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#and yes the episode the sign was exactly what I needed
that-girl-glader · 1 month
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Bluey spoilers!!!!
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This little kiddo in the Suprise! Episode of Bluey is so frustratingly similar to both Jean-Luc (idk how to spell his name) and Mackenzie. It feels like the writers did it on purpose to eff with us😭😭 Like the droopy ear is all Mackenzie, but the colour scheme is Jean-Luc. But at the end of the day.....it could be neither. Lol, but fr they know something we don't.
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aziraphale-rights · 10 months
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So, what is the deal with the world’s most conspicuously uneaten Eccles cakes? (A meta)
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Well, I wouldn’t say it’s bad writing, not even the on-purpose-as-a-secret-message kind. I agree there is a visual ‘loose thread’ here that the creators wanted us to notice, but I don’t think the meaning has anything to do with Metatron or the eventual plan for S3. I think the eccles cakes are all about what’s going on in this episode with Crowley and Aziraphale, and they’re unsettling in exactly the way they’re meant to be, even if we might not register the full implications consciously on first watch.
On the most straightforward level, this shot is the punchline to a joke set up by Aziraphale and Nina in the coffee shop. Crowley orders six shots of espresso, bound to get him all worked up and stressy. Aziraphale, who desperately wants Crowley to be thinking clearly when he learns about the Gabriel situation, says to Nina: ‘What do you sell that calms people down?’ And she replies: ‘Eccles cakes.’ From this moment on the cakes are a visual symbol of what Aziraphale needs from Crowley right now.
That’s why they get so much screentime as we cross the road and go into the shop. Aziraphale won't leave those eccles cakes behind because he’s still hoping that Crowley will respond to the request they represent: Please stay calm, please be patient and listen to me with empathy.
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But Crowley never does respond, and as he storms out we get that close-focus shot of the abandoned plate to make sure the subtext hits home. The cakes are framed sitting in front of the horse statue, brilliantly dressed up in Crowley's sunglasses, to remind us that they were brought there for him and he's dismissing them. (Crowley is the frantic horse who can't be managed!)
There’s another level to it, though, which doesn’t fully become clear until episode 6. The episode 1 meeting in Nina’s café is the first time that Aziraphale and Crowley share a scene in the present-day in S2, which means that the last time we saw them together was when they were dining at the Ritz. As viewers, we quickly recognise the visual language of their partnership: a table for two, a drink, a dessert. It feels familiar. But the food gets delivered and then nobody eats it. On that level, it is a set-up without a pay-off and it really niggles as you watch. S1 closed out their relationship with a happy toast after a resplendent dinner; S2 opens it with a snack that gets ignored. The dynamics of who offers food to whom are also off, atypical. It’s a sign of how things are going to go later on, hinting at the fact their dynamic is dysfunctional right now, even though it might seem OK on the surface.
Which brings me, finally, on to the other thing I’ve wanted to point out…
The punchline is that Crowley doesn’t eat the eccles cakes, but the really subconsciously disconcerting thing is that Aziraphale doesn’t. That he seemingly never planned to, and never orders anything for himself. In fact, we don’t see Aziraphale eat anything substantial in any of the present-day scenes in S2. The only things he consumes onscreen are sherry, tea, and a travel sweet. (Oh, and Manipulation Coffee, which is definitely a callback to Crowley’s disastrous sextuple-espresso.) We see him with food, yes, but primarily he wants to give it to other people.
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For me this little detail of S2 – not something you even fully notice until you think about it – is a very telling understated cue in terms of Aziraphale’s post-Heaven state of mind. It's about what amuseoffyre puts so well in another meta: 'the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it.' At first glance, we see Aziraphale interacting with food and assume he is now living the happy Earthly life we wanted for him, but on closer inspection he's not engaging much in the pleasure of eating for his own sake. He gets a quick sweet pick-me-up on his way somewhere else in the Bentley - all alone - and that's it. He's too anxious, too busy, he doesn't have time. Crowley doesn't have time to invite him for lunch.
I find it fascinating that Gabriel gets a squillion cups of cocoa in this season, waxing all lyrical about them, and Aziraphale gets none. Aziraphale's mug becomes Jim's mug, even. And he mostly makes the tea to show Muriel how to blend in. In short, S2 Aziraphale is terribly preoccupied with looking after/managing others, and not taking the time to look after himself. Like the Maggie and Nina match-making, all that kindly treat-offering is displacement, displacement, displacement.
No wonder it all goes wrong.
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hup123hup123slapslap · 4 months
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So a thought has been kicking around my head for a bit...what if Helio knew exactly what he was signing up for by making Kristen his chosen one?
It has always struck me as odd that when describing Doreen in Helioic heaven, Brennan mentioned her flirting with men and women. It also strikes me as odd that Kristen never got any pushback from Helio about turning her back on him. Even if he was similarly 'out of the picture' like sol was while Arthur was wrecking havoc, Kristen's powers should have faded when she fully committed to not worshipping him. You need to worship a god to get powers, and this is emphasized heavily in the latest episode. Kristen worshipping the vague idea of religion but Definitely Not Helio just doesn't cut it. Sure, taking away a PCs powers wasn't really in the cards in season one, but Brennan works very well and very caringly with what he has to establish as canon.
Kristen was looking for a reason to drop Helio from the get-go. His frat boy appearance and non-answer to a nearly impossible question didn't truly matter at the core of her feelings. She wanted an out from the prison she was trapped in with the Helioic faith, even if she didn't realize it fully. She had tension with her mom and her ideals from the scene one! She wanted to connect with people the church actively shunned. Helio was never the true problem.
Now, gods are shaped by their worshippers. So on some level Helio is shaped by people with shitty ideals. But there's still a foothold of good, especially if there are out and proud gays in heaven. Especially if Kristen Applebees of all people is the chosen one.
When you have worshippers misinterpreting your whole deal, going with Sol's shitty messaging and transferring it onto you and using it for bad things, what can you do as a god? Because you ARE what they say you are. So how can you fight back?
Well. You make your chosen one someone that embodies your true heart. Someone that can actually turn the tides of your worship.
There is an emphasis on tracker reinventing and revitalizing her religion. Changing it for the better. Taking the old and not tossing it out, but making it better.
Isn't that what Kristen struggles with the most? That's what she needs to learn how to do.
Tracker also established that she can worship multiple gods when she helped with Yes?. Kristen doesn't need to settle for one even if she (fingers crossed) brings Kassandra back.
Because the season opened with the slow apocalypse of endless night. Endless daytime would end similarly. There has to be a balance. They are two sides of the same coin. Day and night. The surety of the sun and the doubt of the shadows.
Kristen wants both. And she can fucking have it if she decides to.
Ally once said they appreciate that the enemy is always the church. Organized religion. Kristen is perfect for disorganized religion though. Chill frat boy vibes and anxious doubts and the ultimate message of 'just do your best'.
I think religious trauma is a compelling, close to the heart topic for a lot of people. And some turn away from religion entirely and wash their hands of it. But some people don't. Kristen is a cleric. She can't. She wants a god, she wants answers, and she just can't find them in the established community she was raised in. That doesn't mean the core of her religion was wrong. The church was. So you take the religion and you harness it in a way that means something to you.
Maybe Kristen being desperate enough to invite Helio back into her life is what this has all been leading to.
She can remake a god. She's done it before. Because Kassandra was good at the core. Maybe Helio can be too.
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Another thing I just adore about Ed and Stede's dynamic is Ed certainly does not NEED anyone to protect him. He's a very competent person who is extremely successful and has a reputation built on being brilliant and a tactical genius. It would be so, so easy for Stede's desire to help and protect Ed to come across as condescending at best and racist at worst.
But it doesn't, because Stede isn't perfomative about it. He doesn't walk around acting like Ed is helpless or stupid. He just responds, earnestly and genuinely, when he sees Ed is in distress.
Take the party in s1e5 for example. Ed is visibly very upset, and even though Stede stops him from going back in there, we know that Ed could probably easily find a way to terrify the people who were so cruel to him. He's only got one single-shot gun, sure, but we know Ed's smart enough he could figure this out. But Stede tells Ed that he'll deal with it, and he embarasses them, gets them to light their ship on fire, and Ed looks at him like he just hung the fucking stars in the sky.
Has anyone ever stood up for Ed like this before? Ever? Is it any wonder we first see Ed thinking about kissing Stede right after this?
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And then Ned Low is the other obvious example. Other people have rightly pointed out that the moment Ned died was when he was playing with Ed's hair, mocking him, and we see Stede's furious face. Ned just signed his own death certificate, he just didn't know it yet, because Stede was never going to let him leave his ship alive after that. They go out of their way this episode to show us how Ned is insulting, mocking, and racist towards Ed to make sure we know exactly why Stede was never going to let him live.
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And, yes, Ed did tell Stede that he shouldn't kill Ned, trying to protect Stede. But Ed isn't surprised when Stede does it - at worst, he feels bad that Stede thought the "poison" of killing someone was worth it because of Ed. I think Ed knew, at least on some level, especially after what happened to those rich racist dickheads - he can count on Stede making people who are awful to him pay for it.
I love that Stede will take people insulting him without blinking an eye all day, but the second they're mean to Ed it's fucking on sight. No one insults his princess and gets away with it. And I'm sure Ed feels bad that Stede does these things for him, but I hope he's starting to realize that he deserves to be cared for the way Stede looks out for him. These two want to protect each other so bad.
In conclusion, I guess: if you're staying at their inn and you say a single mean thing to Ed, you better start fuckin' running
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bengiyo · 4 months
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Love for Love's Sake Ep 8 (Finale) Stray Thoughts
Last time, the game world began falling apart around Myungha as he refused to choose between his grandmother or Yeowoon dying. With only 15 days left, Myungha began to pull back from Yeowoon, even as he tried to bulk up his relationships with his friends. Myungha received an item to change any part of the story, but could not change himself to admit to Yeowoon directly that he loved him. Despite Yeowoon asking all the right questions directly, Myungha couldn’t say what needed to be said, and chose to break up. We left with Myungha falling into the abyss as the world unwound before him.
Did Myungha erase himself from Yeowoon’s memory? I’m glad his friendships are intact, but it seems like he’s experiencing echoes of Myungha.
Episode 8: Answers
Wait, why does the brand lady remember Tae Myungha?
Oh, this is upsetting. Only the brand lady and Yeowoon remember Myungha. Even his grandmother doesn’t remember.
He wrote “Please make Cha Yeowoon happy” and then he vanished. I get his panic now.
Wait, is Cha Yeowoon a PC now?
Wait, was the brand owner Myungha’s ex in the main world?
Oh no…. Tae Myungha went to see his mom before and she had started a new family and refused to see him.
I approve of the letterboxing to let us know we’re seeing the history from the physical world.
This is putting me in my Sea, Swallow Me and Other Stories by Craig Laurance Gidney feelings.
Wow. I have a lot of thoughts about this writer creating a story because he loved his friend he missed so much that he wanted to give him a second life in a game where you help him see that he is loved and that he can choose to live. “Write me a poem to make me happy.”
ARE THEY IN DIFFERENT REALITIES? WHAT THE HELL??
He’s going to find his favorite person!!! 😭
Oh, romance, never stop hitting me with lens flares to show that the love is bursting.
Yes, let’s continue those kissing lessons.
Whoa, he’s wearing pink now.
Okay, seeing them make out by the sea and then play in it with their friends after that reveal about Myungha just sent me over the edge.
Final Verdict: 9, Highly Recommended. This final episode went to some really dark places, but this is the kind of queer media that I secretly love the most. I’ve written about how grief is a big part of my experience before, and how much Eternal Yesterday helped me cope with feelings that had been in me for 15 years. I think there’s something beautiful in the melancholy of the writer who is grieving their friend in their work. The thing about the fact that everyone dies, is that those who loved us will remember us and they will miss us. A version of us continues to live on in them. When we lose someone tragically, there is a need to process those feelings, and I appreciate the desire of a writer to immortalize their friend in a story where they recognize and receive the love they wished for in life.
I love that there’s a component of death of the author here, where Myungha wants to know who he is and why he wrote things like this, because I wonder if the writer infused some of the writings Myungha gave in life since we recognized Myungha’s handwriting in the missions. He’s trying to give Myungha what he wrote that he wanted and what he wrote about love. I love that we don’t exactly what the creator’s relationship is with Myungha, but the gay in me calls to the gay in him and says that he loved his junior in Myungha the way Myungha maybe connected to in Yeowoon. I like to think that he wrote Cha Yeowoon based on how he saw Myungha, and a part of him wanted to see Myungha happy. Perhaps he felt he couldn’t give that to Myungha in life for various reasons.
I loved the game mechanics so much. I loved the side quests. I loved it because it didn’t work all the time. I know I link Shane Koyczan a lot when I’m being especially emo around here, but it’s like his poem Stop Signs where he’s desperate to connect with his crush and he’s trying everything he can think of to reach them. What it does force to recognize is what’s important. All the running around and trying to get all of these things is about taking care of the person he likes. Earning the money forced him to work at something without just receiving it from someone else. Getting Yeowoon friends made both of their lives better, and they found the other gays! I loved the debuff mechanic because it makes you pay attention to the world around them and approach situations with caution.
This show was beautiful. I haven’t seen an It Gets Better project that hit the right way for me in so long. I like that this show kinda snuck up on us with the darkness. There have been so many high profile celebrity deaths in Korea in the last few years, and there’s gotta be so many more of regular people that we don’t even know. I really love that this story is about loving lonely boys and asks the audience not to give up. I love the notion that loving someone else is a pathway to learning to love yourself. You can love for the sake of love itself. This show surprised the hell out of me, but this is going to be one of the shows I think sticks with me from this year.
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genericpuff · 9 months
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yeah so let's talk about the scenes between hades and thanatos that went from being goofy "haha a boss being hard on an employee" 'jokes' to child abuse as soon as it was revealed that hades was thanatos' adoptive father
and yes i'm putting a content warning jump for ❗❗❗ child abuse and neglect ❗❗❗
so first off, before we even get into the Thanatos / Hades father son relationship thing, I wanna mention a sequence in Episode 39 and why I think Rachel included the scene of Hades reaming Thanatos for being bad at his job.
And it's simply because of what happens the episode before.
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Persephone's ableism aside (seriously, I have legs, that doesn't mean I want to walk everywhere, I also own a car, that doesn't mean I have to drive everywhere, maybe flying is tiring? Maybe he's injured and shouldn't be flying? Maybe he has a disability that results in him having wings that can't fly? Check yourself Persephone 😒) this is one of the earliest signs of LO's "Revenge for Persephone" problem which is CONSTANT throughout the narrative - that anytime Persephone is slighted or inconvenienced in the slightest, then the narrative needs to ensure there's some kind of revenge, either directly for her sake or indirectly for the audience's, and it's often always facilitated through or by Hades.
And that leads us to Episode 39, which is when we get exactly that.
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Moving onto the scene itself, this is what we call in the work environment a "dressing down". This is not how legitimate employee reviews are given. Hades is not planning on giving him any sort of formal review or constructive criticism. He's planning on tearing him a new asshole just for the fun of doing so. You can even see it written on his face. He's doing this just for the joy of tearing him down. As someone who's been subject to this kind of behavior in previous work environments, I can assure you that this is not normal behavior that's indicative of a functioning workplace, this is abuse.
Taking that train scene into account, it's a way to indirectly "avenge" Persephone. She was slighted by Thanatos, so now Hades is going to make his life hell. But here's the thing - this not revenge for Persephone's sake. Hades doesn't even know Persephone's in the building, and Persephone doesn't know that Thanatos is being berated by Hades. But the scene is here anyways because of course the audience needs to feel "better" about Persephone getting pushed by a stranger at the train stop.
Now, scenes like this have been done in other stories, often times to explain the behavior of bullies/aggressors/etc. because in many cases, textbook bullies, whether children or adults, are abusing others because they're being abused by a higher authority so they take it out on those "weaker" than them.
But this doesn't work in LO, for several reasons.
First off, it pretty much plays it off like a joke, especially when the scene continues after Persephone has walked into Tower 4.
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But beyond that, the higher authority abusing Thanatos is someone we're expected to root for. He's the main love interest. While this could be written as a legitimate character flaw, we all know now, in the year 2023, that Rachel sees Hades' behavior as a feature, not a bug. While most scenes written like this would cast a new perspective on a bully and allow some room for understanding and empathy from the audience, in LO's case, we're still not expected to empathize with Thanatos here, they want us insulting him right alongside Hades.
And of course, that brings us to the big blue elephant in the room - the knowledge of Hades and Thanatos' relationship completely re-contextualizes these scenes in a way that's far too depressing and horrifying for a writer like Rachel to be able to wrap up confidently.
Of course, she tried, but her efforts... can't even really be called efforts. For starters, because a lot of it is played off as a joke, as if Rachel can't handle even a single moment of legitimate emotion, she has to "write off the awkward" by making things "funny".
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But when she does try to seriously write these scenes of introspection, reflection, and communication, it just winds up turning into the main protagonists going "woe is me, I was the real victim!" and never actually suffering consequences for their actions as a result as they Gaslight, Gatekeep, Girlboss their victims into apologizing to them. It still isn't asking us to empathize with or side with Thanatos, it wants us to end up right back at square one supporting Hades' side of the story.
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Literally "well you weren't that bad, at least you were there!" bare minimum accountability, followed by "well I didn't make your life easy so I get it" from someone who was literally a child who was abandoned and left to live with an abusive asshole. It wasn't his fault that he was in the situation he was in, it wasn't his fault that he was a "handful" for Hades because he was a CHILD and Hades was the ADULT, but the comic paints it as Thanatos being at fault anyways for being "ungrateful".
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But there are even more subtle signs that point to Thanatos' childhood with Hades that, while not specifically mentioning it, do paint a pretty nasty picture of how Thanatos views Hades and the people around him as a result of his childhood, in a very fridge horror "stop and think about it" kind of way.
First of all, the fact that Thanatos hasn't even been allowed to touch Hades' car. Obviously he's referring to specifically driving it but it makes me wonder what kind of bare minimum accommodations Hades made for his own adopted son. Again, played off for a joke.
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And of course we have this one piece of concept art-
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Now to be fair, this is concept art from before it was retconned that Thanatos was Hades' son, but it still casts an icky implication in hindsight both because of Hades' treatment towards Thanatos as well as the implication that Thanatos was getting "too close" to Persephone for Hades' liking. This sort of weird dynamic can be found in the actual comic when Hades admits he knows Thanatos was sleeping with Minthe.
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And then there was this one scene, which prompted me to write this post in the first place, shared in the ULO Discord.
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Thanatos has just met Daphne, so it's not necessarily weird for him to be suspicious of her asking for his phone, but the actual dialogue... doesn't line up with what you'd assume he would be suspicious of.
He doesn't say "you're not going to peek through it, are you?"
He specifically says "You're not going to smash it, are you?"
Now, if this line were intended to be anything more than some throwaway "haha funny" line (which, again, where's the punchline here) then maybe it could point more to something that happened between him and Minthe. But there's nothing that implies she was ever violent towards him, and the one time she IS violent towards anyone, it's implied that's the first and only time she's ever escalated things to that point and that even she's shocked and disgusted at her own behavior.
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There is plenty to imply that Thanatos was abused by Hades, though.
So reading this line in hindsight... really just feels like further proof on a growing pile of evidence that Thanatos was constantly being berated, controlled, and abused by Hades, a guy who he never asked for as a father figure, but was still expected to apologize to anyways.
But there is one last thing I wanna mention before I wrap up. One thing that was mentioned by yet another user in the ULO community that really stood out to me because it just goes to show how horrible Hades has been towards Thanatos, both in the past pre-retcon and in the present well after it was established that they were father and (adopted) son.
And that's Hades' two dream sequences that involve him having children with Persephone.
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One of these scenes is from before the retcon. The other is from after.
Neither one features Thanatos as a part of Hades' visions for the future.
Hades has been Thanatos' entire life. But Hades doesn't see Thanatos as even a part of his.
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ciaonicole85 · 1 month
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ESCAPING INTO A SHIP
So what exactly made me latch onto the Sydcarmy ship like a leech on a water buffalo?
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It was unexpected (for me)! Yes, the very first meeting between Syd and Carm did make an impact. I thought "Oooh, what's this?!" However, Carmy was/is such a mess that I quickly dismissed it. And Sydney just seemed to want his professional approval and a partner in making something great after the soul-crushing failure of Sheridan. So, the first season I personally didn't feel a mutual sexual/romantic tension, more like an automatic respect and shared goals/passions. Sydney nor Carm were obviously trying to flirt. Most slow burns on TV are 100% obvious like a Jeanine and Gregory (Abbott Elementary), Nick and Jess (New Girl), Jake and Amy (Brooklyn 99), Jim and Pam (The Office)...Until Braciole Ep. 8 that is.
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S. 1 Episode 8- I won't get into everything but Carmy was desolate. Yes, he became a psycho chef and two people quit in Ep.7. However, he mourned Sydney more than Marcus. She was in his flashback/nightmare (?), then the way he told Tina that she looked like Syd (the poor pup), him texting her before opening the note from Mikey, and finally the most gorgeous locked gaze scene since Pride and Prejudice (2005). The soft lighting, the music, the colors, the mind-reading...magical. I still didn't get it initially. Silly, blind me.
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Mentorship where??? Season 2 Carm and Syd's "mentorship" dynamic is pretty much over. They are true partners and spending more time together. They're dressing alike even when not in uniform, finishing each other's sentences or talking in unison. Sydney is opening up more of herself and Carm is asking to know more. They use the ASL sign for sorry with each other and no one else until ep 10. Then there's that locker scene in ep. 1 or 2, when they almost hang out just cause. However, Carmy misses the moment and there's the return of the kicked pup face. Before being on the ship I was delighted with all of their scenes and was looking forward to the food tour. They just ROCK together on screen.
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Classic Love Triangle- Who's Claire? She's "Claire Bear", the prototypical "cool girl", who is willing to chase an socially awkward, wrong-number-giving man, despite being a pretty ER resident with no shortage of options. Did a CW writer get hired? Anyways, why was her presence used almost exclusively to put strain on Carmy and Sydney's relationship instead of The Bear generally? We could have had scenes with Nat, Richie, and Marcus arguing with Carmy about him being distracted due to Claire. They saved 99% of that for Sydney. They CHOSE to insert her in between or just after scenes with him and Claire. Showing Sydney's tattoos and her getting dressed with the stained chef's coat juxtaposed with them was WILD.
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I LOVE that both believe their interpersonal problems are solely about The Bear/business partnership. In most "slowburns" the characters are far more conscious and actively work to keep things platonic. Jeremy might be a smidge aware that Sydney means more to him after the panic attack, but I bet he's shoved it down. All he knows afterward is that being with Claire feels wrong hence ignoring her call and recommitting to SYDNEY. He could of said "You all/This/The Bear deserve my full focus etc..." He was also nagged into greeting Claire at Friends and Family, seemed anxious when Fak brought her up right before The Table scene, and also while explaining that "she's great" to Sydney. He was at peace when focused on Sydney in the moment below.
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The actors: Jeremy and Ayo's real life friendship is warms my soul and their chemistry onscreen is amazing. DON'T WASTE IT!!!
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Jeremy smolders on screen. I want to see Carmy continue to stare, yearn, fall, then eventually confess and for Sydney to reciprocate his feelings. Anyhoo, does anyone else melt when Carm means business?! They do this twice in season one and it's not good for me. Whew, I need to clean my whole house or run a few miles.
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Finally, there's so many other parallels between these two. They are fearful avoidants, have a missing or dead parent, jacked up stomachs, use sarcasm, but are generally very earnest, they struggle with anxiety, are compassionate, are perfectionists, peace-makers, give people multiple chances, are workaholics...so much more. A lot of that is also ME, lol.
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Sydcarmy is my Roman Empire. I love them as much as you can fictional characters and they deserve the most tender, angsty, triumphant, romantic best-friends to more love story.
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blue-grama · 3 months
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The Sign finale probably should have disappointed me, but... didn't?
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It's been a heck of a run lately with Thai BLs that haven't quite stuck the landing, and it's got me pondering why The Sign worked for me despite sometimes feeling like a storyboard for a longer, better show.
I don't think they pulled off the emotional payoff they needed, despite that last reunion scene being so pretty and well-acted, simply because too much happened offscreen, from Khem's recovery from a gunshot wound to the entire multlifetime Tharn/Chalothon dynamic getting resolved without us seeing any of it. But somehow I wasn't that mad about it? And ultimately I think it's because this show did so many things well and so many things I'd love to see more of that I'm just like, yep, I enjoyed that ride sirs, please show me something this gorgeous again. In that sense it's joining something like Manner of Death or Kinnporsche where it's like, plot holes? Yes. Bizarre tonal shifts? Absolutely. Occasionally insane writing choices? Uh-huh. Love it anyway? You betcha. So here's what really, really worked for me:
Premise
I am always going to be onboard with QL that isn't solely coming-of-age or coming out. I'm not against those stories, of course, but give me gay romance with adult characters who know themselves and are doing adult things. I'm also a partisan for romances with high external stakes, so the mixture of crime and reincarnation was catnip to me.
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Do I care that none of this training makes any sense? No.
2. Setting
Listen. Is The Sign the reason I have a document on my laptop titled "Imaginary trip to Thailand without ever seeing a beach?" Not exactly. But it's also not not the reason.
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I am being willingly manipulated by the Thai Tourism Authority.
Kidding, kidding, but I do love when my Thai shows feel Thai or my Korean shows feel Korean, etc etc. I want to be driven to Wikipedia to learn more! Half the fun of watching stuff from not your own country.
3. Chemistry
I think @biochemjess covered what was underwritten about the romance in The Sign. Billy and Babe carried it on their backs and it was hard to dislike their romance, even when the series skipped over key beats.
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Any time the pink lighting came out, you were gonna be in for a good time.
4. The camerawork
I don't know enough about film to speak intelligently about this, but the camerawork and aesthetics of this show were just so lovely to watch. It was really doing a lot. @chaos0pikachu wrote about it better than I ever could.
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LOVED THIS. LOVED IT. So good.
We had some really lovely storytelling and visual parallels, too, like the first episode and finale both having a big action warehouse scene, or the multiple times that Phaya and Tharn ended up overlooking the Mekong river.
5. It was always kinda off the rails
I know some people felt this show started out with a strong premise and didn't live up to it, but I gotta say, I didn't have that experience. It was always kinda a bonkers watch for me. There were long training montages, random bodies in the shallows, missing genitals, extended performance art, that comedy flashback to Khem and Thongthai's college years... I never knew what I was going to get each Saturday. And I kind of loved that? I'm into unhinged. I was comparing this in my head to Last Twilight, which did disappoint me in the end, and I think it's because Last Twilight was NOT always bonkers and DID set itself up to tell a straighforward story, then dropped the ideas it had been juggling in the last episode. The Sign always felt chaotic to me, so a chaotic ending was par for the course. This is where I'd compare it to KinnPorsche, which had the weirdest fucking ending, but like, okay??? Why not!
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End result? I see the flaws, but I'm giving this show tender forehead kisses anyway. Here's hoping for more like it.
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fluentmoviequoter · 4 months
Text
Lockdown
Pairing: David "Deacon" Kay x fem!reporter!reader
Summary: While covering a court hearing, you get taken hostage with your favorite S.W.A.T. sergeant.
Warnings: spoilers for S.W.A.T. 4x16 "Lockdown"; angst, fluff!!, reader is flirty
Word Count: 2.8k+ words
A/N: This is one of my top 5 favorite episodes and I'm actually planning another rewrite with one of the others! I hope you enjoy and please let me know what you think! (And thank you for telling me how good this episode is, you were 100% right about how good Deacon looked @katamcauley!)
S.W.A.T. Masterlists | Deacon Masterlist | Request Info/Fandom List
Picture from Pinterest
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“Here’s your next assignment,” your editor says, laying a paper on your desk. “Civilian is suing the LAPD for damages, and the case is going to court tomorrow.”
“North L.A. County Courthouse?” you ask.
“Yes.” She sighs before adding, “And I already checked. Your favorite distraction isn’t set to testify tomorrow.”
“Boo. Can I have a different assignment?”
You bat your eyelashes as you ask, but she laughs and walks away without answering. Shaking your head, you begin reviewing the facts of the case. Covering court hearings is neither the best nor worst part of your job, but at least you get a break from the office for an hour or two.
✯✯✯✯✯
“So legal affairs confirmed that the defense attorney only needs us as rebuttal witnesses. Should be out of here in no time,” Deacon tells Hondo as they sign in after surrendering their weapons at the courthouse entrance.
“Yeah, okay, Deac,” Hondo answers sarcastically. “When was the last time you got out of court in no time?”
“Today would be the first.”
“Exactly. And it becomes less likely if your friend is working today.”
Deacon rolls his eyes but doesn’t deny it.
“You know, I got to be honest, man, a civilian gets injured in a raid, and the officer who broke down the door admits he was at fault? I’m just not sure how I feel about being called in to testify on behalf of the city,” Hondo states as he walks through the metal detector.
“It’s not anything we haven’t done dozens of times before,” Deacon argues.
“S.W.A.T. was just there for support.”
As Deacon and Hondo near the courtroom door, someone calls, “Sergeants… Tony Jacobs, assistant city attorney. Thanks for coming in early. I know it’s a pain.”
“Eh, it’s not a problem,” Hondo replies, shaking Tony’s hand. “Beats dealing with the morning rush. Hey, listen, you seem to have a good amount of testimony for this case already. Why do you need us?”
“Cut right to the chase, huh? Well, frankly, what this woman is asking for in damages is excessive. Testimony from two S.W.A.T. sergeants could go a long way in the court. Just follow my lead on the stand. We’ll be out of here in a jiff. Our courtroom’s on the third floor.”
✯✯✯✯✯
After finding the courtroom, you sit and sigh in relief. You somehow managed to pick your most uncomfortable pair of shoes today, so you’re glad to sit in the courtroom for a while. Leaning over your notebook and taking a few quick notes, you don’t hear the door open.
Deacon and Hondo enter the courtroom, and Hondo sees you first.
“And he’s gone,” he hums as Deacon notices you.
Someone says your name and the underlying teasing tone alerts you to Sergeant David ‘Deacon’ Kay’s presence behind you. Smiling, you turn to greet him.
“Hello, Sarge,” you say, looking up at him. “You clean up nice.”
Deacon shakes his head before muttering, “So do you.”
“Are you testifying?”
Deacon glances toward the door, where Hondo is talking to the assistant city attorney. “That’s… to be determined.”
“Well, I hope you are because then I don’t have to take very good notes.”
“Why is that?”
“Because,” you whisper, leaning toward him, “it’s a conflict of interest.”
“You’re a journalist,” Deacon says, “I don’t think that applies to you.”
“My editor will beg to differ. If you’re testifying I may spend too long describing your big, brown, puppy dog eyes or how great you look in your suit.”
“Okay,” Deacon interjects, chuckling as he raises his hands. “Easy, Casanova.”
“I can’t help it Sergeant Kay,” you reply, fanning yourself for effect.
Hondo calls him over, and Deacon taps your arm as he says, “See you.”
“Promise?”
He chuckles again as he nods, turning away from you. Looking down, you wish you had chosen a different pair of shoes.
✯✯✯✯✯
“I’d be lying if I didn’t say I was having second thoughts about testifying,” Hondo states. 
“What’s the problem?” Jacobs asks.
“Feels like you’re using S.W.A.T.’s reputation to score points that you can’t get any other way.”
“I’m not asking you to lie, Sergeant.”
“I’m not sure I’m down to be used like that.”
“You’re kidding. You spring this on me right now? You’re a public servant, same as me. We both have obligations to the city.”
“No, we have obligations to the citizens, not the city.”
Jacobs steps away as Deacon approaches.
“You serious about this?” Deacon asks.
“I’m serious, Deacon. I’m just about done with ‘business as usual’ these days.”
Hondo turns to look into the courtroom, but Deacon’s gaze strays to you. You’re the “friend” Hondo referred to, and you and your editor know how you feel about him. If only you could find a way to tell each other.
✯✯✯✯✯
The bailiff walks out of the courtroom, and you turn to watch him exit, your eyes catching Deacon’s as he looks over, too. Deacon and Hondo stand quickly.
“Those are gunshots,” Hondo announces. “Sounds like downstairs.”
Judge Vang presses the alarm on her desk before announcing, “Everyone, stay where you are. This is an active shooter alarm.”
The door closes, and Deacon rushes to it, trying to open it before saying, “It’s locked, won’t budge.”
“Deac,” you call. “The panel on the wall controls the automatic door locks.”
“Your Honor, open that door right now,” Hondo demands.
You walk to Deacon’s side, murmuring, “She can’t do anything to override the lock after pressing the alarm.”
“We have a protocol, Sergeant,” Judge Vang replies. “This is my courtroom. I’m responsible for the lives in it.”
“And we’re responsible for the ones out there!” Hondo says.
Deacon taps your arm, nodding at you before returning his attention to the panel.
Hondo calls Luca, explaining, “Deac and I are locked down in a courtroom on the third floor. Active shooter protocol. The security system’s turned this place in a panic room, and we are stuck without firearms. What’d you find out about the shooters?”
Hondo walks to your side as Deacon pops the control panel open.
“Deac, we got four armed inmates downstairs. Sounds like a barricade situation. Luca, they make any demands?”
“There hasn’t been contact yet,” Luca answers.
Tan reads off their IDs, and you unconsciously lean closer to Deacon.
“We’re flying blind here, Luca,” Hondo says. “Listen, you’re senior man on-site. You are in charge now. The team is in your hands.”
Hondo ends the call, and Deacon continues working on the panel, glancing over at you when you take a deep breath.
The panel beeps as something clicks, and Deacon asks Hondo to try the door.
“You got it, Deac, it’s open,” Hondo whispers.
“Don’t go out there unarmed,” Judge Vange implores.
“We are not doing anybody any good locked in here.”
“I know you’re S.W.A.T. but there’s safety protocols for a reason. It’s best if we all stay put,” Jacobs adds.
“Listen,” Deacon says, stepping away from you. “The two of us are gonna go get the lay of the land. We’ll be back.”
“We will be back,” Hondo promises.
You grab Deacon’s bicep before he can open the door. “Do not get hurt out there,” you demand quietly.
Deacon raises his hand to cover yours where it rests on his arm. “I promise to come back for you. Nothing will happen to me because I won’t let anything happen to you. I’ll knock three times, okay?”
You nod, releasing him and waiting by the door, kicking your shoes off as you impatiently away his return.
✯✯✯✯✯
“Sounds like they’re headed our way, taking hostages,” Hondo says as he and Deacon enter the stairwell.
“They’re desperate,” Deacon adds. “That means they’re dangerous.”
“No one’s safe, we’ve gotta evacuate.”
They enter a hallway as Deacon says, “There’s got to be a fire escape or some way out of here.”
“Deac, check the windows… A building covered in windows and none of them open.”
✯✯✯✯✯
You pace before the door, ignoring the whispers of the other people in the courtroom. Deacon is taking too long, and when he gets back, maybe you should tell him that your flirting isn’t an act, that you really mean it.
✯✯✯✯✯
After the third knock ends, you slowly push the door open, releasing a relieved sigh when Deacon steps inside. He pulls you into a quick hug before announcing, “We’ve got an exit plan. We found a set of windows on the other side of the floor.”
“No way,” Jacobs argues. “We’ll be sitting ducks out there. We’re better off here.”
“Listen to me, all of you,” Hondo calls. “The gunmen are breaking into rooms and taking hostages. They’re gonna be up here very soon. We cannot stay. You’ve got to trust us.”
“No way, I’m not going,” Jacobs replies.
“You’re making a mistake. Come on, let’s go,” Deacon says, ushering people toward the door.
As Deacon leads, you look him over, glad to see he looks exactly the same as when he left. It took getting trapped in a courtroom with him to admit that your obnoxious flirtations are a disguise for how much he truly affects you and how much you care for and adore him.
“I got ya,” Deacon promises as his hand slips into yours, leading you through the empty hallways.
He directs you to the window, bringing up the end of the line. When it’s your turn to jump onto the rescue pad, you stop and push back against Deacon, where his hand rests on your back.
“You aren’t jumping,” you accuse.
“Not yet,” he answers. “We need to help the other hostages.”
“Then I’m not leaving either.”
Deacon looks at Hondo, who only shrugs. He’s not getting in the middle of whatever you and Deacon have going on.
“I know this courthouse better than either of you,” you point out. “I can help.”
“You can stay on one condition,” Deacon answers severely. “Do exactly what I say when I say. If I tell you to run or hide or come back here and jump, you do it.”
You nod, taking Deacon’s hand as you whisper, “I promise.”
“Let’s go then,” Hondo says, pointing back to the window.
“Where are your shoes?” Deacon asks quietly as his hand moves to your lower back.
“I left them in the courtroom,” you answer as if it’s obvious.
✯✯✯✯✯
Running down the stairs behind Deacon, you press your hand to his back as Hondo signals for you to stop. Someone is shooting below you, and you’re glad to be with Deacon.
“We got to go back,” Hondo says.
“Tan’s texting,” Deacon alerts, walking further into an empty room to call him. “We heard gunshots. They firing at you guys?” he asks.
“No, not at us, just the rescue bag,” Luca answers.
Deacon looks over at you, knowing that his only choice now is to keep you close and safe.
“They’re rounding people up in here,” Hondo states. “It looks like all four of these guys are armed now.”
As Deacon and Hondo listen to the deputy explain where the key to the weapon locker is, you trace your eyes over Deacon’s face, letting his very presence keep you calm.
“That’s two floors down,” Hondo muses.
“Won’t be easy with them patrolling,” Deacon agrees.
“We just need time to get our guns, Luca.”
Deacon ends the call, wrapping his arm around you to lead the way.
✯✯✯✯✯
Deacon keeps you between him and Hondo, but after you enter the deputy’s office, he pushes you behind him as he looks through the drawers.
“Hey, that’s our courtroom upstairs,” Deacon points out, looking at the camera monitors. “There’s Jacobs.”
“Deacon,” Hondo breathes out, watching the men take Jacobs. “We should’ve tried harder to get him to come with us.”
“Hey, we didn’t have time. And listen, you deciding not to testify, that wasn’t exactly fair to him.”
“What, that wasn’t fair to Jacobs?” Hondo repeats incredulously. “What about the plaintiff? A city attorney shouldn’t be allowed to take a case and reassign it to bend justice.”
“All right, do some of these guys care more about winning than justice? Yeah,” Deacon admits. “But we got to work within the system.”
“We can’t do that anymore, Deac. What do you think?”
You point to yourself in question, surprised to be pulled into the conversation. Luckily, before you can reply, Deacon finds the key and pulls you into his side as he leads you out.
✯✯✯✯✯
“Door’s busted, they beat us here,” Deacon whispers, an arm extended over your waist as he keeps you against the wall.
“Be careful, they might still be in there,” Hondo warns.
You enter between them, sighing when you see the damage done.
“They have our guns.”
“Tan says Diaz knows we’re here,” Deacon says, looking at his phone.
Adrian Diaz yells, “Harrelson, Kay! We know you fools are down here. If you give up now, we won’t kill you.”
“Deac, give me your phone,” Hondo requests. “Give it to me.”
“Really going to make a call right now, Hondo?” you ask lightly.
Hondo slides the phone into his sock, tugging his pant leg over it. He points at you and then at the ceiling.
“Okay,” Deacon answers, nodding as he pulls you to the desk. 
Deacon stands on the desk, pushing a ceiling tile up and over. Hondo helps you onto the desk, and then Deacon lifts you up into the ceiling, following shortly behind you.
His hand finds yours as you wait in the dark, holding you gently. You listen as Hondo is taken away, and after a moment of silence, Deacon slides the ceiling tile away. He grips the rafter, lowering slowly and silently onto the desk below. Turning, he raises your hands, grabbing your hips and lowering you gently. 
“Are you okay?” he asks, his hands holding you firmly.
Nodding, you let him help you from the desk before following him.
✯✯✯✯✯
Standing beside him, you listen as Deacon calls his team, holding his hand in both of yours.
“Hey, it’s Deacon. Hondo’s been taken,” he reports. “Well, I managed to hide. Hondo gave himself up so we both wouldn’t get caught. We made it to the gun locker, but it was empty. They beat us to it. They were calling for us by name. Not sure how they knew we were here… They took Hondo to courtroom 1, first floor with the other hostages. Listen, I know Diaz set up a deadline. How much time we got? Tell me you guys have a plan… Wait a second, I remember three stairwells…”
You tune him out, preferring to focus on the feeling of him beside you rather than the danger of the situation. Looking down at his hand, you wonder if you’ll get to tell him.
✯✯✯✯✯
“They’re bringing my team in a helicopter,” Deacon whispers, waiting in a stairwell.
“And then what?” you reply.
“Remember your promise.”
You nod, squeezing Deacon’s hand. You trust him, and you will do anything and everything he tells you. Deacon releases your hand kindly, whispering for you to wait as he goes up the stairs.
“We’re good. It’s Deac,” Street whispers.
Deacon gestures for you to join him on the next landing.
“Hey. You all right?” someone asks.
“I’m good,” Deacon answers.
He puts a bulletproof vest over your head before pulling his own on. 
“Stay here.”
“But,” you begin, trailing off when Deacon cups your face in his hands.
“I will come back for you, every time. But I need you to stay here so I know you’re safe.”
You nod, mouthing, “I trust you.”
✯✯✯✯✯
The door bangs open, hitting the wall behind it. You look around the corner slowly, rushing toward Deacon when you see him. He extends his hands, passing you your shoes. Taking them, you immediately drop them as you wrap your arms over Deacon’s shoulders and pull yourself as close as possible to him.
“Thank you for coming back. For keeping me safe,” you say against his neck.
“I’ll always come back for you,” he reminds you, his grip tight around your waist. “Will you let me take you to dinner for your bravery?”
Smiling, you pull back and counter, “Let me make you dinner for saving my life.”
“Good food and good company? Maybe I should save you more often.”
“Or you could just ask me on a date. Everyone else can see that I have a huge crush on you.”
“Let’s see how dinner goes first,” Deacon jokes.
“You’re not very good at this.”
“Then teach me your ways, Casanova,” Deacon replies, leaning forward to catch your lips.
Sighing against him, you’re glad you got this assignment and finally found the courage to admit how you feel about him to yourself. Now you must find a way to tell Deacon how you feel, though you think this kiss is a good start.
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raelle-writing · 4 months
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Jin and the Dichotomy of Cowardice and Bravery
Yes I know the title is esoteric, bear with me. I've been thinking a lot about how in episode one, Jin calls himself a coward when he's talking to Phee.
It's possible he was saying that just to get Phee to leave him alone, but honestly he seems to believe it. And he certainly has some avoidance tactics. Running off to the US and never coming back isn't the healthiest of coping mechanisms. And we still don't know exactly what he's running from. Phee? What happened to Non? His friends who don't seem to care much about him? All of the above?
It seems that Jin self-identifies as a coward, which is interesting because when he's put in stressful situations and danger, he acts in an extremely brave manner. He doesn't show any signs of hiding or running away when faced with danger.
When they find Por in the woods, Jin is one of the first people to go up and check on him, instead of pausing/freezing and freaking out like many of the others. He and Phee are the ones who wrangle the others to help Por, and find the saw.
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Throughout the next episodes, Jin is one of the ones trying to keep people on track. He seems relatively calm in the face of all of it, and focused on trying to get them out/get them help.
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He's also the one most willing to help the newbies investigate the weird stuff happening, instead of shutting them out like a lot of the others from the original group. He's the one who stops Tee from destroying the tape, jumping into a fight without second thought.
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He's also the one who goes out first to lift the shirt off Deng's body, and then later goes back to cover it with a sheet when the others are unsettled by it.
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And throughout all of this, he's the one who comforts the others when they need it, and offers them physical reassurance when they're freaking out.
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He's also one of the ones Tan calls for when he comes back injured, and he's one of the ones Phee asks to come help him look for Top after he's gone missing. He's clearly someone the others see as a really steady presence, since he seems to be top of mind when things go to hell.
Jin is also not at all hesitant to go into the temple. He's the one Tan clings to, clearly afraid when they enter. He's freaked out when the ghost attacks him, but doesn't run. In fact he checks on Tan before the ghost swings the ax at him.
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He talks about being scared when he's in the coffin with Phee, but that's after he's already done so many brave things...
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All of this makes me wonder - why does Jin see himself as a coward? Is it because he didn't stand up to his friends more about Non? Is it because he's running from things with Phee? Is there something that happened in their past that makes Jin feel like a coward?
It's very interesting from the outside perspective, and makes me wonder even more about what happened in the past. Because we know something took away Jin's happy smile and turned him into someone much more dispassionate and snarky. But we still don't exactly know what.
We also don't know why, if Jin liked Non so much and didn't like how his friends treated him, Jin is still friends with all of the bullies. Maybe that's the core of why he thinks he's a coward.
I don't know if I have a concrete thought to complete this, I just find the dichotomy of how Jin sees himself, versus how he actually acts in the series. It's fascinating to see and adds a lot of depth to his character and I can't wait to see how he's developed further!
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wanderlust-in-my-soul · 5 months
Text
10 BL Boys That I Want "Carnally"
aka The Horny List
I was tagged by @my-rose-tinted-glasses @twig-tea @rocketturtle4 and @nieves-de-sugui 🤍 Thank you so much! And sorry I am late to the game! I am lying down with a cold right now... what means I had a little time to think about this list and to respect my own weak heart for bad boys and puppy guys... The heart wants what the heart wants...
Starting the list with one of the softest and warmest bad boys out there right now:
Mhok from Last Twilight
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He stole my heart from the beginning and never gave it back. I guess he will keep it for eternity. And that is totally fine! He has the biggest heart and is the biggest green flag disguised as a red flag that is walking the bl-world right now. I love how he looks at Day, how he takes care for him and how he slowly fell for him.
I guess the second one doesn't come as a surprise when you look at my profle pic:
Boeing from Only Friends
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He is just sex on a stick and I am still mad that he got introduced so late into the show. He would have been so much fun to watch destroying the whole "friend group" piece by piece. I would have watched such a show. Well I guess I would watch a show in which he just leans out of the pool like that for 40 minutes straight and I wouldn't be mad...
On third we have our first couple, because one doesn't work without the other:
DongWook and DoHyun from A Breeze Of Love
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I was so freaking happy seeing those two wanting each other. Those two were in love with each other, not just on an emotional level but on a physical level attracted to each other and the series didn't hide it! It is my favorite bl of this year and the mutual attraction played into it. And those two are just two lost puppies who wants to love and be loved and urgh! I love them!
Going on to an old crush of mine:
Forth from 2 Moons 2
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Yes, it is mostly Pavel, but I really liked this soft bad boy with this rascal hair cut and the tattoos. I loved his whole character and yes in the end I am just a weak girl, because look at him!
One character I wish I could drag out of the screen and keep as my own little prince of his stupid white horse:
Yai from I Feel You Linger In The Air
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He is one of the prettiest men I ever saw and his puppy eyes with which he is looking at Jom and the soft voice whenever he says his name were making me weak in the knees. He is a total romantic and just wants to love and be loved in return. He is the perfect gentleman and loyal till the end. He needs a strong partner at his side to be the best version of himself and when he dances, the whole world stops for a moment.
Coming to a very much new pic for me and it is a pairing again:
Naoki and Yamashiro from Kiss x Kiss x Kiss: Love ii Shower
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I mean Naoki looked like a greek god and Yamashiro was just so sensual in this short episode. I have to confess, I couldn't find a version with subtitles, so I don't know exactly what they were talking about, but in the end, did I really care that much, especially when they started using a language I could understand very good? No, not really. Sometimes I just like looking at beautiful people kissing each other.
One of my long-lasting loves:
Mark from Love Mechanics
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I adore War. I love him so much and I am going feral when Jack & Joker really comes real next year. He has one of the best faces out there. He looks good crying and being evil and of course laughing. And Mark was such a lost puppy prick and Vee treated him really shitty for most of the times, but because I love Vee too, I can't be too hard on him. But Mark, I want to give him a hug... everytime all the time!
And on we go with another recent catch for my eyes:
Phaya from The Sign
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He is such a flirt and he makes it very clear that he likes Tharn and I love that for us. He is one of the people I want to be hold in their arms just like Tharn here. I can't wait for those two to finally give in to their feelings! And for the mystical plot to unfold itself more, because I really want to know what is going on! And I want those two to save each other.
The next one is called Papi Chulo on TikTok and I can see why:
Sailom from Wedding Plan
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The series might not be the best one out there and Papi Chulo might be frustrating for some people, but I loved them both! Lom is such a treat and for most of the times I understand why he acted like he did. And after he came clean with Namnuea he was the best boyfriend/fiancé. And he has one of the best smiles out there and such a cute mole!
Closing this list with the one character I am going feral at the moment whenever he is on screen:
Prom from Playboyy
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He has this pure lust in his eyes whenever he looks at Nont and I love it. I don't know if I would trust Prom, but be sure if this man wants to put on a mask and punish me in his basement I would let him... He is one of my guilty pleasures right now and I would watch the series just for him and his fucked up relationship with Nont.
This was fun! I am so late to the game, I am not tagging anyone, because I know many have done it already and I don't want to double tag :) But if you see this and want to do it yourself, feel free to make your own list and tag me, so I can have a look at your picks 😊
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heinzpilsner · 4 months
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Hmm, while there is a grain of truth in the popular zutarian take on "Southern Raiders" ("Aang is preachy and Zuko cares for Katara's feelings"), reading this episode as an evidence that Zuko is a right partner for Katara still doesn't sit quite well with me (and I'm a zutara trash, mind you!)
The problem with this ep in general is what it mixes too many complex topics together, and it becomes difficult to entangle the mess.
Basically, Aang was wrong talking in terms of "revenge" and "forgiveness" and "Jet" and "Appa" instead of "Katara's mental health", but he was right in his general concern. Hatred is not some precious right a person needs to hold on. It's a destructive feeling which is better to manage adequately for the sake of a person's own well-being.
But wait, someone may ask, isn't that exactly what Zuko was offering? To help Katara manage her hatred?
Well, yes and no. Yes, he was trying. No, this wasn't a good way to achieve it.
What many people don't seem to understand is that you don't need to confront the actual physical person you hate to deal with your hatred. Quite the opposite, actually. It's the person's imprint within your psyche what keeps destroying you from inside, and facing the person himself doesn't dissipate this imprint magically. It will only make things worse (*the only exception is when the both sides are genuinely interested in fixing things between them). You need to work with the imprint, and it's much easier to achieve when an object of your hatred is physically distant. No matter what kind of person you are, or what your moral/religious beliefs are, this is universal.
(It's a complex psychological topic I'm not really an expert on, so I'm not gonna go into much detail here. I'll just say what therapists have their ways to work with it).
I suspect Aang intuitively realized the problem, but with him being a 12-year-old monk and not having the needed skills or categorical apparatus, "forgiveness" was the best approximation to a right solution he could think of (I have no way of proving it though, so take it with a grain of salt as well as this whole post in general, lol).
While some idealization (and a lot of preaching) on Aang's part may have taken place, he saw "Katara's inner darkness" for what it was - a self-destructive tendency. She may think confronting Yon Rha is what she needs (although before Zuko introduced the idea, she didn't even think of the possibility), but it wouldn't be good for her. Sometimes, your loved ones are not right. Sometimes, they're about to hurt themselves. And it's not disrespectful to try and dissuade them from this (You'd think post-redemption Zuko of all people would agree with the sentiment).
Now, Zuko. While it's not his fault by any means I'm looking at you royal family, the way he dealt with the problem wasn't exactly the healthiest (or most selfless, as some people insist). He meant well, but offered a wrong method, and held on this specific method because it was something he personally could help Katara with. "It's the same as doing nothing!" - these are the words that kinda gave him away. I suspect it's not Katara's revenge or justice he was so passionate about, but his own chance of action. He was desperate for it. He didn't even stop to listen to her brother's and best friend's perspective, because it was interfering with his opportunity to be helpful, to be on the same side as Katara. In general, when your partner is too eager to side with you against your loving family, it's not a good sign, even when the family isn't perfect. (Well, okay, Aang's spectacularly poor choice of words had something to do with it as well. And where were you, Sokka-with-the-beard, when you were most needed?)
No one really offered a better practical solution to Katara's problem than Zuko though, that's the sad truth. And to be fair, after Katara had agreed to his plan enthusiastically, where was no better option for him than to go with it, I guess.
But... The bar was so low that offering nothing in the first place would be a better solution than this, honestly. Because no matter what the actual script of the episode says, I don't think this "life-changing field trip" would realistically do much good for Katara and result in her forgiveness. I think it would only hurt her more and would add to her list of irrational reasons to hate Zuko.
It may hurt, but as Katara herself made clear, there was nothing Zuko really could do at this point to help her or earn her forgiveness. It was something out of his control. He had to accept this and keep trying to do the right thing, simple as that.
I'm still a zutara trash, but not thanks to their interaction in this episode, I have to conclude.
(I guess what I'm really saying is that all those kids just need their therapy, lol)
Still typing on my phone and ignoring tumblr notifications. I wonder If anyone reads this at all lol
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ceruleanwhore · 1 year
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So I’ve seen a lot of posts talking about the potential for canon Ted x Trent in the finale, but there’s an angle or two I haven’t seen examined yet that I’d like to discuss here. What I am referring to is mainly why the writers chose to have Trent be the one to support Colin through his arc, coming out and everything, instead of using Keeley, who is canonically bi and was in a sapphic relationship during Colin’s arc. They didn’t need to have another character come out and everything for the sake of supporting Colin through his arc, and yet they chose to do so anyway, and I do think it’s important that they chose Trent specifically. I think it’s also important to acknowledge how limited lgbtq rep has been in media and how already, just by having Keeley and Colin be written as they are, this show has gone far beyond most others. Likewise, it should be acknowledged how having that role in Colin’s arc would have been genuinely very good for Keeley’s own character arc and how well it could have tied into some aspects of her relationship with Jack, so it’s not as though using her for that would’ve just been a cheap cop-out. The fact that they didn’t do that indicates to me that they have something specific and even better in mind.
When you keep that in mind, suddenly the signs are everywhere that this could actually, genuinely happen in canon - Trent’s red string bracelet, Ted’s comment about Sleepless in Seattle, Trent meeting Ted’s mom, etc. My whole thing with this pairing is that, when I look at it, especially in s3, there’s so much there that I genuinely believe they’d already be snogging if it was hetero and in a different show. In this context, I can only see Trent coming out and Ted “I was a straight man” Lasso making that movie reference as our indication that they bat for the other team, as it were, and yes, this can be something other than friendship.
The other thing I would add is that in the mom episode we get open acknowledgment that Ted’s biggest problem is how he runs around helping others but can’t accept help from anyone else for himself. I would then point out that the only time he’s received the same huge, self-sacrificial type of help he gave Beard with prison and everything is what he got from Trent Crimm revealing an anonymous source and then leaving his entire career to show his support and respect of Ted. Yes, a lot of the others around him have supported and helped Ted in different ways but I think it’s huge that Trent is the only one who’s done so on that level. I would also add that Trent has supported Ted multiple times while being one of the only characters to do so without ever acting against him. Beard stole his car, Nate turned on him, Rebecca was plotting against him and using Leslie to do so, etc., and yet Trent from the beginning was skeptical at most and never really acted against Ted. Beyond that, I also think that the first article Trent wrote about Ted in s1 is hugely indicative of Trent’s potential compatibility with Ted.
For one thing, Ted talked quite a bit in s1 about curiosity and went on that whole speech with Rupert in the darts game about how he values it but how so few people are genuinely curious - but Trent is. Trent shows up to write about Ted, skeptical but curious enough to pay close attention and allow his view of this other man to shift and to not be clouded by biases. I think the truth element is also huge - Ted’s ex wifey couldn’t accept his communication style and got an override from their therapist to force Ted to be outwardly truthful in a way he wasn’t comfortable with, and yet Trent clearly demonstrates his ability to accurately discern the truth from Ted without ever pushing him in such a way. Trent over and over again respects boundaries, never pushes people to share beyond what they’re comfortable with, and still gleans the truth from what he does see and hear, which is exactly what Ted needs.
Lastly, I’m not here to go off ragging on tedbecca and tbh I wouldn’t be mad if it did happen, but I want to talk about why I just don’t see it happening in canon real quick. First and foremost is that she’s the only other character than Ted’s ex (is her name Michelle? I genuinely can’t remember and that’s the only reason why I’m not using it) who uses ‘Oklahoma’ with him, and I don’t actually see that as a good thing. This is especially the case ever since it came out that Michelle(?) is now dating the therapist she and Ted saw who had them start using that in the first place, since that new relationship calls all the therapy she and Ted did into question.
Also, it’s not just that Rebecca used to be plotting against Ted, it’s that from s1 e1 on she’s been using him in one way or another to get back at or one up Rupert. Whether it’s working against him in s1 or then really trying to get him to win, especially with that one game against West Ham in s3, she’s just continually trying to use Ted as a tool against another man. What’s more damning is that when she does start to show interest in men who are not Rupert, it’s never Ted- Ted’s just there to bring her biscuits and engage in occasional attempts at girl talk, which really fits into the trope of a token gay best friend. I think they do have a good, solid relationship and, like I said, I won’t be mad if they do end up together, but I don’t see them as being set up to be in a romantic relationship.
But yeah, I think that’s all for now lol
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bluebunnyears-08 · 1 year
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Why Nine is The Secondary Protagonist in Sonic Prime
I recently made an appreciation post about this edgy little fella, however, when I rewatch the show (yes I rewatch it several times daily, so what?) I feel the cogs in my brain turn and create several theories. Looking back at Nine, I realized he will be one of the BIG characters, not the big (relevant to the plot and development), but the BIG (really fucking important).
As in MIGHT BE THE DEUTERAGONIST type of BIG.
Sonic is the protagonist, as he usually is in his games, however, Nine is another huge character who is not only crucial to the plot but might also twist the plot as well.
A deuteragonist is an essential secondary character in a narrative, second only to the protagonist, and may act like a constant companion or someone who aids the protagonist. However, the deuteragonist can change from helping the protag to actively opposing them, depending on their own conflict or plot.
Nine already proves to be a huge character in Sonic Prime, however, in the first batch of episodes, Shadow does somewhat take up some of this role. However, he might change to become a tritagonist in future episodes. Someone who helps the protagonist, is the third most important character, and often the third member of the group.
So Nine might be the TRUE deuteragonist and I DO have a list of reasons why I think so.
So, with that said, let's begin.
1. He is already established to be an important character
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From the first moment we meet him, we already know he's going to be a very important character in the plot. He fixes up Sonic's shoes and gloves figures out how to use a shard to open a portal, and is a very formidable ally. He is an important character to keep the plot going and to help explain the plot. However, it's not like those Sonic games, where he's just there to explain the plot. He HAS a character and personality, he's not just a cardboard cutout.
He HAS depth and complexity to him. Something I can appreciate considering the past media of any version of Tails the past years (not including Frontiers, that game was amazing). He's also obviously going to continue to be an important character in season two as well.
2. He's a very engaging character
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Let's all admit it: Nine is the most interesting character in Sonic Prime. Not just because of his mindset of "get this however you can no matter what" and "do whatever it takes and needs to survive". Not just that but his snarky and cold personality combined with his nine-tailed badassery just makes him an engaging and enjoyable character.
The things he does can leave people scrambling for answers. Why exactly did he change his mind about helping the rebels? What is he planning? What is going on in that fluffy head of his?
So many questions that leave us waiting with anticipation for the next batch of episodes for answers.
3. People can relate to his trauma
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Nine's backstory is what we expected, but that doesn't mean it holds back punches. Without Sonic to defend him from bullies, without Sonic to care for him and take him in, he learned to trust and look out only for himself. It's a sad backstory and it explains why he's so guarded and aloof all the time.
I've read posts that state they relate deeply to Nine and can immerse themselves in his character with empathy. I can confirm as being a victim of abuse. He's aggressive and snarky because he has walls, walls that he put up to never get hurt again. He doesn't try to justify himself in his backstory, stating he "wasn't minding his surroundings" instead of "I didn't know" or "it wasn't my fault" he shows signs of a sort of self-resentment. Again, I can relate SO MUCH to, thinking that I could've prevented it and holding myself responsible for not doing anything, that I could've stopped it from happening.
Those who suffer or have suffered can see themselves in Nine, and as a result, the sorrow we feel for him can hit harder if we know what it was like.
4. We don't know where his character is going to end up
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Another bunch of posts I've seen about Nine is that we legitimately don't know where his character is going to end up. He's muddled deep in his mystery and inner turmoil that we can't see the deep end of what he's going to be. A hero? A villain? An Anti-hero?
Just what's going to happen to him?!
He has a plan but what is it?
5. He's the most controversial character
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Nine's intentions and character have been put in many perspectives on what people think he's planning, what he's going to be, why he does certain things, whether he cares for Sonic or not, whether he trusts Sonic or not, and MORE.
He's been theorized and twisted into what people think about him and what he's going to do. In my opinion, if a character does this to a community, you KNOW you're doing something right. Controversial characters are very mysterious and morally ambiguous, you don't truly know why they do the things they do or what they plan, but you have your own ideas on what might happen and other people do too, despite them possibly being different from yours.
Controversy (WHEN NOT LEADING TO VIOLENCE AND DEATH THREATS) is very fun and interesting. Reading people's thoughts even if they differ from your own, with the possibility that they might change your own theories is a very enlightening and interesting thing!
6. He has a completely opposite goal to Sonic
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It's very clear that Sonic and Nine have different goals that clash with each other. Sonic, being the all-loving hero he is, wants to return home and see his true friends again, not to mention help and protect the other shatter spaces. Nine on the other hand wants to make a new home, a world with just him and Sonic and nobody else, not caring for the other shatter spaces or anybody else.
Their goals clash with each other and can't be fulfilled at the same time. Nine's goal includes only him and Sonic and no one else. Sonic's goal includes others, not to mention these two are from two completely different universes.
It's clear these two, no matter how close they are, won't give up their goal for the other, so unless their willing to compromise, it might lead to something bigger.
7. His goal separates him from other variations of himself and others
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While he is just another variation of one of the main characters, his goal of achieving something beyond his own universe along with keeping Sonic differentiated from the other main variations who want something within their own shatter space. Thorn wanted to keep the jungle from being destroyed, and Dread wanted the shard out of greed, the rebels want to put the council out of power and take back their land, the jungle variants wanted to eat and live among the jungle again, and the pirates are just typical pirates.
Unlike the others, whose goals can be achieved in their universes, Nine wants nothing to do with his own. Like Sonic, Nine's goal is related to the shatter space.
8. Nine truly has no one EXCEPT Sonic
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Another thing to differentiate him from the other versions of himself and the main cast is how Nine has nothing to lose. Other versions of him have a group of the main cast, hell even Rusty Rose finds herself valued (not sentimentally but still) and useful to the council. Nine, however, has nobody until this bright blue hedgehog told him about a life he could've had, a life Sonic gave to his other self.
So it's no wonder he took the very person who can give him the same life to a new shatter space. He wants that desperately. It's no wonder he doesn't show an interest in getting Sonic home anymore, if he does that, the chance of having the life he always wanted, that hope, would be gone forever. I don't think Nine's going to let that happen easily.
9. Everyone roots for him and wants him to be happy
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There are zero people that don't want him to achieve his goal of love and happiness. Not just for the fact that he's a version of a character we're already emotionally invested in, but also because Nine is his own person. He's still a person who was horribly abused to the point of being jaded and cold.
Seeing him smile or show comfort really melts my heart cause this kid deserves SO MUCH! I know you all agree. But it is depressing to remember that Sonic NEEDS to go back and restore his world, he'll have to leave Nine behind. I don't think they're going to go with Sonic taking Nine with him because of what might happen with the whole "they can't see each other" stuff.
And with how stubborn and desperate Nine is...
I'm curious about how they figure this out and resolve this.
10. He might affect the plot
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A protagonist is not just the lead character who pushes the plot along, they also affect and can possibly change the plot as well. Sonic already kicked off the plot, it's possible for Nine to affect it in a BIG way. This can lead to a LOT of possibilities when you consider that. We KNOW he has a plan and it has something to do with the Chaos Council capturing him. This fact can lead to a LOT of interpretations.
Well, that was my list of how Nine might be the deuteragonist of Sonic Prime in the future. Thanks for reading and I hope you have a lovely day <3
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waxingrunes · 7 months
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you said in a tiktok somewhere about sirus loving to hold 2 of remus' fingers and it got me curious, do you think sirius would ever experience littlespace and if so how do you think remus would be about it?
Personally, I have never seen Sirius as someone who would experience little space, but I do think that it’s possible he could experience regression to a degree.
It’s no secret Sirius grew up with one of the starkest upbringings that battered his mental health into what it was as a teenager and onwards. Being Sirius, meant he grew up with a heavy load of expectations saddled to his back and a strict image to maintain. Yes, he came into his own within early adulthood and has always been somewhat of a rogue against his family name, but that doesn’t diminish the fine line of teachings he’s had nor the extensive abuse he’s suffered. He is a smart man, a resourceful and practical one who can make good of most situations once given time to think about it. I don’t think he relies on a lot of people to get what he wants, partly because he’s never allowed himself to and because he seldom trusts. I think Sirius’ trust issues could even delve deeper than Remus’ but that’s a conversation for another day.
Considering the above, he is someone who has a lot of trauma and that’s putting it lightly. He has a natural charisma about him but there’s also a lot of masking that goes unnoticed by the many, but not by Remus. When Remus came along and their friendship/relationship began to blossom, I think Remus was the one person that simultaneously dislodged and lodged something into his brain. Remus is someone who he quickly learned he didn’t have to be anything that he didn’t want to be around and with that, came comfort. There is argument for James being a similar totem for this but as Remus is a different kind of love I think it’s more significant.
Remus is someone who, despite coming with his own difficulties, anxieties and flapping from time to time (including a very mild temper issue) is overall a grounding presence. He is calm and doesn’t need to take up space by volume, and has a more quiet confidence to him. In the right lights, a quiet authority too. Sirius has always felt like Remus could deflate him with a look, calm him with a touch and be that fixed north point on his compass towards home. Sirius knows Remus has him in a way he’s never felt with a romantic partner before. He can be his base self and truly unmask around this man which in turn brings unparalleled ease of physical and mental rest.
So, this is why I believe Sirius can and likes to regress every so often. He will slip into a submissive place of being pliant and alleviated of any worries, allowing Remus to physically take charge of what’s happening. I believe he will simply seek that umbrella of comfort and protection he finds in his Moony (he strictly calls Remus by this name, Moony, when he’s in that state) and lean into the warmth, allowing Remus to take charge of him for however long he needs that respite for. I wanted to reflect that on a superficial level with that two finger hold because I think it shows the innocence that comes with Sirius when he’s in this state. He doesn’t want anything else, other than to be cared for by his Moony and Remus will do everything and more by instinct because he knows exactly what he needs. Sirius will have certain telltale signs when he’s having one of these episodes or days, and Remus has learned them carefully so he can adjust his attention and behaviour accordingly. It’s something that would’ve been discussed as his mental capacity would be definitely altered.
Little space is full regression to a considerably lower age which I don’t necessarily think he does, but regression to a mentally smaller, perhaps more vacant version of himself where he isn’t exactly as present as he would be normally, I think is very likely.
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echowithpain · 3 months
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I'd say the only unrealistic expectation I have for season 7 is for the 100th episode to be a musical lol
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Buck starts singing HSM while Eddie slowly gets more annoyed and Buck accidentally pegs him in the face with a basketball while trying to recreate a dance move 🏀
He feels bad and goes to talk to Maddie
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They have a cute sibling duet that gives him the confidence to go back to Eddie and apologize
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Since it's a musical episode Buck tries to end the apology by singing only for Eddie to tell him no (lmao) and if he really wants to make it up to him, he can do it by helping Chris with his homework while he's picking up extra hours
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Eddie asks Bobby what's up with Buck's singing and Bobby says something about people expressing themselves in different ways idk. Bobby starts singing a little tune while putting away dishes or preparing to cook and Eddie just rolls his eyes
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During homework, Buck tells Chris about what happened at the basketball court and how he tried to apologize to Eddie while getting him to sing but "apparently he doesn't like singing". Chris says "no he does, you just need the right song." Chris then teaches Buck a song his teacher taught his class to help them memorize something for a test or something like that
It's late and Buck goes back to the station to talk to Eddie as soon as he gets off work and apologize again, this time no singing cause he hasn't found the right song yet. Eddie puts his hand on Buck's shoulder and gently tells him it's okay, he's already forgiven, didn't hurt, etc.
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Then to prove he's not upsET EDDIE STARTS SINGING TO BUCK AMD THEY HAVE A BUDDIE DUET THATS GONNA BE BEAUTIFUL AND PROBABLY THE FIRST TIME THE GA WILL SEE THESE TWO IN A SOMEWHAT ROMANTIC LIGHT LETS GOOO!!!! Especially with some new viewers from the network move
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Idk how this went from musical episode to first signs of Buddie canon but here we are. I can put my clown makeup on with my eyes closed lmao
Yes I know some of those scenes are probably from different episodes entirely but I don't care. It's fun to speculate again ✨
Also if the 100th episode isn't exactly like what I said word for word then the show is literally unwatchable. 0/10 would not recommend (for legal and mental reasons this is a joke. And so am I 🤡)
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