Tumgik
#and you know Bentley would play it
lalalunamoth · 9 months
Text
Convinced that the main reason Crowley says "you wouldn't like it," when Aziraphale asks "what's a velvet underground?" is Crowley knows the song that will start playing is Pale Blue Eyes and he doesn't want to feel exposed like that.
81 notes · View notes
everysongineverykey · 10 months
Text
good omens the book, 1990: see, queen is so ubiquitous in london these days that if you leave a tape in a car for too long, it'll inevitably morph into a best of queen tape. which is why their megahits are playing in crowley's bentley all the time! isn't that a funny and topical joke?
good omens the show, 2019-2023: yeah crowley's car has a hands-free call system and also only plays cassette tapes. yeah it's whatever don't think about it. what's an incredibly earnest and passionate queen love song we can play during this scene where crowley tries urgently to reach aziraphale
3K notes · View notes
jelly-o630 · 26 days
Text
Imagine in season 3 of good omens Crowley causally tries to walk into Aziraphale’s bookshop as usual only to be physically pushed back from the entrance cause it’s not technically Aziraphale’s shop any and he no longer has permission to walk in
26 notes · View notes
kay-jaye · 3 months
Text
bit on the side?
bit on the side?
crowley doesn’t know what the fuck that even means. ok, yes, he’s familiar with the deluge of terms humans have concocted to define the complexity of their relations to each other.
side piece. sneaky link. friends with benefits. fuck buddies. situationship.
crowley knows what it means. he does. but when nina speaks the phrase to him, crowley can’t seem to recognize a single language, alive or otherwise dead, in which the words she says make sense. he briefly wonders if this is his version of aziraphale’s french.
because she’s talking about aziraphale.
aziraphale, the angel. the angel who likes his tea without sugar, but his wine with company. the angel who claims to have a distaste for “bebop,” yet crowley has caught him mouthing the words to queen’s “good old-fashioned lover boy” more than once in the bentley. the angel (bastard) who enjoys subjecting crowley to his magic act antics that under no circumstances would crowley ever admit to finding amusing or, satan forbid, endearing. the angel who popped into paris during the reign of terror because he got peckish for crepes, and even the threat of guillotine in that damp bastille cell could not deter him from baked goods in the end. the angel who still insists on dragging crowley to see productions of shakespeare, despite both being present for the original opening nights of almost every play the man wrote. the angel who is what heaven is supposed to be incarnate—pure and kind and too good for his own good, really.
and crowley is a demon.
he doesn’t think any of the typical labels apply. they’re not human, after all; it couldn’t be that simple. crowley can’t pinpoint exactly when it started or when it changed. 6,000 years is a long history to comb through. it was more than the acquiescence of two immortal beings to the familiarity of each other in a world full of temporary creations. it was more than a bloody arrangement at this point. crowley doesn’t know how it can be more than whatever it means to inhabit the other’s body and walk right into fatal danger, but they are. he’s inclined to cut his losses and say he knew—because deep down, he did know—he’s been fucked since eden and the damn wall and the damn rain he can’t help but associate with revelation.
other people’s love lives, nina had said. love lives. she’s projecting, crowley knows that. whatever’s going on with her and…lydia? linda? they say love makes you blind, but crowley would argue you see plenty of things. every passing glance between sips of champagne; every smile at the crisp sarcasm rolling off a forked tongue; every brush of fingers over the exchange of a briefcase full of books, the shaky grip on a tartan thermos, the drunken grab for another glass of wine across the table. silly things. things that aren’t there. for all the times aziraphale has implored him to read more, crowley swallows the urge to say he already reads into things more than he should.
he’s imagined it before; what it would be like to have more. a fair share of people have made assumptions about them in the past, though he’s not sure whether aziraphale has picked up on it, but that’s not why crowley suddenly feels as though armageddon is upon them once again. never has someone alluded to anything as…intimate as “hooking up.” crowley can brush away the implication that they’re together, but something screeches to a burning halt the moment nina insinuates what crowley’s only ever allowed himself to think about when he’s laudanum-level drunk and lonely because he has a greater chance of not remembering in the morning.
he remembers though. that’s usually when the guilt kicks in, when he’s hungover because he forgot to miracle the alcohol out of his system before passing out, and the headache pulses with the constant reminder that aziraphale is pure, pure, PURE. nothing he imagines on those nights is pure.
what gave him away? and if nina can see it, can aziraphale?
992 notes · View notes
justhereforthemeta · 9 months
Text
Romantic expectations and the story we didn't see: A magic trick hiding in plain sight
Tumblr media
Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)
This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!
On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.
@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.
Continued below the cut...
Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.
Shax: “You’re in trouble”
A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”
Tumblr media
Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.
And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.
There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.
1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).
Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:
Tumblr media
Starring this suave, be-turtlenecked guy:
Tumblr media
And now - begging your forgiveness - a brief rant.
There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 
Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.
Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.
For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.
So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.
Tumblr media
Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.
But also, I would posit…he kinda likes it.
Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 
Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 
And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.
In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.
My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:
Tumblr media
is actually this:
Tumblr media
Much like the one he wears to the Dirty Donkey in 1967: 
Tumblr media
whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:
Tumblr media
…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:
Tumblr media
That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 
Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 
Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).
Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.
Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 
Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.
‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 
I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.
(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)
When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.
From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.
This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.
In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.
Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 
“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”
2K notes · View notes
fuckyeahgoodomens · 2 years
Text
Good Omens NYCC panel recap
   - Guests: Neil Gaiman, Douglas Mackinnon, Rob Wilkins, Maggie Service, Nina Sosanya and Guelin Sepulveda, it is said that Michael Sheen will join at the end over Zoom.
About Season 1
- What do they miss most when S1 wrapped and before S2:
Douglas: All the cast and all the crew. We were very big and cuddly family.
Neil: Yeah. 
Rob: David Tennant and Michael Sheen.
Nina: Missing the mentioned family and being part of the nuns sisterhood.
- At the beginning they shared several bts stories from season 1 and the book: 
First day of shooting in the bookshop was cancelled because of the blizzard and the second day they were foreced to shoot interiors because outside there were people with flamethrowers trying to melt what was there. So they build the set of Soho 2 inside.
Rob kept a lot of the vehicles from S1 and S2, all the motorbikes, the cars, and now I have topped it with Crowley’s Bentley.
A lot of nuns including Maggie had warts, but Nina didn’t want one.
Neil about Nina’s audition (read more here).
That both Michael and David both independently suggested that he might like to write a Good Omens stage play so they may swap roles each night.
About Michael originally being Crowley (more here and here).
About Terry and Neil being Aziraphale and Crowley - Neil: In the creation of Crowley Terry took the things that I did that he thought were hilarious, like wearing sunglasses indoors when I didn’t need to. He put a lot of me into Crowley but then we both put a lot of ourselves into both of them. (here, also this).
Michael Sheen is amazing mimic, Neil recalls that during one of the final scenes he had producer headphones on, the guys were acting and sitting on the bench and all of the sudden David Tennant started saying awful things about Michael Sheen, just, you know, there’s Crowley and Aziraphale talking and Crowley is saying all this stuff about how Aziraphale is fat Michael can’t act and all the stuff and I’m like ‘Whaat?! David is the nicest man in the world...’ and then the penny drops and it’s Michael sitting there doing pitch perfect as Crowley.
About Season 2
Tumblr media
- What was like for Quelin to join the show:
She was a fan. The very first day was a bit like out of body experience, there was a scene where she interacted with David and Michael. So it was like, ‘Concentrate, Quelin, concentrate! It’s okay, it’s okay!’ And it was just overwhelming in the best of ways, honestly.
She plays angel Muriel. When Neil and John Finnemore talked about season 2, they realized that they didn't have another nice, well-meaning angels except for Aziraphale in Heaven, all they had were bastards, all awfull, so they thought ‘Let’s have a nice one’ and so they created angel Muriel, curious, gullible, well-meaning and chatty angel that spent 6000 filing in the same office in Heaven hoping that somebody would come in and the day would get more interesting and it doesn’t.  
She’s a 37th order scrivener, bottom of the pily, it’s her first time to Earth.
Tumblr media Tumblr media
- They felt Terry’s presence also during filming S2.
- Douglas said that they started doing the ADR post production and that the difference between David and Michael is that David looks at the monitor and whatches what he’s done and Michael never watch, so now Michael saw himself for the first time and he was like a fan doing, ‘Oh look we’re back! And there’s Aziraphale!’.
- Neil about Maggie and Nina returning: 
It was a thing where one of the things I was very very certain before I started writing season 2 that there were two characters in it and I wanted them to be played by Maggie and Nina, so in order to make it clear to everybody reading the script, that they were going to be played by Maggie and Nina, I called the characters Maggie and Nina. Maggie and Nina liked being Maggie and Nina so the names stayed. 
Douglas joked that he thought that a bit lazy not to think up new names and it was hell on set. Later he jokes that since Muriel is an actual angel name, that Neil didn’t make that one either.
Maggie runs a record shop which is beside Aziraphale’s bookshop in Soho, Mr. Fell is her landlord, shop passed through the generations. Her shop looks across shop where Nina works.
Tumblr media
Nina works in the independent coffeeshop Give Me Coffe or Give Me Death, she is good with dealing with people in Soho who come in, not afraid of dealing with them. Wears great cardigans. Her character is quite grumpy. There is a scene where at the start her love life is doomed and she is getting passive-agressive texts for Lindsay - Neil says writing the texts was some of the most fun they had  - maybe there will be a hope for her love life.
Tumblr media
- About more characters:
Neil didn’t want to lose people because they are such a family and wanted Miranda Richardson back but Madame Tracy’s story had really finished and couldn’t think of more for here and her story had ended so beautifully so he wrote a new part for Miranda - she plays Shax, demon that was sent on Earth as the replacement of sacked Crowley.
Tumblr media
Anna Maxwell Martin couldn’t make the filming (was in two shows and a stage play when they needed her), so Beelzebub is played by Shelley Conn. She demanded a lot more flies.
Tumblr media
Donna Preston plays Mrs. Sandwich, and We’we never quite sure about Mrs. Sandwich’s profession but she’s definitely in Soho.
-When Neil started writing S2:
 In August 2019 he told Amazon and BBC at fancy breakfast, ‘This is the plot.’, and they said, ‘Oh, we like that plot.’ 
In December he and John Finnemore got together and Neil told him the plot and he said, ‘That is a good plot, but how does it end’ Neil said that he doesn’t have ends until he gets there but John needed one so Neil said, ‘How about this?’ and told him the end and John said, ‘That’s a good end.’ And that is the end we’ve got. 
He started writing it in the middle of the pandemic Summer 2020, writing with pencil to his notebook the first scene which is the first scene.
- Neil what will S2 be about:
Six episodes, each about 45 minutes.
There are some love stories in it.
We will learn a lot about Jane Austen we didn’t know before.
There is a lot more Heaven, a lot more Hell.
- What could be more eras for Aziraphale and Crowley
Douglas: 19th century Scotland, Neil: Edinburgh perhaps around 1827?, Douglas: That would be good, can you write that?, Neil: Oddly enough, episode 3 will take us to a little stint of body snatching in the era. For me it would be like 1941 and we’d go back to those Nazis. Douglas: That would be good and what about something biblical as well, could we do something? Neil: Bible’s good. Yeah back to biblical times, that would be really fun, we could do one of those in episode 2. (they are obviously talking about minisodes :))
- There was a clip from the show but only sound for those watching the stream. 
Listen here. 
Description from twitter ‘Crowley rushes into the bookshop holding plants and it’s so cute’.  
This pic should be from it :)
Tumblr media
- Season 2 Release Date: Summer 2023
- At the end on the zoom dropped not on Michael but also David and Jon Hamm! :)
Watch here :), their banter was written by Neil, Staged-style.
Michael and David found out that there’s going to be S2 probably at the same time from Neil. There was always sort of hope after the end of S1 that there might be more story to tell. Jon found out about it from Neil during press for S1 as potentiality and then during covid Neil said an idea to Jon that we would start by walking down the street in Soho completely nude and he send me the beggining of the scene where Gabriel does not recogni- and the rest is deliberately cut with ‘Lost connection’, to the nude part Neil said, I knew that if he said yes to that he’d say yes to anything and then he says it is not actually there.
Tumblr media
4K notes · View notes
ineffablyruined · 8 months
Text
Chekhov's Contract
Back again for Day 3 of the Nice and Accurate Prophecies event.
How Will Our Hero Cope?
Tumblr media
Today, we let's talk about Crowley. Within the span of a few hours, Crowley has gone to Heaven and learned of another plotted End of the World, watched the closest thing he has to an archnemesis (Gabriel) run off with his demon love of a meager four years and suffer no consequences for it, and left his heart shattered on the floor of the bookshop as the love of his life chooses a job promotion over him. He's not doing great. So what is in store for Crowley in Season 3?
It's honestly hard to predict because there is just so much open space to play with. He could do anything and not one of us would be surprised.
Sleep for a century? There's precedent. Get extremely drunk for weeks on end? That's on brand. Go tit for tat and take a leadership position in Hell just to cancel out Aziraphale in Heaven? Seems unlikely, but I also wouldn't be surprised at that level of petty lashing out.
But I did find one thing. At least, I think I did.
There was, I have now convinced myself, a Chekhov's Gun in Season 2 that I haven't seen anyone talking about. (Apologies if you're out there screaming and I just haven't seen it. I did try searching!)
When Beelzebub kidnaps Crowley from the Bentley and takes him to Hell to discuss the Gabriel situation, they make an offer to Crowley that Crowley later accepts. And what is that?
Tumblr media
Find Gabriel for me and you can have whatever your nasty little heart desires.
And what does Crowley do in Episode 6? Finds the writing on the box that tells everyone Gabriel is in the fly. He finds Gabriel for Beelzebub.
Just to emphasize that again - Crowley fulfills his side of a verbal contract forged with the Grand Duke of Hell.
He's now owed whatever his heart desires. And as we've seen, Heaven and Hell operate like businesses. Contracts must be fulfilled. (Excuse me while my little lawyer-nerd heart sings over here.)
And we also know that he's aware that Heaven has plans for Armageddon 2.0.
Tumblr media
Where he would absolutely deserve to wallow after all the utter bullshit drama he's gone through, I don't believe that's Crowley (no matter how much fun it makes to write in fanfiction). Crowley isn't just going to sit back and watch the world burn.
In the past, when Crowley has wanted to run away, it's only ever been with Aziraphale. Sure, he threatens he's going to head to Alpha Centauri even when Actually rejects the offer, but he doesn't do it.
And now? Running away with Aziraphale isn't an option because he's gone.
Crowley has nothing left to lose. So he's going to throw his entire self into saving the world, with reckless disregard for his own safety.
And he's going to have a blank check from Hell to do it.
569 notes · View notes
phoen1xr0se · 8 months
Text
Nothing Lasts Forever - META
It's just really struck me how utterly bizarre the line "nothing lasts forever" is, considering that it comes out of THIS GUY'S mouth:
Tumblr media
Don't get me wrong, this line has never sat right with me, it felt oddly placed and off - almost everything else he says and does in that scene could potentially be keeping in character with who he is, his arc, his trauma... but not this.
Why?
I mean, we're talking about Aziraphale here!
The one who literally collects ancient first editions and preserves them...
Tumblr media
The one who wears old, worn clothes because they're comfortable and he likes them...
Tumblr media
The one who almost killed a little kid because he wanted the Earth to carry on just a little bit longer...
Tumblr media
The one who has desperately fought to keep his demon alive and away from the threat of Hell by any means necessary.
Tumblr media
These are not the actions of someone who believes nothing lasts. He has spent his existence protecting the things he wants to last, often going to extraordinary measures, even going against his own moral code, consistently showing that he does, in fact, want it all to last forever.
Tumblr media
So why say it?
The only explanation that makes sense to me is Aziraphale is trying to wave a warning flag in front of Crowley's face. Hes saying: "You know me, I know you do, you know me better than anyone and you know I would never say this."
The old "if you ever hear me say these words, you know I'm in mortal peril" bit.
Tumblr media
The only problem with this, of course, is that Crowley has just confessed - all the things Aziraphale never ever thought he would hear him say, at least not yet, and not so openly... and it's the wrong timing, the worst timing ever, because Crowley is too wrapped up in his own emotion that he can't see what Aziraphale is too scared to say overtly (lots of sideways glances to Metatron just outside the window).
Aziraphale is waving great big "I am not okay help me!!" signs at him, saying all the things he would never say - "you're the bad guys" and "you can be my second in command" and "just like the old times"... and the big one, "I forgive you" instead of the "I love you" they both know it should have been.
The worst part is that Aziraphale expects Crowley to pick up on his signals, and is so hurt and frustrated when he doesn't... not just because it means he is putting his life at risk but because maybe Crowley doesn't know him after all. Maybe they aren't what he thought they were.
Tumblr media
But can I leave this on a happy(ish) note?
With this in mind, I'd like to bring you back to the final scene with 'A Nightingale Sang In Berkeley Square' - most people believe that either Crowley queued it up to take Aziraphale to the Ritz, or the Bentley did it...
But if all the above is true, and Aziraphale has been desperately trying to get Crowley to see his coded messages, I humbly submit the theory that it was actually Aziraphale who set up the song to play.
One last attempt to show Crowley what he couldn't risk saying out loud.
Tumblr media
Let's hope he got the message.
546 notes · View notes
idliketobeatree · 8 months
Text
it's been three months and I still haven't processed the Bentley playing Good Old-Fashioned Lover Boy at Crowley (when I'm not with you, think of you always) as he drove (I miss you) back (just take me back to yours, that will be fine) to Aziraphale (love you) with a really sincere apology in mind (say the word, your wish is my command). barely a few seconds of normal driving in central London, squeezed in a plot point of "oh shit, extreme sanctions" and their meetup. easy to overlook. unless? it's literally top 5 of Their Queen Love Songs. in any context other than the sheer panic Crowley was experiencing I would take this scene to my grave as peak romanticism, because we know Bentley is an extension of Crowley's mind, and it feels like it tries to comfort him in that moment? (everything's all right, just hold on tight) Recognizing the crushing, overwhelming, all-encompassing love that Crowley is feeling, and boiling it down to simply being suave and charming, casual, like he so often pretends to be (I learned my passion in the good old-fashioned school of loverboys).
it's just the stuff of fanfics, but given to you in the typical Neil Gaiman fashion of subverting expectations, while also allowing for, well, gently playing on your heartstrings. I love it, I love that we got that, bless
487 notes · View notes
thethingswedotomorrow · 9 months
Text
My favorite headcanon of Aziraphale is that yes, he hates bebop with a passion (as much as an angel can hate)
BUT
He desperately hides from Crowley just how much he adores ABBA.
He's got hidden records stashed in places in the bookshop Crowley doesn't even know exists
The Bentley knows to play ABBA when Aziraphale drives alone (which to be fair has only happened like a whole twice, but both Aziraphale and the Bentley agree it was a good twice)
He has deals with Maggie to get the rarest records of their hits, (and makes her absolutely swear on any number of religious icons to keep this from Crowley)
The only person Maggie has told is Nina, who likes to secretly tease crowley when he comes in to pick up coffee by calling out different titles of ABBA songs instead of his name
(He's always been so focused on getting back to the bookshop and his angel that he's never once noticed)
((He did notice once when she called out Angeleyes, but Aziraphale happened to walk in at the same time and Crowley assumed she was just making an astute observation))
Only plays the records when he is absolutely positive Crowley will not be there, for at least 20 minutes at a time
Once, when Maggie got him a platinum version of Waterloo, he was tempted to draw a line of salt across the door so Crowley couldn't interrupt him. (He felt very very bad for considering it) (but he did in fact consider it for about 5 minutes)
He honestly just likes the way the music sounds. He thinks it sounds like if happiness was compressed into small 3 minute pieces he could hear at anytime
Secretly admires the fashion, but from afar, and would never put a pair of bellbottoms on, even if threatened with hellfire
He hides this for a good 45 years, until one day, the Bentley decides to play nothing but ABBA, on their (what should have been 4 hour, but thanks to Crowley's loose interpretation of speed) 45 minute drive. Aziraphale has to pretend that he hates the songs and doesn't know any of them, and why would he, thank you very much, how did the Bentley ever get the idea for such grating bebop
Until Lay All Your Love On Me starts up, and he freezes, and crowley immediately figures it out because it's been 6000 years, of course he knows when Aziraphale is hiding something, and from then on out Crowley NEVER lets it go
But also the Bentley plays ABBA much more often on rides now
570 notes · View notes
crowleysgirl56 · 25 days
Text
Wildest dreams wishes for Good Omens Season 3 which will probably not come true but I can still hope hey!
Number 27.
I’ve said previously how I want the silliness in season 3 dialled up to 11. Another scene I have in mind would be how petty Crowley tries to be because “they’re not talking”.
I picture him in the Bentley. Aziraphale walks up and knocks on the window. Crowley slowly winds the window down, then just as Aziraphale starts to talk he very deliberately cranks the volume up on the radio. Extra points if he’s playing something really absurd that he knows Aziraphale would hate like anything by The Darkness. Then he cups his hand to his ear and mouths “what’s that, I can’t hear you!”
You can imagine how frustrated Aziraphale would be. Prim and proper he’d try to raise his voice, tell Crowley he’s being unreasonable. Crowley would go to turn the radio volume up even more.
Finally, the Bentley has had enough. The door flies open, Crowley is launched out right into Aziraphale, bowling them both over sprawled onto the pavement. The Bentley then peels off driverless down the road, blaring the horn for good measure, whilst Crowley yells at her to come back.
Perhaps now they’ll be forced to talk.
153 notes · View notes
Text
it's just us now
crowley x demon!reader x aziraphale
requested by: @cool-iguana
summary: after aziraphale leaves, you and crowley must move on.
warnings: sad :( but also comfort
a/n: i had to jump between writing this and a different fic because this was making me sad and the other was basically me kicking my feet while i giggled. that will be out soon:) for now, enjoy
Tumblr media
you stood beside crowley's bentley, staring in silence across the street. crowley stood on the other side of the car, also unable to utter a word.
aziraphale entered the elevator that would bring him back to heaven, and you couldn't do anything but stare. your eyes had been glossed over, as if a painter had brushed on their protective coating on a finished painting. 
the car felt as if it was your grounding object. it was the only physical thing letting you know that you're here- that crowley is here. he's not leaving you too. you'll still have crowley.
part of you was hoping that your angel would change his mind. that as he took a short glance at the two of you that he would come back to you, back to his bookshop.
that you could all be together on earth, on your own side.
but his words repeat in your head, like a broken record.
"nothing lasts forever."
after the doors close, you clear your throat, forcing yourself to keep from crying. 
"well, i suppose it's just us now." you say softly, opening the passenger door and falling into your seat. 
as crowley gets into his own seat, he remains quiet for a moment. when he starts the engine, the radio began to play a nightingale sang in berkeley square.
as he swiftly turns it off, you sniffle. "we should've known being with an angel wouldn't work."
your voice is quiet, but in the silence of the car it seems so loud. 
crowley nods somberly, placing his hand over yours.
"we should've known."
the ride home was spent in silence, the only noise was the humming of the engine.
-
after a while without the angel that completed your relationship, you and crowley were able to move on.
to leave old memories behind, you managed to find a new apartment. you filled it with plants that thrived- whether it be through their fear of crowley or your green thumb. you even opened a plant nursery for something to do.
some nights, the pain would return.
you would wake from a dream of your angel, sharing a dinner or all of you cuddling on the couch with a cup of tea.
tears would be falling from your eyes when they opened, and at the smallest sound of a sniffle, crowley was awake. 
he was there to pull you into his arms and offer to make you a cup of tea in a whisper.
"i just need you," you'd tell him.
that was all he needed to hold you tight and wrap the blanket snugly around the two of you, his thumb carefully rubbing shapes into your skin to lull you to sleep.
on the rarer occasion, you would wake up to find him missing from the bed, a sliver of light filtering in through the bottom of your door.
you would carefully get out of bed, wrapping a blanket around your shoulders and leaving the room to find him sitting on the couch, staring off into nothing in silence.
you would make a cup of tea before sitting down with him, sharing the blanket and giving him a soft kiss on the cheek.
"are you okay?"
"i will be."
you'd nod, wrapping your arms around his waist and dozing off until you wake up in the morning, back in bed with crowley cuddled close. 
eventually, you'll be okay.
the remaining pain will fade away and your life will continue without aziraphale. 
taglists
good omens: none yet
crowley: none yet
aziraphale: none yet
863 notes · View notes
hikarry · 5 months
Text
Aziraphale and Crowley plan a vacation free of miracles, just for the heck of it. Just to do it the way humans do. Maybe it's fun! Maybe they will have a grand old time! Who knows?
It all starts with packing.
Aziraphale is the very first to regret this idea as soon as he opens his bag on top of the bed, ready to pack. They can only take so many bags because they are going on the Bentley, and no miracles means no calling books through space with a single snap of his fingers. So...one bag is not enough, surely.
"Oh, but it is, angel. Max one bag for clothes and one bag for books, nothing more."
"But Crowley, that's absurd! We'll be in Scotland for 2 weeks! Am I supposed to take, what? 5 books? And how am I supposed to choose?"
"This 'no miracles' trip was your idea. Now deal with it."
Aziraphale deals with it, but not without a lot of complaining and making a list of pros and cons of taking every single one of his favorite books. He ends up with a bag full of them and a couple more in the clothes bag.
This is to say that Crowley doesn't have an easier time. No miracles means no miracling his own clothes, so he's got to actually pack something. And he likes most of his clothes. And you never know what type of events will be around. A restaurant? A play? He needs outfits. Good outfits. And a toothbrush. And shampoo and conditioner, cause he refuses to use the ones from the hotel. And hair gel! Cause no miracles also means no miracling his hair into being in shape...doing his hair every morning will be an absolute pain in the arse, but he can endure it. Yet, when he goes to close his bag...it's too full. Taking two bags of clothes would be ridiculous, so he lays his hand on the bag and pushes down, trying to run the zipper. Nothing happens. He sighs and sits on the bag, pulling the zipper once again, and it runs for a couple of millimeters.
"Angel, give me a hand, will you?"
"With what, dear?"
"I'll sit on the bag and also push it down with my hands and you will try to close the zipper." He opens his legs so Aziraphale can access the bag's zipper and he jumps once on his bag, pushing down with his hands.
Aziraphale almost breaks the bloody zipper, but it does indeed close.
With the bags in the Bentley and both seated on their usual positions, Crowley lays his hands on the steering wheel, but doesnt start the car just yet, instead looking ahead.
"Everything alright?"
"...does 'no miracles' mean I can't keep the tank of the Bentley full?"
"I suppose."
"Aziraphale, I haven't gone to a gas station since I got the bloody James Bond stickers!"
"And when was that?"
"Many, many decades ago."
"Oh well, I'm sure getting fuel in a car isn't that difficult. It mustn't have changed since back then."
"Are you sure we can't make an exception?"
"Quite."
"...is this because of the books?"
"Mmh."
Crowley groans and goes to start the car, but he stops short of the ignition.
"Are you...keeping the Bentley whole with miracles? Is that the new problem, my dear?"
"No." He looks up at the angel. "I have to buy a phone charger."
"Whatever for?"
"Because I keep my phone charged with miracles, angel! And I have absolutely zero idea where the original charger is! I never used it! With a bit of luck its still somewhere in Mayfair."
"Oh well, we will stop at a phone shop then. Easy fix."
The demon takes a deep breath, and off they go, on their road trip to Scotland at very not legal speeds - not for lack of complaining on the angel's side, mind you.
When they get to Edinburgh, they quickly find their hotel and go up to their room. Both take showers and, hell, it's still mid afternoon, so they go for a stroll around.
At about dinner time, Crowley quickly googles restaurants nearby and finds one named "Angels with Bagpipes". As soon as he sees it, he stops scrolling. It's somewhat modern and certainly different from the Ritz, but, Satan, look at that name! They just couldn't not go.
"You're joking, certainly." Aziraphale looks over his shoulder. "Look at that other one! Rhubarb. It looks so much more-"
"Posh?"
The angel eyes him side ways.
"I was going to say classy. Romantic."
Crowley snorts.
"Oh this is a romantic vacation, is it?"
"No!" He slaps his arm. "I mean-! Yes! Just-" He runs a hand down his face while Crowley keeps laughing. "Oh, hush. I'm just saying that one looks way more up our alley. That one is too modern."
"I'm down with modern. Big fan of modern, me."
"Oh, believe me, my dear, I'm extremely aware, but-"
"And! For a restaurant as posh as that I bet we need reservations. And you know what we don't have?" Crowley wiggles his fingers. "Reservations. Or miracles to get said reservations."
Aziraphale rolls his eyes, trying to suppress an exasperated sigh. Crowley was ridiculous. How in all the heavens did he put up with him through all these years will forever be a mystery.
"Alright. Let's go to the other one."
Crowley smiles, victorious, and offers him his arm, which Aziraphale promptly takes.
"An angel and a demon walk into a restaurant named 'Angels with Bagpipes'-"
"Crowley!"
And off they go, down the streets of Edinburgh. They have dinner and Aziraphale only complains until the food is served. Afterwards he appears quite content to stuff his face with appetizers and whatnot all while under the watchful eye of Crowley that keeps sipping his wine silently, one elbow on the table, while under said table his leg pushes against Aziraphale's.
"Do behave yourself, will you?"
"I'm sure I have no idea what you mean, angel." He uses his foot to slightly slide up Aziraphale's leg.
"We are in public."
"Your point?"
Aziraphale closes his legs, trapping Crowley's foot in between them.
"That's my point."
Crowley pouts, pulling his leg away.
"Boring, you are."
The meal proceeds with little to no incidents. Just the usual: Aziraphale utterly enjoying his food and Crowley watching him as he is enraptured by the flavors and its, honest to Satan, impossible to look away. Not to mention the satisfied wiggles. And the moans. It can pass 6000 more years, but Crowley will never ever get used to those.
"Angel."
"Yes, my dear?"
"Do you have money?" Aziraphale suddenly drops his fork and looks up at Crowley, mouth hanging open. "Thought so."
"Heavens, what are we going to do? We can surely miracle it, right? This is an emergency."
"Nop. You didn't let me miracle the fuel so no miracling the money either."
"You paid for the fuel."
"My last pounds, yes."
The angel's eyes widen quite comically.
"You must be joking."
"No. No joke. Last bills in my wallet." He sloshes the wine inside his glass, leaning closer towards Aziraphale. "And I bet this is all quite the price too. What do we do, Aziraphale? Leave by the back like criminals?"
"There's no back and we are not criminals! We need to miracle the money!"
"That's against the rules." He points at the angel, raising an eyebrow over his sunglasses. "Your rules, might I add."
"No-! Crowley!" He also leans closer to the demon and whispers. "We need to do it. We are not criminals."
"I'm a demon. I guess I can be considered a criminal at some extent."
"You're being ridiculous."
"I'm playing by the rules."
"You're insufferable."
"And yet you still love me."
Aziraphale sighs and closes his eyes, trying to think about a solution, when he hears footsteps approaching.
"Have you finished your dessert, sirs?" The waiter asks, stopping right in front of the table.
"We have." Crowley is quick to answer, and Aziraphale kicks him under the table. He was not done yet, and he needed more time to think about a solution!
"Are you ready to pay?"
Crowley looks at Aziraphale, very serious, and Aziraphale can feel the sweat accumulating on his hands. Oh lord, they had no money. And they just ate a 3 course meal. I mean, Aziraphale ate. Crowley mostly dabbled on the soup and spent the rest of the meal drinking. Drinking quite old and expensive red wine, at that.
Aziraphale looks at Crowley, then at the waiter - who is smiling very politely at them - and then back at the demon. Crowley raises his eyebrow again while Aziraphale starts to shake. He was about to pop when Crowley snorts and reaches for his wallet, pulling a black card and handing it to the waiter, who accepts it and walks away. Aziraphale gasps.
"You had money!"
"Technically no. I had a card."
"A card with money!"
"I never said I didn't have a card. I said I didn't have bills. Physical money. I did use my last bills at the station."
Aziraphale kicks him under the table again, and Crowley can't hold it anymore and starts laughing as controlled as he can.
"Oh, I hate you, you fiend!"
"You've been telling yourself that for 6000 years and you're yet to believe it." The waiter returns with the card and leaves just as fast. "Shall we go back?"
"Yes. But I won't forgive you for this."
"Ah, yes. You. The one that throws 'I forgive yous' through the wind."
"Crowley!"
"Joking. I'm joking." He gets up and Aziraphale follows him. When they get through the door, Crowley offers him his arm once again and leans in closer. A whisper just Aziraphale could hear. "I have my methods to make you forgive me. Just let us get to the hotel, angel."
Alas, the day was not ready to give them a break. On their way to the hotel, it suddenly started raining heavily, soaking both of them to the bone.
"I don't believe this!"
"A little miracle would come in handy right about now, eh?" Aziraphale sighs and snaps his fingers, summoning a tartan umbrella to his hand, which he promptly opens, covering both of them. "Angel!"
"Hush. We can start over tomorrow. Now, let's go." He grabs Crowley by the arm and starts pulling him.
"What's the rush? It's not like we can get sick."
"Someone promised me something when we got to our hotel room." The angel looks over his shoulder to the demon for a second, still walking up the street.
Crowley smiles.
"And you just have to run to find out whatever it is."
"Color me curious."
They did get to the hotel quite fast, and the first thing they did was peel away from their drenched clothes and jump in the shower. Whatever happened in there is between the angel, the demon, and the white tiles on the wall.
232 notes · View notes
nightgoodomens · 9 months
Text
Imagine God seeing his favourite angel and demon at the end, when they saved the world again, exhausted and leaning on each other…
Clasping hands together with a big grin on the face and saying:
“So, ready to get married?”
“Married?” Aziraphale catches Crowley who suddenly loses his balance.
“Well, you can do it in front of a priest who would do it in my name, but, since I’m already here.”
Is this the real life, is this just fantasy starts playing in the Bentley, with its windows down. Crowley sides eyes it.
“Maybe we should change first.” Aziraphale suggests trying to contain a grin.
Crowley looks at him.
OhComeOn… Aziraphale nudges him, face full of love and adoration.
“You want to marry me?” Crowley asks slowly wondering if Aziraphale might need a second to calm down due to the adrenaline from the winning.
Aziraphale knows exactly what he’s thinking.
“There is nothing else I’d love more.”
And God smiles, ready to finally do something good for them. It’s been a long time coming.
436 notes · View notes
raz-writes-the-thing · 8 months
Text
Better Hurry
Tumblr media
Crowley x Fem!Reader18+ ONLY / requests are: open and encouraged
Summary: Based on no. 22 from this prompt list: “if i have to pull over, you won’t be able to walk for a week.”
CW: blowjobs, oral (m receiving), dom!Crowley, slight force used, female reader
Gomens Tag List: @coffee-and-red-lipstick @quickslvxrr (send an ask to be added to a tag list!)
___ ___ ___ ___ ___
You’re playing with fire. You know that. Or, well, would it be Hellfire? Either way, you’re playing with it and fire, no matter what kind- always burns. You should know better by now, and yet, you never seem to take the lessons on and retain them. No matter, maybe you’ll take it to heart next time. 
Probably not. 
Crowley is driving you home after having spent all day in the bookshop with him and Aziraphale. They’d said you should stay for the night, but you had a cat at home that needed feeding. You were worried she might just take you out as soon as you opened the door, actually. Maybe you’d send Crowley in first. Invite him in under the pretense of a coffee and then leave him to the mercy of your cat. 
Currently, you have your hand splayed over Crowley’s denim-clad thigh. You’d laid it there innocently enough at first, but as your mind tended to do, it strayed. Innocent thigh touching had grown into absent-minded stroking, had turned into groping, had turned into your fingers delicately sliding up towards his crotch and squeezing.
 
“If I have to pull over, you won’t be able to walk for a week,” the Demon growls, eyes glinting dangerously at you from behind his shades. You smother a grin as best you can, and give him another firm squeeze, loving the way you can feel him thickening under your hand. “Then again, that’s what you want, isn’t it?”
Your half-smothered smile drips into a confused little frown. 
“What do you mean, love?” 
“I mean- you’d like that, wouldn’t you? Bet that was your plan. Get me all worked up just so I’d fill that pretty cunt with my cum?” 
You can't help the way your thighs rub together at the thought. Crowley tuts knowingly, taking one hand off the wheel to reach down and unbutton his jeans. You move your hand out of the way, watching hungrily, but when he doesn’t pull the car over, your frown deepens. 
“Mm- right- you’re so desperate for it, Pet? Go on, put my cock in that pretty mouth.” 
You bite your lip, undoing your seatbelt and twisting in the seat so you could lean over properly. You take the base of him in one hand, and press a soft kiss to the tip. Crowley grunts, cock twitching in your fist. 
“You little tease,” he grinds out, fingers tightening on the wheel of the Bentley. You chuckle airily and swirl your tongue over the tip. Crowley sighs with pleasure and fights the urge to press your head down on him. 
Sensing his growing frustration, you open your mouth wide enough to fit him inside, swallowing him down one inch at a time. 
“Oh, Pet- fuck,” Crowley says blissfully. Your lips twitch with the hint of a smirk as you get him down to the back of your throat. What’s left of him sits in your fist. He’s too long to fit the whole way inside, unfortunately.
Hollowing your cheeks, you begin to bob your head, wrapping your lips around him so tight you can feel the thick vein on the underside of his cock on your bottom lip. The Demon groans, hand coming to wrap in your hair forcefully. 
“Maybe, if you’re- ngk- good- I’ll fuck you when we get back.” 
You whimper around him, the vibrations travelling up his nerves and causing him to white-knuckle the wheel. 
You flatten your tongue and slide it up the length of him before taking him back inside your mouth. He puts his foot on the gas pedal, revelling in the thrill of it. 
“Fuck, Pet- just like that, mm?” 
You pull out all the tricks in the book, all the things you know make him go crazy for you, and it doesn’t take long before he’s gripping fistfuls of your hair and bucking his hips up into your throat so he can spill his seed. 
“Fuck, swallow it,” he grunts, not letting his grip go on you. You do as you’re told, swallowing as best you can. He lets go and you come up for air, tears streaming down your cheeks and a flushed glow radiating from you. “Filthy thing, aren’t you?”
 
A little of his cum that you couldn’t swallow drips off your lower lip and you press forward to kiss him on the cheek. He smirks despite himself. 
“Naughty thing, too. Alright, tell you what, Pet- if you can make yourself finish on your pretty fingers by the time we get back, I’ll fuck you good and proper after.” 
You gasp, biting your lip. “And if I can’t?” 
“You’ll just have to go without then, won’t you.”
It’s not a question, but a statement. Your fingers trail down towards the apex of your thighs as he speeds up even further. You won’t have long. 
“Better hurry, Pet.”
311 notes · View notes
pixiesfz · 3 months
Note
More Caitlin foord please!!
si si si
Tumblr media
secrets we keep c.f
plot: your sister kyra adopts a dog and you look after it only to find caitlin in your sisters house one day
warnings: none really cooney cross reader!
Tumblr media
You remember when your sister sent you a photo of her new dog Bentley you knew that you would be taking care of it most of the time.
"Kyra you do not have time for a dog!" You scolded her, using your older sister privileges "Why are you acting like you don't love him already" she fired back, pointing at the puppy who was now sleeping in your lap.
"shut up".
Now here you sat in your sister's apartment playing fetch with Bentley too busy cooing over his cuteness to hear the jingle of keys at the door.
"C'mon you little shit!" a voice emerged and you widened your eyes, that wasn't Kyra's voice but it was Australian.
Bentley ran over as your quick plan of hiding and pretending nobody was home was ruined by his small yaps.
"Bentley no!" you discouraged him, following him to the voice.
Caitlin dropped to her knees to pat the dog "fuck" she heard a mutter and she popped her head up to meet eyes with you.
"Oh I'm sorry I didn't know Kyra had any friends over" she stood up quickly "Uhm no" you chuckled out of nerves
"Sorry," you said quickly after "I'm Y/n Kyra's sister" You introduced yourself and Caitlin stepped back "I didn't know Kyra had a sister" she stated
"She doesn't want people meeting the best Cooney-Cross" you joked and the blue-eyed girl laughed.
"I'm Caitlin" she introduced herself and you smiled "I knew that, you kind of play in my sister's team both league and internationally" you smiled.
Caitlin looked around to hide her blush "So is Kyra here?" she asked and you crossed your head "She's gone to watch Charli play" you told her "So I'm on dog sitting duty"
"I was wondering how she was dealing so well with a puppy" Caitlin smirked as she remembered Kyra taking credit for the good behavior of her dog.
"What brings you about, I can message her" you said and the brunette waved you off "she accidently double booked herself, me her and Steph were supposed to go out for ice-cream but then Steph dropped out" she explained and you rolled your eyes at your sisters lack of organization.
"She does have the worst memory, she got the sports and I got the brains and our younger sister got the looks" you explained and Caitlin smiled
"I think you got some of the looks but Kyra didn't get any of it" she joked and you looked down, hiding the red on your cheeks "uh- uhm thankyou Caitlin" you smiled and laughed.
Bentley started barking at the door with his leash on the floor "I think he's ready for a walk" you explained as you both turned to him.
"during the night?" Caitlin asked and you shamelessly nodded your head "Not ideal I know but nothing ever happened to me yet so I should be fine" you explained but you could tell by the girl's furrowed brows she didn't think it was a good idea.
"Do you-" she started, shuffling on her feet "Do you want to walk him with me to the ice cream place?, not too far and he'll probably have a good sleep after" she explained and you hesitated
"Or not" Caitlin said and you smiled "No I think that's a good idea" you said and Caitlin couldn't help the smile that grew on her face.
"that's good because I had a small lunch so I could binge an ice cream" she admitted "Kyra has barely any food so an Ice cream wouldn't be so bad" you laughed and walked towards the eager puppy who started jumping on your leg in anticipation.
"Hey is okay if you grab his doggy bags from the counter?" you called out to the Australian who was stood still watching you.
"You mean 'poo' bags?"
"Doggy bags are classier" you defended as you two laughed at each other "ready?" you asked and Bentley barked as a 'yes'.
"I wasn't talking to you".
On the walk you caught yourself laughing at all the Australians jokes, even when she was called by Allana, her and your sisters teammate who was equally shocked that Kyra had a sister.
"Well have fun you two," she said before hanging up.
"So how come you live in London?" Caitlin asked and you smiled "I actually moved here about three years ago to run my own business, I always loved the atmosphere" you explained and she smiled
"How much do you miss the Australian weather?"
You groaned "so much, I can't deal with all this rain, and the snow I remember as a kid I hoped it would snow so bad but now" you stopped "that is a whole different story".
Caitlin laughed, your hands brushing together to open the ice cream door causing you both to flush red and you felt butterfly's in your stomach.
'God what am I? A teenager again' you thought to yourself.
"They have a Tim Tam flavour here" Caitlin stated and you gasped "no way" "yes way" she smirked "Well I have to get that it would be illegal if not"
"You're funnier than Kyra" she told you and you smirked "I'll be sure to tell her you said that" and she rolled her head back "she'll probably kick me with her boot"
"I give you permission to tell on her to Kim, I'll be stuck with her whining but it will be fine"
"You would do that for me" Caitlin exaggerated as you both walked out with your ice-creams, Bentley looking up at you both, wanting to sniff what was in your hands.
You laughed, bumping her shoulder lightly with yours "I think I had a better time with you than I would've with Kyra, she would've tried to eat my ice cream before I had a chance to even try it"
You smiled at the compliment "to be fair I did want to try your flavour" you told her "and if I had hung out with you as much as Kyra I possibly would have done the same thing" you smiled, slightly defending your sister.
But Caitlin smiled "Wanna swap? You can try mine and I try yours?" she asked and you nodded "yeah" you nodded and you swapped, almost being near to Kyra's apartment.
You both finished your ice-creams, taking a photo of the view you had, Caitlin even took one of you and Bentley in front of a random street name with your name on it.
After asking for your permission she posted it on her story.
When you arrived back you both stood in front of Kyra's door "that was fun" you started and the girl nodded "yeah I wouldn't mind doing that again" she said and you smiled "me too".
"Can I uhm-" Caitlin started, shuffling her feet same as she did when she asked for you too walk with her "Can I have your number?" she asked and you nodded "yes" you nodded and took her phone from her hand.
"I'm always free Thursday nights" you told her with a slight smirk "me too" she smiled
"Cool, It's a date".
293 notes · View notes