughts.
part one | part two | part three
w — modern! au, fluff, age gap, older man/younger woman, Sukuna is 36 & Reader is 22/23, slowburn, pining (on Sukuna’s end), Sukuna thinks too damn much in this one but he’s so intrigued by reader he can’t help it haha, celebrating Christmas solely to feel happy and not lonely (sorta; on both ends), this was originally named “snow sparrow” but then was unhappy with it lmao, and many other tags I may have forgotten lmao
[ divider credit @/inklore ]
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A man as wealthy as him shouldn’t be seen outside of the fancy home and set of cars he owns. His bank account is big, too big to be standing in the elevator of a simple apartment complex. Although the place is nice, he thinks. It’s not older than him and dilapidated and run down like some awful things he’s seen, nor was it built fresh and fancy and made to be super expensive. It was simple, and a despite liking the finer things in life, he found the simplicity rather… nice for a change.
This was only half-scheduled: meeting you at your place for the holiday. You’d been with Yuuji for a final essay assignment before the school break. Nothing major, just helping him edit grammatical errors and fix his repetitive word usage. That was two weeks ago; two weeks have passed since you made an offhand comment about “two bored people being bored together” for the the holiday.
Sukuna would never deny he wouldn’t outright admit it either that his little brother living with him brought something great into his life: a woman that he enjoyed challenging him, bringing him a new sense of vigor for life beyond the seven sins he was accustomed to.
His hands seem to be sweaty, though he’d like to think it was because of the several bags of Chinese takeout in his large hand. His left? Probably from having his phone in his hand too much. Yeah, that sounded right. He has no reason to be nervous. Why should he be? No need to dwell on it any further.
He passes by only maybe four or five people on his way up to your apartment that’s on the top floor. The few people he does encounter don’t meet his gaze; instead either intimidated or dumbstruck by his monstrous height and imposing aura and can only make a quick glance at him, probably wondering what such a person like him, especially as big as him, was doing in such a simplistic, plain apartment complex.
Sukuna eyeballs the door numbers, even on the left and odd on the right. Yours is four doors down on the right, 407 if he remembers correctly.
No, he remembers perfectly. Why wouldn’t he?
Sukuna knocks twice and readjusts the bags of warm food in his other hand. He catches himself shifting his feet underneath him like a nervous schoolgirl and almost cusses at himself, had it not been for the tiny metallic click of a lock.
You seem surprised, bewildered slightly that he’s really standing in front of your apartment door. Like you hadn’t actually expected him to take you up on the half-joking offer of spending the holidays together as two “lonely people.” You’re essentially a deer in headlights.
But a beautiful deer in headlights.
He can smell the subtle scent of lavender from you, a smell he hadn’t expected, but was certainty… entranced by it, and with a hint of something fruity mixed in there as well. The soft, navy blue sweater leans slightly more off of your left shoulder, revealing the black bra strap underneath. The black leggings you’re wearing make images go through his head that he’s tried to keep in behind the doors of his office and bedroom. You don’t even have to wear makeup, even try in the slightest to look as beautiful as you do. You’re natural, and you’re not afraid of it. You’re already confident in your own skin, even at your younger age. And heavens, does he love it.
“I didn’t think you’d actually come.” Just like he thought. “But come on in. That’s smells good.”
Sukuna doesn’t get to see the cartoon cow slippers you’re wearing until he’s taking off his own shoes at your front door. His mouth quirks up in a small grin.
Adorable.
“Food can go on the table,” you say, gesturing to the low, long and flat coffee table in front of the couch. “I’ll get drinks. Sorry if you don’t like tea, but that’s all I got.”
“That’s fine.” His voice sounds almost foreign to himself as he stands in an unfamiliar place. But at the same time, he thinks it fits. Like he belongs here in this simplistic but nice apartment of yours, here with you having dinner and spending- You know what, he can stop thinking for a moment and focus on the present.
He’s in deep thought as he takes in the expanse and decor of your home further. It’s nice, definitely nicer than what he expected. His eyes take it all in, but finishes when his eyes land on the cute little Christmas tree tucked away in the corner beside the door to the patio, with tiny, glittery ornaments twinkling as the interwoven, multicolored lights shine against them.
God, you’re almost too cute.
But he couldn’t help but wonder for a small moment how you were faring expenses for this place, alongside groceries and going to school most of the time.
“You must manage your finances well to live here,” he hums.
“I’m not as dirt poor as I used to be, I’ll say that,” you reply. “But even then, being stingy will always be ingrained into my DNA.”
“Even if you have the world at your feet?”
You point to him with the index finger wrapped around your cup of tea, smiling. “Keyword: always~ World or not, the bare necessities are fine for me.”
He swallows down what your words do to him and tries to keep a straight face. He doesn’t like it, doesn’t like the way you inadvertently say you’ll always feel like you’ll never have anything to desire or genuinely want outside of pure necessity. Sukuna doesn’t like how natural it sounds, how uncaring you are towards wanting more than what you have now. He knew you were like this somewhat, but not to this extent. It makes him… a little angry.
So, now he knows the diamond necklace he bought you won’t be received like he wants it to be.
Guess I’ll have to save it for another time, he notes tactfully, watching you settle the food on the table and hop onto the couch and get comfortable.
The ambience of your home is a change of pace Sukuna didn’t know he needed. Until now.
He’s a giant, giant man, so he takes up most of the couch, even with it being relatively large in itself. You don’t seem to mind however, with the way your feet are barely a centimeter away from touching his leg.
“Any movie or show preferences?”
“Anything but Yellowstone.”
You snort. “What do you have against Yellowstone?”
“Dialogue’s too goddamn fake.”
You toss your head back and let out a boisterous laugh, giggling like a madwoman.
“So, the Powerpuff Girls then?”
“You’re not five.”
“Everyone has an inner child.”
Sukuna grumbles. “Just put it on fuckin’ Yellowstone.”
You throw your hands up in mock surrender, right hand only a few fingers lifted from holding the remote. “How about… Squid Game?”
“For a Christmas show? You’re weird as hell.”
“The Nightmare Before Christmas?”
Sukuna chuckles and shakes his head. “I’ll let you decide.”
The spooky movie is ultimately what you choose, and Sukuna finds it nothing short of amusing. He’s not fully interested in the movie, mostly interested in you and the quirkiness that made you choose such a movie on a day like this. His eyes flicker between you and the movie, watching you munch down on the lo mein.
It’s been ages since Sukuna has allowed himself to indulge in relaxation, allowed his mind to think of absolutely nothing but the childish movie in front of him that was picked out for him.
One would think a man like him would let his attorneys and the supervisors directly underneath him do all of the thinking for him while he bathed in his own riches. Sukuna did, yes; he used to. But he knows that one step too far into indulgence could mean the end of everything he put all of his blood and sweat into. And that was why he was so involved in his business, rather than let someone else handle it.
But here he was: indulging himself. (But it wasn’t the same as being on a yacht with women somewhere in the Caribbean.) Perhaps the difference was it wasn’t indulgence of sin, but rather the indulgence of peace and quiet; the desire for more than the company of a one-night stand.
You certainly deserved better than any sort of degrading, essentially whore-like treatment the women he used to be around were given and treated themselves as. You were nothing like them, not even slightly; you would never willingly to jeopardize your morals and dignity, not even for a chance to be with someone like him, as wealthy as him. That kind of interest was on the back-burner. As much as he hated it, he respected it just as much.
Sukuna half-watches the movie as he eats the takeout, not having seen it since one of his first girlfriends as a teenager introduced him to it. It was never important, never intriguing enough for him — nothing but a waste. But now, since you chose it, now it was enough for him to watch it. He finds he enjoys Jack Skellington, amused by his desire to take over Christmas Town. He also feels some sort of similar between him and Jack, regarding Jack’s interest in Sally and him… with you.
“You want a refill?” you ask suddenly, drawing the man from his thoughts. Sukuna looks down, seeing that he was almost out of the tea. Had he been so deep in his own thoughts he didn’t know he’d been sipping away at the drink? He almost scoffs in disbelief.
“If you don’t mind,” he replies. But he figures he’s going to need to use the restroom soon.
“Bathroom’s first door on the left,” you say, getting up after pausing the movie. He’s dumbstruck for a moment. Were you a mind reader?
Sukuna watches you in the reflection of the television. Even just refilling the drinks, you manage to enamor him. You seem so poised, yet so uncaring that someone of his status was sitting in your living room, watching a corny Halloween movie for Christmas. Perhaps being so uncaring went hand-in-hand with how poised and calm you were? There shouldn’t be any other explanation than that.
But why? He wondered what made you unlike the other women, even ones at your age that were nothing but a flustered mess at the mere sight of him. Why weren’t you the same?
He excuses himself to the bathroom and makes it quick. He sees the bottle of lavender body wash, then notices the shampoo, conditioner — the fruity smell he inhaled earlier. With a quick glance, Sukuna sees no perfume either, which perplexes him.
There’s no way she could possibly… Sukuna ponders, but doesn’t finish the thought. And all of a sudden, the lights flicker, hard. It’s something that’s been happening for the last hour or so, but it’s been something he’s ignored until now.
Sukuna ambles back into the living room, seeing the lights dim just as hard as a few seconds ago. Your still in the kitchen, but narrow your eyes slightly at the darkened lights.
“I didn’t see this place as having bad electricity,” he hums, sitting to face the TV, continuing to watch you in the reflection.
“It doesn’t,” you reply. “I suspect the snowstorm’s fixing to get bad enough to knock the power out soon. Now would probably be a good time to leave. I can still see a few snow plows out.”
“I’ll pass,” he replies coolly. “Besides, two cold and lonely souls are better than one.”
He doesn’t know why you let out a tiny snort and giggle, but you do. (A little flower of pride wants to bloom in his chest.)
You lift the lid to the slow cooker and stir. The smell of chocolate reaches his nose after you seal it.
“It’s almost done,” you suddenly speak, “if you’re done watching my reflection in the TV, would you like some hot chocolate?”
Busted. Sukuna knows that he’s now the deer in headlights; his heart thumps harder in embarrassment like a schoolgirl’s would.
“How sweet is it?”
“I’ve no idea. I fucked around with the recipe, so we’ll just have to find out.”
A sudden click is heard, and all the lights fade instantly. It’s completely dark, pitch black almost that neither you nor Sukuna can see in front of yourselves. He moves to stand, but you interject. “Sit, please. I don’t need your big ass knocking my shit over. Nor you getting a concussion.”
Sukuna laughs. “You have it covered then?”
“Could walk this place if I was blind,” you joke with a small snicker.
He watches you find four different candles to light up your apartment, one each for the kitchen and bathroom, and two for the living room. You disappear into your bedroom down the hall for a few moments, then you come back with a surprising, heaping mess of blankets hiding your form from nearly head-to-toe.
“Help me, please? Don’t let it fall on the food.”
Sukuna stands and his big arms wrap around the bundle of blankets, lifting them from you with ease. You pluck one from his grasp and quickly put it over the couch for extra warmth. You’re not about to freeze your ass off with him here.
You get under the blankets fairly quick. It takes nearly two king-sized ones you’ve had tucked away to cover the colossal man that is Ryomen Sukuna.
“Think the food is still warm?”
“Barely.”
“Are you gonna finish the lo mein then?” you ask.
“You can have it.” He half wishes he hadn’t eaten before he came so he didn’t seem so… uninterested in the food.
You have absolutely no shame devouring the remaining food as much as you possibly can in front of him. You eat as much as you can, but there’s still enough of the food left for him if he wants it. It just a matter of it getting cold, you think.
The temperature drops faster than you anticipate though. When you chuck the empty box of noodles into the trash from the living room (you made it, huh, that’s weird) a gust of wind rattles the patio doors, seemingly almost shaking the foundation of the complex. You hear a hum of surprise from the older man next to you as you huddle under the covers more. You shudder from the onslaught of the cold.
Sukuna sighs heavily. He pulls his arm from the blankets “Come ‘ere.”
He almost laughs at the blanched expression on your face. But after a few moments, you cave, scooting yourself closer to him until you two were practically touching thighs.
You squeak as he lifts one of the blankets with one hand and you with the other, trapping you under the second layer.
You shake your head and snort. “God, you’re shameless.”
Sukuna belts out a boisterous laugh. “Shame has never come easy for me.”
You scoff playfully. “I’m sure it hasn’t.”
“Nor does it for you,” he retorts.
And then you admit something that’s going to be on his mind for the rest of his time here. And perhaps for days after this, too: “Mine is more of a learned habit.”
Another gust of bitter cold shakes the patio doors again. You shiver. “Jesus, I didn’t expect it to get this cold.”
“Or for the power to go out.” He huffs. Like second nature, for both of you, he pulls you closer, and you lean into his massive body, taking in the heat his body.
Goodness, you think, closing your eyes, he’s a furnace…
Today certainly hadn’t gone as he expected. The last thing he was anticipating was a snowstorm blowing out the electrical system for several cities, snow falling several good feet and keeping him in the apartment of the woman he’s fallen for.
But you’re what is consuming his mind.
You’re on his lap, eyes closed and resting your head on his chest. You’re so small. Regardless of height, virtually anyone would be smaller than him; he’s a behemoth of a man, yes he knows it.
You, compared to him, are simply tiny, like a bird in the hands of a giant. So delicate, so small and cute. But as delicate as you are, you’re not glass. You’re small like a sparrow, but at the same time you desire freedom, using your wings to fly wherever and do whatever, regardless of how hard life would make your wings have to flap. Your soul isn’t easy to chain down… It’s beautiful.
“Does your brain always run a billion miles a minute this late?”
He grumbles. “Sleep, would you?”
“Your brain has no depth, does it?” you say. Then you ask, “Are you even okay with me sleeping on you?”
“If I wasn’t, we wouldn’t be in this position, would we?”
You yawn in reply, nestling your head comfortably on his torso. A small “okay” leaves your lips, and you seemingly have no problem steadying your breath and falling asleep against his chest. It’s nice, being that way for a good few minutes. Well, until you prove you’re not asleep like he thought.
“Wanna talk about it?”
Sukuna almost jumps and cusses, “Goddamn it.” You seem to know that you’ve startled him and laugh in return.
You keep conversation easy; although the two of you talk anything but what is on his mind. That’s not something he’s ready for. He’s still sorting out his own feelings, seeing if they’re beyond just being enthralled with you and your personality. Seeing if what he’s feeling is just high intrigue for you as a person, or whether what he’s feeling is going to lead to something more, beyond intrigue and fascination.
Because he knows that you won’t be able to stay forever. He knows that you, your soul, isn’t going to be easily bound by just anyone. He knows that you want to be unbound, he sees it in your eyes and hears it in your voice; he sees the desire to live freely in the way you carry yourself, the way you act and behave. But holy shit; does he want to be the one to change that.
You carry conversation easy, but eventually you fall asleep on him. The hot chocolate in the slow cooker is forgotten, but he’s sure it’ll be just as good in morning.
Sukuna, as he closes his eyes, wonders about the things you want. Where you’d want to go and the things you want to do. That kind of talk, however, is reserved for a time where there’s a deeper connection between the two of you. It’s reserved for a time where your walls are down and you’re no longer on guard, no longer having your walls built higher than heaven and deeper than hell.
For now, you two are two lonely souls celebrating Christmas, cuddled up to one another for the sake of warmth and nothing more during a sudden blackout.
It would be ludicrous to wonder if you’ve ever wanted to be loved and cherished, married to someone that would cradle your head and tilt it back to kiss you with the utmost devotion a human heart could give.
Now wouldn’t it?
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a/n: I know that this is slowburn and everything, but it feels… superbly subpar? pls let me know if you guys think otherwise. this went about 85% of the original plot I had in mind so that’s a plus haha. I have full intent of picking up a bit on the romance aspect (of reader beginning to develop feelings) of this series in the next chapter, which briefly takes place after this one (I promise there’ll be at least one kiss)
taglist: (basically everyone that rb’d and commented on the first [for those that tagging worked on] ;; closed)
@vagabond-umlaut | @poe-daydreams | @thedovahqueen | @lotus-n-l0ve | @chiyoso | @miraclecherryblossomsblog | @unbreakableblueheaven | @marscatbutler | @vanillabloo | @wo-ming-bai | @visionsofmagic | @tohsri
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wynnyfryd · 6 months
Text
Trailer park Steve AU part 22
part 1 | part 21 | ao3
“…Go ahead,” he relents with a heavy sigh.
He turns the radio back on for background noise, and Robin launches herself into a breathless recap of every minute detail she’s ever learned about Eddie Munson. Genuinely impressive how quickly the words come out; Steve thinks that if her dream of becoming a linguistics researcher ever falls through, she’s got a bright future ahead of her as one of those speedreaders who rattle off the fine print at the end of pharmaceutical ads.
Warning: Discussion of Eddie Munson may cause nausea, heartburn, palpitations, sweaty armpits, and an inconveniently timed half-chub any time you use a pocket knife. Talk to your doctor to see if Discussion of Eddie Munson is right for you!
“Which brings us to tonight,” she’s saying when he zones back in. “Let’s examine the facts, shall we?”
“Must we?”
“Yes, we must.”
She makes a loose fist, lifting her pointer finger with an aggressive flourish to kick off her ‘list of reasons Eddie has a big, fat crush on you.’ “Fact number one: he was conveniently wearing a super nice outfit.”
“He said he ran out of laundry.”
“And we’re buying that?” she scoffs. Her middle finger springs up to join the first one. “Two: he was so disgustingly up in your personal space. Like, you really should have seen it; it was—”
Mwah. Mwah mwah mwah. “Yeah, I don’t need another demonstration.”
“Three” —there goes her ring finger— “he came to a movie rental store that you just so happen to work at and then left without renting a movie.”
“Because you did something to spook him!”
“Which brings me to my fourth and final point.” Her pinky lifts up to join the team, fingers spread wide like a paper fan, and she telescopes her arm to shove them back and forth under his nose until he goes a little cross-eyed and bitches about her distracting the driver.
“Cut it out! You want me to drive us into someone’s trash cans?”
“Wouldn’t be the first time.”
“Yeah, well I’m sending you the invoice when it scratches up the paint.”
She retreats to her side of the car, curling her back against the door and repeating, “My fourth and final point: I think he thinks we’re dating.”
“And? Everyone thinks we’re dating.”
“No, everyone wants us to be secretly dating,” she corrects. “But I’m pretty sure Eddie actually thinks I’m your girlfriend. You remember last week when you dropped me off at school?”
He does. Eddie had actually been there early for once; had been sitting on a bench out by the soccer fields, looking surly and half-asleep while he sucked down a cigarette. Hair all messed up by the wind. Looked kind of dangerous. Wild.
“He was, like, fully glaring at me when I walked into school that morning, and then he was super rude to me in band. Which, at the time, I was like, ‘oh, well I guess that’s just Eddie no one can ever tell what his mood’s gonna be like from day to day,’ but noo-o-ow…”
She starts squirming in her seat again, excitement overflowing as she finally cracks the case. “Now it all makes sense! Oh, my god! He totally hates me because he thinks we’re dating, and I’ll bet you anything he either didn’t know we work together or didn’t expect me to be there tonight and he totally, one hundred percent was there to flirt with you because he’s in lo—”
“Okay, Detective,” he cuts her off, because the tips of his ears are burning, and he doesn’t think he can handle her saying the L word out loud right now. “You’ve made your point, thank you.”
“Tell me I’m right.”
“Uh, no.”
“Come on.” She jabs at his side. “Tell me I’m right tell me I’m right tell me I’m—”
“—A fucking menace? Gladly.”
“Translation: I’m right and you’re mad about it,” she smirks, victorious.
Steve knocks his forehead against the wheel as he pulls up to her curb. “Why do I drive you places?”
“Because you love me." She flips her visor down to freshen up her lip balm, mumbling around the chapstick, "I’m adding Surly Best Friendlish to my list of fluencies; I think it'll really make my college applications pop."
"Yuh huh," Steve grumbles. The thought of Robin leaving for college always sits in his gut like raw bread dough — thick and heavy and gross, rising to form a swollen lump in his throat. "Didn't you already submit all of those?"
"Yes, I diiiid," she sings, shimmying her shoulders with pride. "Duke's gonna say yes, I just know it. Picture it with me: Robin L. Buckley," she gestures to an imagined marquee somewhere just beyond the windshield, "class of 1990."
Steve swallows the urge to be a sulky dick about it. "They'd be lucky to have you," he says quietly.
"Nope. No no, none of that. No moping." She tugs at his arm; links their elbows together. "You're not allowed to mope when we have a party to get ready for."
"No, you have a party to get ready for. I'm going home."
"Steeeve-uh!" Holy shit. He just had to be soulmates with the whiniest lesbian in a 500 mile radius, didn't he? "Come to the bonfire party with me!"
"Yeah, that's a no."
“It’ll be fun!"
It most certainly will not be. "You really want me to go freeze my ass off in the woods all night while a bunch of former classmates talk shit about me the second they think I'm out of earshot?" He's been to enough of his parents' 'networking events' over the years to know exactly how that'll go. A full night of subtly closed-off body language, smirking whispers and judgmental glances that dart away as soon as he meets them head on. Fuck that. "Thanks, but I'll pass."
He just wants to go home. Feels momentarily sick with the desire to drive himself to Loch Nora.
"What did I say about moping?" Robin asks. She shoves into his space, hugging his arm tighter and deploying her most lethal sad wet kitten face (and Steve doesn't even like cats; this shouldn't fucking work on him.) "Pleeeease," she begs. "Vickie's going to be there, and I could really use a friend."
"So ask a friend!"
"I am, dipshit!"
Oh, my god. Oh, my god. Goddamn this woman. Steve hangs his chin to his chest in defeat, notices the weird stain he got on his shirt during work. "I have some conditions," he concedes.
She throws her arms out wide. "Condition me, baby!"
"First— ew. Okay, I don't like that; don't call me baby." Yeesh, and furthermore, yuck. "First, I'm borrowing one of your shirts, and you're probably never getting it back."
"Understandable,” she nods as she gets out of the car. Steve follows her out, propping his elbows on the roof.
"Secondly,” he continues, “I'm getting very drunk at this stupid party, and you're figuring out how we get home."
She reaches out over the top of the car; gives his hand a quick squeeze when he puts it in hers. "That's three things," she says fondly, "but I can work with that."
part 23
tag list part 1 below the cut; comment if you'd like to be added tomorrow (not tagging ageless or under 21s unless we're mutuals or you let me know your age ✌️)
@a-little-unsteddie @ahsokatanoss @alyelf @anne-bennett-cosplayer @aol19 @awolfstudio @bambibiest @bananahoneycomb @bronwenmarie @cheonsazu @cinnamon-mushroomabomination @courtjestermunson @dauntlessdiva @dawners @dontwasteyourchances @eddie-munsons-missing-nipple @eriquin @estrellami-1 @fandomfix8 @griefabyss69 @grtwdsmwhr @hallucinatedjosten @hellion-child @hiimlevi @honoragreyskull @hotluncheddie @jackiemonroe5512 @kas-eddie-munson @littlebluejane @marvel-ous-m @melonmochi @messrs-weasley @milklechee @mrsjellymunson @mugloversonly @munsonslure @nburkhardt @nerdyglassescheeseychick @notsopersonalcharlie @novelnovella @nuggies4life @questionablequeeries @runninriot @silver-snaffles @singmeyoursimpsong @slowandsteddie @slutabed @slutforcoffein @solalasoforth @spookednsaucy
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strawhbrrries · 11 months
Text
Cowboy hats.
pairing: dbf!southern!frank castle x afab!reader
summary: five days and five nights without a single word from frank, what an asshole. an asshole who looks too damn good in a cowoy hat.
warnings: age gap (reader is 22, frank is 52), use of pet names, dirty dirty thoughts!!!,unprotected p in v sex!!, praise kink asf, soft frank, frank being an asshole for the first like two thousand words, cowboy hate frank, no mentions of y/n, no descriptions of reader, not proofread
word count: 4015 words
author’s note: end of the road for darlin’ and frankie (probably not, i absolutely will write more, smaller, things for them, but this is the end of the cowgirl series!! I loved writing for them and hope i did them justice!! I hope you guys it enjoy it, mwah 
read the first one here, and the second here !
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It had been five days, five entire days and nights without speaking to Frank. Not that you didn’t try, you had been texting him. Multiple times. Just to get “read at 2:30” every time.  Every. Damn. Time. He brushed you off if you spoke to him in person, ignored your texts, you would soon resort to carrier pigeon. What the fuck happened to Frankie who was calling you his girl? The fucking 180 he pulled was pissing you off. The rational side of you tried to convince yourself he wasn’t your boyfriend, he had made no promises to you, he was free to ignore you all he wanted. No matter how angry it made you. The irrational side didn’t care, he had been inside of you raw, he owes you some explanation. What a fucking little fuckboy move to fucking make. 
Ironically, Boyfriend by COIN played through your car. Not now.
“I don’t wanna be your boyfriend,
When you need a little company,
I don’t wanna be your boyfriend,
When there’s not another phone to ring.”
You searched through the passenger seat for your phone once your car was safely stopped at the red light, this was absolutely NOT the song to play. Of all the songs on your playlist, of course it had to be this one. The universe wasn’t done playing cruel jokes on you, it was almost like it wanted to see you suffer just a tiny bit more. A black truck pulled up next to you, in the left turn lane. Frank’s black truck. That Frank was driving. It would take a miracle to save you from driving your car off a cliff, today was testing you and you were losing. He shot you a smile from his driver’s seat, giving you a two finger wave without lifting his hand off the steering wheel.
A smile. The nerve of this guy. The fucking nerve.
The light turned green before you were able to yell all the expletives you knew in all the languages you knew them in. Deep breath in. Deep breath out. You were meeting Tiff at a bookstore for a girls day, she was going to get an earful of what happened five days ago and the fucking nerve he has to act this way. 
“I mean, he is fifty. Right? Maybe he’s just not used to dating culture. He had a wife previously, I think, so just talk to him.” Tiff reasoned, tracing her finger up the spine of a book before pulling it off the shelf to read the description on the back.
“Even if dating culture is different, he gave me his number. Said we’d talk later and has given me the coldest shoulder possible. Then has the nerve to smile at me like none of this has happened.” You whined, frustrated that this was even happening. Initially, you had planned to just be pretty and reap the perks of it this summer. Not get hung up on an older man that’s best friends with your dad. 
“Does he even know you’re angry? I mean he’s not a mind reader and neither are you, ambush his house when you know he’s there. I don’t think he’d shy away from being alone with you.” She teased, poking your side and placing the book back in its rightful spot on the shelf. “Then, you can set boundaries and what not. Fuck. And make up!”
“I would sooner punch him in that smug attractive stupid fucking face.” You rolled your eyes, knowing deep inside the next time he was in your presence and willing to take you to bed that you would be there. You didn’t know how to say no to him. 
“We both know that is the furthest thing from the truth.” Tiff raised her eyebrow at you and cocking her head, daring you to argue about it. 
“Shut up, I’m trying to learn to have some self control.” You tried to hide a smile, failing miserably and rolling your eyes instead. “I’ll ambush him later, he better be there or be prepared to feel my wrath.”
“That’s my girl!” She laughed, clapping her hands the best she could with the books in her hands. “Make sure he really understands the anger. The rage!”
To keep true to your word, you drove by his house on the way to yours to see if he was home. He wasn’t. Fucker. You knew it wasn’t intentional but it sure felt that way, because of all days and of all times he wouldn’t be there. However, to your surprise, he was parked in your driveway. You parked in your usual spot and headed inside, stopping right inside the house when you heard the two men inside.
“How was your date the other night?” He went on a date, what the fuck?
“Horrible. She was still hung up on her ex-husband, talked about him all night.” Good, hope every woman you go on a date with does that. Asshole.
“Sorry man, you’ll find someone someday.” Your dad tried consoling him, your anger was bubbling and the next word of this conversation was going to be your breaking point. Did the sex truly mean nothing to him? Did you mean nothing to him? Were you just a quick fuck to get the desire out and then move on? 
You closed the front door loudly to announce your presence, walking into the kitchen where said men were sitting at the kitchen table. Frank had his legs spread, hand hanging between them with a beer in his hand. The kicker was, he was wearing a cowboy hat, his hair fluffing out on the side. To add onto the never ending list of things making this, currently insufferable, man so attractive he was wearing some sort of red henley with the top buttons undone so you could see the gold chains decorating his neck.
“Hey daddy!” You smiled at your dad, handing him a book he had mentioned twenty times he wanted to read. Your words caused Frank to clear his throat and sit straighter in the seat, you could play his game much worse than he can.
“What’s the occasion, honey?” He always had weird ways of saying thank you, as in he never really did and would instead pay you back by making your favorite food for dinner tomorrow or ordering a dress you really wanted. You figured it was just how he grew up.
“You deserve it, daddy! You do so much for me and treat me so well! I’m gonna take a shower.” And with that you were off up the stairs, flipping Frank off once you got to a point in the stairs where the wall covered you.
You locked your bedroom door. He didn’t need to come in here and desecrate your room anymore than he already had. If he didn’t have such a big dick and fantastic hands you would’ve murdered him already, why bless bad men with great appendages. 
Your mind raked itself for answers, you truly couldn’t come up with one that didn’t end with you not being good enough for him. The date was the trulying baffling part to you, the cold shoulder you could deal with just fine but the date was just cruel. If he didn’t want you he shouldn’t have left his number, shouldn’t have fucked you within an inch of you life, shouldn’t have called you his. He shouldn’t have even read the messages, deleted them and blocked your number. He read them and actively chose to not respond, you didn’t know if it was any worse than just blocking you. If the universe was cruel, Frank castle was worse. 
Your door knob jiggled, quite a few times before you heard the sound of boots going downstairs. You knew he would come up here and try to act like it was all peachy keen, like he hadn’t been twisting the knife he placed in your back. Your phone dinged.
I know you heard, at least let me explain.
You scoffed, rolling your eyes at the absolute nerve he has had today.
No.
Darlin’, please.
Fuck off, Frank.
Fucking COIN was right, he didn’t want to be your boyfriend. How fucking foolish could you have been. How could you imagine he’d settle down for a twenty-two year old girl who was related to his best friend. You flopped down on your bed and let out a very long, very needed, scream. The tears started coming, you hadn’t been this emotional in a very long time, the tears you had initially shed over Frank turned into tears over everything you’d bottled up. Your tears comforted you into dreamland. You awoke to four texts from Frank.
It’s not how it seems. Sent 9:30pm
Darlin’ I swear, I had to do it. Sent 10:05pm
Two nights with you has me ready to fill every ocean with blood, sweat, and tears for you so don’t act like that. Sent 5am
Your dad set up the date, I couldn’t not go. Was I supposed to tell him I’d rather be fucking his daughter? Sent 5:30am
It didn’t matter to you that your dad set the whole thing up, you responded with a simple yes and placed your phone back on the nightstand you picked it up from. Men are so stupid, you could think of two ways he could’ve gotten out of the date without you being involved. Still doesn’t explain the five day freeze out, if he had been honest about the date it wouldn’t have mattered . As much. He better come up with the best damn excuse for this shit or you swore you’d never speak to him again.
Frank’s phone dinged in his pocket, he’d been waiting all morning for you to respond. He knew you would, just as you were his vice. He was yours. The second you walked in the kitchen last night it was taking all his self control to not pull you onto his lap, continue his conversation with your dad, trailing his fingers up and down your leg. He knew you were angry with him, you had every right to be, but he didn’t know how to even begin explaining the situation. Your dad was being suspicious, he thought it was odd that Frank spent an extended amount of time in your room the other night, thought it was weird that everytime your name was mentioned Frank’s nostrils flared and his jaw tightened. It was your dad who suggested setting up the date, watched Frank’s face as he brought it up to see if he’d give away anything. Frank was saving you both, he was doing this for you. In some twisted way.
The date happened the night after he slept with you, he felt guilty to have gone behind your back. He didn’t want to see you look so excited to see him when he felt tainted. He didn’t do anything with the woman, opened her car door and moved back her seat but he never once laid a finger on her. Her smile wasn’t as sweet as yours, her laugh not as gentle and filling, and she wasn’t nearly as beautiful. Frank spent most of the date thinking of you and how he wished it was you in front of him, not this woman who couldn’t be bothered to speak of anything besides her ex-husband. He thought she’d get the hint that he was bored, he stopped responding to her questions and was now scanning the restaurant making up stories about the other patrons to pass the time.
He just wanted to be with His cowgirl.
Seeing you in your car yesterday made the guilt twist in his heart, he needed to speak to you. But you didn’t want to speak to him, especially not after what you heard in the house. That’s why when his phone dinged and he had the feeling it was you, his face lifted and he was filled with a warmth only you could give to him. The one word you replied with had made the past five days almost bearable.
You know I can’t do that. Can I see you after work? Please, darlin’
He placed his phone back into his back pocket, taking a deep breath as he awaited your response. God, he hoped you responded. It didn’t matter if you didn’t say a word to him the whole time he explained it, he needed to see you and he needed you to understand why he did what he did. He meant what he said, he’d fill every ocean on the fucking planet with blood, sweat and tears if it meant your happiness. He’d go back to the life he left to ensure your safety. 
Fine.
If the rest of the day was the worst day possible he could deal with that, he could deal with anything as long as it meant getting to see you when he got off. He truly didn’t know how you would react or what it meant for the two of you going forward. He could only hope for the best. Whatever that even was.
You spent the rest of the day thinking about what he could possibly explain to you, it was clear that he wasn’t as interested as you thought before. Would you even believe it, whatever his excuse was? Or would you immediately forgive him because it meant he would be back in your life, would you forget it even happened and go back to playing girlfriend. You wanted to forget, to act like it never hurt, but you wanted him to understand how it felt. To be treated like the top of the world and then dumped like you meant nothing. 
You wore red.
That was the first thing Frank noticed as you walked up his driveway clad in a flowy red sundress, you remembered his favorite color and the conversation about wearing it the next time you saw him. Forgiveness was in there somewhere, he knew it. You noticed he was wearing that damn cowboy hat again, damn he was playing a hard game. 
“Thanks for coming darlin’, I was kinda worried you wouldn’t.” He didn’t stand up from his chair on the porch to greet you, in some way you were kinda glad but you mostly figured it’s because you’re on his porch and everyone can see.
“Yeah, I just hope you’ve got something real good up your sleeve.” You responded bluntly, sitting in the chair next to him and smoothing your dress out. “You’re an asshole, Frankie.’
“I know, I fuckin’ know baby. Just listen, okay? I’ll explain and then you can fuckin’ obliterate me but I need you to listen.” He sat up straighter, reaching to take one of your hands in his, rubbing his thumb across the top.
“We don’t have all night, I suggest you start talking.” He could’ve swore he saw a hint of a smile playing on your lips as you spoke.
“Your dad, I know I can’t blame it all on him. He came to me, after I left your room, and he hinted he was a bit suspicious of us. What he said doesn’t matter, just know he was suspicious. He said he had a date planned for me, thought it would be nice for me to meet a woman ‘my own age’ and gave me the information. Darlin’, if I said no he would’ve caught on the next time I spent more than a minute with you, I did this for us. For you, baby. I didn’t touch her, barely spoke the whole time. She spent more time talking about her ex-husband, I’m not sure she even knew my name,” you giggled at that, she didn’t deserve to know him,”Took her home, didn’t give her my number. Nothin’. I came here and thought of you, all night. Thought about how I was supposed to tell you. I felt gross, and I’ve done bad things darlin’. Bad things.”
“I don’t care what bad things you’ve done, because that’s not you. Not now.” You whispered, taking your free hand and caressing his cheek. He leaned into your touch, so soft and warm.
“That’s the thing, I’d do it again. I’d do all those bad things again, for you.” He admitted, watching you process his words. It should’ve scared you, should’ve made you run off his porch and block his number. It excited you, made your core throbbed at the thought of someone loving you enough to do those ‘bad things’ he spoke of. You were smart enough to make your own conclusions about what he meant.
“But why did you ignore me? That really hurt, Frankie. It really fucking sucked.”
“I told you. I felt gross, undeserving of you. I went on a date with someone who wasn’t you and it was eating at me, even if my reasons were just.” He truly looked apologetic, you came here looking to stick it to him but you melted the second he started talking. He did it for you and you were sat thinking he just didn’t like you and wanted a quick fuck.
“Frankie..” You whispered, looking at him like he’d hung the moon and all the stars. Scanning the other houses to predict who could’ve seen you here.
“Don’t do that. Don’t look at me like that, darlin’.” He groaned, tipping his head back and squeezing his eyes shut. You were a goddamn dream.
“I’d like a tour of your bed.” You giggled, the way you figured was he at least owed you some sort of makeup sex. You were melting the second he said he’d do bad things for you, he had to fix the problem he started.
“Mmm I can arrange that, c’mon cowgirl.” He tightened the grasp on the hand he was holding and led you inside, it smelled just like he did. Slight scent of gunpowder, tobacco from the cigars he smoked with your father, some sort of leather and coffee. You could drown yourself in the scent.
“Your place is so…you.” You observed. There were more cowboy hats hung up by the door, more boots on the floor, a whiskey cabinet in the living room which led you to assume everything else was held in his kitchen, the lighting was dim. 
“Might shock ya to hear that I live here.” He teased, leading you through the kitchen and down a hallway to his bedroom. His room was sparsely decorated, he was only a man what could he say. 
“I would’ve never guessed.” You smiled, letting go of his hand to flop down on his bed. It wasn’t nearly as comfortable as yours, didn’t have nearly as many blankets and pillows. 
Frank slid his hands down your thighs as they hung off the bed, admiring the sight of you in his bed. He didn’t deserve you or what you were about to give him. But Frank Castle was a greedy man, he’d take everything you were willing to give. Especially when it came to you. He slowly massaged your thighs, moving both hands to one of your legs and massaging all the way down. You propped yourself on your elbows, watching him curiously as he massaged you.
“What’re you doing, Frankie?” You asked softly, genuine curiosity present in your voice. His lips lifted at the nickname, as they did every time you called him that since the first time.
“Jus’ lovin’ on my lady, do you have a problem with that?” He tilted his head down and raised an eyebrow, the cowboy hat slipping a bit as he did so. 
“Nope, no problems. Just thought you were gonna take me to bed, ‘s all.” 
“You know how to pick my brain, findin’ all the right things to say and when to say ‘em. My pretty girl, made just for me. Ain’t that right?” He let go of your leg, hiking your dress up so he didn’t sit on it when he straddled your waist. “Knew this was gonna happen, huh? Did ya find the laciest red panties you could find? You got words, I know you do.”
“For you, told you I’d do it.” You pulled the top of the dress down to realize the matching lacy red bra, all for your Frankie. He let out a low groan, you were too good to a man who didn’t deserve you. Too tainted to touch the pureness of your soul.
Frank helped you out of your dress, throwing it into the corner of his room, he stared at you a long time. The matching red set was something out of his dreams, he wanted to sear  the image of you wearing it in his bed in his head forever. He ran his hands over your stomach, your thighs, anywhere his hands could reach. It’s crazy how fast a person can come to mean so much to you, especially when they’d been around for years. One night changed everything for the both of you, changed the meaning of love for Frank. He’d figure out how to get your dad on board late, for tonight you were his sweet thing to make sweet love to.
The cowboy hat was left on at your request, he didn’t mind as long as you kept letting the giggles out when it bumped your forehead as he thrusted up into you. Your red bra was left on at his request, a reminder that this was all for him. That it was all real and not some cruel dream. Your moans and whimpers a sweet symphony to his ears, he’d pay over and over and over to hear. Your nails gripping his back, when he checked in the mirror later that evening it’d be adorned with light pink scratches and half moons scattered across it, holding onto him like he was going to disappear again. His thrusts were slow but deep, hitting all the right spots inside you, his hands holding your head to look at him as he showed you everything he couldn’t say with words. 
His words were equally dirty and sweet, just like him.
“Pretty baby, you feel how you’re squeezin’ me?”
“God, gonna lock you away. Keep you all to myself, use you when I want. Make you my pretty housewife.”
“”S alright baby, Frankie’s got you. Gonna take good care of this pussy, make ‘er feel good.”
The two of you came together, he talked you softly through the whole thing. Peppered kisses across your face and down your neck, praising you for how good you did even though he did all the work. He traced his initials, FC, above your heart with his fingers before placing a kiss right where he traced. Marking you, invisibly, as his forever and ever. 
“Don’t ever go on another date with another woman.” You teased softly, looking up at him when you came to.
“I’m not doin’ nothin’ with another woman that’s not you. Promise, darlin’.” He placed a soft kiss to your lips, nipping at your bottom lip and pulling away to look at your face. He wiped away the sweaty hairs that had stuck themselves to your face.
“Good, my Frankie.”
“Your Frankie.” He’d softened in his older years, in his years with you he’d soften even more than previously thought. Frankie, as he came to be known to everyone you introduced him to, never could say no to you. That included the day you decided you wanted to tell your dad about him, you were tired of sneaking around. Even if it was fun. You’d been in an actual established relationship for a while at that point, he was going to find out eventually. In true Frankie fashion he sighed, shot back the rest of his whiskey and said Okay, darlin’. The mental battle he fought, briefly, about you lost the second you assured him you’d traverse it together. Loving you was the best thing Frank Castle would ever come to do in all his life.
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noneorother · 7 months
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All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*
The Bonkers Meta Series part 2: Electric Boogaloo.
I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.
And when I tell you what I found hidden in there, you’re going to need Eccles cakes...
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1) The Song is the Clue
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So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:
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You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 
Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?
2) Symmetry in all things 
Before I straight up tell you, we have to go back and look at season 1.
Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2
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Oh that’s a bummer, I thought to myself. 
They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):
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After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 
First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.
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But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.
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There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.
My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.
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If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.
So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.
Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.
How are we going to get to 62?
3) The real missing track. 
So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.
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I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 
You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.
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So my fellow beings, if the song is the Clue, then It’s what God Wants.
And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.
-----------
And there's more where that came from! Part 2 coming shortly.
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Why Millennials aren’t leaving Tiktok
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I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me TOMORROW NIGHT (Mar 22) in TORONTO, then SUNDAY (Mar 24) with LAURA POITRAS in NYC, then Anaheim, and more!
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The news that Gen Z users have abandoned Tiktok in such numbers that the median Tiktoker is a Millennial (or someone even older) prompted commentators to dunk on Tiktok as uncool by dint of having lost its youthful sheen:
https://www.garbageday.email/p/tiktok-millennials-turns
But "why are Gen Z kids leaving Tiktok?" is the wrong question. The right question is, why aren't Millennials leaving Tiktok? After all, we are living through the enshittocene, the great enshittening, in which every platform gets monotonically, irreversibly worse over time, and Tiktok is no exception:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
To understand why older users are stuck to Tiktok, we need to start with why younger users relentlessly seek out new platforms. To some extent, it's just down to youth's appetite for novelty, but that's only part of the story. To really understand why people come to – and leave – platforms, you have to understand switching costs.
"Switching costs" is the economists' term for everything you have to give up when you change products or services. Switching from Ios to Android probably means giving up a bunch of your apps and purchased media. Switching from an airline where you're a high-status frequent flier to another carrier means giving up on free checked bags and early boarding.
In an open market, rivals have lots of ways to lower these switching costs (it's an open secret that you can call an airline and say, "Hi, I'm a 33rd Order Mason on American Airlines, will you make me a Triple Platinum Diamond Sky-Baron if I switch to Delta?"). Of course, big incumbents hate this, and do everything they can to increase their switching costs, finding ways to impose high switching costs that punish disloyal consumers who have the temerity to go elsewhere.
With social media, lock-in comes for free, thanks to the "collective action problem." Getting people to agree on a given course of action is hard, and as you add more people to the picture, the problem gets harder. It's hard enough to get half a dozen people in your group-chat to agree on where to go for dinner or what board-game to play. But once you're reliant on a social media service to stay in touch with friends, relatives around the world, customers, communities (say, rare disease support groups), and coordination (like organizing your kid's little league car-pool), the problem becomes nearly insoluble. Maybe you can convince your overseas relatives to switch to a Signal group, but can you do the same for your small business's customers, or your old high-school pals?
https://pluralistic.net/2022/10/29/how-to-leave-dying-social-media-platforms/
Taken together, switching costs and collective action problems make platforms "sticky," and sticky platforms inevitably enshittify.
Platforms, after all, generate value. They connect end-users with each other (say, little league parents) and they connect end-users to business customers (you and your small business's customers). That value needs to be parceled out among end users, business customers, and the platform's shareholders. A platform can make life better for business customers at its end users' expense by increasing the number of ads (hello, Youtube!), and it can make life better for its shareholders at its business customers' expense by decreasing the share of ad revenue given to publishers or performers (oh, hello again, Youtube!).
From a platform's perspective, the ideal state is one in which end users and business customers get no value from the platform, because it's all being captured by the platform's shareholders. But if Youtube interrupted every 30 seconds of video for ten minutes of ads and paid the video creators nothing, both users and creators would ditch the platform – and advertisers would follow:
https://www.youtube.com/watch?v=Dab8sKg8Ko8
So platforms seek an equilibrium: "what is the least value we apportion to end-users and business customers without triggering their departure?" Maybe that means giving more value to end-users (for example, keeping Uber fares low by suppressing wages), or to business-customers (crowding more ads into your social media feed).
Every business – including brick-and-mortar, non-digitized ones – wants to find some kind of equilibrium between the value going to its suppliers, its customers and its owners, but digital businesses have an advantage here: digital systems are flexible in ways that analog, hard-goods businesses are not. Digital businesses can alter pricing, payouts and other dynamics from moment to moment – second to second – and make a different offer to every supplier and customer. They have a bunch of knobs, and they can twiddle them at will:
https://pluralistic.net/2023/02/19/twiddler/
Well, not quite at will. Businesses face constraints on their twiddling. If they get too greedy, users or business customers might weigh the cost of staying against the switching costs and decide it's not worth it. But the more expensive – the more painful – a platform can make leaving, the more pain they can inflict on the people who stay.
In other words, there's two ways to keep a customer or supplier's business: you can make a better service so they won't want to leave, or you can make leaving the service so painful that they stay even if you mistreat them.
There's three ways a digital company can make things worse for their customers and users without losing their business.
First, they can eliminate competition (think of Mark Zuckerberg buying Instagram to recapture the users who'd fled Facebook to escape his poor management):
https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/
Second, they can capture their regulators and avoid punishment for trampling their suppliers' or users' legal rights (think of how Amazon has raised the price of everything we buy, both on- and off Amazon, through its "most favored nation" deals):
https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos
Third, they can use IP law to prevent competitors from modifying their services to claw back some of that value (think of how Apple used legal threats to block an Android version of Imessage, blocking Apple customers from having private conversations that included non-Apple customers:
https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones
Companies can't just use this tricks at will, of course. Antitrust laws can block companies from making anticompetitve acquisitions or mergers. Regulators can punish companies for cheating their customers, workers and users. Technologists can come up with clever ways of modding or reconfiguring existing services with "interoperable" add-ons that let users bargain for better treatment by refusing to accept worse:
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
Day in, day out, the decision-makers at tech companies test these constraints, twisting the knobs that shift value away from users to shareholders. Their bosses and boards motivate them with "KPIs" that dangle the promise of huge bonuses and promotions for any manager who successfully enshittifies part of the company's products:
https://pluralistic.net/2023/07/28/microincentives-and-enshittification/
Decades of pro-corporate, pro-monopoly policy has loosened those knobs. 40 years of lax antitrust meant that companies had a lot of leeway to buy or merge with rivals – that's changing today, but it's tough sledding:
https://pluralistic.net/2023/07/14/making-good-trouble/#the-peoples-champion
As sectors grew more concentrated, they found it easier to capture their regulators, so that they no longer fear punishment for price-gouging, spying, or wage-theft, so applying the same amount of torque to the "break the law" knob cranks it a lot further:
https://pluralistic.net/2022/06/05/regulatory-capture/
Once you've captured your regulators, you can aim them at your competitors. A monopoly-friendly policy environment has transformed IP law into a bully's charter, allowing powerful companies to strangle would-be competitors who dare to offer their customers tools to shield themselves from enshittification, like scrapers, ad-blockers and alternative clients. Big companies can crank the enshittification knob all the way over and know that smaller rivals knobs won't turn at all:
https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model
At one point, bosses faced one more constraint on knob-twiddling: their workforce. Many tech workers genuinely cared about their users' welfare, something bosses encouraged as a sneaky trick to get techies to put in long hours without exercising their leverage by quitting rather than destroying their lives to meet arbitrary deadlines. These workers would fearlessly slap their bosses' hands when they reached for the enshittification knob, threatening to quit rather than allowing the products they'd given so much for to be enshittified. Today, after hundreds of thousands of tech layoffs, tech workers are far less like to challenge their bosses' right to twiddle, and far more likely to get fired if they try:
https://pluralistic.net/2023/09/10/the-proletarianization-of-tech-workers/
All this means that tech bosses don't have to change their approach at all, and yet, their services will grow steadily worse. The boss who twiddles the enshittification knob in exactly the same way as he did a year or a decade ago will find it turning much further, because his customers are locked into his platform, his regulators won't protect them, the same regulators will stop his competitors' attempts at countertwiddling, and his workers fear losing their jobs too much to speak up for their users.
That's the contagion that produced the enshittocene: the forces that constrained companies (competition, regulation, self-help and labor – all melted away, allowing every company's MBA-poisoned knob-twiddling leaders to shamelessly caress their knobs with every hour that God sends:
https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel
Which is why people want to leave platforms. When a platform loses its users, those users have weighed the switching costs against the pain of staying and decided that it's better to bear those costs than to stay.
So why have Tiktok's younger users found the costs too high to bear, and why have their elders remained stuck to the platform?
For that, we have to look at the unique characteristics of young people – characteristics that transcend the lazy cliche that kids are easily bored, fickle novelty-seekers who hop from one service to another with unquenchable restlessness.
Whether or not kids are novelty-seekers, they are, fundamentally, a disfavored minority. They want to do things that the platforms don't want them to do – like converse without being overheard by authority figures, including their parents and their schools (also: cops and future employers, though kids may not be thinking about them as much).
In other words, kids pay intrinsically lower switching costs than adults, because a platform will always do less for them than it will for grownups. This is a characteristic kids share with other supposedly technophilic, novelty-seeking "early adopters," from sex-workers to terrorists, from sexual minorities to trolls, from political dissidents to fascists. For those groups, the cost of mastering a new technology and assembling a community around it is always more likely to be worth bearing than it would be for people who are well-served by existing tools:
https://pluralistic.net/2022/06/21/early-adopters/#sex-tech
Pornographers didn't jump on home video because of its superiority as a medium for capturing flesh-tones. Home video was a good porn medium because it was easier to discreetly get into the hands of porn consumers, who could, in turn, discreetly view it. The audience for porn in the privacy of your living room is larger than the audience for porn that you can only watch if you're willing to be seen marching into a dirty movie theater.
Every new technology is popularized by a mix of disfavored groups and neophiles, who normalize and refine it – and yes, infuse it with their countercultural coolth – until it becomes easy enough to use to become mainstream. As more normies drift into the new system, the switching costs associated with leaving the old system declines. It gets easier and easier to find the people and services you want in the new realm, and harder and harder to find them in the old one.
This is why tech platforms have historically experienced sudden collapse: the platform that gets more valuable and harder to leave as it accumulates users gets less valuable and easier to leave as users depart:
https://www.zephoria.org/thoughts/archives/2022/12/05/what-if-failure-is-the-plan.html
If you're a Gen Z kid on Tiktok, you experience the same enshittification as your Millennial elders. But you also experience an additional cost to staying: as late-arriving adult authority figures become more fluent in the platform, they are more able to observe your use of it, and punish you for conduct that you used to get away with.
And if you're a Millennial who isn't leaving Tiktok, it's not just that you experience the same enshittification as those departing Gen Z kids – you also face higher switching costs if you go. The older you get, the more complex your social connections grow. A Gen Z kid in middle school doesn't have to worry about losing touch with their high-school buddies if they switch platforms (they haven't gone to high school yet – and they see their middle school friends in person all the time, giving them a side-channel to share information about who's leaving Tiktok and where they're headed to next). Middle-schoolers don't have to worry about coordinating little league car-pools or losing access to a rare disease support group.
In other words: younger people leave old platforms earlier because they have more to gain by leaving; and older people leave old platforms later because they have more to lose by leaving.
This is why Facebook is filled with Boomers. Yes, their kids bolted for the exits to avoid having their parents (or grandparents) wading into their sexual, social and professional lives. But the reason the Boomers were late joining younger users' Facebook exodus – or the reason they never joined it – is that they stand to lose more by going. Facebook deliberately cultivated this dynamic, for example, by creating a photo hosting service designed to entice users into uploading their family photos while disguising how hard it would be to take those photos with them if they left:
https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs
The irony here is that tech has intrinsically low switching costs. All other things being equal, a new platform can always build a bridge to ease the passage of users from the old one. There's no (technical) reason that moving to Mastodon, or Bluesky, or any other platform should mean cutting ties with the people who stayed behind.
A combination of voluntary interoperability (where old platforms offer APIs to allow new services to connect with them), mandatory interop (where governments force tech companies to offer APIs) and adversarial interop (where new companies hack together their own API with reverse-engineering, scraping, bots, and other guerrilla tactics) would hypothetically allow users to hop between networks as easily as you change phone carriers:
https://pluralistic.net/2022/12/19/better-failure/#let-my-tweeters-go
Tech platforms tend to offer APIs when they're getting started (to ease the inward passage of new users) then shut them down after they attain dominance (locking the door behind those users). The EU is tinkering with mandatory APIs through the Digital Markets Act (though bafflingly, they're starting with encrypted messaging rather than social media). Restoring adversarial interoperability will require extensive legal reform, which is getting started through Right to Repair laws:
https://www.techdirt.com/2024/03/13/oregon-passes-right-to-repair-law-apple-lobbied-to-kill/
The people who are stranded on social media platforms shouldn't be mistaken for uncool, aging technophobes. They're not stubborn, they're stranded. Like the elders who can't afford to leave a dying town after the factory shuts down and the young people move away, these people are locked in. They need help evacuating – a place to go and a path to get there.
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Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/03/21/involuntary-die-hards/#evacuate-the-platformsr
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rossacorsa · 6 months
Text
nico rosberg genuinely deserved better at mercedes. why?
who had mercedes first win since their return? nico rosberg
out of the 54 wins mercedes had in the hamilton rosberg era, nico won 41% of them (22 races)
out of the 63 pole positions mercedes earned in this era, nico earned 46% of them (29 pole positions)
nico is still FIFTH on the rankings of most consecutive victories with 7 (mexico 2015 - russia 2016)
nico quite often beat michael schumacher in equal machinery (yes, i know its not prime schumacher, but c'mon , its still schumacher)
but, who was mercedes tailoring the car towards? schumacher. yet who won the only grand prix they won before lewis got there? nico . rosberg .
who did the team tailor the car to when lewis arrived? lewis. who had the first victory in that car? nico . rosberg .
nico did everything expected of being the number 2 driver that they FORCED him to be
then, he went against his OWN team
his OWN friend
showed the WORLD he didn't have to be a 2nd driver
this is a massive what if
but.. what if they'd actually trusted nico in that no.1 driver position?
what if he wasn't left to be following lewis and michael?
maybe I'm delusional, but nico was a damn good driver
underrated in his technical outlook
nico . rosberg . deserved . better .
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landitolover · 5 months
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𝒅𝒖𝒍𝒄𝒆 𝒉𝒐𝒕𝒍𝒊𝒏𝒆 in which oscar is forced to go on a dating app by lando, and he finds some..interesting people! ౨ৎ oscar x reader
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WELCOME TO DULCE HOTLINE
the app where you are destined to find the one!
create an account >
login <
number: xxx-xxx-xxx
name: oscar piastri
birthday: april 6th, 2001 (22)
nationally: australian
idea type: funny, nice, and pretty
about you: i like cars?
add a profile! >
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please wait while we find your matches !
loading . .
thank you for being patient,
we have found 4 matches!
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madison rife has requested to message you!
accept > decline
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birthday: november 10th, 2002 (21)
nationally: british
ideal type: dorks, funny, and cute
bio: follow the gram!
madison rife
hey! i think you’re really cute :)
oscar
thanks
madison rife
thanks? that’s all you have to say?
i just complimented you and all you have to say is
‘thanks’ ??? you’re not even gonna say it back??
😐😐
oscar
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sorry mate?
this person has blocked you!
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try again?
yes > no
hailey danes has requested to message you!
accept > decline
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birthday: july 25th, 2001 (22)
nationally: australian
ideal type: charles leclerc
bio: everyones a ferrari fan
hailey danes
oscar fucking piastri???
on dulce hotline??? 😭
thats crazy
oscar
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oscar who? the grouch?
hailey danes
😭😭
what brings u here tho
oscar
lando forced me
you would NOT
catch me on this
app if i wasnt forced
hailey danes
lmfao that’s funny
😭
oscar
also i’m gonna block you
for my safety
hailey danes
that’s fine!
tell charles to look at my dms fr
Message ❤️ by oscar piastri
you have blocked this user!
report them? yes < no
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try again?
yes > no
lando norris has requested to message you!
accept > decline
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birthday: november 13th, 1999 (24)
nationally: british
ideal type: smart and pretty
bio: f1 driver for mclaren
lando norris
LMFAO OSCAR
NO WAY I MATCHED WITH YOU 💀
*clears voice*
sup baby 😮‍💨
oscar
is that how you talk
to girls on this app? 😭
cause boy, do i feel bad
lando norris
my number one opposition bruh
and NO?? I don’t talk to girls like that
oscar
you look like a frat boy
in your profile 💀
lando norris
let’s talk about YOUR profile
are you trying to scare girls away?
you look…. 🌝
oscar
honestly at this point, yes
you’re the one who forced me to get this app
I don’t need a girlfriend
lando norris
that’s what bitches who need
a girlfriend say..
anyways bye oscah!!
good luck on your hunt for a girlfriend
oscar
thanks mate…
try again?
yes > no
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y/n l/n has requested to message you!
accept > decline
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age: 22
nationally: ??
ideal type: nice and funny
bio: delusional taylor swift lover
y/n l/n
heyooo
you seem pretty normal looking!
oscar
thank you, i think?
you as well
y/n l/n
soo what brings a cute
guy on this app?
oscar
oh, well 😭
my friend kinda forced me to get it
y/n l/n
funny story because
me too?? 💀
honestly, dating apps
aren’t my thing, u feel me?
oscar
oh yeah, I totally agree
some of the people are odd
y/n l/n
NO LITERALLY
it’s so scary there r barely
any normal people on this damn app
oscar
exactly lmfao
y/n l/n
you’re normal though 🙏🏼
just don’t end up being a murder x
oscar
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yeah, so about that
apparently someone thought
i murdered my girlfriend
which i don’t even have
y/n l/n
sorry oscar I don’t think
this is gonna work out!
i can’t date a guy who shot
his not real gf ://
oscar
oh yeah thats understandable
what a shame though
ause you’re quite pretty
y/n l/n
stop 🤭
thank you
you’re pretty too (can i call a man pretty????)
even if you look a little mean in your profile
oscar
i was scaring other girls away
y/n l/n
wowzers
anyways it’s time for me to
get my beauty sleep 😴
oscar
goodnight, it was refreshing talking
to someone normal
y/n l/n
haha it was nice talking to u as well!!
okay, goodnight mr. shoot a gf that doesn’t even exist ⭐️
also my insta is yourusername
if u wanna follow :p
Message ❤️ by oscar piastri
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oscah 🦅
lando
lando
lando
lando
norris
norris
hello
stop hoeing around
????????
landoh 🥸
jesus
ok clingy
what’s up ?
oscah 🦅
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landoh 🥸
?????
care for some context
oscah 🦅
i met her on dulce hotline
landoh 🥸
oo she’s a cutie
oscah 🦅
i know, she’s a major cutie
her personality, chef’s kiss
landoh 🥸
little oscah pastry
has a crusshhh
oscah 🦅
I wouldn’t say that
not YET at least.
landoh 🥸
didn’t i tell u it would
be good for u to get that app
🤠
Read 0:30
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౨ৎ hello! this is a bit short, but here’s the introduction to my new series ‘dulce hotline’ i hope you’ll like it! thanks 4 reading!
also this is heavily, heavily, inspired by my wife’s (@d6za1) wattpad book ‘chiki hotline’ so all credits to her! and thank you for letting me use the idea of the dating app 🥸!
other mentions, @moneygramhaas @amoosarte @ch3rryknots ౨ৎ
848 notes · View notes
imtryingbuck · 5 months
Text
Too Late.
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~ gif not mine credit to owner ~
Pairing: Steve Rogers x fem!Reader
Summary: Y/n’s Steves girlfriend and she’s been taken by Hydra, will he get to her in time? Will she want to go with him if he does?
Word count: 2,237
Warnings: angst. cheating. nat and steve are terrible people. pregnancy. miscarriage. tiny mention of being sick. swearing. ending is terrible sorry.
A/N: women aren’t failures or less of a woman if they have miscarriages, unfortunately and sadly it’s a natural thing.
Part 2
Masterlist
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Why he kept doing it was beyond him.
The first time it happened both swore that it was a mistake, second time was a mistake too. The third time was to blow off steam from a rough mission. The fourth time, a mistake.
Now they’ve lost count of how many mistakes there’s been.
They know there’s been too many “this is the last time” before they end up in the same position.
Even though he knew what he was doing was wrong he just couldn’t stop.
When he woke that morning he knew he had fucked up. In the whole time that they’d been fucking he never fell asleep, he always headed home afterwards. He never once woke up with her in his arms. This was intimate, something that they didn’t do. It was just sex. They barely kissed, it was rough, he barely touched her other than her hips or his hand on her head as he pushed her face further into the pillow, further away from his mind - from his guilt.
Finding his phone he jumped up out of the bed his heart in his throat at the 22 missed calls and the one text message. He made her have a number that she would send to him for emergencies. For when she wasn’t or felt safe.
He received the number 4 in-between the many missed calls.
“Shit, baby pick up.” He chanted as he picked his clothes up off the floor and shoving them on in a hurry.
“St-Steve?” A woman’s voice came from the bed.
“Get up. Somethings wrong with Y/n”
“Shit”
Natasha took the sheet to cover herself as she rose from the bed, her too putting her clothes back on in a hurry.
Steve ran out of the room finding the team in the kitchen, Natasha soon following. “H-has Y/n called any of you? Somethings wrong”
Receiving a chorus of no’s his heart plummeted in to the depth of his stomach. Not giving any thought to it he took off running to the garage.
Speeding through the busy streets Steve kept trying to ring Y/n, heart rate going through the roof every time he heard her voicemail. Not even parking the car he jumped out and ran up to their apartment, Bucky and Sam quick on his heels.
“No no no no no” the door was open halfway.
“Y/n? Baby, I’m home…” he tried, Bucky and Sam swore they never heard Steve’s voice sound so small.
Taking small steps into the apartment he has shared with his girlfriend for the past three years he felt like he couldn’t breathe.
The grey couch was tipped on its side, cushions once nearly placed on said couch now lay on the floor. Pieces of glass from the photo frames they had hung up, littered the ground. Trinkets and ornaments belonging to Y/n, that took her ages to get a nice collection going was broken on the floor amongst the mess.
But that’s not what caused him to loose his breath, no, it was the small puddle of blood in the middle of their living room, droplets leading to where he stood and behind him.
Bucky made his way around the wall that was Steve and did a sweep of the apartment in signs of his best friends girlfriend. Sam took off in the direction of where Bucky was calling his name. Five minutes later they both emerged from the bedroom, Bucky holding two things in his hands.
“S-Steve…”
“What are they?”
“A phone…and um, a…a pregnancy test.” Bucky stuttered out, his heart pounding violently.
“W-what does the test say?” Nat questioned quietly from behind Steve as she stood with the rest of the Avengers.
“It-its positive”
No one moved as Steve hunched over and puked up.
Just as he was about to stand the phone started ringing. Bucky answered and put it on loud speaker.
“You’ve been a naughty boy Steven so we took your girlfriend. You have less then… ten hours to find her, hopefully she won’t be too mad at you. Hail Hydra” the voice on the other end of the phone chuckled darkly before hanging up.
“What the fuck is going on?” Tony demanded.
“I-I don’t know, we need to find her. I can’t lose her”
“We’ll find her don’t worry” Nat says as she put a comforting hand on his arm, Steve looked at her hand in disgust and yanked his arm away as if she had burned him.
“Don’t. Ever. Touch. Me. Again.” Steve growled in her ear quietly, even Bucky didn’t hear.
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Her head throbbed, her whole body ached and was sore when she finally came to.
“Ah you’re awake, finally. I’m Conrad and I’ll be here to help you through this very tough time”
“W-where am I?”
“With Hydra darling. Believe it or not but you’re safe, I promise”
“Really? You pricks attacked me and you want me to believe you when you say I’m safe?” She chuckled with a head shake.
“I know, that wasn’t suppose to happen but we didn’t realise that one of Captain Americas girlfriends was so feisty, well we knew one was but not you” he says.
“W-what are you talking about?”
“Oh didn’t you know? Weird. Steve has another girlfriend. You know her, Natasha also known as the black widow.”
Her heart cracked but she didn’t believe him, he was a member of Hydra for Christ sake. “Your lying”
“Hold on. Matthews turn the screen on and let’s show our guest where her hero is.”
The bright light from the tv screen she hadn’t even noticed was there, nearly blinded her. Conrad told Matthews to press play, her soul felt like it had died.
There was her boyfriend on six years thrusting in and out of her best friend.
“T-t-turn it o-off”
“No. Look in the right corner where his jeans are, open your eyes and do it Y/n.”
Complying with his order her eyes slowly peeled open and look where he had told her. There on the floor was the jeans she had brought him when he needed some new ones, every few minutes there was a flash.
“Want to know what that is? It’s you, you was ringing him when we came knocking. You was running and hiding ringing for him whilst he was fucking another woman. Matthews fast forward to the best part”
The footage fast forwarded and she saw Steve sleeping and Natasha climbing out of the bed, going to his jeans and picked up his phone she saw all the missed calls but instead of doing anything she put the phone down on the bedside table and climbed back into the bed.
“She’s not very nice is she? She knew you needed him but she didn’t care, that’s not a good friend is it?” Conrad mocked with a chuckle. “D-do you want a drink of water?”
The change in his tone confused her, one minute he was mocking her then in the next he sounded worried.
“H-here, take slow sips. It’s just water, look I’ll take a sip.” He says “see, it’s okay I promise.”
“W-why are you doing this?”
“I’m helping you. I’m not really the bad guy in this Y/n-“
“Why?”
Just as Conrad was about to respond Matthews ran into the room “they’ve arrived”.
“Ah show time”.
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“Where is she?” Steve demanded clutching his shield tighter.
“She’s here, didn’t think you’d find us so soon Cap.” Conrad says from where he was stood, a grin on his lips.
“Where is she?” He repeated.
“Bring her in, nicely I don’t want any more harm coming to her”
The team watch as the door comes open from the left side of the room and Y/n came through it with two Hydra agents by her side.
“Doll-“
“How long.” It wasn’t a question but more of a demand.
“What are you talking about?” Steve questions.
Instead of answering him she turned to the others “did you guys know?”
“Know what?” Tony asks.
“Did you know that Steven was fucking Natasha?”
Both Steve and Nat flinch as she calls them by their full names. Natasha slowly backed up as the team looked at the pair.
“D-Doll whatever they’ve told you is a lie”
“I saw it with my own two eyes. How long”
“Doll-“
“A year.” 
Steve and Natasha spoke at the same time.
“A…year?”
“It was an accident Y/n/n-“
“Don’t call me that Widow. A year isn’t an accident, did the rest of you know?”
All shook their heads at her question.
“Y/n please, it was a mistake I swear! She means nothing to me.”
Before she could respond Natasha spoke up “I meant nothing to you?”
“No. Please Y/n let’s go home, your pregnant baby”
“Not anymore I’m not. I was two months ago but I lost it, I remember ringing you all night begging you to come home but you never answered a single phone call. Probably with her.” She quickly wiped the fallen tear from her eye as she remembers that night.
The night where her happiness had left her all alone on the bathroom floor, panic raising by the second. Ringing her happiness’s father just for him not to answer, blood flowing down her legs and hands that shook something fierce. She begged and begged for them to come back, promising that she’d do better and be the best mum she could possibly be.
Sadly her happiness had gone away.
Numbly she cleaned up the evidence of her failure, placed the baby onesie she had brought as a present to tell Steve that he was going to be a dad - back in the box it came in, she put the positive pregnancy test in the box along with the sonogram and then neatly placed them in another box, pushing it right to the back of her side of the wardrobe.
Over the next two months whenever she was alone she would take the box out and talk to the sonogram, telling the tiny bean that she loved them. She knew she should of told Steve but she had no idea how to bring the conversation up, she couldn’t bare to see his face light up when she said she was pregnant just to see it fade away when she told him that she had failed as a woman and that it was no longer with them.
To her she was protecting him by keeping it away from him.
“But it doesn’t matter now does it? You guys can fuck off now.”
“No no Y/n please we can figure this out-“
“No. There’s no figuring anything out. You betrayed me, you! I didn’t do anything wrong! You don’t love me no more? Break up with me! You wanted to get your dick wet by some bitch that wasn’t me? Break up with me!” Her voice got louder as she went on stepping further towards him, standing in front of him she felt sick at the devastating look in his eyes.
“I asked Conrad to kill me” she smile sadly at him “you guys need to go now-“
“Y/n baby please I’m sorry, I can be bet-“
“Don’t humiliate me even more please, I’ve wanted this for a while now so please just leave”
Steve opens his mouth but shuts it quickly when the agents of Hydra points their guns at him and his team.
Y/n walks back over to Conrad who leads her through the door they came through. The last thing the Avengers hear is the deafening bang they were all familiar with.
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In the two years that had passed since he lost Y/n, Steve stayed far away from Natasha. 
The team had only recently begun talking to the pair again, they had lost a friend and to them it was Natasha’s and Steve’s fault.
Steve missed Y/n more than anything, sleep didn’t come easy to him not now not when the memories of his betrayal was always there as a constant reminder. Not when all he remembers is the pure devastation look in her eyes or how her hand glazed over her stomach when she spoke about their baby that they lost - a baby that he did not know anything about.
He had no one to blame other than himself for every time he hears a gunshot he’s transported back to that day he lost everything. Lost his world.
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On the other side of the world in a woodland area away from the civilised society sat a lonely small farmhouse, surrounded by a large fence to keep the farm animals inside.
Y/n emerged from the wooden door with a small smile on her face, dressed in her dark blue dungarees that wore a deep green stain on the knees.
She didn’t lie when she said she had asked Conrad to kill her and he had agreed, when they went into the hallway she had fully prepared herself for the bullet to come, to end her life instead the bullet zoomed past her head and lodged itself in the wall.
“I’m not going to kill you Y/n, I-I want to help you leave but you need to stay quiet okay”
“Why are you doing this?”
“I’m not much of a bastard, come on we don’t have long”
Now in the two years since she had left she finally felt at peace, she found herself.
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~ banner credit goes to @sweetpeapod ~
421 notes · View notes
Text
Yes votes / Artist - Song title / Poll number / Showdown votes / * Showdown Winner
95% A-ha - Take On Me #91 - 45.2% *
94,8% Boney M. - Rasputin #37 - 49,3% *
94,3% Dolly Parton - Jolene #110 - 43,1% *
94,1% Britney Spears - Toxic #04 - 51,9% *
92% Fleetwood Mac - The Chain #116 - 44,4% *
90,2% Dead or Alive - You Spin Me Round (Like a Record) #163 - 30,8% *
-
89,1% Kansas - Carry On Wayward Son #171 - 51% *
86,6% Amy Winehouse - Back to Black #190 - 32,9 *
86,3% Chumbawamba - Tubthumping #82 - 24,9%
86% Chuck Berry - Johnny B. Goode #53 - 18,6%
85,5% Dido - Thank You #120 - 5,6%
85,3% Ricky Martin - La Bomba #132 - 8,3%
85,2% Queen - The Show Must Go On #142 - 20,9%
85% Green Day - Basket Case #47 - 27,6% *
84,9% Ramones - Blitzkrieg Bop #41 - 15,8%
84,7% The Cardigans - Lovefool #135 - 24,2% *
84,5% Elvis Presley - Can't Help Falling in Love #136 - 18,8%
84,4% Daryl Hall & John Oates - Out of Touch #67 - 31,4% *
82,7% Nightwish - The Phantom of the Opera #144 - 8,6%
82,6% Junior Senior - Move Your Feet #76 - 6,5%
82,4% Myrkur - Tor i Helheim #54 - 7% 82,4% Tracy Chapman - Fast Car #145 - 32,5% *
82% Backstreet Boys - I Want It That Way #105 - 19,2%
81,9% Blue Swede - Hooked on a Feeling #152 - 17,1% * 81,9% 3 Doors Down - Kryptonite #167 - 15,1%
81,6% N Sync - Bye Bye Bye #52 - 26,9% *
81,5% Israel Kamakawiwo'ole - Somewhere Over the Rainbow #42 - 16,7%
80,7% Jamiroquai - Virtual Insanity #72 - 17,9%
80,5% Pixies - Where Is My Mind? #148 - 13,5%
80,2% Oasis - Wonderwall #157 - 16%
80,1% Soundgarden - Black Hole Sun #119 - 14,9%
-
79,6% Fats Waller - Ain't Misbehavin' #179 - 7,1%
79,4% Falco - Rock Me Amadeus #185 - 23,2%
79,3% Rick Astley - Never Gonna Give You Up - #Bonus Poll
78,8% Shakira - Ojos Así #75 - 7,5%
78,5% Kaoma - Lambada #57 - 4,2%
78,4% Danny Elfman - This Is Halloween #05 - 13,9%
78,2% Panic at the Disco - The Ballad of Mona Lisa #78 - 18,5% *
78% Panjabi MC - Mundian To Bach Ke #64 - 5,3%
77,6% Jimi Hendrix - All Along the Watchtower #95 - 13.1% 77,6% Nirvana - The Man Who Sold the World #118 - 10,7%
77% Elton John - Goodbye Yellow Brick Road #22 - 29,4% * 77% Kesha - Blow #38 - 12,1%
76,4% Salt-N-Pepa with En Vogue - Whatta Man #134 - 15,1%
76,3% Johnny Cash - Hurt #81 - 35,6% * 76,3% Red Hot Chili Peppers - Otherside #92 - 8.2% 76,3% The Offspring - Gone Away #143 - 5,9% 76,3% The Longest Johns - Hoist Up The Thing #169 - 7,8%
76% Foo Fighters - The Pretender #111 - 14,2%
75,9% Queens of the Stone Age - No One Knows #87 - 12,9%
75,7% Nothing but Thieves - Is Everybody Going Crazy? #113 - 3,7%
75,5% Tarkan - Şımarık #94 - 3.1%
75,4% Jerry Lee Lewis - Great Balls of Fire #188 - 8,8%
75,2% Eiffel 65 - Blue (Da Ba Dee) #147 - 14,2%
74,9% Måneskin - Off My Face #151 - 7,9%
74,8% Måneskin - Zitti e Buoni #16 - 33% *
74,6% Nat King Cole - Nature Boy #09 - 7,2% 74,6% Within Temptation - Stand My Ground #165 - 6,4%74,6% Pink - Who Knew #166 - 8,4%
74,4% Go_A - Shum #177 - 18,7%
74,3% Arash - Tike Tike Kardi #137 - 2,6%
73,6% Paula Abdul - Straight Up #156 - 6,2%
73,3% Beck - Loser #124 - 16,4% 73,3% Massive Attack - Teardrop #187 - 17,4%
72,6% Evanescence - Imaginary #44 - 13,5%
72% Robbie Williams - The Road to Mandalay #129 - 3,9%
71,8% Billie Piper - Day & Night #173 - 5,6%
71,7% Lil Green - Why Don't You Do Right? #34 - 1,8%
71,1% Cab Calloway - Minnie the Moocher #130 - 14,4%
71% Udit Narayan - Bholi Si Surat #141 - 1,5%
70,9% Nine Inch Nails - Closer #93 - 22%
70,7% Ryan Gosling - I'm Just Ken #159 - 12,4%
70,6% The Lightning Seeds - You Showed Me #59 - 2,7% 70,6% Savage Garden - To the Moon and Back #83 - 7%
70,5% Queen - Mustapha #29 - 11,4%
70,4% Soggy Bottom Boys - I Am a Man of Constant Sorrow #26 - 22,3% 70,4% Metallica - Wherever I May Roam #77 - 8,6%
-
69,9% MUCC - Ryuusei #19 - 7,4%
69,5% Spooks - Things I've Seen #104 - 0,8%
69,2% Flo Rida feat Kesha - Right Round #02 - 6,2%
68,9% Era - Ameno (Remix) #24 - 4,8%
68,5% Linkin Park - Bleed It Out #63 - 23,9% 68,5% Snow - Informer #139 - 4,7%
68,3% Run-DMC featuring Aerosmith - Walk This Way #127 - 10,9%
68,2% Limahl - The NeverEnding Story #60 - 9,8% 68,2% Nelly Furtado - Maneater #160 - 17,1% *
68,1% Stromae - L'enfer #89 - 9,8%
67,9% Urban Symphony - Rändajad #90 - 2,2%
67,8% Muse - Endlessly #107 - 9,4%
67,6% My Chemical Romance - Sing #80 - 17,3%
67,3% “Weird Al” Yankovic - White & Nerdy #43 - 16%
67% Avicii - Hey Brother #164 - 13,9%
66,7% The Hives - Two-Timing Touch and Broken Bones #58 - 2,7%
66,3% System of a Down - B.Y.O.B. #128 - 26,2% *
66% Texas - Summer Son #154 - 2,6%
65,8% Cliff Edwards - When You Wish Upon a Star #85 - 2,2%
65,7% Modern Talking - Brother Louie #50 - 4% 65,7% Ivan Campo - Dice Man #181 - 1,2%
65,4% Harry McClintock - The Big Rock Candy Mountains #131 - 6,7%
65,2% Eimear Quinn - The Voice #32 - 2,5% 65,2% 2Pac featuring Dr. Dre and Roger Troutman - California Love #121 - 8,3% 65,2% Radio Company - Drowning #172 - 2,2%
64,7% Bloodhound Gang - The Bad Touch #162 - 9%
64,6% Gorillaz - Stylo #61 - 15,8% 64,6% Duran Duran - The Chauffeur #133 - 7,1%
64,4% Alice Cooper - Poison #01 - 10,5% 64,4% Depeche Mode - It's No Good #101 - 9,1%
64,1% Destiny’s Child - Jumpin’, Jumpin’ #51 - 12,7%
64% 2 Unlimited - No Limit #182 - 3,2% 64% 30 Seconds to Mars - Battle of One #183 - 3,9%
63,8% Kongos - Come With Me Now #17 - 15,9% 63,8% A. R. Rahman - Jai Ho #40 - 4,6%
63,3% Dua Lipa - New Rules #126 - 10,6%
63,1% Olly Murs - Heart Skips A Beat #106 - 2,2%
63% Moby - Why Does My Heart Feel So Bad? #123 - 3,8%
62,4% 30 Seconds to Mars - Fallen #30 - 5,5% 62,4% Beastie Boys - Intergalactic #153 - 16%
62,3% Childish Gambino - This Is America #71 - 18,2%
62% Billie Eilish - No Time to Die #168 - 5%
61,4% The Prodigy - Breathe #112 - 4,5%
61,3% Blue Stahli - One Last Breath #99 - 1.8%
61,1% Wham! - Everything She Wants #108 - 6,5%
60,6% Lordi - Hard Rock Hallelujah #70 - 9,9% 60,6% Kwoon featuring Babet - King Of Sea #115 . 0,5%
60,2% Toni Braxton - You're Makin' Me High #155 - 1,4%
-
58,9% AC/DC - Hail Caesar #158 - 3,2%
58,7% Duran Duran - The Wild Boys #21 - 9,6%
58,5% Nova Twins - Antagonist #68 - 4,5%
58,1% Madonna - Live to Tell #184 - 3%
56,8% Mendez - Adrenaline #23 - 1,2% 56,8% Sash! - Ecuador #73 - 1,7% 56,8% Anouk - Nobody's Wife #176 - 2,2%
56,7% George Michael and Mary J. Blige - As #62 - 3,2% 56,7% Kelis - Trick Me #175 - 4,2%
56,6% Nikka Costa - Like A Feather #48 - 0,6% 56,6% Nick Cave and the Bad Seeds & Kylie Minogue - Where the Wild Roses Grow #103 - 5,7%
56,1% Margaret Berger - I Feed You My Love #117 - 0,8%
55,9% Blur - Coffee & TV #56 - 9,7%
55,7% Big Brovaz - Nu Flow #65 - 0,9% 55,7% K’s Choice - Everything For Free #79 - 1,2%
55,4% Moby - Natural Blues #07 - 2,5% 55,4% Janet Jackson featuring Q-Tip and Joni Mitchell - Got 'til It's Gone #146 - 2,2%
55,2% Rammstein - Engel #35 - 7,3%
55,1% Maximum the Hormone - What's Up, People?! #138 - 10,6%
54,5% Billie Myers - Tell Me #86 - 0,9% 54,5% Lana Del Rey - High by the Beach #186 - 4,4%
54% Aqua - Turn Back Time #28 - 8,2%
53,9% Ardis - No Man's Land #88 - 0,9%
53,5% Kylie Minogue - Confide In Me #13 - 5,2%
53,4% Apashe - Lord & Master #170 - 1,5%
52,8% Madonna - Who's That Girl #18 - 9,8%
52,7% Aerosmith - Falling in Love (Is Hard on the Knees) #84 - 3,5% 52,7% MUCC - Daikirai #161 - 2,1%
52,2% Marilyn Manson - The Fight Song #49 - 2,1%
52,1% DJ Shadow - Six Days #180 - 2%
51,6% Bomfunk MC's - Freestyler #14 - 6%
51,3% Mariah Carey - The Roof (Back in Time) #46 - 1,4% 51,3% Mori Calliope & Reol - 虚像のCarousel #55 - 5,6%
-
49,9% Basement Jaxx - Where's Your Head At #31 - 6,9%
49,8% Shaggy - Hey Sexy Lady #122 - 4,1%
49,7% Warren G & Sissel - Prince Igor #20 - 2,2%
49% Billie Eilish - NDA #10 - 2,6%
47,7% Massive Attack - Angel #39 - 5,9%
47,5% Adam Tensta - My Cool #11 - 1%
47,4% Slipknot - The Blister Exists #100 - 2,6%
47% Seether - Fuck It #74 - 2,6%
46,9% Rhiannon Giddens - Way Over Yonder #102 - 1,2%
46,8% Spiritbox - Rotoscope #66 - 2,6%
46,6% Sabrina Carpenter - Feather #25 - 4,6%
46% Prince - The Greatest Romance Ever Sold #69 - 2,6%
45,6% Jimmy Cliff feat Lebo M - Hakuna Matata #06 - 2%
44,3% 3T and Michael Jackson - Why #114 - 0,7%
44,2% Tones and I - Dance Monkey #178 - 6,1%
43,9% The Prodigy - No Good (Start the Dance) #08 - 2,6% 43,9% David Bowie - I'm Afraid of Americans #33 - 8,5% 43,9% Faithless - Insomnia #109 - 2,9%
42,7% Fatboy Slim - Weapon of Choice #12 - 16,3%
42,6% Eminem - Rabbit Run #27 - 2,9%
40,6% Michael Jackson - Will You Be There #45 - 2,3%
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39,8% Alanis Morissette - I Was Hoping #96 - 1.6%
38,8% Wyclef Jean - Gone Till November #36 - 1,1%
38,5% Bright Light Bright Light featuring Mark Gatiss - Next To You #174 - 0,8%
37,9% Ariana Grande - Yes, And? #140 - 1,8%
37,6% Babylon Zoo - Spaceman #189 - 2%
36,5% Jedward - Luminous #125 - 1,4%
35,3% Noporn - Geleia de Morango #150 - 0,3%
34,6% Ena Mori - Fall Inlove! #149 - 0,4%
33,3% Ryan Gosling - Put Me in the Car #15 - 3,2%
30% Darren Hayes - Spin #03 - 0,6%
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29% Dreamcrusher - In Due Time #98 - 0.7%
28,2% BTS - Life Goes On #97 - 1.8%
381 notes · View notes