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#bi dean is something that feels like it could REALLY happen but also it would never happen
drulalovescas · 28 days
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if 911 fandom can in their show revived on a different network have a bisexual fire fighter then supernatural fandom can in their show revived on a different network have a bisexual hunter ?no
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JENSEN ROSS ACKLES YOU HAVE NOW ONE JOB
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buckhelped · 24 days
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Things I have noticed and learnt about buddie in the past 72 hours about Buck x Eddie from tumblr and youtube
these two guys are friends and Bucky hangs out an abnormally lot of time with Eddie (almost like he's got a little crush on him you could say)
Buck (Not Bucky) is a ladies man (or is written as such) and he has a close relationship with Eddie's son Christopher (who has cerebral palsey) - Eddie has willed it that he ever passes Christopher will be under his guardianship.
Up until now half the pairing of buck/eddie was straight and now Buck is bi so there's a bit of a chance that buck/eddie will be canon, but it's going to be a bit of a wait
Buck is kind of Deancoded in some senses (also I really would love now that Jensen Ackles and Oliver Stark are in something together where they play lovers, I feel like this would be good).
Eddie might be deancoded? but he's like Buck except without the repressed feelings???
This is all what I've gathered so far.
lol this was a delight to see in my inbox this morning and it's mostly correct. the big thing is the idea that mr. i-don't-panic-it's-not-repression-just-moving-forward is less repressed than buck
allow me to direct you simply to this gifset by the lovely and talented @eddiediaaz. eddie's working on it but repression and his unpacking it are a huge part of his character and journey. and the show hasn't yet broached how that might be at play with his sexuality or potential feelings for a certain someone but girlie's about to obliviously crash a date his boybestfriend is on with another man so. we'll see how that plays out
on that note it seems based on your third point that you were under the impression that eddie was already canonically queer which. see above. so sadly 100% of buddie was presumed straight until thursday. but it's been explicitly stated at the very least by oliver (and maybe also the showrunner but i'm not sure - other people pay better attention to these things than me) that they saw all the potential seeds of bi buck and all the talk about it online and decided to (and crucially were finally able to at abc) just run with it. and there are PLENTY of queer eddie seeds so. as for canon buddie i'm pretty much completely convinced it's happening at this point. whether it's in conjunction with an eddie sexuality journey or after it is my biggest question right now
and you're definitely not the first person to clock buck as deancoded lol but i'm not sure how i would feel about jensen and oliver playing lovers because i just don't think i could separate them from their dean and buck and the thought of that crossover is breaking my brain aksdjfkdj
anyways one of the most fun things about this development has been the reactions from people outside the fandom so thank you for sending me yours!! 🩷💜💙
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I feel like John Winchester probably raised Sam and Dean with a pseudo-progressive live and let live but NIMBY attitude toward gay stuff. It wasn't something he cared very much about but he was very much a product of his time and made Sam and Dean (especially Dean) a product of theirs.
(Aside but hypothetically if while John was alive (not during Lebanon) one of his boys told him that he was gay or bi I think John's reaction probably would've ranged from "hmm you're too young to know what that means" to "well i dont like it but i guess i have to live with it" and just subtley ignores that fact about his son. I just don't really see John as a flaming belt-weilding homophobe and in a perfect nuclear picket fence world, he probably would've learned how to get on perfectly fine knowing his kids weren't straight, especially with Mary there to keep him in line.)
When Sam goes to Stanford, he starts seeing himself as an ally and Jessica also educates him because she's bi (prove me wrong i dare you). And Dean literally doesn't even realize he's homophobic for the longest time. Only after years of Sam putting him on the hook for his casual homophobia and meeting gay people in the field does he really learn to get over it.
Realizing HE actually likes guys is an easier process for Sam because he strongly prefers women anyway and by the time it ever even becomes a thought, he doesn't really have any internal fences to cross besides the thought that Dean might have a hang up or two but he knows he'll learn to get used to it.
For Dean, though, it's something he's suppressed for decades because what he doesn't realize is he likes guys almost about as much as he likes women and constantly chasing hot women was sort of just an assertion of masculinity. Dean knows he's a chad and chads are supposed to get women that's just how it goes. But eventually when he realizes he might actually be INTO a guy, it sets off a whole fight or flight response like oh god oh no this isn't allowed I'm gonna get in trouble what if mom or dad or sammy find out. It sends him into this self-destructive spiral where he makes himself go have a bunch of straight sex, get into monster fights, drink and acts super cold to Castiel until Sam stages an intervention thinking Dean made some sort of awful cosmic deal he isn't telling him about.
I've thought about the issue of how each brother would react, finding out the other is bi for quite some time. But I imagine it would vary A LOT depending on: who reveals this information first? Is it simultaneous? Do they only realize it at seperate times? Does Dean know that Cas is in love with him yet? Etc. Like both would obviously end up accepting the other in the end but the process could vary wildly.
(It would also vary depending on whether Gabriel is part of the equation when Dean finds out about Sam because honestly, if Dean somehow found out that something Sabriel happened with zero context I think his first move would be to jump to conclusions and chase Gabriel around with an angel blade.)
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mlobsters · 6 months
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supernatural s11e7 plush (w. eric charmelo, nicole snyder)
not the most promising start. offbrand donnie darko bunny
DEAN Really? I mean, really? SAM You ever hear of privacy? DEAN Hey, you want privacy, close your door.
as ever, privacy being invaded really hurts my heart. absolutely dean has a point and sam should have closed his door, but dean also had a shitty fucking smirk on his face and that nasty tone and i'm ready to punch him. i don't pray, i've never believed in anything, and i'm horribly hurt and offended that he'd act like this. i know their history and the dumb plot shit makes prayer not the same thing as it is out here in the real world, but come fucking on. he's still being a raging asshole about sam taking the chance on believing even just a tiny bit that it's god behind the visions.
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DEAN Thought we talked about this. SAM Yeah, we did, Dean. But why is it so hard to believe that God could be sending me visions about the darkness? DEAN You kidding me? He didn't feel the need to show up for the Apocalypse. Why would he give a crap now? SAM I don't know. Maybe because she's his sister? What do you wanna do? Sit back? Ignore him? Do nothing? DEAN No, that's -- that's not what I'm saying. I'm saying, don't count on God. Okay? Count on us.
count on us (so when you gonna tell sam your secret huh DEAN-O)
glad they let donna wear a uniform that vaguely fits and maybe dropping the fat jokes. maybe. (of course not)
BROCK Not much, man. I mean, I was just hammering my bi's, gettin' all swole,
please no and thank you
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s11e7 rita / true colors (1990-1992) brigid brannagh as katie davis
whoa okay so i definitely know this person and i think... it's from.... true colors?? which is yet another tv show i haven't thought about since the early 90s. wild
surely couldn't let sam's clown phobia not make an appearance in a killer ghost possessed child entertainer costume episode. was it purely so they could subject sam to a clown :p it's never gonna beat this post-clown interaction though
7x14 plucky pennywhistle's magical menagerie
dean heartily laughing and sam with his arms outstretched absolutely coated in glitter (i wanna paint it some day, so sparkly) will make me smile every time
also, i love this line
from 2x02 DEAN Planes crash! SAM And apparently clowns kill!
okay anyway. rehashing the good clown phobia moments :P (he did say the clown fight in 7x14 was therapeutic, guess he needs more exposure therapy [beating])
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taking another moment to appreciate how much better his hair looks this season, especially post-scuffle
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she is so very cute
DONNA I don't have time for insubordination. SAM Or is it maybe that you're treating new Doug like old Doug and not even giving him a chance? DONNA You know what I think? You need to mind your own beeswax. We have a case to solve.
saw her line comin a mile away
outsiders with sibling issues are evergreen
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*staring into camera*
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crack treated seriously vibes
SAM I keep praying to God because if it is God -- and I know you think it isn't, but if it is -- then he's showing me something I don't know what to do with. DEAN What? SAM The cage. DEAN Lucifer's cage? SAM Yeah. What if he's telling me I have to go back? What if he's saying that's where the answer is to beating the Darkness? DEAN Sam, no. No, okay. I don't know if these visions are coming from God or PBS or what. But we've been down that road. Anything having to do with that cage is -- it -- it's suicide. And you of all people know that. So, no. Just…Not gonna happen. SAM Okay. DEAN Okay.
actually okay? they both have a habit of agreeing and doing whatever the fuck they were gonna do anyway. i mean if dean isn't gonna come clean then whatever anyway. bitterness rising again
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aceaceace144616 · 9 months
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Welcome, Caller
by M Dean Wright
my thoughts in a nutshell: "oh no hes just like me fr"
ok i dont really review books or anything, thats my friend's job (cheeky promo alana_the_bibliophile on instagram) nah yeah but this one was just so good.
firstly, as a neurodiverse bi trans dude i related so hard to Malcom (the main character) with the overloads and insecurities and just everything. i may or may not have to get this entire transcript tattooed upon my person cos it just hits so close to home in places i didnt even realise until the book brought them to my attention.
like the whole thing about Malcolm not going after things that will make him happy (Peter) just cause he feels like hes so fucked up ± messing something up on purpose before you can mess it up by accident vibes. i literally said (in a squidward impression cos that is important information) "oh no hes just like me for real" out loud on a bus (but it was a loud bus so no one heard) (hopefully). also another thing, Peter telling Malcolm about his auDHD and what he likes + dislikes about sensory stuff. and Malcolm believing and respecting him. i just. its such wish fulfilment. that along with the rest of the story, its all just wish fulfilment. having multiple queer and neurodiverse friends that help you when youre struggling and will beat up your unsupportive family members. (also having a dude think youre hot. wouldnt mind)
secondly, it was just a good read. like i really enjoyed reading it, which hasnt happened for a while. it made me smile and laugh in public (which i never do). fr i was having a giggle on the bus, in class, in doctors waiting rooms, everything. i actually looked forward to reading it as well and i had to trudge through other stuff just so i could get back to it.
lowkey gives love simon vibes (from what i remember of the book when i read it in like 2018), just chock full of natural and believable sounding dialogue and references to things im sure ill actually like. (in my notes app on my old phone i went through the book and wrote down all the references made in love simon and it was pretty extensive (and now i have to do this for this book. oh no guess ill have to read it again oh this is so sad whelp better start now see ya)).
and like the friendship between the characters, the dialogue never felt too forced and they talked like actual people id talk to. swearing at and bullying your friends is a love language and it was done pretty well in this, and also the sending of memes being like an important step in a friendship is too real. also the revival of interest in records, my cousins poor bank account is a testament to that being relatable.
thirdly, the story. we got enemies to friends to lovers, we got 'there was only one bed', we got a road trip, we got a sickfic, and so much more and you know that i ate it up every time.
that as well as the epic highs and lows of making friends in your 20s (lol).
the book follows Malcolm slowly becoming friends with this irl dude Peter while falling for this 'mysterious' radio host Rebo, with his friends supporting him the whole time.
like i dont really go for romantic style stories but this was just so good (but then again ive barely read anything since back when i used to inhale books at like age 12) + the chemistry between Malcolm and Peter was just chefs kiss so good man.
also, the name Goby (one of his friends) kinda got me tho ngl, gobby is australian slang for… something, and i got a jump scare whenever they showed up lol.
Edit: they Goby on my Gumby till I Cheese. I'm so fucking sorry I had to write that down I couldn't get to sleep.
the only bad thing about the book (not that its bad bad, just like if i had to pick something) would be that the ending was made out of like 3 epilogues with indeterminable time skips between them. unless i missed something idk. im just more about the 'the characters kept on living' kinda ending, less 'albus serverus potter' style stuff, not that it was even like that tho.
but also wanting to own and run an incredibly specific cafe+store with your partner is just so fucking gay. oh my god. fanfiction shit right there /pos.
lastly, i haven't read heaps of books in the last couple years, preferring movies and shows more than my childhood self who lived in books series, almost like i didnt like reality or something (unthinkable ik)(i literally had this printed out and hung on my wall)(and on me liking movies more, thats a whole nother fucking topic and a half so ill complain about it in another post)(but anyway).
like honestly, i think that i might get back into reading, even though i forgot how many hours just fly by when i read, cos this was just great. (dont tell my mum she'll throw a fucking party)(again, different topic).
also admittedly, i did sotra kinda maybe slightly pirated it and read it off a pdf BUT! cos i like it so much im probably going to buy a physical copy (for almost 40 fucking dollars including shipping Jesus fucking Christ)
ik not a single person but me will see this review but i dont care. this book was made for me about me
tldr:
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73!
Born This Way by Lady Gaga (an excellent choice if I do say so myself)
It's Greendale's first official Pride Event, and everything is going great!
Annie is planning everything, of course, but what she wasn't planning on was finding her own queer identity. She had been so busy (and kind of a loser) in high school and during rehab she had other more important problems. But now she was finding herself and growing into the person she felt she was meant to be, and when she saw the bi pride pins in one of the boxes she was unloading, she couldn't help but stare at them. Something about them just felt right, like it was her. She grabs one for herself but doesn't wear it. She's not quite ready to embrace it yet, but someday, she thinks she will be.
Troy loves Abed. He knows it, Abed knows it, everyone knows it. They're best friends. And that's why Troy doesn't want to say anything about being in love with him. It's not that Troy is ashamed of it. He'd embraced his bisexuality years ago, even if he'd didn't always tell people about it. No, he was more worried about ruining his friendship with Abed. They have something great, and friends to lovers never works in real life, only in the movies. So, he decides to stay quiet. At least, until he sees someone flirting with Abed at the Pride Event and realizes he'll regret it forever if he doesn't at least tell Abed about his feelings. What's the worst that could happen?
Abed knows Troy has feelings for him. Abed also has feelings for Troy. It's super obvious, but Abed can't figure out why Troy hasn't told him yet. There must be a reason, but Abed doesn't want to push Troy into saying anything before he's ready. As much as Abed would like to be with Troy, Abed is more than happy with their friendship. As much as Abed would appreciate being part of the friends to lovers trope, he knows life isn't the movies. Still, he wishes it could be.
Frankie hates pride events. Well, actually, that's not entirely true. She understands why they're necessary, but she hates the fact that they're needed. She resents that she can't just find a woman to date without it automatically being A Thing. She just wants to live her life, in private, without being bothered. Which makes her feelings for Britta inconvenient, in more ways than one. Frankie is pretty sure Britta is straight, and even if she weren't, Britta is loud and in everyone's business. Not hers though. For some reason, Britta has always respected her boundaries. As she watches Britta dance at the Pride Event the Dean required her to be at, her heart skips a beat. A "crush" is such a childish concept but unfortunately accurate in this situation. She has a crush on Britta, and she doesn't know what to do.
Britta is confused. She's not homophobic, actually, she's proud to be an ally, but she's straight. Right? If she weren't, kissing Paige would have been no big deal, right? So, she had to be straight and was fine with that. Until Frankie came along. Frankie was no-nonsense, all business, and never shared anything about her personal life, but Britta could not stop thinking about her. And maybe, if Britta was really honest with herself, she wanted to kiss her. And hold her hand. And be near her constantly. And of course Frankie is at this stupid Pride Dance the Dean has set up, looking incredible. Britta decides that instead of thinking about Frankie, she's going to drink and have fun with her friends as a distraction. And it works, until she sees that bitch Slater giggling with Frankie. First Jeff, and then Frankie? Sober Britta might have assumed it was just two colleagues talking, but drunk Britta took it as an intentional slight by Slater. So, she decides to go over there and give Slater a piece of her mind.
Aside from Britta cursing out Professor Slater (seriously, let the feud die already), the Dean considered the Pride Event to be a wild success! The Dean would take the secret to his grave, but he saw Annie sneak the pin. It had been nice to see Annie grow and accept herself over her time at Greendale, and this was another good step. Troy and Abed were official now, and they had recreated several romcom scenes across campus. Honestly, the Dean was surprised it had taken them this long. And even some good had come from Britta drunkenly yelling at Slater. Britta had, more or less, confessed she had feelings for Frankie, and while Frankie didn't confirm she felt the same, she did offer to take Britta home, which she wouldn't do for just anyone.
Even though pretty much everyone else mocked Greendale, the Dean was proud of his school. Tonight had truly shown no matter gay, straight, or bi, lesbian, or transgender life, everyone had a place at Greendale.
Send me a number 1-100 and I’ll tell you which song you get AND what fic I’d write based on its vibes
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sarah-dipitous · 1 year
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Hellsite Nostalgia Tour 2023 Day 67
Metamorphosis/Daleks In Manhattan
“Metamorphosis”
Would I Survive the First Five Minutes??: I would legitimately never be in this situation, so sure
ooooooo now we get to find out all the things Sam’s been up to…and so does Dean…
This is only slightly more awkward and strained than the McElroys’ “don’t do a hit” PSA. Maybe both of these are signs to separate business and family
This show’s so fucking weird. They spent the first three seasons either ignoring the existence of a god or just flat out not believing in one, but now…NOW god does not want Sam to be doing what he’s doing
Whatever is happening to this man is really difficult to take while I’m eating lunch and having the sound pumped directly into my ears. It’s like bones cracking or even breaking. Eugh
I forgot Dean didn’t know Sam knew about the demon blood……it’s getting FAR more awkward than “don’t do a hit.”
Ew. Dude, is that RAW MEAT??? I hate watching this on my lunch. It’s always the WORST episodes…
They really use the most thinly veiled metaphors to parallel whatever conflict is going on between Sam and Dean, like, one sheet of saran wrap thin
I miss the days when they’d pull off to the side of the road to have nice little heart to hearts not yelling “I’VE GOT DEMON BLOOD IN ME, DEAN!!”
How long after hearing the phrase “long pig” did Dean start to come up with alternatives like “manburger helper”?
It’s not funny to have two men in their mid to late twenties carrying makeshift flame throwers break down your door, but hearing “we’re here to save you…I guess” and “we should leave” “yeah” almost immediately after kinda is. It’s only funny because the audience knows Sam and Dean
Aw, fuck. The other hunter’s gotten involved now…noooo, is this guy’s wife pregnant??? Fuck. Fuck. Fuck…
It’s the gross, wet sounds of this dude LITERALLY feasting on this hunter for me…can’t blame the wife for running away screaming after watching that
The boys showing up 15 minutes late with Starbucks…ooooo, a floor fit for a children’s hospital (how many times will this show give me the opportunity to use that joke??)
Well, that COULD have been a nice moment for Dean to reassure Sam if Jack hadn't attacked.
I’ll have to find it (maybe) but I once read a post about how Sam’s storyline in these first seasons especially tells a very queer coded story, and this episode really really hits you in the face with it. Like, yes, bi Dean and whatever…but there IS something to the heartache that Sam feels being othered to his own family by this thing he had no control over. This wasn’t his choice. It’s really resonant when Sam makes the decision to stop using his psychic powers because they made Dean uncomfy...Dean who has used "god doesn't want you doing this" but also only very recently started MAYBE believing there's a god? Sam think Dean believes he's a freak and less than human or at least other than human, sometimes saying that he's getting closer and closer to the things they hunt instead. I just...I see it.
“Been On My Mind…”: I think I’m gonna do a countdown…if in 10 episodes’ time I haven’t had a yes? I’m discontinuing this segment
"Daleks In Manhattan"
Lazlo should watch Supernatural. Then he wouldn't have gone investigating that weird noise and not gotten turned into a strange pig hybrid
I have a terrible feeling this is one of those two part episodes based solely on the fact that I'm struggling to say anything about this one. The Doctor and Martha are in 1930 NYC, and we're getting a lot of character introductions: the people and specifically the leader of Hooverville, the workers at the Empire State Building, the theater workers (performers and backstage), but nothing's really HAPPENING yet. Though, we're about to get our first glimpse of the Daleks, so that's something at least
There are so many times I'm glad I accidentally fucked up the scheduling and missed an episode of spn because having to hear the term "long pig" all during my lunch and now having these human/pig hybrids has mad that incredibly worth it, and there have been so many other small things that have lined up
Awww baby Andrew Garfield. He's precious, lookin' out for Martha
Somehow I think this foreman trying to get the Empire State Building built for the Daleks is gonna get either killed or turned into something at least close to a Dalek...either way, it's not what he thinks he's gonna get
Nooo, poor baby Andrew Garfield.
oh. that's equal parts terrifying and terrible...the guy who was getting "rewarded" by the Daleks just got...absorbed?? by one? And the CGI!!! Simply atrocious (affectionate)!!!
The showgirl did NOT sign up for all this...well, she's signing up for it NOW, I guess
I can't take this seriously...this is one of the weirdest story lines they've done and......the costuming...again, atrocious (affectionate) The guy who got combined with a Dalek? it looks so bad...
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unhingedeandm · 1 year
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Castiel 2 - Sexy Sweet Yummy - Castiel x Jeremy Fragrance
this delightful piece was written by Matilda, for Unhinged
SERIES MASTERLIST
Castiel was torn. 
That night with Jeremy had been the best of his life. He felt guilty, guilty for betraying Dean. But also he felt better than he ever had physically. 
That night with Jeremy had changed him. He didn't know what true ecstasy felt like, until Jeremy. 
Castiel appeared outside the bunker. 
He opened the door and walked down the stairs, hand trailing longingly down the banister. 
"Where the HELL have you been???" Yelled Dean. 
Cas rolled his eyes sassily.  He stormed past Dean, only to be grabbed by the arm by the flannel clad bi man. 
"Cas?" Dean repeated. 
Cas couldn't look Dean in the eye. Not after the things he had done with Jeremy. 
Dean looked cas up and down. Cas felt like he could see through him. 
"I had business to attend to in heaven" Cas replied cooley. He felt awful lying to Dean but needs must. 
"Oh. Yeah ok" Dean replied, somewhat satisfied. "Hey have you seen my phone anywhere?" 
Cas reached into his pocket. "No, maybe you left it at your latest hookups?" He replied snarkiliy. 
Dean stared at cas.
 Where was this attitude coming from? 
"No it was definatley here yesterday. And wtf cas, the last hookup I had was you!" 
Cas rolled his eyes. He knew the lies. Cas stormed past Dean. He would leave the phone somewhere for Dean to find. Possibly the library. 
Sam stared at cas as he stormed past. 
"Cas?" He asked stupidly. 
Cas hurumphed in his direction. 
Cas could FEEL Jeremy. He could feel him calling out his name. He could feel him and what he was doing. He felt Jeremy praying out to him. He didn't know what to do. Should he return to his lover? 
Cas sat in the library for hours. Pining over romance poems, books and art. He felt something new. Something he had felt for Dean at one point. Before the betrayal. 
Love. 
Castiel was in love with Jeremy. 
Assbutts. 
Castiel was about to disappear elsewhere when Dean stormed into the library. 
"I know EVERYTHING!" He shouted. "How could you BETRAY me like this Cas? I loved you!!!!!!!" 
Cas could not believe his ears. After everything Dean had done, Cas was the traitor??? 
"EXCUSE ME BITCH?" Cas replied. "You MESSAGED JEREMY FIRST!!!!! PLUS ALL THE FREAKS YOU HOOKED UP WITH WHEN YOU THOUGHT I DIDN'T KNOW!!!!!" 
Cas was basically crying at this point. 
Dean looked shaken to the core. 
"Whatt? The beaked lady, she was nothing, she was just a fling, she meant NOTHING to me cas!!!!! And the furby gou caught me with??? Dude that was literally a mistake NOTHING HAPPENED!!!!!" 
Cas narrowed his eyes. "Lies," He muttered. 
Dean looked hurt. 
"Cas, you know you're the love of my life. You know I'm damaged, ita not my fault, its my dad's fault!!!!!" 
Cas glared at the gaslighting man in front of him. As much as he loved Dean, Dean was a gaslighting little bitch. 
Cas took Dean's hand. 
"Look Dean. I know it's not your fault, but it really hurt me. Jeremy and I made love. And it was amazing. Maybe you could join us next time?"
He waited for Dean's response. 
Dean looked at Cas. 
"You what?" He said quietly. 
"You heard me Dean. It's not nice is it? Being cheated on." 
A tear slid down Dean's face. Cas felt horrible. 
He took Dean's hand and wiped the tear from his face. 
"Jeremy and I would love for you to join us next time Dean. You and I will show that delicious little German man who is boss."
Dean blinked away his tears. 
"You want me to join you and the sexy German dude? HELL YES!
I'll message him RIGHT AWAY!!!!"
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quillquiver · 3 years
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On SPN, Burying Your Gays, and Being Heard
I am shaking, I feel sick, I feel like I’m insane. And did I run a little wild with the theories? You bet. But you know what didn’t help? The botched clusterfuck that was this entire goddamn finale debacle. How was I supposed to believe anything they said in panels when M&G dialogue would leak saying the exact opposite? How was I supposed to grieve and move on when there was nothing from the cast and crew? Nobody said anything! And any info leaked just destabilized what we already knew or directly contradicted what we’d been told. In light of that, how was I supposed to trust anything anyone said? One rogue translator reciprocated the love confession and I was practically sold, because there were so many questions surrounding the English text that this was something good, something that logically fit, and something I wanted to hold onto. 
Because they hurt me. This is about so much more than one episode or a ship; for years queer fans have seen ourselves in these characters and been told that we were crazy. That we were reading too much into it. I’m not sure how people get upset and offended when a storyline that doesn’t exist... doesn’t exist! said Guy Bee (2013). And then, after all of that, they turned around and said magnanimously, you have your version, I have mine... and that’s okay. But it’s not okay. It’s not okay, because that doesn’t erase what came before - that doesn’t erase the baiting and the gaslighting, and that invalidates everything we felt in the time leading up to that episode. It gave them an open window for all the subtext that came after. It allowed them to brush us off.
And then we got Cas’s love confession. I watched that scene about 500 times. Added to the rest of the season - to the fandom avatar being presented as successful and intelligent, to arc being the death of the author - I felt seen. Really seen, by a show that made it its mission to erase me. I had been okay with Cas dying at first because I had been sure the romance arc would carry through. I had been convinced that after everything, there was no way they would give that to us and then take it away.
But they did, because this is Supernatural. To anyone saying this is not bury your gays, I implore you to read up on the Hays Code. This link is to an amazing queer history podcast and the episode that covers it. In short, the Hays Code was a legal document that came about in 20th Century Hollywood during the puritanical war on the American entertainment industry,  and it stipulated what was not allowed on screen. Not all of it was queer - there’s a whole section about kissing - but what the Code is most remembered for is that queerness was not allowed on screen. But queer people are resilient, and so they started testing the waters... and it turned out that you could in fact code queerness into a narrative, as long as it was subtextual, or as long as the queer character died/was punished, or both. The point is that the character is not allowed to live their truth openly. They are buried, either in the ground or punished in the narrative. The former is normally what we refer to these days, because the latter just doesn’t really happen anymore.
Until Supernatural. 
Castiel is immediately punished for speaking his truth - and please don’t tell me he leveraged that punishment and so he had agency. Literally the only thing that could make him happy was confessing his feelings, and so the Empty deal was directly related to this idea of queerness-as-punishment. That being said, Bobo wrote a beautiful scene. Cas’s confession was a love letter to queerness and coming out... but everything that came after buried him. Castiel may have ended the series alive but he was effectively written out of the last two episodes, and that means that he actually never really got to live his truth. He was silenced by the narrative - that is punishment. 
Dean is a whole other can of worms. Does one rogue translator confirm canon bi!Dean? Or do we have to read our own version of the text? The fact that we even have to ask these questions firmly places us in the realm of queerbaiting. Were the writers trying to get bi!Dean approved but were unable to? I have no idea, but queerbaiting requires proof that the writers encouraged a reading they had no intent of following through on, and we certainly don’t lack in evidence of that. Not from this writers room, but from those of previous eras. Did these writers try? They might have, but the funny thing about queerbaiting discourse is that there has never been a show to bait this long, and I’m making the call that even if you tried at the end, you baited me with half the ship and all the years that came before. 
Of course, the narrative leaves open the possibility of bi!Dean so if you do read the show that way, that means Dean also falls into the bury your gays category; if you read the show this way - which many of us do - the mere suggestion that Dean Winchester was bisexual was enough to punish him. And he was punished. We’ve all written extensively on this, but he was given a random death, on a case his father never finished. All that growth, all that time spent having him accept himself, love himself, that was all taken away. He died the way he always thought he would: as a tool, in service of his father, protecting his brother. He had always believed he’d been a body to throw on the sword and in the end that’s all he was. And when he gets to Heaven? He’s also silenced. He barely speaks in the episode except to monologue during his death, and that is 100% Sam-centric. He is scared. 
It was horrific to watch. I sobbed so hard my roommate was seriously concerned. 
I had been fully prepared for Supernatural to end disappointingly. I had figured everything would end with a huge heaven reunion because white, straight, cis-male S&F writers love the idea of death as a reward, but instead of being disappointed I felt like I had witnessed a slaughter. Every single one of the queer themes intrinsic to the show: found family, resilience, speaking your truth... were gone. And I know we’ve talked about this too, but it bears repeating, because in doing this, in writing the queerness out of its narrative, Supernatural effectively looked every one of us queer folx in the eye and said: you are not important. You don’t matter. All of that stuff that came before is all good and well, but what really matters at the end of all things is blood family. It’s two brothers in a car. Life sucks but at least we get to die and go to paradise - real paradise, that your angel buddy died for and then made for you and who we never hear from again.
I felt insane. I felt cheated. I felt humiliated. I felt devastated. I still feel all those things, but listen to me. You have been heard. Not by Misha Collins, who is a great guy, but doesn’t get it. Not by Jensen Ackles, who is a similarly great guy, but also just doesn’t understand. And not by anyone else who worked on this show. 
You know who heard you? Me. The people who follow me. The people who follow you. We saw each other, and heard each other, and we gave each other a leg up. We made memes. We wrote fic. We drew fanart. We made gifs. All for ourselves and all for each other. We broke Tumblr multiple times. We donated over $60,000 USD to multiple different causes. We got multiple hashtags trending at multiple different points, and today kept it up because we demanded answers and then we got them. There were at least 5 articles written about the show today. We made that happen. We made people listen. 
Supernatural didn’t deserve me, and it didn’t deserve you. It didn’t deserve Dean. It didn’t deserve Cas. It didn’t deserve Misha and Jensen. But this show ended with a bleak, awful message and we turned around and showed them that love is loud. So what about all of this is real?
We are.
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tearsofgrace · 3 years
Text
endings are hard... but they aren’t impossible
tldr; the good place fucking nailed the finale, supernatural completely and utterly bombed it.
tags: wc--4.5k, gif heavy, spn meta, the good place, supernatural finale, spn wank, all gifs are mine, if you read til the end there’s a pretty gif
so i recently finished the good place (i was watching w my family and we finally had time to sit down and watch the last season) and god fucking dammit that ending is FLAWLESS. literally flawless. 
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and because i’m, well, me… i spent most of the time during that hour long finale thinking about how supernatural could have had even a fraction of that and avoided so much heartbreak. 
anyways. i decided to compare them. to REALLY compare them. to get into the nitty gritty of why the fuck the good place ending left me feeling, as the finale is all about, sated and complete. and why the spn ending left me confused, lost, broken, betrayed, unable to even enjoy my comfort show at all until a dear friend finally just watched an episode (8.08) start to finish with me. 
so without further ado (always wanted to say that) here’s the good place/supernatural finale meta that no one asked for
comedy
we’ll start small. both these shows have excellent comedy. in extremely different ways… but still
in the good place finale, the comedy was perfect. whether it was jason reappearing in the forest, michael trying to get through The Door, tahani reversing the “hot bod” bit on eleanor, every comedic moment was actually pretty emotional and added something to the show. they deepened characters’ meanings, added to their relationships, and made the audience think as much as they made the audience laugh.
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in the spn finale… the comedy was the pie gag. the whole sam shoving pie into dean’s face. beyond this being… like meta as hell (the whole prank thing) it doesn’t have any depth to it.
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and to add salt to the wound, this “hilarious” thing happens RIGHT AFTER salmondean have a conversation about missing jack and cas that is equal parts flat and infuriating. the brothers, in particular sam about jack and dean about cas, should care more. this is their family. and family is everything to them. but, no, by all means pie dean in the face.
last lines
this one IRKS me. okay. 
the last line of the good place  "I'll say this to you, my friend, with all the love in my heart and all the wisdom of the universe: Take it sleazy.” “All right.”  is ICONIC. okay?
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it’s a reference to season 1 that doesn’t feel fan-servicey. it’s kinda honestly emotional cuz it’s like a message to us, the audience. it perfectly completes michael’s arc. it captures the light-hearted vibe of the show while also somehow managing to be poignant. you can see it coming like the second before it happens but it’s also not the obvious choice. it’s just. goddamn it’s good.
the last line of supernatural…. is… “and cut.” not even said by one of j2. i mean i know it’s a meta show but COME ON ARE YOU FUCKING KIDDING ME??????????
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now i hear you shouting wait but that’s just the end of the thank you message. okay fine whatever. in that case the last lines are “Hey, Sammy.” “Dean.” (i couldn’t bring myself to gif that moment)
i’m sorry but. that’s predictable. that’s obvious. that’s boring. that’s flat. sure, it celebrates the bond between the brothers. but like… that’s not what this show is about anymore. it’s not just about sam and dean winchester it’s about what they’ve created. it’s about the world they’ve saved, the family they’ve made, about how they always keep fighting but nope we get bland, boring, coulda seen ‘em coming from miles away lines for the very end. that’s fine.
montages
the spn finale is like 50% montages that don’t make sense and are poorly done and not emotional
the good place has a montage of michael being human that brought me to tears
timing
here’s another short section. the good place finale was 53 minutes long as opposed to the usual 20 minute long runtime of every episode. granted, the fandom of the good place is very different, but STILL there was no documentary telling the fans things they ALREADY knew (there was a short special after the ep, but the episode itself was still far longer than normal). it was 53 minutes of plot. of really fucking good not rushed plot. 
the supernatural finale was… what 36 minutes long?? as opposed to the normal 40 minute runtime?? granted, we did get an hour long documentary of things we’ve all heard in cons and interviews a billion times so hey. take what you can get i guess.
character arcs
this is most of the meat of this meta. one thing we’ve all been harping on a TON is how they RUINED character arcs. soooo let’s go through and juxtapose some character arcs shall we
eleanor
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eleanor shellstrop starts the show completely self-obsessed. she died getting hit by shopping carts while picking up margarita mix and let’s be real she’s a total icon. love her to death. she grows a ton, becomes one of the most selfless characters on the show, and starts to actually (jack forbid) CARE about things. it’s one of the most satisfying and relatable character arcs i’ve ever seen. 
it’s not just her selfishness either, her character is super multi-faceted and complex, and i feel like even in the end we’re getting to know her better. she’s afraid of commitment, always worried about what others’ actions will do to her, loves the trivial side of life, is queer as fuck (as acknowledged by the show in a way that’s not harmful at all but also isn’t explicitly bi/pan/unlabeled/omni etc, allowing queer fans to see their own identity in her), and is all around a HUMAN BEING. her ending at the beginning of the show was her death. her stupid, trivial, meaningless death where she was, as she puts it, all alone. and her final ending ISNT that. yes, everyone goes before her. and i think that’s purposeful. to show that she’s grown enough that being alone in some sense is okay.
but she’s never TRULY alone. and in the end. the REAL end. janet is there. the whole time. because eleanor asked her to be!! she got over her crazy need for independence and simply asked for help. and eleanor dies an amazing person that has become selfless, has found joy in philosophy while still enjoying trashy content, has fixed her relationship with her mother, and has found a sense of completion. eleanor’s life ends on her terms, and it’s beautiful.
dean
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alright. now just as you’re feeling all warm and fuzzy let’s look at dean winchester’s ending. you’ve heard it a million times, so i’ll be brief. dean was raised to be a hunter, a soldier, a killing machine with no feelings and no purpose. he was raised to die scared on a hunt, his life over because of some mistake he made because he will NEVER measure up. at least that’s what john and everyone else told him with the exceptions of some of his family (and family don’t end in blood). he started to accept that he didn’t have to have this. he started to realize that he could CHOOSE what his ending was. 
the beautiful thing is, we never truly got to see what that was. i personally like to think it’s similar to the roadhouse michael locked him in while he was trapped in his own mind. a safe place for hunters, somewhere he (and cas in my opinion, but that’s not important) could settle down and still be in the life. it would be an amazing tribute to jo and ellen, and just all around a great ending. he wouldn’t have to be scared, but he wouldn’t have to conform to some apple pie facade of normalcy. and ya know what?? say that he died so he could have peace i dare you. because dean doesn’t find peace until sam is there anyway so i beg of you WHAT WAS THE FUCKING POINT. 
dean winchester died scared. dean winchester died on a hunt. dean winchester died on one of john’s old hunts. dean winchester died not directly at the hands of a monster, but at the hands of a mistake. his mistake. dean winchester died without ever working through the trauma of his best friend in the entire world confessing his love in a final act of self-sacrifice. dean winchester died in a way that leaves a sour taste in my mouth and does not at all show the audience what he’s been through and how much he’s grown. dean winchester did not die on his terms, and he deserved better.
chidi
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okay back to happy. chidi anagonye. by far my personal favorite good place character (don’t tell anyone i always say jason cuz he and i are very similar). chidi in the last few episodes is SO DRASTICALLY different than the chidi we meet at the beginning. he’s decisive, confident, self-assured, and it’s amazing to see. he’s not afraid of life anymore. he’s not afraid to make the wrong decision and forever alter his reality, because he’s okay with failure. 
at the beginning, chidi was so petrified of life that… it killed him. and in the end, he’s completely at peace with every decision he makes, even the final one. yes, he considered staying for eleanor, but that just shows how his moral code and his compassion for others is still very much still intact. it shows the audience that you can be confident and decisive without being a selfish asshole. 
chidi leaves the good place knowing that it’s the right thing to do. knowing without a doubt that his time has come. the old chidi never would have been able to fathom being that sure about something. it’s beautiful. it’s a development that can give the audience peace, can show them that this drastic of change is possible, and that chidi became a better person for all of it. chidi went on his own terms, and it was beautiful.
sam
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… this one might be controversial… but sam winchester. god i hated sam’s ending. at first i was kinda okay with it. like, okay fine he got his normal life. but, really, in the end that’s not what sam wanted. he started to realize that he didn’t need that apple pie, white picket fence life. he didn’t need the wife and the kids and the backyard and the barbecues because that is NOT sam’s personality and i will throw hands on that. 
that’s not to say he doesn’t want some sort of romance, maybe even kids, but not in that way. he lets himself see that he doesn’t need to be defined by his rebellion to john. doesn’t need to be defined by going to college or any of those “normal” smart kid things because it doesn’t fit him. and that’s okay! but how does sam’s story end? it ends with a wife (that isn’t even important enough to show her face). with kids. with a goddamn white picket fence. we think he’s still hunting to some extent… but it’s not the arc we were led to believe would happen. it’s not this amazing leader sam that we see in season 12-14, uniting hunters and organizing them. 
he had SO MUCH potential and they throw it away on a vanilla ending that shows only surface level pain at losing his brother. he doesn’t even invite the rest of their family to the wake for fuck’s sake. jared did an incredible job. pls don’t think i’m saying he didn’t. but that script…. sam winchester’s arc was cut short. he didn’t go on his terms, and he deserved better.
jason
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jason mandoza. the only character that has ever embodied my complete dumbass energy to the insane extent that it exists. he went to hell for his impulsivity. he never thought before a decision. i aspire to be as reckless as jason while on earth. but he LEARNED. he got better, just like they all did. and by the end of the show, jason doesn’t need to be impulsive anymore. much like eleanor being left “alone,” the show does a masterful job with making him be the first one to go, capturing his old impulsiveness. but he chooses to leave. he takes his time in deliberation, waiting until a feeling of peace, of completion, of well, ‘true happiness’ (sorry cas stans, i’m right there with you) has settled over him. 
the ending of his story is one of growth, just like all these characters have been. and the best part? the show makes it comedic in the most poignant and beautiful way, because it’s jason, it had to be funny. we learn that jason has been in the woods for like, eons, just waiting to go through the door because he wants to give janet a necklace. he’s learned to simply wait. to be at peace with… nothing. his torture was being a monk, but in the end, jason embodies those ideals. his arc comes to fruition in an extremely satisfying way. jason goes on his own terms, and it’s beautiful.
castiel
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this one is gonna hurt like a bitch. castiel is my comfort character. he’s my role model. he’s me in a lot of ways. i love him. so fucking much. so excuse me if this is slightly incoherent. i’m actually okay with cas’ ending… in a way. because his actual ending as an on-screen character? perfect. self-sacrifice while coming out and professing his love to dean winchester. a little bit bury the gays, but let’s be real, it’s supernatural. and “happiness is in just saying it” has to be the most powerful way to think of coming out. it takes away the fear, it takes away so much of the pain that can follow. because the joy is in just saying the words.
it’s how this was treated on the show that makes cas’ character arc terrible (and we haven’t even gotten to 15.20). YOU CANNOT JUST IGNORE A LOVE CONFESSION. that is god awful writing and i will never change my mind on that. cas deserved his family to care about him. to at least address and be sad about the fact he was gone. jesus fucking christ after everything castiel deserved at least that. and then we go to 15.20. cas is in heaven. cas is serving god. cas is right back where he started. now, i’m coming off a little strong. 
if the show had decided to show us cas and jack in heaven makin’ the world a better place… i woulda come around to it. i woulda realized that that’s not REALLY erasing 12 years of character development and cas realizing that his whole identity isn’t just him serving heaven and isn’t just him being an angel and that he’s so much more than all of that and he could still be happy as a human… because really he’s with his son. but they didn’t show us that. they barely even mentioned him. and to me. that counts as a bad character arc. and i’m sorry if you disagree. castiel may have gone on his own terms, but they treated that beautiful sacrifice with disrespect and disdain, plus resolved his arc by putting him back where he started. he deserved better.
tahani
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*deep breaths guys this is a long post i’m sorry* anywayyyy tahani!!! we love tahani obviously. let’s talk about her arc, because it always kinda bothered me. throughout the show, we see all the other character’s growing and expanding their knowledge of right and wrong. and, don’t get me wrong. we see tahani grow a lot. but she makes a lot of the same types of comments and shit like that. but it’s how she treats the reactions to those comments. by the end of the show, she laughs at the caricature of herself that the others see. she isn’t looking for vindication in name-dropping, she just does it. she is far less self-absorbed, and is genuinely interested in those around her. she fixes her relationships with her sister and her parents in a way that doesn’t feel forced and actually feels like a beautiful, healthy family reunion. 
she has a list and she does everything on it. it’s worth noting, that the things on her list are not at all what they would have been at the beginning of the show. most of them are humble “labor” type tasks, and all of them are in self improvement. tahani’s end on the show is not the same as everyone else’s. she realizes that she doesn’t need to be done. that there doesn’t have to be an end to self-improvement. and she becomes an architect. the writers perfectly embody her transformation from a self-obsessed rich girl who has never done a thing for herself and laughs at the lower-class to a down-to-earth worker that simply doesn’t want the journey to end. 
it’s incredible how perfectly the writers were able to close off these character arc’s without it feeling forced, and without ignoring their character development. imagine that. tahani chooses her own way, and it’s beautiful.
jack
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jack’s ending may be the only one that i’ve actually somewhat come to terms with. it’s not terrible. it’s not great. but it’s not nearly as bad. because ignoring that awful monologue about every drop of rain and shit, jack really does end up helping people. he ends up doing something that he loves and that makes the world a better place. and he doesn’t lose his personality in it. but. i dunno, that’s still his destiny, right? to create paradise. and this is a show about ripping up the rule book, about choosing free will above all else… so to have every single character just fulfill their destiny is cheap. 
still… i’ll try to be unbiased. because really at the beginning of jack’s time on the show, he’s unsure what he wants. and at least, in the end, he’s sure. he has a wisdom that he’s always had but he’s now using. and i’m good with that. but what’s NOT okay about jack’s ending is the lack of on-screen family. jack learns that family is important. sam, cas, dean those are the people he cares about. and you’re telling me he would just NEVER see them again? and be okay with that? i know he rebuilds heaven with cas, but we don’t even get a story about him rescuing cas from the empty. and he seems in 15.19 to not be that concerned about it (after the amazing emotional scene at the beginning). jack should have cared about his family. he did. but they ruined that for him. so jack kline deserved better.
michael
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oh man where do i start. michael’s growth is the biggest on the show. i mean. he starts as a literal demon and ends a human. he gets better, he falls in love with humanity (*castiel fan in me sobbing again*) and he chooses over and over to be good instead of bad. his whole arc is a classic redemption arc, and every single beat just gets better. he chooses selfishly to side with humans but in the end it turns out to be the best decision he could have made. because he develops emotions, he develops compassion, he develops a moral compass. 
and his end reflects that. because to complete this arc of a demon becoming more human… he literally becomes human!!!! it fits so well. and he’s allowed to make mistakes and be happy and gain all that humanity has to offer. this just shows that human!endgame for cosmic beings that become more human WORKS SO WELL (and it shoulda happened for cas and jack that’s all i’m saying). michael went on his own terms, and it was beautiful.
eileen
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oh boy… this one stings. because they brought her back, used her up, and we never saw her again. eileen was one of the best side characters on the show, and they rarely addressed her arc. she comes onto the show as a hunter seeking revenge, and gets that revenge in the same episode. her s15 arc is focused on what’s real and what’s not, with her relationship to sam admittedly being a central part of her character because… it’s supernatural and women can’t exist without that. but still! eileen grows throughout the show and in the end… we don’t even know what happens to her. it’s as if her arc wasn’t important enough to even glance at. 
it’s as if the connections the boys make outside of each other mean nothing when in reality they mean everything. they prove that the co-dependency is behind them and that family doesn’t end with blood and that real connections can be formed between people that last a lifetime. eileen was a disabled hunter that was shown to still be one of the best in the business, and they didn’t even give her the courtesy of a goodbye. eileen didn’t go on her own terms, and she deserved better.
janet
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this is gonna unbalance my list but goddammit janet’s ending was perfect. she was a not-robot, not-girl that should have been incapable of feelings. but throughout the series we get to watch as she learns first-hand about human emotions and processes them. she cares about the humans in her charge and fights for them on multiple counts. 
in the end, we see janet come to terms with both her cosmic being side, and her human side. she never stops being with the “cockroaches.” she sees them all leave, she’s there for them while they’re there, and she also continues to speak her mind and live autonomously. janet was a non-human character done right. she lived on her own terms, and it was beautiful.
some honorable mentions
spn ignored (in the finale) chuck, amara, stevie, charlie, jody, donna, garth, bess, the other angels, claire, kaia, patience, alex, and the list goes ON in favor of focusing on JUST sam and dean. did none of those characters at least deserve a quick goodbye??????
the good place wrapped up multiple arcs i had completely forgotten about in a totally natural and not forced way. mindy, doug forester, (the mushroom guy, i know, it took me a second), pillboy, donkey doug, kamilah, tahani’s parents, eleanor’s mother, eleanor’s friends, chidi’s best friend, vicki, shawn, glenn, simone and so many that i’m forgetting all got satisfying ends that they totally deserved. 
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they even fucking resolved FROG GUY’S arc and gave him a real frog. that’s right. frog guy (jeff) had a better character arc resolution than dean motherfucking winchester. 
heaven and hell
obviously in very different vehicles, both shows explore in depth the realities of the afterlife. and lemme tell ya, at the end of the day, one sits a whole lot better than the other. 
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the good place finale ends this quest for the perfect afterlife by saying that everyone can improve and that an eternal paradise shouldn’t keep you from eternal rest. they pretty much make me wish that this is what our afterlife looked like. they handle everything with care so it’s balanced precariously in a way that doesn’t give you anxiety looking at it but instead fills you with peace and faith in humanity. 
supernatural addresses this series long battle between heaven and hell by creating a heaven where you drive for forty years without seeing the people (cough cough cas and jack not his parents) that matter to you and drink beer that tastes like shit. a place you can’t be happy or find any sense of peace until your brother has died and he’s there too.
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and hell… well they barely even address it. there’s a new queen of hell i guess? but so what. it’s still very much heaven and hell in a way that’s the worst and hey plus to them… makes me wanna stay alive thank you very much. oh and purgatory is in shambles and not functioning properly cuz all that eve bullshit.
loose ends
whenever something is ending, you gotta tie up the loose ends. not in a “oh, we must wrap everything up and leave no stone unturned” kinda way but in a “wow, we should probably try to make this unambiguous because this is the last time we will ever see these characters” kinda way. 
the good place does that. so fucking masterfully. all these side plots with all these different characters were taken care of all while focusing on the main six characters. we get to see how their intervention has changed everyone else. for example, mindy’s arc is wrapped up perfectly, with eleanor going to save her.
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plus different running jokes like “take it sleazy” are wrapped up, we revisit really old callbacks like the original neighborhood, and all of it feels natural and in the moment. it feels like full circle in a way that doesn’t erase growth. 
supernatural, on the other hand, left a million loose ends open. what happened to the boys they saved? where the fuck are jody, donna, etc.? did eileen make it back? cuz sam was pretty upset about that. what happened to it “being loud” in the empty? hell, what happened to the empty? what happened to hell? what about chuck? it woulda been nice to see just for a second what became of him. did charlie and stevie make it (i’m very invested in that relationship)? if we’re taking the original ending… why the fuck is jimmy there? did kansas just all,,, die? 
i’m not saying they needed to address everything… but god a few wrapped up storylines besides the brothers wouldn’t have hurt
coloring
can i just… real quick… as a giffer lodge a complaint
the good place has beautiful vibrant coloring in the finale
spn has like bland washed out whatever the fuck that is coloring. it’s not even the dark early aesthetic cuz they dropped that it’s just… ew. so. do with that what you will. 
conclusion
first… while writing this i realized just HOW MUCH it’s not about destiel… like believe me. i knew i wasn’t just pissed about destiel. but holy shit it’s not destiel at all like did i even mention destiel that much???? this was never about a ship. this was just a trash finale. 
in the end. the good place writers knew what they were doing. they knew their fans, they knew their characters, they knew their world, and they knew how to wrap it up in a way that was satisfying and sad and perfectly fit the tone of the whole show. it wasn’t out of character or rushed, basically every loose end was tied up without the audience even realizing that’s what they were doing, and i feel happy and complete having watched it. 
the supernatural ending was a betrayal. flat out. to the audience that has stuck by it in a way bigger way than the good place fandom. to the characters that have helped so many people. to the actors that have given so much of their lives. to the other members of the crew, to certain writers… all of it was just a slap in the face.
we deserved better guys. there are better endings possible. so i’m sorry. i really am. but i guess… that’s what fanfic is for, right?
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deanwasalwaysbi · 3 years
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I've gotta say, I find the concept of Bedlund trying to Ben-Hur Jensen absolutely hysterical. I'm just imagining Jensen getting a script and being like "Ben?? What's this? Is this gay? This seems gay????" and Ben just soothing him like a frightened horse.
Hahaha - Look it wouldn't be the first time. What is this verb we're working with? Okay. Strap in everyone. The Multi-Oscar-winning 1959 movie 'Ben Hur' had a bunch of gay subtext. The writer, the director, and the second lead actor all knew that Charlton Heston's character, Ben Hur, was gay. However, one person didn't find out until the 1990s: Charlton Heston. The consensus on set was "Don’t tell Charlton, because he’ll freak out." and when Heston found out in the ninties, freak out was exactly what he did. (x) [the movie may have gotten a reference from Misha back in season 6 (x)]
Whether this happened with Jensen on SPN depends on two things.
Was the character of Dean intentionally written as Bi and, if so, at what point did that become true?
Did anyone tell Jensen? Did he figure it out? if so, when?
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I personally DO believe at this point, I really do, that Bedlund - Ben Hur'd Jensen. I think it was part of the writers room but not all of it, until it was. (Which RN I believe finally happened under Dabb.) I think Jensen wasn't in on it, until he was. So for me? I think he really was in the dark at one point. But at what point that changed? Probably only he can answer that question. and RN? He ain't talking.
In the meantime we can only look at things Jensen has said on the subject - Like this unbearably ambiguous GIF set from @nikadd. Was this tongue in cheek? Legitimate ignorance? You're killing me, Jensen. That cheeky lil smile, Jensen. Nvm - I'm going to kill you instead. It's for my own survival. No hard feelings right? You understand.
UH OH HERE COMES A CUT TO HIDE A LONG DERANGED POST...
We can look at the text for number 1 - and I do that uh - a lot - see the blog name #Dean Was Always Bi
For number 2 we can look over some points when we got clues from what Jensen thought was going on [regardless of whether they make sense based on his jacting or directorial choices I guess] and get left wondering whether at any point he felt pressured to lie for his career, for self protection, or to protect the narrative from the network: 
2010 - 'We're missing the gay angel' (x) (Season 5 gag reel) (x) “Sorry man, not what the show’s about.” Jared: One of the good and bads about playing the straight [non-comedic] character on the show… Jensen: What wait? I’ve been playing him so wrong
2012 / S8 - Trenchcoat - Jensen talking about how sometimes they change the lines because they're way too gay. Calls Cas a third brother
2012 - "What's Destiel?" Ben Edlund: That’s some weird shit. Jensen: Is this something that you created, Ben? Ben: You don’t want any part of that.
“Don’t ruin it for everyone now” “I still don’t know what the question was. I’m going to pretend I don’t know what the question was.”
2013 @ JIB, re Dean’s reaction to Aaron’s flirting in the season 8 episode Everybody Hates Hitler,  (x)
“And the scene wasn’t written to be that kind of - I mean - It was written to be awkward.  Ben Edlund wrote the - my favorite line in that scene was ‘carry on . citizen’ that was - I almost couldn’t say that with a straight face I was laughing so hard.  But it was - you know - it was comedy. It was a comedic moment in the show and fortunately Dean gets a lot of the comedic moments in the show and it was just, you know, Ben was poking fun at the fact that - you know, how can we make this very kind of manly, heterosexual guy uncomfortable - uh -you know, or  or have him back on his heels and throw him off his game a little bit.”
The thing is - Bedlund and Phil Sgriccia made very clear on the commentary track that THEY saw this scene as a 'romantic comedy kind of fluster' "This potential for love in all places."
Ben Edlund calling the writer’s room a boy’s club in 2013 (x)
Misha Collins telling Destiel fans they aren’t Crazy in 2013 after some executives said they were (x).
2014 Jensen says he was glad there wasn’t much Dean and Cas in season 9  - HA Hah HAH (x)
“I think the whole Cas and Dean thing has gotten out of hand”  “I don’t think there’s anything secret to their relationship even though a lot of people wish there was” REMINDER - that season we got the nightstands acknowledgement and “play him like a jilted lover” and the “he dumped me James” cut and -
I certainly know that Misha and I don’t play that. SIGH. they Ben Hur'd Jensen.
2014 - the fan fiction joke - 10.05
“I didn’t have a positive reaction, The first time in I think 200 scripts I went and sat down in the showrunners office and said, ‘What in god’s name are you doing?! Why? I need to understand why this is happening.’” “[Carver] gave very eloquent answers and did a great job of explaining why we were doing what we were doing, I guess I had been aware of this ‘fan fiction’ for a while and I felt like maybe if I ignored it, it would eventually go away. When I read it in the script that is what I do for a living and is my work—I’m very protective of these characters and the story and I think we have a right to be—I wasn’t angry. I just wanted to understand why and what was the message we were ultimately sending with this script and story. By the end of it, I felt good and it gave me all the confidence I needed. It was better than I could have ever hoped.”
But then there's Jensen in 2015 talking about all of Dean’s bromances. (x)  [gifs at the top] Could go either way - starting to figure it out? or No?
What had changed if anything? the entire Crowely season 10 story line?  This was July 2015 - the same day as the SDCC 2015 panel where Misha talked about Destiel   (x @ 13) Carver and Dabb were there - 
By this time Jensen and Misha were nominated for a teen choice award for best chemistry against various tv couples (and one ensemble cast, but the award nomination did NOT include Jared) .... Misha and Jensen would go on to WIN this award one month after the panel.
At the Panel Rob and Rich ask the question: “You two have branded yourselves as TV’s greatest team since, ... idk who.... Ernie and Bert so.”  [Misha says to Jensen & Jared, half not on the microphone: “I really didn’t expect them to throw us under the bus.”] “are we going to see that continue? Is the Castiel Dean relationship still aflutter and still growing as we move into season 11?”  Jeremy Carver: “Ish.” [mocking from panel ensues] “Yes. Of course. I mean Yeah. Absolutely. Yeah. There’s no doubt.”
Jensen Directs 11x03 and the choreo mimics Goodbye stranger (x)
2016 - Jensen: Dean could have a huntress, but you’d kill her.
Jan 2017 Con the infamous - no hedge - harsh - “Destiel doesn’t exist.” (x)
I would hope that if he knew he wouldn’t have been so harsh with it.  So by that point either he still didn’t know - OR - to him ‘Destiel’ was specifically about internet porn/sex and not like - the potential for feelings / a relationship.  It makes me think about something Misha had actually said, around 2013, “It’s called ‘Destiel’ and it’s about the romantic interludes between Dean and Castiel.” (x)
2017 - jib8 Jensen called Dean a lover of the ladies
May 2017 - After filming the end of season 12:
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2018 - Misha confirms he and Jensen have talked about Destiel (x) - also 2018: The Bisexual Dean essay "? No." (Oh god was this really this recent?! I can't deal with this.)
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Well. SOMETHING happened in 2019. cuz here it comes
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2019 - "Dean has no taste, clearly." 2019 - 'So, tell us just a little bit about what you're most excited to tackle with your character this final season.' "Cas. Just like a full football form tackle."
Look at this face he gave Dean when Cas told him he loved him and tell me he wasn't playing into it here. You can't. (x)
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curlynerd · 3 years
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You're Bacon Me Crazy Word Count: 2K Rating: T Summary: "I can like more than one kind of burger, you know!" Or, Dean comes out through complicated burger metaphors. Notes: humor, canon-adjacent, coming out, established Destiel, #pray4Sam
Also read on AO3!
"You're really having two burgers, Dean?" Sam asks in his most smug, most obnoxious "I’m eating kale for lunch" voice. Dean really hates that voice.
Dean straightens his back and spreads his hands out, like the two wrapped burgers, the extra large fries, and the soda with two straws are a majestic bounty. “I’m a growing boy, Sammy."
“Uh-huh,” Sam deadpans. He lifts the takeout lid of his salad and starts carefully drizzling the vinaigrette cup over his bed of leafy greens and grilled chicken. “And you’re definitely not going to bully Cas into splitting them with you? You know he doesn’t need to eat.”
Something tight and anxious curls in Dean’s chest. “No!” he blurts out, realizing a second too late that it’s normal for him to share his food with Cas. Just because he’s been doing it more now that he and Cas are finally together does not mean that it’s weird now.
In response to Dean’s defensiveness, Sam raises a self-righteous eyebrow in sync with his salad-laden fork. “Can he even really taste them? I thought he didn’t like food in angel mode.”
Dean swallows down a multitude of answers. He likes sharing the experience with Cas anyway. He thinks the way his face scrunches up at the molecules is cute. It makes him feel all warm and fuzzy inside that an angel -- his angel -- is willing to put up with something so silly and mundane and human as taste-testing different burgers.
He really, really needs to tell Sam the truth about him and Cas. Hell, he’s been trying to for months! But every time the perfect opportunity presents itself, he turns into a fuckin’ coward.
And today definitely is another perfect moment. The conversation has naturally turned to Cas. They’re sitting at a picnic table at the park, with nobody around to overhear Dean spill his guts in the most agonizing and uncomfortable way possible. They’re working a case, so immediately after the conversation Dean can bury himself in research and hunting and not have to deal with Sam’s big, obnoxious “let’s make a huge deal out of this!” puppy dog eyes. And Cas isn’t even here right now to make things more awkward. He’s still checking out the victim at the coroner's office across the street.
Dean tries not to think about what a big baby he’s being by ignoring this golden opportunity. “He just tastes stuff different as an angel. He’s learning how to pick out the nuance.”
Sam rolls his eyes. “Because there’s so much nuance to ‘extra cheese’ or ‘hold the tomato.’”
“Oh like you’d know, Mr. Tofu Burger.”
“You’d eat a burger off the floor. Are you really trying to convince me you care about what kind of burger it is?”
Dean huffs and levels an indignant glare at his brother. “I absolutely have a favorite burger.”
“Then why’d you get two different kinds?”
"I can like more than one kind of burger, you know!"
Sam snorts. "That's just an excuse to eat more burgers." He spears a forkful of tomato and spinach with a smug little twinkle in his eye.
"It's so not," Dean insists. He gestures at the two wrapped foil rounds in front of him. “These are two unique burgers that both have their own delicious qualities.”
“Really?” Sam’s expression is so pompous Dean kind of wants to throw a french fry at it. Except that would be a waste of a perfectly good fry.
“Yes ‘really.’ Look--” Dean carefully unwraps his first burger. “This is a pickle burger. And not just any ol’ pickle burger. The best, most amazing, and -- dare I say it? -- sexiest pickle burger in the entire continental US.” He smirks as Sam rolls his eyes. “Now I can tell by that condescending look in your eye, you’re wondering, ‘What the hell is so special about a pickle burger? It’s just pickles!’ But that’s where you’re wrong.” Dean lifts the top bun and points down to the burger, looking almost gleeful at all its toppings. “Fried pickles, pickled red onions, relish…Sour and sweet and crunchy, the perfect compliment to a juicy, meaty burger. And one this big? You’ve gotta have a little something special to handle all this meat.” Sam tilts his head, his mouth twitching like Dean said something embarrassing. Was it waxing poetic about vegetables? Probably. Dean chooses to ignore it.
“Ya know,” he continues, “for the longest time I didn’t think I’d like a pickle burger. For years I’d be at diners and think, ‘...maybe? I dunno. Probably not for me.’” Dean pulls his mouth down into a thoughtful frown and bobs his head to mimic his past thoughts. “And then...I’m not sure, I just figured, why not at least try it? All those burgers I’ve had all over the country; I could at least give it a whirl. And it. Was. Awesome!” Dean gently places the bun back on his burger and gives it a little affectionate pat. “Now I can’t get enough of ‘em.”
Sam's expression does a complicated dance that Dean can't even begin to follow. But it suddenly clears into a look of dawning realization, followed quickly by horrified guilt, before it clamps down entirely.
Weird.
"Well...I can't fault someone for enjoying a good pickle burger," Sam says slowly. He doesn't meet Dean's eye, keeping his gaze down as he delicately stabs at his salad with his fork. He frowns at the cucumber slice he spears and carefully dislodges it from the prongs. "Especially if they really like, uh, pickles?" Sam cringes a little down at his greens. Dean can't blame him. It's a sad looking salad.
"Exactly!" Dean gestures down at the burger. "I'm a meat man and a pickle guy." Sam looks up toward the sky and then down toward the ground below with a sort of pleading desperation. "This is a great burger for me. And don't even get me started on the sauce--"
"Okay!" Sam's voice pitches up several octaves. Dean frowns at him, but before he can ask, Sam takes a deep breath and plasters a warm, understanding smile across his face. "You know what? You're right, Dean. After all this time. All those, uh...burgers. I'm glad you've figured out which one you like best."
"Well, not quite. I mean, this one…" Dean carefully unwraps the second burger. "Is there anything sexier than a breakfast burger?" He practically beams down at the golden-brown bun, the fringes of fried egg drooping over the side, crisp bacon peeking out from under the patty.
"I...I don't know?" Sam has the same terrified expression as when Dean drags him onto ramshackle roller coasters at crappy county fairs. God, he's such a baby about cholesterol.
“Yeah. C’mon, you know they’re great!” Dean says cavalierly, because he’s not going to miss a chance to gloat about the awesome food Sam misses out on with all his salads. “Bacon is, you know, bacon! It’s the best tasting thing in the world! Salty, greasy, crunchy…”
Sam’s brow furrows so deeply it’s like it’s mining for coal, his unfocused eyes searching the empty space between them like he’s trying to figure out the deep, dark mystery of bacon.
Dean rolls his eyes. Of course he wouldn’t understand. The dude eats low sodium turkey bacon. "I know you haven't had good, real bacon in ages--" Sam looks offended. Then confused. Then offended again. "--but trust me, man. It's awesome. When ya got bacon in your burger, it automatically makes the burger a hundred times better. Can’t get enough of it!” Sam groans like he's in pain.
Dean grins and keeps going. “And you’ve gotta admit, a fried egg is a thing of beauty. Give me a good silky, drippy egg all over my burger and I’m a happy guy.” Sam’s nose scrunches up into abject horror. “You get that gorgeous, soft yolk oozing everywhere...It’s creamy and delicious and unctuous and--”
“Dean!” Sam shrieks. He lets his fork fall into his bowl and covers his face with both his hands. His voice is muffled, but it’s definitely a tormented whine. “I know this is a tough topic for you, but can you please just say you’re bi and never use words like ‘unctuous’ again? I’m begging you!”
Dean freezes. “Wh-What?” Did Sam really--? He--? How does he know?!
Sam pops up from his elbows, dragging both hands through his hair as he frees his face from hiding. “I get it, dude. Okay? I get it. I mean...I don’t get it.” He glances down at the two burgers with a perturbed look and holds up his hands in surrender. “But I get it.”
Dean stares at him. “Get what?” he demands. His heart is pounding fast. Bi. Sam knows he’s bi. When did he figure it out?! Why’s he bringing it up now?!
Sam fixes him with a flat look. “The burgers? The...God...bacon sex metaphor? The pickle guy thing? I get it. Please. Please stop talking about eggs like that. I’ll never eat an omelette again!”
Sex metaphors? Pickle guy?! Dean takes a moment to think and...yeah. Yup. He really did say “I’m a pickle guy,” out loud. Wow.
Maybe he should just...roll with it?
Because otherwise Sam is definitely going to mock him for that for the rest of his life, and honestly, coming out is the much better option.
“You got me,” Dean says with a small laugh. He spreads his arms out with a bit of a flourish, and it’s a relief to say it. It feels good. “What can I say? I like all kinds of burgers. And hotdogs. Tacos. Kielbasa...”
“Please stop,” Sam groans, rubbing at his eyes with his hand.
Oh yeah, this is definitely the better option. Dean fell ass-backwards into a conversation he’s been dreading for months, and the only person feeling awkward and miserable here is Sam!
Really it’s a win-win.
Dean grins from ear to ear as he relishes Sam’s mortification. “Hey now, I thought you were supportive! What happened to ‘I’m happy for you and your burgers?’”
“I am happy for you, I just wish this wasn’t happening over lunch…” Sam whines as he drops his hands on the table.
“What’s Sam happy about?” Cas asks, startling the both of them by approaching their picnic table. His eyes are earnest and sincerely curious, which only causes Sam to send a miserable, pleading look his way while shaking his head.
“Sam thinks pickles are gay,” Dean says to Cas with the same sort of smug glee of the teacher’s pet tattling about note passing in class.
Cas scrunches his face in confusion as he sits down beside Dean. “Sam, that’s...nonsensical.”
“That’s what I said!” Dean lies, because the way Sam’s eyebrow is twitching right now is too damn funny. “Wait til you hear what he thinks about bacon.”
Sam drops his face into his hands again. “This is the worst day of my life,” he groans as he massages his temples with his fingers.
Cas furrows his brow at him. “You’ve been to Hell.”
“And I’m still there, apparently!” Sam flings his hand up in exasperation. Cas quietly takes a sip of Dean’s drink, which for some reason just pisses Sam off more.
“You know, you could have just been normal about this. No weird, gross food metaphors. Just--” Sam drops his voice several octaves and bobs his head in a deliberately annoying parody of Dean. “--‘Hey Sam, by the way, I’m bi and totally in love with Cas, no big deal,’ or whatever.”
Dean goes still while Cas tilts his head at the two of them.. “Who says I’m in love with Cas?” Wait. Is that obvious too? Shit, well, looks like he gets to rip two bandaids off today. Thank God for the hilarious panic on Sam's face, because otherwise Dean would be the one freaking out here.
Sam’s eyes go huge, all color draining out of his face. “Oh shit. I didn’t-- I’m sorry, I--”
Dean can only manage to maintain the ruse for a few seconds before he bursts out laughing. “Nah, I’m just messing with you. Where have you been, man? Cas and I have been together for ages. I thought you were the smart one!”
Sam looks like he wants to leap across the picnic table and strangle Dean.
With a glare so sour it could peel paint, Sam snatches Dean’s extra large order of french fries and storms off toward the car to sulk. About three paces away, he stops, turns around, and levels a stern finger at Dean alongside his scowl. “For the record. I’m proud of you. And I’m honored you chose to trust me with this information,” he hisses in a frustrated huff before he spins on his heel and marches away.
Dean wipes a tear from his eye, still chuckling under his breath. Cas stares after Sam in concern.
“Why is he so mad?”
Dean shrugs off the question as he slides the pickle burger in front of Cas and nudges him with his elbow to try it. “Hell if I know. If you ask me, dude needs to have a burger every once in awhile.”
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windsource · 3 years
Text
It’s in the Knowing (that Wishes Come True)
destiel december 2020 prompt: sledding + spn advent calendar 2020 prompt: wishes wc: ~1.4k
[READ ON AO3] 
“Dean, you had,” Sam huffs, “infinite possibilities at your disposal. And you wished for–for this?”
Dean’s a little confused, too, looking out at the mountains. Almost every inch is covered with a layer of snow, but by far, the hill they’re standing on has the thickest blanket. Dean’s feet sink into it a little when he shifts his weight, studying their surroundings.
Apart from the clearing they’re in, the place is littered with trees. Dean’s gaze follows the trunks up, until he’s looking at the sky, which is quickly losing light. He thinks he can make out the beginning twinkles of constellations, and when he laughs, a puff of frosty breath obscures them for a moment before fading off.
Then he smells it—something like firewood, he thinks, and turns towards it. Eyes still searching the tops of the trees, Dean catches sight of a thin column of smoke, likely from a cabin nearby.
A few feet away from them, a tree branch packed with snow loses its hold, and the whump of the snow hitting the ground startles Dean out of his thoughts.
“I don’t know, man,” Dean says, “It’s not like I really had a choice. I just, you know, just had this thought, I guess, and now…we’re here.”
He turns back to Sam, who focuses on Dean once more, seemingly having caught sight of the smoke too.
“I’m assuming…those have something to do with it?”
Dean’s eyes follow the direction Sam’s finger is pointing to, which is a somewhere on the ground and behind Dean, off to his left. Just at the edge of the hill sit two sleds—the old, wooden kind that seem like they’re always one good bump away from splintering into a million pieces, but somehow never do.
He chuckles, moving towards them to check them out, when Sam urgently pats his shoulder. Dean swivels around, taking in Sam’s confused—but not shocked—expression, and once more tracks his stare to see what he’s looking at. 
Dean finds himself mirroring his brother, but otherwise smiling despite himself.
“What took you so long?” He hears himself say, feels Sam looking at him weird in response. If this was his “wish,” then this only made sense—it’d just been a matter of waiting for him to show up.
Cas levels him with a stare that says ‘really?’ and Dean moves to meet him half way.
“Jackets,” Cas says, handing Dean a thick black one that looks like it’s meant for snow. Dean takes it. “And Jack,” Cas adds. With a gentle tilt of his head, Dean looks over and sees Jack, not too far away, walking briskly towards them with something small in his hands.
“You two always come out here practically naked,” Cas says, leaving Dean and handing Sam his own jacket. “And the lumberjack outfits are fine for when it’s any other season, but you do realize it’s the dead of winter, right?”
“Well, you…” Dean starts, about to tell him off for the dress shoes and trench coat he’s never seen without, except that Cas isn’t wearing them, he’s…
“Cas, is that—are those—are you wearing boots?” Sam asks, a lilt of amusement in his voice.
Cas looks down, frowning. “These are my snow boots. Dean got them for me last Christmas.” He shoots Dean a confused glance, as though Dean should be in on this, and Sam was the one acting deluded. Dean can’t really bring himself to care, too busy smiling at the rest of Cas’ outfit.
He’s about to comment on the snow pants, which are black and baggy over Cas’ lower half, but Jack makes it to them just in time, pushing something into Cas’ chest.
“You forgot your beanie,” Jack explains, and then looking up at them, “I thought you guys came out ahead of us so you could ‘get the sleds ready.’ Cas and I started on the cookies so they should be done by the time we get back.”
Dean watches Cas slip the beanie on, losing his breath a little at the sight. The thought occurs to him—when he’s looking long enough to notice Cas’ red nose and ears and cheeks—that angels don’t usually get cold.
“Hang on—you left the oven on unattended?” Sam says. Pulling his eyes away from Cas, Dean chuckles at the wild look on Sam’s face, like he’s half ready to bolt for the cabin to stop it from catching fire.
“Of course not.” Jack frowns at him like he should know better. “I charmed it with the spell you taught me. It’ll shut off automatically when it’s done.”
Sam relaxes, forcing a smile. “Right. Uh, Dean? Can we talk for a second?”
Dean follows him around to the nearest tree, which is far enough away that Jack and Cas probably won’t hear them over their own conversation (Dean thinks he hears something about hot chocolate) if they talk quietly enough.
“We can’t stay here,” Sam says, “We have to find a way out.”
Dean wets his lips, “I know, Sammy, but…” He looks over at Jack and Cas.
Sam is quiet for a second before he notes, “You want to stay.”
He shrugs. “Just…just for a little while longer. We can–we can go sledding, eh? We haven’t done that since we were kids! And then—then we can figure out a way out of here.”
Sam has a look of growing concern on his face, something Dean thinks is teetering too close to pity.
“What?” He jokes, “You’re telling me you don’t wanna see those two sled? It’s not for us, Sam, it’s for the nerdy angels over there.”
His brother manages a smile, which is a relief. “Sure,” he says gently. Dean pretends not to hear it, heading now for the sleds and waving them all over.
He pulls the sleds apart, placing them each by the hill’s edge, but not so close that sitting on them would be enough to send them flying down the slope.
“Okay,” Dean starts, “How do we want to do this?”
Dean knows the answer before anyone says it. Better stated: he knows his wish before anyone else does.
“The logical route would be to pair up,” Cas says seriously, “You and Sam have done this before, so each of you gets a sled.”
Dean feels his chest go tight with anticipation for a second, and then it subsides. He nods.
“Good idea. Who—”
“I’ll go with Jack,” Sam interrupts, a wry smile on his face. Dean quirks his lips in a smile, cocking his head to the side in a mild ‘screw you’ gesture to his brother. He turns to Cas.
“Well, hop on then Louise and we’ll sail off this cliff together,” Dean says. He waits for the recognition to spark in Cas’ eyes and he smiles—for real this time—as Cas situates himself in the front of the sled. He spares Jack and Sam a glance, amused at how Sam is struggling not to take up most of the sled with his legs, before sitting down behind Cas. 
And he stays like that for a moment, sitting awkwardly and gathering his courage, until he musters up enough to wrap his legs around him.
“I’m nervous,” he hears Jack say. Dean thinks, Me too. Sam laughs and reassures Jack that it’ll be fine.
“Okay, uh, you’re gonna have to lean back once we kick off, alright?” Dean instructs, trying to remember how to do this. 
“You promise I won’t fall?” 
Dean swallows. “Nah. I’ll hang on to you.”
“Let’s race,” Sam says. He can feel him staring and avoids Sam’s gaze. He’ll blame the tint on his cheeks and ears on the cold, if Sam ever asks. 
Dean scoffs, “You’ll lose.”
“Prove it,” Sam responds, and then he’s pushing off and leaving them in the dust.
Dean’s surprised by the laugh that escapes him, and then he’s pushing off too, and he and Cas are propelled down the snowy slope after the others.
Cas leans back as instructed. Dean’s pretty sure the guy can feel the rush of his heartbeat with his back on Dean’s chest like that, but Dean can also feel Cas’ steel grips on his legs, nails digging into his shins. 
He laces an arm around Cas’ chest, pressing him closer. “I’ve got you!” he reminds him. 
There’s a beat, and then over the sound of the wind whipping against their faces, Cas says, “I know.”
-
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stillwinchester · 3 years
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hello! 😊 I’ve got a prompt, it’s more dean-focused and not very original but could you maybe write something about dean coming out as bi to sam in the impala and also talking about his feelings for cas? congrats on having 500 followers btw!
10x16 coda (thank you for the prompt!)
“You know… you were in that confessional a long time. Look, man, I’m just saying, I’m your brother, Dean. If you ever need to talk about anything with anybody, you got somebody right here next to you.”
“Okay.”
But it's not. Nothing is okay. But you just need to keep going, tell you’re fine, right? Dean was always good at pretending, or maybe he just likes to think like this about himself.
They’re coming back to the bunker after their last case, silence in the car is annoying, so Dean turns the radio on.
“Freddie Mercury!” Dean says enthusiastically when ‘Bohemian Rhapsody’ start playing.
“Better than your usually choices”
“My usually choices are as good as Freddie. And by the way, I didn't know you can appreciate a real music,” he teases.
“Jerk.”
“Bitch.”
They’re riding in silence for a moment before Dean speaks again. He’s not sure how actually he should start this conversation. And if he should do this at all.
“He… I mean, Freddie, he wasn't straight, you know that?” he asks, trying to make his voice casually. It’s no big deal, just the most normal talk between brothers.
“Yeah… It's a common knowledge, Dean. And I'm not Cas.”
Cas? Dean tenses up, feeling a lump in his throat. He knows! Sam knows. But he needs to be sure.
“Cas? Why did you mention him?”
“Because he's a dude who knows shit about anything from pop culture?” he answers his question with another question.
“Yeah, right… I just wanted to let you know. About Freddie.”
“Why?”
“Just because.” And that’s all. He said too much already, why the hell he thought it’s a good idea?
Sam shifts in his seat and huffs. Dean wants to say something, of course, but it’s not going to be easy to get information. Sam doesn’t want to push him too much.
“Okay, are you gonna tell me what's going on? Or we're still playing in this weird game?”
Dean bites his lips, thinking what to do and trying to get up enough courage.
“I'm like Freddie.” It's the only thing comes from Dean's mouth. He's staring on the road, hands on the wheel, his knuckles turn white
“You're not straight,” Sam says, he doesn't need any confirmation, but Dean nods anyway, still not looking at his brother. Focus on the road, you can make it through this…
“It's okay, Dean. You need to know that it's okay.”
Dean shakes his head. No, it's not. Nothing is okay.
“It's… it's not okay, Sammy. I'm broken, something is wrong with me.”
The worst part of this is that Dean really believes that. For years, he was hiding who he was because dealing with that would be harder than pretending he’s straight. Even if this secret was killing him inside.
“Dean, don't say like that. If it's because of what dad said…”
“It's not about him! But he was right, that I'm damaged!” he interrupts him a little too loud. He doesn’t want to fight, not now and not because of this.
“Charlie. Do you think she's broken?” asks Sam, and it’s the first time when Dean gives him a quick glance.
“What? It's a stupid argument,” he says, focusing on the road again. Sam can see hesitation on his face.
“And Freddie? Do you think he was broken?”
“I… No, he wasn't,” he admits, but he’s still not convinced. Sam just nods, he realizes that Dean need time.
“You're not broken, Dean. And you can love whoever you want.”
Dean clears his throat and says one more thing.
“Umm, Sam. I'm into chicks too, you know, just to be clear. I'm bisexual.”
Sam smirks and refrains from rolling his eyes.
“Just like Freddie.”
“Yeah, just like Freddie.”
The new song starts playing. This time it’s ‘Living On My Own’, again old, good Freddie.
Sometimes I feel I'm gonna break down and cry.
So lonely…
Great! Couldn’t they play something else? Lyrics of this song hit him, he turns the radio off, it doesn’t go unseen.
“And what about Cas?” Sam begins insecure. He hopes he doesn’t step on his personal space. “Will you tell him?”
“No. I don’t wanna risk. He could look at me different after that. You know, he could have some conclusions.”
“What conclusions?”
“That I’m in love with him.” He can’t believe he said it loud. But it happened, and Sam can do whatever he wants with it.
“Are you?” he asks, but this time the answer doesn’t come. He takes it as a ‘yes’. “Dean, you know, he’s an angel. And the angels… they don’t see gender, just souls.”
He didn’t think about it like this, but Sam is right. And that gives him a hope, that maybe… just maybe, it’s not unrequited.
“Okay,” He says eventually. “I’ll tell him.”
Sam looks at Dean, he isn’t sure what he’s talking about. He’ll tell him he’s bisexual, or that he’s in love with him?
Maybe both?
Yeah, both is good.
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this might be a weird thought but the way jensen performs masculinity (and i KNOW it’s a performance cause like, have you SEEN the mockumentary?) is just.... so inherently queer to me lmao
ok. okokokokokok. you asked for this. i have a LOT of thoughts on this. it’s gonna be under a cut because i’m gonna be annoying and psychoanalyse a celebrity i’ve never met(and hope i never do) but trust and believe when i tell you i know what i’m talking about so
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you want my opinion? here goes. there is absolutely no way jensen ackles is straight. i hear you, ‘how do you know that he’s bi? that’s invasive and creepy’ but may i counter that point by saying how do you know he’s straight???? why is the default for everyone heterosexual? that’s a toxic mentality to have; ‘oh you don’t know for sure so just treat him like he’s 100% straight just in case’ like....what? heteronormativity drives me wild i’m sorry
and also, um, just to, um, prove my point that this man is decidedly not straight™(i really don’t want to do this but like it has to be said) we KNOW he’s not straight because his d*ck has spoken for itself around misha, like, four times. I HATE SAYING IT!!!!!!! but, um, straight men don’t get aroused by men. ...do i really need to explain myself further???? that’s what i thought(and don’t give me the ‘it could have been for unrelated reasons’ or ‘that wasn’t a boner!’ crap because um good lord yes it was and misha caused every single one so no it wasn’t a coincidence i’m gonna move on before i collapse into myself like a dying star)
anyway, on to the topic at hand which is jensen and his performative masculinity. and it’s a juicy one.
after the unconscious amount of hours i’ve put into watching and subconsciously judging jackles, i have come to the conclusion that like, 90% of how he presents himself and talks and even moves is an act. it’s a facade. it’s a shield. he is not that person. it actually seems exhausting, because he tries to compose himself in this macho, manly, confident and effortlessly cool way, but he’s not that person he desperately wishes he was and wants to be perceived as. he’s on guard every second, even the slightest tilt of his head is like, pre-meditated in some way? if i’m going FULL body language analyst mode, i’ve noticed he has a certain posture he always shifts himself into, and it’s very ‘pursed lips, stoic faced, gruff voiced, square-shoulder, broad and manly’ but, not to be rude jensen, it kind of reads as a little kid imitating the adults he thinks are cool? oof i am going IN huh(it’s out of love though i promise)
he is trying to be this person at every second:
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because that’s who he wishes he was, because that’s how he gets validation from the people around him that he looks up to; straight white guys. but to me, who he presents himself to be at conventions is just as much of a performance as this whole eye of the tiger bit is.
oh i should mention i know his body language isn’t naturally like that because how he naturally carries himself is actually pretty flamboyant? like he seriously must be toning himself down HARD
examples:
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there’s no tension in his body here as opposed to the eye of the tiger gif. i’d describe it as...generally loose and free? he’s at ease when he moves like that and you can see it.
oh and dude!!! DUDE!!!! how could i not mention the fucking SPECTACLE that is his voice??? jensen. i watched season one. i know where your voice naturally sits. THAT IS NOT WHAT YOU SOUND LIKE. and there have been so many accounts of fans visiting jensen in his trailer and being surprised that his real voice is two octaves higher. again, his performance of masculinity is all encompassing. he can’t even talk normally because, in his mind, that’s a chink in his armour.
and, like you said, anon, this whole smokes-and-mirrors gong show of ‘i am the cool texan man’ is inherently queer. who are you trying to impress??? guys??? that’s pretty gay dude.(btw: gay[honorary])
i feel like i’ve already read this man for filth but i have to keep going bc i have so much to say
ok next thing i’m gonna talk about is how jensen says one thing but everything else about him tells us the exact opposite. another HUGE element of performative masculinity, ONE THAT DEAN WINCHESTER IS A MASTER OF. have i mentioned how dean and jensen are like mirrors of each other when it comes to their sexuality and queer identity??? because it is fascinating how everything i say about jensen also directly applies to dean.
allow me to introduce the grumpy face™. as in, the face he glues on when he’s enjoying doing something but doesn’t want to let anyone know it. and it’s ALWAYS when he’s doing something that could be seen as unmanly in any way. (and when i say manly i mean the ‘ideal’ version of manhood that doesn’t really exist but that jensen seems to be striving for[and dean too])
prime example is this video he did with daneel. the grumpy face™ doesn’t budge the whole time as he’s like,,,,playing an instrument and acting like he doesn’t want to bc i guess that’s too girly??? but i also find this video fascinating because the joke IN it is kind of that they’re both poking fun at him for being so insecure about playing a freaking flute. because, i mean, he gets into it, but he wants you to think he is not.
also this picture.
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what is this. i hate them. jensen is smushing himself into misha’s forehead but noooo his face is telling us ‘i hate this’ because CLEARLY he does. also misha’s so happy ew gross
he does that face in photo ops with misha ALL THE TIME but how many times has he also literally asked the con goers if he can also have those photos on his phone too? because of course he actually loves touching misha and is actually a sentimental fool but he tries so hard to hide it and fails so spectacularly.
oh and this. and of COURSE this. actually let’s talk about the hitch kiss for a hot minute because it’s a perfect example of exactly what i’m talking about
(he is so transparent guys. he tries so hard but he’s so obvious.)
1. misha was never supposed to be onstage with him. so it’s a boldface LIE and OBVIOUS PLOY TO GET MISHA TO KISS HIM when he says ‘they’d like us to make out now’. but of course the way he says it is ‘oh my god can you believe what these crazy panel people are making us do haha but i mean what they say goes amirite’. same energy as ‘oh my god did you just dare us to kiss rn???’ ‘....no i didn’t’ ‘oh my god i can’t believe you’d ask that haha but i can’t say no to a dare lol’ it’s the SAME THING
2. the fact that he was in the worst mood before misha came onstage and FAKE KISSING HIM made him feel...SO?? much better? like not just a little better a lot better like, again, that says a lot, because if they weren’t dating he would not be in a better mood if misha kissed his cheek unprompted. bc that cheek kiss wasn’t a joke it was a genuine sign of affection and AHHHH
3. after the kiss happens. you know, the one that jensen actively leans into and is smiling like an idiot the whole time through and is quite clearly having the time of his life during....he says ‘well, that was uncomfortable’. .......my guy. um. i don’t know how to tell you that i do in fact have eyes and you are NOT pulling the fast one you think you are
like i’m so sorry jensen but i have you pegged. it’s literally no use.
god there’s so many instances of him doing this with misha specifically. the whole ‘ew gross lol’ but then everything about him tells us the exact opposite. like this(i hate this. how dare he say ‘he has though, hasn’t he?’ LIKE THAT?????)
so yeah my point with that is he really wants us to think he is one thing when he is the antithesis of what he’s trying to be. he really likes those things that he talks down about, and everything he’s loudly projecting is all to hide how he really feels. he went to a gay bar with daneel, for crying out loud. he wants to play a role in drag. he’s queer and he likes it. pov: you’re jensen ackles train of thought: ‘ok so i really like this thing that people might make fun of me for or call me gay for liking so if i just say ‘lol as if’ and make a grossed-out face they will be FOOLED. i am a genius. hey misha wanna blow on my ear lol i meAN GROSS EW’
i have two more things i want to talk about when it comes to this topic so PLEASE bear with me anon this is why you took so long to answer clearly lmao
ok so we’re now going to go over my favorite hot take of all time. which is ‘how do we know dean’s performing masculinity? because sam isn’t.’ only replace dean with jensen and sam with jared and oh my god do we ever have a case
jared is as STRAIGHT as they come. he is secure in that knowledge. and that’s why he is perfectly comfortable treating misha like this:
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and not try to scream ‘i am not enjoying doing this!!!!!!’ at us. because he doesn’t care what we think of his sexuality like jensen does(because he has nothing to hide whereas jensen DOES)
something i found the other day that no one has brought up but i SCREAMED upon finding it is this one clip THAT I CAN’T FIND OH GOD but i promise i’m not making it up. i can’t believe i can’t find it guys it is gold. i need need NEED to talk about it. and if anyone knows what i’m referencing and can apply links in any way i will love you forever but here’s what happens off the top of my head:
ok so i’m a bit too braindead to explain it perfectly but um basically it’s a j2 panel and someone brings up magic mike and i think jared says ‘yeah i didn’t watch it’ and then jensen says ‘all the way through’. stupid joke. whatever. the joke is that jared is gay for watching magic mike.
and then i literally kid you not. jared gets this like ‘jesus christ ok dude? lol’ look on his face and then goes ‘projecting much, mr. ackles?’ and jensen gets a guilty look on his face and walks away. and jared did not say it as a joke. he was being dead pan and earnest. and jensen knew it too, he knew he was projecting. i wish i could show you guys the clip i promise if i ever find it i’ll link it but IS THAT NOT SO DAMNING FOR JENSEN????? like come ON. also proves my point that when you compare how they feel about watching magic mike. jared doesn’t care bc watching it just doesn’t interest him, but he also thinks that just watching it in itself doesn’t make you gay. jensen however.......has a different mindset, clearly.
‘projecting much, mr. ackles?’ is actually a great title for my next and FINAL section(we’re almost there folks) which is how jensen projects his insecurites about his own sexuality and relationship with misha onto misha.
i hope by now we’ve all seen this video of jensen impersonating cas. it is a blatant microaggression on his part. and like obviously homophobic. it’s like in his mind if he makes fun of them for being gay it makes them both less gay somehow??? it’s self-deprecation in a way??? let’s just tell it like it is: that impression was just jensen’s overt internalized homophobia rearing it’s ugly head. he does it a LOT too when it comes to misha.
i mean:
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and that whole mess where he’s making fun of misha for being a bottom in their panel in 2016? ‘so you’re saying, like with football terms, there’s a handler and there’s a receiver heheheehe’ jensen you’re not exempt from being gay just because you know football terms lmao
oh and his OTHER impression of misha where he mocks him for...bicycling...because it’s not a manly enough sport??? jensen NO ONE else has ever thought this hard in their lives about what constitutes as masculine enough to be a sport before. that’s all you bud. we don’t find those jokes nearly as funny as you do. you are reaching, sir
the good news is that misha thinks it’s hilarious and knows it’s projecting on jensen’s part and will tease him endlessly for it. many stories come to mind, like that one photo op story where they’re literally dressed in rainbow banners and pride stickers but when misha goes to hold his hand jensen said something like ‘no way’ and then misha stepped back, put his hands on his hips and went ‘that’s the part that’s too gay for you???’ and jensen LOST it
or when that whole underwear thing happened(messy messY MESSY BTW) and then a fan asked a question about what dean and cas would do in rome and misha just said ‘when in rome’ and jensen makes a face like ‘are you serious’ and then misha says ‘you can’t look at me like that anymore, because of what you did!!!!!!’
OH and that whole story about when misha suggested they put jensen in the closet for that cat video....yeah um
and then when jensen was asked to do bisexual finger guns for a photo op and the con goer said ‘he looks bisexual here’ and misha literally said ‘oh he definitely looks bisexual here. i would say he’s actually closer to the gay side of the spectrum’ so..um...make with that as you will
OH MY GOD i’m finally done. wow. WOW. that was a lot. i hope i’ve blown your minds. ty anon i really wanted to talk about this and i hope you’re happy with the outcome!!!!!!
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thegeminisage · 3 years
Text
my secret galaxy brain reading of spn s11 is better than yours
or: why season 11 is good actually. this is a long-ass meta, so it's going behind the cut
some disclaimers before we get going
absolutely all of this is accidental. nobody does this shit on purpose. this is ~my interpretation~ or whatever. i'm not actually trying to argue the writers meant to do this lol. what i'm saying is that this is the way to make season 11 make sense in your brain because it makes sense in mine and it's one of my FAVORITES. it could be one of your favorites too if you stop limiting yourself
there is heavy discussion of sexual violence in this meta so read safely etc also spoilers for all of s11 obviously
unless you watched the anime, i've seen more supernatural than you have, so i'm right >:)
for the uninitiated, the basic plot of season 11 is that eons and eons ago, before there was heaven or hell or earth or humans or angels, there was only god (chuck) and the darkness (amara). amara kept destroying what god made, so he and the archangels locked her away in a cage, which removing the mark of cain from dean's arm opened. amara escaped and dean was the first thing she saw, so she spends the season using some kind of thrall over him to make him feel drawn to her and unable to hurt her, and also looking for chuck so she can give him a little payback.
ALRIGHT HERE WE GO
season 11 & sexual violence
you don't need to look very far to find examples of sexualized violence and outright sexual violence on supernatural, but s11 is lousy with it. just to name a few examples:
amara's "thrall" on dean, which we will absolutely get into more later
crowley's jokes about altar boys and the tastes of catholic priests
ALLLLL the pedophile jokes made when crowley was raising baby amara
angels torturing cas and threatening to cut his genitals off, only to send in hannah (an angel who formerly had unrequited romantic/sexual feelings for him) to play good cop(/honeypot??) in hopes of making him talk
the return of lucifer, who possessed sam (spn has a history of equating possession and sexual violence) and is heavily implied to have raped sam in hell, and the MULTIPLE times he menaces sam throughout this season, including forcibly touching his soul
lucifer possessing castiel and using him to enact violence on the winchesters, his loved ones
i absolutely REFUSE to acknowledge the lucifer/crowley stuff but if you know you know
the episode with the kissing curse, using "love" as a means to deliver death
dean's possession in the soul eater episode
the "chitters" monsters involving mating, orgies, and forcible impregnation
you get the idea
i could write a whole essay on almost all of these but for this post we'll be sticking mostly to dean & amara
@marcusantonius pointed out while we were watching season 11 that what amara does to dean is basically speedrun his two major attachments - sam and castiel. she starts out as a baby, someone in need of protection, and quickly grows into an adult who attempts to romance/seduce him. the feelings dean has around amara aren't feelings FOR HER, they're feelings he has for SAM AND CAS that are being TRANSFERRED onto her through means of her power. (this is important for later.)
what amara does to dean is sexualized violence bordering on outright sexual assault. compelling him to feel drawn towards her and to protect her, frequently getting in his personal space and touching his face, and even kissing more than once when he is quite literally unable to resist (it's stated many times that he is unable to kill or even harm her, so he is completely helpless in the presence of someone who makes no secret of her intentions for him, sexual or otherwise). 
dean says many times that what he feels for amara is not love or desire or attraction. he can't put a name to it at all - not once in the entire series is he able to properly define this thrall she has over him, which leaves us the audience a little confused (amara asking "what IS happening between us?" in 11.06 as a teenager making sexual advances on a grown man does give me a good laugh, because it was written SO WEIRDLY)... BUT we know that it is definitely sexual in nature, and not at all something dean wants to be happening.
this is addressed kind of strangely in 11.13. the villain of the week is a witch moonlighting as a hairdresser, who puts a kissing curse on her clients. the curse must be passed along like a hot potato - if you kiss someone else, it's passed along to them. if they kiss someone else, it's passed along to them. but eventually, a monster called a qareen will show up in the form of "your deepest desire" and kill you, and work its way backwards to the original curse-ee. in the episode, dean kisses the vic (i'll point out this was also technically done w/o her consent, though it was a very businesslike kiss) to put the curse on himself and protect her. the qareen takes the form of amara, and she gives Dean this little speech:
Qareen!Amara: You're a mystery. I can see inside your heart. Feel the love you feel. Except it's cloaked in shame. When it comes to this, you can’t help yourself, so why fight it? Just give in.
then, at the end of the episode, after dean reveals who the qareen was for him, we get this conversation between sam and dean: 
Dean: You seriously think the sister of God is my deepest darkest desire? Sam: She isn't? Dean: No! She can’t be! Sam: Why not? Dean: Why? Because if she is that means that I'm… Sam: Means you're what? Complicit? Weak? Evil? Dean: For starters, yeah. Sam: Dean. Do you honestly think you ever had a choice in the matter? She's the sister of God, and for some reason she picked you and that sucks, but if you think I’m gonna blame you or judge you…I'm not.
the "shame" part of both of these is really what stuck out to me - the word itself isn't in the second passage, but dean's vibes are absolutely filled with shame. to me, this always read as being shame about the sexual violence and about the complicity/weakness that "allowed" that violence to happen. 
and as a reminder, sam is just a few episodes past the confrontation with his own rapist (he returns to the cage to speak with lucifer in 11.09 & 11.10, and canonically struggles with what happened there even after the confrontation ends). sam made a point earlier in this episode of making sure the victim of the curse knew it wasn't her fault her husband died, but the fault of the witch who cast the curse. sam is VERY emotionally intelligent, and i honestly believe that he was speaking as one survivor of sexual violence to another here. what he's telling dean is something victims often need to be reminded of: it's not your fault. you weren't complicit, or weak. you didn't have a choice. you don't deserve blame or judgment.
we've had bad guys make sexual threats at both dean and sam many times before this and a few more times after, but as far as i can recall, this is the only conversation in the entire series that even attempts to address the impact of that particular kind of violence on dean. it's short, and strangely written, but nonetheless: there it is.
season 11 & the dean in the closet
for the purposes of this post, i'm not going to go through the entire series and find examples to try and prove dean is bi and has feelings for cas. if you don't believe that then what are you doing here? we're skipping to the goods.
actually, i always got annoyed at people who read the fake-amara's speech in 11.13 (or any of the other times people spoke about dean's shame regarding amara) as being about dean's sexuality, because in my mind it was ABSOLUTELY about his being a victim of sexual violence, which was far more important to me, as it is discussed far less often.
BUT, knowing what we know now (that cas was always canonically in love with dean, and it's all but canon that dean really was bisexual), i'm willing to entertain another notion:
Sam: ...you're what? Complicit? Weak? Evil? Dean: For starters, yeah.
the "evil" bit never really sat right with me as part of the narrative of sexual violence, aside from touching on dean's general self-loathing, but it fits the narrative of being closeted MUCH better. dean, a self-hating homophobic bisexual, would probably use a similar word, if not something heavy as "evil," to describe the way he feels about other men. it's a malevolent feeling. (if you're like me and ascribe to the jackles headcanon that dean resorted to turning tricks to make food money when he was underage, we could also consider the extremely fucked up fact that almost every queer man dean's ever met is someone who hurt him.) 
dean is ashamed of who and what he is, and the way he feels about cas. living like that, that's violence. he lives violently day in and day out with that feeling. (and amara knows it. it's worth nothing that she uses cas to communicate with dean MULTIPLE times in this season, both by carving messages on his body and psychically, through his own connection to dean - and when dean "betrays" her to rescue casifer, she's horrified at whatever she sees in his head.)
equating sexual violence to the violence of being closeted
but what's amazing about this weird badly-written little 11.13 conversation (and indeed, the season-long plotline of dean and his shame) is that we don't HAVE to assign it to the purposes of being about sexual violence OR about being closeted. it can be and IS both. 
my favorite reading of this is that BEING IN THE CLOSET IS INHERENTLY A VIOLENT AND TRAUMATIC EXPERIENCE. many of the same feelings are involved: shame, guilt, self-loathing. sam's comforting words to dean - that he will not be blamed or judged - are equally applicable in both cases. dean is a victim of sexual violence, and he is also in the closet, and both of these experiences are traumatic ones, and they are intermingled with each other in a big way (again, if you're into dean-turned-tricks headcanon, they are intermingled INSEPERABLY - the sexual violence being one of the direct causes of dean not wanting to accept or address his own sexuality).
the bait-and-switch
the real galaxy brain moment of this whole thing begins at the end of 11.22 (an otherwise lackluster episode that played sam's lucifer trauma for laughs how dare they ugh god whatever that's off-topic but i HATE IT) when amara and chuck finally have the confrontation she's been fighting all season for. she is attacked by witches, demons, angels, and then stabbed by lucifer himself, before she's finally on her knees before chuck, and then we get this little exchange:
Chuck: I'm sorry. For this, for everything. Amara: An apology at last. What's sorry to me? I spent millions of years crammed into that cage alone and afraid...
maybe you already know where i'm going with this. a cage isn't so different from a closet when we're working with metaphors, right? 
amara talks about her grievances with chuck many times throughout season 11 - that he was spoiled, that he created the earth to stroke his ego, that he couldn't handle her as she was. and once he finally makes his appearance he tells it his own way - that he had no choice but to lock amara away, that she couldn't stand the things and people he made, that he did it to protect people. but something about THIS conversation in particular - even though it's not written into the dialogue - gives me a particular kind of vibe. 
there is something innately, unspeakably WRONG with amara. i don't mean unspeakable as in very bad, i mean unspeakable as in LITERALLY undefinable. it's just like dean being unable to put a name to the pull she has over him. no one talks directly at it or about it, they go in circles around it, but facts are facts: amara simply couldn't be allowed to exist as she was because there was just something innately wrong with her. and it's this conversation in particular, the first one they have together onscreen, that really slams that feeling home for me.
the entire time chuck and amara are talking, the camera repeatedly cuts to dean - he is so visibly upset that the first time i watched this, i was certain he was about to jump into the middle of things and put himself between the two of them. we're meant to believe that dean has trouble hearing this because he "cares" about amara, but i have a different take.
i think it's empathy. real, actual empathy - not the kind of feeling that amara had to force out.
stay with me here. eventually, after chuck tries to lock amara away again, she gets her second wind, attacks him, and leaves him for dead - and as he dies, the sun dies with him, and so too does all life on earth. 
in the following episode, the finale, amara finds her way to a park, where she takes in god's creation, visibly upset as she realizes that his flowers die at her touch (again, hammering home the point that there is something innately wrong with her that means she cannot live in this world), and eventually speaks with an old lady feeding the birds. 
Woman: Do you want to feed them? Amara: I shouldn't. Woman: I've been feeding these birds going on 20 years now. They're practically family. And I know that makes me sound like a crazy old bat, but...heck. My husband died a couple of years ago, and my son keeps slipping me these brochures for retirement communities - a.k.a. where they send old folks to die, but not to make a fuss about it. Amara: So you hate him. Woman: Well, a little bit. Sometimes. But you know family. Even when you hate them, you still love them.
this speech brings tears to amara's eyes. what's more, she spends this entire section with her hands in her lap. after a season of killing her way through humanity to get god's attention, she is afraid to touch these birds for fear of killing them. she feels empathy for them. she and dean are connected, after all - so as soon as he began to feel true, genuine empathy - so did she.
when dean shows up to kill amara (via a bomb made out of souls hidden in his chest), she immediately clocks his plan. she practically dares him to do it, and - he can't. he is, as always, helpless against her. 
what dean does instead is talk to her. more importantly, he listens to her. when she says her brother sent dean here to execute her, he tells her chuck actually didn't want this - that it was actually his very last resort. he asks her if this, the death of everything, is what she wanted, and she tells him all she really wanted was payback. again, dean EMPATHIZES:
Dean: Yeah, that's revenge. It'll get you out of bed in the morning, and when you get it, it feels great... for about five minutes. I've been there. Me and Sam, we have had our fair share of fights—more than our share. But no matter how bad it got, we always made it right because we're family. I need him. He needs me. And when everything goes to crap, that's all you've got—family. Now you might be a—an all-powerful being...but I think you're human where it counts. You simply need your brother. 
what's really neat about this section, and the scene before it where amara confronts her brother, is that they mark the first times dean felt any sort of genuine emotion for amara at all - one that she didn't force out of him or one that he felt for someone else that she just took for herself. dean genuinely EMPATHIZES with her - after everything she's done to him and his loved ones, and to the people on earth, dean sees the humanity in her. that's kind of his and sam's M.O., loving monsters into men - the number of non-human adversaries who eventually became allies because of the winchesters’ empathy or liking for them or even just their influence is staggering. cas, gabriel, meg, benny, crowley, rowena, metatron, to name a few off the top of my head - and now amara. 
and then we get THIS:
Dean: You don't want to be alone. Not really. I mean, hell. Maybe that's why you wanted me. But deep down, you didn't really want me... 'cause I'm not him.
(emphasis mine)
and here's my galaxy brain take: dean empathizes with amara - TRULY empathizes with her - because they're both queer (or queer-coded). 
I KNOW THIS SOUNDS NUTS BUT LISTEN. this weird creepy stalkery hetero "romance" was fake on both sides all along. dean and amara are the same. that unspeakable and innate wrongness lives in both of them. they're self-loathing and furious at god for his failures and callousness, outcasts in a world that isn't for them, a world that has HURT them simply on account of them being what they are. the violence done to amara was done to her BECAUSE of this unspeakable wrongness about her - her queerness, or her queer-codedness - and we already decided this was, for the purposes of this season, functionally the same violating and traumatic experience as sexual violence.
amara's been using dean to try and replace chuck this entire season. it's some weird comphet bullshit tied in with the fact that dean was the first part of chuck's creation she ever saw. it stands to reason then that she was trying to force dean to be with her and love her the way she wanted to force CHUCK to be with her. that's part of why she started life as a baby - as someone he'd protect as he did his own sibling. 
so in some weird, warped, very roundabout way, amara was enacting on dean the violence that chuck enacted on her - making him feel the same shame and weakness that chuck made HER feel when he locked her away eons ago. if amara unknowingly replaced chuck with dean, then she also unknowingly took part of her revenge on him. the only way she knew how to love someone was to force them to do it, because the only ways she had ever been loved until now involved violence - until dean and his moment of genuine empathy.
consider this final speech:
Dean: Maybe I can kill you. Or maybe I can't. Maybe if I pull this trigger, we all live happily ever after, or maybe we die bloody, or maybe it doesn't matter, because maybe there's a different way. So I'm gonna ask you again. Put aside the rage. Put aside the hate. And you tell me...what do you want?
dean is the only person in BILLIONS of years to ask her this! one queer to another! and it turns out that and all she wanted - the ONLY thing she needed - was to be understood and accepted by her family. immediately after this, amara summons chuck to their park, and the two of them talk it out in what is genuinely a very moving scene. amara - perhaps because of her connection with dean, perhaps because she's finally admitted to herself that she does still love her brother - sees the beauty in the world now, and feels love for it, and she doesn't want to destroy it anymore. 
and at the end, after she's made her peace with god, and the sun has been turned back on, amara says:
Amara: Dean, you gave me what I needed most. I want to do the same for you.
and what do we get at the end of this episode? mary winchester, risen from her grave. dean's family. and - SPOILERS FOR SEASON 12 - though at first mary rejects dean (and sam) as being the same children she remembers from 1983, after a long and rocky road, at the end of the season, they eventually come to a reconciliation where she sees them for who they truly are. it's never ABOUT being queer because this show uses the fucking hays code when it comes to dean's sexuality, but it's still about being queer!! 
dean gave amara what she needed - acceptance from her family - and she gave him that back in turn. all it took, the entire time, was one SHRED of empathy from one queer to another. all dean had to do was recognize her - REALLY recognize her - not as a replacement for sam or cas but as who she really was. and he saw himself in her, and the empathy that followed was genuine because it was the most natural thing in the world. in the end neither dean nor amara needed the "romance" they thought they did/were forced to want. they never did. they only needed acceptance and understanding.
supernatural is always about family and the power of love, and this season is no exception.
other great parts of season 11
if you're still not convinced, season 11 is full of other things that make it amazing:
GOD'S RETURN. after SIX YEARS he's back, this is canon, we finally get to hear what he has to say. they did more with him in a handful of episodes in this season than all of season 15
also, something else returns after six years. i'll give you a hint: it glows hot in god's presence. it was last seen being dropped into a motel trash can.
and of course the big one: lucifer and sam. what great callbacks to seasons 4-6 when lucifer and what he did to sam in hell was actually scary and mattered a lot! lucifer returns to being scary in this and i can't get enough of it.
this is also inseparable from sam's arc involving his faith - he begins praying again, having visions again, and is GUTTED when those prayers and visions lead him back to the place of his worst trauma. he gets to MEET GOD this season. it's fucking insane
the inherent melodrama of castiel, someone loved and trusted by the winchesters, being possessed by someone who they hate and who has hurt them. you get all of the sam drama with him accidentally trusting lucifer with his soul and his brother's life, and all the dean drama where he watches the devil run around in his boyfriend. also, misha collins does an uncanny impression of mark pellegrino. it's actually really creepy
somehow, they managed to make metatron, a deeply hated villain by all, ACTUALLY LIKEABLE. for TWO whole episodes. it was NUTS
this season starts off rowena's long arc with lucifer and her lucifer trauma that eventually becomes the catalyst of her bonding so profoundly with sam <3 best friends forever <333
sam and dean bond with a pair of canonically gay hunters who DON'T DIE
billie is introduced in this season and she's super hot and cool and awesome
eileen is also introduced in this season. her arc mirrors sam's so well, it's SO good. i never though i'd care about sam and a girl who wasn't jess, but i care about them SO MUCH it makes me insane. if you don't love eileen you're wrong!
anyway, watch season 11. it's weird but it's really fucking good. THANK YOU FOR COMING TO MY TED TALK
[spn masterpost]
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