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#by no means a new thought but a thought
emiemi345 · 9 months
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Tbh I don't know if I'd even want Unova remakes if they'd be as "faithful" as BDSP was to DPPt.
BDSP was basically just a 3D version of Diamond and Pearl. It included nothing significant from Platinum (besides the alternate forms for Rotom/Shaymin/Giratina), and the only really new thing they added was the Grand Underground. While I got enjoyment out of it, it wasn't nearly as fun as Platinum, which came out over a decade prior.
Plus Gen 5 had the last 2D/pixel core series games (and the best imo), which I feel is really noteworthy. Would we really want something that doesn't even try to capture that look and feel?
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cosmicgamer · 4 days
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The way Luz's thank you drawing got rejected by the person it was for when she thought she finally found someone who wouldn't make fun of her for her eccentric behavior, that she is worthless..and then the drawing does get recognized, that it's beautiful and why would it get thrown away. She was finally understood (I am in shambles help-)
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thund3randrain · 2 months
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"I respect you and won't stop you from being who you are" and "I'm not ready to call you by a new name and pronouns because it hurts me" can not co-exist when the speaker is your parent who has a huge amount of control over your life.
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egophiliac · 8 months
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this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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rebornrosess · 1 year
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happy hozier day to all those who celebrate
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lucabyte · 9 days
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference#anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat#in stars and time#isat spoilers#in stars and time spoilers#isat act 6 spoilers#isat loop#isat siffrin#isat bonnie#isat nille#isat fanart#in stars and time fanart#doodlebyte#----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but#They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good#(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit#distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally#stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur#BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule#which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation#ANYWAY told u i had more thoughts. if i were normal itd be a text post but.
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truly-sincerely · 2 months
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Obsessively reading everything in game by and about Gortash and the dude is
On a philosophical trajectory that ends in immortality thru technology / the machine
Doesn't have an original bone in his body, but he can backwards engineer anything
Halfway to being a decent scientist but doesn't have the education and is deeply impatient
Overconfident in the veracity of his own results and conclusions
Accurately predicted that the brain would metamorphose and become more difficult to control and then did nothing about it
Outsources his propaganda / arts and humanities
Charming, but he got there in a Pavlovian way (learned from trial and error and probably doesn't consciously know how he does it)
Vindictive af (learned / reinforced)
Darwinian (in the worst way)
Sociopathic, obviously, but extremely Rationalist about it
Never asks questions he doesn't know the answer to and probably thinks this makes him sound more authoritative
Completely incompetent as a strategist (but doesn't know it)
Not nearly as narcissistic / full of himself as he pretends to be
Thinks what he wants is praise but it's never enough because it's not actually what he wants (he wants to be wanted)
Bane makes him feel wanted (conditionally)
Durge made him feel wanted (unconditionally)
Understands intellectually that Durge got ambushed, but he feels abandoned
See also: thematic parallels between Gortash and
Silouv Yali (the Adamantine Forge & the construct Grym)
Oliver (in the shadow-cursed lands)
Astarion and Gale, obviously
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maybeonedayillfindout · 7 months
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haven’t seen anyone point this out yet but is frenchie leaning against izzy’s fucking leg here?? i’m going to throw up they’re FRIENDS
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crabussy · 9 months
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for the record I think wind turbines are beautiful and are not a stain on any landscape and the sounds they make are beautiful and whenever I see one I am filled with love for human innovation and hope for the future of clean energy and if they needed to be built close to my house I would go YAYY ^_^ WAHOO ^_^ WIND TURBINE!!
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macksartblock · 1 month
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posting as if its a regular day lol anyway y'all better vote for Terry when he faces off against Paeden
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lightwise · 2 months
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You know what the most unrealistic thing is about The Bad Batch?
That Hunter doesn't have grey hair yet 😂
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r-aindr0p · 4 months
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Ye olden French
It was at that moment that Frederic started to question the age and sanity of Lilia
Used a french medieval literature text from 1530~ (Pantagruel ) as a quotation for Lilia and I believe the exact sentence is about a character complaining to Death about the passing of his wife after she gave birth to their son. I just took something randomly in the text that didn’t sound too weird either because that book is rather stange…
Alright little bonus here because medieval Lilia popped up in my mind
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willowser · 15 days
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ᴅᴏᴡɴ ᴏɴ ᴀʟʟ ғᴏᴜʀs. werewolf kiri au.
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you wake up under a mountain of furs.
light comes flickering from the hearth and, warm and welcoming as it is—you've no idea where you are.
you don't recognize the inside of the cabin; it's certainly not yours, nor is its layout that of any you’ve seen in the village. it's rather plain, with a singular window and table and chair and small fireplace, empty enough that you wonder how anyone could live comfortably with so little.
outside, the winter storm rages on, and there's a howl that cuts through the air that strikes bone-deep.
all at once your memories come back to you: dragged through town with bound hands and ankles, in only a thin night dress, screaming with all your might as the physician that delivered you into this world tied you to an old pine, along with the priest and the man that sold you blueberries in the spring.
people you knew and loved. had trusted.
the memories become hazy after a while, darkening with the night that crept in. you remember your body losing its feeling, but not its fear. you remember the violence of the storm, breaking trees and branches and uprooting the forest floor. you remember the horrible and hulking shape of something rising in the moonlight.
the door shoves open then, with enough force to send you scurrying back into the corner of the room. the blizzard tries to rush inside, but a man stands in its way, leaning back against the wood to keep the wind and snow out where it belongs. he's—big, as tall as the frame and just as wide, with thick hair that he's tied back, messy and low.
he's rosy in his cheeks and on the tip of his nose, as bright as the eyes that snap to you the moment you dare to breathe.
he doesn't say anything, at first. the bag of firewood he sets at his feet settles as he turns to you in interest, eyebrows raised. the clothes he's wearing look—old and worn, certainly not suitable for the storm roaring outside, with the holes and tears in the fabric. the boots he has on, however, seem heavy, have his steps echoing when he moves further into the room.
you pull your knees up to your chest and try to shrink away; beneath your thin dress, your skin has pebbled up, reminding you of just how vulnerable you still are.
your fear translates; the man stops on the other side of the little table, breathing in deeply before raising his hands up in what reads as surrender.
"hello," he finally says, and when you don't respond, he places a thick hand to his dark-haired chest and introduces himself as, "eijirou."
he nods emphatically and then repeats himself, as if to reinforce the name. you only grant him a small nod in return—and he smiles. it's wide, stretching across his face, and friendly, authentic enough that you question whether you're as damned as you thought, or perhaps saved.
how did you even get here? the question finally thaws out from the recesses of your brain and you take another look around the room as if the answer lies between the wood or nestled into the furs. this place looks too hand-crafted, you realize, all of it—and the man before you looks like he could move mountains, if he wanted to.
the chains that had bound you were iron-strong and didn't once budge in all your thrashing, before things went dark—but now you are inside by a well-maintained fire, warm and free, and all that remains of your ill fate are the indentions worn into your wrists.
he's still staring at you, the man. eijirou. he's not moved any closer, either, and when you meet his curious gaze, his lips twist and his eyes narrow. a thoughtful noise comes out of his mouth, like he's thinking of what to say or how to say it, and you're reminded that you don't recognize where you are, nor do you recognize him in the slightest.
big as he is, you don't think he could have carried you too far in a snowstorm such as the one still raging outside; are you still somewhere deep in the forest? in a cabin at the heart of the wood? saved by a man that somehow survives with so little out in the middle of nowhere?
"eijirou," you test the name on your lips and he perks up at the sound, attention snapping back to you instantly. you don't know if it's winter seeping through the floor, or if it's in the way that he watches you, that makes you shiver.
finally, he asks, "cold?" and when you nod, he slowly makes his way over to you, carefully, as if approaching a deer ready to run.
—and then he sheds his shirt with a quick shrug and holds it out to you.
you should want to look away, for decency sake, but you're—stunned by it, by him. there's a litany of scars that paint him in odd and worrisome places, but he stands tall and strong before you, unbothered by his own state. unbothered by the eyes that run over the expanse of his bare shoulders, the dark, thick trail of hair running down from his belly button, the ripples of muscle his loose shirt did well to hide.
you take it from him carefully and it's so warm, almost hot, that you press it to your face immediately to chase away the chatter of your jaw. the material itself, however ragged, is big enough to drape over your curled form like a blanket, and so you do just that. it carries the earthy smell of the woods, deeply woven into the fabric; pine and musk and something smoky.
with your cheek still pressed to his shirt, you look up to thank him, at last, but the words still in your throat at the minute changes of his face: still smiling, though sharper now, somehow, and his eyes are still wide with that keen, rapt interest—but the crimson to them has set like the sun and they've grown just as dark as the night outside.
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luxaofhesperides · 5 months
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For the ghostlights drabbles: “Say my name” with a favor being called in?
Duke had saved Phantom years ago, back when he was just out of high school and working to take down a branch of the government that was kidnapping and experimenting on people, targeting magic users and metas. Phantom had been working on his own to take them down, and they met in the middle, trashing a lab and freeing as many people as they could.
They had managed to shoot his back, knocking him down and making him bleed a glowing green. Phantom couldn’t move, protecting two kids with his body, and Duke couldn’t reach them in time before they were taken away by another swarm of agents. 
He was able to go after them in time, free Phantom and the kids, and evacuated the victims before Phantom rained hell down on the facility.
At the end, standing in the background as they watched paramedics treat the victims and take them towards the nearest hospitals, Phantom had turned towards him and thanked him.
Or rather, he thanked the Signal and offered him a bracelet with a rounded orb of ice, glowing faintly in the dark. If you ever need me, he had said, Hold this, and call me name.
Phantom vanished once the last of the victims were transported to a safer location, and Duke hadn’t seen him since.
He’s kept up with news about Phantom as best he can, but from what he could tell, Phantom is based primarily in Amity Park, Illinois, and the town is fiercely protective of their hero. News rarely leaks out of there, and with them running on their own servers and independent internet, it was nearly impossible to get in from the outside. 
Phantom remained a curious and distant figure in Duke’s life. He holds onto the bracelet still, guarding it carefully and sometimes running his fingers over the ice that never melts.
But he doesn’t call in that favor. He’s never to.
At least, not until now.
Sucking in a breath, Duke prepares himself and holds the orb of ice in the palm of his hand. He’s in civies, unable to hide his identity for this, and closes his eyes. “Phantom,” he says.
For a moment, nothing happens. Duke blinks his eyes open and frowns, mind already forming new plans to contact Phantom. Then the ice goes bitingly cold, almost painful, and the temperature in the room drops dramatically. The ice lifts up from his hand, floating in the air, then cracks open.
White-blue light spills out of it, growing brighter as it seems to swallow up the room entirely. Duke hurries to back up, an arm thrown up to protect his eyes. His breath mists out before him and he shivers as the sound of ice cracking fills the room.
And then, just as suddenly as it started, the light disappears and the cold fades away like a bad dream. 
Slowly, Duke lowers his arm and looks up at Phantom, floating in the middle of his living room with a crown made of ice, engulfed in blue fire, hovers above his head. He looks older, more regal, holding his head high. 
He regards Duke carefully for a minute, then tilts his head and says, “Signal?”
“Yeah, it’s me. Man, I’m so glad you came.”
“You… need help with something? You’re calling in your favor now, right?”
Duke nods. He understands Phantom’s confusion; being in the hero business means that favors like these tend to be used only during the most hopeless of times, when the world is close to ending, when the chances of getting out of a situation alive is close to impossible. It’s exactly the kind of thing Duke was expecting to call Phantom in for.
Not the kid sleeping on his couch.
“You’re a ghost, yeah?”
Phantom blinks at him. “Ghost king, now. Why?”
“Well…” Duke rubs the back of his neck, nervously. “I didn’t really know who else to call, and I can’t do this on my own since I’m not a ghost. But this kid got attached to me and won’t leave, so now I’m taking care of her and I have no idea what I’m doing.”
“I don’t know why you think I have any experience with kids but—”
“She’s a ghost.”
Phantom stops short. “Ah. I see.” He floats down until his feet touch the floor, and then he’s standing like any other person. “Where…?”
Duke looks past Phantom’s shoulder, and Phantom turns to follow his gaze. Chelsea, the ghost girl, looks to be around nine years old and is fast asleep on the couch, curled up under Duke’s softest blanket.
“Signal,” Phantom says quietly, “What, exactly, is the favor you need from me?”
“You can say no,” Duke starts. “I get that this is a lot. But I need help raising her. And since you’re a ghost, I figured you could help me learn about the ghostly side of things. You don’t have to raise her with me or anything! Just… I would appreciate any help you’re willing to give me.”
Phantom doesn’t say no. He doesn’t say anything. He just stares down at Chelsea, an unreadable expression on his face. 
On the couch. Chelsea shifts in her sleep, brows furrowing as she makes a choked noise in the back of her throat.
Moving on autopilot after so many nights of this routine, Duke kneels next to the couch, fishing one of her hands from beneath the blanket. He gives it a few reassuring squeezes, keeping it a slow rhythm to pull her gently from her nightmare. She settles down in just a minute, brow smoothing out as she continues to sleep. 
The silence grows and Duke is all too aware that his heart is the only one beating. 
He doesn’t hear Phantom move. Doesn’t realize he’s right next to him until he sees Phantom’s hand reach out towards Chelsea. When Duke looks, Phantom is sitting on the floor next to Duke, looking at Chelsea with something soft and devastated in his eyes. His hand hovers about her head for a long moment, then slowly lowers to rest on her head. 
The touch looks gently, barely putting any pressure on her head, but it’s enough to make Chelsea’s eyes snap open, suddenly wide awake. She stares at Phantom with wide eyes, then sits up and looks between him and Duke.
“Who are you?” she asks in a small voice that makes Duke want to stand against the world to keep her safe. 
Phantom smiles. It’s casual and charming and makes him look like anyone else, as if he’s not a powerful king from a realm unreachable to humans. “Hi there,” he says, “I’m Danny. I’m a ghost like you. Signal called me and asked me to meet you.”
The Ghost King is good with kids. Who would have thought?
Chelsea looks at him for confirmation and only relaxes when he nods. “I’m Chelsea. What do you mean ghost? I’m not dead.”
Both he and Phantom tense, carefully keeping their expressions neutral. She hasn’t told him much at all, just that her parents were gone and forgot her and she got hurt, so she wanted to stay with ‘Mr. Signal’ because he’s a hero and heroes keep people safe and he was the only one who was Black like her. Duke hadn’t had the heart to say no, and began searching for her family, only to find that her parents had fled the state, and likely the country, after killing their only child through neglect and a dangerous environment. 
It was then that he realized that her powers were not because she was a meta, but because she was ghost.
It still hurts to realize how young she is, how much of her life had been stolen from her in an instant. Duke hadn’t been brave enough to broach the topic with her, instead choosing to let her grow comfortable in his presence, get them both settled into a routine now that he was her primary guardian. 
“I know it sounds scary,” Phantom says, “And you may not want to believe me, but it’s true. I’m sorry that you died so young, but that just means you get to hang out with me and other ghosts from now on!”
Chelsea crosses her arms over her chest and glares at him. “I am not dead,” she says.
“Cici, I’m sorry to say this, but you are,” Duke cuts in. “That’s why I called… Danny. You have new powers as a ghost, and he can help you get used to them.”
“I’m not dead!” she says again.
“Kid,” Phantom begins, but Chelsea shakes her head hard and hops off the couch.
“I’m not lying! Watch, I’ll prove it to you!” She closes her eyes and scrunches up her nose, concentrating. Her hands curl into tight fists by her sides, and the glow around her grows dim. Two faint, stuttering rings of light appear around her waist. They flicker and wobble in the air, as if weak and uncertain of their own existence, then split apart, one moving up towards her head while the other falls to her feet.
Beside him, Phantom sucks in a sharp breath, but Duke can’t turn to see what’s wrong when he’s trying to take in the sight of Chelsea suddenly full of vibrant color, looking more solid that he’s ever seen her, very much alive.
“See?” she says proudly, lifting her arms and doing a spin to show off her right she was. “I told you I’m not dead!”
“No, you’re not,” Phantom agrees, sounding shell-shocked. When Duke is finally able to look away from Chelsea to check on him, he looks awed. There’s the smallest smile on his face, just the slightest upturn of his lips, but it makes him look softer.
Duke turns his attention back to Chelsea before he can be caught staring. “Cici, can you come here for a second?”
She goes before he’s finished speaking, crossing the space between them in a single jump, then grins up at him. Her hair is a bit of a mess, the two buns he managed to get her hair into falling askew. He makes a note to visit the old aunties in the Narrows later to ask them to teach him how to do hair. For now, he holds out a hand and Chelsea drops an arm into it.
It seems to good to be true, having her be alive, but her pulse is steady and strong when he presses his thumb against the inside of her wrist. 
“Well,” he says, leaning back and letting go of her arm. “You certainly proved us wrong.”
Chelsea doesn’t have much time to look smug before PHantom quietly says, “You’re like me.”
“What?”
“You’re like me,” he tells Chelsea. “A halfa.”
She tilts her head to one side. “What’s that?”
“Someone who is half human and half ghost. Both dead and alive.”
Duke blinks, taking in the words, then turns to face Phantom so quickly he’s worried he might give himself whiplash. Halfa, he said. Like me, he said. 
And sure enough, two rings of light, bright and strong, appear around Phantom’s waist before splitting in half, moving over his entire body. 
Gone is the Ghost King, all powerful and adorned in dark clothing with a crown of ice above his head. In his place is a guy who looks to be Duke’s age, eyes a deep blue and his black hair messy, feet set solidly on the floor. He looks completely normal, completely human, and no longer an impossibility.
“You still up for learning how to use all your new powers?” Phantom asks.
Chelsea grins. “Yeah!” And then, with a quick flick of her eyes going from Phantom to Duke that he almost misses, very innocently asks, “Are you going to stay with us then?”
“I… don’t know?” Phantom looks to Duke for an answer.
Already, Duke can see this going two ways. The correct way forward, the normal one, has Phantom popping in every so often, taking Chelsea out for a few hours to work on training her and her powers. It’s easy and routine and they can keep their boundaries uncrossed and be professional. 
The other path is what Duke wants most that he shouldn’t impose onto the literal Ghost King. He could have Phantom living with them while he’s on Earth and out of Amity Park, having a place at the table, a section in the closet for his own clothes, a quietly domestic night together while Chelsea sleeps where they can get to know each other more, get to know each other outside of news reports and texts on a screen.
“You can stay with us if you want,” Duke offers, casually, “It might keep my apartment safe from her powers acting up on their own again.”
“Are you sure? I could always just fly in on the weekends or something.”
“I’d appreciate having you around. So you can help Cici.”
“If you don’t mind,” Phantom says, looking away. Like this, fully alive with a beating heart, it’s easy to see the blush steal away across his cheeks. 
“I don’t.”
“I don’t either!” Chelsea pops in, looking far too gleeful by their awkward conversation.
Duke can’t help but laugh, feeling lighter than he had in ages. The relief of knowing that Chelsea is alive, for the most part at least, eases the guilt of thinking he had been too late to save her, that there was no chance she could have made it out and had a future, makes him feel weak. All the exhaustion of the past few weeks hits him all at once and he wants nothing more than to collapse in bed and sleep for twelve hours.
“Alright, squirt,” he says, reaching out to pat her head. “It’s late. We can talk more in the morning, so go to bed. In your actual bed this time, not on the couch.”
Chelsea stands up taller, ready to argue, but Duke gives her a Look™ and she quickly shuts her mouth, nods, and drags her feet back to her room (the former guestroom he can never give any of the other Waynes ever again, once they find out about her). 
Sighing, Duke collapses onto the couch once he hears the door shut behind her. Phantom joins him after a few seconds, sitting tentatively on the edge of the couch. The cushion moves beneath his weight, another reminder of how solid and alive he is right not.
Duke wants to touch him, to reach out and feel for himself his pulse, the warmth of his body, his chest lifting with each breath. 
He doesn’t move. He stays where he is, hands carefully still, and tries to think past the dizzying thoughts of she’s still alive, I’m not too late, he’s still here, he’s alive.
“Rough week?” Phantom asks, voice purposefully light.
“Something like that.”
“You should get some sleep too.”
“I don’t think I can. Not after everything. My mind’s too loud right now.”
Phantom shifts closer to him, hesitant in a way that Duke has never seen before in him, and asks, “Want me to stay with you until you mind quiets down some?”
“Yeah. I’d like that. Thanks, Phantom.”
“You know, if I’m going to be around so often as Chelsea’s halfa mentor, then you might as well call me Danny.”
Truth be told, Duke didn’t think that was his real name. He’s glad to know it’s not. 
“Then call me Duke.”
“...Are you sure? You could still hide your identity from me.”
“Nah, I trust you. A name for a name, yeah?”
Danny smiles. “Duke,” he says, testing out the name, and it’s never sounded better than when it falls from Danny’s mouth.
“Danny,” Duke returns. He belatedly realizes that they’ve leaned towards each other, drawn together like gravity, stuck in each other’s orbit. It feels natural. It feels like this is where they’re meant to be.
Maybe he should be more cautious. They’ve only meant once before, after all. But he’s read all he could on Phantom and has seen how Amity Park loves him. He’s stressed and exhausted and trying to figure out how to look after a half-ghost child that’s already been dealt a bad hand in life. He should be keeping Phantom at a distance, watching over him carefully to ensure he isn’t a threat to Chelsea.
But Duke saw how he acted with Chelsea, so gentle and understanding and kind. That’s all he needed to see.
He may not know much about Danny, but he knows this: he is trustworthy.
Enough to entrust his identity to him.
Enough to entrust Chelsea to him.
It’s more than a favor; it’s a promise to walk this road together. 
There’s no one he’d rather do this with. 
“Thanks,” he says again, “For all of this. I know it’s a lot.”
Danny shrugs. “I don’t mind. Really. It’s nice to know there’s another halfa out there, no matter how she came to be one. Makes things feel less lonely.”
“Will you tell me more about halfas?”
“Later. Once you get some proper rest. We’ve got time, haven’t we?”
“We do,” Duke agrees, affection settling warm in his chest. “We’ve got plenty of time.”
Learning how to control her new powers won’t be easy for Chelsea. Learning how to take care of her won’t be easy. Learning how to do things together, as Duke and Danny rather than the Signal and Phantom, won’t be easy. But Duke knows with a certainty he feels in his bones that they’re going to be fine.
So long as they’ve got each other, they’ll be fine.
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violetspark14 · 3 months
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assigning tarot cards to dgs characters is fun
(flipped version below)
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