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janus-cadet · 7 months

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Tarot Project - N°33

This is yet another tarot card- strangely, the first I drew for the MCU. Obviously, it was motivated by the ending of the last show I saw, which did not left me indifferent.

(it broke me and I'll never be the same again)

So here is Loki, burdened with glorious purposes, as The Magician.

(If you haven't see the season yet and are avoiding spoilers, don't look for the explanation under the cut!)

For starters, the Magician is said to be the conduit that converts energy into matter. He represents worldly experience and knowledge ; he has seen it all, experience it all, and acts at the gateway between spiritual and material realms- just like would be a God trapped in the roots of Yggdrasil, all seeing, all creating. He is the root of the whole tarot- having access to the symbols of each suits : Wands, Swords, Cups, Pentacles. The Magician has unlimited potential, is manifestation at its best : who else to embody that, than the God of Stories, the most powerful being in the universe? Timely was right- truly a magician.

But that's not all. Let's start with the meaning of the card, upright.

As the master manifestor, the Magician brings you -you, person living in any timelines ever- the ressources and energy you need to make your own choice. He's giving you a chance. Like him, you might be facing changes, new ideas that challenge who you were: it's now time to act on them. The skills (maybe time magic ?) and knowledges (perhaps your brand new sciency PhD) you have gathered along your life path have led you where you are now. You must have a clear vision of the goal you are trying to achieve. It is not enough to be motivated by ego, money, status or fame, by a throne. When you are clear about your "what", your "why"... your "who"... you will be able to take actions. You are powerful, you are a creative being: you can reach, now, your highest potential. Focus on the ONE thing that will truly motivate you. Be active. Be a tree.

Reversed, the card can indicate that are still uncertain. You know that you have to take action, but are uncertain of the course it must take. You are afraid of what you might loose, what path you need to choose; be patient, be attentive- the solution will manifest itself in time, when you'll be ready to accept it. If you are already acting on your goal, the Magician Reversed can be a sign that you are struggling to see progress and success (perhaps because of some annoying Avengers who refuse to accept your perfectly reasonnable demands ; perhaps you can't make yourself kill that one person to save the rest.) Maybe you are not clear on your desired outcome; maybe your effort are misdirected, unfocused. You may be lacking conviction. Perhaps the goal you're going after is not the one you actually need, or even want. Are you sure you want that throne ? Are you aware of the price coming with any glorious purpose ?

At its worst, the Magician Reversed signifies manipulation and trickery. You may be masterful at manifesting, but you are lost, and you may only do it for personal gain and at the expense of others. Does it feels off? Maybe. It might means you were made to work for the highest good, before you find yourself lost. Remember your "why", remember your "who". You have many skills, talents, capabilities, but your real potential is not being maximized. You have to ask yourself- what needs to change for you to reach your full potential? What do you crave the most? You can't lie to yourself: you have to be honest, as painful as it might be. You have to be ready to do what it takes to reach your most important goal.

If, in the end, it matters most to see your friends having a shot at life, at happiness, than it matters to not be alone- then, you know what you have to do.

With that, I conclude my explanation. Only one more card, and I'll be done with the Major Arcana!

(Just like Marvel is done with Loki a h)

I hope you liked it. You, yes, you who is still reading! Thank you for that.

#loki #loki fanart #marvel loki #loki season 2 #loki s2 ep6 #loki spoilers #loki series #loki laufeyson #loki odinson #god of stories #loki god of stories #loki ending #tom hiddleston #yggdrasil #tarot project #tarot card #the magician #loki season 2 spoilers

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tuiyla · 3 months

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NATLA Ep. 1 "Aang" thoughts

It might not be the Avatar but it's still an Avatar show which means I'm giving it the respect of not doing anything else while watching, so I'm not gonna liveblog, as such. BUT, I do have many many thoughts after just episode 1 so before I proceed I'm gonna digest a bit and do a word vomit of those thoughts. Maybe I'll get around to a more in-depth and critical examination later after watching the whole thing but for now, a few thoughts here and there. Spoilers inbound.

The opening

The first huge difference is of course how the whole thing kicks off. Trust me, despite having been a huge ATLA fan for over 15 years I'm not trying to approach this in a way where I automatically shit on everything the new show changes. It's a different era, different medium, different audience. Well, in a way. So some changes are outright necessary and, in some cases, even good! Therefore I don't automatically roll my eyes because we don't open with Katara's narration and the Southern Water Tribe. Modern audiences, Netflix audiences are more fantasy savvy than Nick's target audience in 2005 so it makes sense to open with the war's beginning. I'll even take the Sozin scene, though it feels a bit wrong, in a way, to introduce a character like him so early on. I wanted to say, without much sense of threat, too, but it's not live action movie Ozai levels bad and we do get our arguably most brutal scene when Sozin straight up burns an earthbender from pretty much inside out. This level of violence is something I'll perhaps get into more in another post but long story short, I think it's the right amount. This ain't a Nick cartoon anymore but it's also not gratuitous. What it is, is war.

Part of the opening is the intro, of sorts, a twist on the beloved opening sequence as narrated by Katara. The twist itself, I'm okay with, but I have Feelings on Kyoshi being our narrator that are again for a more in-depth look. In short, it makes no thematic sense for it to be the Avatar from before the last to narrate this. I know Kyoshi is the fan favourite, pun intended, but that's all the justification they have. If anyone other than Katara, who is done dirty by taking her narration away btw, it should be Roku. You know, the actual last Avatar? Having it be Kyoshi is fan service as much fans are symbolic of her. Bad pun, I know. I haven't seen ep 2 yet but do tell me we're shifting to Katara, pls pls pls. Another gripe I have is the title, "Aang", since the OG show has such beautiful symmetry with its first and last ep titles but this is a nitpick. Also, nothing to indicate that this is the season of water? Titling the seasons after the elements matters very much.

And then, just when I think we're jumping to 100 years later, we meet Aang. I'm already going into more detail with thoughts here than I intended but I just do not like how we drag this on and on. Show Aang's backstory and the details of the attack later, mid-season. Yes, like the original did it, because the original did it for a reason and that's to not info dump in the very first episode and have sloppy exposition that would have felt more natural had it been delayed for later. We don't need to know everything about the world and the role of the Avatar right away. I do like how the Aang and Gyatso relationship was established but we didn't need All That, and we could have had the vast majority if not all of this as a flashback later on. Random idea, but maybe even in the episode where Zuko's backstory is covered. I'm really innovating here, I know. I'll explain why this was too much in another post, maybe, but for now I'll say the positive that I do think these scenes are done well, I just don't like their placement. And I don't like what we're doing to Aang's ch in terms of his responsibility and role so far, such as him not actually wanting to Run Away run away, but I'll wait and see where they take him for the rest of the season.

Wolf Cove

Omg what, the Southern Water Tribe? Finally. The ch who started off the whole thing in the OG appears 21 minutes into this episode, almost the length of an entire ATLA ep. So far, the sibling dynamic is Fine. Again a bit too heavy on the exposition but what can you do when you cut Katara's opening narration about their family and tribe. Some things I take issue with include the way Katara breaks the iceberg open, i.e. lack of feminist rage and in general her lack of strong presence in this first installment. It feels like they're trying to give Sokka more but you can showcase Sokka without making it feel like Katara is less of a presence, less of a driving force, and frankly more of a kid than she is in the OG. I do like her and the actress, her interactions with Aang and role in the story just feel lacking so far. And then they actually include her intro word for word, just said by Gran Gran! Like yeah we know Katara tells the story like Gran Gran told her but damn, straight up theft.

I'm also not satisfied with Kanna's place in the story. Her breaking the news to Aang feels flat and devoid of the tension that was present in the OG where Aang and Katara put two and two together on their own. Also no goodbye to Gran Gran? No big sendoff to her grandkids? No speech about destiny? Disappointing. What is done well is the sense of dread when the Fire Nation ship arrives at the village and Zuko's whole entrance, that's good. But again, he and Iroh give away way too much way too early about his mission and banishment and such. You guys, you have a whole season to get into it, why rush. I have a fear as to why they're rushing but we'll see. It just feels like a rookie mistake to try and shove so much into the first ep. We get it, the world is so much bigger and these chs so much richer than they first seem but that's the point, the audience will watch and learn as the season goes on. Just because Avatar has all this lore way beyond the first installment doesn't mean we have to go back to Wan and explain everything before we can head to the North Pole. I joke and exaggerate, but there were times I rolled my eyes at the dialogue. Again, not Shymalan levels bad but that is not where the bar should be.

Overall

I have less to say about the Southern Air Temple as it is quite brief, all things considered and because we already got so much of it before even making it to the present. I do think it's funny people thought the live action would let the story breathe more just because the eps are longer because look, here we are, three 23 minutes eps shoved into less than an hour with expanded stuff from the very beginning. This is not it breathing more because there aren't 20 eps to work with. They have a lot of content to get through and as a viewer you can feel it, which doesn't bode well. The whole script does have this first/second draft smell which is sus, when this thing has been in development since at least the end of 2018 and the OG eps it's based on just turned 19. Yeah, that's right, nineteen.

As for things like the visuals, the costumes, the acting, the score, bending, I think it'll make more sense to pass a judgement at the end of the season. Besides, what I'm most interested in is the script and I don't pretend to know much about things like costuming. First impression, it looks good. CG is a bit stifled at times but I like how oversaturated it often is, especially with the nations' colours. It's probably the closest we'll ever get to Avatar in live action and I'm okay with that, since I still believe they should stick to animation anyway. But yeah, good. Nothing mindblowing and bending so far but I'd also rather it didn't try to razzle dazzle with just flashy CGI and no substance. As is, there's not too much substance so far anyway so I'm waiting for subsequent eps to be more confident in what they're doing, whether that's building on or steering from the source material.

#natla #natla initial thoughts #netflix avatar #aight lemme simp after suki now

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munsons-maiden · 2 years

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I feel like, and this is a BIG ASS IF, IF Eddie was supposed to be killed off for good, for whatever the reason (we can say covid probably messed up a lot of ideas and plans, maybe even got the team forgotten what was written or whatever), Joseph's press stuff would've been done basically. Like it kinda was at first after volume 2 came out. But the Suffer Bros saw how badly they messed up, they're planning on bringing Eddie back now because of fan fallout. And why Joseph's been on mega press tour while the rest of the cast just be chillin lol.

Which, as happy as I will be if Eddie lives, I'm not sure if I'd want Kas Eddie now, because I feel like Suffers would be doing it to 'please' the fans and mess it up. I'd rather fanfic Kas Eddie because we know how it should be done lol, where they'd just be slapping a bandaid on a wound and go SEE WE FIX YOU CAN'T BE MAD AT US ANYMORE! lol. I hope I make sense and am not rambling 😭

I'm not so sure if Eddie returns that the Duffers didn't plan this all along. I mean, I want him back and I don't care if they spontaneously bring him back because of the fan reaction he got or if they planned to bring him back but there is just too much foreshadowing in the season. The Will/Eddie parallels (the Missing poster vs. the newspaper article, both scribbled with sharpie; Wayne Munson wearing the same jacket as Jonathan while he was putting up Eddie's Missing poster; the song When It's Cold I'd Like To Die playing during Will's "death" in ST1 & playing during Eddie's in ST4), the whole Iron Maiden reference in the this-is-music-scene and the huge amount of Kas symbolsim attached to Eddie (the vampire skull ring, the spiked shield), as well as the tattoos (some of them might not simply be foreshadowing for ST4 but for ST5 as well). Yes, it could all be seen as coincidental, a few neat references...but it's weird that there are so many? And we know that the Duffers love their foreshadowing and symbolism. So I actually think if/when they bring Eddie back, it was planned all along.

Either way: they left the door open three inches to bring Eddie back.

I keep saying it and I'll say it again: my worst fear is that they bring Eddie back as anything else than his old, sweet, gentle, lovely self because that would feel like seeing him die all over again and I'm not sure how I should ever recover from that tbh. But in my eyes, the whole Kas theory would only make sense if they used it to an extent: Vecna brings back Eddie like El did for Max, and flays him because he needs someone to do his dirty work. And it's about saving Eddie - a beautiful storyline for Dustin, btw. They did something similar with Will in ST2 (and that's where the Will/Eddie parallels come in to play, in my opinion.)

So even if the Duffers were bringing Eddie back only because of the fandom, they still, intentionally or not, built the ground to do it well. There is too much foreshadowing to bring him back in a bad way, in my opinion. The wave is there, they only need to surf it. Eddie's return is basically writing itself - in a beautiful, meaningful way.

Because as tragic as his death was, he saved Dustin. It wasn't pointless. The writing in itself, leading up to the situation, wasn't good in my opinion but from Eddie's POV everything made perfect sense, and without Eddie, Dustin would have fallen prey to the bats as well. How beautiful would it be, for Dustin to be the reason that Eddie The Banished manages to banish Vecna out of his mind and return - as himself - when he was the one to tell Dustin "Never change". That would be closing the loop and the Duffers love this whole closing-the-loop thing.

(tbh, after the way his story ended, bringing him back as anything else but himself wouldn't make sense, story-telling wise. It would be cruel for Eddie and for us.)

So, yes, there was a moment I lost my trust in the Duffers, but I found it again. And - that's just my opinion - apart from the final episode, ST4 was the best season of Starnger Things ever (not simply because of Eddie but because of the writing).

I hope this made sense, but I firmly believe if/when Eddie comes back, it will be good, not a slapping-a-band-aid-on-a-wound🖤

#kiki answers #eddie munson #stranger things 4 #stranger things #stranger things 5 #joe quinn

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byulsgrease · 3 years

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if you arent too busy, can you write a idol!hwasa x idol!reader, wherein they both have to practice with each other for a special stage. However on the first meeting they become starstruck and cant believe somethings are real, but soon warm up to each other?

i'm not terribly busy but this still took a while anyway oops - sorry this took so long anon! here you go :D

if anyone has requests for the other members hmu cuz I've got 2 more hyejin reqs after this one (not that I'm complaining)

"who says we can't do something on our own?"

(hwasa x idol!reader, ~1.2k words)

cw: food + alcohol mention (y'all know how it is)

I named someone Minjeong - it's not Aespa's Winter, idk anything about 4th gen gg's - 민정 is my Korean name so it's just what came to mind

"Hey, wake up. You've gotta see this. GET UP," a voice piercing through the fog of your sleep.

What a rude awakening. Your shoulders being shaken vigorously by a pair of small hands meant they belonged to none other than Minjeong, your youngest group member. You rolled over to glare menacingly at her with one eye open, trying to pull your brain out of the slumber. All you could see was the bright light of her phone shining in your eyes - a video of some kind. But then you heard the audio:

"Have you seen the clip?" asked the interviewer.

"Yes, my members and many MooMoos made sure I saw it"— Moos? Oh, it's Hwasa. WAIT. Both your eyes flew open as you sat up and snatched Jeongie's phone out of her hand to stare at the video. Your mind immediately flashed back to the interview you did last week - they asked who you most wanted to collaborate with, if there were no limitations. Your ears started to heat up at the sheer thought of the flustered mess of an answer you gave - of course you said Hwasa. Both of you debuted relatively close to each other, within a year, but never interacted much over the years. Mamamoo as a group was a force to be reckoned with, but there was just something about Hwasa specifically. You mostly just admired her unique singing voice and undeniable stage presence, and her relentless drive to always be herself in an industry constantly trying to fit women into a box.

Finally snapping out of re-living that embarrassment, your attention turned back to the phone in your hand. The interviewer must've asked her to send a message in response to you, because you couldn't believe that she was waving and saying, "How haven't we gotten to know each other better over all these years? I'd love to work with you on something sometime," curtly dipping her head in a slight bow.

"SEE? You needed to see that," Minjeong rushed to say, full of energy. "And close your mouth, your jaw's on the floor," jokingly pointing.

You side-eyed her and shut your mouth. "Is this what Loco felt like when she called him during Hyena on the Keyboard?" you wondered aloud.

"At least she's not calling you while on camera," she commented, knowing full well that you'd probably embarrass yourself again if she did. "But hey, at least she noticed you! Can I have my phone back now?" It would be a dream come true to collaborate with her, but cross-company collabs... always a pain. that couldn't be helped. The fantasy abruptly ended with demands from your rumbling stomach. Done with your what-if's, you placed the phone back in your maknae's outstretched hand to get up and make breakfast.

~~~~

With award show season rolling around, the crazy scramble of rehearsing for special live stages without leaking sets and collabs began. Checking your email that morning showed a schedule to record the backing track for a special live stage, but that was it. With who? You texted your members a screenshot, but they all told you that block of time in their schedule was empty. A solo stage? The solo mini-album you released this cycle did relatively well, the title track got a music show win, but not a multi-week chart-topper by any means. Possibilities turning over in your mind, you stepped out from your place to head to the company, totally in the dark about what was in store.

The recording studio always smelled the same along with the couches, a comfort for all the insanely long nights and crack-of-dawn early mornings over the years. With a bit of time to kill, you plopped down on one and gingerly patted the worn cushions as some kind of symbolic thank-you for supporting you (literally).

A hesitant but loud knock sent your gaze directly to the door. Watching it slowly open, you leaned forward to see who it was. Needless to say, your jaw fell to the floor again as you clapped a hand over your gaping mouth, eyes widening. Like a soldier obeying a command, you immediately stood up as straight as possible and bowed profusely at Hwasa, sporting a very similar expression on her face (which you failed to notice, your mind running a million miles a minute).

After a series of frantic bows and miscellaneous utterances to each other, she spoke. "It's nice to finally meet you," she said with calm, surveying your frenzied state. "I guess we're granting that collab wish from your interview, huh?"

The red-hot embarrassment leapt to your face. "I...I definitely made a fool of myself answering that question. And our maknae showed me your interview clip too, which was cool, but never did I think it would actually happen," you stammered. I should probably stop talking.

"Well, here I am," she half-smiled coolly. "Let's get started, I'm really looking forward to finally work with you on this," a gleam in her eye and a hint of excitement in her voice.

The studio suddenly felt a lot smaller with her in it, despite there only being your managers, the producer, and the both of you - less people than you and your members alone. Both of you remained relatively quiet the whole time, rather unsure of what to say or talk about. You watched enough MMMTV to know that all the members on their own were shyer than together, and Hwasa knew the same was true for you. But the work basically took care of itself, seamlessly taking turns in the recording booth, witnessing each other's work style and process. The both of you knew your way in front of a mic, seasoned professionals by now. Upon wrapping up, you bowed politely to each other after a quick exchange of KaTalk info, a short and sweet goodbye.

That was... anticlimactic. I mean, it's finally happening - I can't believe it. But maybe I was too idealistic about maybe creating a meaningful relationship with her outside of work... What does she think of me?

~~~~

In the days leading up to the collab stage, you kept going back and forth on whether to reach out or not, despite now being in possession of her contact info. What would you even say? Thoughts of a witty one-liner or relatable meme came to mind, but maybe she'd assume the worst - that you were clout-chasing, or something. Anxieties abuzz, your phone vibrated in your pocket. The KaTalk notification sprawled across your screen. Speak of the devil, it's her.

"Hey, awards season has me stressed. I know you must pretty busy right now too, but I somehow get off early tomorrow if you wanna grab dinner after work?" You had to reread that one. Oh, what? She's inviting me?

Trying not to be weird about responding too quickly, you typed out, "Wow, yeah, that sounds great! ^^ wait, your company doesn't care about you going out to eat during award season?"

"nah, they stopped having that kind of control over us a while ago, we are the money-maker of the company, after all 😏"

"so I guess this means they don't check your phone either ㅋㅋㅋ"

"nope :)"

You proceeded to set a time and place to meet, someplace with meat.

In the process of feasting on an inordinate amount of gopchang imbued with a splash of beer, you learned a fair amount about each other. You talked career, professional aspirations, the weird habits of your members, and more. What surprised you most was the amount of things she already knew about you, having admitted to watching some of your behind-the-scenes content after seeing your interview clip.

"Ah... I'm sorry if I came across as distant during that first recording session," she confessed, pausing to sip her beer. "I honestly didn't know what to do with myself, I felt a little star-struck."

"Oh what?? I felt the exact same, so no worries - and sorry if I came off similarly distant," you rambled back. A bit of silence fell between you, acknowledging the mutual sentiment. You spoke up after a bit, "Thanks for inviting me out tonight, I didn't realize how much I needed this."

"Thank you for making the time, I had fun getting to know you better," she articulated with a smile. "Maybe it'll make the collab stage better," she added on jokingly. You responded with a nod and expression of mutual affirmation.

~~~~

After that, messaging each other became a regular occurrence, that gopchang outing having broken the ice. Honestly, you tried your best to talk about anything besides work, but the baseline of shared understanding connected you in a way that came more naturally than it did with your non idol friends.

You stood across the way from her at the sound check for the final stage, dressed in joggers and slides. Funny to think that you'd be recording this for real in a couple hours, making eyes with the blinking red light on the cameras surrounding you. It sucks that fans wouldn't get to experience the energy and atmosphere of the performance - Hyejin alone is one thing, but adding someone else into her stage presence? Unmatched. There's nothing quite like a live performance - and while you knew everyone in the industry dealt with the consequences of the pandemic, it certainly took a toll to perform and not feel the energy from fans. But realistically, nothing you could do about it. The sound check went over smooth like butter. The stage chemistry came flowing naturally between you both, even when bare-faced and dressed in just sweats.

And when the time came for the actual filming, you both absolutely killed it, an upbeat mash-up of TWIT and your title track. At the very end came a sliver of hesitation before throwing your arms around each other with a big smile for the ending fairy, proud of the work you accomplished together, and a mental fist-pump to yourself for making friends with one of the industry's finest.

Once again walking to a restaurant that served mostly meat to celebrate, you playfully proposed, "We... should do that again sometime." A little puff of air came out her nose in amusement.

"Yeah, we should. Too bad we're gonna have to wait a whole cycle before we can release anything else together again," she sighed longingly.

"Who says we can't do something on our own?"

#did not know how to end oops #mamamoo x reader #hwasa x reader #mamamoo hwasa #ahn hyejin #hwasa fanfic #hwasa imagines #hwasa #mamamoo fic #mamamoo imagines #mamamoo scenarios #girl group fanfic #girl group imagines #girl group scenarios #kpop #kpop fic #gg fic #gg fanfic #requested

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opalescient · 3 years

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haikyuu fic recs — the most beautiful, lovely, breathtaking masterlist (vol. I)

so i’ve been binging fics to cure my sadness, and i thought that these select masterpieces were too magnificent to not be plastered on every billboard ever. some tore my soul into shreds, while others melted said shreds back whole, but all of them made me feel some form of sheer, unadulterated love, so. please enjoy! 🥰⛅��✨

note: all of these fics are exquisite and you should read all of them, but if you’re short of time, those with ☆ are my all-time favourites!

daisuga

butterfly in the subway by bigspoonnoya ☆ | T

Sugawara Koushi has no idea he's already in love with the man he's supposed to hate.

i lovelovelove how all the concepts tied in together like a perfectly wrapped gift

also very wholesome, made me feel so inexplicably warm. like, love can exist everywhere!!! despite everything!!! that’s just so inspiring

i revisited this many times, i think it was (one of) my first haikyuu fics and honestly. it set the bar so high and i have no regrets

you’d fit my lonely arms so perfectly by boxofwonder ☆ | G

“Oh. You're. Not Asahi.”

Calmed down enough that he can speak again, Daichi takes a deep breath, his smile settling on his face easily and wide.

“Not as far as I know, no.”

Suga accidentally calls a stranger instead of his best friend, tells him all about his burned batch of cookies before realising, and that particular mistake might turn out the best one he ever made.

major, major fluff

the buildup!!!

god this made my yearning for love so much worse

the perfect stranger by downmoon | T

There’s a man standing outside Suga's door.

Scratch that. Start over.

There’s a man he doesn’t know standing outside his door, holding his sleeping nephew in one arm, with another kid clinging tightly to his free hand.

so domestic please read the entire series from start to finish it has my whole heart

shoyou and tobio as their actual kids 🥺

these two parents are so in love it makes me wanna cry

asanoya

silica sand by lilien passe ☆ | G

Overworked, over-stressed programmer Azumane Asahi works on the top floor of a Shinjuku skyscraper. Nervous around his coworkers and terrified of the long drop on the other side of the window, Asahi falls into a miserable routine, only to have it broken one day by a simple message on the outside of the glass.

PLEASE. so well-written it makes my heart glow and ache simultaneously

made me ascend into asanoya heaven

such a brilliantly unique concept i love it A+

qué syrah syrah by loudlucy | M

Asahi wants to be a Master Sommelier. It's the highest honor in wine service, and the certification would allow him to live the life he's always envisioned for himself. Too bad the certification test is notorious for being the world's most difficult.

Most people fail their first time taking the exam, and Asahi is no exception, but he has more difficulty than most dusting himself off and getting back on his feet. Enter Nishinoya, a young man who shares his same dream, and who believes in their goals so fiercely it forces Asahi to embark on a delicious and sensuous journey of viticulture and validation.

AKA The Wine Tasting AU that literally no one even knew to ask for.

NOTE: You Do Not Need to Know About Wine to Understand This Fic!

another super unique concept!!! (´∀｀=)

my god their chemistry is amazing

the writing made me feel things ngl

stop my bones from wondering by cerasi ☆ | T

After graduation, Asahi hides from the world and needs help from a few sources to find his way back.

i want to write sonnets and sing ballads for this fic, it’s that beautiful

as always, Top Notch Writing *chef’s kiss*

no but i seriously... can i kiss the author? asking for a friend 😳👉🏼👈🏼

iwaoi

star-crossed by starlitcities | T

“I never thought I’d see the day that I’d envy a human,” Oikawa admits, showering himself in tiny suns, because he can actually feels those, like a fusillade of warm kisses on luminous skin that leave marks. To humans, they’d be freckles. Skin stars, Oikawa calls them. He didn’t make that up, a human did.

“Who created the rule that we can’t touch, I wonder,” Iwaizumi ponders, floating heedlessly through space.

“Maybe it’s because we can fly. Humans dream of flying, right?”

“I don’t think so.”

gsjsgsjshsjshsjsj star!iwaoi

they’re LITERALLY STARS

beautifulbeautifulbeautiful i love how the author conveyed the beauty of touch and humanity 🥺🥺

please bless yourself further with the sequel sun-kissed

conquering the great king by suggestivescribe ☆| E

Iwaizumi blinked his gaze over to Oikawa, "Last time was supposed to be a one time thing," he said, voice low, lacking some conviction.

Oikawa's lips twitched into a smirk and he brought them hovering just over Iwaizumi's, "One time thing, Two time thing, what's it matter as long as it's not a Relationship thing?"

yes.

in fact, this entire series (breaking the rules) features daisuga, kuroken, asanoya and it’s SO GOOD. every single one.

but anyway, character development!!!!! plot!!!!!!!!! writing!!!!!!!! i’m here for it all

tsukkiyama

campfire in your chest by deanpendragon ☆ | M

Kei realizes in their second year of high school that he’s probably been in love with Yamaguchi since they were ten. However hopeless he might be in handling that situation, Kei prays he’s at least not as hopeless as Hinata and Kageyama. But he just might be.

SO BEAUTIFUL

i am also a sucker for anything with stars, moons and all the love in between

no words to describe this work of art please just go read it and be blessed

under the lilac tree by raewrites | G

there’s a lilac tree in Kei’s backyard.

gorgeous in its simplicity

softtsukkisofttsukkisofttsukki

not as grandiose as the rest but the love written into every word, action and character is absolutely show-stopping

kagehina

saffron and cayenne pepper by dontsaycrazy ☆ | T

Cooking is hard. Even if you have your very attractive, very grumpy neighbor there to help you.

In which Hinata's lack of cooking skills are a danger to him and others. Luckily (or not), Kageyama is willing to teach him, if only for the sake of avoiding any burned down apartments.

the essence of their characters were captured so well and yet it’s like they’re completely new characters too? author, whoever you are, you totally owned this

this made me ship kagehina so hard

fluff! cuteness! lots and lots of cooing!

kuroken

the galaxy is endless (i thought we were, too) by cosmogony ☆ | T

soulmate

/ˈsəʊlmeɪt/ • noun

A person who was made from the same star as you.

// Kuroken AU where the last words your soulmate will say to you appear on your skin when you turn 16, and how Kenma and Kuroo learn what this means over the course of their lives.

ahhh here it is. beautiful, heartbreaking, soul-emptying agony. you want angst? choke on this, and your tears later on.

no but seriously please read this if you haven’t you won’t regret it at all i promise

written from kenma’s perspective so you experience every depth and multitude of emotion he does and it’s so raw and- brb imma go cry for a sec

knot in my heart by hearthope | T

There’s a picture. Kenma blinks, looking at the little calico cat, being held up next to the face of a guy with stupidly messy hair and a crooked grin.

Cute.

The— the cat. The cat is cute.

Just the cat.

Kuroo starts spending a lot of time at the flower shop Kenma works at. Kenma definitely isn't into him.

okay so i like it when authors unravel a normally stoic character’s full scope of emotion and give them depth, sue me.

anyway, back on the fluff train!

i absolutely f*ck with flower symbolisms, cats and bitchy best friends who have dirt on each other. the layers of romance, friendship and everything in between is so prettily developed 10/10

bokuaka

the jacket you never returned by daisuga ☆☆ | G

He leaned over, kissed Bokuto on the cheek, and smiled bitterly, eyes watery.

He will never remember. Not now, not ever.

What they were will now forever be forgotten.

"You used to call me Keiji, Koutarou."

YOU USED TO CALL ME KEIJI, KOUTAROU!!!!!!!!!!

i beg you to listen to Spiegel im Spiegel when it’s first mentioned in the story please

i read this and screamed through my tears for a solid 1.5 hours. i rarely cry.

no f*ckin regrets though i read this thrice already and it hurts so good every time

rules by conesofdunshire ☆☆ | E

In which Akaashi Keiji is an overworked accountant who stumbles upon Bokuto one night playing the piano in the lobby of his work. Bokuto is different, that much is obvious. But with such supreme musical talent and a smile so dazzling it rivals the sun, there's just something about him that brings Akaashi back every night.

this fic. this fic has my whole, broken, sobbing heart and laughing soul

gorgeous. breathtaking. magnificent.

bokuto is so WARM and akaashi is so STRONG and they both find the solace they need in each other and it’s all i want for me 😭😭😭

in another life by littleluxray | T

Sleeping didn't come as easy as it used to. Bokuto knew this, and now Akaashi did, too.

The hospital AU that no body asked for, but that I took upon myself to write.

this is a famous fic that i doubt any seasoned haikyuu reader wouldn’t know, and RIGHTLY SO BECAUSE, the PAIN. the pain. the pain.

i could feel my lungs shrivel up and my chest cave in on itself. fatigue and rest are things i struggle with too so this whole story resonated with me from start to finish, and it broke me. in like, the best, most revitalising way

i would read this again but it still haunts me at night. i need to heal from the first time before i have the guts to try one more time HAHAHA 😆💔😭

tea-stained polaroids by dalyeau | G

“I'm gonna date that,” Bokuto declares solemnly, and Kuroo throws a plastic spoon at his head.

mmmmmmm pretty photographer + personalised coffee cups + cute baristas = diabetic fluff fic

i smiled so much throughout this you have no idea. cheeks achey but so good

i may have squealed a little at the ending

kurotsukki

moonfall by batman | T

There is no unlearning Tetsurou, after all. There is only leaving him.

(Five things of Tetsurou's that ended up in Kei's home, and one that never left.)

the writing!!!!!! is pure beauty!!!! sheer grace!!!!!!! the construction of the AU and the romanticism and hsjsgsjshsj

didn’t cry but. heart ache and bittersweet smiles are another level of misery that is just as fulfilling

yea just pleasepleasepleaseplease go read it thank you and have a good day

hidden gem by realmSpinner | E

Things get complicated when everything you thought you knew about a guy changes, and they get even more complicated when you actually start liking those changes.

That guy working with you AND becoming your neighbor? That's just a cherry on top of the cake of confusion.

this AU was refreshingly different, and amazingly so

top!tsukki??? sign me the f*ck up

the whole plot, man. perfection.

pings by barfs ☆☆ | T

[5/02/16, 3:50:17 AM] Tsukishima Kei: Please wake up.

[5/02/16, 3:50:23 AM] Tsukishima Kei: I hate begging. You know I hate it.

[5/02/16, 3:50:34 AM] Tsukishima Kei: I bet you’re snickering at that, wherever you are.

[5/02/16, 3:50:53 AM] Tsukishima Kei: But, it keeps hurting and I don’t know why and it feels like shit and I know you could tell me why, but you’re not here and I would really appreciate it if you’d just wake up.

[5/02/16, 3:51:02 AM] Tsukishima Kei: You’re laughing at that too, aren’t you.

[5/02/16, 3:51:10 AM] Tsukishima Kei: Dying is probably up there in the list of top ten shitty things you’ve ever done, and you’ve done a lot of shitty things.

god.

you already know what’s coming, and yet. when it comes.

how the f*ck did the author make grief beautiful????????? (at the expense of me dying along with kei and everyone else i guess)

this fic will ruin you and bury you under all your pain (i hope you’re ready)

but also put you back together with the “sequel”

kyouhaba

close to the chest by darkmagicalgirl | T

It takes Yahaba thirteen years to realize he's different from the other kids, one to figure out how to hide it, and two more to learn to be happy just the way he is. Yahaba's journey ft. an extremely annoyed Kyoutani, best friend in the world Watari, and loads and loads of good senpai Oikawa.

cause i’m (not) alright with the slow, burn~

no fr, take slow and burn very seriously

overthinking yahaba? i understand. i do.

again, such an amazing fic; 10/10 recommend

safe here by crossbelladonna ☆ | M

“Raids are routine work,” Kyoutani tells to Yahaba before he can air the question. “Sometimes there is no sleep done until we accomplish something, say kill a certain ghoul. I guess they’re still going through the possibility that people in the accident are still alive huh?”

Yahaba quirks a smile, pushing his mask up his head.

“You’re alive.”

Kyoutani looks at him intently and all of the things that they’ve gone through for the past month seems to flash in his mind.

“Yes I am.”

i haven’t watched tokyo ghoul but i understood everything perfectly. such is the power of f*cking kickass writing

*cue ugly crying and a lot of unresolved angst*

like the grief??????? ruin me please thank you 🙏 (i think i’m a little masochistic)

rare pairs

mannequin men by surveycorpsjean ☆ | M

[bokuto/akaashi/kuroo/tuskishima]

The modelling world is full of hungry wolves, constantly clambering over the other, snarling and desperate. They fight, and they kill, trampling over anything in their path.

In this case, Akaashi fell in love with the wolves.

i did not expect this to be good, and it wasn’t. it was SPLENDID.

akaashi is so enamoured with them from the get go i love it

a tiny bit of angst that stabbed me in the heart, but the happy ending soothed it (thankfully, because if there wasn’t one i will sue)

characterisation, writing, plot development; everything is great. can you tell i’m running out of synonyms for ‘beautiful’

feel like gold by heronfem ☆☆ | T

[bokuto/akaashi/kuroo/kenma]

In which Kenma is unapologetic and comfortable with who he is, Akaashi learns a lot about himself in a short period of time, Kuroo is wildly in love and an eternal survivor, and Bokuto remembers that love doesn't cure mental illness, but having a support system sure helps a lot.

Or, the one where 4 young men get together, and are helplessly, hopelessly, utterly in love despite everything.

e.e. cummings?? poetry??? f*ck yes

so beautiful. i’m so star-struck by this fic it’s simply stunning

there are no words to fully capture how worth your time and heart and mind reading this fic is so please. do yourself a favour, and fall in love with this fic with me

the sky and guilt are the only feelings i have left by oopsthisisqueertoo ☆☆ | not rated

[bokuto/akaashi/kuroo]

Akaashi is at his wits end. He feels nothing. He's quickly crumbling as a human being. He wants nothing but sweet release of death. In his fourth year of college he drafts a plan for his suicide. He is to graduate, publish writing for others to be inspired by, and slip quietly away. Shortly after, he meets a dog walker named Bokuto who asks him out and Akaashi reluctantly agrees. Nothing matters anymore and he treats Bokuto like an obligation. Until he's not anymore.

TW: SUICIDE ATTEMPTS & DEPRESSION

this was... this gutted me entirely and filled my body with too many shades of agony

arguably one of the best haikyuu fics i’ve ever read

so beautiful in the most painful way fathomable; strongly recommend

april to may by surveycorpsjean | T

[bokuto/akaashi/kuroo/tsukishima]

They're an odd family.

The four of them? Parents?

But still, they're a family.

So they'll support each other until the end.

aaahhhhh third gym as parents 🥺

so much fluff. i also love april and may

they’re still so in love there’s love in every millimetre of this fic :”)

that’s it for now! i’ll add more if i come across anymore good fics. i hope you enjoyed this list! if you have any requests/fic recs, or if u just wanna chat, feel free to just ask! hehe 🥰 k aight bye~

#haikyuu!!#haikyuu #fic rec #beautiful #writing #ao3 fanfic #daisuga #kuroken #bokuaka #tsukkiyama #kagehina #third gym #iwaoi #fic #reference #hq

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doortotomorrow · 3 years

Text

Mirrors and Cautionary Tales : John Murphy’s Journey to Redemption

When it comes to John Murphy, plenty of people have wondered why he spent a significant portion of his screen time interacting with the seasonal villains, and I think I’ve come up with a reason why this feels like such a steady trend in his overall story arc. It all comes down to how these villains represented Murphy’s internal struggles with himself as he grew and matured into the man we now know him as today.

Let’s take this back to the very first season of The 100 where we first encounter Murphy as he touches down onto Earth and the kind of person he was back then. As beloved a character as he is now, I can’t mince words or sugarcoat things. He was the villain for the delinquents in the first season. So, what kind of villain was he?

He wanted power and authority by any means necessary - ( “Well, I think the princess is dead... but I know the king's about to die, so who's really gonna lead these people, huh? Me, that's who, and, yeah, maybe I'll have to kill your grounder-pounding little sister.” - We are Grounders I )

He was downright wrathful - ( his willingness to kill Jasper, holding someone over a fire, ganging up on Wells to remove his bracelet, almost killing Raven )

He was selfish and all about his own self preservation- ( making everyone else do the work around the delinquent camp while Bellamy is gone, wasting resources to blow a hole in the drop ship to make his getaway )

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With those things out of the way, let’s jot down all the villains Murphy interacted with.

Charles Pike

Ontari kom Azgeda

Paxton McCreary

Josephine Lightbourne

Sheidheda

We’ll start with John Murphy’s origin point and his experience under his abusive Earth skills teacher, Charles Pike. While Murphy was largely absent from witnessing much of what Pike did to become Chancellor of Arkadia, he did see the end result of how that worked out for him. Desperate, in a jail cell, and then later on, stabbed to death in an act of revenge for the horrific things he did while in a position of power he practically stole.

On the Grounder side, he had the unfortunate luck of being trapped in Polis with Ontari kom Azgeda. Initially, he went along with the whole false Commander thing, masquerading as her Fleimkepa and even gave her advice on how to maintain her power...but then he started becoming unnerved by her violent paranoia, ultimately getting traumatized by her when she viciously abused him.

Murphy’s front row seat to watching two people’s quests for power and authority left him with this valuable lesson : being power hungry will turn you in a paranoid, unhinged person with a list of enemies a mile long. You will never, ever have a moment’s peace. You will always be looking over your shoulder wondering if this is the day you get a knife in the back.

After the third season, Murphy’s desire for power and authority completely disappears. It’s not something he’s interested in anymore because he’s been shown that it’s simply not worth it.

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Enter season five and its main villain : Paxton McCreary. What does McCreary like to do for fun? Start riots, blow things up, fire off big guns, and getting high off of combat. Oh, and he’s always, always emotionally detached and angry. His default setting is rage. It’s sounding kind of familiar, isn’t it?

The fifth season is where Murphy’s at his most chaotic and destructive(both internally and externally). He’s blowing things up, playing with huge guns, causing riots, jumping into any battle he can for the adrenaline rush, pushing everyone away, breaking up with Emori until finally, it all comes crashing down on him. All of this chaotic behavior leads to him getting shot in the Rover, nearly losing his life in the process.

On the other side of the war, McCreary’s wrath caused untold levels of destruction. It was McCreary’s need for destruction that lead to Earth being completely fried, it was McCreary’s wrath that resulted in the loss of Monty and Harper, taking away two members of Murphy’s family from him.

All of this unquantifiable destruction and death was a giant wake up call for Murphy. McCreary leaves him with this lesson: if you let rage and chaos possess you, you will end up losing everything.

That’s why, when the sixth season rolls around, Murphy’s lust for battle was greatly diminished.

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Speaking of the sixth season, it’s time to revisit Sanctum and get ourselves reacquainted with Josephine Lightbourne.

When Murphy arrived in Sanctum, his heart was heavy, clearly in a state of mourning over those he lost when he woke up and realized Monty and Harper were gone. Not only that, but yet again, he had suffered another traumatic near death experience during Sanctum’s Red Sun event. His first day out of his long hibernation was hardly fun at all, experiencing nightmares about going to hell when he fell into a coma and waking up screaming over what he saw.

So, in a moment of vulnerability and wanting to avoid going to hell, Murphy became more and more tempted with the concept of the Prime’s method of immortality. The ultimate survivor’s move : not dying at all. It’s at this point where he met Josie and saw first hand what living forever does to a person. At first, he made a deal with her to get his hands on some empty mind drives(getting Emori in on the deal as well), but the longer he lingered in her company, the more immortality started losing its luster. When it was revealed Clarke was still alive, Murphy joined the others in helping to get Josie out of her head.

Immortality had turned Josie into a sociopathic monster, utterly incapable of respecting other people’s feelings and wishes, only focusing on her own wants and needs for the sake of preserving herself. This wasn’t who Murphy wanted/needed to be anymore, having fallen in love with Emori, and creating a family alongside her which Murphy valued too much to lose. After all, what was the point of living forever if he lost his family?

That’s why, when the mind drives come up again in the seventh season, they’re now a symbol of finite time in Murphy’s story. Just a few more hours with the woman he loved as humanity itself faced its final hours.

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With all of these cautionary tales Murphy’s seen play out throughout the seasons, avoiding all of those pitfalls the previous villains fell in, we’re introduced to his perfect foil : Sheidheda, the dark commander.

Sheidheda was everything Murphy could have become if he never went on his journey of redemption, falling in love, and finding a family to fight for. Sheidheda craved power and desired nothing more than to see everyone kneeling at his feet. Through the Flame, he had lived forever, waiting for his moment of opportunity to arrive where he could rise again. If something got in his way, he’d burn it all down, creating chaos and bloodshed in his wake. He’s all of the previous villains combined into one package.

We were in desperate need of a hero...and we got one.

When Murphy and Sheidheda had their first confrontation, Murphy was deep into hero mode. He helped Emori calm down a rioting crowd, saved Sanctum from a nuclear meltdown, and rescued a group of frightened children. He kept on saying he was tired of playing the hero, but let’s be honest here, he wore the title well. Sheidheda was flawlessly utilized to showcase how far Murphy had come as a character, becoming a man we know his father would be proud of.

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There you have it! My long, long winded way of breaking down why Murphy spent so much time interacting with the villains. It was their way of marking down each stage of Murphy’s overall arc. It was very much intentional.

#The 100 #John Murphy #Richard Harmon #this wasn't meant to be this long #but I ran with it

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mittensmorgul · 3 years

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So for the most part, I outright reject the finale. But I do think, in light of the whole "Jimmy was supposed to be in the bar, and Dean was disappointed by that because his perfect heaven would have Cas in it" just makes me all the more convinced that the final episode was some kind of djinn dream. Like.... There's no other explanation in my opinion. If Dean's perfect heaven was supposed to have Cas, and he tragically gets faked out by Jimmy (????? Why tf would jimmy be there anyway), it just proves that it's not ACTUALLY heaven. That, along with he El Sol beer he's drinking is all the evidence I need. I think after 15x19, Dean and Sam got whammied by some monster, and are stuck in a hallucination, and that's what we're seeing. (My headcanon is that it's actually The Empty doing it, because it knows if it doesn't keep Dean and Sam occupied and spinning in circles, they'll invade the Empty to save Cas. So its trying to prevent that) :)

Hello, anon friendo! I am gonna start by offering the socially distanced version of a high five, because yeah... There is just so much to unpack here, and you provided such a succinct and all-encompassing series of statements to start from. Thank you!

*flings open array of questionable suitcases*

First off, Congrats on having rejected the finale. I know a lot of folks are still struggling with that one, for many reasons. But you have hit upon so many of the points I’ve been trying to make about the finale since it aired. I’d just like to start with some of the assumptions I’ve heard from folks about the finale that make it impossible for me to consider it fully honestly canon. Because so much about it just makes no goshdang sense... like... not at all...

One of the biggest issues I have surrounding the reception of the finale in parts of fandom is that it portrayed a “happy ending.” The show itself spent the entire final season telling us that a gravestone marked Winchester was not and never would be a happy ending (thank you Becky Rosen-- words I never thought I’d say, but honestly and most sincerely meant). Let’s break this down a bit.

Starting from the assumption that “heaven was fixed” so that characters could have true free will there, making it satisfying in any way that Dean died so young and never got to truly experience happiness during life, I would like anyone who has adopted this attitude to then explain Kansas the band. I mean... explain that in any satisfactory canon-compliant way. (hint: you can’t. it makes zero sense in canon, if heaven is truly reformed and “happy” with everyone in possession of free will.)

Which brings me to Misha’s comments about Jimmy being in the Roadhouse. Why, if heaven were truly fixed, would Jimmy ever in a bazillion years attend a party for Dean Winchester? If Heaven were truly a “happy” ending for Dean, why introduce this element of eternal tragedy and heartbreak to his heaven experience? Why taunt him with the eternal loss of Cas-- even if you don’t think he reciprocated Cas’s romantic feelings, he was canonically the best friend Dean ever had, and being forced to exist forever in a place where he had everyone else he ever cared for except for Cas? Is frankly horrific.

How the actual fuck is that a happy ending, in any sense of the word?

How is this the sort of heaven that Dean would’ve made for himself before it was “fixed?” At least in the memorex heaven, he could’ve lived in oblivious peace with Cas, even if it was always just his own memories and not ~actually Cas~. I honestly think that would’ve been happier than the abject tragedy of what we did get, and what we would’ve gotten had the original script played out.

All of this kind of makes me wonder if they ever even actually defeated Chuck. Like... it feels more like Dean got pulled into the Empty at that moment with Cas and Billie, and everything else after that point was the Empty’s endless experience of sorrow and despair we knew it subject its charges to. So that’s one potential for what could’ve actually happened. I mean, everything about the finale was sorrow and despair, you know? Dean didn’t even get to enjoy his pie at a pie festival because Sam smashed in in his face. How is any of it happy, in any way?

Because if that was actually heaven, there wasn’t actually any free will (because why tf would Kansas the band have chosen to put on that concert? why tf would Jimmy have been there, just to torment Dean with the taunt of Cas returning to him only to have that hope snatched away again? It’s cruel. It’s, in fact, a source of intense despair).

The djinn theory could also work, and I’ve read some excellent fix-it fic using that as a premise. But that doesn’t really explain what happened to Jack (and Amara, since she was in there with them) after hoovering up Chuck’s power, you know? I think the simplest explanations in canon are that Chuck actually won via the unified power of Light and Dark being transferred into Jack and effectively using him as a vessel. With Sam and Dean convinced they’d won, they effectively stopped resisting Chuck’s story for them, and using Jack’s understanding of humanity and the Winchesters specifically, Chuck finally was able to implement a version of his story that the Winchesters would just waltz into without thinking it was supernaturally influenced at all. Going bigger and bigger with monsters and cosmic troubles hadn’t worked, but going so small Sam and Dean would barely even notice the influence-- even with the incongruous reappearance of a vampire that appeared in their lives once, for like two whole minutes 15 years ago, and an unsolved case from the journal from more than 30 years ago that John had never even linked to vampires at all.

At this point, I need to mention that I’m watching 10.23 as I type this up. An episode in which we confront the Mark, along with Death, and Dean’s despair, where he learns a version of the truth (but by no means the full truth, or even accurate truth in some respects) about Chuck’s Story, Amara/The Darkness, etc. That would unfold more fully over the next five seasons. And what was the case Dean took in this episode? Vampires. LOLOL omg this show is nothing if not horrifically consistent, yes?

So because of this, I went haring off through my own blog looking for a post I made a long time ago about the symbolism of how various monsters are used on this show (because again, consistency). I got sidetracked by other posts in my monsters tag, including this from after 15.09 aired, which feels particularly awfully relevant. This was my reaction to Chuck’s Story he showed Sam in that episode, about what the future would look like should he successfully trap Chuck with a Mark, and which... yeah is basically exactly thematically consistent with what we saw in the finale, right down to a cheesy twist on vampires. Read the whole post right here, but this is the part that reached up and punched me in the face:

this is how Dean personally reacts when he loses Cas. We know how he reacts when he loses anyone else– think about what he did when Charlie died. He went on a murder rampage against the Stynes for killing her. When Mary died he broke some furniture and went full bore toward both resurrecting her and stopping Jack. But without Cas, Dean loses the will to fight. Sam has… always been different. He referenced Jess in 15.04 to remind us of how he was after she died in the pilot episode. Just like John, he picked up the revenge mission and ran with it. But for Dean, Cas is different. Without Cas… Dean gives up.

Because... Dean gave up. Sure, he and Sam weren’t overrun by vampires in the end. Chuck knew they’d never stop fighting the monsters, one way or another. The only way to get Dean to give up is something Chuck hadn’t quite figured out yet... maybe not until after 15.17, after confronting Cas in the hallway of the bunker, after absorbing Amara’s power, knowledge, and perspective on Dean.

Chuck needed Dean to give up, and honestly? Pushing Billie to clear him off the table and send him (and Cas, that pesky angel who never did what he was told) to the Empty would’ve been a direct way to deal with that... pretty much akin to having one sibling locked in a cage forever, yes?

Also, still looking through my monsters tag, I’m reminded of 14.15, and still cannot differentiate the version of Heaven in 15.20 from what was done to the people of that town. This... is not... paradise. This is actively what Dean has been insisting is the OPPOSITE of paradise since like… 4.22… No ending where Dean was a “Stepford bitch in paradise” ever had the possibility of being “happy,” at the core of things, and this “fixed” version of Heaven just doesn’t hold up to any degree of inspection. Something is seriously wrong here. https://mittensmorgul.tumblr.com/post/183465650390/so-can-we-talk-about-this-monster-of-the-week-for

And since I was unable to find the post I wrote who knows how long ago about Monsters and how they’re symbolically used on Supernatural to represent larger themes in the episode, I’ll just attempt to sum up what Vampires have been used for. Revenge. Vampires are always, in some way connected to themes of revenge.

(and hooray, I found at least a post adjacent to the one I’ve spent the last four hours trying to find... https://mittensmorgul.tumblr.com/post/187207052080/i-obviously-did-not-think-this-through, where I mention that shapeshifters are about revealing hidden truths (mostly about Dean since most shapeshifters are connected to Dean), zombies are about grief and the inability to move past it.)

So why... why at the end of their road is the monster that comes after them-- literally FOR REVENGE for something that had never been blamed on Sam or Dean to begin with, from season 1, directly connected to John’s revenge mission and the first time they learned about the Colt AND the first time they learned in canon that Vampires were even real... like... this feels very specifically like some kind of layers-of-meta levels of shade on them, you know? Vampires are for revenge, so what vengeance exactly is being visited upon Sam and Dean in this episode? If not Chuck’s entire story for them itself?

So yeah, 100% agree, something is incredibly rotten in the finale. And I am sick to effing death of people trying to convince us that anything about this was “good” or “happy” or “satisfying” in any way. Or even “how it was always supposed to end” with Dean dead bloody, as if the entire back half of the series hadn’t been suggesting that a true win was the subversion of all of Chuck’s story for them, and Dean finally being able to have his chosen family all alive, happy, and chilling on a beach somewhere watching the sunset. Nothing will ever convince me that the ending portrayed in 15.20 wasn’t exactly how Chuck thought he “won,” rendering it entirely irrelevant to the rest of canon, unless all of canon was ultimately the tragedy we’d been encouraged to believe would be firmly defeated in the end.

Folks, you can’t have it both ways.

#spn 15.20 #chuck's process #if this was the 'happy' ending for dean they sure did fail big time to make it actually happy!#it makes me feel sick thinking that dean's happy heaven ending was more like an eternal pit of torment #like actively tormenting him and taunting him with the fact that cas was truly gone forever #like wow they went all the fuck out to make it clear that even in heaven #dean would never be allowed to respond to cas's declaration of love #like... it's the most hurtful and hateful thing the show could possibly have done to us #and it still fucks me up knowing there's people who think this heaven was a 'good' ending for dean #like... fuck that entirely and with extreme prejudice #i feel like i have not been emphatic enough about my absolute hatred for this episode in these tags #but sadly there are limitations to expressing the actual feelings i'm feeling in the english language #sometimes the only effective word for these feelings involves velociraptor screeching #Anonymous

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variousqueerthings · 3 years

Text

Daniel LaRusso: A Queer Feminine Fairytale Analysis Part Three of Three

(another massive, massive thank you to @mimsyaf )

part 1

part 2

8. Queerness and femininity and masculinity and the colour red and *record breaks*

If we spin the record aaalll the way back to this paragraph: “…looking at what it is girls and women in fairytales have/don’t have, what they want, and how they’re going to get it. It’s about power (lack of), sexuality (repressed, then liberated), and men.” Reading Daniel as a repressed, bisexual boy in a society that doesn’t accept his desires it’s interesting looking at how he moves through the world of the Miyagi-verse, at how threatened other men are by him, at how obsessed they are with him.

He’s out in the symbolic woods and these large boys and men see him and decide for whatever plot reasons to come for him. And they are large and violent and attractive and apart from Johnny again, they don’t have the nebulous excuse of fighting over a girl and even that excuse dies by around the midpoint when Johnny kisses Ali just to get a rise out of Daniel. He’s not trying to “win her back,” he’s not even really looking at her. He’s just trying to get a reaction. They don’t have any of the fighters in Rocky’s excuse either of Daniel being a macho opponent.

You can read whatever subtext into TKK1 and TKK2 (which becomes especially tempting once CK confirmed that the guys he fought at seventeen have been thinking about him ever since – for thirty-five years), but TKK3 is where it’s really At in terms of obsession and lust and forbidden desires.

Silver is presented as both a handsome prince who saves Daniel and mentors him (where Miyagi is undoubtedly cast in a fatherhood role) and later on becomes twisted into a dark secret that Daniel has to keep, while he turns that thing that Daniel loves (karate, it’s… it’s karate… it’s also men, but it’s definitely karate, because karate makes him feel… things...) into an abusive, violent version of itself.

A wolf in sheep’s clothing.

But he’s also offering him something liberating. Whatever is going on in that nightclub scene is about something other than breaking Daniel down. Even the bloodied knuckles aren’t just about revenge. It’s about giving him something that he isn’t, in the end, willing to receive, at least not from Silver. In that roundabout, strange way of these feminine fairytales, it’s exploring hidden desires through the metaphor of karate.

Daniel wears red because it’s his colour. In the movies he wears red a lot. Often in scenes with violence in them (the beach/the hilltop in TKK1 and the date/the destruction of the dojo/the final fight in TKK2), but he also has a variety of shirts (and in TKK3 pants) that pop up all the way through the narrative. He wears a red jacket when he accepts Terry’s training, when he punches a guy in the face, and when he tries to get out of the training again (as badly as that goes).

Did anyone consciously think about red’s link to desire, obsession, and violence when they made these? Eh. But is it there symbolically? When he meets Johnny, when he fights Chozen, when he’s in emotionally fraught situations with Terry? Hell yeah.

Probably the most lust-and-violence infused red is that aforementioned punching-board-until-knuckles-bleed bit – not that I thought Terry was going to pull him in for a kiss, because I knew, logically, of course he wouldn’t right? There’s no way… is there? Or later on when Daniel punches that guy and ends up with blood all over his shirt and Terry once more grasps him, euphorically. Blood is violence. Blood is also desire. Red is Daniel’s colour, even though he doesn’t acknowledge it come Cobra Kai. (Maybe he just needs someone else - cough Johnny Lawrence cough - to inspire it in him again).

Daniel LaRusso’s narrative is exploring that most feminine of fairytale tropes: To want and be wanted by monsters and having to hide those desires.

“Maybe this time that strange churning in my stomach that feels like a mix of anticipation and fear will turn out good for me.” - Daniel’s mind.

At the end of the story, Daniel saves himself, with all of the strange mixed narratives around it, and the acknowledgement that the end of The Karate Kid Part Three isn’t satisfying and its aftermath will likely be delved into in the next season of Cobra Kai.

Nevertheless, he saves himself. Not from Silver or Kreese or Barnes, and not entirely, but he makes a decision not to give in to fear (and he continues to try and live by that decision, making it over and over again for the next thirty-five years, even when the return of Cobra Kai makes that difficult for him).

He doesn’t do it by being the strongest in the land or even through a lucky shot (although that too). He does it by refusing to be like the male antagonists that surround him, by telling them they have no power over him. The narrative isn’t just his getting lost in the forest and all the monsters he finds there, it’s about how he redefines power for himself within that forest.

He’s a man who isn’t violent, whose victories include helping out a girl whose ex-boyfriend just broke her radio, successfully doing the moves to a cultural dance he’s trying to learn, sitting with his father figure while he cries over the death of his own father, telling a girl that she’s just made her first friend, and breathing a sigh of relief that a tree that got broken has healed.

Daniel LaRusso is a good boy is the point!

Karate is a metaphor. It can turn into many things: A series of lessons learned about how to be his own man and take care of his own house, a respect for the history of the father teaching him and sharing his home and story with him, fear, desire, masculinity (and the different forms that can take).

When a tall, handsome stranger offers to teach him karate in the dark, without Daniel’s caretaker knowing how to help him, and twists that karate into something that hurts him - when he reclaims that, over and over, that means something too.

This man is fine and definitely isn’t carrying the weight of buried karate-based queer trauma - could a traumatised man do this? *stares blankly at a former tormentor as blood runs down his forehead*

9. In Conclusion Daniel Has Kissed Dudes… Symbolically… But We Can HC Literally:

So there’s Daniel and his coded feminine fairytale narrative. It’s all a series of fun coincidences.

1. Ralph Macchio is just Like That

2. Red. All the red.

3. large portion of his storyline is about lack of power. Yes, he regains that power by the end of the first and second movie through A Fight, but generally he is framed as powerless opposite these almost monstrously physically powerful boys/men. And in the third one it’s barely even about physical prowess (he’d still lose a real fight against Barnes or Silver) and more about regaining lost autonomy off the back of a manipulative, abusive relationship with an older guy.

4. The third movie in particular is narratively a mess, but if reimagined as a fairytale makes a lot of sense (because it’s secretly all about how karate is bisexuality and Daniel gets manipulated through that desire to be better at karate).

5. Queerness and femininity and themes about hidden desires that can only be approached sideways through couching those desires in symbolism: Handshake meme.

6. The fact that the more I think about it, the more feral I am for a Labyrinth AU.

7. To sum up over 5000 words of text: The inherent homoeroticism of wanting to be slammed against a locker by a bully, but extended over three movies and ever-more inventive ways of hurting pretty-boy-Daniel-LaRusso.

Johnny’s not going to be happy when he realises Daniel’s got other ex-rivals buried in his closet...

10. Some Other Stuff Aka The Laziest Referencing I’ll Ever Do

Further reading on trans Matrix

Further reading on masculinity and rape narrative in The Rape Of James Bond

Youtube Video from Pop Culture Detective (Sexual Assault Of Men Played For Laughs)

Some film/TV references in this: Dracula (Coppola), Princess Bride, Buffy The Vampire Slayer, Labyrinth, The Matrix, Rocky, Princess And The Frog, Cinderella, Enchanted, Shape Of Water, Swamp Thing, Phantom of the Opera

Some fairytale references: Red Riding Hood, Cinderella, The Wolf And The Seven Little Kids, Alice in Wonderland, Wizard of Oz, Sleeping Beauty, Snow White, Beauty and the Beast, Company of Wolves (Angela Carter), Through the Looking Glass, Princess Bride

Also referenced is Alison Bechdel’s graphic novel and the subsequent musical Funhome. Further thoughts on this by @thehours2002 and @jenpsaki:

https://thehours2002.tumblr.com/post/650033577171533824/daniel-larusso-and-fun-home-click-to-enlarge

https://jenpsaki.tumblr.com/post/650530225997971456/cobra-kai-fun-home-inspired-by-goldstargirls

My list of Cobra Kai meta posts

I wanted to delve into fairytale movies more, but then I was like “fuck, I have actual work to do,” but I was interested in the ways male and female characters are written in these stories:

The Last Unicorn, The Never-Ending Story, The Dark Crystal, Legend, and Stardust.

The Last Unicorn is an interesting one because she’s not really human, until she is. It’s more like The Little Mermaid (the fairytale, not the Disney film) in tone, and of course there’s a pretty substantiated rumour that Andersen wrote that one as a metaphor for falling in love with another man (who eventually got married).

Andersen in general is just fun to analyse as someone who popularized so many fairytales and exists as an ambiguously queer historical figure – might’ve been modern-day gay, bi, ace, but we’re just not sure. All your favourite fairytales can be read through the lens of queer loneliness and ostracization. Just like horror.

Anyway I didn’t go into the whole Little-Mermaid-Last-Unicorn transformation bit so much as the Monstrous-Desires bit, but I think there could be something to that too, with monsters representing otherhood and all. Stardust is a kinda-almost-this, except she sticks to her human form and all is okey-dokey by the end, she’s allowed to marry the handsome man and be a star.

The Never-Ending Story has Atreyu and Bastian and because of a lack of female characters, an interesting bond between the two of them, but mainly Atreyu is absolutely a go-gettem Hero Type and it’s just interesting to see how Bastian relates to him as both an audience insert, but also eventually as his own character in that world.

The Dark Crystal contains certain… androgynous elements of feminine and masculine coded characteristics in the main character because of how he’s not human, but also they do have a “female” version of his species that he needs to go save (and bring back to life) by the end, so in a way it’s both more and less heteronormative in its characters.

Legend sees another example of a monster (literally called Darkness and looking like a traditional devil) trying to seduce a princess through promises of power, and she “goes along with it” in order to trick him and succeeds in that trick, but is ultimately saved by the male lead.

In conclusion: I don’t even have Shrek in this.

#daniel larusso #terry silver #the karate kid #the karate kid part three #cobra kai #ck #cobra kai meta #and in conclusion... brain brain brain

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mmikmmik2 · 3 years

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If you were to sort the Infinity Train cast(s) into the Major Arcana a la the Persona games, which Arcana would you give everyone?

anon I had SOOOOO much fun thinking about this, thank you so much for sending me this. I sorted all the major characters, plus a few other entries, based on a mix of Arcana symbolism, Persona series character archetypes, and general vibes. I came up with answers I feel pretty good about for all but four of the Arcana. (Was really tempted to say Strength is every human character who doesn't board the train because they can handle their problems on their own lol.) This is going to be a long-winded post, so I thought I’d post just the list as an image (which hopefully won’t be too blurry!) rather than wrestle with Tumblr formatting trying to make a short list, and put a big text wall under the readmore talking more about my picks.

If this list does end up illegible, the same info is under the readmore as text! Plus some characters for Magician, Strength, Justice, and Death that I didn’t want to add to the “official” list because they’re more based on headcanon. (Although my reasoning for some of the “official” picks is pretty weak lol.)

One-One as 0. The Fool

Oh my gosh, what am I?

IT is great at fleshing out character backstories and families, so One-One at the beginning of S1 is one of the few characters who really feels like a blank slate. He's got a lot of his baggage back by the end of the season, and I think One and One-One are more similar than they seem at first glance, but S1 does seem to have been very formative for One-One and how he thinks about what he's supposed to be doing and how he relates to other people. So it does kind of feel like his fool's journey.

Alrick Timmens as I. The Magician

The magician begins the journey... by beefing it on a dirt bike, dying, and sending his wife flying off the deep end. Rip.

Alrick was an engineer like Amelia, so I could see him suiting some of the themes of the Magician, like conscious thought and manifesting ideas. His apparent playfulness and insecurity are similar to the Magician characters in Persona.

Kez as II. The High Priestess

“We can’t make this decision for you, Kez.” “You know what to do.”

I thought really hard about making Kez the Magician because just like every Magician since Persona 3, she's dumb, horny, and insecure dlkjasfdkl

(and also her showing up at the start of the story arc and being helpful but also super needy is very Magician)

But the idea of "intuition" really does suit Kez. Sometimes her intuition is as bad as her conscious reasoning, but I think that's a lot because she's so confused about what happened with Jeremy, and Morgan making Kez feel like she did a bad thing by helping him.

Tuba as III. The Empress

She made me feel like I was warm all the time.

Tuba's a mom. Sorry, this one's not that deep, haha.

Simon Laurent as IV. The Emperor

Highest number! I'm the leader now.

Simon has a lot of issues, but the one that felt the most prominent to me was his unhealthy relationship with power, authority, dominance, and rules. Another quote I considered using here was what he said in Grace's memory of meeting Amelia: "I never thought I'd get to see the Conductor with my own eyes. He's perfect! Everything finally makes sense again." In his emotional crisis, he thought everything could be fixed just by the existence of a huge, scary, powerful, male authority figure, even if they weren't doing anything helpful or informative.

Atticus as V. The Hierophant

I like to think that our stones are sturdy and handsome, like the Corgis that crafted them.

Atticus is a figure of traditional authority who deeply loves the history, society, and culture of his people. He often provides spiritual wisdom and encourages Tulip to get out of her own head and engage with the world around her. Also in Persona, Hiero is the Dad Arcana so it's very funny to me (a) to make the little dog be Hiero and (b) that the little dog really does have the strongest Wholesome Dad Energy of the whole cast.

Jesse Cosay as VI. The Lovers

Don't tell me what to do. I'm not going to be a part of anything like this, on or off the train.

This was my first and easiest pick lol, Jesse is sooooo Lovers. Like, the focus on choice and personal values and relationships? Yep, that's Jesse. It works on an "actual meaning of the Arcana" level and a "vibes with the Persona characters" level lol... popular, upbeat, and having such an identity crisis.

Lake as VII. The Chariot

I'm my own person, who is getting off this train!

I don't know if Chariot captures all the ways Lake grew over the course of S2, but I feel like they had the most externally focused conflict of all the IT characters, which suits Chariot. They've been fighting to stake out their personhood from start to finish, and they took action and used their willpower to achieve that goal. Also they have at least a little jock energy which is a prereq for Chariot tbh.

Frank as VIII. Strength

I dunno, I kinda imagine him as a simple man and easily underestimated, but with a lot of heart. The Cat may say they're keeping things casual but I don't think she'd take him with her on her private vacation unless he had some kind of inner toughness that would let him stand toe-to-toe with her.

Morgan as IX. The Hermit

I need to be alone right now. Kez... maybe... we can talk later.

I like that Morgan embodies toxic self-isolation and stonewalling and rejection, but that she seems to be moving towards the positive aspects of Hermit and taking some time to calm down and process and think. I like it when characters can embody the best and worst of their Arcana.

Tulip Olsen as X. The Wheel of Fortune

We have to adapt to the changes in our lives. It's the only way things can get better.

Tulip has a lot of themes and conflicts, but this one is a clear standout as the most important. I also like it for Tulip because, while she has to handle a lot of difficult and even traumatic situations, some of the change that challenges her isn't as unambiguously bad as e.g. the death of a loved one. It really is just change itself she's struggling with, and that's Fortune babey. Also, from the perspective of the train itself and lots of other characters, by reversing Amelia and One-One's positions again and changing how One-One administrates the train, Tulip is the one giving the wheel a spin. That's fun.

Lucy as XI. Justice

One of my friends once described the Justice characters in Persona as "the ones the player character is ultimately accountable towards", and I like to think of Lucy as kind of being that for Grace (...since Hazel has excused herself). Lucy is the Apex kid we see Grace interact with the most, the first Apex kid Grace admitted to herself that she had harmed (see Grace very briefly showing distress and then regret when Jesse points the harpoons at his face and she stops him), and the first person to confront Grace when she came home in The New Apex.

Min-Gi Park as XII. The Hanged Man

I don't know if we'll sell a single album, but we'll figure that out as we go.

Min-Gi sacrifices his "realistic", "sensible" goals for a more personally (spiritually, even?) enriching life that's beyond his control and outside of the expected norm. Like the Hanged Man, who dangles foolishly upside-down, but as a deliberate choice and in a state of serenity and enlightenment. I also think this arcana suits a reading of Min-Gi's character development as starting off going slower as a way to stall and live in denial, but then going slower with deliberation. Compare his arrogant insistence on refusing to act in The Astro Queue Car to his patience and care in The Castle Car and The Train to Nowhere.

Jeremy as XIII. Death

This isn't about the death of his family - I'm thinking of his reluctance to admit his number was going down. He cared about Morgan and Kez, and it's possible both that he may have really wanted to stay with them despite his exit and that that might even have been a healthy choice - they're real ass people with feelings and everything, not holodeck characters. But I also think Jeremy was using his life with them to avoid moving on out of that fog (because it was hard and it hurt and he didn't want to think about what that would mean for him and Morgan) and Morgan was enabling him.

Ryan Akagi as XIV. Temperance

Maybe the experience is the point. I wasn't just rushing you. I was rushing myself.

I think this one speaks for itself. Also, the other quote I considered putting here, from The Art Gallery Car: "You told me I can't appreciate the song without taking in the rest of the album. I need the whole package."

The Cat as XV. The Devil

I always do the right thing.

Honestly, this is one I really wasn't sure about. The Cat isn't a great pick for a lot of the meanings of Devil. She is definitely consumed by material comforts, and the short-term rewards of ignoring her issues at a long-term cost, though. This is more of a "vibes with Persona characters with this arcana" pick... Devil characters tend to start off being somewhat exploitative or even antagonistic towards the player character, and gradually showing a more conflicted and genuine side.

Amelia Hughes as XVI. The Tower

There's a hole in the universe where Alrick used to be.

Amelia's life is defined by catastrophe and upheaval - both those she's suffered and those she's inflicted on others.

Hazel as XVII. The Star

I'm going to keep loving you like you're still here.

When I think of "The Star" as a small but inextinguishable light in the darkness, Hazel seems like the obvious choice. Although we left her deeply wounded, I think she still has a flicker of her hope, faith, and purpose.

Grace Monroe as XVIII. The Moon

But it's unfair for me to tell you how to understand yourself. I mean, I don't even fully understand me.

Grace is probably the most complex and dynamic character on the show and hence one of the most difficult to place. I considered Empress, Strength, Devil, and Judgement for her... I think ultimately, lies and illusions are the most unifying theme of her character arc. Also, from a Persona angle, her pursuit of status out of a lack of true self-worth reminds me of Ai and Mishima.

Alan Dracula as XIX. The Sun

Brought together by the majesty of a superpowered deer!

I'm sorry dkjasfklads this is largely because I thought it was funny to have this completely inexpressive dead-eyed deer as Sun akfk but also... like... it kind of works okay!!! Think about the genuine joy and comfort and positivity he brings to Lake and Jesse (and me)!

The New Apex as XX. Judgement

"Then what are we gonna be?" "Guess we'll have to figure it out?"

This is kind of a Persona mythology gag again because of Judgement being a group social link near the end of the narratives of P3 and P4, when the protagonists have pierced through the lies and actually figured out who the villain of their game is and are ready to really start making progress.

0 as XI. The World

Ah, train does it again!

It's an ending and the completion of a journey, but also the beginning of a new one. And the world is literally what the passengers receive at the end of their train journey. Welcome home.

#infinity train #infinity train spoilers #protagonists of IT #Anonymous

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sepublic · 3 years

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Barrel’s Warhammer!

YYYYOOOOOO SASHA!!!!

She really is the epitome, the pinnacle, of gaslight, gatekeep, girlboss! I love Sasha, she’s such an utter mess, morally ambiguous and then downright terrible in so many ways, and genuinely unhinged in just as many! She’s a freaking riot and SUCH an amazing character, y’all!

In general, I adore how Toads are handled in this show! Yeah, they’re big and brutish and used as thugs… But the show still clearly portrays them as people, and some of them are terrible like Bog, but others are just trying to live their lives, like Percy and Braddock! And how they’re all clearly working with this ascribed role as Andrias’ enforcers and iron fist across Amphibia, how they’re encouraged to be cruel brutes… But they’re still people and they’re still oppressed, which is why Grime is leading his rebellion! Good for him, good for THEM!

Also… GRIMMITY?!?! Beatrix?! Grime LORE! I like how Beatrix and Grime have blind eyes on opposite sides, and Sasha roasting Bufo by naturally connecting his name to Buffoon, WONDERFUL! Aldo’s also a legendary, killer design, he reminds me of VLD Zarkon, old and decrepit and fanged and clearly has seen a LOT of stuff, a real warrior of his time… Honestly, getting a look into the Toads and THEIR complicated role in this story, as the ‘bad guys’ but not really, there’s more to them; It’s such a fit to Sasha’s character, and I LOVE how she’s such an utter brute for someone who normally seems accustomed to using honey over vinegar to attract flies (to feed her Toads)! She’s nuts, she’s great.

I love the explanation for the eye symbol, I love Sasha really getting to appreciate Percy and Braddock, and for a moment I thought she really was learning her lesson… When she gave them an out, I thought maybe she took what happened with Anne to heart, but now…! Maybe this is what she’s always done; Made empty promises. God, I love this little arc for her character, how she wants to be a good friend, but she keeps valuing power and control over all else…

AND HER RAGE! HER JEALOUSY! At Anne and Marcy being with each other, leaving her out, Sasha’s mind jumping to all of the worst conclusions, and how THAT anger is what unlocks her gem power, not heroism or anything else! Sasha’s such a complex and messed-up character but you can’t help but root for her, she really IS a Problematic Fave! God, with how she’s going to meet Anne in a volcano, and the whole “Sasha is Anakin and Anne is Obi-Wan” just WRITES itself, with Sasha angrily accusing Anne of turning Marcy against her, Anne retorting that Sasha did that herself, etc.!

God Sasha’s such a complicated mess and ball of unresolved emotions and contradictions, denial that’s insisting everything’s fine when it’s really not… She’s a manipulator who prefers to be hands-off, yet is also somehow the raw brute with unthinking, unyielding strength! She’s utterly terrifying, no wonder all of the Toads are in awe of her ferocity and power!

Also, I like how Barrel’s Warhammer was included; At first I wondered WHY the Narwhal Worm would guard the weapon used by the Toad who fought it, but as we can clearly see… Barrel must’ve conked it out BADLY with his Warhammer, knocking it out, and the hammer has been stuck since! And once more, the hammer has been slammed into the worm… And in general, I love seeing the Toads just ROOT around Sasha and Grime, I love seeing villainous characters get to go feral and unhinged as you root for them, as THEY rise up and fight against all odds as the underdogs!

Percy and Braddock and the gag with the kawaii poses was great, but it’s also sad to see them go! They’re definitely a wake-up call for Sasha and I like it, I wonder if you could parallel them, one-by-one, to Anne and Marcy respectively? Perhaps Anne and Marcy were initially not taken seriously by Sasha at first, but ultimately she DID grow to care for them and not just as ‘tools’, who knows? With Anne and Percy and Braddock, I think Sasha’s going to have to reconsider things… And GRIME, how he just sort of accepts that, yeah, you gotta lose people to achieve a goal! I could see him being a bad influence to Sasha, unintentionally- Like her, he means well, they’re really great parallels to one another!

Like, Sasha and Grime are both brutes, power-hungry, and wanting control, but Sasha prefers subtlety and manipulation, appeals to both her and others’ emotions, while Grime prefers to be raw and unthinking strength, he’s a seasoned veteran from combat, while Sasha is likely a rich kid, young and learning… They’re such a dynamic duo with a lot to teach one another! Maybe Grime sees himself in Sasha; Himself when HE was a kid… Maybe when he was a gladiator, he had friends but left them behind to be promoted to Captain? I wonder if Beatrix has anything to say on this, too…

Could Beatrix provide insight to Grimmity? Did Grime leave her behind in a sense…? Does SASHA have a sibling, and that leads to her weird power complex, as another parallel to Grime! Either way it’s sweet, I adore the dynamic of two horrible people who are good friends and bad, enabling influences to each other… Being problematic faves, you can’t help but cringe at their mistakes but also cheer as they win as underdogs and turn the tables on their enemies! I like how Sasha is still supportive of Grime and vice-versa, Grime’s guiding this kid, but Sasha’s fully supporting Grime as the de-facto leader and backing him up, not trying to seize control!

I think it really parallels Anne, how she just wanted to get back home… But somewhere along the way, she realizes how much she loves and enjoys this, and values her friend! And maybe it could lead to Sasha not wanting to head back home after all, especially if there’s nothing there for her; Which could play into her keeping all of her gem powers as she opposes Andrias openly, while Anne has some of her power because again, she’s more neutral, and then Marcy has none because she’s fully bought into the Newt King’s schtick!

Also, it’s funny that Sasha is no doubt feeling betrayed, like her trust has been jeopardized by Anne and Marcy, considering she did the same to Anne in Reunion! Lying to her about what she intended to do with the Frogs… It’s wonderfully hypocritical and this kid does NOT want self-awareness, she’ll toy with it for a bit, but then immediately backpedal! Get better and well Sasha, for everyone’s sake… The confrontation and paranoia as she loses her friends and only has Grime, who means well but isn’t so great himself, is also nice!

Honestly, there’s even a parallel to the idea of Sasha meaning well, only to be ruined by her own toxicity… And Grime wanting a better life for Toads in his revolution, but still allowing a hierarchy to exist by the end of the day, instead of abolishing it for all! They both have good ideas and initiative, but it’s ruined by Sasha and Grime not backing down on certain things and not listening to others, being SO sure they’re right… Very compelling stuff. Now I’m starting to wonder if Sasha will be open to Anne about her suspicions, if they WILL get along for the Third Temple…

…Or if she’ll try to manipulate and fool her again, thinking that SHE’s been betrayed herself! And maybe Sasha will realize her faults in the battle of Newtopia, only for it to be too late, Anne has been too betrayed, Sasha has only herself (and, well, Andrias) to blame! In the meantime, as Sasha no doubt embraces her role as a rebel, but also unknowingly as a hero against Andrias and his master… I can see her tapping more into her gem powers and actually using them as part of her rage, hence the shots we see from the Third Temple! She’s going to be terrifying, y’all, and even more of a match for Yunnan at this point… And Anne, poor Anne’s going to be caught between TWO toxic friends!

Both mean well, but both have other bad points… And it just means Anne’s gonna have to forge her own path, make her own decisions and group and faction, be her own person and take initiative once more! But it’s also gonna be lonely and could contribute to more trust issues along the way… And maybe she’ll think she can only trust herself, only do things on her own, and how this might pair badly with her selfless martyr-complex. We’ll have to wait and see, though… We’ll have to wait and see.

#amphibia #amphibia sasha #sasha waybright #amphibia grime #captain grime #amphibia percy #amphibia braddock #analysis #speculation

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dinopopduck · 3 years

Text

Ezekiel Only Being Unaffected By Certain Kinds of Magic

Let’s just start with me saying this isn’t exactly a new theory. It’s the demigod thing, and it’s a fairly popular one. If you haven’t heard of this headcannon, I put as much as I can find here. If you have, I found a bunch of new stuff that I haven’t seen anyone else mention, so reading this isn’t a complete waste of your time, I hope.

I tried to keep this from becoming wordy, but it got really long anyway, because there was a lot to talk about here.

Ezekiel being unaffected by magic is sort of an ongoing thing in the show. He is influenced by it much of the time, such as by Santa’s Hat, Pan’s Flute, Prospero’s spell, lycanthropy, etc. When it comes to the stuff he was seemingly completely immune to, there is one link that connects them all.

Apple of Discord: Everybody knows this one. The Apple is a Greek artifact, meant to turn you into the worst version of yourself, and Ezekiel was only one completely unaffected. It’s blamed on “he’s already the worst version of himself” or whatever.

Zeus Lightning Bolt: the episode where Ezekiel ends up decked out in Greek armor, and is sent to pick up Zeus’ Lightning Bolt, which was freaking out and zapping everywhere. He picks it up just fine, and he’s then able to hand it off to Flynn. It may have been purely because of the Greek armor he was wearing, but Flynn did not seem so sure about that working.

Cindy’s Love Potion: Ezekiel is able to be near the potion without becoming obsessed with Cindy. At first, it’s blamed on him being obsessed with himself, then later Jacob tells Ezekiel that he was already in love with Cindy. It was an obsession, not a love, potion you literally spent the episode proving that blah blah, he didn’t even recognize her at first blah blah, anyway, I have a better reason.

There are two Greek mentions in this episode. First, the potion project itself is called Project Aphrodite, a Greek goddess. Second, the sunflowers; when asked, Jenkins mentions how sunflowers are a Greek symbol of unrequited love. In addition, “love” potions may have originated in Greece, or at the very least, were common enough to have multiple sites claim that, lol. At the end of the season, where each librarian uses their gifts to turn Apep mortal, this greek potion is what Ezekiel ends up using.

See a pattern here? Everything that he was completely unaffected by was Greek in some way. So, he has an immunity to these kinds of artifacts, but why? I vote demigod.

Anyway, moving on.

Here’s some magic he could have been immune to, or could not have been. Its pretty debatable.

Fortuna: Technically a Roman Goddess, but the show does acknowledge how similar they are to Greek Gods. He may have been affected by the spell, but broke out of it pretty quick. Some think he may not been affected at all; slot machines aren’t exactly fair, especially in a casino that exists to cheat completely. As for Ezekiel getting so upset over losing, what he says, “Not the guy that loses, I’m the guy that wins” sounds very similar to what he was saying in Point of Salvation, but that’s a whole nother topic.

Alternately, he was affected and this point shouldn’t be here. I don’t know, I’m not the writers.

Libris Fabula: He was a little bit affected, just far less than the others, as he acted pretty much the same. He did get a barely noticeable clothing change, became luckier than normal, and was just able to cast a spell for some reason? Speaking out that spell, it froze the guy, and a certain Greek God does have the ability to put people to sleep. Not really the same thing, but worth thinking about. Maybe. More on that later.

Most people think he was immune, but he could have just been similar enough to the character he was portraying that he didn’t need to change a whole lot.

These ones are barely worth mentioning, because have other reasonable (though I guess your definition of reasonable may be different from mine) explanations, but you could see them as magic immunity as well:

Silver Screen: Ezekiel gets into character the least, while Cassandra and Jacob are out singing and calling people by their character names. Maybe less affected, maybe just a spoilsport. Probably the last one.

Point of Salvation: Was the only one able to remember previous loops. Since they were in a video game, it’s explained that since he was the first through the door, he became the player while everyone else became NPCs. I mean, sure.

Christmas Thief: Saint of Thieves only used his truth telly power on Ezekiel’s mother, not him. Ezekiel did not feel obligated to say anything. Could just be that the guy wasn’t talking to Ezekiel. Or, earlier in that episode Ezekiel tells his mother he doesn’t steal anymore (at least for anything other than the Library, I assume, cause he still kinda does) and therefor that made him immune to the spell, since it only works on thieves.

Image of an Image: Both Cassandra and Ezekiel got their pictures taken, and Cassandra was the only one affected by the transfer spell. However, Ezekiel wasn’t one of the “chosen ones” because he snuck in, and jumped in front of the camera while Eve (one of the “chosen ones”, who was later able to be affected) turned away. Either that, or he just didn’t have time to feel the effect, since his picture was taken after Cassandra’s, and Eve’s was placed in manually.

That’s all the possible instances of magic immunity I could think of.

Next, we have some other stuff that is relevant to this point, but wasn’t necessarily artifact/magic immunity.

Prophecy Cube: Created by the Oracle of Delphi, who is from Greek mythology. This isn’t about whether Ezekiel was affected by something, as he was still able to use the prophecy glass/get stuck in the cube. Rather, it’s about the Zeus Challenge in the cube. They probably would have died in there, but luckily, Ezekiel had just happened to steal, and keep on him, the exact thing they needed to get through– a bunch of golden coins, and a prophecy that ensures at least one coin can’t be destroyed. Luck? Prophecy? Divine Intervention? Plot convenience? Okay its probably the last one but STILL

Also, Ezekiel getting pissed at Zeus.

Zeus’s Bolt (again?): There is a promo image I think for season 4? that has each of the Librarians holding their tools. Jacob had his axe, Cassandra had a notebook, Flynn had Excalibur, all normal, except for Eve and Ezekiel. Eve had this big staff thing I didn’t recognize, and Ezekiel had Zeus’ Bolt for some reason?

Lightning, just, in general: If there is wild electricity in an episode, Ezekiel is probably around.

Examples:

City of Light: Gets shocked and knocked backwards into Jacob by a very electrified fence, gets up right afterwards and is fine.

Broken Staff: The Zeus Bolt thing, you get it.

Image of an Image: Ezekiel electrocutes Jacob. Jacob was not really fine. He lived, though.

Point of Salvation: Ezekiel electrocutes Jacob part 2 Electric Boogaloo, but this time on purpose. He was not fine. He died. But don’t worry, he lived.

Self-Fulfilling Prophecy: Mentioned a little bit above, Ezekiel, Jacob, and a student get stuck in the Zeus Challenge, and Ezekiel uses some coins he just so happened to steal recently. Throwing them on tiles shows whether or not lightning will strike if it was stepped on. Seriously, why is it ALWAYS Jacob?

The Dark Secret: Ezekiel is the one sent to wrap a cord around a lightning rod constantly being struck by lighting. “Why am I bloody doing this”, he asks? I mean, Zeus probably isn’t going to kill his descendent(?), right?

Werewolves: Have you heard of the Lycaon of Arcadia? It’s a Greek myth. Basically, this dude named Lycaon wants to test how smart and all-knowing Zeus is. To do so, he kills his own son, cooks him, and serves him to Zeus to see if he notices, ya know, no biggie. Zeus was like “wtf man” and brings the son back to life, and turns Lycaon into, you guessed it, a wolf. So, Zeus creates a werewolf of sorts, maybe one of the firsts. In Fangs of Death, Ezekiel just so happens to be the one (main) character to be turned into werewolf. So, if he was a descendant of Zeus, imagine how big of a “fuck you” that was to the god. That all being said, Ezekiel was turned by an Egyptian god, so that might not have been intentional. Also, they may have just been avoiding turning Jacob, because there is already a werewolf named Jacob and they didn't want another Twilight reference in that episode.

Family/Name: Ezekiel is adopted, and his adoptive mother mentions how she took him in off the streets. Because of that, we don’t know who his birth parents are, and whether or not he, or anyone else, knows is unknown. Soooo, we can take some creative liberties as to who his parents might have been.

As for his name, it carries some religious connotations. It should be remembered though, the meanings I’m talking about here are Biblical, not Greek, so again, might mean nothing for this argument. “Ezekiel” is “God’s Strength” or “God will Strengthen”. Jones might also be something like “God is gracious” or “God has favored”, thought different sites say different things. However, I’m pretty sure the name Jones came from his adoptive mother, and apparently Jones is a common last name in Australia. His first name is more relevant, because all of his siblings have themed names; Mercy, Charity, and Honor. So, either his mom named him differently because she knew something we don’t, or he already had the name before she adopted him. Either way, this probably means absolutely nothing. But what are we here for? To analyze a dead show like an English teacher analyzes the color of curtains in an 100 year old text. If it wasn’t for all the other stuff, I probably wouldn’t think about this too much.

Okay. So Greek stuff, lightning, and Zeus himself come up a LOT when it comes to this guy. So is Ezekiel the son of Zeus? Possibly, but a more popular theory is that he’s Zeus’ grandson. Because Zeus’ son just so happens to be Hermes; god of things such as luck, travel, money, trade, and most importantly, thieves. Oh, and animal husbandry/shepherds and sleep, I don’t know how much those apply but I will try.

Time for some comparisons, honestly most of these don’t even need to be explained so I’ll keep it short-ish, cause this shit has gotten way too long already.

Luck: Ezekiel, especially in the first season, likes to rely on luck, and tends to be very lucky in general. Examples where this is mentioned include Fables of Doom and Apple of Discord. “Smarter to be lucky then lucky to be smart!”

Travel: We can assume that he ended up traveling in his previous job (that being heists all over the world) fairly often, even before the Library. Becoming a Librarian with a teleporting door increased that of course.

Money: Steals very high-value items to sell. Also apparently likes to take money from his coworker’s wallets. And probably everyone else’s.

Trade: The aforementioned high-value pieces he steals are traded/sold for money. In Christmas Thief, we find out he kept none of the money or items, giving it away to others who needed it. That kinda fits this category, I think.

Thieves: I really don’t need to explain this. Unless you haven’t seen the show.

Animal Husbandry/Shepherds?: Basically the care of animals. Um, well he doesn’t keep cows or anything, but he has a tendency to “adopt” magical creatures that need help. Stumpy, Nessie Jr., maybe Frankenstein’s Monster as well?

Sleep: I mentioned earlier how Ezekiel froze a guy (not really in an icy way, just couldn’t move) by hitting him with his coin. Hermes is able to send people to sleep with his Caduceus (the snake wand thing). Yeah, it’s not really the same thing, though you could consider being frozen a kind of sleep. He could have just been lucky enough to find a magical coin, and lucky enough to figure out how to use it at the exact right time without even knowing what it did. It’s a stretch either way, really, and was never explained in the episode at all. Yeah, I can't find anything else that fits.

Hermes is considered to be a thief and trickster, and a lot of the things he is god of are Ezekiel’s main occupations. With all those similarities to Hermes, frequent events related to lightning and Zeus related things, and immunity to Greek artifacts, we can conclude that he is perhaps the son of Hermes, taking after his father in abilities and getting visits from grandpa.

Alternatively, his somehow IS Hermes, but I doubt that. He’d probably be way more powerful. He was also able to see the future with Prophecy Glass, which Jenkins claims is impossible for immortals to do (although in that case he was talking about a Prophecy Cube, but close enough). It’s more likely that he is a demigod.

Okay, that is all I can think of that is relevant. I binged the series about two months ago, and have been thinking about this theory. I went ahead and re-watched the episodes that I mentioned in more detail, as well as parts of others that I remebered. The reason I bring this up is because I may have missed things. I did not rewatch a majority of the episodes, more that I looked at a list of episodes on wikipedia and tried to remember what happened in them, watching clips and episodes if I needed to.

The show was cancelled, so we’ll probably never get a confirmation as to who Ezekiels’ birth parents were, and as such, you can’t prove me wrong! That being said, if I got any facts incorrect in this, please tell me so I can fix it. I’m not well versed on Greek Mythology, in fact I know basically nothing, and did the research as I went along. So again, there could be more. This is just what I found in like, less than a day of searching.

Join me next time on “How is Cassandra magical, where’d she get it from? Also, were we ever gonna meet her parents?” And “In the first episode of season 3, Jacob is just able to hit a heavy punching bag of its chain, across the room, at bullet speed, just because of a shift of his wrist, and later in that episode do the same thing to Apep, and it’s just…never addressed or spoken about again? Like wtf man?”

I'm probably not doing that

If you managed to get through all of this, thank you, and I hope this wasn’t too painful to read.

#the librarians #ezekiel jones #greek #hermes #zeus #this took so long #magic #magic immunity #theory #headcannon #demigod #curse of cindy #apple of discord #broken staff

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ruby-whistler · 3 years

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Srry but i noticed in one of ur dream posts u Referred to tommy's cat as hope. I must correct u, that cat was born pussbou and died pussboi. /lh Also tommy killing that cat was nothing compared to dream killing mushroom henry in exile btw just wanna say Also for ur posts about dreams trauma or wilbur manipulating him can u provide links to vods or other proof? Srry if i seem rude i mean that in a "genuinely curious way"

Aaa sorry if my ask came off as rude im just genuinely curious :(((

hi! dw, you don't seem rude at all, and i'm extremely happy someone with a different perspective has found my blog! i really appreciate that sort of attitude and am happy to answer :]

/dsmp /rp

the cat was called pussboy by tommy, but dream only called it "the cat" and then said that "it was hope", which is why it sort of became a symbol (his hope is dead, basically) - that's why i kind of made its name capitalized, because it was more of a metaphor than anything.

most c!dream fans call the cat hope because it's just really nice and really symbolic, and also really sad when you think about it. that's why the name was used in the essay, just to clear up the confusion!

tommy killing that cat was nothing compared to dream killing mushroom henry in exile

i don't really think so? mooshroom henry was entertainment more than anything, and even if it was bad, when watching the stream i don't remember seeing him mourn that much - on the other hand, dream was very quickly and very obviously attached to the cat, with it being his only companion in months of isolation, along with the hope that even when tommy left it would keep him company.

keep in mind c!dream has been deprived of stimuli and human contact for so long it's officially classified as psychological torture at that point.

i don't mean to compare trauma or even compare deaths - because honestly, what c!dream and c!tommy have gone through individually is incomparable and i think neither should be diminished in favor of the other since they're both terrible situations.

that's why i disagree that it "was nothing compared to" - it had an obvious effect on c!dream, and was still c!tommy killing an animal specifically to hurt him, no matter what reasons he had.

when i'm talking about effects people's actions have had on c!dream, i'm not talking about those people. i'm talking about him. :) /lh

as for the trauma, a lot of people agree that a lot of the things he says or does are trauma responses, and hence it's very possible that he's had trauma before he went into prison!

this includes being repeatedly called a tyrant via propaganda by about half of your friends who decided to betray you, trying to keep peace and being pushed deeper into villainy instead, repeatedly being put in between a rock and a hard place in order to make sure the people you care about don't start killing each other, then being betrayed by your closest friends after merely trying to keep peace (sapnap & george) and just in general having no control over your life or image and grasping at straws to gain it back.

i know a lot of people with trauma who heavily relate to certain trauma responses, which aren't always just shaky breaths and flashbacks, but trauma often also manifests itself in extremely ugly and destructive ways, both inwardly and outwardly.

trying to control the people around you is also very often a response to going through trauma, as well as emotional repression which is... rather evident on c!dream during season two. it only seems to get worse with repeated abandonment.

in the end, during the vault scene, the way he acts really just isn't at all the way a healthy person would act, and a lot of his really bad mindsets come from the way he was taught by the world around him.

the character is very reserved however, and since we don't have his pov we can't really say for certain - a lot of people claim it in good faith because they have a lot of evidence for it, and i think they're certainly valid in that.

that is just before the prison, however. from what happened during the prison arc? there is no denying he's traumatized at this point.

he's been emotionally and physically abused by c!sam since the very beginning of being imprisoned, and being in solitary confinement for over two weeks is generally considered psychological (and maybe also physical?) torture. that alone shows up in a lot of symptoms of his mental deterioration while in pandora's during people's visits, and quackity's "sessions" just absolutely drove the point home.

what he's gone through during this arc is absolutely incomparable to anything others charactes have faced before, and it's just plain suffering being endured by someone who is, despite everything, still a human being.

as for the wilbur manipulation thing!! it's talking about the whole vassal scene (though even beforehand a lot of their interactions are pretty iffy), and here's a post about that :]

I also have a small question about the analysis u last reblogged cus it says "why dream needed lmanburg gone rightfully" and like. The house analogy is poor because for one cus the land is infinite. And 2 cus punz's yard was literally larger then lmanburg. And also stuff about dream being a mediator? Can u provide examples?

i wouldn't say it was poor. dream's said a lot of times that he didn't care in the slightest about the land - a lot of his problems with l'manberg arose with the fact that wilbur basically built it on lies and tried to disallow half of the server to come there. c!dream was mad about the division and the fact that wilbur wanted "freedom" to have authority in his lands - over others, as can be seen in this post also.

the table analogy was fitting not because dream was some overlord, but because these were literally friends he invited to hang out and live in a place he wanted to call home. claiming a part of it for yourself and saying people of a certain nationality can't come in is directly opposing those goals.

in the early days of the smp, dream's always been a mediator between his friends - sapnap and george, who would often get into fights and go around killing each other! he would always do his best to stop the conflict, which continued after tommy joined when he took him to court and then later tried to mediate conflicts he was a part of, which resulted in tommy killing him unprovoked, stealing his gear, and starting the disc wars when dream was trying to get his stuff back. later, during pogtopia, he is also most concerned with peace over everything, and this seems to continue indefinitely after.

Today i was thinking about how messed up the final control room was. Like. Dream arranged the betrayal and punz and sapnap killed tommy and tubbo who like. Were literal children and their pals (because the author, wilbur soot, is dead/j but srsly if u take the streamers words tommy said he was 9 during the revolution sooo)

Sorry im gonna ramble about how dumb canon ages are for a second cus like. Streamers can say the characters are one way or another (wilbur saying he is mentally 30-something, etc.) But in the end the characters act like they(or at least their streaming personas) do.

i... honestly don't find it that bad? they were in a war, and the final control room was basically just supposed to end it quicker. the l'manbergians made it clear they were going to fight to the death, so they really left c!dream no other choice. and it's not like he didn't give them chances to give up.

also yeah the 9 year old thing was retconned, because in that case c!dream would've been 14 and i don't think that's true.

c!tommy and c!dream were both young and once again, in a war. the final control room was an attempt to assure victory, which both sides would've taken if possible, but only c!dream saw he had the option.

i do agree the whole child soldier thing was bad but... complain about that to c!wilbur, methinks. he talked naive kids into fighting for his personal power. however, the age argument isn't really valid either way. they had enough agency to sign up for it, and whether or not c!wilbur pushing the intense nationalism onto them had something to do with that is another debate entirely.

Bacl to final control room cus like??? Also fun fact punz took 2 of wilbur's canon lives. And like that probably is what started wilbur's paranoia which later lead to his spiral and i. Many thoughts full of lmanburg today.

i'm pretty sure cc!wilbur said what lead to c!wilbur's spiral was a "dark, twister view of possessions" and "disregard for his fellow citizen whom he claimed to love so much", but i really wouldn't say it was the control room; if anything the sudden loss of power after the elections seems to me like the trigger for his spiral.

I watched the exile arc live and. I feel dirty almost for feeling little to no sympathy for c!dream (srry ive been forgetting to add that aa) because of his actions toward c!tommy and like. The whole probation was so humiliating and unfair and c!dream was planning to frame him for the crimes he and puffy did under the the guise of "pranks" and c!quackity was planning to seize the vice president role.

i mean... to be fair, if you didn't watch the prison arc much yet or only watch tommy's perspective i understand not feeling that sympathetic - however, i encourage you to maybe watch a few prison visits, since they could help you see the whole picture better!

i also watched it live, and i also thought it was terrible, but i share very much the same sentiment for the prison arc because. absolutely no one should have to go through either of those things, you know?

i don't think probation was that humiliating? he was just. being asked to not start conflict with the other factions for two weeks. of course, what happened as a result is in no way justified, but i don't think probation itself would've been bad at all. either way yeah the framing and c!quackity's behaviour was. very yikes, i agree.

Also c!tommy antis are dumb because they say "he deserved exile angry emoji" i dont see u saying that about ranboo. Just say you hate cc!tommy and go. Also people say c!tommy was just as toxic to c!dream and i??? No. One is the victim and one is the abuser and like. :/// man. This part is rambly srry

i wouldn't say they hate cc!tommy? cc!tommy has a persona who people think is annoying at first ( but then they subscribe because he is super entertaining big man! ) but a lot of c!tommy's actions are straight up toxic to certain characters, such as c!funndy and c!jack. he has a very dismissive attitude towards others and their trauma and it does affect the people around them very negatively.

examples; his repeated bullying and behavior towards fundy:

Tommy: “Fundy, I’m just here to kinda let you know that I – if you weren’t Wilbur’s son, you would be out of L’manburg, alright? Just remember – you need to keep that relationship with your father. I saw how asshole-y and bratty you were acting in the courtroom the other night. You need to pull your shit together young man.”

......

Fundy: “I’m wearing glasses…are you making fun of my eyesight?!”

Tommy: “Yes.”

Sapnap: “Your father would be very disappointed.”

Fundy: “Wh – disappointed for wearing glasses?!”

Tommy: “You got glasses, like what are you wearing…”

Fundy: “What do you mean?”

Tommy: “Sapnap, Sapnap, over here. Fundy, Fundy, Fundy, I’m really sorry to say this – I’m just here to publicly denounce you.”

Fundy: “…What?”

( credit for transcript: @/findingjoynweirdstuff )

he's also responsible for a big chunk of c!jack's trauma, both with actions and words, and that's why i think certain people might dislike the character, and i don't think that's wrong of them. anyone can dislike any character they want if they don't attack people for liking them, in my opinion.

also c!tommy was most definitely toxic against c!dream in the cell. it's of course understandable but that doesn't change the fact he was constantly hitting and insulting him (without dream doing anything back for a long while until he snapped) which is toxic behaviour.

i wouldn't say he was "just as" though, so i agree with you on that. they're different and they behave differently.

i made a dream blob keychain today. Is it possible to send images if u wanna see? Idk cus i havent used tumblr before. I think that's all for now. Thx for letting me talk :D peepoShy -curious anon (but fr a connoreatspants c!dream redemption arc would be cool)

yooo that's cool! i don't really,,, know if it's possible to send images? try it out and if it isn't i'll try find a way to turn it on.

also, no problem! just please remember this is a c!dream sympathetic blog, and me as well as my followers are uhh,, oftentimes emotionally attached / personally relate to the character, so if you could avoid sending hate on the character (not that you have or that i expect you to, just a friendly reminder) in the asks that would be great! we already see a lot of it unwillingly so, i'd rather not see more, but as long as the discussion is civil i'm absolutely ok with you asking more and with me answering more questions if you'd want to! :)

if anyone else would like to reblog this and add some things i might've missed with my answers, feel free to, just go easy on her (she uses she/her pronouns!) and keep it factual.

i hope u had a good or at least ok time at school today :D

thanks! i gtg now because exam tomorrow but i'm going to try write the redemption essay tomorrow as well because ohhh boy i have a lot of ideas about what all i could write around the concept.

also sorry this was long, i can't keep my tongue on the leash :[

#c!tommy critical #c!wilbur critical #my asks #curious anon #long post #history #tw torture #tw manipulation

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ramblingguy54 · 4 years

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The Forbidden Fountain of the Foreverglades!: The Importance Of Owning Up To Who You Are As An Individual.

We’ve spent our whole lives at each other’s throats, Scroogie. But what if we could do it over again knowing everything we know now, avoiding the same mistakes.

Okay, this episode was simply great and important development that brought Goldie’s characterization to an apex that we’ve been waiting to see explored more after seeing other signs of her humanity in her episode with Louie back in Season 2. Forbidden Fountain of the Foreverglades explores the idea of one’s past and again as seen with other stories, Rumble for Ragnarok, explore the theme of one’s own legacy and how to grow from that. In this case, the focus is seriously on Goldie, with Scrooge getting some development on the side. It’s been made evident time and time again that while Goldie does have a heart underneath her complicated nature, she’s never been able to confront those feelings head on, where this episode brings that up to the forefront. Goldie, now being young again, has an easy resolution to atone for her shifty actions at Scrooge before, like leaving him in that frozen small ice under the assumption he could break his way outta anything, instead of lending him an honest hand. Goldie in the reboot is a very complicated individual who’s been reluctantly content from running away from how she honestly feels, until now with this apparent fresh start she & Scrooge both have as another chance to rewrite their own histories together being complex distant lovers. However, just like with any insightful character study, Goldie is faced with another moral dilemma, regarding quite a dark twist of how the Fountain Of Youth steals away other unsuspecting bystander’s youths and gives it away to whoever drinks that energy in said water which has absorbed it. It adds an unsettling lore to this story’s universe, while having Goldie’s character challenged at the notion of can she live with herself, knowing that she’ll be stealing life itself from other people to benefit her needs? Goldie is no stranger to double crossing others for the sake of gold/treasure for her own goals, but there is a tremendous difference in stakes that she doesn’t want to face. So, she resorts back to doing what Goldie does best that has been her biggest weakness throughout the reboot. Running away to save herself the trouble, rather than facing the music on what she should be doing to truly atone and change as a person. These particular shots really struck me with their symbolism surrounding Goldie’s characterization in DuckTales 2017′s storytelling. It really nailed home the message of Goldie’s emotional struggle to truly face Scrooge and admit she was wrong for her own past actions.

The symbolism in this shot really stood out upon looking back at certain moments. There Scrooge is in the reflection of the sword Goldie held and threw down into the ground. It’s the perfect punchline to show that Goldie’s priorities still solely lie with what benefits her most importantly, instead of being openly honest with herself of caring for others genuinely, like Scrooge most of all. Serious props to whoever boarded that moment in the creation of this episode because I felt that connection in what it was trying to convey. Goldie in that moment was still being selfish with trying to save her own hide, since Scrooge could never bring himself to steal from others dishonestly and would prefer to returning toward who he once was. Your past isn’t an enemy, but rather what you allow to learn from those experiences, good or bad, that define who you are as a whole. Goldie still hasn’t connected those dots yet, but there’s of course another person she remembers in her attempt to make another clean get away that finally makes the perspective click in this stubborn duck’s head.

Louie Duck. The kid she values as much as Scrooge. Maybe even like the son they never had quite frankly.

That was something I adored about this episode was the subtlety of how it conveyed Goldie’s vulnerable side. Words were never spoken here in this moment, but you can damn well tell that she’s having a serious epiphany about making the same decisive mistake again of running away from those important to her in life. Seeing Louie all scared and concerned about what’s gonna happen to them made Goldie in turn realize that stealing other peoples’ years of their own lives isn’t something she can bring herself to go through with. More or less, it was a terrible reality check that stealing youth from others is like hurting Louie in the process because it would be no different from deeply scarring the kid, too. Someone who respects Goldie for her cunning wit and how much they have in common for causing trouble as “evil masterminds”. It’s an amazing moment that brings Goldie full circle in her arc as a character that makes her go back in poetic fashion for Scrooge to help, which is something she didn’t do in their origin story of how these two hopeless romantics fell in love, while they were frozen in that little iceberg years ago. Scrooge & Goldie’s chemistry in DuckTales 2017 has been so well crafted in showing that it’s because they got so much in common with their interest in treasure and gold that it’s what has kept them from being together, besides Goldie’s own actions as well in the series up to this point, of course. If this is really the last season, than this episode was one Hell of a send off for Goldie’s journey from being a selfish and crafty adventurer, toward becoming what she’s always had underneath it all. Someone who does care.

The cherry on top of it all? These two love birds finally kissed at last! What I loved is how Goldie took the approach first with that idea. It’s so funny seeing Scrooge’s shocked reaction, but being more than happy to be so forward about it all. These two are in love and I can just hear the fireworks going off in their heads, as they’re making out in this brief important moment of romance.

This was such a damn great episode that brought closure to Scrooge & Goldie’s complicated history together being rivals and also lovers, as well.

#ducktales spoilers #ducktales 2017 #scrooge mcduck #ducktales season 3 #the forbidden fountain of the foreverglades!#goldie o gilt #scroldie

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finaledenialist · 3 years

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Okay, your tags on The Empty Post have showed up in my notes and I have to ask. Tell me more. Tell me it all. All of the feelings and thoughts about that scene because what I’ve seen so far? Absolute perfection and I agree wholeheartedly.

Thank you! Okay I basically unloaded most of my thoughts in my tags here but let’s go through this one more time. I may add: this was already said a thousand times by better meta writers than me 3 years ago when season 13 was actually airing. And I will ramble a little about Purgatory, too. Now with that out of the way:

The Empty. Canonically it is a being, a living immortal being that rules the place or an ‘anti-place’ where angels and demons go are sent to when they die to dream of their regrets forever (this sounds awful and like a punishment for dying despite being immortal, for getting themselves killed or something). Also: the Empty was there before Creation, the Nothingness before Darkness and before Light.

Okay. But let’s see what other things the Empty represents: lack of anything. Complete nothingness that Cas got sucked into (by Lucifer but also by helping the Winchesters). Now we know that Cas‘I am afraid I might kill myself’tiel had his issues, right (I still can’t believe that we are praising 8x08 thee Hunteri Heroici for being a filler episode with Cas - which is awesome, don’t get me wrong - but we all keep forgetting what he actually did say to Dean there!!! Dean says: are you afraid the angels will kill you if you show up in Heaven? And Cas looks straight into his eyes and says: After all I’ve done, when I see Heaven, I am afraid I might kill myself).

Please remember that it’s not only Dean, Mr. ‘Purgatory was pure’. Cas, after all he did in season 6, after his death in s7, after coming back and being literally haunted by everything he’s done, must have felt that Purgatory was liberating, too. It was some kind of an Alternative Universe where he didn’t have to face the consequences of his actions. He was free of them. It was literally his escape AND additionally it was (well, according to good old christian lore, maybe not specifically spn lore) a place where you are supposed to atone for your sins so there must have been the feeling of atoning, of making things right without actually doing anything specific, where having to survive and not get eaten by the Leviathans was his main problem (= surviving was just enough, nothing was asked of him), which, compared to all he’s done, wasn’t that hard or difficult. He found himself running away from Leviathans which could mirror running away from consequences of his actions - but it was Purgatory, it was at the same time atoning for what he did. It was EASY.

Cas basically confirms that he officially stayed in Purgatory because he didn’t think he deserved to go back to Earth and that is true but what he doesn’t say is: ‘Purgatory was pure and easy and kill or be killed and no other worries than that, no thinking, no real responsibilities which actually was a nice escape from the real world after all I did and been through in the past 3 years’. He wanted out, he wanted an easy choice. Okay, maybe he wasn’t actively looking for an easy way out but when it presented itself - when they appeared in Purgatory - he took it like a gift. We’re talking about a character who spent all his life following orders, who finally broke free and found himself completely lost in the freedom of choices, directionless and maybe wanted an escape. He must have felt overwhelmed but all this freedom (which he basically confirms in 6x20 freedom is a length of rope and god wants you to hang yourself with it). I COMPLETELY understand that choice to escape.

So in seasons 8-12 Cas has a lot of stuff going on in his head, he gets lobotomized for most of season 8, he is hurt and tortured and treated like shit for most of season 9 and 10 and he ultimately gives himself up to Lucifer in s11 and then he almost dies in 12x12 and he never really got to talk about all of this or work this things out with anyone because Sam or Dean are not really the most talkative guys and Dean in 10x09 basically tells Cas to ‘let it go and not think about it’ which is a shitty advice to someone who suffers from some mental issues if I am being honest (this is like. ur depressed? oh go for a run and smile and stop being sad!!! kind of advice if you ask me). So these issues only grow and grow and start eating him up and please remember that at the very same time Cas is falling in love. I said it previously but I think the moment he realizes what he really feels is 12x12 when he is dying. In that moment he is able to name this feeling but it’s of course covered by: ‘I love you. I love all of you’.

Now in season 12 he finally gets a proper arc with Kelly (god bless her, honestly, she and Cas had one of the most healthy relationships ever portrayed on tv and it wasn’t even romantic, I could go off about this but it’s getting really long anyway). So he kind of is on his way to find a purpose again - Dean is saved (from hell, from Michael, from the Mark), so he focuses on Kelly and unborn Jack and maybe in his relationship with her he rediscovers love (not necessarily romantic but he sees how she loves Jack) and he does all he can to protect her from basically everyone including the Winchesters. And he promises he will take care of Jack and then. Then he is killed by Lucifer (shattered at the altar of Winchester because he gets involved in the Apocalypse World because of them while having built something for himself with Kelly and Jack BUT still not having properly processed all his previous trauma).

Okay, so fast forward: Cas is woken up by Jack in the Empty. He is of course confused and stuff (we still don’t know what was he dreaming about all this time he spent there now that we know this is a place where angels and demons dream about their mistakes and regrets <- fanfiction gap #1). He wakes up, he is ‘greeted’ by the Empty and one of the first things he says is that he has to go back because Sam and Dean need him.

This is his first, automatic thought - I (probably) don’t want to go back, but Sam and Dean need me so I have to, I don’t want to go back for myself because I never wanted to since Purgatory but I know I have to. He doesn’t even think about Jack in this moment. I... maybe it is a stretch but I sense a kind of fear in these words. It’s like he thinks: ‘if I had the chance to come back and chose not to come back from selfish reasons then if the Winchesters ever find out about this they will be angry at me’. But I might be reading too much into this, but on the other hand Jesus fucking Christ this is precisely what happened in Purgatory. He chose to stay although he had a chance to return and the effect was Dean being mad at him. Talk about trauma--

Then the Empty (who was in Cas’ mind) voices his biggest fears:

'I know who you love, I know what you fear. There is nothing for you back there. Wouldn't you rather be a fond memory than a constant festering disappointment?'

There is a lot to unpack here because this is the Empty’s (who, as stated at the beginning can be read as a manifestation of not only death but also Cas’ depression and self-worth issues) reaction to Cas saying that Sam and Dean need him. She says: uh oh you’re wrong<3 I know who you love, what you fear, the is nothing there for you, sweetie. Essentially: they don’t need you. No one needs you or wants you there. They are better off without you. Wouldn’t you rather be a fond memory (of actually being useful as in: saving Dean from hell, helping to stop the Apocalypse, helping to fight the Leviathans) than a disappointment (failing powers, makes mistake after a mistake, chooses to protect the unborn Antichrist rather than killing him before he’s born - and not to make this whole thing worse but this is what Dean has the audacity to say to Cas in 15x03: why if something goes wrong it always seem to be you).

I will now allow myself for some privacy, because I am a person who dealt with these kind of thoughts in my head for years, these are straight up suicidal thoughts: no one needs you, no one wants you, you are a disappointment and if you die you will be fondly remembered, everyone is better off without you. And we know Cas was suicidal because he literally tells us in 8x08 and we have no proof that he somehow got rid of these thoughts, ever. If anything, they were always there, present, if not growing. Thoughts like that don’t just disappear. Please remember one more time what was happening to Cas in seasons 8-11. He wasn’t healing. He was getting worse, while all this time managing to keep his head above water for someone else, while the guilt was rising and rising.

If the Empty represents all his issues: depression, suicidal thoughts, guilt, self-hate, lack of self-worth, and what she offers is: eternal sleep. Maybe not entirely peaceful sleep, but sleep nevertheless, no consequences, no facing your fears, no dealing with anything, an escape, sleep -

And she prompts him to stop fighting, to go back to sleep because there is nothing to fight for (now the symbolism of him being waken up by JACK who was his new found purpose just before he got killed), but she makes a mistake to confront his thoughts and fears with him. She makes a mistake of taking a ‘physical’ form, putting on his face and voice his fears. And Cas is a warrior and he kind of hates himself, so his instinct was to fight. Of course it was easier not to think about all of these stuff at all, to push it back, to try to forget. But once he was forced to face all of these? He fought back. AND HE WON!!!!!

WHAT A MESSAGE TO SEND RIGHT?!!! You might have all these issues and not want to face them because you feel you will crush under them but look: when you are forced to face them it turns out you are somehow way stronger than them!!! The moment you choose to fight you already won, you are already saved!!! Because ultimately these are your thoughts and this is your mind and you control it, no one else! The moment you decide, you choose, to take control: you win. You are saved because you chose to save yourself because you decided you are worth saving. And the Empty (and everything she represents) immediately gets angry and lets him go, ultimately annoyed because he dared to defy her and she just can’t win with someone who decides he wants to be free. WHAT. 👏🏻 A. 👏🏻 WONDERFUL. 👏🏻 MESSAGE. 👏🏻

So... Having said all that. There is only one thing left: I have NO IDEA. NO IDEA. HOW HE FOUND THE STRENGTH. TO STAND UP AND SAY THIS:

I'm already saved. You can prance and you can preen and you can scream and yell and remind me of my failings but somehow, I'm awake. And I will stay awake and I will keep you awake until we both go insane. I will fight you. Fight you and fight you for... ever. For eternity.

A FUCKING ICON. STRONGEST CHARACTER EVER. YOUR FAVE COULD NEVER--

#ask #mutuals #cas #castiel meta #cas meta #the empty #long post #theselfhatingangelofthursday

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mc-critical · 3 years

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Do you think MC hurrem, before the bayezid and selim conflict of course, ever considered that the traditional fratricide could possibly happen amongst her sons? Mustafa hypothetically killing her sons if he became sultan is constantly used as a reason for why she had to get rid of him but how could multiple princes having the same mother resolve any potential conflict for the throne? Sorry idk if what i said makes sense

Don't worry at all, I understood you perfectly! ^^

No, I don't think MC Hürrem considered that possibility as strongly before the inevitable occured.

First off, her adaption to the harem was a slow and gradual process and she certainly didn't become aware of all the rules, all the sudden. (as when she was surprised that Mustafa was getting his own harem before the sanjack) She knew enough to set a goal in her mind from the first episode, but didn't get to see the full picture until she went through fulfilling that goal step by step and saw an obstacle that would be impossible to ignore. She was so focused on the path to survive, she brushed off the cost of said path in the first place.

It's true that in the beginning, there wasn't a reason for her to consider possible ongoing rivalry or fratricide between her sons. Nigar told her that she would rule the world if she gives the Sultan a child and when she becomes aware of the competition in the harem, what would make her prevail over them all, guided by her desire to make SS only hers and maintain power, for she would stop undergoing the same trauma and disrespect all over again? More children! We could argue that, throughout season 1, she views having more children as a privilege - not only does it secure more her position as a favorite, but it makes her gain advantage and power over her rival in this game. Notice how she boasts about the possibility alone in front of Mahidevran in both E06 and E11! ("It will be a boy. Then it will be a boy again. Then it will be a boy again and again..."; "I will give birth to many princes, but you won't even give birth to a girl.") These lines could be an attempt of assertion and a mask of vulnerability and insecurity, in a way, but this is far from the only thing going on. Not just the children, but the princes specifically are capilatized on, because bearing one is considered an honor in this harem and for every pregnancy, Hürrem expresses an almost firm confidence that it will be, without a doubt, a prince. The whole system in the show, sadly enough, encourages that whoever has more sons is more powerful and will get everyone else out of their way eventually, without shining a light on the more grim implications and what the mothers will possibly have to go through with their many sons, to the point it simply leaves them to find this out by themselves. It puts the princes in idealized superiority that is one of the first things Hürrem gets used to and that's why she was initially taken aback when Mihrimah was born instead of another prince she wanted so much. By that point, she had no time to consider eventual conflicts or fratricide because of her (initial) upper hand.

The higher stakes were kept under wraps in the series itself, too, because of its Cerebus Syndrome nature that lets you endear with the characters at first in lighter, more mainly interpersonal situations and then move to the wider scale of the historical themes, having them grow as people and political players and realize the bigger context along with the evolution of the narrative. That is coupled with the children's ages, for the small age, to me, was presented as a symbol of innocence. There's this prevailing trend in Hürrem's character during season 2 where she kept saying that Mustafa is too little for doing certain stuff (like going to a campaign, to a province, etc.) and that, I think, is telling enough of the amount of awareness she had for an eventual conflict between her sons. That was a general theme of the show, too, because both Mahidevran and Hürrem held no ill will against the other's children when they were small, as seen by them taking care of them during the janissary rebellion and Mahidevran saving Mehmet in E16. The children themselves weren't a priority of eradication for them back then and when they were little, they were something worth protecting as a mother's value, not tools to be moulded for the future battle for the throne. When their mothers find a common ground in this aspect, would a conflict between children of one and the same mother be possible? Only when they grow up, awareness comes to the surface, bacause by the time they're still small, they're harmless and innocent. (handicapped by SS's words to Mustafa in E46: "As you grow up, the innocence between us disappears, my Mustafa.") Even Hürrem set herself against Mustafa only by E38 and she didn't want his death until then. Knowing this, could she predict that something could go wrong between her own sons, no less? Doesn't she have other stuff to do until she reaches that point? Isn't she too busy in forging her own survival path and not think as much about her children before they grow up?

Then again, Hürrem has shown to be capable of anything to always remain in SS's good graces both because she is devoted to him and for her own goals. The princes play a part in this, because they have to gain the padişah's support first and foremost and that simply cannot be done through quarrels. Hürrem may have grown wise to this, with the many cases of her ordering the children to go away once a conflict of any kind ensues and especially, always telling them throughout season 3 not to fight with each other, not even because of her, and stressing that family is the most important thing. She may have wanted their childhoods to be as peaceful as possible, rendering them (except Mihrimah) oblivious to what she's gone through, which gave them a sense of naivety in the process. And while that naivety turned out to be a double-edged sword (as we saw with Mehmet fully believing Illyas and Cihangir believing in SS's promise that he won't sacrifice Mustafa), it could've been a way for Hürrem to make sure that her children in general would always seek a consensus and look good in front of the sultan. That didn't end up being the case. Despite of these possible measures of hers, I doubt she got fully aware of the possibility, precisely because of her set goals. Even though the dismissal of Selim and Bayezid's conflict became a main arc of Hürrem's in S04, there were also hints of this in S02, shown by E53: "Such a sun will rise that that sun will only rise for me and my children." Her fixation on Mustafa as the single pivotal moment of her life fight is a huge character flaw of hers almost right from the moment she began to see him as a threat and even from her first attempt, as we see by the quote above, she thinks that by eliminating him, it would be all over, assuringly discarding everything else afterwards. And Selim and Bayezid were already arguing by that episode and it only escalated further since then, because of her ignorance as a part of the whole issue.

It's even questionable whether she has ever thought that, maybe there is more work to be done after Mustafa, because Hürrem's fixation became more predominant as the series progressed, in conjunction with the evergrowing Selim and Bayezid conflict. It was already so prevalent by S04 that Hürrem went as far as to blame Mustafa for the first big scandal between them in E112 and Mihrimah had to remind her of their rivalry-slowly-turning-to-enmity's very existence in the first half of the season that is there in spite of who Hürrem thinks is the bigger problem. She didn't give it the significant attention it deserved when they were little and I, for one, believe that she had to investigate more when Selim set Bayezid's arrow up for failure around E91/92 and not scold only Bayezid, for it only heightened his resentment for Selim. She didn't think of it as something that big to deal with, it was probably a problem they would fix by themselves for good measure, because they're still children after all, aren't they? But a resentment of a child could only continue to live on, especially in such a time period, so if Hürrem, knowing how paranoid she could be and how much she tried to evade everything that could oppose her success, predicted the future mass of the conflict, wouldn't she do something more, wouldn't she nullify it? It's a given that she can't be next to them in every single minute of the day, but the possible outcome itself just screams for tiiiny bit more involvement on her part. The earlier you interfere, the earlier would stop the obstacle in its entirety. Hürrem is smart enough to know this, so the logical thing is that she didn't fully take all that into account. She couldn't, and possibly didn't, want to predict this as a mother.

The very realization of the actual massive power of Selim and Bayezid's enmity and her newfound inability to interfere almost at all to it came as such a surprise for her. She not only completely miscalculated, but it broke her heart into pieces. She didn't see coming any conflict of the like, because if she did, even before the whole fiasco happened, early into S01-2, she would never let it reach such extremes. And the realization hit her in such an unexpected way that she wanted to escape the shock that she had to choose and try to solve things as she has always had, doing things that should've been done such a long time ago. Would she be so helpless when she finally came to terms with the following fratricide, if she saw it coming before the conflict even started?

In summary: Hürrem didn't think of something like this at all early on and when it happened, she did see the roots, but could never, not even in her dreams, imagine the devastating results.

Though yeah, could a conflict between sons of the same mother fully be resolved in circumstances like these? I very much doubt it. Even if the mother removed the tension between them, there are other factors we shouldn't forget (I refer to SS's reign in particular): they are sons of the same mother, but they're still candidates for the throne, hence they're rivals and both the people and the padişah will have to pick a favourite. No matter how impartial a sultan seems to be, he does end up picking sides eventually - whether it's about the province one is sent in, when they're sent in it, how often does he visit them, what in them does he approve or disprove of or how competent they are in his eyes. It's inevitable for them to live in absolute peace in an environment that would sooner or later cause them to fight until one's absolute and total failure.

#magnificent century #muhteşem yüzyıl #hurrem sultan #ask #builtfromabrokenheart

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