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fatliberation · 8 months

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they have a point though. you wouldn't need everyone to accommodate you if you just lost weight, but you're too lazy to stick to a healthy diet and exercise. it's that simple. I'd like to see you back up your claims, but you have no proof. you have got to stop lying to yourselves and face the facts

Must I go through this again? Fine. FINE. You guys are working my nerves today. You want to talk about facing the facts? Let's face the fucking facts.

In 2022, the US market cap of the weight loss industry was $75 billion [1, 3]. In 2021, the global market cap of the weight loss industry was estimated at $224.27 billion [2].

In 2020, the market shrunk by about 25%, but rebounded and then some since then [1, 3] By 2030, the global weight loss industry is expected to be valued at $405.4 billion [2]. If diets really worked, this industry would fall overnight.

1. LaRosa, J. March 10, 2022. "U.S. Weight Loss Market Shrinks by 25% in 2020 with Pandemic, but Rebounds in 2021." Market Research Blog. 2. Staff. February 09, 2023. "[Latest] Global Weight Loss and Weight Management Market Size/Share Worth." Facts and Factors Research. 3. LaRosa, J. March 27, 2023. "U.S. Weight Loss Market Partially Recovers from the Pandemic." Market Research Blog.

Over 50 years of research conclusively demonstrates that virtually everyone who intentionally loses weight by manipulating their eating and exercise habits will regain the weight they lost within 3-5 years. And 75% will actually regain more weight than they lost [4].

4. Mann, T., Tomiyama, A.J., Westling, E., Lew, A.M., Samuels, B., Chatman, J. (2007). "Medicare’s Search For Effective Obesity Treatments: Diets Are Not The Answer." The American Psychologist, 62, 220-233. U.S. National Library of Medicine, Apr. 2007.

The annual odds of a fat person attaining a so-called “normal” weight and maintaining that for 5 years is approximately 1 in 1000 [5].

5. Fildes, A., Charlton, J., Rudisill, C., Littlejohns, P., Prevost, A.T., & Gulliford, M.C. (2015). “Probability of an Obese Person Attaining Normal Body Weight: Cohort Study Using Electronic Health Records.” American Journal of Public Health, July 16, 2015: e1–e6.

Doctors became so desperate that they resorted to amputating parts of the digestive tract (bariatric surgery) in the hopes that it might finally result in long-term weight-loss. Except that doesn’t work either. [6] And it turns out it causes death [7], addiction [8], malnutrition [9], and suicide [7].

6. Magro, Daniéla Oliviera, et al. “Long-Term Weight Regain after Gastric Bypass: A 5-Year Prospective Study - Obesity Surgery.” SpringerLink, 8 Apr. 2008. 7. Omalu, Bennet I, et al. “Death Rates and Causes of Death After Bariatric Surgery for Pennsylvania Residents, 1995 to 2004.” Jama Network, 1 Oct. 2007. 8. King, Wendy C., et al. “Prevalence of Alcohol Use Disorders Before and After Bariatric Surgery.” Jama Network, 20 June 2012. 9. Gletsu-Miller, Nana, and Breanne N. Wright. “Mineral Malnutrition Following Bariatric Surgery.” Advances In Nutrition: An International Review Journal, Sept. 2013.

Evidence suggests that repeatedly losing and gaining weight is linked to cardiovascular disease, stroke, diabetes and altered immune function [10].

10. Tomiyama, A Janet, et al. “Long‐term Effects of Dieting: Is Weight Loss Related to Health?” Social and Personality Psychology Compass, 6 July 2017.

Prescribed weight loss is the leading predictor of eating disorders [11].

11. Patton, GC, et al. “Onset of Adolescent Eating Disorders: Population Based Cohort Study over 3 Years.” BMJ (Clinical Research Ed.), 20 Mar. 1999.

The idea that “obesity” is unhealthy and can cause or exacerbate illnesses is a biased misrepresentation of the scientific literature that is informed more by bigotry than credible science [12].

12. Medvedyuk, Stella, et al. “Ideology, Obesity and the Social Determinants of Health: A Critical Analysis of the Obesity and Health Relationship” Taylor & Francis Online, 7 June 2017.

“Obesity” has no proven causative role in the onset of any chronic condition [13, 14] and its appearance may be a protective response to the onset of numerous chronic conditions generated from currently unknown causes [15, 16, 17, 18].

13. Kahn, BB, and JS Flier. “Obesity and Insulin Resistance.” The Journal of Clinical Investigation, Aug. 2000. 14. Cofield, Stacey S, et al. “Use of Causal Language in Observational Studies of Obesity and Nutrition.” Obesity Facts, 3 Dec. 2010. 15. Lavie, Carl J, et al. “Obesity and Cardiovascular Disease: Risk Factor, Paradox, and Impact of Weight Loss.” Journal of the American College of Cardiology, 26 May 2009. 16. Uretsky, Seth, et al. “Obesity Paradox in Patients with Hypertension and Coronary Artery Disease.” The American Journal of Medicine, Oct. 2007. 17. Mullen, John T, et al. “The Obesity Paradox: Body Mass Index and Outcomes in Patients Undergoing Nonbariatric General Surgery.” Annals of Surgery, July 2005. 18. Tseng, Chin-Hsiao. “Obesity Paradox: Differential Effects on Cancer and Noncancer Mortality in Patients with Type 2 Diabetes Mellitus.” Atherosclerosis, Jan. 2013.

Fatness was associated with only 1/3 the associated deaths that previous research estimated and being “overweight” conferred no increased risk at all, and may even be a protective factor against all-causes mortality relative to lower weight categories [19].

19. Flegal, Katherine M. “The Obesity Wars and the Education of a Researcher: A Personal Account.” Progress in Cardiovascular Diseases, 15 June 2021.

Studies have observed that about 30% of so-called “normal weight” people are “unhealthy” whereas about 50% of so-called “overweight” people are “healthy”. Thus, using the BMI as an indicator of health results in the misclassification of some 75 million people in the United States alone [20].

20. Rey-López, JP, et al. “The Prevalence of Metabolically Healthy Obesity: A Systematic Review and Critical Evaluation of the Definitions Used.” Obesity Reviews : An Official Journal of the International Association for the Study of Obesity, 15 Oct. 2014.

While epidemiologists use BMI to calculate national obesity rates (nearly 35% for adults and 18% for kids), the distinctions can be arbitrary. In 1998, the National Institutes of Health lowered the overweight threshold from 27.8 to 25—branding roughly 29 million Americans as fat overnight—to match international guidelines. But critics noted that those guidelines were drafted in part by the International Obesity Task Force, whose two principal funders were companies making weight loss drugs [21].

21. Butler, Kiera. “Why BMI Is a Big Fat Scam.” Mother Jones, 25 Aug. 2014.

Body size is largely determined by genetics [22].

22. Wardle, J. Carnell, C. Haworth, R. Plomin. “Evidence for a strong genetic influence on childhood adiposity despite the force of the obesogenic environment” American Journal of Clinical Nutrition Vol. 87, No. 2, Pages 398-404, February 2008.

Healthy lifestyle habits are associated with a significant decrease in mortality regardless of baseline body mass index [23].

23. Matheson, Eric M, et al. “Healthy Lifestyle Habits and Mortality in Overweight and Obese Individuals.” Journal of the American Board of Family Medicine : JABFM, U.S. National Library of Medicine, 25 Feb. 2012.

Weight stigma itself is deadly. Research shows that weight-based discrimination increases risk of death by 60% [24].

24. Sutin, Angela R., et al. “Weight Discrimination and Risk of Mortality .” Association for Psychological Science, 25 Sept. 2015.

Fat stigma in the medical establishment [25] and society at large arguably [26] kills more fat people than fat does [27, 28, 29].

25. Puhl, Rebecca, and Kelly D. Bronwell. “Bias, Discrimination, and Obesity.” Obesity Research, 6 Sept. 2012. 26. Engber, Daniel. “Glutton Intolerance: What If a War on Obesity Only Makes the Problem Worse?” Slate, 5 Oct. 2009. 27. Teachman, B. A., Gapinski, K. D., Brownell, K. D., Rawlins, M., & Jeyaram, S. (2003). Demonstrations of implicit anti-fat bias: The impact of providing causal information and evoking empathy. Health Psychology, 22(1), 68–78. 28. Chastain, Ragen. “So My Doctor Tried to Kill Me.” Dances With Fat, 15 Dec. 2009. 29. Sutin, Angelina R, Yannick Stephan, and Antonio Terraciano. “Weight Discrimination and Risk of Mortality.” Psychological Science, 26 Nov. 2015.

There's my "proof." Where is yours?

#inbox #fat liberation #fat acceptance #fat activism #anti fatness #anti fat bias #anti diet #resources #facts #weight science #save

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screamingsquamousthings · 6 months

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just because im curious

#tma #the magnus archives

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matan4il · 14 days

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On this Yom Ha'Zikaron Le'Chalalei Ma'rachot Yisrael (Memorial Day for Israel's Fallen Soldiers and Terror Victims), I figured it's important to remember that Israeli victims did not exist solely on Oct 7. We have lost loved ones before and since. Here's a list with just one random victim to represent each year. Please scroll down the list to see how far back it goes.

(part 1/5, all parts in the reblogs)

2024: On Jan 7, we lost 19 years old Shai Garmai

2023: On Oct 7, we lost 28 years old Osama abu Madiam

2022: On Nov 23, we lost 18 years old Tiran Faro

2021: On May 12, we lost 5 years old Ido Avigal

2020: On Aug 26, we lost 39 years old Shai Ochayon

2019: On May 5, we lost 49 years old Zaid al-Chamamda

2018: On Dec 12, we lost Amiad Israel Yish Ran, who was murdered in his mother's womb

2017: On Nov 22, we lost 21 years old Hodaya Nechama Assoulin

2016: On Oct 25, we lost 14 years old Rami Namer abu Amar

2015: On Feb 17, we lost 4 years old Adelle Biton

2014: On Oct 22, we lost 2.5 months old Chaya Zissel Brown

2013: On Dec 24, we lost 22 years old Salech al-Din abu al-Atayef

2012: On Jul 18, we lost 28 years old Yitzchak Idan Kolangi

2011: On Apr 17, we lost 16 years old Daniel Aryeh Viplich

2010: On Feb 26, we lost 52 years old Netta Blatt Sorek

2009: On Apr 2, we lost 13 years old Shlomo Nativ

2008: On Mar 6, we lost 26 years old Doron Trunach Mahareta

2007: On Jun 17, we lost 85 years old Meir Cohen

2006: On Aug 10, we lost 4 years old Fatchi Assdi

2005: On Jul 12, we lost 16 years old Nofar Horvitz

2004: On Sep 29, we lost 2 years old Dorit Massarat Binsan

2003: On Sep 9, we lost 20 years old Naava Appelbom

2002: On Nov 10, we lost 4 years old Noam Levi Ochayon

2001: On Dec 12, we lost 42 years old Ester Avraham

2000: On Nov 21, we lost 19 years old Itamar Yefet

1999: On Jun 24, we lost 34 years old Tony Eliyahu Zanna

1998: On Dec 2, we lost 41 years old Osama Moussa abu Aisha

1997: On Mar 13, we lost 13 years old Natali Alkalai

1996: On Feb 25, we lost 57 years old Yitzchak Elbaz

1995: On Jul 24, we lost 60 years old Zehava Oren

As Tumblr limits a post to 30 images... part 1/5 - the next parts will be posted in the reblogs momentarily. Please check out the full list.

(for all of my updates and ask replies regarding Israel, click here)

#israel #antisemitism #israeli #israel news #israel under attack #israel under fire #terrorism #anti terrorism #hamas #antisemitic #antisemites #jews #jew #judaism #jumblr #frumblr #jewish #israelunderattack

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mostlysignssomeportents · 1 month

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Paying for it doesn't make it a market

I'm touring my new, nationally bestselling novel The Bezzle! Catch me SATURDAY (Apr 27) in MARIN COUNTY, then Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Anyone who says "If you're not paying for the product, you're the product" has been suckered in by Big Tech, whose cargo-cult version of markets and the discipline they impose on companies.

Here's the way that story goes: companies that fear losing your business will treat you better, because treating you worse will cost them money. Since ad-supported media gets paid by advertisers, they are fine with abusing you to make advertisers happy, because the advertiser is the customer, and you are the product.

This represents a profound misunderstanding of how even capitalism's champions describe its workings. The purported virtue of capitalism is that it transforms the capitalist's greed into something of broad public value, by appealing to the capitalist's fear. A successful capitalist isn't merely someone figures out how to please their customers – they're also someone who figures out how to please their suppliers.

That's why tech platforms were – until recently – very good to (some of) their workforce. Technical labor was scarce and so platforms built whimsical "campuses" for tech workers, with amenities ranging from stock options to gourmet cafeterias to egg-freezing services for those workers planning to stay at their desks through their fertile years. Those workers weren't the "customer" – but they were treated better than any advertiser or user.

But when it came to easily replaced labor – testers, cleaning crew, the staff in those fancy cafeterias – the situation was much worse. Those workers were hired through cut-out shell companies, denied benefits, even made to enter via separate entrances on shifts that were scheduled to minimize the chance that they would ever interact with one of the highly paid tech workers at the firm.

Likewise, advertisers may be the tech companies' "customers" but that doesn't mean the platforms treat them well. Advertisers get ripped off just like the rest of us. The platforms gouge them on price, lie to them about advertising reach, and collude with one another to fix prices and defraud advertisers:

https://pluralistic.net/2020/10/05/florida-man/#wannamakers-ghost

Now, it's true that the advertisers used to get a good deal from the platforms, and that it came at the expense of the users. Facebook lured in users by falsely promising never to spy on them. Then, once the users were locked in, Facebook flipped a switch, started spying on users from asshole to appetite, and then offered rock-bottom-priced, fine-grained, highly reliable ad-targeting to advertisers:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3247362

But once those advertisers were locked in, Facebook turned on them, too. Of course they did. The point of monopoly power isn't just getting too big to fail and too big to jail – it's getting too big to care:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

This is the thing that "if you're not paying for the product, you're the product" fails to comprehend. "If you're not paying for the product" is grounded in a cartoonish vision of markets in which "the customer is king" and successful businesses are those who cater to their customers – even at the expense of their workers and suppliers – will succeed.

In this frame, the advertiser is the platforms' customer, the customer is king, the platform inflicts unlimited harm upon all other stakeholders in service to those advertisers, the advertisers are so pleased with this white-glove service that they willingly pay a handsome premium to use the platform, and so the platform grows unimaginably wealthy.

But of course, if the platforms inflict unlimited harms upon their users, those users will depart, and then no amount of obsequious catering to advertisers will convince them to spend money on ads that no one sees. In the cargo-cult conception of platform capitalism, the platforms are able to solve this problem by "hacking our dopamine loops" – depriving us of our free will with "addictive" technologies that keep us locked to their platforms even when they grow so terrible that we all hate using them.

This means that we can divide the platform economy into "capitalists" who sell you things, and "surveillance capitalists" who use surveillance data to control your mind, then sell your compulsive use of their products to their cherished customers, the advertisers.

Surveillance capitalists like Google are thus said to have only been shamming when they offered us a high-quality product. That was just a means to an end: the good service Google offered in its golden age was just bait to trick us into handing over enough surveillance data that they could tune their mind-control technology, strip us of our free will, and then sell us to their beloved advertisers, for whom nothing is too good.

Meanwhile, the traditional capitalists – the companies that sell you things – are the good capitalists. Apple and Microsoft are disciplined by market dynamics. They won't spy on you because you're their customer, and so they have to keep you happy.

All this leads to an inexorable conclusion: unless we pay for things with money, we are doomed. Any attempt to pay with attention will end in a free-for-all where the platforms use their Big Data mind-control rays to drain us of all our attention. It is only when we pay with money that we can dicker over price and arrive at a fair and freely chosen offer.

This theory is great for tech companies: it elevates giving them money to a democracy-preserving virtue. It reframes handing your cash over to a multi-trillion dollar tech monopolist as good civics. It's easy to see why those tech giants would like that story, but boy, are you a sap if you buy it.

Because all capitalists are surveillance capitalists…when they can get away with it. Sure, Apple blocked Facebook from spying on Ios users…and then started illegally, secretly spying on those users and lying about it, in order to target ads to those users:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

And Microsoft spies on every Office 365 user and rats them out to their bosses ("Marge, this analytics dashboard says you're the division's eleventh-worst speller and twelfth-worst typist. Shape up or ship out!"). But the joke's on your boss: Microsoft also spies on your whole company and sells the data about it to your competitors:

https://pluralistic.net/2020/11/25/the-peoples-amazon/#clippys-revengel

The platforms screw anyone they can. Sure, they lured in advertisers with good treatment, but once those advertisers were locked in, they fucked them over just as surely as they fucked over their users.

The surveillance capitalism hypothesis depends on the existence of a hypothetical – and wildly improbably – Big Data mind-control technology that keeps users locked to platforms even when the platform decays. Mind-control rays are an extraordinary claim supported by the thinnest of evidence (marketing materials from the companies as they seek to justify charging a premium to advertisers, combined with the self-serving humblebrags of millionaire Prodigal Tech Bros who claim to have awakened to the evil of using their dopamine-hacking sorcerous powers on behalf of their billionaire employers).

There is a much simpler explanation for why users stay on platforms even as they decline in quality: they are enmeshed in a social service that encompasses their friends, loved ones, customers, and communities. Even if everyone in this sprawling set of interlocking communities agrees that the platform is terrible, they will struggle to agree on what to do about it: where to go next and when to leave. This is the economists' "collective action problem" – a phenomenon with a much better evidentiary basis than the hypothetical, far-fetched "dopamine loop" theory.

To understand whom a platform treats well and whom it abuses, look not to who pays it and who doesn't. Instead, ask yourself: who has the platform managed to lock in? The more any stakeholder to a platform stands to lose by leaving, the worse the platform can treat them without risking their departure. Thus the beneficent face that tech companies turn to their most cherished tech workers, and the hierarchy of progressively more-abusive conditions for other workers – worse treatment for those whose work-visas are tied to their employment, and the very worst treatment for contractors testing the code, writing the documentation, labelling the data or cleaning the toilets.

If you care about how people are treated by platforms, you can't just tell them to pay for services instead of using ad-supported media. The most important factor in getting decent treatment out of a tech company isn't whether you pay with cash instead of attention – it's whether you're locked in, and thus a flight risk whom the platform must cater to.

It's perfectly possible for market dynamics to play out in a system in which we pay with our attention by watching ads. More than 50% of all web users have installed an ad-blocker, the largest boycott in the history of civilization:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

Ad-supported companies make an offer: How about in exchange for looking at this content, you let us spy on you in ways that would make Orwell blush and then cram a torrent of targeted ads into your eyeballs?" Ad-blockers let you make a counter-offer: "How about 'nah'?"

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

But ad-blocking is only possible on an open platform. A closed, locked-down platform that is illegal to modify isn't a walled garden, a fortress that keeps out the bad guys – it's a walled prison that locks you in, a prisoner of the worst impulses of the tech giant that built it. Apple can defend you from other companies' spying ways, but when Apple decides to spy on you, it's a felony to jailbreak your Iphone and block Apple's surveillance:

https://pluralistic.net/2023/02/05/battery-vampire/#drained

I am no true believer in markets – but the people who say that paying for products will "align incentives" and make tech better claim to believe in the power of markets to make everyone better off. But real markets aren't just places where companies sell things – they're also places where companies buy things. Monopolies short-circuit the power of customer choice to force companies to do better. But monopsonies – markets dominated by powerful buyers – are just as poisonous to the claimed benefits of markets.

Even if you are "the product" – that is, even if you're selling your attention to a platform to package up and sell to an advertiser – that in no way precludes your getting decent treatment from the platform. A world where we can avail ourselves of blockers, where interoperablity eases our exodus from abusive platforms, where privacy law sets a floor below which we cannot bargain is a world where it doesn't matter if you're "the product" or "the customer" – you can still get a square deal.

The platforms used to treat us well and now treat us badly. That's not because they were setting a patient trap, luring us in with good treatment in the expectation of locking us in and turning on us. Tech bosses do not have the executive function to lie in wait for years and years.

Rather, as tech platforms eliminated competition, captured their regulators and expanded their IP rights so that interoperability was no longer a threat, they became too big to care whether any of their stakeholders were happy. First they came for the users, sure, but then they turned on the publishers, the advertisers, and finally, even their once-pampered tech workers:

https://pluralistic.net/2023/09/10/the-proletarianization-of-tech-workers/

MLK said that "the law can't make a man love me, but it can stop him from lynching me." It's impossible to get tech bosses to believe you deserve care and decency, but you can stop them from abusing you. The way to do that is by making them fear you – by abolishing the laws that create lock-in, by legally enshrining a right to privacy, by protecting competition.

It's not by giving them money. Paying for a service does not make a company fear you, and anyone who thinks they can buy a platform's loyalty by paying for a service is a simp. A corporation is an immortal, transhuman colony organism that uses us as inconvenient gut-flora: no matter how much you love it, it will never love you back. It can't experience love – only fear.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/22/kargo-kult-kaptialism/#dont-buy-it

#pluralistic #if youre not paying for the product youre the product #competition #capitalists hate capitalism #discipline #market discipline #the old good internet

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melyzard · 1 month

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Okay, look, they talk to a Google rep in some of the video clips, but I give it a pass because this FREE course is a good baseline for personal internet safety that so many people just do not seem to have anymore. It's done in short video clip and article format (the videos average about a minute and a half). This is some super basic stuff like "What is PII and why you shouldn't put it on your twitter" and "what is a phishing scam?" Or "what is the difference between HTTP and HTTPS and why do you care?"

It's worrying to me how many people I meet or see online who just do not know even these absolute basic things, who are at constant risk of being scammed or hacked and losing everything. People who barely know how to turn their own computers on because corporations have made everything a proprietary app or exclusive hardware option that you must pay constant fees just to use. Especially young, somewhat isolated people who have never known a different world and don't realize they are being conditioned to be metaphorical prey animals in the digital landscape.

Anyway, this isn't the best internet safety course but it's free and easy to access. Gotta start somewhere.

Here's another short, easy, free online course about personal cyber security (GCFGlobal.org Introduction to Internet Safety)

Bonus videos:

youtube

(Jul 13, 2023, runtime 15:29)

"He didn't have anything to hide, he didn't do anything wrong, anything illegal, and yet he was still punished."

youtube

(Apr 20, 2023; runtime 9:24 minutes)

"At least 60% use their name or date of birth as a password, and that's something you should never do."

youtube

(March 4, 2020, runtime 11:18 minutes)

"Crossing the road safely is a basic life skill that every parent teaches their kids. I believe that cyber skills are the 21st century equivalent of road safety in the 20th century."

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midnightbears · 1 month

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✿ tell 'em how the crowds went wild! tell 'em how i hope they shine!

⎯ in which you look back on how grateful you are for the opportunity bestowed upon you. aka: you joined the opla's cast!

#STARRING. iñaki godoy, mackenyu, jacob romero, taz skylar, emily rudd ft. fem!reader [elle fanning 4 faceclaim but u can imagine y/n anyway u wish!].

#TAGS. sfw, kind of context, a bit of smau but its tiny. mentions of covid just in case it's triggering?

#NOTE. pardon my rusty writing but i really wanted to get this out!!! i added an oc from one piece for the sake of the story but she's barely mentioned so uuuh yuh! timeline may be wrong but i work with what i'm given please bear with me. let me know if you would like more fics of this y/n??? ALSO IGNORE THE WATERMARKS ON THE PHOTOS I NEEDED TO MAKE THEM NEATER

In the past, if someone were to come up to you and tell you that you’d be a part of the One Piece Live Action main cast in the future, you would’ve probably laughed in their faces despite your wishful thinking.

At that time, you were content with your work, doing short theatre plays with companies or gaining minor roles in musicals. Everything changed when you landed the role for the one-woman show Fleabag for a limited time on London’s West End after the leading actress underwent emergency surgery for an appendectomy. You only acted as the sex-obsessed mess of a woman for about three weeks, but it was enough time for people to notice you, to really see you.

You believed your career had reached its pinnacle when you were cast as Katherine Howard in Six: The Musical in London. Your name had become somehow well-known in the musical theatre world, and you had a small but dedicated fan base who liked uploading edits of you being a dork during the Megasix on YouTube and TikTok.

Months later, you were bound to play as Fantine for Les Miserables when COVID abruptly struck, and you were dismayed that your job was ripped from you so abruptly. Your best friend, the sweetest person on earth, insisted on you moving in with her in fear that you’d be evicted from your apartment.

Months passed, and you eventually found a small way to help your friend pay rent by offering singing and acting lessons online to musical-aspiring teenagers. Since you had gained many followers from your earlier work on social media, it didn’t surprise you when the classes became sold out.

Your friend also convinced you to create a YouTube channel for you to upload videos of yourself (sometimes joined by her) where you watched and commented shitty movies, followed DIY tutorials just for the fun of it, performed covers of your favorite songs, and just generally vlogged your life (along with reactions to Taylor Swift’s (From The Vault) songs).

At first, you thought it was pretty stupid, but you were delightfully proved wrong when your videos harbored over 200k-300k views on a bad day, so you found no reason to stop as COVID-19 continued, growing to gain a little over five hundred thousand followers. Your reactions were often used for TikTok audios or clips, so you found your popularity growing and evolving during that year.

You believed yourself to be a general, simple woman. People liked you because you were elegant and levelheaded, although you could sometimes be chaotic. You also had a subtle sense of humor that many found charming. But mostly, you grew a steady fan base because your videos and presence comforted countless young adults and teenagers.

You were an optimist and a reassuring one, so during the times when COVID was so prominent, people sought refuge from the monstrosities of the world in your videos, where you seemed to connect with them even though you were on the other side of the screen.

However, everything changed somewhere in 2020-2021. That evening, your best friend got home from work with excitement practically oozing out of her every pore. You and your best friend were avid anime watchers and manga readers, so you couldn’t help the face you made when she told you that One Piece was getting a live-action.

Although you were skeptical, your friend practically insisted you send an audition tape. You grimaced at that. It was well-known that live anime actions were almost always corny and cringeworthy compared to the original work, and people never liked them. You had learned that much from Death Note and a couple of others. However, your best friend convinced you with this argument:

“If it’s that bad, then at least you’ll gain more followers out of the memes that people will make, and if it’s good, you’ll still get famous anyway!”

Eventually, you sent a video of you performing one of the lengthy monologues from Fleabag to your agency and simply hoped for the best. Your friend was practically rooting for you to get the role of Anastasia, one of the first integrants of the Straw Hat crew, joining before Sanji and after Usopp. You adored her as she greatly reminded you of your late mother, although you would be happy with any role.

Somewhere in November 2021, you remember a lot of screaming and crying. When you try to look back on it, all you remember is the happiness you felt when you received confirmation of the role of Anastasia. You were practically over the moon, and you and your friend celebrated inside your small apartment. You were entirely alone, just two drunk girls dancing and cheering, until one of the neighbors knocked on the ceiling with a broom.

liked by inakigo, emilyrudd and 574,949 others

yourusername actually lost for words and filled to the brim with gratitude...... i cannot express how excited i am to play my girl anastasia and bring her to life. from the bottom of my heart, thank you to everyone who has supported me. your faith in me means everything. congrats to iñaki, emily, jacob, mackenyu and taz, thank you to onepiecenetflix, thank you to my best friend for convincing me to audition for the role, and thank you, oda sensei, for putting anastasia's heart in my hands. love u all <3

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November 10, 2021

y/nsfanclub.02, AAAAAAAA SO EXCITED FOR THIS I ACTUALLY CANT BELIEVE IT

⤷ starl6ighwnb, LIKE FR IM GNAWING AT THE BARS OF MY ENCLOSURE THIS IS INSANE

user8392y3r927y, HELLO YOUR GRACE ANASTASIA

inakigo, Congrats!!!!!!!!

taz_skylar, 🔥🔥🔥

The One Piece fan base dearly loved the character of Anastasia, a well-mannered, bubbly, upbeat, fashion-loving duchess who always spoke in a Transatlantic accent but also had a quick wit and a bit of a sweet tooth. Anastasia’s dream was to become the most dangerous pirate to ever grace the seas and prove everyone who doubted her wrong.

Of course, with a big character came a big responsibility.

Sometimes, insecurity nearly got the better of you. You had to fill huge shoes, and there were many people to convince and impress. However, your love for this project was bigger than the gnawing uncertainty on the back of your neck, so you continued strongly until the end of Season One, finding comfort in your cast mates and the countless people who counted on you and, most importantly, believed in you.

Oda handpicked you, and that argument alone was enough to shoot any insecurities away.

Well, needless to say, people loved you!

Critics acclaimed your portrayal of the character, as well as the commendable chemistry you shared with the rest of the cast. The fans found it incredibly funny that your character was the complete opposite of how you actually acted in real life, and you often found yourself blissfully immersed in the fan base's love and praise.

Your channel and social media suddenly grew tenfold. Although you had stopped uploading videos every week due to the recording of season one, your followers were more than happy to wait for your return, and as one would expect, they were thrilled to have you back once you did upload a vlog explaining everything.

Over the course of the six months, you had been recording from time to time for a YouTube video in the set. Previously, you had asked the producers for permission to record some behind-the-scenes for your channel and your usual interactions with the rest of the cast with your personal Sony camera, as you felt it would be a nice way to bring the fans and the cast closer.

The producers gave the okay on the condition that you would wait until the first season aired on Netflix. You happily agreed and carefully began recording some scenes of your dressers and hairdressers as they prepared you, a few shots of your instructor showing you how you were supposed to use the guns that Anastasia employed... simple things.

Back in the day, you were still getting acquainted with the other cast members, and you didn't want to seem rude by forcibly making them appear on your videos, so you waited for a few weeks until you could properly call yourself companions. Then, you invited them to appear in the videos.

Iñaki, Taz, and Jacob liked to take advantage of the little free time they had between scenes they didn't appear in to innocently steal your camera and use it to their heart's content. One day, you got home only to find the memory card was completely full. It was an extensive video of them walking around the set, with Taz recording while Kiki and Jacob pointed out random stuff to the people who lived inside your camera, as Jacob liked to call them.

Mackenyu, being more reserved and introverted, mostly liked to act as a cameraman for you as you showed the props you used and other things, often making comments or turning the camera around whenever you referred to something.

Meanwhile, Emily had a natural knack for being in front of the camera. Whenever you asked her to join in, she effortlessly slipped into the co-host role, bantering with you and adding her own insights into the behind-the-scenes world of the show.

With the first season out of the way, you took the time to carefully pick what videos you wanted to use in the final tape, and it took you a little over a month and a half to properly edit it and turn it into a wonderful thirty-minute-long behind-the-scenes. You even sent it to the producers and your co-stars in case there was a scene they wanted deleted. Fortunately, they all gave you the okay.

You teased the video a bit on your Instagram before uploading it a few days later, and the support it received was out of this world. It gained over two million views and hundreds of thousands of likes.

You were kind of expecting this. While some BTS had already been uploaded on YouTube, yours was different because you were showing it from your perspective. The fans loved every second of it, and even started asking for a second or third part. You even saw new videos on YouTube of recompilations from your video with the titles being silly things like The One Piece Cast Being Chaotic for Seven Minutes.

At that moment, your life felt so full. You were getting contacted by industries who wanted you to appear on their videos and their stages, thousands of fans who loved you, and a feeling so peculiar that this would be eternal.

liked by taz_skylar, morganlogoff and 1,523,199 others

yourusername missing my wig and my gang hours ☹️

view all comments

November 10, 2023

morganlogoff, love love love you💗💗💗

curlikaqy, NO ONE KNOWS I'M YOUR BIGGEST FAN

emilyrudd, GIRL I WANT TO SEE YOU COME BACK TO AMERICA

bookofjacob, missing your camera hours💔

#one piece #one piece live action #one piece la #opla #one piece x reader #one piece x you #one piece live action x reader #one piece live action x you #iñaki godoy #emily rudd #jacob romero gibson #jacob romero #taz skylar #mackenyu #one piece x y/n #opla x reader #opla x you #midnightbears

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inevitably-johnlocked · 2 months

Note

Hey Steph,

I am in the mood for some really long fics. Preferably not AU as I find those hard to get into. Although, like always, I am open to your all your suggestions.

Loves Seven.

Hi Lovely!!

Ahhh, I've a TONNE of long fics, and a lot of them AREN'T AUs! I'm gonna use your ask as an excuse to post a new list, and please check out the other pages linked below! I label if a fic is an AU or not, so just skip over those if you're not up for them! Enjoy!

NOVEL LENGTH FICS: 50 to 100K Pt 4

See also:

Novella Length Fics: 20 to 25K (Oct 2020)

Novella Length Fics: 25 to 50K (Aug. 2019)

Novella Length Fics: 25 to 50K Pt 2 (July 2022)

Novel Length Fics: 50 to 100K (Nov. 2018)

Novel Length Fics: 50 to 100K Pt 2 (May 2020)

Novel Length Fics: 50 to 100K Pt 3 (Jul 2022)

Novel Length Fics: 100K+ w. (May 2019)

Novel Length Fics: 100K+ w. Pt 2 (Aug 2020)

Novel Length Fics: 100K+ w. Pt 3 [MFL’s] (Dec 2020)

Long Domestic Johnlock (50K+ w.) (March 2023)

Smut-Free Fics Over 50K (Aug 2019)

Top 20 Fave 40K+ w. Fics (April 2017)

Long S3/Post-S3 Fics (20K+ w.) [Apr 2020]

Hurt / Comfort Pt. 4: 50K+ Words Pt. 1

Anxious / Worried Sherlock Pt 2 (Over 20K w.)

Long Pining Fics (50K+) [March 2023]

G,T, & M-Rated Johnlock for Newcomers Pt. 3 (20K+)

Genius is a Star Whose Light (is Soon to Sink in Endless Night) by LoloLolly (M, 51,812 w., 11 Ch. || Canon Compliant Through TFP/S4 Is Canon, Aftermath of Serbia, Alternating POV, Established / New Relationship, Parentlock with Rosie, Explicit Torture, Mentions of Sherlock’s PTSD, Mentions of Human Trafficking, References to Child Abuse, Violence, Kidnapping, Captivity, Angst with Happy Ending, Fluff, Case Fic, BAMF / Soldier John, Sherlock Whump, Mycroft and John Work Together, Marriage Proposal, Autistic Sherlock, Lestrade Finds Out, Polyglot Sherlock) – Sherlock had buried the past. Shut Serbia away in the attic of his mind palace. Muddy footprints at a heinous crime scene, however, have led him right back to old enemies. And right back to captivity. For God’s sake, Mycroft. Part 2 of the Earthly Pomp (Is But a Dream) series

Spare Parts by Raina_at (E, 63,497 w., 10 Ch. || 24th Century / Futurism AU || Post TRF, Pre-TRF Relationship, Case Fic, Mutual Pining, Estrangement, Reconciliation, Science Fiction, Reunion, Nightmares, Angry John, Cybernetic John, Emotional Discussions / Heart to Heart, POV John, Scars, Past Drug Use, Forehead Touching, Emotional Lovemaking, Kissing, Apologies, Kidnapping, Rescue Mission, BAMF John, Bed Sharing, Top Sherlock) – Two years ago, Sherlock Holmes jumped off the roof of New London Hospital. Two months ago, he walked into John's clinic as if no time had passed at all. John hasn't seen him since. But then Sherlock knocks on John's door with a case he can't say no to, and while figuring out why the biggest manufacturer or synthetic limbs in the System is going after veterans, they also need to find out whether there's a way to fix what's broken between them. Part 1 of Realigning Gravity

Swallow the Night by ArwaMachine (E, 87,873 w., 15 Ch. || TSo3/Stag Night Fix It, TAB/S4 Divergence, Toplock, Mutual Pining, PWP, Drunk / Public Sex, Anal Fingering/Sex, Alcohol-Induced Amnesia, Everyone Knows Except Them, Emotional Love Confession, Demisexual Sherlock, Internalized Homophobia [John], Parentlock with Rosie, First Kiss, Drug Relapse, Infidelity, Texting, Masturbation, Oblivious John, Emotional Love Making, Angst with Happy Ending, Dreams and Nightmares) – “Do you know how long,” John panted, his cheek scraping against the wall, looking back at Sherlock through half-closed eyes, “I’ve wanted this?” Sherlock pressed himself against John’s back, biting at John’s ear. “Not nearly as long as I have,” he whispered.

Bakers with Benefits by Raina_at (E, 88,130 w., 14 Ch. || Great British Bake Off AU || Strangers to Lovers, Switchlock, Friends with Benefits, Mentions of Alcoholism / Past Drug Use, Banter, Flirting, Fluff, Light Angst, Semi-Public Sex, Past Sherlock/Victor, Mutual Pining, POV Sherlock, Obsessive Sherlock, John’s Bum) – Sherlock Holmes has a successful YouTube baking channel, but what he really wants is his own bakery. When an old friend sends him a call for the very first Great British Bake Off, he seizes the opportunity to finally win a sponsor for his bakery. Here's the plan: Win Bake Off, get the bakery, don't fall in love with the handsome Army doctor at the neighbouring station. Easy.

Fade To Black by twistedthicket1 (M, 93,389 w., 29 Ch. || Split Personality Disorder / DID, Action, Romance, Violence, Implied Rape/Non-Con, BAMF John, Fluff and Angst, Baskerville, Human Experimentation, PTSD, Implied Self Harm, Trauma Amnesia, Past Child Sexual Abuse, Protective Sherlock, Smoking, Meddling Mycroft, Past Victor/Sherlock, Gay Sherlock, Sherlock’s Past, First Kiss/Time) – John Watson believes one day he'll just fade. That he'll drown in the black spaces of his mind, and that one day he will no longer exist. It's always been like this, the dark spots marking out moments in his life he can't remember. Where for just a moment he's someone else. Having a Dissociative identity disorder, he can't even be entirely sure he's really who he says he is. Then he meets Sherlock Holmes. A brilliant detective who when he looks at you can read your entire life story. John is immediately fascinated and afraid, half-wondering if maybe Sherlock can see the other personalities in him and half terrified of the thought of him finding out. Becoming his flatmate seems at once to be a wonderful and horrible idea. Yet as John's Blackouts become more and more severe and his other personalities begin to truly awaken and show themselves with Sherlock's help, the two soon discover that sometimes even the kindest person can harbour a demon best left untouched inside of them. Because not all of John's other personalities play nicely and some may be hiding secrets best left undisturbed...

#steph replies #johnlock fic recs #long fics #my fic recs #50 to 100K

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bareums · 1 year

Text

Jimin in every music video | Part 4/?) | 2019-2020

Boy With Luv (Apr 2019), Lights (Jul 2019), Make It Right (Oct 2019), ON (Feb 2020), Stay Gold (Jun 2020), Dynamite (Aug 2020) Black Swan (March 2020), Life Goes On (Nov 2020)

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tcustodisart · 5 months

Text

Okay, here's the second summary, this time for all the work I've done this year.

Jan | Feb | Mar

Apr | May | Jun

Jul | Aug | Sep

Oct 1 &2 | Nov | Dec

Honorable mentions go to: this year's pride month post, "I wish I had wings", some kisses, baby Faust, BFFs, grrahrarjshhhhrhjjrhragrrrgaghghr, all of Faustober

2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022

I want to take some time to share my thoughts on 2023, it's kinda personal and long so you can read it under the cut.

This year has been the hardest year of my adult life. It started with my grandma coming back from the hospital. She was in a terrible state so we had to take care of her almost 24/7. Which was colliding with my work a lot because we we're understaffed. I have very vague memory of the first 4 month of this year because to me it was: go to work, go to my parents to take care of grandma while my parents are at work, go back home, sleep, repeat. Unfortunately grandma passed away near the end of april. But that wasn't the end of my problems, now I had problems with my apartment. Some of you may know I was struggling with bedbugs, I spent over 1k PLN for professional help just for these feckers to come back because they were coming from my neighbors. Then around summer a cable in my kitchen melted and caused a power outage. I'm ending my year with a gaping hole in my bathroom wall because an upstairs neighbor flooded me and the bathroom cabinet had to be removed because it was destroyed by water. It was an awful year for me personally. I'm surprised all that stuff had almost no effect on my art. While picking stuff for this summary I had some hard time picking just one for month. I'm hoping that the next year will be better, because I can't believe it can get any worse. Thank you for following my silly little blorbos from my head, it means so much to me, you have no idea. Here's to more happy Fausts in 2024.

#art summary #art summary 2023

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boschintegral-photo · 5 months

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2020 Tumblr Top 10

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These are my photos with the highest number of notes in 2020. Find more in my archive.

Thank you for your support!

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#tumblrtop10 #2020 #photographers on tumblr #original photographers #original photography #thank you

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lurksunderthebed · 7 months

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Ghoap Analysis/Meta (1?)

The Evolution of GhostSoap Redux

Continuing thoughts on how Ghost and Soap's relationship has changed over the course of mw(19), mwii(22) and mwiii(23)

Spread out amongst several posts. This will be long 😅

(Part 1)

BEWARE SPOILERS TO MWIII(23) !

I've had time to settle my thoughts on Ghostsoap in mwiii (23) and this will go more into depth of the re-contextualising of Ghost and Soap's relationship in mwii (22) from the verdansk mission: "Flashpoint".

Flashpoint is set 4 years to mwiii(23). The game places it as April 6, 2019. This is important to us because it sets a different potential first mission (meet cute lmao) between the two and thus changes the tone of their interactions in mwii (22)

So let's set up a timeline with the available dates. Thankfully, the game sets some very concrete dates for us. Not all missions are included.*

2019

Flashpoint - April 06, 2019

First canonical appearance of SAS Ghost and Soap

Ghost provides sniper cover for Soap

Price/Soap capture Makarov and transport him to a helo with Ghost and Shepherd

There's a failed interrogation by Ghost and Soap.

Makarov implies he has met Ghost before and thought him dead at an airport

2019 Mw(19)

Piccadilly - Oct 25, 2019

First canonical appearance of SAS Gaz

Gaz is attached to Met Counter Terrorist Police. This implies he has worked largely in his career in conjunction to the Police. It's unknown whether he met Soap or Ghost before.

First meet of Gaz and Price to combat terrorists in London

Old Comrades - Oct 31, 2019

Gaz meets Nikolai

Interrogation scene. Arguably strengthens Gaz and Price's relationship

Into the Furnace - Nov 03, 2019

Last mission, they kill general barkov

Credit Scene - Nov 03-04, 2019* (hypothetical)

Laswell and Price form task force 141

Price seconds Ghost, Soap, Gaz. This implies that Price has worked with Soap and Ghost on missions for x amount of years. It's Gaz who was the surprise recruit.

2020 Cod Warzone

Season 2 - Mar 2020

First appearance of 141 Ghost

Unknown amount of 141 stationed in Verdansk. Ghost asks for backup.

Season 3 - Apr 2020

Armistice dissolved

Price and Gaz show up to help Ghost

Implied- unknown amount of 141 to Verdansk (possible meeting of Soap and Ghost)

Season ? - Dec 2020

Price kills Zakaev

First appearance (via call) of 141 Soap asking for backup in Verdansk

Price, Ghost, Gaz, Farah etc backup Soap who is somewhere else in Verdansk getting pinned down by enemies

2022 Mwii(22)

Strike - July 15, 2022

Ghost calls an airstrike on Ghorbrani with the aid of Shadow Company

Hindsight - Aug 12, 2022

Shepherd/Shadow Company loses American missiles to terroists

Kill or Capture - Oct 28, 2022

Ghost gets assigned Soap as his sergeant for Al Mazhrah mission to kill or capture Hassan

They find American missiles instead

Cartel Protection - Oct 30, 2022

Ghost/Soap meet Ale/Rudy in Las Almas

They fight the Mexican army under control of the cartels

RV with Graves/Shadow Comp.

El Sin Nombre - Nov 01, 2022

Soap infils cartel mansion

Valeria is revealed as El Sin Nombre

They take her into custody

Dark Water - Nov 02, 2022

Boat/oil rig mission with Shadow company

Missile launch averted by Ghost, Soap and Graves

Alone - Nov 03, 2022

Graves and Shepherd betray 141/mexi bros

Ghost and Soap get out of Las Almas

RV at ale's hideout with Rudy

Prison Break - Nov 03, 2022

Ghost, Soap, Rudy break out ale from prison

Meet up with Price/Gaz

Ghost Team - Nov 03, 2022

141 with mexi bros take back mexi bros base

Soap and Rudy "kill" Graves

Countdown - Nov 04, 2022

Stop missile launch in Chicago

Ghost and Soap kill Hassan

2023 Mwiii (23)

Operation 627 - Oct 13, 2023

Makarov breaks out of prison

Reactor - Nov 10, 2023

141 find out that Makarov escaped

141 assaults konni base

Price finds chemical weapons (almost died)

Payload - Nov 11, 2023

141 split up to stop missile launch of chemical weapons

They fail to stop 2 missiles to Russia

Oligarch - Nov 12, 2023

Ghost/Soap island mission to find Makarov's financier

Interrogation of Milena for Makarov's location

Frozen Tundra - Nov 14, 2023

141 ambush konni convoy

Find Shepherd was Makarov's prisoner

Interrogate him on Makarov's location

Gora Dam - Nov 16, 2023

Ghost/Soap split up to stop chemical weapons in Verdansk

Trojan Horse - Nov 21, 2023

141 split up in London tunnels to stop Makarov from using chemical weapons in subway system

So now that's done. I've mostly ignored Farah and Alex and focused on Price, Ghost, Gaz, Soap and Nikolai as it pertains to relationships within the core group of Price/Ghost/Gaz/Soap.

What can we make of this ?

Well, a couple things.

We can now say that from 2019 to the events of "Kill or Capture" in 2022, Ghost and Soap have most likely worked together on missions before. The timeline shows that they at least had to have met in Dec 2020 in Verdansk as Soap had called for backup to Price and group.

That makes it actually at least 3 years of knowledge of each other prior to mwii(22). So a total of 4 years + potentially at the start of mwiii(23).

It also shows us how quickly their relationship changed from the Alone mission in '22 despite the 3 years of prior knowledge they had since '19.

Let it be said that it took 1 week, ONLY 7 DAYS!! to change Ghost and Soap's relationship. 7 days out of a total at least 3 years total.

Ghost started at not even bothering to name Soap in 2019, to presumably basic Soap/Mactavish/sergeant for the next 3 years.

Cut to the events in mwii(22). Lets say beginning at "Kill or Capture" and finishing at "Alone" and suddenly Ghost ends up having made up his own personal nickname that no one else can use for Soap in just those 7 days.

I posit that this was in part due to "Kill or Capture" in '22 being the first mission that Soap has directly worked under Ghost's command.

This is all hypotheticals and guesswork so take it as you may.

Assuming Ghost was mainly a solo mission sort of guy, let's also assume he mostly helped as sniper overwatch if he ever had team missions (like in Flashpoint). Most 141 missions have him taking that position as well, so it's safe to say he is support most of the time.

Given that assumption, it's also likely that Soap and Ghost had to have interacted mainly on comms and any physical meeting would be restricted to transport via heli or otherwise.

It's possible Soap and Ghost have worked together on a more physical basis (aka Ghost leading Soap on a squad), but given how much Ghost seemed to be testing Soap in "Kill or Capture" I find that somewhat unlikely.

In 2019 we see how brusque Ghost is with Soap. It's very likely that Ghost was largely monosyllabic with Soap pre or post missions to Flashpoint.

Considering Soap's propensity to chatter in 2022 and 2023, it's also very likely Soap annoyed the hell out of Ghost on comms. Lol.

This could explain why Ghost was so dismissive of having Soap as his sergeant in "Kill or Capture", despite working together 3 years ago.

I, and arguably most of fandom had theorised that "Kill or Capture" was the first mission that Soap and Ghost ever had together. And we weren't quite right, but we weren't completely wrong either.

With Flashpoint, it's obvious now that was not quite true. It even suggests in it that Ghost and Soap had worked together prior to even that, as there was no formal introduction between the two.

This dramatically changes how Ghost's dialogue and Soap's to a lesser degree can be read in mwii(22) and implies much much more if you consider how they interact with each other in '23.

So why does it matter when Ghost and Soap's relationship started?

With mwiii(23) we can now definitively tell when Ghost and Soap's relationship changed. We now have a rough basis of a timeline and we can track down the differences between '19 -'22 and then '22- '23. Its important because we can see how their relationship deepens and how it changed within a span of 3 years, 7 compelling days and 1 heartwrenching year later.

For all that mwiii(23) was lax with explicit Ghostsoap moments, it's rich in how much context we gain to their relationship. We see how Ghost changes and how his relationships differ between 141. It's an interesting and compelling look at both Ghost and Soap's characters.

In this discussion I separate this analysis into 3 parts. Part 2 will cover the implications of "Flashpoint" on mwii (22), with discussion line by line. Part 3 will most likely go over comparisons a year makes from the events in '22 to '23. (This might be subject to change as I get further into the analysis)

Onto Part 2.

#ghostsoap #cod mw3 #cod mwiii #john soap mactavish #simon ghost riley #soapghost #ghost x soap #simon riley #call of duty #meta #analysis #soap x ghost #soap mactavish #soap cod #mw3 spoilers #cod mwii #call of duty modern warfare

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x-is-okay · 2 months

Text

//A Fern for your troubles

//Obligatory Old under the cut

//Nov 8, 2020 - Apr 4, 2024

#Ashin Art #fern mertens #fern the human #adventure time

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wearepaladin · 5 months

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2020 Tumblr Top 10

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Narrowing down Humpback Whales specifically as paladin deities/totems because they actually have a history of using their power...

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#tumblrtop10

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lands-of-fantasy · 2 years

Photo

All STAR WARS Entertainment Weekly Print Covers

1997-2022

>> Press for Episode I: The Phantom Menace: 1. JAN 1997 - Photo from Episode VI: A New Hope 2. JUN 1997 - Cast Photo 3. MAR 1999 4. MAY 1999 - Cast Photo

>> Press for Episode II: Attack of The Clones: 5. APR 2000 - Cast Photo 6. JUN/JUL 2000 - Cast Photo 7. APR 2002 - Cast Photo 8. MAY 2002 (2 Covers)

>> Press for the new DVDs 9. SEP 2004 - Photo from Episode VI: A New Hope

>> Press for Episode III: Revenge of The Sith 10. APR 2005 – Star Wars Special Edition 6 Covers, 1 from each Episode 11. MAY 2005

>> The Empire Strikes Back 30th Anniversary 12. APR 2010 – Behind The Scenes Photos

>> Disney announces deal to acquire Lucasfilm and plans for new movies 13. NOV 2012 – Original Trilogy montage

>> Press for Episode VII: The Force Awakens 14. AUG 2015 15. NOV 2015 (4 Covers)

>> Press for Rogue One: A Star Wars Story 16. JUL 2016 17. DEC 2016 (2 Covers)

>> Press for Episode VIII: The Last Jedi 18. AUG 2017 (2 Covers) 19. DEC 2017 (4 Covers)

>> Press for Solo: A Star Wars Story 20. FEB 2018

>> Press for The Mandalorian 21. OCT 2019

>> Press for Episode XIX: The Rise of Skywalker 22. DEC 2019 – 3 Covers: Montages of characters from the Prequels, OT and from The Rise of Skywalker

>> Press for The Mandalorian (Season 2) 23. OCT 2020 (2 Covers)

>> Press for Obi-Wan Kenobi 24. APR 2022 – This was the last print issue from EW, with the magazine going digital-only from then on

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henrykathman · 2 months

Text

youtube

The Amateur's Guide to Snufkin: Melody of Moominvalley

In this video, I return to the world of Moominvalley to analyze the hotly anticipated game Snufkin: Melody of Moominvalley and its relationship with the original Moomin stories, Tove Jansson, and the philosophies it connects with.

Special Thanks to Kiki from Transparency for looking at the script. You can follow her Moomin Stuff at @marsmombestmom

Disclosure: My copy of the game was provided to me by Hyper Games and Raw Fury. While I think objectivity is overrated, the opinions in this video have not been influenced by the developers and are a reflection of my own thoughts on this game and the Moomins.

Work Cited Page

Bletchly, Rachael. “How Moomin Author Built a Brand Worth £700m and Why Brits Still Love Them.” The Mirror, Reach PLC, 4 Jan. 2021, www.mirror.co.uk/news/world-news/how-moomin-creator-built-brand-23260983. Accessed 15 Mar. 2024.

Dymel-Trzebiatowska, Hanna. “Moomins Take the Floor. Finnish Trolls in Contemporary Mass Social (Media) Events.” Children’s Literature in Education, Aug. 2022, pp. 1–16. EBSCOhost, https://doi.org/10.1007/s10583-022-09497-6 Link

Ellis, Rowan. “Why Is Cottagecore so Gay?” Rowan Ellis, YouTube, 30 July 2020, youtu.be/5odKiL7jRW0.

Kramer, Ash. “Philosophical Materialism: Vital Materialism.” Philosophical Materialism: A Study of Early Modern Literature and Contemporary Theory, The Alliance for Networking Visual Culture, scalar.usc.edu/works/material_philosophy/vital-materialism#:~:text=Frequently gendered female, vital materialism. Accessed 15 Mar. 2024.

Meereboer, Arwen Dagmar. "Moomins and Complicity with Matter: Tove Jansson’s Moominpappa at Sea as an Intervention in Vibrant Matter: A Political Ecology of Things by Jane Bennett." SATS 23.1 (2022): 17-32. https://www.doria.fi/bitstream/handle/10024/180011/meereboer_arwen.pdf?sequence=2

O’Connell, Joe. “The Melancholy Promise of Heidi, Girl of the Alps.” Beyond Ghibli, YouTube, 20 Sept. 2018, youtu.be/_DFPoZN-FoI. Accessed 15 Mar. 2024.

O’Luanaigh, Robin. “Co-Opting Cottagecore: Pastoral Aesthetics in Reactionary and Extremist Movements.” Global Network on Extremism and Technology, The International Centre for the Study of Radicalisation, 19 May 2023, gnet-research.org/2023/05/19/co-opting-cottagecore-pastoral-aesthetics-in-reactionary-and-extremist-movements/.

Peter Marten. “Moomin Characters Ltd Keeps a National Treasure in the Family.” This Is Finland, the Finland Promotion Board , Apr. 2010, finland.fi/business-innovation/moomin-characters-ltd-keeps-a-national-treasure-in-the-family. Accessed 15 Mar. 2024.

Samson, Anna. “How the Moomins Became an Anti-Fascist Symbol.” Huck Magazine, TCO London, 22 Sept. 2021, www.huckmag.com/article/how-the-moomins-became-an-anti-fascist-symbol.

#video #video essay #youtube #moomin #moominvalley #snufkin #snufkin melody of moominvalley #tove jansson #snufmim #snufmumriken #snufmin #melody of moominvalley #Youtube

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vocalsynthbdays · 3 months

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happy (late (im sorry)) birthday kaito(vocaloid 1), kokone(vocaloid 3), uni(vocaloid 4), wei yang(muta), liee(utau), seymour(utau), and zuii takoe(utau) !!! [feb 14]

(kaito)

(kokone)

(uni)

(wei yang)

(liee)

(seymour)

(zuii)

kaito is a japanese synth developed by crypton future media, and released on 14 feb 2006. kaito is voiced by Naoto Fuga, his v1 is illustrated by Takashi Kawasaki and his v3 by iXima. kaito is one of the "project daisy" vocals, beginning production when Vocaloid was still called "daisy project" (look at last years posts if you want a bunch of kaito lore/ facts, i dont have the characters to spare for it this year). kaito is also available in english. Yamaha lists his birthday as the 14th and crypton as the 17th so his birthday will be both of those days

uni is a korean synth developed by ST MEDiA, and released in 2017. her vp has not been revealed but shes designed by K170 and illustrated by OSUK2. uni is one of the only 2 korean vocaloids (with the only other one being seeu)

kokone is a japanese synth developed by internet co, and released in 2014. her vp has also not been revealed, but shes illustrated by AkkeyJin. kokone is capable of reaching some of the highest notes out of any Vocaloid as she was originally a failed attempt at a megpoid gumi falsetto vb

wei yang is a chinese synth developed by Tianyi Love Music Culture Technology Co., and released on 10 jan 2019. wei yangs character birthday is feb 14 however. he is voiced by paigujiaozhu and illustrated by Krenz

liee (aka Velirio Eden Nasaranta) is a japanese synth managed and voiced by julieraptor, and originally released on 7th aug 2020. liee is nonbinary and uses they/ he/ she pronouns. their different vbs are illustrated by different people, and the art im showing is by rev_bmp. liee is filipino, and has vbs also available in english and korean

Seymour Delaware (aka sey) is a japanese synth created and voiced by dav-p, and released on 19 jan 2023. seymour is a demiboy and uses he/ they pronouns. he is illustrated by C-Cream. seymour is aroace, african american, deaf, and selectively mute. they also have an instrumental vb made with a steel tongue drum

Zuii Takoe is a japanese synth voiced and managed by srscyn, and illustrated by TerrainAkka. zuii uses she/ he/ they pronouns. according to utau wikia and utau wiki 2.0 shes released on 4 apr 2009, but according to vocadb its 27 nov 2009. either way his character birthday is feb 14

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