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ratrrriot · 1 year

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How do you feel when people call Amy a stalker?

People can call her what they want, however…

Do i think it's fair to call Amy a stalker?

In some of the games? Yes, and even in some of the ones she wasn't a stalker per-se, she still showed possessive and obsessive tendencies. So i get where it comes from...

Generally? No. Her character originally wasn't supposed to be a harasser and she sure isn't one in the present. the franchise has been clearly trying to do better for her these past few years.

I think Amy's changing characterization is an interesting topic of discussion, so even though i technically already answered your question i'll take this chance and proceed to talk about my fave for way longer than i need to :).

Note: This is just my take on Amy and the way i understand her ENGLISH PORTRAYAL. I won't be talking about her japanese one which would deserve its own analysis.

Sorry for any writing mistakes in advance (english is hard) and feel free to correct me if i'm factually wrong about something (i wrote this thing mostly from memory so i imagine i must be.)

Amy has changed A LOT troughout the games and has been in the hands of many different writers across Sonic media ,so when talking about her is important to be specific about what game,series or comic we are talking about (and language),and while i know that some of you might not agree and i respect that, i think that -looking at the subtleties- Amy has had at least 6 different portrayals through the course of the games. That being said,i believe the idea that she is a stalker comes especifically from the characterization they started giving her around 2003

Originally,Amy was envisioned as a sweet 12-year-old kid who had a huge unreciprocated crush on her idol and a passion for fortune-reading ,but who wasn't exactly much of a heroine herself. In the classic era,her place in the narrative was just to serve as a damsel in distress and a cute,funny detail. Ofc,in comics and animated shorts for games like Origins, we have gotten more content of classic Amy being fully independent and capable of defending herself (even more with the upcoming playable mode for her in Origins Plus), but i think we can all see how such aspects of her character weren’t included at the time she was created (only exception being Sonic Fighters)

Especifically in the adventure era (AKA the birth of modern Amy) they gave Amy her iconic strong,compassionate,romantic personality and an interest/love for adventure (and her sassy attitude ofc). She's outspoken,stubborn,brave and honest. I also want to point out that in this first portrayal ,her love for Sonic feels more like innocent childish idolization than an obsession and that her character doesn't revolve exclusively around it (she will stand in his way if she doesn't think what he does is right). Tbh i think she's incredibly funny,cool and lovable,

They slowly started planting the seeds for her character to stop being a "damsel in distress" by making her playable and defeat ZERO all on her own at the end of SA1,then also being playable in Sonic advance and helping Sonic get out of prison in SA2 (and tagging along for the rest of the adventure). In all these games,her character revolves around empathy,optimism and kindness. The way she protects the flicky since the moment she finds it,how she defends Gamma from Sonic and the iconic moment in SA2 where she convinces Shadow to help save earth are all great examples.

THEN, in Heroes , they decided to try something new with her taking her confidence and sassy attitude to a whole other level. Giving her the chance to be a fully-fleshed hero who didn't need rescuing anymore. She became independent and the leader of her own team of friends who she wanted to help. I love this Amy cause she feels really strong,determined and empowered without losing her peppiness,silliness,positivity and kindness. Her flaws are also especially endearing to me: How much of a wild kid she is,How even if she means well, she relies way too much in brute force, How she has trouble getting out of her own head, etc. She really feels just as confident and energic as Sonic,but just like him,you can tell she has a huge heart.

HOWEVER, as much as i love how they made her strength and bravery shine in this game, Heroes was the game that gave birth to the idea that Amy is willing to chase and even fight Sonic just to insist that they should marry (in SA2 she did follow him to the prison but it was only to help him and tag along in the adventure).

Ofc this was supposed to be comedic and to be seen as childish,harmless behavior- I say this because the rest of the characters,including Sonic himself,don't seem to take it seriously- but what was supposed to be seen as an endearing flaw at the time, would rapidly mute into what's probably Amy's worst portrayal ,as the writers turned it into harassment for the next mainline games (Ignoring Shadow the hedgehog where she is the same as in heroes and only has a brief appearance.)

Before i go into Battle,i just want to say that the definition of stalker according to google is “a person who harasses or persecutes someone with unwanted and obsessive attention.” A definition that definitely did not apply to her before Heroes,but that i can't deny that does apply to Amy for the next few games:

In Battle, Amy is suddenly written as aggresive and self-centered. All her compassion and empathy from the adventure era is gone, intimidating people (even Cream) and demanding information from them from the get-go. Of course she does a few good things throughout the game too,like take care of Emerl and such,but she still mainly uses him for her benefit (calories counter and emerald radar). Right off the bat,at the start of her storyline she insists on searching for Sonic even when she herself assumes he is hiding from her -which implies she knows what she's doing is worth hiding for- and tries to justify her behavior by saying that Sonic actually loves her and that he is being “ just shy “ or that “ he got cold feet”- while others characters react in a way that implies that's obviously not the case and that her behavior is worrysome..

I think it's important to mention that before Battle, we hadn’t gotten a single line of dialogue that implied that Amy tought that her behavior could be hurtful for Sonic, nor did she ever threaten anyone at all unless it was self defense. She knew he didn’t reciprocate her feelings and was actively trying to make him fall for her anyways,sure, but we gotta remember that while the canon ages might have been scrapped recently, at the time Modern Amy was created they were still very much canon and you can tell they had them in mind when writing these characters. Amy was supposed to be 12 ,so it makes sense that she didn't understand why Sonic wouldn’t accept her affection. She idolized him and misinterpreted the fact that he always was protecting her as possible romantic interest,but never actually imposed anything on him. The worst thing she ever did to him was wanting to hug him without consent,and again, the games implied that she clearly didn't realize such a thing wasn't ok. Sonic also didn't seem to want to hurt her feelings so while he did run away and expressed being annoyed by her he never explicitly told her to stop. I actually think that if he had sat her down and made it clear to her that what she was doing was truly bothering him, The Amy from the adventure era would have stopped, but i doubt he cared enough to do that honestly (after all ,in his recap screens it is implied that what truly bothers him about Amy being near him is not her crush,but that he thinks shes exposed to danger.)

BUT in Battle and for the next three games,Amy doesn’t seem to be written as a 12-year-old who mistakes admiration for love anymore. This is where the writers started to portray her as someone who is clearly still young and definitely childish but not innocent. Her whole character revolves around harassing Sonic and using her strength to intimidate others, and don't get me wrong,I like that Amy gets angry easily!! i like that she isn't afraid of a fight,that she complains a lot, and that she isn't peaceful. After all,those are important parts of who she is. But Battle!Amy is on a whole other level: she gets mad at her friends just because they don't agree with everything she does or says. It's not about having a strong personality anymore,she's just generally aggressive. For the next few games she and Sonic can't have one normal conversation that isn't Amy imposing her own wishes over him and him trying to get away from her, so it's hard to believe she wouldn't realize that what's she's doing is wrong nor accidental as we were supposed to before. This time It just feels like she is deciding to ignore the signs.

This continued in advance 3 ,where she literally threatens him with her hammer just cause he shows signs of not being interested in spending time with her when they meet, Then in rush she becomes possesive and jealous the second he mentions Blaze and also seems to treathen him with the hammer in the credits scene because he is running from her hug.

They changed the direction of her characterization again after Rush. The best way i can describe the Amy that is present in Riders,06,etc is one that has two very polarized sides to her personality. On one side,she is a peppy,sweet,over enthusiastic and romantic girl, on the other she is a pretty intimidating one with an obsession with Sonic and very fiery temper. However,contrary to her last portrayal,she is more polite and actually asks Sonic if she can come with him various times,doesn't harass him and doesn't threaten people simply cause they don't agree with her anymore, but she still doesn't seem to have any sense of boundaries,still follows Sonic without permission sometimes and still clearly has no consideration for his personal space. Another thing about this Amy is how her flirting is really intense, and even if she isn't as aggressive as the Amy from Battle,if someone messes a bit with her she doesn't hesitate to resort to intimidation or take her hammer out.

She still gets violent towards Sonic sometimes,but what's different from her last characterization is that instead of doing so merely because he doesn't show romantic interest in her ,its mostly because he doesn't follow on his promises (end of Black Knight) or shows up to save her “properly” (Referring to 1- that scene in Riders where he blows eggman -who had caught Amy- away with wind and she chases him with her hammer because “how could he not think that would hit her too “ and 2- the one in Zero Gravity where he arrives late to save her and she playfully throws him a few fists saying that “it took him long enough!”). I don't think she's necesarily right to do that but i don't consider it to be problematic either, since by that point the games had strongly implied that there was a non-spoken agreement between the two that he'll always show up to save her and the whole thing feels more playful than anything else. Mostly because Sonic seems to be fine with her being around again, as he never really denies her acussations or runs away when she gets mad,and even tries to explain himself to her.

So yeah,this Amy is one of the more famous -and infamous- ones,as her negative and positive qualities are more balanced than the one from Battle. However,i personally don't like her much as there's almost no focus on the empathetic/compassionate side of her character that was so prominent in the adventure era and ,even if i wouldn’t call this version of her a Stalker , she's still is way too obsessive and possesive for my liking. The writing for her character is still pretty much completely based on being attracted to Sonic, to the point that In 06 she tells Silver that, if she had to, she'd “choose Sonic over the world".

In Sonic Chronicles , Amy gets a lot of dialogue. She gets jealous in a scene but its not as bad as in Rush and she tries to make Sonic jealous by inventing a fake boyfriend (terrible trope) but her levels of aggressiveness are up to the player's treatment of her. I am ,however , mentioning this game because of a scene in specific near the final section in which Amy is scared they might die and aks Sonic if she can have a moment with him. She then tries to have a serious conversation and politely asks if he cares about her or if he likes her at all. if the player chooses to make Sonic say he does care for her she is legitimately surprised and thankful. Idk what happens If he rejects her cause i haven't been able to find any recordings of that and i never owned this game,but i'll assume that her reaction won't be too bad considering she is asking in the first place(?) feel free to tell me if you know…

This portrayal of Amy is still present in Unleashed (2008) ,in which Amy is there to cheer/support Sonic on throughout the game and to serve as an important indicator that Sonic is quite self conscious of his looks when he's a werehog. She is generally very sweet towards him in this game (especially when she shows no rejection towards his werehog form,which is a detail i adore), even if she does get annoyed when he doesn't pay as much attention to her as he does to Chip or reciprocate her feelings.

A good example is how, before the last temple ,she asks him if he'd like to go on a date with her after everything is over. If you choose the positive dialogue option she is ,again, positively surprised and thankful. If you make him say no she complains about how he's being mean, but doesn't insist on it and just accepts it.

In Free Riders (2010) ,Amy just generally acts extremely out out of character (like,she doesn't even fit into Battle's portrayal). It really feels like someone who didn't know anything about the character wrote her, so for the sake of the pink hedgie let's ignore it and go back to talking about portrayal 4.

I already mentioned her brief apparition in Black Night and there's nothing worth mentioning about her in Generations so i'll skip them.

This portrayal ended in Lost World (2013),In which they toned down Amy as a character in general,leaving out all of her flaws and iconic traits out. She feels plain and her strong personality,confidence,sass,energy,etc all seem to be completely gone. She's just sweet and that's it . For some reason there's a scene where she literally tries to confess to Sonic and is cut off before she can finish,which is very funny considering it had never been treated as a secret before??? it really goes to show how hard they were trying to pull some kind of reboot on her. Fortunately,this characterization was only a two-game-thing (She is just as plain in Forces (2015)) so i'll put it in the same bag as the Free riders one and we'll leave it at that.

After Lost world came Boom (2014) ,and then we got the most recent change of Amy's personality,which we all know has had a mixed reception from the fandom. Originally people thought that this Amy would stay just in the Boom universe ,but this personality has been showing up in the mainline games for a while now,like in Team Sonic Racing (2019) and Frontiers (2021).

This Amy feels older than any of the ones that came before her. She kept the sass,the love for romanticism,the positive attitude,the confidence and the strenght but her bad temper and over enthusiasm are gone,as she is generally more calm,less energetic and not childish at all. Most importantly,this Amy is extremely emotionally intelligent,as the rest of characters seem to look for her help and advice constantly ( to the point that she has been given the "therapist friend" title by the fandom and is even referred as "the nice one" by Eggman himself ). Another interesting thing about this Amy is that she doesn't flirt with Sonic anymore,In fact, she barely expresses her liking for him (She does so a bit more in Japanese chz the characterization varies) and Sonic seems completely comfortable with this version of her around.

A lot of people say that this version of her is out of character and I completely understand where that comes from, but i must disagree because this characterization of Amy is the first one since the adventure era that focuses on her compassion/empathy rather than on her crush on Sonic, which combined with her intelligence,makes her not out of character,just the most emotionally mature Amy to date instead. I actually think that if the og modern Amy had grown up,this is the kind of personality she would’ve developed while becoming an adult (although she isn't supposed to be one). A good argument to defend this point would be that one Egg-memo you can buy through the fishing minigame in Frontiers where Eggman talks about how Amy has "come a long way" and how it took her some time "to find herself" and get out of Sonic's shadow.

Only problem i have with this Amy is that i wish she was more flawed and bubbly,mostly cause she can come off as very plain from time to time and way too mature. She is a bit too perfect for my taste. I'd like her to mess up more,to not always be so smart,to be more impulsive,a little bit more clumsy,fiery and wild,just so she could have some more of the charm of the original,y'know?

Before i talk about her more recent Videogame portrayal (TMoSTH) i want talk about IDW Amy:

in IDW, all of Amy's flaws and positive traits from past games are balanced pretty well: she is flawed and relatable and can mess up a bit sometimes because of her impulsivity,but she's emotionally and strategically inteligent, optimistic and incredibly kind. She is a great fighter and leader,but also a wonderful friend who offers emotional support. She has a strong personality, lots of sass and can be very aggressive and intimidating towards her enemies, but not any less of an empathetic and compassionate person because of that. Her strength and confidence are pillars for her character instead of nonsensical anger,but she still shows self doubt and fear from time to time. She is energic, idealistic and still a romantic,but not obsessive nor possesive. peppy but emotionally intelligent. She still loves Sonic, but her feelings for him feel authentic rather than childish idealization,and given that she now respects his space,she's written to be happy just with fighting by his side and jokingly flirt from time to time. (their bond also seems stronger,but that's a topic for another day.)

I believe this portrayal of her is one of the best we've gotten in the sense that she represents a good mix of most things that has made her positively memorable since the beginning and lacks every problematic aspect of her character that was added post her creation. And because of this good mix of characteristics, IDW Amy is constantly praised by the fandom. But something i hear a lot is people saying how they love IDW Amy and despise "Main Amy" -by which i'll assume they refer to videogame Amy just in general- and that way of summarizing all of Amy's game portrayals feels very odd to me, especially because IDW Amy is a culmination of every single good aspect that has been added to this character combined with most of what she was meant to be at the start. In other words,IDW Amy couldn't exist if it wasn't for all the game Amys before her.

It's true that in IDW we haven't seen her character be as impulsive and outspoken as in the Adventure era or Heroes, and i miss that as much as every other Amy fan. But I do think that ,because so much assertiveness wouldn’t coexist very well with things like careful thought, the reason for that change must be that IDW is writing an more mature version of the character and It’s hard for them to keep such aspects of her personality intact without her being seen as childish by the audience now that they are paired up with big responsabilities (ex: the restoration) Especially since that super impulsive nature of hers probably came naturally at the time because she was supposed to be a 12-year old and wether we like it or not, it was implied by the narrative that it was one of the main reasons she got caught by eggman both in SA1 and SA2. Aka,IDW Amy isn't allowed to make as many mistakes as the og.

After all ,Amy used to be written to be mostly seen as a comedic character and as an "extra addition" to the main team rather than as an important,needed member of it. ( even in Heroes,where she had formed her own team,she was still trying to catch up to Sonic and his team because she had been excluded of it.) If she made a mistake and got caught by eggman because of her stubborness,the writers would just make Sonix fix things. In IDW she doesn't just feel older,but she has also gotten to have important roles in the fight against Eggman and people rely on her with their lives,so it doesn't surprise me that the writers try to make her be more conscious and careful when it comes to her actions now that she has more responsibilities and can't allow herself to make as many mistakes as she did back when she was written to be more immature and impulsive because of that extreme assertiveness.

Now,I personally believe that Amy in TMoSTH is the same as in IDW, just that she feels more like her OG self in TMOSTH because ,for the most part ,Bday Girl is on that train literally to just have fun and do as she pleases. She doesn't have any weight on her shoulders nor expectations,she is free of responsabilities all the way until the climax of the game and the game itself is very comedy-centric for the most part, so the writers pobably felt like they could set that impulsive,assertive side of her loose again, and i loved it!

In this game her character doesn't revolve around Sonic and she messes up a lot (The way she was so ashamed of how she broke her hammer when she tried to escape the closet with brute force that she lied, how she didn't realize Sonic was actually hurt because she was too excited about the game, how she was overconfident and impulsively tried to solve the case and completely failed ,how she and vector started beating a wall violently after realizing the train was alive,etc),but her positive qualities shine throughout the game as well ( How she took the time to organize a party that she'd think everyone would have fun at,How she is so thankful that everyone showed up and doesn't mind that Shad and Sonic didn't bring gifts, how she makes sweets remarks about others and cute jokes in distressing situations,how she has faith in Shadow's goodwill, The way she delivers the final blow at the end and says that despite everything,she loved the party because it was an adventure,etc ). Throughout the game,Sonic and the rest treat her in a way that really goes to show what a good friend and a lovely person she is ,and she expresses great appreciation for everyone's presence in her life.

It's honestly an amazing coincidence that this game takes place on her bday considering that it's the one that made this portrayal of her "game canon". As a fan of her, i celebrate it and hope we get more of it in the near future.

So yeah, i didn't talk about Sonic X Amy,Archie Amy nor all the comics,series and games that came out between the big videogame titles. There is much more about how Amy has been written that could be said, but i think i did a pretty decent summary of the most important changes her character has gone through the years mainline game-wise,at least good enough to defend my point that she wasn't a stalker originally and she definitely isn't one now. As i mentioned before,i agree that she was portrayed as possesive and obsessive for a long period of time and as an actual harasser for a shorter one , and that we should definitely recognize it and be critical of such things being portrayed as “quirky” and “funny” aspects when they are in reality, hurtful. BUT summarizing her whole character by calling her a stalker and an obsessive fangirl is defining her based on the worst examples of her characterization and ignoring her good ones completely.

Feel free to disagree with my character analysis,my opinions and the way i categorize her portrayals,but i strongly believe that Amy rose isn't meant to be a harasser,an obsessive fangirl or personal space invader.

My girl deserves better.

#also don't get me wrong i love battle #is just that Amy is really hard to like in that game #props to her for carrying weights for half of it tho we stan a strong pink rat #if you actually read this whole thing props to you #also thanks anon for giving me an excuse to talk about amy #amy rose #sonic spoilers #character analysis

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project-sonadow · 3 months

Text

Fate?

Summary: Sonic never cared about soulmates, but in a world where everyone had a red string of fate wrapped around their finger, Sonic decided to wear gloves.

Read the rest below!

To put it bluntly, Sonic had never cared about soulmates.

He wasn’t exactly unique in this mindset. In this modern day and era, it was only slightly progressive to spend your entire life without ever meeting your other half, let alone devoting your life to them. Radical ideas, such as platonic soulmates, familial soulmates, or even soulmates being bad if you ended up paired with the wrong person were common talking points in the general public and media. That red string of fate which had governed entire lives in the past no longer seemed critical to most people.

Sonic didn’t care about any of that either. In fact, until he started hanging around populated human areas more often, he didn’t realize there was so much controversy about it. He always lived how he wanted, paying barely any attention to the subject.

Sonic’s friends all had very different opinions about soulmates.

Tails was kind of like him, in that he didn’t care about the red string encircling his pinkie and leading to a far-off point in the distance- or, at least, he pretended not to. Amy had been heartbroken that she and Sonic weren’t soulmates, before deciding to prove to Sonic and the world that true love couldn’t be predetermined by fate (her words, not his). Knuckles didn’t want to leave his duty for long enough to find his soulmate, and had admitted to Sonic once that he felt bad for whoever his soulmate was. Cream was excited to find her soulmate when she got older, but wasn’t under any illusion that it was a requirement for happiness in life, considering that her own mother was forever trailed by her own cut string, dragging limply on the ground, and seemed just fine despite that. Blaze and Silver both viewed it as a luxury that they couldn’t indulge in (ironic, because their shared red string of fate was apparently strong enough to cross through time and dimensions). Vector didn’t care about it at all, considering that he had his eyes set on Vanilla. Espio thought it would get in the way of his “duties as a ninja”, whatever that meant. Charmy just didn’t like the idea of relationships in general. Rouge hated the concept in general, Shadow refused to talk about it, and Omega said he would refuse to accept his soulmate unless they were willing to help him destroy Eggman. Big had a gentle kind of apathy towards his string. Whisper didn’t talk much about the subject to begin with, and considering that she wore blocker gloves 24/7 people didn’t ask her about it.

Tangle…

Well, it seemed like she was trying very hard to convince herself that she didn’t care about the idea of never finding her soulmate.

“I just don’t get why everyone thinks it’s such a big deal, y’know. Like it’s great if you do find your soulmate, and in a tiny village like mine half the soulmates are paired up before they’re teenagers, but it’s not like you need to do it! My moms aren’t soulmates and they’re doing just fine!”

Tangle’s moms were currently divorced and trying to rekindle their relationship, but Sonic decided not to bring that up.

“And then we have to throw a huge stupid party everytime someone comes back from vacation with their soulmate in tow, and I just. Ugh. We all make such a big deal out of getting to choose how to live our own lives, but we’re all born with this stupid string around our pinkies and told to go off and find the other end. It’s so annoying.”

This probably wasn’t what was actually bothering her, Sonic thought. It was probably the fact that one day her string had stopped moving by itself, only responding to Tangle’s own body, and currently led to a forest in the middle of nowhere with nobody at the other end. It was probably the fact that her soulmate had apparently been the type of person to try on a pair of blocker gloves one day and then never take them off.

Sonic thought about Whisper. About the blocker gloves she never took off, the way she started fiddling with them whenever Tangle was around. The way she looked so anxious whenever Tangle grabbed her by the hand and started running, like she was scared Tangle would pull the glove clean off. The way Tangle and Whisper looked at each other, in general.

Like always, he wondered if he should tell Tangle what he thought.

Like always, he decided against it.

“If you want a huge stupid party, I can always just throw you one, soulmate or no soulmate,” he said instead. “Hell, if you really want, we could pretend that we’re soulmates just to rub it in your town’s face.”

Tangle fake-gagged, and Sonic took fake-offense to that.

“Like you’re one to talk, Mr. Celebrity,” she said, and Sonic drew himself back a little, spines involuntarily bristling. “Whenever people talk about soulmates you just roll your eyes and say some shit about ‘living free’ and ‘going with the flow’. Do you really not want to find your soulmate? It would be easy for you.”

Sonic rolled his eyes, and then instantly realized what he had done when Tangle started laughing at him. He hastily cleared his throat. “Don’t know if there’s anyone who would be able to keep up with me.”

“I know at least three people who can go about as fast as you can,” Tangle said, punching his shoulder lightly. “C’mon, if you really didn’t care that much you wouldn’t wear those stupid blocker gloves all the time.”

Oh, so she had noticed. “Eh, I mostly wear these because I tend to get mobbed by crazy fangirls if I don’t. If I make it obvious I’m not really available then most people won’t attempt to tell me that they’re totally different from the hundreds of other people who have been convinced we’re meant to be over the years.”

Tangle narrowed her eyes at that. “Crazy fangirls? Like Amy?”

“Crazier.”

“Wow, scary,” Tangle said, and then moved on to talking about how her own friends had set up a Sonic fanclub once, and the conversation moved on from there, and Sonic was glad he didn’t have to talk about it anymore.

So yeah, Sonic wore blocker gloves, and yeah, it was so he wouldn’t be harassed about the subject whenever he showed his face in public, or when journalists ambushed him on the streets, or people edited photos of him to make it seem like he had a thin red line coming down from his pinkie and leading to some stranger in the photo. It was convenient. It was easy.

It was even mostly the truth.

Sonic knew a couple other people who wore blocker gloves- Blaze studiously kept hers on to keep up a vaguely professional air, even when her cheeks flamed fire-red every single time Silver so much as existed in her general vicinity, Espio had his on so the string couldn’t get in the way of his “duties as a ninja” (seriously, what the hell did that mean), Vector occasionally wore them on the job and had made half-hearted attempts to get a pair for Charmy, which kept on being mysteriously lost. Rouge and Shadow both wore a pair, presumably because of their super-secret spy jobs that Sonic wasn’t supposed to know about (glowing red strings which could phase through any solid object would probably make hiding difficult, he figured), and Omega had found a way to simply turn his string off, somehow, which was more impressive and terrifying than anything else Sonic had seen him do.

The only person Sonic knew who steadfastly refused to wear blocker gloves was Vanilla, despite the troubles she sometimes saw because of them. She was a single mother whose string had been cut by an untimely death, and she didn’t care who knew it. She lived each day of her life with a bright, happy, genuine smile on her face.

She was, so far, one of the only people who had ever seen Sonic with his gloves off. The only other person besides Tails, actually, who built his gloves in the first place. And the only person who hadn’t said a word to him about the subject, just cleaned the cut he had gotten on his palm and told him to keep himself safe.

He was grateful to her for that.

Rouge was Vanilla’s polar opposite, in regards to the string. She not only hid her string, she made a show of hiding it, commissioning custom blocker gloves and shoving the subject right back in the face of any poor soul who dared to question her about it. She had a million and one excuses for why she didn’t want to find her soulmate, all of them tiptoeing around the truth and never once touching on the actual reason why. She bragged about being able to date anyone she wanted even without showing her string off. She complained about not wanting to be tied down. She whined about how annoying societal expectations were. She crowed about the amount of people who desperately wanted to be her soulmate.

Sonic saw through all of this as the extravagant bullshit that it was, but he really had no idea what the actual reason was. Didn’t really care either. It wasn’t like she brought the subject up an annoying amount either, she was far more likely to yammer on for hours about her one and only actual love (jewels) than she was to start talking about literally any other subject (and if he could put up with the jewel talk, then he could put up with anything).

It was just that sometimes when they hung out, people would get the wrong idea about them. Sonic and one of his friends (a woman at that), both with blocker gloves, spending time together, alone? It was apparently unthinkable to some that they could just be friends. So they both made a big joke out of it, Rouge flaunting how untouchable she was and Sonic pretending to be heartbroken. It made for some hilarious think pieces about how Sonic was a bad role model, at the very least.

Still, he didn’t want to deal with all of that every time they hung out, which was why Rouge had dragged Shadow along with them this time, mentioning that he owed her for something.

So here they were, sequestered away in a tiny café, Rouge and Sonic talking about everything and nothing, while Shadow was also there, sipping delicately at his tea while Sonic chugged his large chocolate milkshake and Rouge got whipped cream from her hot chocolate all over her face.

Good times.

For once, the general populace seemed content to ignore them, at least for now, so the conversation went wherever it wanted to, Sonic and Rouge loud and energetic, Shadow quiet and solemn (despite the fact that there was nothing to be solemn about).

At least, nothing until Rouge spilled hot chocolate all over her glove.

“Ohgoddamnitshit,” Rouge said, all in one breath, dabbing at the stain on her very expensive glove with a napkin, a small frown on her face, before it turned into an outright scowl. “Oh come on-”

She shifted her wrist, and Sonic saw what had bothered her so much. Some of the liquid must have gotten into some of the actual electronics in the glove and messed with it, because Sonic could now see Rouge’s string. Rouge’s cut string.

Rouge groaned, and then shoved her hand under the table, her head in her other hand. “Not. A. Word.”

She said it lightly, like Sonic and Shadow had just seen her do something embarrassing instead of accidentally revealing that her supposed other half was dead and buried, but Sonic could hear the threat in her tone, and he wasn’t going to tell anyone about it anyway. He mimed sealing his lips shut, Shadow just gave her a terse nod, and before either of them could do anything Rouge had thrown some cash onto the table and ran out the front door, presumably to go home, get a new pair of blocker gloves, and hide her face from them for at least a couple months.

Sonic put his chocolate shake down on the table. He had a feeling it wouldn’t taste anywhere near as good as it did a second ago.

“I know Rouge already said as much, but if you tell anyone else about that, you’ll regret it,” Shadow said, the threat in his far less concealed than Rouge’s had been.

“I won’t, jeez,” Sonic said. “I’m not an asshole. And I don’t care about soulmates either.”

Shadow just raised an eyebrow at him, and Sonic glared back half-heartedly. “Those gloves serve a purpose, Sonic.”

“I only wear these because I’m a celebrity for some reason, and people think that makes it okay to pry into every detail of my life.”

“‘For some reason’,” Shadow said, mostly to himself, sounding incredulous. “That can’t seriously be the only reason you wear them.”

Well, it wasn’t, but he wasn’t about to tell Shadow that. Especially when he had no idea what the other hedgehog thought about soulmates beyond just a general unwillingness to speak about the topic. He was born over 50 years ago and raised by a bunch of uptight scientists in literal outer space, so Sonic was curious if he had any different opinions from the general crowd he hung out with.

Shadow didn’t seem willing to share, so Sonic decided to push the issue. Just a bit. “Why do you wear blocker gloves?”

Shadow’s lips curled in a vaguely unpleasant way. “I don’t want to find my soulmate. That’s all.”

Well, that was an unsurprising and boring answer. “Okay, but what would you do if you met your soulmate and fell head-over-heels in love with them? Or if you’ve already met your soulmate, but didn’t know because of the gloves?”

“I wouldn’t fall in love with anyone. And I’m not even slightly concerned about the second possibility. There is nobody in my life who I would want to become my life partner.”

Sonic pouted at him, and something in his chest hurt, just a bit. “Nobody? Not even little old me?”

Shadow’s expression flickered, before it hardened again. “I hope, for your sake, that what you just said was a joke. I’m an immortal being, Sonic. My string will end up cut, at some point or another.”

“Hmm. Good point,” Sonic said. “Well, unless your soulmate is Omega, I guess.”

Shadow choked on his drink, and Sonic couldn’t help but grin like a maniac even as Shadow glared at him (it was less scary than normal, with tea dripping out of his mouth and into his chest fluff. He looked adorable. Sonic tried not to think about the fact that he thought Shadow was adorable).

Sonic decided against talking about it anymore for his own health (Shadow had proved he was more than willing to suplex Sonic through a table if he annoyed him too much), so instead he just waited for Shadow to finish his tea before handing him some gold rings to pay for the half-drunken milkshake. Shadow glared at the rings like they offended him. “They don’t accept those as payment in human establishments.”

“My mistake,” Sonic said cheekily. “Guess I’m dining and dashing. The next date will be my treat.”

And then he dashed before Shadow could actually suplex him through the table.

Sonic didn’t leave the city when he left the café, instead opting to nap on the nearest rooftop before night fell. Whenever he visited the big cities he always made sure to stay off the streets themselves. With so many people all locked into one tiny area, the red strings, thin and frail as they were, became far too many, all at once, hundreds and thousands and millions of them all crisscrossing their way across every visible surface, choking his view and making it impossible to run unless he wanted to be half-blind. So he stuck to the rooftops, and waited for night so he could at least get a good view for his trouble.

At night, the streets of every city lit up, suffused with a red glow, invisible during the day but radiant when the sun went down. The strings varied in size, thickness, length, how strong they were, how much they were moving, but every single one of them, collectively, bound people together in the most literal way possible. If you had a soulmate, it was impossible to get rid of your string. It would remain there until the day you died, so most people still said it was better to try and use it, to find happiness with your other half.

Sonic didn’t put much stock in that idea. Or in the idea of other halves existing in the first place. Some of his friends called him an idealist for thinking so, but he had always believed that people were complete by themselves, and that finding someone else made them something more than just themselves.

Shadow would probably call him an idealist for that, too. Even if he had a sneaking suspicion it was something close to what the other hedgehog thought.

Or maybe Shadow would just call him stupid.

High on his chosen perch, Sonic surveyed the glove on his right hand. Tails had made it for him. It was mostly pure white, just like his old gloves, but with a thin ring of silver at the bottom which made its purpose obvious. It looked professionally made. To everyone except him and Tails, it even looked like it worked.

When he removed it, his hands were bare, free from any string. He never had one in the past, and would probably never have one in the future. Sonic had learned a long time ago how people reacted when they realized he didn’t have a soulmate, and decided he hated it even back then. The gloves were a convenience, a way for him to avoid explaining himself, a preventative measure to stop everyone from looking at him like he was broken.

Because Sonic wasn’t broken. He only needed himself, so even if fate said he was doomed to be alone he was perfectly fine with that.

Sonic thought back to Shadow, in the café.

Well, there was a reason he had never put much stock in fate, either.

#project writes #sonadow #sonic the hedgehog #shadow the hedgehog

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googiekitsch · 6 months

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i saw someone in a post i made about wdw parks history lamenting the 20000 leagues under the sea ride that closed down and i have GREAT news i have been WAITING for a chance to talk about this

i would love 2 take this chance to bring to the wider public's attention TOKYO DISNEYSEA, aka the best disney park objectively- at this park, they actually have a modern incarnation of 20k leagues but updated with a lot of very clever engineering tricks and a gorgeous steampunk-adjacent aesthetic but one with a lot more whimsy. its aesthetically a lot like the tommorrowland at disneyland paris, actually

they even have the kraken still in there! updated to seem a lot more visually menacing. i believe the eye on it even moves!

and hey you know how 20k leagues in its original incarnation had a lot of issues with people finding the design of the subs claustrophobic since the seating was so cramped? that's been updated too! you can clearly see that this ride vehicle was designed with the comfort of larger groups in mind, while also still feeling like its a rusty old submarine.

ok this is cool right. like surely thats cool on its own-

yeah no this ride is also connected to a journey to the center of the earth ride. and not a dark ride either this thing is almost comparable to a roller coaster combined with a dark ride. its a really unique ride system.

also the ride itself is built into a volcano structure with a beautiful waterfront in front of it (beautiful waterfronts are disneyseas whole thing actually)

ALSO the ride is really notable for having this GIANT CREATURE ANIMATRONIC in there thats REALLY reminiscent of the alien encounter animatronic! (or at least the documented records of it)

and the coolest thing is the entire park is brimming with this amount of creativity. you see, disney doesnt actually own the tokyo resort. they dont have complete control that they do over, say, the orlando resort. the oriental land company owns it because they own the land it was built on. so instead of disney mandating them to put certain things in, they license their properties to them. i assume that because disneys grip is a lot more loose on this park, the designers are able to take a lot more creative liberties and experiment with this sort of stuff (not entirely sure on that, but given just how different this park feels from anything else disneys ever made i can only assume that'd be the case. if anyone knows any other details on how this park turned out like it did aside from this, lmk!)

like, even the areas that are licensed have very creative things going on with them - look at this little mermaid area thats designed to resemble the architecture of the castle from the film

and even the area for the toy story ride is gorgeous, its designed to resemble coney island era carnival boardwalks!

this whole park is so fascinating to me because its very evident that the designers for this park repurposed a lot of the concepts they never got to make. even the parks name is a reference to a cancelled west gate to disneyland called disneysea, which is, like the one in tokyo, a sea/maritime themed park. and even outside of that, if youre at all familiar with disney history you can clearly tell which cancelled projects the designer of this park were inspired by!

this is concept work of the og disneyland disneysea^

i dunno, this whole park has captivated me a lot when i was younger because its like a bunch of these crazy passion projects the engineers were rooting for for years that only existed within concept art finally brought to life after years, maybe decades. ive always found it really beautiful that the creative team behind these parks found a way to make their ideas truly work in a park. i think its a shame that more disney park history enthusiasts straight up do not know that this park exists just because it's not one of the US resorts since those always get all of the attention in discussions of wdw history. hopefully this post can change that!

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lovelykhaleesiii · 4 months

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Hi! Can I request a smut modern aemond comforting reader after a family tragedy and she ask him to help take the pain away by distracting her and he gives her comfort segs with lots of love because reader really needs it. Thank you!

Comfort Zone

PAIRING: Aemond Targaryen x fem!girlfriend!Reader [Modern AU]

WORDS: 1,175.

WARNINGS: mentions of death/grief, fluffy!Aemond, Daddy kink, female oral receiving, p in v sexual intercourse, swearing, cum play.

A/N - because I'm delving into my Aemond era again, this was a request I couldn't resist!

Death was an intriguing aspect of life. Not a foreign topic, however scarcely brought about in day to day conversation. It was taboo for most people, until faced with.

You had lost your beloved great aunt tragically. An inevitable loss, yet no less profound. She was dear to you, her existence was significant in your life, throughout your childhood to the grown woman you had become now.

Mayhaps, death had ended her own suffering, yet brought about your very own. You wept for her, mourned for her, and grieved with others family and strangers alike that knew of her. Days since the funeral, one constant remained at your sorrowful side, the warmth and relentless comfort of your boyfriend, Aemond. He refused to leave you alone, knowing how remarkable her loss was for you.

Whatever you desired and needed, he would summon in a heartbeat for you. Nonetheless, despite the circumstances, you had grown even more intimate with one another...

“Baby, what's the matter? You've been quiet since I've come..."

It was true: normally you would be a bit more upbeat basking in Aemond's comforting presence. You had no doubt that eventually time would heal your loss. Although, you knew some days would be easier than others, and today proved that. Running some mundane errands, you had come across something that ignited a core memory, a happy one of that, and yet you felt only for a fleeting second, a happiness, before the anguish struct you instantly, catching you off guard, you felt vulnerable and exposed to the elements. Rushing home, you immediately called for Aemond to come and see you, to watch a movie or anything to distract your mind. Without question, Aemond arrived a few solid minutes later, pulling up to your gravel driveway, with a bag full of your favourite snacks and goodies, he knew you would appreciate.

"N-Nothing, babe. I-I just saw something that reminded me of her-"

You had both been laying cosily, snugged together in the warm softness of your bed. Aemond kept an arm tightly wrapped around you, thinking all the distance had been spared, he somehow managed to tug you in closer against him. His other hand, softly brushing aside your loose strands of hair.

“Oh, baby—”

“It’s okay, Aem, really—”

“No, no it’s not. From the moment I came in, I knew you weren’t yourself. Tell me, what can I do.”

Your intrusive thoughts rocked backwards and forwards trying to decide whether the truth was fitting or not. Somewhat ashamed of what you truly desired.

"I-If I'm being honest, Aem... I just need a distraction. I don't want to feel this feeling anymore, I hate it. I-I just wanna feel good again."

The momentary, tense silence that filled the room had ceased, as Aemond nodded to your honest words, merely responding to no coherent sounds other than a "hmm."

Just as you were about to resume the film, adjusting your position to something more comfortable, Aemond swiftly intercepted your movements, lifting you and pinning you down against the plush mattress. His body leaning over your own, the sudden exchange had caught you off-guard yet you did not question him. By the unapologetic look in his hungry eyes, you knew precisely that he understood your needs.

"I think I can make you feel good again, baby. If you'll let me, hmm?"

You spared no exhaustion contemplating an answer, as you rapidly nod in agreement, encouraging his motives.

Guiding himself down, you found yourself in a compromising position: as your bright boyfriend, occupied himself intently, slowly pulling your panties down below, skirt lifted up, as he exposed your eager cunt face to face with his curved smile.

"Angel wants to feel good again, Daddy can make that happen. Daddy only wants what's best for his angel."

Like an ignorant pup, your obedient nods fall flat as your head rests back against the comforting bed, bucking your hips forward, your throbbing folds collide with Aemond's keen, moist lips. His long, ravenous tongue prying you open, as he nestles his head against your cunt, burying his face between.

His mouth suckles on your wetness, guzzling at your velvet folds, with his tongue lapping at your tingling bud. Your helpless moans begin to fill the vicinity of the room, as your hands find themselves tightly gripping and pulling at his strands of hair.

"Gentle, baby, gentle- So eager for me, huh? Angel's been craving for this for a while, my poor baby."

"Mhmm-Y-Yes-"

His occasional bursts to utter filth were not sparing enough in seconds to regain some sense. Your mind flutters back and forth from worldly consciousness, to sheer mindless ecstasy.

"Yes, what, angel? Don't you dare think you can forget your manners, now."

"Y-Yes, Daddy."

He had resumed long enough without uttering a word more, enough to have your folds slicked with your wetness, his mouth completely coated in your glistening mess. By the way he desperately wiped at his mouth, licking your ooze off his fingers, he was enamoured by your taste, like a man devouring his last meal, before removing his clothes with ease.

"On Daddy's lap, angel. Spread your legs for me- That's it, good girl-"

Softly tapping at your thigh, one hand snaked around your flesh, as his palm met with your ass cheek: the other preoccupied with guiding your hips down, planting his aching, hard cock deep inside of you. Your walls clenched tightly around him, engulfing his long length, feeling his tip thrusting viciously against your clit. Engulfing his mass, you swore you could feel the vibrations between your dull throbs in sync with his pulsating cock, sending electric chills down your naked spine.

His warm, blush lips remained latched to your soft skin, as he firmly suckled on the meat of your tit, his teeth nibbling gently against your flesh.

"D-Daddy makes me f-feel s-so good. W-What would I d-do without you?" Your stuttering words echoed closely against his ear, your nails digging and clawing into the pale skin of his lean shoulders and muscular back. You caught a fleeting glimpse of the reddened nail marks etching against his fair skin, before your eyes shut close with lust.

"Angel gets what she deserves- umghf- Been such a good fucking girl, taking care of everyone, but who's taking care of you?"

His muscular chest heaving with every breathless word uttered from his defined lips. Your sweat beaded body bobbing up and down, pressed closely against his own, you had never felt as intimate with him until now.

"D-Daddy takes care of m-me."

"That's right, s-so fucking right-"

For a few, endless nights it seemed and felt like, Aemond remained lovingly by your side. Whatever you desired and needed, he was at your beck and call. His company provided a distraction, although it eased the pain of your loss eventually. The hardship you endured, he endured with you, cementing your love towards one another. He was your comfort zone, however dire the situation may be, you knew you could endure anything, with him by your side.

general taglist - @succnfuccubus @fan-goddess @malfoytargaryen @bibli0thecary @m1ndbrand @connorsui @elegantsplendour @sylasthegrim @arcielee @s-we-e-t-t-ea @sahvlren @watercolorskyy @hypnos-daughter-certified @urmomsgirlfriend1 @backyardfolklore @snowprincesa1 @aegonslawyer @hightowhxre

Aemond taglist - @megatardisbaby

@harrypotteranna23-blog

credit for divider - @/itbmojojoejo

#aemond targaryen #ewan mitchell #aemond targaryen imagines #aemond targaryen fanfic #aemond targaryen imagine #aemond targaryen fanfiction #aemond x fem!reader #aemond x y/n #aemond smut #aemond fluff #hotd #house of the dragon #hotd imagines #hotd imagine #hotd fanfic #hotd fanfiction

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inconveniently-discorporated · 7 months

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I feel like Crowley and Aziraphale are both about The Pleasures, but in similar and yet different ways.

Aziraphale's enjoyment is obvious -- he loves the food, he loves the drinks, he loves collecting physical things that remind him of things he enjoys. I think that these things are all more about the physical experience of them -- he enjoys cake because it physically tastes good, he enjoys hot cocoa because it does all those things Jimbriel talked about.

He turned his psychological safe space (Crowley) into his literal physical safe space (red & yellow bookshop -- *shiver*). He loves his clothes and they make him feel safe. He physically takes care of his clothes and maintains them, rather than making them appear out of the ether or cheating his way out of a stain.

Crowley is similar, but I think it's more conceptual for him.

He doesn't reject food -- we see him eating popcorn at the movies -- but I think it's more about the experience than it is the popcorn itself. Popcorn is an essential part of the experience, thus he has it. And speaking of movies, he's canonically heavily involved in media -- he enjoys partaking in, shaping, sharing the story of the human experience.

He doesn't reject worldly items, but the few he has seem to have deep emotional meaning to him. He has plants, living symbols of his pride, a physical metaphor for working through what happened to him. Otherwise, it's what's "cool". His apartment changes with the times, because it's not about how that specific stuff makes him feel, it's about the experience of staying in the modern era. Same with his clothes -- it's not about the exact outfit, it's how the outfit contributes to his experience of the world and his persona.

The Bentley is similar, though it is one physically object that he hasn't traded up through the years. I do wonder -- if Aziraphale had the Bentley, would it go a hundred years without needing gas, or would he be filling up every so often and dutifully maintaining every routine precisely on schedule? Even though it's a physical object, it still represents to Crowley the experience of being in control, and the physical maintenance of the object isn't really that important to him.

Drinking is especially curious to explore. They both like to do it, but Aziraphale seems to have very particular tastes. I think they both have their favorites, but it seems to me the drinking tends to be about the physical experience of doing it for Aziraphale, while for Crowley it tends to be about the emotional experience of altering one's mind and the method isn't particularly important.

I suspect physical affection might be the same way. I think physical touch is very important to Aziraphale because it feels good -- he likes putting his hands on Crowley, he likes staring and admiring his physical form, he likes dancing and moving to the music with him. I don't think Crowley would need it in quite the same way. I think it would be part of the experience of being in a relationship (e.g., he would like that it makes Aziraphale happy, he understands at the end of S2 the message he is conveying with the kiss) but I think the experience of their emotional exchange ("I say something brilliant, he says something unintentionally funny back. It's great!") creates that same feeling of closeness.

What might also be interesting is how those things look compared to their respective backgrounds.

Heaven is and always has been empty and devoid of things. The supreme Archangel doesn't even have a desk. It's all about the experience of being an angel, knowing one's place in the hierarchy, performing one's role. Gabriel likes the clothes because they make him feel more powerful and we can see that when he's being demoted from the position and he asks about his clothes.

Hell, by contrast, is cluttered and full of things. Things that are broken, things that don't belong, too many things that are just crowded and awful and everywhere. Everyone is someone's boss, everyone is someone's underling, and even orders from Beelzebub can't muster up more than a few dozen demons for Shax out of the millions of demons that are always loitering everywhere. Even a Duke of Hell has to stand by a leaky pipe with a bucket, his status means nothing.

On the flip side, Aziraphale's status as an angel means permanence. He has only ever known Heaven, and he has only ever known one side of Heaven (which is that you don't ask questions or you get in trouble -- he knew this before even Crowley did). I can see why he would find comfort in permanent things, like maintaining physical possessions that don't just up and change.

Crowley's experience as a demon sees that nothing is permanent, and everything can be taken away from you in an instant. You might be an esteemed usher at a trial, but you could still find yourself tossed in a tub of holy water on a whim. Here and now is the only guarantee. Your thoughts are the only things that you really have (though it will be interesting to see if an angelic memory wipe ever comes into play and what that means -- but I suspect it would make his thoughts and experiences even more precious for him to hang onto). He had his identity ripped away from him, of course his emotional identity is important to him now.

Overall, they both enjoy the world in very similar ways, but for Aziraphale I think it's based more in the physical emotion of the thing, and for Crowley the conceptual emotion of the thing. There's a lot of overlap (there's aspects of both physical/conceptual in his they both enjoy things) but that's them in general -- a little bit of each other in both of their personalities.

#good omens #good omens meta #ineffable husbands #aziraphale #crowley

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qqueenofhades · 1 year

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Man, the Russia/Ukraine war has led to a lot of terrible takes from far leftists. I have a mutual from Brazil, a self identified socialist, who is convinced that Ukraine is full of nazis. While they don't support Russia, they questioned why they have to be "pro-Ukraine" or "pro-Russia". They call Ukraine a "nazi hole" but call Russia merely "fascist". Am I wrong in thinking that they've been influenced by Russian propaganda? I know Ukraine does have a nazi/far right problem, but so does the US? And most European countries? idk they strongly hate the US/US government too, and it seems to create some kind of brainrot. at least they don't blindly support China or Russia like tankies do (nor identify with them), but it's still frustrating to take a neutral position on a pretty black and white situation.

I don't want to confront them 1) cause I'm not the type to argue over serious things like this and this may break our long friendship and 2) I'm not super educated on the nazi situation in Ukraine.

Anyway thank you for letting me rant in your inbox.

Yes, Russia has specifically focused its propaganda efforts on Latin America, Africa, and other regions that HAVE suffered from Western/European/American imperialism and are thus predisposed to take the worst view of them/believe that this situation is their fault somehow. This is similar to what the USSR did in newly postcolonial Africa in the 1960s and 1970s, positing themselves as offering the shared hand of communist brotherhood from Western oppressors. Because of more recent events like the invasion of Iraq, which was fully as unjustified as the invasion of Ukraine, Russian propagandists and their eager tankie/leftist foot soldiers have also got a lot of mileage out of "whataboutism." This is likewise an old Soviet propaganda technique designed to deflect any criticism of the actual situation by disingenuously asking "what about this other one!!!"

Likewise, the idea that Ukraine has a "Nazi problem" is itself propaganda. In the last election, far-right/Nazi-identified parties won barely 2% of the vote and AFAIK, no seats at all in the Verkhovna Rada (Ukrainian parliament). This is far lower than the nearly half of the USA voting for the far-right/Nazi-sympathetic Republican Party, and as noted, the far right elements in the UK and Europe. The idea that Ukraine is "full of Nazis" (with a Jewish president who just celebrated iftar with the Ukrainian Muslims/Crimean Tatars during Ramadan and instituted observance of Muslim holidays nationwide, very Nazi of him) is a line used by Russian propagandists to "justify" their attack and appeal to national memories of the Great Patriotic War (World War II) and the struggle against the Nazis, which is the central cultural grievance/memory in modern Russia. The Putin regime has referred to anyone they don't like, but especially the Ukrainians, as "Nazis" for a long time now, so it's supposedly their holy duty to kill them/commit ethnic cleansing/forcibly reunite the "fraternal" people of "Little Russia," as Ukraine has been called since the 17th century, with "Great Russia." And yeah, no.

Because the West and Europe has been pretty solidly on Ukraine's side, Russia has therefore cultivated countries like China, India, Brazil, etc, who have all suffered from Western interference and are looking to move into the first rank of global superpowers. This is, as noted, similar to the competing systems of influence built during the Cold War, but it also relies on much deeper Russian grievances that go back to the medieval era. Anybody who knows a thing about actual Russian history would therefore know that every single word it says about the Ukraine situation is a lie, but because that lie is useful for many other countries and fits into their own understanding of themselves, it is easy to repeat and act like it's a so-called superior moral position. This is also why US/American tankies so eagerly lap up Russian propaganda, because it plays into their moral sense of themselves as far better than the rest of the West and "righteously" discovering that the West is responsible for all the evil in the world etc etc. While non-Westerners are just helpless misunderstood puppets with no real agency or ability to make complex choices. This totally makes sense!!!

#anonymous #ask #russia ukraine war #russian history #as ever tankies are the fucking absolute worst and wrong about everything

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yoru-no-seiiki · 11 months

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YANDERE ! EREN JAEGER X READER HEADCANNONS

TW/CW: mdni, yandere themes, masturbation.

Have some headcannons while I wait for my henna to dry/watch the first season with my cousin.

I wish there were more who wrote for Canon! Eren. Like don’t get me wrong, Modern AU Eren is hot but I mean, fuckboys can be seen everywhere.

But Canon! Eren is batshit insane and that’s exactly what I love about him. I wish they at least add that to his modern counterpart instead of making him a basic bad boy but I mean if that’s what they’re into 🤷‍♂️

Anyways Exhibit A of why Eren in all eras is my fave AOT character:

Like I said, he’s batshit insane.

He has directly killed 2 people by the age of nine, and assisted in killing the third. Although this is out of self defense it still can’t be denied HOW HE TReateD THE SECOND DUDE HOLY SHIT- THE AMOUNT OF TIMES HE STABBED HIM.

Normal kids would just be terrified, maybe be even fight blinding and/or cry, probably even run tf away. But ya boi brought a knife and even deceived the person at the door.

EXHIBIT B:

He’d be a great yandere.

Let’s say that we age up our cast and make 18 the minimum age of enlistment (making him 21 around the attack of Trost).

Trainee Eren has the will of fucking steel. He’ll do whatever it takes to wipe out titan-kind, to make the cruel world he lived in finally know true peace.

To be with you in that new world he’ll build.

You were one of his fellow trainees. Someone who unconditionally believed and supported his desire to see the outside world. You didn’t treat him like a child as Mikasa did, and you weren’t so oddly distant when it came to his help and presence like Armin.

At first it started as a crush. An infatuation towards your looks and kind demeanor which morphed into a twisted sense of love.

You were the only one that understood him, that resonated with his wavelength.

He definitely frequently masturbated to your image. Stress was a known issue amongst trainees and soldiers alike. Many drank to rid themselves of such a problem. But to him just the thought of you two becoming one gave him relief and pleasure that any form of alcohol could never give. In the aftermath of the Trost incident, when faced with your unconscious, battered body he pulls a Shinji and jerks one off. Covering you with his release.

You think you’ll leave his mind once he gets busy with being a titan-shifter and the future of Eldia and such but nope.

Eren only has you and the new world he promised in his heart, body and soul. And that’ll never change.

EXHIBIT C:

Eren believes in freedom first and foremost.

So none of that kidnapping. At least in earlier years. He just wants you to be happy and safe. He’s more of the type to hurt others for your sake rather than be abusive and take away your rights.

Eren in later seasons has the capacity to keep you isolated, and that he will.

Like in other (unfortunately rare) fics of him, he keeps you in a farm land with a bunch of loyalists. If reader is afab! or has the ability to bear a child (for those with abo ocs or something idk) he’ll tell them that you are bearing his child and the future inheritor of his powers.

Otherwise he’ll come up with other excuses like having you as a tactician or war-hero they have to pay respects to.

He’ll give you as much freedom as he can provide while keeping you away from danger.

Though one might argue that his version of freedom for you is just an illusion.

#yandere #eren #aot x reader #eren x reader #yandere x reader #yandere imagine #yandere fic #yandere x you #yandere eren x reader #eren jaeger #eren yaeger #yandere eren jaeger x reader #snk x reader #attack on titan x reader #shingeki no kyojin x reader #yandere aot x reader #yandere snk x reader

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faelapis · 8 months

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despite some concerns raised by the trailer/marketing, i am still excited for the wish movie. a lot of that has to do with king magnifico.

that being said, i approach it from a different direction than a lot of other people excited for a “classic disney villain.”

first of all, yes. i, too, love the camp and melodrama of classic disney villains. i love that they express their wishes through big bombastic musical numbers, and said musical numbers are often the best in their movies. i like how queer-coded and fun they often are. i like the sass, the drama, the energy.

where i disagree with a lot of people is with this notion that disney movies “don’t have villains” anymore. i don’t think the likes of hans (frozen) and tamatoa (moana) are less evil than "classic" villains - they’re plenty willing to kill with a smile on their face.

i think what people ACTUALLY miss is the big performance around it all. the aesthetic. someone who does these things while being a major character (so not tamatoa) and deliciously, obviously evil while having fun with it the whole time (so not hans). i think it’s that specific combination people are missing. we still have villains, they’re just either not as “fun” or not as “important.”

of course, that take is less punchy than saying disney doesn’t have villains because "steven cringeyverse destroyed western animation and now companies are too scared to make real villains >:( !1!!!"

yeah i never understood where that came from. if anything, redeeming villains is more controversial than killing them. especially in america, being punitive is the norm. forgiveness is cringe. yet so many act as if there was some big consumer and/or corporate pushback against the idea of villains…? at some point?? i guess????

someone must've forgotten to tell that to disney tv animation, where you’ll find everything from bill cipher to belos in the modern era. (also, other companies exist? dreamworks is not some indie studio, they’re fully willing to have big, campy villains.)

but yknow, people like to feel like underdogs. they like to feel like they're somehow oppressed because some animated media don't have classic villains anymore... despite there still being plenty around. you can’t just like villains, you have to make it everyone else’s problem. like disney is obliged to do the same character tropes in every movie. or villains are "dead."

what actually happened is just… some writers at disney decided they wanted to do different things. that’s it. so you now have a handful of movies where the villain is either a minor character, or nonexistent.

it’s not a conspiracy, it’s not a concerted effort to destroy villains. it’s, at most, a trend. because some writers wanted to push against the previous status quo. and now other writers who grew up with that want to have more classic villains, because that’s what they see as exciting and new. it’s just a cycle of trends and countertrends.

anyway. long tangent aside, i’m actually very excited for king magnifico. in part for a classic villain performance (he gets a song!!) - but also, it sounds like he might scratch a particular itch of mine.

which is to have a big, dramatic, irredeemable villain… who is still a human and has an understandable pov.

yes, you can combine these things. it’s not common for disney, but a lot of what we consider “great movie villains” throughout history have been this exact combination. they have to be defeated, they refuse redemption, they are 100% committed to their goals and will not budge - but they also GENUINELY BELIEVE in those goals.

what i’m really asking for here is a sincerely motivated character. someone who is a villain, but doesn’t SEE himself as a villain. someone who isn’t lying when they try to endear themselves to the hero or promise to make the world better if they join forces. it’s just that they are completely misguided about what would be good for the world, and nothing will persuade them.

whether someone is a villain, a hero, or anywhere in between, i think asking a character’s motivation - and playing those motivations straight, rather than just as a mask for plain selfishness - is key.

as i’m saying this, you might notice that it’s not actually too far off from what i like in other characters. jasper in SU is basically this in her "main arc” in season three. she refuses help, she’s a huge dick to everyone… but she also 100% believes in homeworld as an institution and is actually, genuinely selfless. even if it means her own corruption, she refuses help, because that would betray her cause. which she values above her own life. and by rebecca sugar’s own words, jasper doesn’t even believe she deserves help.

the common thread here is really tragedy. someone you can root for and against at the same time.

so how does this relate to king magnifico? well, jennifer lee (writer for this movie & also the frozen movies) just had an interview where she talked a lot about wish, and in specific, having a classic disney villain in magnifico.

she illustrates a lot of what i’ve been talking about - that there is no grand conspiracy at disney against villains. they just had different stories they wanted to tell. there was no mandate either for or against villains, not in this movie or any other. they just did what they wanted to do with those stories. (btw, that’s not me saying there isn’t pressure at disney to tell certain stories and not others. it’s just that the concept of a villain isn’t as important to the corporate side as, say, not making elsa gay.)

anyway. what makes the king magnifico portion interesting is how lee talks about exactly what i’ve been saying. they knew they wanted a classic disney villain, but it sounds like they still want him to be different from other such characters. namely, they wanted to find the benevolent side of him, how he genuinely believes what he believes and DOES want what he thinks is best for the city of rosas.

and the plot totally checks out - basically, he decides whose wishes come true. and that’s really interesting, because a wish can be anything, good or bad. it sounds like he really wants to prevent what he sees as bad wishes from coming true, and is too conservative in what he allows or not. and his way of being kind about rejection is to remove those wishes from people’s hearts if he cannot fulfill them.

that’s SUCH a great concept for a villain. it speaks to issues of control, of agency, of being in the paternalistic position of deciding what is “best” for everyone else. it gives me a little bit the wizard of oz (as in the wizard himself, who is a charlatan trying to maintain a pleasant status quo, even if it’s a lie), and a little bit white diamond (controlling the lives of others, but genuinely believing you are being selfless and heroic about it / steering people on the “right” path).

reading that interview, my excitement for this movie went from like a 2/10 to a 8/10. jennifer lee seems to have a real interest in creating characters, not just stock tropes. elsa is one of the best disney princesses (fight me) for exactly the same reason.

another great concept talked about here (which you also see in lee’s frozen, with anna and elsa as opposites) is that of duality. there’s a lot of talk about magnifico and asha being two sides of the same coin, both initially believing in this system and wanting what’s best for the city. and from there, they divert to their opposite paths in what specifically they think is right. the interview talks about them as if they were this thesis and antithesis about what’s right for the city, needing to reach a synthesis. in talking about this concept, they included this illustration:

notice the similar poses. both have their hands behind their back (commonly used to convey a character is hiding something), their feet pointed out, and give the world a pleasant smile. asha has a darker color palette in a world of light, magnifico is a ray of light in a dark space. it's interesting for its duality.

so yeah. all in all, i’m still excited for wish. i want to take alan tudyk goat out back and shoot it for a quick, humane death… but failing that, i’ll just pray his role was hammed up for the trailer. please tell me it’s not that insufferable. please.

because i do really like everything else i’ve heard about this movie!! i like that asha is described as this idealist with “dumb courage”, like maybe she’ll actually have some character flaws and need to learn?? (maybe? hopefully?) i like everything i just said about king magnifico. i like that we have this blend of 2d and 3d animation, that’s such a clever concept for a “100 years of disney” celebration.

so yeah. i will be watching. never have i ever prayed for chris pine to save a movie, but today might just be the day!

#wish #wish 2023 #disney wish #disney 100 #king magnifico #wish asha #long post /#ask to tag /

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audreydoeskaren · 1 year

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Note about periodization

I am going to start describing time periods in Chinese history with European historical terms like medieval, Renaissance, early modern, Georgian and Victorian and so on, alongside the standard dynastic terms like Song, Ming and Qing I usually use. So like something about the Ming Dynasty I will tag Ming Dynasty and Renaissance. I already do it sometimes but not consistently. Here’s why.

A common criticism levied against this practice is that periodization is geographically specific and that it’s wrong and eurocentric to refer to, say, late Ming China as Renaissance China. It is a valid criticism, but in my experience the result of not using European periodization is that people default to ‘ancient’ when describing any period in Chinese history before the 20th century, which does conjure up specific images of European antiquity that do not align temporally with the Chinese period in question. I have talked about my issue with ‘ancient China’ before but I want to elaborate. People already consciously or subconsciously consider European periodizations of history to be universal, because of the legacy of colonialism and how eurocentric modern human culture generally is. By not using European historical terms for non-European places, people will simply think those places exist outside of history altogether, or at least exist within an early, primitive stage of European history. It’s a recipe for the denial of coevalness. I think there is a certain dangerous naivete among scholars who believe that if they refrain from using European periodization for non-European places, people will switch to the periodization appropriate for those places in question and challenge eurocentric history writing; in practice I’ve never seen it happen. The general public is not literate enough about history to do these conversions in situ. I have accumulated a fairly large pool of examples just from the number of people spamming ‘ancient China’ in my askbox despite repeatedly specifying the time periods I’m interested in (not antiquity!). If I say ‘Ming China’ instead of ‘Renaissance China’ people will take it as something on the same temporal plane as classical Greece instead of Tudor England. How many people would be surprised if I say that Emperor Qianlong of the Qing was a contemporary of George Washington and Frederick the Great? I’ve seen people talk about him as if he was some tribal leader in the time of Tacitus. European periodization is something I want to embrace ‘under erasure’ so to say, using something strategically for certain advantages while acknowledging its problems. Now there is a history of how the idea of ‘ancient China’ became so entrenched in popular media and I think it goes a bit deeper than just Orientalism, but that’s topic for another post. Right now I’m only concerned with my decision to add European periodization terms.

In order to compensate for the use of eurocentric periodization, I have carried out some experiments in the reverse direction in my daily life, by using Chinese reign years to describe European history. The responses are entertaining. I live in a Georgian tenement in the UK but I like to confuse friends and family by calling it a ‘Jiaqing era flat’. A friend of mine (Chinese) lives in an 1880s flat and she burst out in laughter when I called it ‘Guangxu era’, claiming that it sounded like something from court. But why is it funny? The temporal description is correct, the 1880s were indeed in the Guangxu era. And ‘Guangxu’ shouldn’t invoke royal imagery anymore than ‘Victorian’ (though said friend does indulge in more Qing court dramas than is probably healthy). It is because Chinese (and I’m sure many other non-white peoples) have been trained to believe that our histories are particular and distant, confined to a geographical location, and that they somehow cannot be mapped onto European history, which unfolded parallel to the history of the rest of the world, until we had been colonized. We have been taught that European history is history, but our history is ethnography.

It should also be noted that periodization for European history is not something essentialist and intrinsic either, period terms are created by historians and arbitrarily imposed onto the past to begin with. I was reading a book about medievalism studies and it talked about how the entire concept of the Middle Ages was manufactured in the Renaissance to create a temporal other for Europeans at the time to project undesired traits onto, to distance themselves from a supposedly ‘dark’ past. People living in the European Middle Ages likely did not think of themselves as living in a ‘middle’ age between something and something, so there is absolutely no natural basis for calling the period roughly between the 6th and 16th centuries ‘medieval’. Despite questionable origins, periodization of European history has become more or less standard in history writing throughout the 19th and 20th centuries, whereas around the same time colonial anthropological narratives framed non-European and non-white societies, including China, as existing outside of history altogether. Periodization of European history was geographically specific partially because it was conceived with Europe in mind and Europe only, since any other place may as well be in some primordial time.

Perhaps in the future there will develop global periodizations that consider how interconnected human history is. There probably are already attempts but they’re just not prominent enough to reach me yet. Until that point, I feel absolutely no moral baggage in describing, say, the Song Dynasty as ‘medieval’ because people in 12th century Europe did not think of themselves as ‘medieval’ either. I am the historian, I do whatever I want, basically.

#I was watching an unrelated video about dnd worldbuilding #and out of nowhere someone in the comment section called 1300s chinese people 'ancient asians'#*facepalm*#so I was reminded of this again #rant #colonialism #orientalism #chinese history #historiography

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a-random-whovian7 · 1 year

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What your favourite Doctor says about you (just like the Master and Companion lists, this is all just jokes and my own terrible takes, absolutely no offence intended towards anyone). This is gonna be a long one, so good luck:

One (I think):

Is somehow able to sit through The Keys of Marinus whilst completely sober. Their feelings on Twice Upon a Time completely depend on whether they are able to accept that TV shows made in the 1960s will inevitably have some outdated bits or not. Loves slow-burners and less science-heavy stories, and wishes the Doctor would go back to trolling his companions again. Prays every night for The Celestial Toymaker and Marco Polo to be found. Hates the Timeless Child with a burning passion.

Two:

Two fans deserve a lot better. Despite a large chunk of their era being limited to surviving audio, PowerPoint presentations telesnaps and the, er, mixed bag of animated reconstructions, they still contribute a lot to the discussion of Classic Who and are usually well versed in the lore of the EU. 2nd Doctor fans are remarkable, as they are able to get along with pretty much every other group of fans. However, there is plenty of infighting thanks to the UNIT dating controversy and which story should be reconstructed next. If they ship Two/Jamie, they have fully earned your love and are surprisingly good if you pass them the aux.

Three:

Pretty much blows a gasket whenever some idiot says that the modern era is 'too political'. Like, I'm sorry, but was the "England for the English" scene in the Claws of Axos a little too subtle for you? Were Malcolm Hulke's scripts absolutely apolitical in your eyes? Does the mere existence of The Green Death mean nothing to you?! Oh, well maybe you should try WATCHING THE SHOW and DOING YOUR RESEARCH before you start claiming that it's become 'tOo pOLiTiCaL' because the main characters aren't always played by Whiteguy McStraight now, shouldn't you?! YOU AND YOUR MEDIOCRE OPINION SHALL COWER BEFORE MY KNOWLEDGE OF THE THIRD DOCTOR'S ERA AND THERE IS NOTHING YOU CAN DO TO STOP ME!

It is for this very reason that 3rd Doctor fans get along particularly well with 13th Doctor fans. Perfectly nice people with a great sense of humour and an excellent taste in episodes, unless a conversation resembling the above occurs, at which point you will see how much damage the repressed urge to do Venusian Akido can do. Refuses to admit that The Ambassadors of Death is two episodes too long.

Four:

Either a child of the 70s or chaos incarnate. Yes, 4 is pretty much the universally recognised Doctor, but that doesn't stop him from being one of the most unhinged Doctors. Loves more gothic horror-themed episodes and can ignore the somewhat questionable production qualities of early Baker stories. They have almost certainly attempted to make The Scarf at one point; whether they were successful or not entirely depends on their talent for knitting. Is surprisingly ok with admitting that Tom Baker stayed for a little too long and that his later seasons were a little underwhelming. Hasn't stopped them from watching every version of Shada though.

Five:

The tired parental figure of any group they are in. They immediately related to this Doctor when they saw 5 trying to hold it together whilst his multiple adopted humans argued, whined and got themselves trapped on doomed freighter ships. Has tried to play cricket once, but a general confusion over the rules and a few broken windows stopped that. You can take care of the cinnamon roll that is the standard 5 fan by providing them with cups of tea, giving them lots of hugs and removing all copies of Time Flight from your house.

Six:

Best fashion sense out of all the fans... somehow. Their favourite episodes are usually Vengeance on Varos or Revelation of the Daleks (both bangers), although they lean more heavily towards EU and Big Finish material, where the stories are more consistent and the costumes are less yikes. Either the best or worst fan to be around, either giving fair balanced views on the show or just being an absolute arse. Loves cats. Hates Michael Grade. Kind of ambivalent towards Mel.

Seven:

If 2nd Doctor fans are well versed in the EU lore, then these individuals are fucking academics. Constantly annoyed that 7 had two of the best seasons of Classic Who and was the darkest Doctor but is only remembered for Time and the Rani for some reason. Their favourite companion will always be Ace, which is what motivated them to watch Power of the Doctor. Usually excellent taste in stories, but is completely capable of dragging you to the depths of the EU. Wishes the Doctor would commit a few more genocides. Their religious beliefs can be summarised in the phrase "Cartmel Master Plan". Still annoyed that the most strategic Doctor was killed by the two most American things (guns and bad healthcare), but gets along well with 8 fans despite that. Somehow understands Ghost Light after just 3 rewatches.

Eight:

Big Finish fan. Basically willing to explain the entire plot of Dark Eyes if you ask them. Thinks the TV Movie is just OK, and has rewatched Night of the Doctor too many times to count. Loves a sad boy, and has definitely referred to 8 as a "poor little meow meow" at some point. Wishes 8's TARDIS interior was still intact and that he'll get his own live action series. Had an actual heart attack when he appeared in Power of the Doctor. Usually a bisexual from my personal experience, and looking at Paul McGann in the 90s, I can see why.

War (or is it Nine?):

We're stepping into the depths of the Moffat cult with this one. Wants a more traumatised Doctor, and kind of wishes we saw more of the Time War beyond the laser battle in Day of the Doctor. Content to sit back and watch due to the fact that the War Doctor had the perfect arc in his one episode, although they are happy that the War Doctor still pops up in the EU. Bridging the gap between the modern and classic series means they get along well with everyone except Shalka fans.

Nine (the Curse of Fatal Death one):

Does this one count? Just loves the classic series. Still praying for Joanna Lumley as the Doctor. Nowhere near as obnoxious as the Shalka fans and surprisingly funny.

Nine (the Scream of the Shalka one):

They pride themselves on being 'against the trend' and being fans of an overlooked bit of Doctor Who history. Doesn't quite realise that Scream of the Shalka was basically an B-tier Big Finish story with janky animation. Wants Richard E Grant to show up again. Constantly attempting to upset Eccleston and Hurt fans, only to get angry when everyone forgets Scream of the Shalka existed. They definitely listen to Weezer.

Ten, no, another Nine (the Eccleston one):

The word "fantastic" is permanently superglued to their vocabulary, and yet it never gets old. Owns a leather jacket too. Wishes that the BBC hadn't been stupid and Eccleston had stayed on for another series, but doesn't hold it against Tennant. Knows the Daleks were at their best in S1. Really wants the Reapers to return, and was utterly distraught after Chibs kind of ruined 9's role in the wider arc by blowing up Gallifrey again. Major nostalgia for the 2000s with this one, and is slowly becoming a member of the Big Finish cult thanks to Eccleston's return. Understandably forgot Adam was a thing. Both loves and hates John Barrowman.

Ten? Eleven? Ten and a half? The Tennant one. I hate numbers:

Their first experience to Doctor Who was during the golden age- wait, no, sorry, the RTD cult has threatened to terminate my membership if I'm not honest with this one.

Either a child of the 2000s, a member of the aforementioned RTD cult or someone who just likes the show to be more emotionally resonant. Well, that or they are the blandest person alive. If they acknowledge how good 10's arc was in terms of deconstructing the Doctor and setting up his fall from grace via misplaced attachments and vanity, then absolutely someone to be around. If they simply say "because he was popular", definitely bland. We all know Tennant was popular, it's still not one of the many valid reasons to love him. They have an easygoing relationship with 4 and 11 fans, and otherwise OK relations with the rest of Doctors fan groups, although there is a bit of friction between 13 stans due to 10 being dragged into a lot of 13's media post-2020 to boost ratings. They didn't like it because it cheapned 10's return and era whilst also overshadowing 13. 13 stans didn't like it because it basically gave the message that the BBC had given up on 13 before her era had finished.

Definitely excited for the 60th after the regeneration and the announcement of RTD's return. Has tried owning a pair of converses, only to find out that they aren't exactly cheap. Has fought for the Ten/Rose ship on multiple occasions. Tried hair gel once, with disastrous consequences.

Huh. This one was incredibly easy to write. All I had to do was look in a mirror.

Thirte- no, Eleven:

Major ADHD energy in the best possible way. Saw the chaotic excitable Doctor and immediately fell in love. They will not rest until they have forced every former Doctor to read the "Hello Stonehenge" speech. They have also cosplayed the most out of any fan, due to the availability of fezzes and bow ties. Definitely the most fun to be around at a party. Was disappointed by Matt Smith's decision not to return for the 60th, especially after the absolute banger that was Day of the Doctor. If they ship 11 with River, they're cool, even though 11 was very asexual in S5. If they ship him with anyone else, then yikes. Wishes for the show to return to a quirky fairytale tone again.

If they were present during the SuperWhoLock days, keep an eye on them. You're only one drink away from dragging us back to 2013, and I ain't reading any of that fanfiction again *shudders*.

Fourte- FUCK, Twelve:

A certified member of the Steven Moffat cult, or just someone who likes some of their stories to have a slightly more mature tone. Has tried to play the electric guitar more than once, only to be forced to stop by their partners or housemates. Either willing to admit some of the flaws of the era or strongly defends it, with no inbetween. Absolutely correct in their assertion that S9 and 10 absolutely slapped, although this cam be undermined if they try to defend Sleep No More. If they ship River and 12, then you can trust them with anything, and they will offer you good relationship advice. If they ship 12 and Clara in a romantic way (which is strange to me cos i always got platonic BFF vibes from them, but that's just me), they definitely have relationship advice, although waiting 4 billion years to get your memory wiped is a questionable means of resolving conflict. They have a pair of the sonic sunglasses. Cried when Capaldis majestic floofy hair got shaved off for a superhero film.

Thirteen? That's right? Phew, finally getting the hang of this. Ok, Thirteen:

There are two types of 13 fan. The first is cinnamoniest of rolls. Is just happy to sit back and have fun, thus allowing them to enjoy pretty much any episode (something that a lot of people could learn from). Immediately realised that Jodie is an amazing Doctor and deserves more praise and justice. Definitely shipped Thasmin, and are the best at constructive criticism, recognising what worked and didn't in a respectful, polite way (again, something we could all learn from). Wierdly enough, they get along well with all the Doctor fans, as they are a wholesome ray of sunshine that reminds us that every era has something to offer, no matter the general consensus.

The second type masquerades as the first, but gets all hipster-y and more than willing to use the term 'overrated' when RTD or Tennant are mentioned (so basically a healthy 80% of the #antiRTD tag).

Both are convinced that the Chibnall Era will receive a massive reappraisal like the 12th Doctor's era did, despite the odds of that happening being the same as an on-screen Thasmin kiss. I'm so sorry, that's a really mean line to end this bit on. Let's instead end by saying Haunting of Villa Diodati is an absolute banger of an episode.

Ruth:

Loves the admittedly cool concept of a mystery incarnation. The rest depends on their theory of where the Ruth Doctor fits in. If they use the season 6B theory, then they have an encyclopedic knowledge of the classical series and the EU regardless of whether they have watched it or not. If they use the Timeless Child/Division theory, then they basically settled for the easier version of 6B after looking into the insane asylum that is classic who and EU discourse (wise choice). If they think she's from an alternative universe, thinks that she's Omega, Rassilon, The Rani, The Master or any other figure, then they practically have a gold medal in Mental Gymnastics. Either way, all of them don't like to admit that they are unfortunately limited to 4 episodes (three of them being fairly mid, the other being a mild car crash) and a pretty good comic. Cool fashion taste. Gets along with 13 stans and, surprisingly, 2nd Doctor fans.

Fourteen- oh for fucks sake:

YOU ARE TENTH DOCTOR FANS. GO BACK TO EARLIER ON IN THE POST. YES, I KNOW THAT'S THE BBC'S OFFICIAL LINE AT THE MOMENT. YES, I KNOW YOU'RE HYPED FOR THE 60TH, I AM A HYPED RTD CULTIST TOO. JUST WAIT UNTIL SEPTEMBER. P L E A S E.

Fourt- no fifteen- no, fourteen- BBC, HAVE MERCY:

Only in the Doctor Who fandom can a Doctor who has only appeared in a brief clip and some photos have a fully developed fanbase. I should know, I've already joined it. Ncuti's photos in that suit sealed the deal. Either an RTD cultist or someone just looking forward to a fresh new direction. Also very fashionable. Has a somewhat complicated relationship with 13th Doctor fans due to the fact that Ncuti's first season and casting completely overshadowed S13 and the specials, but Ncuti also had to deal with the same levels of toxicity from the same 'fans' who threw temper tantrums at Jodie's casting in 2017. Best haircuts out of all the Doctor Who fans. Strange but true.

Full Fathom Five:

Y'all scare me.

Zagreus:

Y'all terrify me.

The Watcher:

Y'all confuse me.

The Valeyard:

Has wanted a darker series since god knows when. Was kind of annoyed when the Time Lord Victorious arc wasn't dedicated to a whole series. Also, the Valeyard is the Shadow the Hedgehog of the Whoniverse. I refuse to elaborate any further.

The Curator:

"Alright gang, let's see who the Curator fans really are!"

Pulls off mask

"Fourth Doctor fans?!"

All jokes aside, they just want a more experienced Doctor. Accepts that the show will have to end one day, and is cool with that, since they already have the perfect ending. Either cool grandad vibes or an actual grandad. Good knitwear. Their response to everything is simply putting the kettle on.

Doctor Moon:

Now these ones are very, very rare. I personally love the theory that Doctor Moon is a future version of the Doctor who is keeping River and the Library safe, but limiting your favourite Doctor to two episodes and an endorsement of the theory from Steven Moffat? Now that takes guts, and I like it. Usually partial to classy clothes, and talks in a very formal tone. Their best subject is usually maths.

Dr Who (Peter Cushing):

Unashamedly insane. Saw the absolutely glorious cheese-fest that was the 1960s Dalek movies and ended up loving one of the most unique versions of the Doctor. Is absolutely fine with bypassing 90% of the TV shows lore, making them really fun to talk to. Time Lords? Nah. Sonic screwdriver? Nope. Their Doctor is a wacky grandpa who built a multi-dimensional time machine in their back garden, and they love it. Is a sucker for Alternate Universe stories and usually loves classic B-movies. Knows that the movies kind of suck as adaptations, but as pure 1960s camp, they are unbeatable. Absolute legends.

All of Them:

The glue that holds this fanbase together. Enlightened individuals who have to check in every now and then to make sure that we mere mortals are behaving ourselves. They just simply enjoy the show and hold no biases. Absolutely infuriating to talk to for that very reason.

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dresshistorynerd · 11 months

Note

https://www.tumblr.com/thebaconsandwichofregret/189924928150/comepraisetheinfanta-thebaconsandwichofregret

whenever i see people rbing the op without the additions i die a little inside so i thought you should have a go at debunking it 🫠

So these are the tweets from the post. I had blissfully not come across it before. This is one of the weirdest takes I have ever seen. It's amazing to see these fashion history takes that are so boldly and confidently wrong and inaccurate.

It's honestly hilariously ignorant to think that a massive cultural and societal shift that took couple of centuries, was all because one guy. It's so reductive and even goes to the great man territory to pick one person to blame for something like this that really had much more broad and complex reasons than "a guy did it". It's stressed in this tread that Beau Brummell was not noble or a gentile and "just some guy", so how would he singlehandedly change the fashions and concept of masculinity of the whole western world? He was a London socialite, it's not like most of his contemporaries in continential Europe knew about him. Like maybe the French, but does anyone really believe people in Eastern-Europe or Nordic countries or in the Mediterranean knew about? Not to mention places like US. Yet everyone dressed like that in his lifetime, so how could his influence reach so far so quickly? Not even kings and queens could so directly and massively shift the fashions. So in the face of it the whole claim is ridiculous, but it's also full of inaccuracies.

The shift from Rococo fashion to regency fashion was extremely stark and quick in both men and women's fashion, but it happened during 1780s and 1790s, before Beau Brummell became a well known figure in the London society (he was born in 1778 and became well-known in the society after his military career, during which he befriended the Prince of Wales, around the end of 1790s). Here's first an example from 1780s and then from 1793-94 and 1797.

The one from 1780s still has some rococo elements like the wig, but it's already much more toned down and the coat is already turning from frock coat to a tail coat. It's an example of the more casual men's countryside dress from the period. The court dress was still quite elaborate, though also toned down from the 1770s. But there's a big shift when it comes to the examples from 1790s. They are unmistakably Regency fashion. All of these example are French too. I'm sure these people had no idea and gained no influence from an unknown middle class English officer. So what did actually happen? Well, I'm pretty sure the French Revolution in 1789 had a little bigger impact on the European society and fashion than Beau Brummell.

I'm not going to go too deep into this, since I'm working on an in depth post about the masculinity and fashion in the modern era and I go into detail about how the French Revolution had a massive part in shaping them. But the short version is that the French revolutionaries rejected the elaborate fashions of the Rococo French nobility (in both men and women's fashion) as those over the top fashions stood as symbols of the excess wealth of the nobility and the extreme wealth gap between then and the rest of the people. This is also why the high fashion was getting toned down thorough the 1780s before the Revolution. The anger towards the ruling class was mounting at the time and it encouraged the nobility to down down and try to act a little more palatable in their aesthetics to maybe appease the angry people without doing any actual change to address the wealth gap and the centralized power.

The revolutionaries looked for ideal masculinity and femininity elsewhere then. To contrast themselves against the ruling class, they looked to the antiquity and it's simplicity as well as the peasantry and the country gentleman fashion. Romanticism was the driving force behind the artistic expression of the Revolution. It weaved nationalism to the class struggle that was at the core of the revolutionary movement. So the Revolution was not just the working class and peasantry against the ruling class, but the French People against the nobility. This is when physical labour, militarism, dominance and leadership, really became intrinsically attached to masculinity, as the ideal man of the revolutionaries was a working peasant, who with military power took the the power back to the people from the nobility. The democracy would not last long, but it's not a mistake that only men could vote under the new democracy after the Revolution was won. It's also not a mistake that even when the post-Revolution France eventually abolished slavery (but not without some push-back first and a couple of slave revolts to force their hands) they did not give most people of color rights to vote. Since colonialism whiteness had become intrinsic part of masculinity and femininity, which was part of the dehumanization of everyone else, and the new form of masculinity and femininity born out of the Revolution did not contest that. In fact the Enlightenment philosophy that had laid the ground work for the Revolution and the Romantic movement and it's nationalism that were driving force in it, in no way contested colonialism or it's white supremacy. Which is why the power in the new democracy went to the (mostly) white men.

These elements were in the new men's fashion too. Nationalism, the idealization of militarism and antiquity seen as the origins of democracy made it and especially Antique Rome perfect inspiration for the Revolutionary France. The short hairstyle was inspired from the Roman fashion seen in statues. The fashionable tail coat was influenced by military uniforms and the short jackets of the working class. The long trousers also came from working class dress. Here's examples of the revolutionary fashion from first 1792 and then around 1790.

To be very clear, the revolutionaries were not a single entity with single ideology. They were collection of movements, who were united in their shared desire to overthrow the ruling class and establish some sort of democracy. But inside the movement were much more radical movements than what eventually ended in power after the French nobility. Socialists, abolitionists, feminists, slaves and others also fought for the Revolution and there was a lot of internal struggle too. Romantic movement was also very varied and contained extremely nationalistic elements as well as outright socialist elements.

Beyond the direct and stark effect the French Revolution had in especially France, but everywhere in the western world, the 18th century fashion was never as extreme as in France. If you put the most elaborate French court fashions of mid 1700s and Beau Brummell's style next to each other the difference is certainly massive, but fashion for men as well as women was always much more restrained and somber in England. Here's an English example from 1755-65 and for comparison a French example from 1755.

In fact as the tensions were rising in France the upper class begun to adopt the more toned down English styles. After the Revolution the new Republican styles would spread to Britain too. In Britain though Romanticism had a more pronounced effect as it stayed firmly monarchist. Therefore the English fashion was especially influenced by the styles worn by country side gentlemen.

There's another claim in the thread that fully fails to understand the broad implications of fashion and societal gender and how these things change and evolve. It's the claim that Beau Brummell created the modern men's suit and he's the reason the suit has long trousers. We already went through how long trousers got into men's fashion and it was not him. But the writer is not wrong in saying that Beau Brummell's outfit in this picture is a direct ancestor of modern men's suit. It is.

But you know what else is a direct ancestor of men's suit? This.

The modern three piece suit has it roots as far as in late 17th century. Before suit men wore doublets, which style resembled women's fashion much closer than the suits would after it (as seen in these examples from 1630s). However the distinction between men and women's fashion had started to grow much earlier. A big shift that happened during the 16th century was that men stopped wearing skirts. Men and women wore the same garments for centuries before that. The styles and silhouettes for men and women had some differences (the skirts were often shorter for men for example) but they were parallel to each other. I wrote a whole very long post about how skirts stopped being acceptable for men. In it I write about how the shift in men's fashion was part of the large shift from feudalism to colonialism and capitalism, that needed a new hierarchy to justify the new system after the previous divinely justified feudal hierarchy was no longer an option. The new hierarchy was white supremacist patriarchy and therefore needed a clearer distinction between white men and white woman, that would also help distinct white people from the racialised people.

But such fundamental changes in the societal structure and culture are long processes. The process was continuing in the latter half of the 17th century, when Orientalism first became very popular. Orientalism is the dehumanization and fetishization of Asia and North-Africa, and it was born as the European colonial project was properly getting going in Asia. Colonialism in Asia and North-Africa took a little different form. I suspect it was because it was not that long ago, when Europeans had felt inferior to many of the peoples and empires in Asia and North-Africa, which they had always had much closer relationships with than the rest of Africa and certainly the Americas. I think that's why Orientalism is such a mix of coveting Asian and North-African cultures and bodies in a very fetishistic ways, while also demeaning and diminishing them. Nevertheless, Orientalism had a huge impact on European fashion in late 17th century. Both the way men and women's clothing was made after that to this day was strongly impacted by Orientalism. The coat and waistcoat combination was an adaptation of Turkish fashion. The three piece suit became popular in 1670s and fully took over men's fashion in 1680s (an example from 1687). The cravat was also adopted around the same time to men's wear from a light cavalry mercenary army in the Habsburgian Empire known as the Croats or Cravats. They were mainly Croatian, which to Western European was almost "Oriental" due to their proximity to Asia and Turkey in particular, and therefore the popularization of cravats as a fashion item was also influenced by Orientalism.

The Regency three piece suit also has all the same elements as the suit 150 years earlier, the individual pieces had just evolved into different different cuts. The three piece suit in fact still has the same elements to this day, they have just kept evolving.

My point is not to in any way deny Beau Brummell's influence on Regency fashion. He was the most influential fashion icon for men in his era after all. I hope this just made it very clear that these bigger changes are not about individual people but much larger shifts and movements in society and culture. His actual influence was popularizing some of the English countryside styles mentioned before in the fashionable London society, making extremely elaborate cravats into the fashionable items of the day and becoming the image of the English dandy.

The picture of him above shows him the typical English countryside suit with dark blue tail coat, white cravat and light pantaloons with polished hessian boots. He helped to make the outfit and pantaloons in general fashionable. Breeches would stay as the formal leg wear for some a decade still, till young fashionable men would start to use black or gray pantaloons in formal events too. Pantaloons were very fitted, but the trousers, that were fashionably quite narrow at the time, but looser, really came into the casual fashion in 1810s. As seen before their roots come from the working class fashion that was first popularized in the French Revolution, but they had been very informal and while they were still not quite as formal to be able to use in a formal event, they became acceptable in more casual events. Beau Brummell is credited for inventing or at least popularizing pants that have strap to go under the foot in order to keep them straight. Here's first a painting from of a gentleman in a very country style emphasized by the setting. Then a illustration from 1810 of a full formal dress with breeches and a fashion plate from 1817 of day wear with trousers.

The thread also misses what dandy really was. Dandy was the embodiment of the middle class social mobility of the modern era. He was the "self-made man", the fashionable middle class and the new celebrity of a post-feudal era. He dressed in refined fashionable countryside middle class clothing and was celebrated for his style and refinement, not for his birth. Ironically though, there was a distinct reactionary quality to the Regency dandy. After all dandy did not embody social equality, but mobility. He was the ideal man of the capitalist hierarchy. A bit of dilemma for the dandy was that being extremely fashionable was central to the dandy, but after the French revolution being too fashionable and too concerned about looks had been associated with the aristocracy and was now therefore unmanly. Which is why dandy quickly came to be seen as effeminate. There is a lot of satiric cartoons from the time period that make fun of dandies and their preoccupation with fashion and looks. Here's couple from around 1810s.

In conclusion it's pretty ridiculous to say modern men's fashion was all created by one guy. The real reason why men's formal suit (and to be clear more colorful and elaborate styles have come and gone from men's informal fashion during that time) has been what it is for more than hundred years is because much bigger changes, like capitalism, colonialism, Orientalism and white supremacist patriarchy.

#fashion history #dress history #history #regency fashion #historical fashion #men's historical fashion #18th century fashion #answers #anon

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ennabear · 2 months

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hii !! 🫶🏻 just discovered your account and i love it !! :) i was wondering if you could write some more headcannons about ellie? like, what job would she do? etc. i like to think that if she existed today, she'd probably be an illustrator for children's books !! that'd be so cool, tbh. i can see her making books about space or dinosaurs, and going to book fairs at schools to meet kiddos and talk to them about it. (crossover with professor!abby who used to teach little kids 🫶🏻🫶🏻) aah. sorry for rambling. but like, i just think ellie would have a blast if she existed today. like with all the museums ?? all the new ways to make art ?? but anyway !! what are *your* headcannons for modern ellie !! 🪐🫶🏻

modern!ellie’s job!! (hc) 🦕

thx for the request bae cause this made me smile so big. i have SO many hcs for modern ellie like i’ve been waiting for this moment!!!!! also dw about rambling i love to hear your thoughts 🤗

ok for starters i think ellie would be a nerd in high school. i know that some people headcanon her as a jock or a stoner (and that ellie has a special place in my heart) but i definitely think she’d be the opposite tbh. i imagine her with only a few friends (dina, jesse, cat). and i also think she’d have insanely good grades because she’s just smart like that. and all of her teachers love her because even though she’s quiet, she’s really kind and creative.

also i think her family would be just her and joel and maybe a dog. like imagine her spending her weekends getting guitar lessons from joel and then taking her dog on a walk and documenting it in her journal. she would fr have such a blast!!!!

for college i definitely think she’d major in astronomy/astrophysics or maybe art history?? and in her last years of college, she’d get a job as a secretary for a science museum. honestly, she didn’t hate it, but she was super jealous of the tour guide because she got to take all of the cute little kids on a walk and talk about the fun stuff while ellie had to sit behind a desk all day. but after begging her supervisor enough, she’d get promoted to tour guide after the mean old lady who used to do it retired.

and guess what??? the kiddos loved her!!! she always made sure the kids were having a great time and she knew a lot about what she was talking about, whether it was dinosaurs or planets or volcanoes. and the joke book came everywhere with her!! absolutely nothing made her happier than hearing the little monsters giggling and squealing about a joke that wasn’t even that funny.

abby and ellie would become good friends because of the time abby took her class to the museum on a field trip. they ended up actually really liking each other, especially because they had so much in common. and sometimes after work they’d meet up at a bar and talk about life, it was nice for them to both have a new friend who was equally as nerdy.

ellie would be a tour guide for quite a few years while abby got her doctorate. a few years after abby became a professor, ellie tried out illustrating a childrens book for a local visitor at the museum who was really fond of ellie. it was nothing too big, but she was really proud of it.

after she finished the drawings for the book, she wanted to try writing one of her own. so she decided to write a textbook for kids about dinosaurs with her own illustrations and a joke on every page.

safe to say it was super successful!!! she ended up going to local elementary schools and educating the littles about the different types of dinosaurs and each era they lived in. and you better believe old man joel was so proud!!!! his little girl ellie that he used to take to dinosaur museums was now writing her own dinosaur books!!!

i think eventually she’d quit her job at the museum and focus on being a writer full time, along with keeping art as a hobby. and i can 100% see her getting married and adopting a kid just like joel adopted her, and she’d pass on all of her science knowledge to her mini self. also i think she’d mainly only write science textbooks for kids, but may end up publishing a sci-fi novel or two.

i think that’s all :3 thanks for the ask sweetie pie ilysm 🫶

daily click / israeli themes in tlou

#to all the anons who have sent requests i swear i’m not ignoring you on purpose 😭#ellie williams #ellie williams tlou2 #ellie williams tlou #ellie williams x reader #modern!ellie #the last of us

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ingravinoveritas · 10 months

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How do you feel about the fact that angels and demons are non-sexual beings in Good omens?

Anon #1: Well, this is a great question and I appreciate you sending it in for me to answer. Including the other Anons here since they are relevant.

I actually have a lot of feelings about angels and demons being non-sexual beings in Good Omens, which I will do my best to explain. I think the first thing I have to do is make sure I understand what you mean by non-sexual. I know Neil has said that angels and demons do not have genitalia "unless they make an effort," so by that measure, we can say angels and demons are genderless beings (agender or genderqueer perhaps as well, depending on the angel or demon). That, to me, is distinctive and not the same thing as non-sexual, which I consider to be beings who--by design or choice--do not engage in sexual intercourse.

The other thing we have to consider is the distinction between book!Good Omens and TV show!Good Omens. I have not finished reading the book, but it is my understanding that Neil (and Terry, of course) established the angels and demons as genderless in the original text. When the show was adapted for television, 30 years had passed since the novel was published, and so much had changed in that time, so a lot of things were updated to have Good Omens more align with the sensibilities of the modern era (one example is Neil talking about Crowley's aesthetic as an early '90s "Wall Street" type and how they had to figure out what the equivalent of that would be in the present day).

One thing that hasn't changed very much, however, is the portrayal of gay/queer people in the media. For much of those intervening 30 years, gay and queer people were shown as stereotypes--flamboyant, one-dimensional caricatures who existed as "sidekicks" (the "gay BFF") or object lessons for the straight characters (I would say this was especially the case in the late '80s and '90s with the AIDS crisis).

By this time, gay and queer people could exist on TV, but only if they were non-sexual/sexless. One example of this is Blanche's brother Clayton on The Golden Girls. After he comes out to Blanche, he brings home his fiance Doug in a subsequent episode, which has Blanche indignant. "I don't really mind Clayton being homosexual, I just don't like him dating men." Another example is Will & Grace, which aired in the late '90s. Will was a gay man who was one of the main characters, but while we constantly saw Grace falling into bed with random men and all sorts of escapades related to her sex life, we were never shown Will in any sort of similar situation. He could be gay, and he could be Grace's BFF, but he couldn't have a sex life of his own. It was this idea that gay people could exist in abstract terms, but not in the concrete reality of what it meant to be gay. Homophobia disguised as "acceptance."

So when I see/hear the word "non-sexual" in relation to gay and queer people, this is what comes to mind. What I also think of is that the absence of gay male sexuality (as for the majority of the show, Aziraphale and Crowley are male-presenting) is not the same thing as the presence of asexuality. I think it's been remarkably easy for Neil to take credit for that when it doesn't seem to have been his actual intention, and it also removes from him the responsibility of portraying that specific aspect of a non-heterosexual love story.

One thing I want to be very clear on is that I am in no way trying to put down anyone's head canon or what any reader or viewer may see in these characters, and I will never say that anyone's head canons are not valid. But when we are talking about the canon--in other words, what is actually on the screen--I feel like there is a tendency to overlook what Michael and David are actually doing with these characters.

In addition to what I mentioned above about gay characters on TV in the '80s and '90s, the other thing you absolutely could not do as a gay or queer person was fall in love. This is alluded to more in the example above from The Golden Girls, where Blanche is horrified that her brother wants to marry a man, until Sophia finally helps her understand:

Blanche: "Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?" Sophia: "Why did you marry George?" Blanche: "We loved each other. We wanted to make a lifetime commitment. Wanted everybody to know." Sophia: "That's what Doug and Clayton want, too. Everyone wants someone to grow old with. And shouldn't everyone have that chance?"

Here we are now, over 30 years later, and some people still don't want everyone to have that chance. Some people think two people of the same sex can't love each other the way a man and a woman do. Because queer love--and especially love between two men--is still looked at as "less than" and inferior to straight love.

This is the world Michael and David grew up in. This is the social and cultural climate they saw and navigated their own sexuality and identity in--'80s Britain, Margaret Thatcher, Section 28. Where being gay or queer wasn't just immoral, it was illegal. Your very existence alone was stigmatized, pathologized, and criminalized. And they are bringing that lived experience into the roles of Aziraphale and Crowley, albeit in different ways.

To me, Michael is playing Aziraphale as a repressed gay man. A man who--much like David--grew up in the faith and was made to believe that his natural feelings, attractions, and desires were wrong, shameful, and disgusting. We see this with Gabriel deriding Aziraphale for eating sushi and enjoying other Earthly pleasures, and it would be logical to think that it's taken a long time for Aziraphale to feel comfortable with the foods/drink/books he likes and the pleasure they bring him. Similarly, it's taken Aziraphale a millennia to find the one being who makes him feel comfortable with the desires he has. The being who is the exception to every rule Heaven ever laid out, who encourages Aziraphale to be himself in every respect. And that's Crowley.

In this scene in the Bastille (which I know has been analyzed a thousand times and a thousand ways), when Aziraphale looks at Crowley like this, the desire rising up in him is more than obvious. The wide eyes, the heaving bosom, and of course the smoldering up-and-down glance all speak to this--he is, quite literally, checking Crowley out, without shame, possibly for the first time ever. Even though that desire is not outwardly expressed in GO season 1, it does not mean it doesn't exist--only that Aziraphale letting himself feel this (and Crowley being the one entity who allows him to feel this) is the first step in a very long journey away from that lifetime of repression.

In terms of Crowley, I feel that David is playing Crowley as a gay man who is afraid of commitment because he has been hurt in the past. There is a feeling of impermanence to Crowley--that, despite being a celestial, immortal entity, he doesn't like to hold onto things because deep down, he believes they will eventually be taken away. He knows who he is, but is all too aware of the consequences that come with it. So he does not get attached, because to him, attachment equals pain, and he believes nothing is worth that risk.

In the church scene in 1941 (which, again, so much has already been said), Crowley saves Aziraphale's books from the wreckage. It's been said by many that Crowley fell in love long before this (which I do think is true), but for me, I feel like this was where we saw that Crowley was truly "attached" to Aziraphale. He rescued Aziraphale from the Bastille, and he saved Aziraphale from the bombs of the Blitz, but in grabbing the books, Crowley isn't just saving Aziraphale's body--he's holding onto a piece of his soul. For the first time ever, Crowley has found something that isn't temporary, and after a millennia of cynicism, Aziraphale is the one entity who makes him feel fully and wholeheartedly ready to commit to something.

This is what I have seen and perceived in the portrayals of Aziraphale and Crowley that Michael and David have given us. I absolutely do 100% believe that asexual folks deserve representation--representation that is clear and specific, not just a side effect of Neil not wanting to show these characters expressing outward sexual desires--but I do not believe that is how Michael and David are playing the characters. It's not enough--or at least it shouldn't be--to have characters of marginalized backgrounds just standing in the room, or to say, "This one's gay," "This one's nonbinary," "This one's asexual." Including these identities in the fabric of the story means doing what Michael and David have done, which is showing these people or beings as three-dimensional, as fully realized characters who happen to have that identity, rather than as ticked boxes representing a certain identity on a checklist.

And to the Anons mentioning the Radio Times article (which seems like it came out a hundred years ago now)--Anon #4 particularly--I appreciate you sharing your thoughts with me, but I could not disagree with you more.

First of all, I have no idea where in the world you got that Aziraphale and Crowley's romance was explicit in season 1, because it was absolutely anything but. Three days after they posted that, RT posted another article seemingly backtracking on everything they'd previously said (as if we'd all somehow pulled a Gabriel Jim and forgotten everything about the first article). The phrase "Could romance be on the cards after all?" is in the bloody headline of article #2, which to me says that RT is going to go in whichever direction the wind blows--to create engagement and generate clicks--but also that it is very clear what they meant by "conventional" in the first article. I do not get the feeling that Radio Times--a mainstream publication that seemingly publishes any story they can farm from social media--was thinking of ace or aro identities or relationships when writing that. Even a tiny little bit.

Even a queer-centric media outlet like Pride today published an article saying the first season of GO lacked LGBTQ+ representation. Obviously, I do not at all agree with this or with several other things mentioned in the article. But what I am challenging folks to do is think about what this is really saying. By the end of GO 1 season, everyone accepts and assumes that Madame Tracy and Shadwell are a couple. She makes eyes at him, they have dinner together, and no one questions them being a couple, even though they are not shown being physically affectionate. Aziraphale and Crowley do exactly the same things, but no one (speaking of the larger public, outside the hardcore fan base) assumes they are a couple.

Maybe what that means, then, is that "representation" that requires you to squint and turn your head in order to see it--like Aziraphale and Crowley holding hands on the bus--isn't really representation at all. And by Neil "not wanting to label" something, it seems to suggest that committing to a label or embracing that gayness is something he is not comfortable with--for any number of reasons--and is why we could have a meaningless love scene with a straight couple that does not have a real connection (Newt and Anathema), but couldn't have a meaningful love scene with a gay couple that does have a devastatingly profound and powerful connection.

So yes, those are my thoughts on the angels and demons in Good Omens being non-sexual, and what that means in a larger cultural/societal sense. I know that when GO season 2 comes out in a week, I could be proven completely wrong about everything I've just said, and I will have no problem with that at all. I fully trust what Michael and David will bring to the roles of Aziraphale and Crowley, but my hesitation stems from the limitations they will potentially be up against, in terms of the script/storyline (and is something I have felt from the interviews we've seen with them this past week).

I'm hopeful for the best, though (as always), so we'll just have to see what happens...

#anonymous #reply post #good omens 2 #good omens #aziraphale #crowley #ineffable husbands #michael sheen #welsh seduction machine #david tennant #soft scottish hipster gigolo #creators are not perfect #I think Neil may have some internalized homophobia he is still dealing with tbh #but people are afraid to call him out in any way #and this was me trying to keep my response short #probably going to have to turn off anons for a bit while i answer the rest #dealing with RL stuff at the moment so a bit backed up #discourse

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justsomeoneintoomanyfandoms · 6 months

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Headcanons for @chantillymoon

This was really fun to do! I am currently up to episode 261 of One Piece (Water 7) so please keep that in mind while reading. Because I haven't officially met Brook yet, all of my headcanons are based on what I've read in fanfics and a bit of research so hopefully I'm not too far off.

Platonic headcanons on the rest of the Straw Hat crew can be found here!

Fandom: One Piece

Characters: Brook and Usopp x gn! Reader (separate and platonic)

I see Brook as someone who’s always got a song stuck in his head. And he’s going to make it everyone’s problem. But is it really a problem when he actually has the voice for it? Yes. Yes, it is. Especially when you’re listening to him humming the same part of that one song for the tenth time that day.

At the same time, he’s great to have around if you’ve got a song stuck in your head. Brook knows so many songs that you’d be hard pressed finding one he couldn’t sing for you. And if he doesn’t know the song, he’s pretty good at picking up tunes quickly.

Have sore muscles? Those bony fingers are great for digging into twisted muscles and sore spots. Brook may have gone through a lot because of his Devil Fruit but he’s glad he can do something with it to help his friends.

He’s got a surprisingly good eye for fashion…if he had eyes! In all seriousness, please take him with you next time you need to go shopping for clothes. Between him and Nami, you’ll get back to the ship with a whole new wardrobe full of amazing clothes that suit you perfectly.

Whether you’re quiet or talkative, Brook loves just being in your presence. If you’re on the quiet side, he likes the tranquillity of sitting in companionable silence with someone. And if you’re talkative, he enjoys listening to everything you have to say.

Similarly, Brook’s great to talk to if you want to get anything off your chest. He’s a good listener and won’t spread around anything you’ve told him unless he thinks it could harm the crew (even then, he’d most likely keep it secret for a while). He also gives really good advice.

Brook missed out on a lot during his time in the Florian Triangle so he enjoys having a younger friend to help bring him up to speed. That being said, he’s an absolute menace with the way he mixes slag from his era with modern day sayings. Think something along the lines of “oh, they know their onions, they're no noob” and "ok you cad, time to catch these hands".

If you want to learn how to play an instrument or sing, Brook is more than happy to help. He’s had decades of practice and, even though he’s a bit rusty at explaining things to others, he’s patient and dedicated to teaching you.

Everyone has that one artist friend. And Usopp definitely falls into that category. He’s constantly got a sketchbook with him and will draw anything and everything. If you’re also into art, you’ll definitely bond over that.

Will absolutely hid behind you in battle. Whether you’re taller than him or not, he feels comfortable enough around you to chose you as his hiding spot.

Makes up stories about your bravado and wild adventures as well. While the other straw hats might react badly to Usopp telling stories about them, even if they are meant to improve their reputation, he hopes you will react differently.

In the same manner, Usopp would love to practice his pre-battle speeches with you and get some feedback. He’s a theatre kid at heart but he needs someone he trusts to work on his lines with. As one of his closest friends (and someone hopefully less judgmental than Nami), you fit that description.

He is also the perfect person to tell you stories about the other straw hats, especially if you joined later. He’s an entertainer and, even if he exaggerates his role in events, you’re able to piece together their adventures to date.

Much like Brook, Usopp has a good eye for fashion, but more from the perspective of figuring out what colours and patterns go together. If you’re struggling to put together an outfit, he’s more than happy to give you his two cents worth.

Gossip buddies! If you like gossip or have a way of knowing things about people, you, Usopp, and Nami are the designated “gossip squad” of the straw hats. Usopp is always a good source of information, even if he tends to embellish sometimes.

If you have long hair and don’t feel like tying it up, Usopp should be your first port of call. Sure, Sanji’s amazing with styling hair but he’s usually busy in the kitchen and Nami and Robin usually wear theirs down. Usopp has the free time and skills to help you out. Fair warning though, he may get carried away by his creative tendencies.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hey, did you enjoy this? If you like my writing, please consider donating to my Ko-Fi page! This will allow me to make some money off my writing, something I enjoy doing.

ko-fi.com/justsomeoneintoomanyfandoms

Important Note: Please only donate if you are financially able to. If you are currently in a position where you can't donate, a like, comment or reblog will mean just as much.

#writing #fanfic #headcanons #headcanon request #request #one piece #soul king brook #usopp #one piece x reader #platonic #brook x reader #usopp x reader

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heyiwrotesomethings · 11 months

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I made my promise I would make a request of this so here it is. May I please request y/n and Shinobu from different fics all meeting each other? Like for an example, painter reader and demon Shinobu meeting y/n from another fic and human Shinobu. Or maybe cat demon y/n meeting y/n that could mimic everyones voices. Maybe one modern y/n and Shinobu meeting the demon slayer timeline Shinobu and y/n.

Sorry the list got so long, you don’t have to do all of them, these were just examples :D

Anyways thank you for your time and I hope you have a great day/night! Take care and stay safe! <333

Into the Shinobu-Verse

Shinobu Kochou Variants x She/ Her and They/ Them Reader Variants

A/N: You know what? I think this turned out pretty good! It’s goofy, but I think that helped me work faster. Here are the links to the fics that got their own little spot light in order of appearance Fic1 Fic2 Fic3 Fic4 Fic5 Fic6 Fic7 Fic8 Fic9 Thanks for reading, hope you like it! Word Count: 3,901

“Okay, okay, everyone stand still, stay calm, and remain quiet so we can establish assigned seats and then we can sort all of this out in a timely manner.” Shinobu called out over the crowded tea room, it was the largest space they had that could fit all these… uncomfortably familiar faces.

“(Y/n) can you make sure everyone stays connected to who they came with?”

“I’ll try my best.” (Y/n) sighed, as tired as they were anxious to see all these alternate versions of themself that had suddenly popped into existence one by one, or two by two if you counted the Shinobus they came in with. “Okay, can everyone stop talking please? Hey, be quiet everyone! Hello?! Please?! Oh, come on—!”

A loud, very convincing siren noise screeched from within the crowd and everyone clammed up, swiveling their heads to find the source of the noise. It was one of the (Y/n)s, her Shinobu had been the only one to cover her ears in preparation and rolled her eyes playfully at the disruptive mimic.

“Uh, thank you for that.” (Y/n) cleared her throat.

“No problem, me!” The mimic flashed a thumbs up over the crowd.

“Okay, um, mimic me and your accompanying Shinobu, you can sit right here.” (Y/n) motioned them over to a spot on the tatami floor and gave them each a paper with the number one on it. “These will help us keep track of who is who and who comes from where kinda I guess.”

“Excuse us, can we please just skip this and figure out how to go home now?” Another (Y/n), quite noticeably older than most spoke up, “We have children we need to pick up from school in a few hours.”

“Really, kids?”

There was a mix of curiousness, confusion and envy that came over the space.

“Can you turn on the AC or something, it’s insanely hot in here.” The accompanying Shinobu groaned, wiping sweat from her forehead. “Or is this a completely historically accurate mansion from the Taisho era or something?”

“What is… AC?”

“How do you not know what AC is?”

“It’s a completely modern mansion!”

“I can’t even get any cell service here…”

“What era are you from?”

“The Reiwa era, obviously.” The older Shinobu spoke matter-of-factly.

“Reiwa?!”

“What’s that?!”

More confused murmurs began but (Y/n) yelled over them, asking everyone to settle down once more.

“Listen, we will work as quickly as we can to get everyone back to where they belong, just bear with us, go sit next to group one please.” She handed two scraps of paper with the number two on them to the older couple.

“Okay, uh, how about you?” (Y/n) pointed to another version of themself who was dressed in much the same odd clothes as the one they had just checked in, but this (Y/n) just looked at them like a startled deer. “Um,” she pointed more obviously, “I’m talking to you, come forward with the Shinobu you came with please.”

“Oh geez,” the Shinobu beside the other (Y/n) stepped forward, “She doesn’t speak Japanese, and mine isn’t that great either. We’re from America.”

“Oh, okay!” (Y/n) spoke up before the crowd could grow in volume again, “come take these papers and sit beside group two, please.”

“Sure,” this Shinobu came forward and perched her strange, blacked out glasses on top on her head, and scrutinized (Y/n) as she took the papers, “So Taisho, for real?”

“…Yeah.”

“Damn it! I really wish I had my gear with me! This has ghost shit written all over it!” She said to her accompanying (Y/n) in their native tongue.

“Okay, I don’t know what you are saying, but please move along, much more to get through!”

A commotion in the back of the room drew (Y/n)’s attention and then could see swords had been drawn.

“Hey! Hey! Put those swords away! What are you doing?!”

“These two are demons!” A few of the Shinobus responded tightly, “And these traitors are protecting them!”

“She has never hurt anyone! You leave her alone, or I will not hesitate to cut you down as well!” The Shinobu protecting the cowering feline demon threatened.

“You know how much I love to feed off negative emotions, but I’m feeling a little too full right now.” The other demon (Y/n) murmured in a strained joking tone to their own Shinobu variant who was in a similar protective stance in front of them.

“Enough!” Shinobu called out, her voice carrying more weight than (Y/n)’s at the moment, “(Y/n)’s right, swords away! We don’t know what the situation is like in everyone else’s plane of existence. Unless you are on the verge of being attacked, you must leave those demon variants alone!”

“Thank you”, the four called, relieved. They carefully made their way to the front and took the four and five group numbers and sat closely together, finding comfort in their solidarity.

“Okay, how about you two next?” (Y/n) quickly got back to work. The sooner they got this taken care of, the sooner they could go to bed and sleep off the headache they felt coming on.

Without a fuss they came forward and that was when (Y/n) noticed that they were both splattered with blood. No wonder the couples around them seemed concerned.

“Oh my! Are you two okay?”

“Oh yes, just fine,” the Shinobu in the backless, black dress smiled, (Y/n) caught sight of the sprawling, flowery back tattoo she had as this Shinobu twisted around to observe herself, “we’re actually glad to be here. We were in a bit of a pinch.”

“I almost had them.” The (Y/n) with her groaned. “Now that we’re here, who knows what those bastards are up to? You know how much I hate loose ends.”

“One thing at a time dear, once we figure out how to get back, we’ll do a complete overhaul.”

“That’s some back tattoo,” a (Y/n) from the crowd spoke up, “Are you part of the Yakuza or something?”

“Or something.” The Shinobu smirked and gave a wink as she took the group six papers.

That (Y/n)’s accompanying Shinobu shot the other a warning look, pulling her partner possessively into her body.

“Okay— wait, Mitsuri? What are you doing here?” (Y/n) had looked out upon the crowd again to see a bright pink and green shock of hair that stuck out from the room.

“Um, I’m with these two actually?” Mitsuri sounded almost unsure, but held the (Y/n) and Shinobu she came with an assured tightness as if she was afraid of being separated.

“That’s weird… why would you be here from another plane if no other Mitsuris are?” Shinobu pondered alongside (Y/n)

“Ummm… oh!” Mitsuri snapped, “Maybe it’s because all three of us are dating each other like all you couples seem to be?”

There was a smattering of noise, probably from (Y/n)s and Shinobus who were thinking they just might have to shoot their shots with their Mitsuris when they made it back home.

“That makes just about as much sense as anyone being here in the first place I guess.” (Y/n) handed the group of three, three pieces of paper with the number seven scribbled on them.

“Okay, you next!” (Y/n) pointed at another (Y/n), then made them stop when two Shinobus followed along with them. “Oh, wait a second, do we have our first mix up? Is there a (Y/n) out there who lost their Shinobu?”

“Nope. This is normal for us actually.” The (Y/n) spoke up. They took note of the bewildered looks they were receiving and shrugged, “Cloning mishap.” As if that made it sound any less insane. The trio stepped up and took their group eight papers, smirking when they heard a couple mutterings of ‘lucky bastard’ from the crowd.

Finally, after nearly a half hour of sorting, the last group was seated and (Y/n) sunk to their knees, exhausted. At least now this was Shinobu’s show to run, hopefully she and the other Shinobus would figure out how to get everyone back where they belonged soon.

“Alright everyone, let’s go through each group and see if there is a connection between what everyone was doing before you were sent here. Group one—“

There was a sudden snapping and popping crackle noise and a flash of purple light. Everyone flinched, but not because of the sound or light itself, they had all arrived in much the same manner, but what did disturb them has the immense demonic presence that had suddenly enveloped the room.

“Ah,” the demon Shinobu that had appeared at the front of the room stretched one set of arms over her head and her secondary arms out in front of her, four piercing eyes scanned the room appraisingly and a fanged grin spread across her face, “Not quite what I had in mind, but I can work with this.”

The room was filled with a twang of swords being drawn by all who had them. The energy this demon emitted left no doubt that she was sinister.

The (Y/n) who had appeared with the demon, anxiously clung to her deep purple kimono with paint stained hands.

“Such protective little ants.” The demon Shinobu’s eyes darkened and her grin curled into a sneer, “I’m only collecting what is rightfully mine. Afterwards, you all can be in your merry ways.”

“And what could we possibly have that belongs to you?” Was the sentiment that was heard from the crowd.

“As if it isn’t obvious, a pity I’m not as intelligent in ever universe. I will be taking all the variants of my beloved artist back home. Worry not, trust that I will take care of them better than any of you could ever dream of.”

The room erupted in a chorus of angry and nervous voices.

“Silence!” The demon’s butterfly wings fanned out, sharp and black as midnight with large, iridescent toxic purple rings.

“Shinobu-sama, please,” the Artist carefully maneuvered around a wing to clasp her arms around two of Shinobu’s, “maybe this was a mistake.”

“Wanting you is not a mistake.” Demon Shinobu assured grouchily.

“Well, no… but maybe wanting more than one of me is?” The Artist murmured quietly, looking down at her feet.

“Nonsense, if one is good then adding more could only make things even better. Now,” she spread her free arms out to sweep over the crowd, “come forward my little pets.”

No one moved an inch, making the demon roll her eyes and huff in frustration. She just couldn’t fathom what was making the (Y/n)s stay put. Couldn’t they see she was superior to all the other Shinobus by leaps and bounds? Better than them all combined, even?

“Then I’ll just have to be a little more persuasive.”

The demon brushed her (Y/n) off of her arms and spread all four limbs out into an ‘x’ shape. Then with a couple beats of her wings, she emitted a purple dust that soon spread throughout the room.

Then chaos.

One by one, (Y/n)s began fading away, slipping right through the desperate fingers that were grabbing at them. Those with swords leapt forward at the demon, but she and her own (Y/n) were fading as well, the echo of an evil cackle was all that was left behind before a heavy silence filled the room.

But then one shuddering breath from somewhere within the crowd and everyone began breaking down in their own ways. The Mitsuri variant hand her hands full trying to bring comfort to every other Shinobu she could find along with her own, trying to stem the flow of her own tears.

“Everyone stop.” Shinobu, the one of this universe, called over the crowd, “Sitting here feeling sorry for ourselves won’t get us any closer to getting our (Y/n)s back!” She seethed, eyes blazing. “We have work to do. If anyone can figure out how to find them, it’s us.”

Everyone in the room began to steel themselves, nodding and agreeing and rallying around each other. They were the biggest scientific minds in most of their universes, if they put their minds together, they could figure this out.

“We will get them back!”

***

Demon Shinobu was getting impatient. Her new playthings were very, very slow to warm up to her and a few had attempted to behead her more times than she’d like to think about. She was a gracious host, gave them everything they could ever need. Why couldn’t they behave?

“How is the art going, lovelies?” She asked a group.

“Oh just great. I think I got you just right.” One of them slid the paper over to her with a smirk.

It was an unrefined, scribbled illustration. Not the least bit dignified. Her four eyes were looking in completely different directions, tongue sticking out, among other things.

“What are those lines signifying?” She asked pointing to the wavy lines that her form seemed to be emitting.

“How much you stink.” The (Y/n) shrugged with a roguish smile, accepting the high-five another (Y/n) offered them.

Shinobu blinked all four eyes simultaneously, looking thoroughly unamused.

“Children.” She muttered.

“I’m thirty-three.” The one who provided the high-five retorted.

“Well I’m over two hundred years old so that means nothing to me.”

At another table further away, the Artist sulked, half heartedly painting along side a few of her variants as she had been for the last few weeks, hardly saying a word most days.

“You aren’t trapped here like us, are you?” One (Y/n) whispered. “You like, actually love her.”

The Artist signed and nodded solemnly.

“So you probably like us being here as much as we like being here.” Another (Y/n) spoke up, “You should tell her that! Your word probably carries way more weight than ours. If you told her to send us all back to where we belong, I bet she’d listen.”

“Shinobu-sama does as she pleases, it won’t matter what I say…” the Artist said, continuing on with painting her depressing scene.

“Sure it will, you got a better chance than any of us do at least, really. Don’t you want her all to yourself again?”

“Of course I do!” The Artist didn’t yell, but it was the loudest the rest had heard her speak since they knew her. “I just don’t think it’ll matter…”

“Sure it will. Just try once, please, for all our sakes. We have Shinobus of our own that we long to get back to and I don’t know about you guys, but mine is definitely not coping healthily about this whole situation.”

“Neither is mine.”

“Nope.”

“Definitely not.”

“She probably hasn’t slept at all!”

“Our Shinobus all have one thing in common. She loves us unconditionally. It’s the same for you, it has to be.”

The Artist looked around the table, then across the art studio at all the gloomy and depressed variants of herself. They all looked as miserable as she felt. She owed it to them to at least try to talk to her muse.

“Okay… I’ll talk to her.”

“Thank you!”

“You’ve got this!”

“Demon or not, she’s a Shinobu at her core. She’ll listen to you!”

The Artist stood from her table and allowed the reassuring hands of her variants push her forward on wobbly legs. She had never gone against Shinobu like this before, or even in general honestly. She was always far too eager to please her and far too meek to voice any disagreement. That was how they ended up like this in the first place. Perhaps if she had spoken out against her muse’s plan, everyone would still be in their own universes none the wiser.

She swallowed thickly and approached the demon who turned to her as soon as she felt her coming.

“Shinobu-sama, I would like to, oh, um, I’m the (Y/n) who—“

“I know you are my first pet. Just say what you want to say.” Shinobu’s words sounded abrupt, but the Artist knew that was just how she spoke sometimes. She could be just a little impatient. The Artist thought it was cute.

“How can you tell it is me?”

“You think I couldn’t tell the original masterpiece from all these flimsy copies? Don’t make me laugh. Now tell me what you have to say, I’m in the midst of trying to convince these foolish demon variants to eat a human or two so they can get stronger and reach their full potentials.”

“Well, um,”

“Hahh, we will talk in the hall then,” Shinobu lifted her head up to address the room, in a semi-sweet voice “remember, try to escape into my woods and you’ll be as good as dead!”

She then pulled the Artist out of the large studio space and a ways down the hall of her sprawling mansion. The Artist’s mind was still spinning from the compliment the demon had tossed her way. She thought she was a masterpiece!

“Now talk, don’t think I haven’t noticed you acting cold… have the variants been giving you a hard time?” She added as an afterthought, showing a flash of fang at her displeasure at the thought.

“No! Not at all!” The Artist answered hurriedly, “It’s just… don’t you think that maybe… you should take them back to where they came from?”

“They’ll get over it soon enough I’m sure. Can’t be rebellious forever. I can handle whatever pettiness they throw at me. I’m not afraid of a little hard work. You don’t have to worry about me, pet.”

“It’s not about that it’s… well…”

“Yes? Spit it out.”

“Never mind. I’m sorry.” The Artist backed out. She was a fool for ever thinking she could do this. She began mentally apologing to all the people she left in the studio as she turned around to walk back, but the demon stopped her in her tracks and spun her back around with a flurry of arms.

“No, no. No never minding. You disrupt me like this, I expect to hear the reason. Speak, pet.”

“It’s nothing…”

“It is something and you will tell me now.” Shinobu murmured darkly. “Don’t test me further.”

The Artist swiftly shook her head and tried to turn again, but it hard when there were four insistent arms pinning her in place.

“Don’t. Be. Difficult.” She hissed. “You’re usually so good—“

“I want you to send the variants home!” The Artist suddenly snapped. “I want all of your attention on just myself again!”

She breathed heavily for several seconds and Shinobu stared at her dumbfounded. When the Artist had time to process what she said, she quickly ducked her head down and shrunk into herself as best she could with Shinobu’s arms around her. Not much longer after that, she heard the demon chuckle and renew her grip, pulling her close.

“Is that so, pet? You want my attention?” She cooed, “My, I’ve never seen you speak your mind like this and you look so expressive too. It’s very cute.”

Shinobu’s wings unfurled and wrapped around the Artist in a comforting manner that she rarely shared, save for a few occasions when she was feeling possessive or even rarer occasions when she felt particularly cuddly.

“Do you really want me to send them all away? Would that make you happy? Don’t think I haven’t noticed how drab your scenes have been lately.”

“Yes. It would make me happy for it to just be us again.”

“So selfish, pet,” before the Artist could tilt her head away in shame, Shinobu brought it back with a finger, “I like it.”

The Artist gave her a shy smile and Shinobu gave a delightfully evil-looking grin in return.

“But may I just keep a few to devour at my leisure?”

“Please don’t.”

“Very well. You are lucky I am so accommodating to your silly little whims.”

***

“Check the math again.”

“Who has seen Variant 27? She was supposed to be back from the bookstore an hour ago!”

“En went looking for her, apparently that bookstore is on the other end of town in her universe. She will be back any minute!”

The Shinobus (plus one Mitsuri) had been toiling nonstop, researching all they could about travel through dimensions, time, space, whatever they could get their hands on. So far they had yielded little results. They were starting think this was part of the demon variant’s blood art. No one would say it out loud, but they were all beginning to think that they had no hope in getting their loved ones back.

That is, until they heard that snapping crackle that had haunted what little sleep they had allowed themselves. They were all up in arms until their (Y/n)s began fading back into existence then they were rushing in for bone crushing hugs.

Among the last of the arrivals was the demon Shinobu and her (Y/n), both looking extra close to each other.

“Hurry along, chop-chop. Everyone found who they belong to? Good.” The demon sounded completely disinterested in even her own words, ready to go back to her normal routine.

“You’re setting them free just like that?” A few Shinobus asked skeptically.

“Yes. They’re obnoxious and grating. I can’t stand them for even a moment more.”

A couple more Shinobus felt comfortable enough to joke that they felt the same, even suggesting that the demon take theirs back despite how frantically they had been searching over the last few weeks.

“Too bad, your problem now.” The demon snapped her fingers and flicked her wings, this time, (Y/n)s and their Shinobus had begun to fade. “I’m sending you back to your original dimensions. When you arrive, it will be the same day it was when you left. Wish I could say it was a pleasure, but it wasn’t.”

The crowded room was filled with goodbyes, variants which had become friends waved and thanked each other for keeping themselves sane and soon only two pairs remained, the original duo from this dimension, and the demon and her artist.

“See, it wasn’t that bad, right?” (Y/n) smiled at the Artist.

“It wasn’t. Thank you for giving me that push I needed.”

“And thank you for getting me back home.”

“I did that.” The demon scoffed. “Anyway, enough of this. I don’t know what it is, but seeing myself in this sorry human form in making my head ache.”

“I could say similar things about your sorry state.” The human Shinobu quipped.

“I’m ready to go as well.” The Artist hugged the demon’s left arms, dissuading her from turning their little quips into a full out brawl.

(Y/n) and Shinobu waved goodbye to the variants as they faded from sight. When they were gone, Shinobu all but collapsed in (Y/n)’s arms.

“I’m so glad you’re back.” She whispered against their neck.

“Glad to be back, I missed you so much.” (Y/n) hugged her tight. “If I’m tired, you must be down right exhausted. Have you been eating enough?”

“Yes, Aoi had everyone working overtime in the kitchen to keep us fed. If we didn’t eat, she’d have force fed us. She was already mad enough about us overworking ourselves as it stood.”

“Good ol’ Aoi.” (Y/n) smiled. “Let’s get you into bed.”

“Only if you’re coming with me. I don’t feel like you’re really here just yet.” Her grip on their clothes tightened a little for emphasis.

“Of course. Nothing would make me happier.”

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