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#but tact son
lookninjas · 2 years
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So I’m going to take a shower, feed my cat, pour myself a glass of wine and see if I can write this Sandman meta about living in dreams tonight, but before I do that, consider:
For all John Burgess called Dream a liar and the King of Lies, and etc. etc., the fact of the matter remains that Morpheus is a) compulsively honest and b) almost entirely unfamiliar with the concept of tact.  And that’s what gets him in trouble like at least 74.6% of the time. 
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weenie-kun · 8 months
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beau is three years old and ive forgotten his birthday every single time
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bastardfae · 1 year
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news had spread and it had spread fast. never usually finding himself particularly invested in gossip pertaining to occurrences within the castle, arnon felt his interest sharply pique as the radio beside the register broadcasted the news of the death of the councilman of portugal. straightening in his seat behind the counter as his initial surprise subsided in its intensity, arnon’s gaze quickly flickered toward the other lingering in the doorway of the store. “shit,” he laughs, his tone composed of both shock and amusement simultaneously, all professionalism entirely abandoned as the broadcast continued. “you’ve heard the news, right? that’s got to be a pretty humiliating way to bite the dust.”
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@krovscastlestarters
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chipistrate · 9 months
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You see that theory going around on Twitter about Gregory being innocent in the main ending?
@/TheJ_Pro on there has a pretty detailed thread about it if you haven't heard it.
YEAHYEAHYEAHYEAHYEAH I SAW!! MY SON!!! MY SON IS INNOCENT!!!!
Honestly I think he's valid in his actions whether he did it or not considering the situation he was in at that moment- but after hearing the evidence of him not doing it, even outside of that thread, I'm definitely leaning more on the side that it wasn't him.
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todayisafridaynight · 5 months
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masato being grossed out by jo and masumi being together is so funny because. who do you think gave him The Talk? masumi braces himself to teach his son about safe sex and masato cannot leave the room faster. third worst day of his life
NOO BECAUSE THE OTHER DAY I WAS THINKING OF THE INEVITABLE SCENARIO OF MASATO GETTING 'THE TALK' AND IT MADE ME UGLY LAUGH
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feathersnek · 10 months
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Let's talk about Kodama Atwood
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A little gremlin- *AHEM* A loyal reaper knight.
Our surely unbiased narrator and lead of the new cast of Tales of the Rays brand new story arc: Recollection. In our current small chunk of 3 chapters, allow me to introduce him!
On the surface:
Though he is genuinely kind and will help those in trouble at the drop of a hat, this trait is buried under a sly wit and an easygoing personality. He will not let slights towards him or his beloved ruler go unpunished. Crossing him is less likely to incur immediate backlash, and more likely to come back on the offender when they least expect it in the form of a quiet scheme. Though he isn't against getting into a scrap or resorting to more petty get-backs.
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He has an almost childlike curiosity about the people and world around him. He has been noted to taste random things, including memories, and carefully observe his fellow knight's hobbies. His personality is very adaptable, giving snark remarks or honey-tongued bribery one moment, and pure hearted, genuine praise the next. He lives at his own pace. Yet he will do anything - from getting his own hands dirty to degrading himself - in order to follow his morals or help those he cares about with no hesitation.
Shall we get into more detail and how he got to this point? Follow me below the cut:
As a child, Kodama was almost killed by the enemies that have driven mankind to the brink of destruction, wraiths. Severely wounded, young Kodama was rescued by the ruler of humanity's final kingdom, Haze.
That day, having lost all of his memories as a side effect of the attack, Kodama idolized Haze and swore to become a reaper knight, and eventually her right hand man to protect her and repay his debt.
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He grew up as a wastelander, a person living in colonies outside of the capital city and its luxury of a protective barrier. His life was one of bitter survival, and he learned to taste various plants to determine if they were safe to eat or sell. Though this life didn't get him down because he lived to one day meet Haze again, and this filled all of his days with hope.
As he no longer remembers his name, the villagers named him "Kodama" (A name roughly meaning "echo" that is also associated with tree spirits) because of his strange, yet to be elaborated on ability to "hear" wraiths.
Clawing his way up from the wastelands, Kodama became a rookie reaper knight, a person who can fight the normally untouchable wraiths, and finally arrived at the capital city. His weapon imitates the hands of a clock and his abilities lightly manipulate time, freezing his enemies or speeding up his attacks.
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However, being a wastelander originally, he is looked down upon by most reaper knights. He is the first to come to the defense of his fellow wastelanders and of course the friends he's made in the capital. His curiosity stems from having no childhood memories of his own, and he loves to listen to the tales of other's memories - be they bitter or sweet.
And thus our newbie knight aspires for the day he can climb the ranks and finally meet his beloved ruler and thank her for saving him.
Little does he know that day is close at hand...
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rheakira · 2 months
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Good afternoon and thank you to everyone who's been enjoying and reblogging my human souls designs!
Everytime you say something really weird and out of pocket about Léo, I draw him even more like a brick. Thank you!
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datastate · 6 months
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still so frustrated that it's because it took so long doing the video production part of my kai analysis that a lot of my revelations were rendered redundant but it's fine. it's okay. i was right. it's just that now everyone else has had it handed to them on a silver platter instead of reading between the lines like i did incessantly for the months before the miniepisode.
#it's killed a lot of my motivation to make such videos. i must admit.#jestersvaguely#i could still try to make it but augh. it's like nankidai didn't even put kai in the limelight he put him under a stadium light#too much. too much! where's the subtlety where's the tact. i loved it so much more before it was just explicitly written. sorry.#what else are people meant to dig into or engage with characters with if you're just completely clearing ANY curiosity#i don't know. i should still make it. it'd require so much rewriting though because i was specifically drawing from ranger's existence#and now there's a whole miniepisode detailing the complications of the satous dynamic and it's like well now i have to analyze that#but it doesn't even add much more than what was already implied & extrapolated from.#which i already had. i already had all of this speculation written down and dug into and now i have to rid the entire section of speculatio#it's so much less. impressive i guess. it just feels so plain and basic and it's like 'well yes we all saw that play out in the miniepisode#and it's like NO IF IT WEREN'T FOR THE MINIEPISODE HOW MANY OF YOU WOULD'VE JUST REDUCED HIM TO ABUSIVE OLD MAN#AND COMPLETELY FORGOTTEN THE FACT HE LOVED RANGER. RANGER - INCAPABLE OF AFFECTION - SAID GASHU 'S AFFECTIONS WERE HIS#AND FROM RANGER. COMPARABLE TO A SON. KAI'S EXISTENCE & GASHU'S REACTION THEREAFTER ... AHHHHHHH#i don't know. more than anything i'm just upset at my own inaction because now it's like. this is the one thing that we didn't need to wait#on for analysis. now i need to wait for asunaro to be explained before i can do proper kai analysis and it's so frustrating and saddening#i don't know. i just hate that i can't do any actual kai analysis now because he's my favorite#there's the whole 'what do the satous mean for sara & the narrative' but that was meant to be part of the larger thing#not the focus of the video. the focus of the video was discussing everything with kai#and now it's like. well the entire cover's been blown off unceremoniously and it's#ah. it's frustrating. it's so frustrating. nankidai's storytelling is so sloppy i really don't know what draws me to it at all
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icharchivist · 7 months
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A BIT LATE INNIT MY LOVE
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spiderispunk · 2 years
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Me: Oh wow there’s a trans woman in Sons of Anarchy, I wonder what happens to her?
[One google search later]
Me:
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robocracker · 2 years
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ever since the initial rumours that casualty was going to tackle the subject of school shootings, my mind’s been returning again and again to the last time the show did this - in 2010, as the series 25 opener, ‘entry wounds’.
it’s one of the few episodes that’s stuck with me over the years, and i rewatched it earlier this week to see how it would compare with the latest episode. obviously, it doesn’t always mean much to compare episodes that tackle the same themes - there are so many different ways to address things, ways that aren’t necessarily objectively better or worse than others.
saying that, however... i think casualty largely did a better job of things in 2010.
for one thing, the murderers actually felt more like fleshed out characters in ‘entry wounds’, compared with ‘wednesday’s child’. we’ve had ollie for what, six years now? and yet his shift from an ordinary if not somewhat troubled teen to a full blown, gun-wielding murderer, feels so abrupt and honestly, unbelievable. to be clear, i definitely don’t mean to trivialise the traumatic impact of bullying - i’ve lived that trauma myself - but it’s only been a few months, if that, and yet somehow this is enough to transform him entirely?
then there’s rob. he existed to... manipulate and drag ollie to the dark side, and then die doing what he loved most - being a piece of shit.
compare that with jamie and devlan in 2010. despite having only been introduced in that very episode, by the end of it we know why they did it. in fairness, devlan’s full motives aren’t entirely clear until five episodes later - but he’s alive for that. rob and ollie are not. so it’s probably safe to say we’ll never entirely know what drove them to it.
not the most satisfying way to end things for ollie, considering everything we’ve seen him go through before this.
i feel like overall, the 2010 episode also felt more poignant, and focused on emotion rather than high-stakes drama.
saying that, i feel like... it was an interesting decision to kill off ollie. despite the unsatisfying lack of resolution it gives us for why he did it, it also gave jason durr an opportunity to knock our bloody socks off with his acting skills. everything he did after ollie was brought in was some of the most powerful stuff i’ve seen on this show in so long. his fear, his anger, his desperation to believe that natalia was lying, his grief... man, he’s such a good actor. he had me on the brink of tears.
the flashbacks worked so well, too. that’s actually something i feel this ep did better than 2010 - there, it almost seemed as if we were expected to feel sorry for devlan, because aw he just liked this girl so much and the other kids laughed at him once... whereas here, the flashbacks were for david, and they were so simple but so effective.
honestly, i’m in two minds about this episode. david’s scenes, especially once ollie was in the ed, were clearly the standout moments. but ollie’s transformation into a killer - or even just an accomplice, since we never actually saw him kill anyone - feels a bit halfbaked to me. i trust the show will handle david’s grief well, but i wish we could have seen more into ollie’s head when it mattered most.
(interestingly enough, the 2010 episode also featured a school theatre as a significant location. which is a neat coincidence to end this rambly post on.)
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saetoru · 7 months
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✩ ‧₊˚ ✩ speak of the devil
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synopsis. satoru and his father don’t quite get along—you don’t think it would help that case if his father walked in on you fucking on his desk right now, but satoru doesn’t seem to care at all
FIVE PLACES RB! GOJO SHOULDN’T FUCK YOU SERIES
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length. 3.4k words (why did it take all day sobs)
contents. fem! reader, minors do not interact, college au, rich boy! gojo, as always it’s shameless satoru, you sit on satoru’s lap, brief fingering, dry humping, desk sex <3, clothed sex, unprotected sex, creampie, pet names (baby, sweetheart, princess, perfect girl)
notes. to everyone who kept asking when i was gonna update this series: here it is. now don’t ask again <3
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the one time you decide to surprise satoru with a visit is the one time he’s nowhere to be found—it takes you ten minutes and the help of two maids to finally find satoru in his house. as it turns out, he’s in his father’s office—the only room you’ve never been in yet.
“hey,” you murmur, “been looking for you everywhere. way to ruin my surprise.”
“baby!” he grins, perking up from his spot at the chair, setting the pen in his hand down. “you came all the way here to surprise me? you must love me so much. and think i’m hot too, right? and funny? and smart? and—”
“i’m leaving,” you tease, rolling your eyes. and then you notice the papers in front of him, peeking over his shoulder as you read over them. you understand nothing. “what’s this?”
“paperwork,” he grumbles, “old man says i have to start being more responsible for stuff if i’m gonna take over someday. what a geezer.”
you snort��satoru never runs out of insults for his father. normally, you wouldn’t encourage his comments, but….well, his father deserves them. quite a bit, in fact.
“my poor businessman,” you say sympathetically, smoothing back hair from his forehead as you cup his face. he pouts, leaning into your touch as you rub over the swell of his cheek with your thumb. “you deserve a break.”
“i know,” he whines, “i’ve been doing these for like an hour. i could’ve been playing video games with suguru. or fucking you.”
“satoru!” you gasp, pressing a hand over his lips as you eye the door and listen for any signs of anyone nearby. you turn to him and hiss, “you have too many people wandering your house for you to say that so loud.”
“not like they’ve never heard us before,” he shrugs.
well, that’s satoru for you—as shameless as ever. not only has he probably traumatized the poor maids with his insatiable horniness, but he’s not even got the tact to at least seem embarrassed. not even slightly ashamed. you scoff, shaking your head as he grins up at you cheekily.
“you’re a real case, you know that?” you say in disbelief, “i think the only surface you haven’t fucked me on is your parent’s bed. and that’s only because you love your mom enough not to do that.”
“if it was just the old man’s, i’d have fucked you on that too,” he snickers. and then he hums thoughtfully, “actually, i think i have fucked you everywhere. it’s like a bucket list.”
“satoru, you’re sick in the head.”
“the showers, the guest rooms, the kitchen, the living room, the movie room, my room, of course—oh, the game room too. and we can’t forget the backyard and the pool either. i think we got it all—wait.”
he sounds serious. you look at him with furrowed brows as you tilt your head. “what?”
“we didn’t get this room.”
oh god. he’s absolutely ridiculous—and not only that but a complete idiot, too. not only do satoru and his father not get along, but his father couldn’t disapprove of you any more than he already does. the last thing you both need is for him to walk in on his son fucking the girl he probably wants to hire a hitman to assassinate.
“oh my god,” you say exasperatedly, “toru, have you not one ounce of shame? you can’t possibly think—”
“why didn’t i think of this sooner?” he wonders out loud—and oh no. satoru has that look in his eyes, the one that’s locked in on something he wants. the spoiled side of him isn’t going to let this go. the weak part of you is probably going to have a hard time fighting him.
the unwise part of both of you will probably get you both into a whole lot of trouble.
“because it’s a bad idea. you’re a smart guy, toru,” you try to butter him up—it doesn’t seem to do much, though. “the smartest. so, so genius and intelligent, so you know this is a terrible idea, so let’s just drop it—”
“i should’ve done this way sooner,” he chuckles, looking at you in awe, “bend you right over this desk and fuck you over that fossil’s papers.”
his words are so shameless and so, so wrong. but for some odd reason, your clit aches a little at that.
“no, absolutely not—”
“can you imagine? he’s signing papers right where i had you drooling for me? he’d be so mad if he knew,” satoru cackles.
god—this should not be as appealing as it sounds. you try to throw on your best stern look, but satoru is as smart as he is sly. he can see the way you shift on your feet as he smirks up at you, and he’s already got that determined look in his eye that you know well enough.
it’s the same look he has when he decides he’s hungry—for you, that is. the same look that paints his face as he eyes you like you’re his next meal. the same look that tells you he wants you—and he’ll stop at nothing to have you.
and….well, you’ve never been good at saying no to satoru. it’s your fatal flaw.
“satoru, we should definitely not be doing any of that in here, and we definitely should not be risking making your dad—who hates that we’re dating, by the way—any more angry with us than he already is—”
“sweetheart,” he chuckles, pulling you by the wrist to fall onto his lap, “you worry too much, y’know that? i should fix that. fuck you dumb over this desk so you don’t overthink in that pretty little head you have.”
you glare at him, but he’s already got you straddling his hips, arms looped around your waist as he kisses your jaw with a hum. he’s already hard from what you can feel—the bulge pressing against your heat is hard to miss. 
“satoru—”
“save the part where you say my name for later. i haven’t even done anything yet,” he winks—and then he’s kissing you. he’s clever, you think, because kissing you is the fastest way to get you to melt against him, arms wrapping around his neck as he pulls you closer. 
so close, in fact, that you can feel his cock practically twitch in his pants as you shift on top of him, dragging your clothed cunt over his aching bulge.
“this is such a bad idea, toru,” you whisper in between kisses—but not one part of you fights his touch or even attempts to pull away. he hums, pressing wet kisses along your jaw as his hands dig into your hips, moving you to grind along his hardened length. 
“yeah? you sure? let’s check, shall we?” he raises a brow, hand slipping past the waistband of your pants and brushing past your folds—wet. dripping and messy and needy, just how your pussy always seems to be when you’re with him. he grins in satisfaction and throws you that knowing look as he mumbles, “sorry, baby. this pretty little pussy of yours disagrees.”
“toru,” you gasp as he toys with your clit, rubbing slow enough circles that you whine and roll your hips, trying to get more. but satoru is a brat—always has been, right from the day he was born. he pulls his fingers away and looks at you smugly as he kisses your curled lips while you frown at him.
“want more, don’t ya?” he asks—he’s too cocky for his own good sometimes. too ridiculous and annoying and troublesome, but you’re aching to feel something, anything. preferably him, so you nod. 
“just hurry up,” you huff. your hips push against him, dragging your cunt over his cock—it’s throbbing in his pants, confined under the fabric and needy for the tightness of your walls. you gasp when he rubs against your clit, and he groans, guiding your movements with a tight grip on your hips. 
“fuck, sweetheart,” he rasps, “c-could cum jus’ like this. see what you do to me?”
“‘s not me,” you tilt your head as he nips at your neck, hand trailing to cup the back of his head and keep him in place as he nibbles at the skin and pecks along the marks he leaves, “this is all your fault.”
“all my fault, huh?” he chuckles, “you make it sound like this is a bad thing.”
his hips buck up, rolling against yours and building the friction up until your both panting messes, his lips against yours as you drink in each other’s moans—your clit rubs along his length with every stutter of your hips, and his tip leaks with more pre cum every time you press harder against his cock. it’s desperate—the way he chokes on your name and the way you cling around his neck. it feels good, and the way this is all so wrong only makes it feel better. 
“‘m close, toru,” you mewl, whining as his hand slides under your shirt to massage your tit, his eyes trained on you as he hums.
“good,” he grins, eyes dark and glinting with a sick satisfaction you don’t think you’ve ever seen on him before, “cum for me, sweetheart. right here—right on this chair,” he says lowly. 
so you do—head falling back with a sharp gasp and your nails digging into his shoulder as you come undone with a loud whine. the gojo estate is big—very big. you’re sure your voice isn’t carrying through even a fraction of the place, but still, you can’t help but clamp a hand over your mouth in case anyone is nearby. 
satoru doesn’t like that, though—his hand rips yours off as he ruts his hips upwards faster, harder, pressing against you closer. “no, baby,” he chuckles, cutting himself off with a breathy moan when you press harder against his cock, “make sure you let me hear how good you feel. feels good, huh?”
“yes,” you whimper, “yes, feels so good—need more, toru. please,” you pout, looking up at him with lust-blown eyes. 
“here?” he mocks, raising a brow, “you want me to fuck you right here? in my father’s office? where he does his work? right on his desk?”
“yes, here,” you sob, “right here—please. want you so bad. need it.”
“see?” he laughs, “now you’re getting it—not so much of a bad idea, is it?”
that’s the thing about satoru—he’s too used to hearing what he wants. being told what he likes to hear. getting what he asks for. you say no, and he’s determined to change it to a yes. but yes is never enough—it’s more. always more, more, more. it’s like all rich people, you suppose. 
they just always want more.
there’s a small, reasonable voice in your head that tells you this is a bad idea. a disrespectful one, even. sure, satoru’s father has never been kind to you, let alone polite. he looks at you like you’re an eyesore, and he’s certainly said less than appropriate things about your upbringing. but that doesn’t mean you have to stoop to his level of low and do something equally as spiteful, if not more…but you’re only human. and satoru always just fucks you so well, and cumming around nothing just isn’t enough, and…well, you think it’s just karma. 
the way the world works. 
the way you and satoru work. 
so you grin, huff out a little snort before pulling him into a kiss and reaching to free his hard, leaky cock from its confinements. he whines a little into your mouth as you smear the arousal coating his tip along his length, stroking down and squeezing at the base. 
“okay,” you whisper against his lips, “fuck me toru. right here—right on his desk.”
that, evidently, is all it takes—one second you’re comfortably sitting on his legs, pants soaked with his bulge pressed against your core, and the next second you hear his hand swipe papers off the surface to fall to the floor as your back is pressed against the cool wood. he doesn’t even bother with your clothes, just tugs both of your pants down your thighs that it’s enough. satoru has always been impatient too—doesn’t like to wait for anything when he can take it when he wants. 
you can feel him close, hovering over you. he’s warm—where his cock presses against your thigh, where his breath fans over your lips, where his hands grab your wrists and pin them over your head. he’s warm, and your head spins, and you need him filling you to the brim right now.
“anything you want, you get, sweetheart,” he murmurs, grinning sickeningly sweet, “can’t say no to my baby. what kind of boyfriend would i be?” you feel him bump his tip against your clit, making you gasp before he drags the head of his cock along your folds—they’re wet and slick from your arousal, coating his tip before he’s slowly pushing in. you gasp, wrapping your arms around his neck as he groans lowly. “can never get used to this,” he breathes, “never get used to this pussy. just takes me so well. fit in like i was made just to fuck you.”
“toru, t-toru—oh,” you squeal when he slides the rest of his length to fill you, buried to the hilt as your walls flutter around him. it’s nothing new, but it’s never something you’re prepared for all the same. how thick he is, how perfectly he hits that spot in the back of your walls, how full he makes you feel. it makes your legs wrap around his waist and pull him forward, closer, deeper. “more, toru—move, please.”
“nuh uh,” he drawls, kissing your cheeks, “first you gotta tell me how much you love me.”
“satoru,” you hiss in disbelief, “are you kidding—”
“c’mon, say it,” he giggles, “love you, toru. love how you fuck me so good everywhere in your house and make me feel like a princess. you’re the best boyfriend ever and i’ll die without your cock—”
“i love you toru,” you smile sweetly, “you know what i love more, though? when you’re too busy making pretty sounds for me instead of talking so much.”
that makes him shudder—makes him curse under his breath as your walls flutter impatiently around him. he’s aching—hot and swollen in your dripping cunt, balls heavy with cum that he needs to empty into your pussy because it was made to take him. every inch of him.
“you’re gonna be the death of me,” he breathes out shakily, “know that? gonna kill me one of these days.”
“good,” you hum before rolling your hips and making his breath hitch, “now move, baby. wanna feel you.” 
he does—pulls his hips back so that he’s just almost pulled out completely before he slams back into you, pressing against your sweet spot with his tip in the way only satoru knows how. only he knows you this well, only he knows your body so well. he knows where to kiss and hold and touch to make your eyes flutter shut, and your mouth fall open, wanton moans falling past your lips without a care in the world who can hear. 
“so tight, baby,” he whines, “god you’re so perfect—my perfect girl.”
“so full,” you gasp, clawing at his shoulders, pulling at his hair, pulling him closer and closer and closer until not even air can fill the space between you. “feel so good, toru—fuck.”
“look at you,” he coos, pressing a kiss to your collarbone, “‘s a shame you can’t see what i see. then you’d know why i can’t keep my hands off’a you—’s impossible.”
you can’t speak—all you can offer him as he’s bullying his thick girth into you is a pathetic whine as his veins drag along your walls, as his navel bumps along your clit and has your head thrown back against the table. there’s slick smeared along your inner thigh, the wet sound of his cock fucking into you ringing in your ears along with his deep groans as he pants harshly against your ear. you can feel his breath against your skin, can feel the goosebumps and the flutter of your walls every time he makes a pretty little sound for you as you squeeze around him. 
“love you, toru,” you mewl—you can’t help but say it, can’t help but remind him when he pushes into you like he was always meant to fit right there, like he was always meant to feel you as you feel him too. and if his rotten, greedy, stuck-up father with a receding hairline can’t see that you love satoru, maybe you’ll just have to fuck him right where he can find you just to drill the image into his mind. 
“love you too,” he says between moans, face digging into your neck as your hand cradles the back of his head, keeping him right there, keeping him close against you like he should never be anywhere else, “love my perfect, perfect girl. feel me? feel what you do to me?”
you nod between sharp gasps and soft cries of his name—he looks down at you in wonder, at the way your lips look when they murmur that sweet little cry of toru!, at the way your pussy sucks him in and hugs too tightly around him, at the way you look so good with the slight sheen of sweat on your face. 
his hips roll, a little sloppy in rhythm now, but still just as hard and deep as before. he can sense it—the way you’re just about to fall apart on his cock, just like you always do. so he presses a thumb to your clit, rubbing harsh circles that make you cling to him tighter as you cry out another sweet string of toru, toru—more!
“you close, sweetheart? gonna cum for me? ‘m close—gonna fill you up. want that, don’t you?”
“yeah,” you breathe, kissing him with hot, open-mouthed kisses that he returns, “yeah i wan’ you to fill me up, toru—gonna cum. ‘m so close—f-fuck, so close, baby.”
you know he is too, the way his cock twitches and the way his hips are desperate in the way they roll into you tells you he’s just as close to falling apart as you are. you push your hips up to meet his thrusts, pushing him impossibly deeper into your cunt before you feel the coil snap as you cum—hard. your walls flutter around him, spasming and squeezing around him that his bottom lip is tugged between his teeth as he inhales sharply.
“f-fuck, baby—’m gonna…” he doesn’t get to finish before you feel his cock twitch and the first drop of cum fills you. it’s hot and thick, every rope he fucks into you, leaking past his tip and painting your walls white. you can feel the mess he makes—can feel the drops leak and smear along your inner thighs as he slams into you with choked whines of your name. “g-good—’s so good, you feel so good,” he says breathlessly, face digging deeper into the crook of your neck as his arms tremble over you.
the wood is hard against you, makes your back ache slightly—but it’s not nearly as bad as satoru is good. you can’t think of anything else but the way he fucks you both through your highs until your legs are begging to press shut from the oversensitivity. 
it’s silent for a bit once you’ve finished—save for the harsh, labored panting as you both calm down and catch your breaths. satoru is still buried with his nose pressed against your neck, your hand rubbing over his back slowly.
“your maids must hate us,” you mumble, “and if your mother hears? we can never show her our faces again.”
“she’s probably dead to the world and watching her reality shows,” he snorts, “we’ll be fine.”
“well, we should clean up and leave before your dad—”
“oh look, speak of the devil. he’s just in time,” satoru snickers as he cuts you off, looking over at the window as an expensive car drives up to the house, “think we can get these papers organized before he comes up here? maybe we should just leave ‘em to make him mad.”
“you’re crazy,” you say in disbelief. and then— “i think we should leave them there. make them his problem.”
you think you’ve just watched satoru fall in love with you all over again at that.
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i hate this fic but hopefully i come back one week later and reread it and think wow i ate w this. sometimes i do that. but if i don’t: if all of you donate one dollar to my family they can afford my funeral for when i drink bleach
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valorandgold · 1 year
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@tactful-kind-daedra​ said:
[[Let Momdra make her boi -SNUG- as a bug in his bed]]
SNUG : fixing blankets
(The sonboy will agree to it but only because he’s a sonboy with a mild cold right now)
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“Mnh...” Morgan groaned lightly, shifting underneath the blanket as he felt Daedra fix them and tuck him into place. How could this have happened? He’d not been sick once since he’d arrived in the past! Sure maybe he’d been determined enough to face extreme peril to get a special flower for a cute girl, and sure he’d been also determined enough to try and remember his father that he’d hit his head against a post to see if that would make his memories return-...well, perhaps he didn’t have the best case as to why he shouldn���t be sick after all, but he didn’t have to dislike it any less.
“I still have a bit of a headache. I dunno how I got sick, mother...” Of course, leave it to her to keep him on full bedrest and tend to just about everything while he was in such poor shape. “I haven’t been sick a single day since I got here. Maybe lightly injured, sure, but-,” Morgan stopped as his words were interrupted by a series of coughs. “...I wanna get up and do things but I don’t have the energy...”
This almost felt worse than being injured on the merits of that alone
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kousagi7hikari · 5 months
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Lilia, you should probably let your dorm leader and surrogate son know that you’re leaving with a bit more tact???
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Tim gets deaged which usually wouldn't be too much of a problem considering he still has his adult mind in tact. No. The problem is that there was a child who was the same age as deaged Tim and who looks suspiciously just like him.
Oh. And they somehow got swapped.
Now Tim is stuck trying to figure out who and what Phantom is and what dimension his "lair" is in so he can escape. Tim briefly considered just talking to Phantom and explaining things (with some omissions obviously) but after seeing his eyes flash an eerily familiar green he had frozen. It didn't help that Phantom was doting and scarily overprotective of his children. Some robotic rogue with a flaming green mohawk had threatened to harm them while they were out in the stroller and Phantom took off his head with ruthless cruelty. Tim wasn't taking his chances with a bad reaction so he has more or less resigned himself to living life as a one year old along side his "twin" until he can escape.
Meanwhile Danny is getting more and more concerned that the personality of one of his kids has changed. He had been a happy and bubbly baby until he suddenly became quiet and withdrawn. Had his kid been traumatized somehow? He watches them sleep together in thier crib and wonders...
Meanwhile the bats are cooing over baby "Tim" and doing all sorts of baby activities appropriate for a one year old. The sheer amount of baby clothes everyone buys is ludicrous and I greater theres at least three Nightwing themed outfits in the pile. At least.
Damian becomes jealous of all the time people are spending with "Tim" (especially grayson) and bullys the baby for it all the while causing the baby to cry and Damian to be scolded, which only fuels his ire.
After a week of this the bats confront the person who made the device that deaged RR and found out that Tims mind should not have reverted back to a child, only his body. Damian feels victorious and claims his brother must have been faking the entire time and confront "Tim" about it...but "Tim" doesn't change his behavior. He still acts like a normal baby.
After a while of this they decide to run a dna test just to be sure. The DNA test comes back positive...on half. This shocks everyone. They run the test several more times and have to come to terms with the fact that not only is Tim out there somewhere in the body of a defenseless 1 year old baby, but they somehow got his (future?) son with them instead.
Damian has to come to terms with the fact his been bullying a litteral infant this entire time and the shame that comes with that. (It wasn't any better when you thought it was a baby Tim and Jason points that out) Damian does some self reflection and tries to make amends.
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"i'm a vampire" this "i'm a vampire that"
aside from the whole period sex and drinking her blood, let's talk about how oliver quick really was a vampire throughout saltburn. am i really going to do this? maybe. it might not be long, i do feel like death. maybe i'll even touch on the catton family being vampires.
alright. from the start we see oliver taking resources from felix under the guise of being poor. the cost of the drinks, the time, the emotional space. he leeches on, yearning for love. later we see that all of this has been set up by oliver himself to manufacture these circumstances. but that's only the beginning and one of the least viceral instances of him 'bleeding the life' from the family.
where we really see this begin is after he comes to saltburn. i'll go through it briefly for now but here we see oliver dividing and conquering, making quick work of the family. as he is yet to succeed in tangebly seducing felix, the true source of his psychosexual obsession/infatuation, he begins this work on the rest of the family. he starts w the mother and when that fails, he changes tact and sinks his teeth in emotionally. he lets her tell him of her worries and assures her that she is a good person. he charms the father by displaying interest in what is important to the family.
he then uses knowledge gained through her mother to get literal blood in his mouth when he romances her in the night. he uses his knowledge of her eating disorder and her family's inability to see her to fully lure her in and to once again sink his teeth in emotionally, as well as physically, drinking her blood while he dominates her.
next, he continues his conquering by driving a rift between felix and his cousin, alienating the family member who is not entranced by his lies. this is before he does physically charm him. all of this is before any killing starts. now that he's got his teeth in, let's talk about how he drains his victims.
for cousin dearest, oliver makes quick work of framing him for crimes against the family. when he comes back after being cast out, oliver then frames felix for an ultimate, unforgivable crime: killing the golden son. felix is left w no financial resources and no familial support but his impoverished mother. he gets off relatively lightly.
now onto literally sucking life. once his cover is blown and felix asks him to leave, oliver gives him a poisoned bottle. this is obviously w the intention of at least felix drinking it and succumbing. which he does. felix's death leaves the family unstable and vulnerable, first used to get rid of the cousin who sees through him and to continue to latch onto the mother as a surrogate son in a now joyless and lifeless house.
the sister sees through him and what does oliver do? assist in her suicide after her speech about how he is eating away at her family. specifically in the bathroom which oliver first physically consumed felix for the first time.
what does this leave? an even more desperate vacuum for now two stand in children. perhaps three if we are to count the cousin. Elspeth clings on to him and oliver sinks his teeth in tighter. so tightly, in fact, that mr catton pays oliver off to leave.
finally, when mr. catton is dead, oliver manufactures a reunion w elspeth and reaps the rewards of his former work. he is once again living off the catton family until the time comes for him to drain the life from it's last surviving member.
he is eventually left alone in their mansion, with all their resources, and their ghosts.
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