#and that there was nothing any of them could do to make things better

[adriennebarnes]

A Cinderella Story

Charles Leclerc x Hispanic/Latina! Reader

Summary: Y/N, a McLaren mechanic, dances with the prince of Ferrari, at a Rolex masquerade charity ball. Charles has no clue who he danced with and is trying to find the girl of his dreams.

Warning: bad writing I guess, spelling and grammatical errors, inaccurate events

A/N: like i said before, I’m new to F1 so I don’t really know what kind of events go on so bear with me, please. Also, thank you so much for liking my other Charles Leclerc one shots, you have no idea how much it means to me that you like them. Y/N’s relationship with the Lando and Oscar is very much like brother and sister. Y/N is younger, mainly because I’m 21, hope all of y’all are okay with that.

Y/N was talking to Lando about his car after the Monaco Free Practice 1. (As a mechanic, she has her hair up)

“I am almost finished fixing your car, I think there’s something missing but it could be that I’m overthinking. You think you can test it out before FP2? That’s allowed, right?” Y/N asked, fishing her bracelet out of her pocket and putting it back on.

“Yeah I can drive it, 10 laps should be enough, yeah?” Lando asked, putting on his race suit and helmet.

“You’re the best, Lando!” Y/N exclaimed.

“I know.” Lando teased as he got in the car.

After the 10 laps, Lando got out of the car, took his helmet off, tied the suit around his waist, and walked to Y/N.

“The car is good, you worry too much, there is a reason why Zak hired you as a mechanic. Listen, I’m going out with the guys from Quadrant, want to come? I’ll invite Oscar too.” Lando said.

“Yeah sure I’ll come, when?” Y/N asked.

“I was thinking after the second practice, we can hit the showers, change, and go straight to the club.” Lando said.

“Okay, sounds good, I’ll go ask Oscar if he wants to come.” Y/N said, she was clearing her stuff and was on her way to talk to Oscar when she bumped into someone. “Que torpe soy, I'm so sorry.” Y/N apologized without looking.

“My fault, chéri, you alright?” Charles asked, looking at Y/N for signs of discomfort.

“Nah I'm good, thank you.” Y/N said flustered, unbeknownst to her, Oscar saw the whole thing go down and he was holding in his laughter. “Don’t you dare, Australia.” Y/N warned.

“Your crush on Leclerc is so obvious, America, it hurts to watch.” Oscar said between laughs.

“Ha ha, like you weren't like this around Lily?" Y/N asked.

"Yeah, I was nervous, but I definitely wasn't as bad as you." Oscar said.

"Anyway, Lando invited us to go out after FP2 with the quadrant gang, you coming? Please say yes, Lando is probably going to spend all night talking to Max anyway, I can’t be alone.” Y/N practically begged.

“Yeah sure, I’ll go, you need a few drinks to erase what happened with Leclerc.” Oscar said.

“Awesome! So Zak sent an email saying that he has a surprise for us tomorrow, do you have any idea what that might be?" Y/N asked, showing Oscar the email on her phone, Oscar took her phone to read it better.

"I don't know what it could be about. Anything that needs to be fixed in my car or is it good?" Oscar asked.

"it should be fine, i checked everything with Henry and Bryan (other mechanics), nothings wrong. It’s ready for the second free practice." Y/N said.

“Great. You'll be watching, right?" Oscar asked.

"Of course! Need to make sure my papaya boys get fastest lap." Y/N said.

"And your monegasque too." Oscar teased.

"Don't make me hurt you, Australia." Y/N said.

"You love me too much to do that, America." Oscar said, walking.

"Whatever." Y/N replied.

Two hours later, FP2 started, Y/N was watching everything with the rest of the team, eating chips.

“Is that necessary?” Andrea asked.

“You have no idea how much.” Y/N commented.

FP2 went well, Charles Leclerc got fastest lap. Lando and Oscar took off the helmets and balaclavas, tying their suits around their waists.

“Great free practice, sorry you didn’t get fastest lap though.” Y/N said.

“No your not.” Lando commented.

“Bet you were happy when Leclerc got it.” Oscar said.

“Well I can’t say I wasn’t happy.” Y/N said.

“Alright so let’s start getting ready. Will you drive or am I driving you?” Lando asked.

“I carpooled with Henry, drive me?” Y/N asked.

“Yeah sure. Shit, i can’t, gotta pick up Max.” Lando said.

“I’ll drive you.” Oscar offered.

“Thanks, Australia.” Y/N said. “Now both of you hit the showers, y’all are sweaty.” Y/N said.

After the boys showered, they changed, Y/N changed into something more club appropriate and let her hair down.

Y/N walked to Oscar’s car.

“What took you so long?” Oscar asked.

“Im a girl, guys can wear a shirt and jeans and everyone will freak out, if I wear the same thing, I get told I look crusty.” Y/N said.

“But you just had that outfit with you?” Oscar asked.

“If I learned anything from watching Crazy Rich Asians, you should always have a clubbing outfit and a cocktail outfit with you at all time.” Y/N said, getting into the passenger seat of Oscar’s car. “Lando sent you the address right?”

“Yeah, let’s go.” Oscar said. He started the car, they listened to music and talked until they got to the club. They got in, Y/N said hello to everyone with a kiss on the cheek because that’s how her mom raised her. She sat at their booth and Y/N spotted Charles at the bar.

“Bro, Charles is here.” Y/N said, patting Oscar’s arm.

“And? You gonna do something or observe from afar like you always do?” Oscar asked.

“Well…” Y/N started but she saw a woman approach Charles. “I don’t want to interrupt his scintillating conversation.”

“I Don’t understand, you talk to Lando and I just fine.” Oscar commented.

“I was nervous around you guys too, don’t lie. I just got used to y’all, but I never had a crush this huge before, I’ve never been in a relationship, had a first date, or even a first kiss, I’m very inexperienced, okay?” Y/N admitted (guilty).

“So you’re just going to be pining away for him?” Oscar asked,

“Yep.” Y/N said.

The table ordered drinks, designated drivers get 2 drinks max. The night was fun, Lando got to deejay again, Carlos was also there so he joined their group. Since they had free practice 3 tomorrow, they needed to rest up. Oscar dropped Y/N off at her apartment, she changed, washed her face, put on a silk bonnet to protect her hair, and went to sleep.

The next morning, Y/N had her hair in two French braids and wearing her favorite bracelet. She drove to the the track and walked to the Lando’s garage.

“Are you as tired as I look?” Y/N asked.

“No, I feel fine, really.” Lando said,

“Lucky, i had trouble sleeping.” Y/N said. Lando was going to say something else when Zak came into the garage.

“Alright, I have an announcement to make. As you know, F1 is partners with Rolex, so we are invited to Rolex’s masquerade charity ball. It will be on Sunday after the Grand Prix. It starts at 8, it gives you plenty of time to get ready after the race and podium interviews.” Zak said. Everyone was excited.

“Would you give me money to buy a dress? And shoes?” Y/N whispered to Lando.

“I’ll tell you what, I’ll go shopping with you.” Lando whispered back.

“This is why I love you.” Y/N teased. Zak walked towards Y/N and Lando went to talk to Oscar.

"Y/N, I need you in the McLaren Technology Centre on Monday." Zak said.

"Really? For what?" Y/N asked.

“For mechanical stuff. We’re planning on creating a new McLaren, you like the creative process, and I still need Henry and Bryan here if we have anything major to fix after the Grand Prix. I already got your ticket, first class too. Don’t miss your flight.” Zak said.

“Of course, I won’t.” Y/N said. Zak gave Y/N her ticket and she started checking the information. Her flight leaves at 3am. “Wait, isn’t this flight a little soon?”

“I know, but I need as many people working on the new McLaren as possible. You’ll only be there for 4 days, then you can relax in Monaco before we go to Canada.” Zak said and he walked away. Lands came back with Oscar and saw Y/N’s worried face.

“Whats wrong, America?” Oscar asked.

“If i go to the Rolex ball thing, I would have to leave before midnight so I have time to change and go to airport in Nice. Oh shit, I have to pack my luggage.” Y/N said.

“Can’t you just skip the ball?” Landon asked.

“Dude, when am I ever going to get invited to theses kind of events? I’m going and you’re taking me shopping.” Y/N said, pointing at Lando.

“Fine, but we’re getting food after. You think we can do it after qualifying?” Lando asked.

“I guess, but you’re calling the store, they know you.” Y/N said. “How do y’all feel about this race?” Y/N asked the boys.

“Max is definitely winning, but hopefully we’ll get on the podium.” Oscar said.

“I believe in you guys, really.” Y/N said before hugging them.

“But you also want Leclerc on the podium.” Oscar said.

“I’m just a girl, leave me alone.” Y/N said,

FP3 and Quali went by fast, no accidents. Max got pole, Charles P2, Oscar P3. During the break between FP3 and Quali, Y/N tried fixing up her Jeep Wrangler Sahara, with Zak’s okay so, of course. Lando texted Y/N the address to the shop and she drove there, parking right next to Lando.

“Alright, love, let’s get you that dress.” Lands said, guiding Y/N into the store with his hand on her lower back. “Hello, we’re looking for an evening dress for her.” Lando told the sales associate.

“Of course, all these dresses right here should be in your size, we have a selection of heels that would go well with these dresses as well.” The sales associate, Ana, said.

“Do you have any dresses in pastel blue?” Y/N asked. Ana started looking through the rack and pulled out a dress that she thought Y/N might like.

“Here you go. Because this dress has a slit, I recommend some tall high heels to elongate your legs. I prefer the platform ones like these.” Ana said, showing Y/N the heels. “Here is a dressing room, I’ll be right outside if you need help zipping it up, okay?” Ana said, handing Y/N the dress and heels.

“Thank you so much.” Y/N said, stepping into the dressing room and getting changed. She got the dress on and sat in the chair to put on the heels. After she strapped on the heels, she tries zipping up the dress, but can’t make it to the top. “Ana, I need help.” Y/N said. Ana pulled the curtain and helped Y/N zip the dress.

“You look beautiful.” Ana said. Y/N walked out of the dressing room, and she looked at Lando, who was on his phone, he looked up and his jaw dropped.

“Wow Y/N, you look great. You’ll be the most beautiful girl there.” Lando said, getting up to get a closer look. He made the motion to have Y/N twirl and she did.

“Not bad for a mechanic, right?” Y/N joked.

“Not bad at all. We’ll take it.” Lando said.

“I’ll change and we’ll be on our way.” Y/N said. Lando unzipped the dress, stopping right above her waist and Y/N unzipped the rest already in the dressing room. She changed, putting the dress on the hanger and the heels in its box, she got out and gave the things to Lando so he could pay.

After paying Lando handed Y/N her things and they walked outside to their cars.

“Thanks again for buy it.” Y/N said.

“Yeah of course. Where do you want to eat though? I’m starving.” Lands said.

“You pick.” Y/N said.

“If you say so.” Lando said. “Just follow me.” Lando got into his car, Y/N got in hers, and she followed Lando to Graziella, an Italian restaurant.

They were seated, Lando had beef tagliata with Gorgonzola sauce and French fries, Y/N had penne alla carbonara (I looked up the restaurant menu to be as accurate as possible). When they finished eating, they went to the parking lot to get their cars.

“I’ll see you tomorrow.” Lando said goodbye, they hugged before driving off to their apartments.

When arriving to her apartment, Y/N started playing music as she packed for a four day trip. She hung her dress right in front of her closet. She finished packing, had a late night snack, and went to bed.

Tonight’s the night, after the Grand Prix with Max P1, Charles P2, and Lando P3, Y/N was getting ready, putting on her dress, her shoes, styling her hair down, and putting on her bracelet. Everything looked good, her luggage was already in her car. She drove to the venue where the ball was taking place, gave her name to the people in charge, and Y/N was given a masquerade mask.

(Choose whichever dress you like better)

Y/N walked in and all eyes were on her. She began fiddling with her bracelet until two guys approached her.

“America, you look great.” Oscar said.

“Thanks, Australia, Lando showed you the picture he took yesterday huh?” Y/N asked.

“He did.” Oscar said.

“I had to show you off. I don’t see you with your hair down that often, you know.” Lando said.

“I’m a mechanic, can’t have my hair in my face.” Y/N commented. “I’m gonna get a drink, okay, I’ll be right back,” Y/N said, she walked to the drink table to get herself some champagne and another guy walked up to her.

“You made quite the entrance, you know. You Commanded the attention of everyone in the room.” The guy spoke, his voice seemed familiar to Y/N but almost everyone in Monaco has a similar voice.

“Why thank you, kind sir.” Y/N feigned an English accent as she curtsied.

“Do you go to these events often?” The guy asked, also sipping champagne,

“Not really, it’s technically a work thing, but this is my first time going to a charity ball.” Y/N replied to the mask stranger. His eyes a beautiful shade of blue-green, his eyes feel so familiar to her, why the hell can’t she figure out who this guy is.

“I’m here for work as well.” The guy replied. They kept talking until a slow song started playing. “Care to dance, chéri?” The guy extended his hand to Y/N

“I’d love to.” Y/N said, taking his hand to dance.

“Baby blue is actually one of my favorite colors.” The guys admitted.

“It’s mine too. I love all shades of blue, but pastel blue is just beautiful.” Y/N said. “So since you’re here for work, what do you do? I’m a mechanic.”

“You’re definitely the prettiest mechanic I ever saw. I’m a driver.” The guys replied. What’s going on in Y/N’s mind is that he’s a driver and has a French accent, it could be Pierre, but he’s with Kika. She’s hoping it’s Charles but she doesn’t want to get disappointed either.

“Thank you, that’s cool that you’re a driver.” Y/N said.

They talked and danced some more, it was all going well until the clock chimed, saying it was 11:55pm.

“Listen, Frenchy, it’s been fun, but I gotta go,” Y/N said, pulling away from him.

“I’m not French, I’m monegasque.” The guy said, the confirmed Y/N’s suspicions. He took off the mask.

“Charles.” Y/N said.

“Yes, I’m Charles Leclerc, what’s your name?” Charles asked, Y/N heard the clock chime again.

“I’m sorry, I really have to go.” Y/N said, she exits the hall and puts the mask on the table before running out the the parking lot to get into her car to drive to her apartment. Charles chased after her but she saw her car leaving. He looked on the ground and he saw the bracelet that she was wearing on the floor.

“I will find out who you are.” Charles said, placing the bracelet in his suit pocket.

Y/N made it to her apartment, parked her car, went upstairs, got changed, and went downstairs to her car but it won’t start.

“Hijo de la chingada, this can’t be happening to me.” Y/N said. She got her luggage out of her car and order an Uber to nice airport,

The car arrived and dropped her off at the airport, she was on time for her flight, everything was good, but Y/N noticed her bracelet was missing.

“Ah, for fucks sake.” Y/N exclaimed as she waited in the terminal for them to call her flight.

Meanwhile Charles got into his Ferrari and drove back to his apartment. When he was home with his dog Leo, he was looking at Instagram to see if anyone posting from the event was the girl he danced with.

"What do you think, Leo? Am i going crazy?" Charles asked the blonde dachshund on his lap. He gets no answer. "Okay, maybe a little, but I had a wonderful time with her."

Charles decided to do the reasonable thing and posted a photo of the charm bracelet he found with the caption "Does this belong to you? Found on the floor of (venue) on May 26th. Contact me if this bracelet is yours." Charles turned off his phone and decided to go to sleep.

The next day, Y/N got off the plane, she turned off the airplane mode on her phone, and that's when she started recieving calls from Lando, she answered.

"Dude, what is wrong with you? I just got off the plane, who died?" Y/N asked, confused why she had so many texts and missed calls from Lando and Oscar.

"Charles posted a photo of your charm bracelet last night. You fucking danced with Charles and you didn't tell me or Oscar? We're happy for you." Lando said. "You should tell him its yours."

"No way, I know i told him i was a mechanic last night, but he is definitely expecting someone as beautiful as Kika, he would totally be disappointed if he finds out it was me." Y/N said, getting an Uber to drive her to the hotel Zak also booked for her.

"You are beautiful, Y/N, honestly, if we weren't friends, i would have flirted with you everyday until you gave me a chance." Lando said.

"Thank you but i can't help but feel how i feel. I gott go, I'm heading to my hotel then i'll go to McLaren, talk to you later." Y/N said.

The four days Y/N was in Woking, Charles was answering DMs of women claiming it was their bracelet. He would follow up with the questions "What do you do for work?" and "What color was your dress?" No one has answered those two questions correctly. Charles was starting to think it was a lost cause and he would never find her. He decided to go out with Pierre and Kika and he brought Leo with him.

"Still haven't found her, Charlie?" Pierre asked.

"No! It has been four days, everyone in my DMs who is claiming the bracelet is not her." Charles said.

"Charles, do you even know this girl's name?" Kika asked.

"I don't, i just have her bracelet and there is no indication of a name or anything that could be useful." Charles said.

"I'm sorry, Charles." Kika said, rubbing his arm.

"I felt we had a connection, even if she did call me frenchy." Charles said.

"Well there isn't a way to shorten 'monegasque' you know." Pierre said.

"Yes, I am aware." Charles said.

It was now the Canadian Grand Prix, Y/N flew with Lando and Oscar obviously. When they landed, they went to their hotel rooms, to leave their stuff and went to the hotel restaurant to order some food. Y/N had her hair down becasue she was not risking a ponytail headache. She was sitting with Oscar while Lando was talking to Carlos. Charles came downstairs and he spotted Y/N with her hair down. It looked remarkably similar to the girl he danced with. She saw Lando with Carlos so he sat right next to Lando.

"Hey Lando, quick question, did Y/N attend the Rolex thing?" Charles asked.

"She did, yeah, why?" Lando asked the monegasque.

"Does this happen to be her bracelet?" Charles asked, pulling out the bracelet from his pants pocket.

"Okay, why are you carrying that around?" Lando asked curiously.

"Just answer the question, Lando." Charles said.

"yes, yes, thats her bracelet." Lando admitted.

It all made sense, Charles started thinking about the first time he met Y/N and she called him 'Frenchy'.

It was Y/N's first day in the paddock and she walked into Charles's garage by accident. She was looking around and she bumped into him, Charles exclaimed something in French.

"Oh my god, I am so sorry, frenchy, I'm just a little lost." Y/N said.

"First, I am not French, i am monegasque." Charles said.

"Oh my god, you're Charles Leclerc! Sorry, I'm Y/N, I'm looking for the McLaren garage." Y/N said, holding her hand out for Charles to shake, which he did.

"Its on the other side actually. So why are you here?" Charles asked.

"Oh, I am McLaren's new mechanic." Y/N said.

"Nice to meet you, I'll walk you to McLaren." Charles said.

Charles had a tiny crush on her since that day but Y/N hardly spoke to him so he thought she didn't like him. He wlaked over to the table where Y/N was with Oscar.

"Y/N, can i talk to you for a second?" Charles asked. Y/N looked at Oscar.

"I'm gonna sit with Logan." Oscar said, getting up. Charles took his seat.

"I think this is yours." Charles said, showing Y/n the bracelet.

"Are you disappointed to find out that i was the girl you danced with?" Y/N asked, too shy to look at him. Charles lift her chin with his finger so she could look in his eyes.

"Why would i be disappointed? I don't know if you noticed, amour, but I've like you since you came into my garage by accident." Charles admitted. "Were you disappointed to find out you danced with me? Is that why you rushed out so quickly?"

"No, of course not! I had to go to Woking for some McLaren business and my flight was at 3am so I had to leave to change and have time to go to the airport in Nice. I was so shocked that it was you though, like i was dancing with my celebrity crush the whole night." Y/N said.

"Good to hear I'm your celebrity crush. Let's get this bracelet on." Charles said, opening the bracelet, Y/N held out her wrist, and Charles successfully secured the bracelet on her wrist. "That's better."

"It is. Thank you for finding it, I would have died if i lost it." Y/N said.

"It's no problem. So i was wondering if you would like to go on a date with me, we could go after FP2." Charles suggests.

"I would like that a lot." Y/N said.

"Perfect. Is it alright if i kissed you? I've been imagining this moment for months." Charles said.

"Go ahead." Y/N said. Charles moved her hair behind he ear and kissed her softly. They pulled away. "That was way better than my dreams."

"You dream about kissing me, mon ange?" Charles teasingly asked.

"You imagined kissing me too." Y/N said.

"True, I'm glad i don't have to imagine it anymore though." Charles said, wrapping his arm around Y/N's shoulders as they looked over the menu.

The End

Hope y’all liked it! Was it too long? I thought it was okay

#hispanic reader #latina #hispanic #charles leclerc fluff #charles leclerc imagine #charles leclerc fanfic #charles leclerc x you #charles leclerc #charles leclerc x reader #formula one #f1 x reader #f1 imagine #formula 1 #f1 fanfic

[a-small-writer-in-a-big-world]

Regrets: cbf!soap x f!reader

2023

Soap was torn between whether he should throw away the picture or keep it. He should throw it away, it had cockblocked him but the longer he stared, the more he just couldn't make himself do it.

It was a picture of you and him together. He hadn't seen it for years and he was honestly caught off guard when he caught a glimpse of it underneath all the junk he had shoved into his desk...which included the condoms he was about to use.

Now you were on his mind at the worst time possible.

"Everything okay?" The woman he snuck on base, Cady, wondered expectantly from his bed.

Fuck.

His stomach dropped and he almost felt nauseous. This felt like a stupid idea despite the fact that he did this often whenever he knew he wasn't going to be deployed soon.

"Yeah, 'course, just want to keep ya waiting." He teased, trying his best to put on a show.

"Not for too long."

He sighed and took one last glance at the photo before he shoved it back into the drawer. He grabbed a condom and quickly tried to force himself back into the headspace he had when sneaking Cady in.

The sex went by in a blur, though she seemed pretty satisfied as she gave him a kiss before he snuck her back out of the base. He almost couldn't remember any details as he stood outside in the cold night with a cigarette in between his fingers.

Seven years.

That's how long it had been seen he'd seen or spoken to you.

Of course, seven years wasn't how long it had been seen he last thought about you. Tonight was the first time in about a week, your entire being popping up in his mind often with little and big things he encounters through his day to day. It was only natural considering he spent two decades of his life with you.

He huff and smoke curled out of his mouth. He ran a hand through his mohawk, tugging at the short strands of hair as he stared off into nothing.

An emptiness had settled inside him since he saw the photo. It was the same emptiness that consumed him when he thought about you late at night, the same regret that he ran from so often.

What were you doing? Did you have a good job that paid you well, that hopefully didn't treat you like shit? Where were you living? Who were you living with? He could remember seeing something about a boyfriend on one of your socials.

Soap grabbed his phone and went to his socials before he stopped himself.

There was no sense in torturing himself over this again. Not when he had to focus on his job, not when this was his fault.

He stomped out his cigarette and went back to his room, getting ready for tomorrow as he quickly the changed the sheets and took a shower. However for the rest of the night his mind raced with thoughts about you, unable to fall asleep as he tossed and turned while fighting against looking at his phone.

The next morning wasn't any better.

The urge to check his phone, to look at you again and to know more about what was going on latched onto him. He tried his best to ignore it and did well enough, though he did find himself slipping his hand into his pocket a few times before stopping himself.

Usually he was good at keeping his thoughts away and not indulging in them but when it came to you? All of that flew out the window.

Soap was in the gym when he came to a realization that made his heart dropped.

You got engaged last year.

He remembers you posting about it and he remembers how much it hurt to read it.

He quickly threw down his weights the best he could and pulled out his phone, almost frantically going to your socials to see if you had gotten married yet, even going so far as to check out your mother's socials too.

However, your latest post was from before you got engaged, nearly two years ago now and there was nothing about any engagement on your mother's either. All evidence of it had disappeared.

He didn't know what to think. It could mean anything and he wasn't going to jump to conclusions about whether that meant if it had gotten broken off or not because he secretly wanted that. Regardless there wasn't much relief, especially as he began to look through your photos again.

You looked happy in them and fucking beautiful. It didn't matter what setting, what occasion, every picture you posted of yourself was pretty than the last.

It made his heart heavy.

He was missing every milestone. He had no clue what was going on in your life because he stopped talking to you. He made the two of you become strangers, and while he loved his job and found happy moments, you seemed to be doing a lot better than he was.

Good.

If he was still in your life he knew how miserable you'd be. He could only think of how angry you'd be at him, how you'd probably stress yourself into health problems because of him. You probably resented him but he was okay with that.

You were a lot happier now and that's all he could selfishly ask for.

Soap scrolled through your photos, staring at you because this was the closest he'd get to ever seeing you again. He couldn't help but wonder why you stopped posting.

"Already with a new girl? The last one had you that pent up, huh?" Gaz teased and he felt his cheeks go red before he gave him a quick glare.

"Fuck off." He huffed and Gaz chuckled as he leaned over to get a better look.

"Well who is she then?"

Soap wiped some of the sweat off his forehead as he glanced between Gaz and you on his phone. He almost wanted to put his phone away and genuinely tell Gaz to going away but he didn't. Instead he just shrugged.

"We grew up together." He explained and couldn't help but smile. "Practically glued to each other."

"Something happen?" Gaz wondered and his smile fell.

"We grew apart. Lifestyles couldn't mix."

"That's rough."

Soap hummed and put his phone away. He knew it was a bad idea looking at your photos and now he just couldn't help but feel the regret in his stomach. No matter how much he tried to tell himself it was for the best, he just couldn't believe it.

"If you miss her that bad you should try to reach out." Gaz said but Soap shook his head.

"Nah, she probably deleted my number. Doubt she'd want to talk to me anyway." He tried not to let it show how that hurt him as he picked up the weights again.

You did it to yourself. It was what he told himself whenever he began to feel this way about you. He made the decision, he couldn't go back on it.

Even when he was laying in bed later that night staring up at his phone, his fingers hovering above the keyboard. The last time he texted you was seven years ago, the last time he texted you was something completely random.

What would he even say? There was nothing he could say that would make up for the last seven years of no contact. There was no amount of friendliness that could make up for what he did.

If he said something he couldn't help but imagine how angry you'd be.

Shame washed over him and he set his phone down as he stared at the ceiling. It was better this way. It had to be.

~

Gunfire filled the air and Soap's heart raced. He kept his attention on the bomb he was disarming while the other's kept the heat off him. Despite the adrenaline running through him, his fingers were steady and his mind was focused on the bomb.

He was quick in cutting the wires and inputting the right codes to disarm it before it went off, killing more than just his team.

Just as the timer stopped ticking, he felt a bullet graze the top of his shoulder and he ducked for cover. He quickly grabbed his gun and shot at his assailants, ignoring the burning pain in his shoulder.

His eyes caught onto their main target, Makarov.

In that moment he watched the terrorist grab his hand gun and shoot a bullet point blank into Price's abdomen. His blood went cold and he ran towards him without a second thought, firing his weapon into Makarov's back.

Yet when he got close, Makarov punched him in the face and grabbed his arm. He was pulled back, a sickening pop resonating from his shoulder and he felt the warm metal of the barrel of a gun pressed to his temple.

He moved and the gun went off.

Tags are closed!

A/n: don't worry guys Mak did not survive don't worry your pretty heads about anything else :) (Soap’s not dead it's okay I just like a little bit of drama)

Tags: @elysian0612 @cassiecasluciluce @pepsicolacoochie @hayleybarnesx @tiredmetalenthusiast @misshoneypaper @sodavrr @ghostslittlegf @glitterypirateduck @comeonatmebruh @mandalover2023 @blush-haze @xxshadowbabexx @cod-z @sadsackssss @fandomsfanficsfantasize @raeyas-ghost

#cbf!soap #john soap mactavish x reader #john soap mactavish x you #soap x reader #soap x you #johnny soap mactavish #johnny soap mctavish x reader #johnny soap mactavish x you #john soap mactavish #modern warfare #cod #call of duty

[bitchinbarzal]

Red, White & Blue | M Barzal

part three of blue, white & orange

-

Mat was miserable and it showed. It fed over into practices and his on ice performance.

The islanders bailed out in the second round, no thanks to Mat’s horrible playing.

He spent the off season at home, not his usual extravagant plans with you by his side. He only flew back to BC for a few weeks before he got home and back to work. He needed to get his mind off you.

You’d blocked him and seemingly moved as he dropped by your apartment only to meet a nice Swedish man named Jakob living there now.

Your jacket and jersey still hung over his dining room chair where he dropped them that night he got home. The jersey was still dirty from the floor and the jacket still smelled of her perfume.

When the season rolled back around in August Mat was all eyes forward. He still hadn’t heard from you and he was slowly but surely getting better.

The season opener was in Madison Square Garden, facing off against the rangers. He wasn’t worried, he just wanted the game to be done with. This team brought him nothing but horrible memories and feelings.

The game started strong, the islanders were on a positive beginning. They were leading by three going into the third. Mat was confident.

That was until he saw you on the jumbotron.

His breath caught in his throat when he saw your face, the smile he missed and loved so much. You were sat there wearing the thing that started all of this, that stupid jersey. The red, white and blue made Mat feel sick.

That threw him off. They lost. He just wanted to go home.

While heading back to the bus he heard someone shouting his name, turning to see Alexis calling for him.

He scowled “What do you want?”

Alexis rolled his eyes “Don’t forget she was my fiancé first… anyway, here” he thrusts a post it note into Mat’s hand

“What’s this?”

“That’s her new address” he explains and notices Mat’s confused expression “She still loves you Mat and all I ever wanted was for her to be happy if it was with me or you”

Mat took the post it with a shaky hand a soft smile “Thanks man…”

He gripped it tightly on the way back to UBS. Staring at it, as if trying to memorise it.

When he got back to his car it was the first thing he did, punch that address into his GPS.

When he arrived he sat in his car staring at the window of the apartment he had figured out was yours. It took him an hour before he finally had the nerve to go into the building and knock on your door.

He heard you call out “coming!” Before opening the door. You looked shocked to see him, suddenly aware of what you were wearing.

The blue burned Mat’s eyes. He wishes he could rip It off but he knew better.

“Mat-“

“I love you. I love you in this jersey, in my jersey - I mostly prefer you without anything to be honest!” He rambled, his hands flapping around

“You gave her my jacket” you mumble, curling back into yourself.

He shakes his head, scrunching his eyes closed “I- I didn’t give her it! Please just- she took it! She was cold and I turned my back for like a second. I had the jacket because I was coming to find you, to make up for what was happening between us”

You bit your lip “How do I know that?”

He shrugs “I can’t make you trust me but you know how much I love you, that’s never been in question. We fought, we were each jealous because we love each other so much so please don’t stay away from me any longer I can’t take it”

Your bottom lip quivered “How do you know we’re not bad for each other Mat?”

“Even if we are… I’m willing to take the risk”

You let out a shaky breath “Come here”

He immediately steps into the apartment and kisses you, both of you stumbling back a few steps. You feel him lifting up your jersey to reveal nothing underneath

“Mat!”

“I lied, I don’t love you in this jersey please get it off”

#mat barzal x reader #mat barzal imagine #nhl imagine

[wittlesissyb4by]

"Okay, so remember, once we have them in their diaper, it's really important that we praise them. They're going to be very averse to their new lifestyle at first, but they have to get used to it.

So we want them to associate their diaper with good things, at least in the beginning. Tell them they're a good boy, that they look super cute in their wittle diapurrs. Pinch their cheeks, boop their nose, and talk to them in your little singsong voice. Guys aren’t used to getting compliments and affection as much, so if they receive that sort of praise and physical touch while they’re in a diaper, they’ll warm up to the idea a lot faster than you think.

Now, once we’ve got them pampered and praised, I like to put a pacifier in their mouth. I find it really helps them regress a few years, makes them more docile, and it keeps them quiet other than their adorable little whimpers. It’s hard for them to do much arguing or fussing when they’re suckling a binky!

After they’ve been praised and regressed a bit, it’s time to *really* get them enjoying their diapers. That means: we’re going to make them cum.

I know, I know, this whole thing is supposed to be a ‘punishment’, but trust me, the ends will justify the means. If it makes you feel any better, the only time they will get to cum from now on will be when they’re in a diaper. That means no sex, and constant supervision to prevent masturbation. You control their orgasms, just like you control where they go potty.

So when we make them cum in their diaper, we never want to reach into the actual diaper. That kind of defeats the purpose. We want them to feel the padding, hear the crinkles, all while changing the way they traditionally garner sexual stimulation.

So what I like to do is place my palm right here on the outside of the diaper, right between their legs, and feel around for their winky. Those of you that have hubbies with little nubbies may have a harder time finding it, but honestly, even if you’re not directly on it, that’s okay. You’ll find they’ll aim their hips the right way for you.

Once you’re on it, you’re just going to do a simple kneading motion back and forth just like this. Long, slow movements at first. Don’t start too fast. You want them to really take in the feelings and sensations. You’ll even see them get a little desperate for more, and it’s up to you if you want to speed up and go a bit harder, keep that same pace, or just take your hand away and watch them wiggle and whimper.

But the most important thing is that this entire stimulation process is never silent. In addition to the crinkling, you want to continue praising them. Really dial up the baybee talk here. You should be reminding them what a good little boi (or gurl!) they are. Remind them what they’re wearing. Obviously they know they are in a diaper, but you need to vocalize it.

‘Wook how cute the wittle baybee is in his diapee!’

‘Hubby wooks so adorwable in his Huggies!”

Things like that.

If they have an erection—which I’m sure they will from all the rubbing—point that out to them: ‘oh my goodness! I didn’t think these pampers could make your pee pee so pointy!’ or ‘somewon sure is getting hard in their Huggies!!’

If they have messes, praise them for that as well. Nothing like getting complimented for pissing or pooping in a pamper. Again, we’re just trying to emphasize the state at which they’re in.

Another way to do that is to have them tell you. Make them vocalize these things:

“Tell me what you’re wearing little boi!”

“Why is it so plump? Did you do something in there? Tell me what you did.”

“Is that something a big boi would do??”

Make them use their little baybee voice, make them lisp, make them make it high-pitched, and make them do all of it with that pacifier still in their mouth!

If they do it properly, reward them with rubbies, if they’re stubborn or not performing up to your standards, pull your hand away. You’ll have them babbling like a baybee in no time!

I know some Mommies that will only do the rubbies while their hubby is jiggling a rattle. If the rattling stops, so do they. Feel free to be creative, as long as they’re being patronized while they’re pampered, you’re doing the right thing!

Alright, so after a few minutes—or maybe even a few seconds—they’re going to be ready to cum. Make sure you emphasize that they have to tell you when they’re close, and they have to do it in baybee talk. I like to have them tell me they have to make a ‘goo goo’. But you can use whatever term you want.

At this point we’re gonna do what’s called a ‘ruined’ orgasm. For those that don’t know, that’s where you get them right up to the edge when they’re babbling and rattling and goo goo ga ga’ing, wait until you see them first start to spasm—then lift your hand away. If you do it right, they’ll be past the point of no return, and all their little stickies will leak out, but they’ll only have a fraction of a pleasurable orgasm.

This is important, because it puts them in this sort of limbo. Where they’re a little satisfied but also still a bit horny and desperate. Don’t be surprised if they whine and cry about it either—you know how men can be. But that’s when you tell them one of your most important lines:

‘Maybe next time!’

That will leave them literally cumming back for more. They’ll be desperate for their next diaper, their next rubbie, or the next stage of their training.

But another important step here is to make them sit in their shame. Keep them in their sticky diaper for a bit, at least an hour or two. Let them feel the warmth of their little load that they made—all while they were in a diaper. And the only way they get to make a load like that again is…in a diaper. We really want to drive this point home. They are not going to cum without the constant sound of crinkling coming with it. They don’t get the love, touch, and affection while they’re in silly boxers and big boy clothes. The only way they get pleasure is when they’re in their pampers.

Wives never believe me, but i promise you, eventually, they’ll actually beg you to put them in a diaper, just so you can make them cum again.

But what we’re not going to tell them is that we’re eventually going to wean them off. They’re not going to get to cum every time they put on a diaper. For the first dozen times or so, yes, they get an orgasm (even a full one) every single time. But then it becomes “well only if your diaper is wet”, which makes them feel good about wetting, cause then they get a rubbie reward. But then they’ll grow used to that as well, so we have to constantly find ways to push their limits.

Wait until you see their face when they push their first poop into their pamper. They’re sooo embarrassed, but they’re willing to do it, all because you said you would give them a goo goo if they make a poo poo. But of course, what you don’t tell them, is that they’re gonna have to cum while they’re still inside their messy diaper. Don’t worry girls, if you get too disgusted, just make them turn over and turn their rubbies into humpies!!

Ohh I just love helping wives turn their useless/ungrateful husbands into helpless and desperate diaper dumpers! I know some that have their husbands wearing huggies 24/7, and sometimes even in dresses too! Even the most homophobic, chauvinistic pig can be turned into a pamper packer, all it takes is a little TLC.

Men are so easy, you can literally control their whole life, as long as you control when and where their balls get emptied. Which reminds me: next week, our workshop is going to talk about a little thing called a ‘chastity device’!!

~~~~~~~~~~~~~~~~~~~~~~~

I wrote a caption very similar to this a while back on one of my old blogs, but it was lost in the purge. I tried to recreate it as best I could, but I may have missed the mark. If you like my captions, please consider supporting me so I can keep making more. Go to allmylinks.com to follow me on other sites!

[txtmetonight]

I know I love you ✆

call summary ⋆ ★ when a moment of realization flashes–and they know that they love you to the fullest of their heart

pairing *. * Ot5 TXT x Fem! Reader

genre⋆ ★ Fluff, slight angst in hyuka's

warnings *. Insecurities in hyuka's, bad grammar (semi-checked)

call duration⋆ ★ 2.6k

a/n*. * This was so fun to write lololol. also idk if anyone has actually noticed, but i'm slowly changing my format hehehe

taglist ⋆ ★ @kflixnet

Yeonjun’s eyes seem to blur, but he supposes that's because the practice room he currently resides in is starting to get to him, like he's hearing voices. The mirror in front of him is dusty, and it's quite a sad sight when he looks at himself—hair disheveled and messy, with his cheeks bitten red like a tomato. It's past midnight, and he knows he should be home, but he can’t find the heart to get up and leave.

The dance isn’t perfect, not to his liking, and it kills him inside as his feet get sloppy and arms start to flail in a nonsensical manner. His legs ache with strenuous pain, but he gets up one more time. Just once more, he promises himself.

Yeonjun knows very well that his words mean nothing but a lie. It’s a never-ending loop that he can’t free himself from. He forces himself up, and his fingers flinch to turn on the speaker. He's hovering over the button, but he can’t seem to move it away.

The clock reads 12:34 when he gets a shrill ring—it scares him half to death. Yeonjun stalks over to his phone and picks it up with a slight interest. It’s you, he realizes, and he doesn’t waste a moment's second to pick up the call.

“Choi Yeonjun, where are you?!”

He chuckles into the receiver. You're amusing, and his eyes crinkle. “Still at practice…” Yeonjun could almost see your grimace on the other side.

You sigh, “Are…are any of the boys with you? Or are you overworking yourself again?”

Choi Yeonjun looks at the empty practice room. He wonders if he should just fib, but for some reason, you've always been good at spotting his lies. You call it your girlfriend instincts; Yeonjun thinks it's pure bullshit. “

The latter,” he finally responds.

You go silent on the call at his words, and he pulls back his phone to make sure the line hasn't cut. It didn’t, so he just stares at your contact photo with a smile. You’re very pretty. But your next blabber is definitely not.

“Choi fucking Yeonjun! You better get your ass back home before I leave you to the streets! Do you hear me?! I am not letting you pass out again! By the time it turns one, you better be here, or I’m stuffing you into our next meal.”

This time you actually cut the call. Yeonjun knows the meaning of your threats and isn’t one to test them, so he hurriedly packs his duffel bag before he locks the door. And as he does, he knows that he’s so unequivocally in love with you—it hurts in a good way.

Choi Yeonjun realizes two things that night. First, you’re entirely scary in your way. And second, he wants to spend the rest of his lifetime and many more lives beyond that with you.

"You’re nowhere in sight. It’s quite unusual – really. Normally, you'd be situated on the couch, scrolling through your phone or reading a book, but for some reason, you aren’t there. Soobin carefully shuts the door and quickly comes to the conclusion of your disappearance; you’ve gone to sleep.

Honestly, he doesn’t blame you. He came home a little late from vocal practice and was tired himself. All he longs to do is cuddle up to your side, preferably forever. Yet he knew from his upcoming schedules that it was going to be a while before he gets his proper break with you.

Still, he smiles at the thought of it. He lets his feet round the corner to the kitchen where he grabs a quick drink of water before making his way to your shared bedroom. Soobin’s arms feel heavy, and his throat is scratchy from all the singing exercises earlier today. All he craves are the warm blankets, but he’s abruptly stopped in his daydreaming about sleep as his hand grasps the doorknob.

“The audacity of this girl!”

You’re not sleeping as he thought you were. And you’re cursing someone out – how interesting. Slowly as ever, Soobin opens the door to find you on your stomach with a computer right in your face, aggressively typing something on the keyboard. Your eyes are so focused on the screen that you don’t notice your boyfriend enter the room!

Taking advantage of your obliviousness, Soobin carefully toes his way to where you lie, just peeking over to see what got you in a twist.

Surprisingly enough, you’re writing a document-sized paragraph on Twitter. It’s filled with cruel words and language that he’s sure don’t comply with the app’s guidelines. He’s now filled with even more wonder.

“Hey honey… what are you doing?” he asks. You jump in your bed, accidentally smashing a couple of keys. Your eyes widen, and you punch a laughing Soobin. “What the hell! How long have you been there?”

He shrugs and takes off his jacket. “Long enough to question who you were bullying.”

You suddenly grow pink. “No… one?”

“Really?” Both of you know that he doesn’t buy the lie you try to feed him. So, you exhale in defeat and timidly stare at your fingers drumming against the computer pad. “Well, I dunno. Some girl was sending a hate train towards you, and I was just defending… your… name. I guess.” You grow quiet at the end, but it was loud enough for the boy to hear.

The silence in the air is loud, but before you could bury yourself in embarrassment in a heap of pillows nearby, Soobin bends to place a kiss on your cheek. He feels like he’s about to pass out, and as his stomach churns with its rollercoaster of emotions, he can’t help but feel an overwhelming feeling of love for you.

It expands in his heart and into his touch as he kisses you again – this time on your lips. He doesn’t know why, but his breathing starts to stutter when you kiss him once more, grabbing him by the collar of his shirt this time.

He relishes the warm feeling before his fingers slide to where your keyboard was pushed to the side. He presses post, and your giddy grin is all it takes for him to kiss your lips again, his hands cupping your face. Choi Soobin thinks that he’s stuck in a pool of undying love – but he’d rather drown than live if his heart wasn’t for you to kiss."

The house is quiet. Except for the quiet chatter of the TV and the slight hums of your voice, as you thread through Beomgyu’s hair.

It's gentle when your fingers softly scratch his scalp, and he feels himself falling into a state of relaxation, his heart thrumming vividly in his chest. Your legs swing next to him where he sits on the ground, playfully poking at his thighs in a comical tease, and you place loving kisses on his head, so tiny and feather-like that he must strain to feel them.

Yet, it makes him feel full and content, so much so that he's undoubtedly about to burst. Soon enough, a scene on the drama you two have been binging—filled with emotions—suddenly causes you to pause the show with a slight furrow in your brow. He looks at you curiously but knows exactly what you're going to say.

And he couldn’t be happier to indulge.

“Oh, that’s so stupid! Who in—what?!” you complain to him. Beomgyu doesn’t say anything but giggles at you. You’re entirely entertaining and quite endearing. As you rant and rant, Beomgyu notices that the strain in his jaw from earlier in the day—which he quickly attributes to being the loud one in the group, the mood maker—was slowly lessening. He could finally smile properly without such a painful toothache. So, he grins at you. You grin back, and it sends butterflies coursing down his throat.

Beomgyu also realizes that he hasn’t spoken once this evening. Yet he hangs onto every word you say, every little movement, every little quirk, and comes to the realization that you don’t expect him to chatter. You really don’t. And that’s what he supposes he really loves about you; that your words make up for his in the silence of times, and you don’t wait for him to do the same, for you know that he cannot.

Choi Beomgyu is a silent motor who dwells in the words of your love, where he will reside forever on.

Taehyun can’t help but glance at his phone, and it’s becoming increasingly frequent as time passes by. He tries not to let it interfere with his dance practice, but he really couldn’t help it. It’s like a magnet, drawing him in.

His friends notice, but they don’t say anything at first; they merely observe his odd behavior. But soon enough, their silence couldn’t be held anymore. Soobin breaks first.

“Is there something wrong with your phone?” he asks, pointing at the device that sits in a chair, right near where Taehyun has wiggled himself too. The boy in question perks up, his eyes flitting around the room, landing on each member before he turns back to Soobin.

“No,” he responds. Beomgyu scoffs at his obvious lying and points his arm at Taehyun’s phone. “Then why do you—” He then turns two fingers around and prods just in front of his eyes. “Keep looking at your phone!”

No one but Kai notices the tinge of red that flourishes on Taehyun’s ears, but his bashfulness could definitely be detected from the flustered smile that he delivers. “I don’t know what you guys mean.” Sure, he does. He was actually waiting for your daily afternoon text that you have yet to send.

Taehyun’s eyebrows furrow before he picks up his phone and scrolls onto your contact. The others sigh at his expense and leave him alone—most have an inkling about his unwarranted distraction, but Taehyun pays no mind to them. He’s on a very important mission.

Swift fingers dance across his keyboard before he shoots a very quick message. Taehyun’s very concerned by your lack of presence today, and his words are direct enough to show it.

"Hey, are you okay?"

Seconds later, several bubble pop up onto his screen. They seem to have a staring contest with Taehyun.

"Yeah. Open the door of your practice room. Kinda have my hands full :))"

The boy doesn’t hesitate to jog to the other end of the room and swing open the said door, to where, behold, you stand, with a great big smile and five plastic bags in hand. The sudden smell of food wafts through the area; and Taehyun doesn’t realize how hungry he really is.

You can tell too; you’d always had him figured out, however far you were from the love of your life. But he can’t stop staring at you until the boys come through and push him away. He guesses that they’ve smelled it too.

“Surprise! I figured that you guys could all take a break and eat lunch.” You press a chaste kiss to Taehyun’s cheek and push past him to put all of the stuff down. The other four boys rampage over to their own bags, screaming their thanks.

You just chuckle, but it slowly diminishes into a sweet smile when you find Taehyun still by the door. His eyes glow when they meet yours, and you gesture to sit next to you. “I love you,” he mouths. He decides that the way your cheeks puff and get red, or the way your lips curl, is what he wants to see in heaven. Or perhaps he’s already there.

It’s the small things, he supposes. The way you care. Like when you pour Beomgyu a drink and give Taehyun and Yeonjun your own food, insisting that you were going to shove it down their throats if they didn’t take it. Or when you ruffle Hyuka’s hair and adjust Soobin’s collar.

Later that day, Yeonjun carries thoughts. Thoughts that he whispers to Taehyun with a jolly grin after you leave on your merry way. “You better not lose her. I’ll kick you off the group if you do.”

Kang Taehyun has never believed in soulmates until you came along and stole his heart.

It’s another one of those days. Where light usually shone, it was covered in bleak clouds, ones that Kai couldn’t escape from however hard he tried. He’s stuck in forever darkness that seems to consume him whole, eating away at his heart.

The pain is unbearable; it brings forth a few tears from his eyes. They feel like acid against his skin, and he wishes to be free from the pain of his insecurities. His hair flops in front of him, and one could assume that he uses it like a mask, hiding himself away until only a shell remains.

Kai doesn’t like looking in the mirror – he has known that from the moment such dark weather clouded his sight. And so, his reflection is slashed, covered in blood he has never asked for. It’s quite horrible when it's about himself. Then it gets worse when it extends to his bandmates – his platonic soulmates.

And finally, when his wobbly thoughts traverse your way, his stomach aches, and his heart falls apart into puzzle pieces that cannot fit. He greatly wonders how you can even put up with him and his miserable attire. Kai thinks that he’s tired of himself – but why aren’t you? As a solution to his problems, he has holed himself in his room, but you have a different answer to his questions.

You give three swift knocks on the door, each loud and firm, before you unlock the door and enter. Kai doesn’t dare to look you in the eye, but he feels your glowing stare on him. He doesn’t know what to do but weakly rejects your advance.

“Just… just leave me alone,” he says.

You don’t respond. He tries again. “(Y/n), seriously! Please!”

This time, your strides stop. And nothing more. Kai questions if you’ve melted to the ground, but alas, you have not when you sigh and exclaim.

“I would, but our son misses you!” Pause. What? Kai shoots his head up, in a query that shoots confusion down his spine. Yet he feels that tinge of a chuckle in the back of his throat. How do you do that to him so easily? When he stares up at you, your hands are behind your back, and you’re pouting. He decides to ask his question.

“What are you talking about…?”

You grin at him and swing your arms forward to reveal a tiny penguin plushie. “Our son, of course! Don’t tell me you’ve forgotten about him?!” Kai shakes his head. “No, of course not.”

This 'son' of his was actually a prize that was won from an arcade game. You’ve officially adopted him ever since. “Well… he told me that he really misses you.”

You take a step forward and lean down towards him. Your eyes observe his face, and they take in the expanse of his beauty. He wishes to cower away, but you don’t let him as you take your son’s tiny flappy fins and put it on your boyfriend’s face.

“We hate seeing you cry, my pretty boy,” you say as you wipe away his tears with the soft fabric. They soothe his burns. At last, you put the plushie away next to him and lean a little closer, just where his heartbeat resides on his neck. It beats with yours.

“I love you.” You kiss his heart.

Huening Kai thinks that you’ve just mended his puzzle-piece heart into such a beautiful picture of his irrevocable love for you – bigger and more stunning than any masterpiece created on this cruel earth. And you deserve much more.

#txt x reader #k-labels #txt #tomorrow x tomorrow #tomorrow by together imagine #tomorrow by together #tomorrow x together #Yeonjun x reader #Soobin x reader #Beomgyu x reader #Taehyun x reader #huening kai x reader #kpop x reader #kpop ff #kpop fanfic #kpop #huening kai #huening txt #txt taehyun #choi beomgyu #choi yeonjun #choi soobin

[marlynnofmany]

Not Special, Part Two

(Part One is here)

Oscar Tennyson grabbed his purchases and hurried after the rest of his crew. As usual, they were walking quickly on their longer legs and bellowing for him to keep up. The teeth-and-scales Mighty had no patience for human weaknesses. Of which there were many.

But, as Oscar had just learned, there were some strengths as well. And he couldn’t wait to show them.

He scampered onboard before the door shut, wondering if they would actually leave without him if he dawdled too long. Probably not — who would handle their finances and hunting permits? They’d have to hire someone else, because they certainly didn’t want to do it themselves. But he didn’t want to test that.

He had much better things to test. While the stark metal walls vibrated with the engine’s revs, Oscar wove between scaled biceps and tails to his own quarters. He pressed the panel by the door, which was oversized and cracked like all of them on this ship. The Mighty were not fans of fiddly little buttons or keys. Not when they could have panels big enough to punch, which only broke sometimes.

When Oscar stepped through and closed the door behind him, he felt immediately relieved. This was his private space to decorate as he chose, without worrying that someone would take things down or make fun of him. Ship rules were clear about personal quarters. Oscar’s fake orchids and real cactus made the room homey, along with more posters than the walls could hold. They spilled onto the ceiling, lining it with nature scenes from Earth, sports figures he admired, media announcements, and a good number of fluffy kittens. This was the one spot on the ship where he could feel comfortable, and he was making the most of it.

The bag of refueling station supplies crinkled as he set it on his small table to remove the contents. A high-end store might have had Waterwill bags that evaporated after a day, but this place used regular old plastic. Inside were food cubes, bottled water, and the purchase he was most excited about: six cans of very weak caffeine.

He scanned the label. It was just like the other human had said. Tall cans in dramatic colors, but not much of substance inside. At least, not as far as the average human was concerned.

Oscar couldn’t wait until dinner time.

Before then, he had a permit to submit and several other things to check. The ship should be on the way to Argosha, which was notorious for welcoming outsiders in to hunt the Dagger Birds that were giving everyone so much trouble, but he had better get their paperwork in order anyway.

He grabbed his tablet and left his safe haven, heading back into the public parts of the ship where he could face taunts from any direction. Really, these guys were just like his cousins. At least it was familiar.

Fending off tiresome conversation — “How’s the weather down there?” “Why don’t you ask your mother?” —he reached the bridge and found a corner to stand in. The captain and the pilot were arguing about where to land when they reached Argosha.

“The main site will have more people to admire our ship!”

“The new one is closer to the hunting grounds!”

“Dagger Birds are overrunning the place; everywhere is a hunting ground!”

“Do you want to pay the damages for shooting a building instead of a bird? We can take it all out of your pay, if you want!”

“Fine, but if we land on some overgrown hedge and the ship is scratched, you get to pay for that!”

“Fine!”

The pair of them stopped yelling and sat back in their seats as if nothing at all was the matter, because it wasn’t. Polite disagreements were always held at that volume.

In the brief lull while the pilot manipulated the controls with more force than a lesser console could withstand, Oscar spoke up. “I’d like to come too.”

Both dinosaurian heads turned to stare at him in surprise. “Why?” the captain demanded. “One kick from a bird, and you’re useless to us.”

“Thanks,” Oscar said flatly. “I’ll keep out of the way. I want to take photos of your fighting prowess; I should be able to sell them.”

Both of the Mighty preened at that, as he’d known they would. Ego was big here. The captain agreed, and Oscar didn’t let slip any hints of his secret plan. He just finished working on his tablet, then retreated to his quarters to practice Dagger Bird mating calls.

The air on Argosha was breathable but hot, at least this part of it. Oscar was ready with his Tool in his pocket. (He’d gotten out of the habit of calling it a phone, since the Mighty were right in that it did a near-infinite number of things.) (He still smirked quietly at the potential innuendo, but it was a conversation he didn’t really want to have with giant dinosaur aliens, so he kept that to himself.)

“This way,” announced the captain, pointing in what looked like an arbitrary direction into the wilderness. Whooping with the alien equivalent of testosterone, the crew raised their blasters and tromped off the landing pad with Oscar following close behind.

True to his word, he did take some pictures as he went. But he was waiting for his moment.

It didn’t take long to come. The shouting scared off all the wildlife, then the Mighty found a boulder to crouch behind and wait for the creatures to come back. They played a silent counting game to see who was best at guessing when they’d spot something worth killing.

Distant footsteps on leaves made them smack each other in excitement, but nothing appeared between the trees.

Now or never, Oscar thought. Knowing better than to startled his crewmates, he whispered, “Here, let me.” Then he took a deep breath and let loose with his best imitation of a Dagger Bird seeking a mate. “Woarrrrrrk!”

While the Mighty shushed him and wondered what he was doing and started to figure it out, an answering woarrk sounded from nearby.

Then another, then, three.

Oscar wondered if he’d overplayed his hand.

No less than five large and eager Dagger Birds crashed through the undergrowth at once, croaking and flapping, taking offense at each other’s presence. The Mighty all roared and leapt out, firing in every direction.

Oscar dashed for a tree he’d been eyeing, the one with lots of branches, and didn’t stop climbing until he was out of beak-stabbing range. He held tight to the trunk, catching his breath and watching the chaos. Belatedly, he remembered to take out his Tool and snap some photos.

This was actually a good angle. He got a great shot of the captain aiming down the throat of a wide-open beak, then another a split second later when the beak snapped shut inches from his head. Another of the engineer shooting one from beneath. Two of the pilot tackling the largest bird and sinking teeth into the back of its neck where it couldn’t reach to stab.

Other species did their trophy hunting from a distance. The Mighty liked the fight as much as the kill. Their blasters were set on a deliberately low setting, and their teeth were sharp.

Safe up in his tree, Oscar grimaced at how bloody things were getting down below. He yelled another bird call to distract the one about to spear the crewmate who’d been knocked to the ground, and he got a cheerful “Nice save by the little guy!” which was as close to a thank you as he was going to get. The crewmate scrambled up and bit off a chunk while the bird was distracted. A couple of the crew looked like they were bleeding their own blood, but most of it was coming from the Dagger Birds, which were just as stubborn as the stories had said. Not one of them ran off. The last to die fell on top of somebody, which just added laughter from the rest of the crew to the triumphant cheers.

Oscar took a picture of the bird being dragged off his disgraced crewmate. That photo he wouldn’t sell, but would keep as minor blackmail if he ever needed it. Sticking it up on the wall to remind everyone of this moment could be a valuable strategic move.

“We are the MIGHTY!” bellowed the captain, and the whole crew joined in with a deep-voiced cheer. Oscar climbed down to more approval than he’d gotten in the last month.

“Good work by our human here! Who knew you could do that?”

“That’s sure an efficient way to hunt!”

“We should bring you out every time. That was great.”

Oscar took the praise with pride, not bothering with modesty. That was just another word for weakness as far as these guys were concerned.

He managed to dodge when one of them made to slap him on the back with a large bloodstained hand, which just made them laugh more. Luckily the captain directed everybody to gather their kills for dragging back to the ship, rather than chasing the human and messing up his clothes.

Oscar took a position on the lowest branch of his tree, taking a couple more photos as the victorious hunters figured out how to get it all home. If anyone had asked Oscar, which they never would, he’d have suggested going back for a hovercart, or taking them one at a time. But of course they did neither.

Definitely the type to insist on carrying all the groceries in at once, Oscar thought as his crewmates strained to drag the giant carcasses through the undergrowth. He hopped down and kept pace out to the side where there was no blood on the leaves.

They finally made it back to the ship, doing nothing to clean up the smears of blood they left on the landing pad. Oscar darted off to his quarters as soon as the door opened. The rest of them could handle getting the birds into cryo storage, or chopped up right away, whichever they saw fit to do. The lowest-ranking one without significant injuries would be in charge of clearing the blood from the hallways, but only after they’d all taken a walk through the water-and-air blast chamber that passed for a shower here. It had always reminded Oscar of a car wash.

He kept to himself until dinner, sorting his photos while everyone else dealt with the catch and the mess and the injuries. The mechanical medsystem on this ship was just as efficient as the shower. They’d all be in decent shape by mealtime.

And mealtime after a successful hunt was also drinking time.

Oscar usually ate in his room, wanting nothing to do with the raucous meat-tearing and drunkenness. But today was different, because he’d learned something valuable about the liquid they were getting drunk off.

Oscar considered the cans he’d bought, then decided it would have more of an impact if he just took one of the communal supply. So instead he grabbed his new food cubes and a premade tin of spaghetti from his mini-cryo, and followed the sound of laughter.

They were already a little drunk when he got there. Sprawled across chairs with a table full of meat slabs spilling over the edges of the plates. And as expected, there were tall purple cans everywhere.

“Heyyyy, it’s the little guy! Let’s hear it for the human with the surprise talent! Maybe you’re not useless after all!”

“Thanks,” Oscar said as they pounded fists against anything in reach as a form of applause. He leaned against the open doorway and shuffled his belongings so he could get a fork in a meatball without setting down the food cubes. “That was pretty easy where I’m from. You guys really can’t do that?” He popped the meatball into his mouth, casual as you please.

The Mighty of course, thought this was funny, and took it in stride. More gulps from their drinks, more savage mouthfuls of food, and a few questions about the surely-excellent photos he’d gotten, which would make them all look amazing.

Oscar said he’d share the best ones. These would make fine decorations in their own quarters, and would probably be appreciated by the right paying audience.

Then came the moment he’d been waiting for. The captain raised his drink in another cheer, and somebody noticed that the human was the only one without a can in his hand.

“Get the human a warrior’s drink!”

“Bet you he passes out after one sip.”

“Nah, he can take at least two.”

Oscar smiled quietly. If they’d been paying attention, they might have changed their bets at that smile. He set his food down in the hallway to free his hands. When one muscular, taloned arm offered him a can of their most potent intoxicant, he took it. Oh so casually.

Then he whipped his head back and chugged the whole thing.

“Oh! Human’s gonna die!”

“I’m not cleaning up the puke!”

“What the supernova! There are better ways to go than that!”

“Somebody drag him to medical so we don’t have to find somebody else to do the boring stuff.”

“Yeah, he was just getting interesting.”

Oscar ignored all of them, giving the empty can a thoughtful look. It felt like the same thin aluminum he remembered from Earth. And if there was anything his cousins had taught him, it was the proper way to dispose of a beer can.

He dug his fingertips in and crushed it against his forehead. Then while the room reacted to that, he wiped off the drips and threw the can across the room. When it went into the trash on the first try, he was internally very glad, but he didn’t let it show. Instead he picked up his food and resumed eating. “What’s the big deal?” he said. “Is that what you guys have been getting drunk off? How quaint.”

“How in all the black holes—”

“No, he’s gonna fall over any second; just watch.”

“Quaint, that’s hilarious.”

“He’s totally bluffing. Just wait and see.”

Oscar was enjoying being the center of the crew’s attention today. He made a show of sweeping his eyes across the various cans in the room. “None of you has finished a can yet, I see. Was that supposed to be strong?”

There was widespread laughing and elbowing of each other, most of them still clearly convinced that the silly little human was going to throw up and die any second now.

So Oscar set down his food, walked over to the table, and chugged a second one. It was a bit more liquid than his stomach was really happy with, but that was a small price to pay for the uproar that followed.

They exclaimed; they renewed their bets; they drank from their own cans; they got visibly drunker and abandoned their bets.

Oscar leaned against the doorframe, eating spaghetti and food cubes.

After one particularly unsteady crewmate tripped onto the table full of meat, and someone pointed out that the human wasn’t wobbling at all, Oscar said, “You guys don’t know much about my species, do you? Half of what I eat would liquify your insides.” He held up a food cube, eyeing the different colored specks of all the ingredients that made it balanced for an omnivorous digestive system. He laughed. “You guys just eat meat. How boring!”

They only got drunker after that. Oscar was pretty sure that the nearest two wanted to pat him on the back, but the floor was moving too much for them to make it all the way to the doorway. Somebody offered him a raw slab of Dagger Bird. He turned it down with casual scorn.

“Nah, meat isn’t worth eating unless it’s passed through fire. That’s weakling meat you’ve got there. Get back to me when it’s cooked brown.”

They loved that. The party was an epic one, only winding down when most of the crew was too drunk to reach more drinks. Oscar demonstrated his steadiness by picking through the mess to drop his food containers in the trash, then move back to the door.

“Well, it’s been fun,” he said. “I’ll send in the med-drone to make sure nobody’s going to wake up dead. Let me know if you want to get your tails handed to you by any more Dagger Birds. I’ll call ‘em in close for you again.”

He got groggy approval to that.

Oscar left with a smile on his face, and a mild amount of caffeine in his blood. Maybe after stopping by the medcenter, he’d use that energy on some exercise. Thoughts of the run to the hunting grounds, and the way his crewmates had paced themselves, suggested that it wouldn’t take much practice for him to out-endurance the Mighty on the VR treadmill.

I wonder what else I can do?

~~~~~~~~~

By popular request, this is the sequel to the story I posted last week, which is part of the ongoing series of backstory for the main character in this book. (It started that way, at any rate, and turned into a sprawling series in its own right. Fun stuff.)

Patreon opens the day after tomorrow, on May 1st! There's a free tier and everything if you want to keep up without strings attached! And you can even request more delightful nonsense like this.

Onward!

#multiple people wanted to see what happened next #and who am I to say no to that? #this is twice as long as the first story #because I had to cover everything #three cheers for this guy and his newfound respect #not to mention self-confidence #I imagine the dynamic will be different the next time he visits home and interacts with his cousins #noogies from a frat bro is nothing when you've dealt with macho space dinosaurs #anyways; other tags: #humans are weird #hfy #haso #eiad #humans are space orcs #my writing #The Token Human #writeblr #looking forward to the Patreon you guys #it's gonna be great

[circeyoru]

Entertainment & Attachment = Requested

[Poltergeist!Alastor x Medium!Reader]

The Request

For as long as you can remember, you were different from the people around you. No one understood you, no one could be by your side like you’d wanted. You couldn’t rely on others like a human should, as social as humans were made to be, you can’t be normal. You can’t make long lasting friends, and you can’t even rely on your family. For years, you thought you were an anomaly

In your eyes, you see things. Things others can’t. As clear as day, you’d see a transparent figure walking or floating around. Some were fine to stare at, but some were living nightmares to even spare a glance. As a child, you’d point them out and try to convey that there was something there to your parents or friends, they’d all say you were doing all that for attention

So as you grew, you learned to keep quiet about what you saw, even ignoring them altogether. You found out some time later that these were things called spirits, entities of the departed. Or what’s more commonly known as ‘ghosts’

You were lonely and so you did what you anyone would, seek companionship

You approached the little boy that was already in the storage room, he was quite harmless and rarely ever moved out of the room. He was aware you could see him, but he never made any movement to approach you. When you kneeled down in front of him and called out to him, tears came down his eyes and quiet sobs turned to cries. You tried calming him down, yet through his cries, you caught what would make your heart ache

“You noticed me! Someone noticed me! No one noticed me until now! No one cared that I died!”

“... What’s your name? Want me to make you a little burial?”

“What’s a burial?”

“It’s… Something… Something to honour the dead. A place for you to sleep and rest. To move on.”

“I… I want that…”

From then on, you’d try to approach similar spirits like that boy. It turned out, the spirits you saw couldn’t move on and stayed where they died or was most attached to. Hearing their stories was always hard for you, since you’d feel their emotions when they spoke to you like a tidal wave, but all was worth it when you get to see their figure fade to nothingness and a peaceful smile on their faces

While you studied and made yourself a stable lifestyle, you grew to be more adapt in your little world of spirits. You found yourself more at ease there because there was nothing to hide and you were accepted in a way. Everything was so very good for you, there were ghostly friends you’ve made that weren’t ready to pass on because they were busy to something, the most heartwarming ones were them staying to be their loved ones’ presence

There were many that wanted to communicate to spirits like you could hear them. You don’t feel like being a parrot since it lacked that emotional quality. So you built a radio box, or what’s more commonly known as a ‘spirit box’. A device that can allow spirits to communicate through radio frequencies, or something like that

It worked wonders and allowed you to communicate with spirits more easily as well. You slowly modified it to be smaller so you could carry it around, then perfecting it when it hang to your side like a handbag. It worked on electricity, but it has little solar panels so it could constantly charge when you out and about

Yet everything changed when you received a particular call from a homeowner. You made a visit, when you were there, they were positive that their house was hunted. Everytime technology was used, phones, TVs, and even the tablets, it’ll all glitch and malfunction. There was a foul stench in the basement that can never be cleaned. Mostly, the master bedroom and study was always cold

The family tried everything, even trying to renovate the place and destroy the house to build a new one over it. But mysteriously, the workers would fall ill, have unexpectable accidents, tools gone missing ot malfunctions. These were the better endings, at times, someone would end up dead

The parents begged you to do something, they had children, they can’t let this continue. You fail to understand this familial bond. Seeing the little children so close with their parents, how you envied them. But you don’t blame your ability to see or communicate with them, you welcome your title as a ‘medium’. That was in the past either way, this is the now

You couldn’t promise that you’ll ‘deal with the problem’ as they phased it, but you’ll try. Either way, you advised that it was best they were prepared to move out. You can’t say for certain, but you think this spirit was very very attached to the memories in the house, or the fact that it was once their possession

From the moment you stepped through the front door, you felt a heavy weight over your body, you felt a chill around you that was constantly shifting, even more around your little radio invention. You could feel eyes on you, staring at you like a predator has its next prey

You went to the basement when the family left you to your own devices. You had to cover your mouth and nose with a handkerchief so you could stand and walk down the steps. The deeper you gone, the worse it got. You wanted to back away, but you couldn’t help it, you were worried for that linger spirit more so than the family

When you got to the basement, you noticed that it was quite empty and dusty. There was only an old table and a chair, you found a light switch and turned it on, the lights flickered on, but only dimly lighting up the room, giving it an eerie vibe

It wasn’t until you turned on the radio that the stench was completely gone. You were shocked yourself, but not of the lack of rotten smell in the room. More so on the transparent hand that tried to play with the radio while you were still tinkering with the dials

“I’m surprised to see one of these old machines. What with all those fancy technology, I thought radios went extinct! Hahaha! This has to be an invention of your own making. A very well made one I much compliment. Finally someone with taste!”

“What unfinished business do you have? I’ll try to resolve it so you can move on.”

“Oh, you can see me? And hear me? Why! This day is turning out to be quite entertaining indeed! My Dear, make no mistake. I have no unfinished business.”

“Then why haven’t you leave this realm when you died?”

“Because my death was one I didn’t expect nor did I welcome it. Imagine, you minding your own business and suddenly you were shot in the head and mistaken for a harmless deer. Anyone would be enraged by such a death. No, no. I don’t think I’ll ever move on. Though, thank you for asking and trying.”

“So you need to accept your death then.”

“Accepted? Hahaha! Dear, I have accepted my death! I deserve it quite honestly! Do you know why? Because I was the reason why many died.”

The spirit, or Alastor as he introduced himself, was a former radio host. That wasn’t the detail you focused on, it was the fact that he was once a serial killer. He wasn’t a vengeful spirit, more of an unrest one. So that calmed you down, somewhat

It wasn’t the first time you encountered spirits that were once dangerous human beings when living. You met some robbers and even human traffickers, but you listened to their stories and helped them pass on. There were always some that you couldn’t do much to help except warn others away from the area so the spirit wasn’t disturbed

But Alastor. He was the first serial killer you encountered. One so shameless in his crimes and prideful of his work too. He didn’t hide the gory details and his creepy human knowledge whenever you were around

As you didn’t stay at the house and would only investigate the house (him) for the duration of the afternoon, Alastor would talk your ear out the moment you step through the front door. When you left to stay at the hotel room you rented, Alastor would wave you bye and stay at the doorway as though he was the host of the house bidding his guest a good day

Of course, you couldn’t stay forever and you had to leave. With Alastor’s activity, you stayed firm on your advice for them to stay somewhere else that wasn’t this house. Then you left, oddly enough, you didn’t feel unrest that you left things between you and Alastor unsettled. Especially when you told him that was your last visit and he gave you a cryptic answer on whether he’ll continue to ‘haunt’ the house

“The family here will return tomorrow, will you leave them alone?”

“Hmm… I’m not sure, Darling, maybe I will and maybe I won’t. Who knows? I go where entertainment takes me you see.”

“Can’t you answer a simple yes or no?”

“Hm… Maybe!”

When you were back home, you noticed how spirits seem to avoid you a bit. Some even flinching and hiding when you walked pass. The moment you tried to approach spirits, they outright flee like you were a ghost scaring them in a haunted house. You were always left wondering if you did something

Still, it all made sense just as you heard the familiar voice of a spirit that should even be in your room. Looking up from your phone, you saw Alastor smiling down at you with his hands behind his back while he floated over your form on the bed. You took note of the faint trail of red smokey substance connecting him to your radio on the far end of the room

You quickly figured out that Alastor changed attachments, from the house he lived and killed in to your radio. When did it start? Perhaps the day after you saw Alastor, then he slowly moved attachments and connected to the radio. He was a beloved radio host during his glory days after all

“Darling, you approach other spirits too. Why not talk to some more actively ones instead of the common folk? I can provide some assistance. You see, I am quite feared and persuasive too. And I’m sure you know that I am no dainty stick figure. Your noble quest to help spirits pass on, I’ll lend you a hand! For my ongoing entertainment, I’ll protect you from anything. What do you say?”

Now you understood his answer. You were his entertainment and true to his words. He followed you, perhaps follow isn’t the right word. Attach, yeah

Note: Just a treat. I'm getting back my free time so I did this. Hehe. A bit long and boring though. Oh well

Circe Y.

My Works: MASTERLIST

Taglist:

@aconfusedwonderland @crowleysthings @donustellaron @mistpurpl3 @lucifers-silhouette @fluffy-koalala

#Circe's Nighty Writings #Circe's requested writings #alastor headcanons #alastor imagine #alastor x reader #alastor x y/n #alastor x you #hazbin hotel #hazbin hotel alastor #hazbin hotel fanfiction #alastor #hazbin hotel oneshots #Entertainment & Attachment

[nana-b0b]

》🔞 These panels are censored, you can go to the last of the post to find out where to see them!

A little historical info to better understand:

♡♡♡♡♡!!! I really feel happy and overcome with these panels, I was thinking a lot about how to make them since there were several obstacles: I had never drawn something NSFW before as it should be 😅 I never got that far so to speak, there was always a line that prevented me from taking that step, since it is not the same to draw some small scene where you only see something specific to a whole pose as such and all that implies. But after many ideas and turns I managed to take that step (maybe small for some but for me it was like reaching the moon 😂) and the most important and most feared was that the essence of the drawings and the style would be lost but I could keep it well and make it coexist ♡.

Note: as for the text accompanying the panels I want to say that it's not my best work as a narrator hahaha I don't write anything since I was about fifteen and it was my era of fanfics and stuff, so I feel its very basic and empty! 😅 ♥!

Now, let's talk a bit about the panels! Well, as we all knew this moment was coming, it was no surprise -3- Ryomen really had to be patient to get what he had been thinking for a while, but he didn't want it to be something random as it could be with any woman he wanted, he was really curious to see how Aurora could look like with the full appearance of a lady of the Heian era and when he saw her, he just couldn't resist. One thing will be clear: Aurora won't wear black teeth again, there will be no way to paint her teeth again without someone losing a limb. As for her eyebrows: she's really mad about that, but I'll let it go.

And to close this post I come with a novelty (I've been thinking about this for days) now we are going to be able to have these drawings completely uncensored on patreon.

I'm not going to lie, using more than two social networks for me is already a lot 😥 if it were up to me I would only post everything in one place but we know how the rules are and we have to respect them, if just by showing a nipple (which is a pixel 😂 ) they almost censored me on Instagram I knew this would be difficult and Tumblr is not lagging behind, while there are things that it lets pass there are others that it doesn't and it's not nice to have to make such complex drawings so that the AI doesn't detect them as 🔞 since there comes a certain point that you get tired too and it loses the grace.

My patreon will be the place for all my works 🔞 without any censorship already, you are going to be able to enjoy both public and private content depending on the type of work ♡. I think also for me it's an incentive to be able to start letting go more of my ideas and continue with everything I want to do :)

To say goodbye first I want to always thank you for all the support you give me and all your messages 🖤 and second to warn you that this CAP of Ren will be in patreon already published privately but all the other censored drawings are public for you to see and enjoy them as they should ⭐

Here are the publications that I censored and that you can now see, there are not many at the moment x'D

#sketch #jjk #jujutsu fanart #sukuna ryomen #jjk oc #ransketch #sukuna #jujutsu kaisen

[nunalastor]

Hi! next part of Snow White + Tangled AU (still taking suggestions for a name, I'll probably end up writing a whole fic)

Alastor was losing his patience.

He never really cared about the "King of Hell", but ever since the little man arrived at the doors of Charlie's hotel, it's just been one disappointment after another.

And, of course, he trusts Roo not to give him valuable information! It's always the same with her, she will only give you enough information to work with, only to punish you if she doesn't like the results, or take credit if you somehow end up doing exactly what she wanted.

At least Charlie wasn't a relevant project for her. But it really would have been useful to know her origins, he could have gotten a lot out of that information. Anyway, it's not that that's important now, he's not going to be bitter about it. After all, so far the results of his decision have been satisfactory.

Honestly, there was a time when he thought Roo could be Charlie's mother, but he ruled it out as time went by. It's a relief, motherhood isn't for everyone, and Roo definitely shouldn't be on that list...just like Queen Lilith apparently.

The first time he saw the king was interesting, he tried to attack him as soon as he saw him after a brief conversation with Charlie. It was so fun to see his daughter putting the little man in his place. But then she explained who she had just kicked out of the hotel and it was just disappointment after disappointment.

In their second meeting, the king was no longer going directly to try to kill him, but that did not make him any less calm. He just kept accusing him of Charlie's kidnapping, which is fair, the king doesn't have to believe him and he doesn't have to justify himself.

He suggested to Charlie that, when the king returned with the supposed evidence he had gone to look for, it should be just her and the king. Charlie was just worried that this situation would change something between them, but he dismissed it, nothing has to change.

From that moment on, Alastor's patience has been tested. The king turned out to be like all the rich men of his time, buying people with trinkets, trying to dazzle everyone with their wealth and power, pampering their legitimate children and only throwing a few coins to their bastards if they remembered that they had.

Alastor has kept his distance. Not only does he want to respect Charlie's limits and her possible relationship with her biological father, he also wants to show her that, unlike the king, he can behave like an adult in this situation. On the other hand, the king, every time he sees him, has to make a conscious effort not to attack him either physically or verbally, and that makes Charlie nervous, which amuses Alastor a little, but mostly makes him uncomfortable. He knows that this whole situation makes Charlie tense, and the little king is not helping with his childish attitude (according to his height, honestly).

What ended his calm was seeing how the little king simply seemed to lose his patience just a couple of months later, dismissing Charlie's ideas and trying to take her away. Simply telling her that her whole idea of a charity hotel would be counterproductive because sinners would only take advantage of her, and anyway, it's not like sinners deserve better, they do horrible things after all, like kidnapping innocent babies and taking them away from them families.

And Alastor simply had enough. He doesn't really care what the king thinks of him, he doesn't want to meet him, and the feeling really is mutual at this point, but after all that talk, saying how much he missed his daughter, he hoped the king would take the time to meet to Charlie instead of just pretending like nothing had happened. As if Charlie had not spent almost 100 years, all of her life, living with sinners, as if she had not spent her entire life learning from him and from those who have surrounded her until now.

The king is not entirely wrong, many of those in hell deserve to be there, it is supposed to be punishment for their decisions, in fact, there are those who deserve worse, but he cannot just so easily dismiss the ideals that Charlie formed by seeing sinners up close.

And, of course, he is not a good person, he has never pretended otherwise. In fact, if he had found any other sinner the day he found Charlie, he would have put them in an oven with the same ease that he put Charlie in her crib every night. If he had found any other sinners, he would have boiled them in a saucepan with the same ease with which he put Charlie in the bathtub when she needed a bath. With any other sinner, he would have written a recipe book as easily as he wrote children's stories he remembered so he would have something suitable to read to Charlie. But the truth is that it was not just any other sinner, it was Charlie, a baby that he decided to take care of with the memories of his mother always in mind. The one he found in a basket was a baby, whom he accompanied, stayed by her side, held her when she screamed and cried because of a nightmare or a minor injury. Whom he educated and guided, who he encouraged to make her own decisions, who he taught how to be respected. Who he took to his friend Rosie to make sure she always had a safe place to go. Whom he watched from afar when she played with other children in the Cannibal Town square. Whom he saw grow up while being just as feared and respected as him by her own means. Who tried to defend him when someone who was his friend for 30 years betrayed him and tried to attack her, which immediately ended their friendship.

It is when he feels the presence of his daughter, hugging him from behind, that he realizes that he said all that out loud. It is when he realizes that the king is there, looking at him with a look that reveals confusion, surprise and horror. The king has not moved from his place next to the portal he opened when he tried to take Charlie, but he notices that he is shaking, while he seems to think of something to say.

Alastor sighs, regains his composure as he walks away from Charlie and approaches the king, and with a snap of his fingers he makes two thick books appear. They are copies of a photo album and a scrapbook. He also makes the basket in which Charlie came into his life appear, with the blanket and clothes included. He gives everything to the king and is firm when he tells him to take the time to get to know Charlie, to stop being a king (if he ever was one), to stop being a wallet and start being a father if it's what he really wants.

The king leaves without saying a word, with all the items held firmly in his arms. If among the pages of the books the king finds the note that told Alastor to take care of the baby, with a characteristic signature, well...no one can refute that Alastor could have simply forgotten that it was there.

Two weeks pass, and Alastor feels a chill down his spine, a chill that is supposed to be a caress, supposed to be a reward for a job well done. He's confused, but at least it didn't backfire on him.

A month passes for the king to appear again. He literally just appeared in Alastor's room, looking haggard, exhausted. Alastor supposes that he can let the impertinence slide just for the pleasure that such a pitiful image brings him.

"Can you tell me about my d...can you tell me about Charlie? Please?"

👀

#hazbin hotel #nunalastor asks #alastor #radioapple #lucifer #snow white #tangled #tangled au

[tactfullyinappropriate]

This is part rant, part sex advice so read at your own discretion. Also one of those posts I'll get a lot of flak for.

In lesbian nsfw content on tumblr dot com one of the most prevalent sentiments is 'I want to pleasure my partner' (insert any variation on it) which is fair and all, and there are a lot of service tops around so it makes sense really. But. For some of us who have difficulty experiencing orgasm or even enjoying sex at all, making our pleasure the focal point of the experience is the absolute worst thing you could do.

It's a nice sentiment, I guess, but if it doesn't actually produce pleasure, is it really that nice? And before you come at me with 'some people really are just service tops and they get their pleasure from pleasuring their partner' - I get it, I do. As a top (or dom/me) you have the right to your preferences and you may absolutely refuse to tell your partner 'Your orgasm is inconsequential, I'm gonna fuck you anyway'. Not to mention that approach is verging on kinky and getting near mindfuck territory, which not every top (as in the person doing the penetration in this case) is comfortable with. Heck, not every dom/me is comfortable with that either - pretending to disregard your partner's pleasure can be a particular flavor of kink not everyone is into.

Buuut.. a lot of what I'm seeing here comes across more as a lack of real-world experience rather than a self-aware preference to focus on your partner's pleasure. Like for example, the amount of 'overstimulation' posts I'm seeing is just wildly disproportionate compared to the amount of women who can be forced to orgasm again and again, and again. This has never been my experience on either side of the dynamic, nor the experience of any of my friends or acquaintances. More often than not, women have trouble reaching a climax and can't really be "forced" into it.

Orgasms are not just a bodily sensation triggered by a certain type of mechanical stimulation. They require you to be in the right headspace as well. So if you actually want to bring about an orgasm, dropping the pressure may be (I want to say usually is) your best bet.

Look, I get it. I've been with women who come from a 2-minute clit rub. I didn't feel particularly accomplished with them... but they do exist! How wonderful for them and the people who just love pleasuring them. The rest of us however? 'Your pleasure is my pleasure' is the worst approach with us. Like, thanks, now if I don't come not only am I bruising your ego but also diminishing your pleasure? That's A LOT of pressure put on my fickle mental focus and unreliable vagina.

All of this is to say: it's fine to have your fantasies of overstimulating a partner to the point of incoherence. But be prepared that the reality of sex may be very, very different depending on how your partner's body and mind work. And sometimes, if your partner's pleasure really is that important to you, pretending it's the complete opposite might be the key to the castle - if you can get with that of course. Nothing's done a better job at helping me let go and experience actual pleasure than a partner's response to my 'I'm not sure if I can come though...':

"That's okay, baby. I don't need you to come for me to enjoy your body."

Um. Yes, Sir.

*I use the word 'woman' here purely based on my actual real-life experience so far but I'm sure this is applicable to a number of different identities. Even for some cis men orgasms are not as easy and effortless as porn makes it seem, I've been told.

#claudia says #wlw ns/ft #wlw bd/sm #wlw nsft #wlw ns/fw #sapphic ns/ft #sapphic nsft #sapphic bd/sm #sapphic ns/fw #lesbian #sapphic #wlw #stone butch #butch lesbian #butchfemme #butch dyke #butch #butch4femme #femme lesbian #high femme #butchfemme nsft

[pocketramblr]

I don't know if you're still doing it, but an AU where Gran Torino raises Kotaro.

1- as Shih put it, Sorahiko's an all-or-nothing guy. Nana tells him that Kotaro isn't safe anywhere near her, that she can't handle losing her son to AfO. Sorahiko nods, and asks if he should hide the boy, or go with him. Nana asks him to stay with Kotaro, and cries a lot. Sorahiko holds her, and then goes inside to tell Kotaro that he's going with him, and needs to pack up, and tell his mother goodbye.

2- Kotaro Yamada is raised in a strange way. Sorahiko can't cook any better than his mother could, but he doesn't try anymore. He knows Sorahiko used to be a hero, like his mother, but when he asks all the man tells him is he got his license because he just wanted to use his quirk, and now he keeps it in case whoever is after his mother comes for the boy. And oh, is Kotaro conflicted about his mother- he certainly can't say a bad word about her in Sorahiko's earshot. He knows she loves him, and is likely going to die trying to protect him from something. But he doesn't like it. *Yamada is just a common name, since Sorahiko is sure that AfO would know to look out for any Shimuras or Torinos.

3- When Kotaro is twelve years old, Sorahiko gets a call from a phone number he hasn't in years. He answers it, and there's a young voice on the other side, rough from tears, saying that Shimura-sensei told him to call the number after she died. Sorahiko knows this means Nana needs something else from him- the last thing she needs from him. But he has to help the first way too. So, he sneaks to UA during the day, and trains Toshinori while Kotaro is at school- Toshinori is excused for personal training, for "meetings with the school counselor after losing his teacher", and makes up classwork in the evenings after Sorahiko leaves. Toshinori stays in an altered apartment in one of the fake cities on UA grounds, alone when he isn't training. When Toshinori once tells Sorahiko that Nana was like his mother, Sorahiko asks quietly if Nana ever told him about her son. Toshinori just says she lost him, a bit of sadness in her heart no matter how she smiled or spoke of romantic dreams. Sorahiko tells him (Toshinori) that it's his (Sorahiko's) fault Nana never saw her son again, and that he's going to train Toshinori to make sure he can kill AfO, not the other way around. Which means he needs to leave the country. The last training session the day before graduation is the last time Sorahiko speaks to Toshinori for decades. And it will not be Toshinori reaching out.

4- Kotaro goes to high school, then university. He becomes an architect. He falls in love. He's surprised when Sorahiko is happy to hear this- weren't they both hurt so much by Nana? Isn't that why Sorahiko closed himself off from anyone but Kotaro? But he's encouraged. He marries Nao, builds a house for her and her parents and him and his. Eventually, they have a little girl, Hana. She looks so much like Nana. Sorahiko and Kotaro never say this fact outloud.

5- Eventually, AfO finds Kotaro. Hana is eight, too old for him to spark a quirk awakening in her without suspicion. But with enough eavesdropping quirks he hears that Kotaro and Nao are considering another child, so he starts setting up coincidences to nudge them along the line. When Tenko is born, four years later than in canon btw, AfO moves. Hana sits down at the dinner table, and when she touches her mother's arm, the woman turns to dust. Everyone starts screaming- except Sorahiko, who moves. He grabs Hana and breaks the window to the backyard, leaves Hana floating above the grass in terror, her jacket falling to dust as she hugs herself. Then he goes back, and grabs baby Tenko. He looks up to see Kotaro, covered in Nao's blood, looking to the front door, that also fell apart. A tall man stands behind it, reaching out a hand to the wall. Kotaro looks back at Sorahiko and tells him to go with the kids, now. Sorahiko breaks into Might Tower about half an hour later, with a child and a baby, and tells All Might these are Nana's grandkids, and he needs All Might to arrange tickets to I-island for the three of them, as quickly as he can while keeping it secret. He leaves a report in a file behind them. Toshinori only tells David to protect them, and Dave does. The baby's a year younger than Melissa, he has to help. Over a decade later, he finds that Hana's headaches seem to be from stress for her two quirks, the sort of opposite problem with Toshinori's decreasing power. But maybe he can build something to help- Melissa the engineer and Tenko the programmer are eager to help too, anyway they can. Sorahiko, feeling as useless as he always has, thanks them.

#pocket talks to people #anon #ask game #fine. i'll let the dual quirk thing hurt people in one au. because maybe they can stop it

[mcflymemes]

NOCTURNAL ANIMALS (2016) PROMPTS *  assorted dialogue, adjust as necessary

please don't say that. i don't want to be like my mother.

do you ever feel like your life has turned into something that you never intended?

that's a deal breaker for me.

we might be perfect for each other if we didn't live in the real world.

why do you always think the worst of me?

you're wrong. you and i are nothing alike.

i see we're settling for less now!

a package arrived for you. i found it in the mailbox this morning.

i'm sorry, but could you help me open this? i just cut my finger. paper cut.

in the end, you left me with the inspiration that i needed to write from the heart.

where were you last night?

by the time i left the office, i was late for my dinner.

it would have taken you fifteen minutes. fifteen minutes, and it would have meant a lot to me.

you didn't come to bed last night.

i didn't want to wake you up.

that doesn't sound like you.

are things a little better?

i'm surprised. i thought we were hiding it pretty well.

[name], i'm worried about you.

seriously, look at me. you scared me the last time that we talked.

i'm fine. i just can't believe i told you all of those things. i feel embarrassed about it.

what right do i have to not be happy? i have everything. i feel ungrateful not to be happy.

i think we just want different things. or maybe i want different things.

we get into things when we're young because we think they mean something.

do we really have to stop tonight? i'd rather just get there.

don't look at them. don't give them any reason.

sit still. they've probably got a gun.

don't get out of the car.

you're not supposed to leave the scene of an accident. it's a crime.

don't come any closer.

i'm a gemini, my favorite color is petal pink, and i like long walks and kittens.

you know what, we should call the police.

you got no fucking right to talk to me like that!

you'll get killed if you don't watch it.

may i use your phone?

could you see them in the dark?

i just wanted to hear your voice. i miss you.

you sound weird. are you okay?

you look beautiful as always.

would you like to have dinner?

you know, you were my first crush.

what a weird thing to say.

i'm sorry. i hope that doesn't offend you.

this is a ridiculous conversation. you're too young to get married.

oh my god, did you just say that? you really just said that? that came out of your mouth?

it's like the whole thing is a blur.

now listen. i've got to be honest with you. right now it's not looking good.

if i write it down, then it will last forever.

you know my name. i told you.

you didn't sleep again, did you?

who the hell are you? get off my property!

you'll take this the wrong way, but i think that you need to stop writing about yourself.

please don't start that again. it makes me feel like you don't believe in me.

you always get so fucking defensive about it.

i really wanted to be this person that you thought i was. i really did, but i'm just not that person.

you're wonderful and romantic, and sweet and sensitive, and all the things i'm not. life for you is kind of a dream.

weak. i'm weak. that's what you want to say. go ahead and say it. you've said it before. weak.

i'll live to regret this. i regret it now.

i got a certain pride in how people talk to me, and there are certain things i don't put up with.

nobody gets away with what you did.

may i get you a drink while you wait?

#mcflymemes #rp meme #rp memes #rp prompt #roleplay prompt #roleplay memes #rp starters #ask meme #ask memes #roleplay meme #roleplay inbox prompts #inbox prompt #rp inbox meme #inbox meme #sentence starter prompt #sentence starter #sentence starters #nocturnal animals

[hannahssimblr]

I shoulder through the front doors into the fresh spring air, still a little breathless with adrenaline, to where Michelle is waiting for me. She looks unhappy. 

“How did it go?” I say. 

“Oh, awful, they were like robots, so intimidating. I didn’t know what they thought of my work, you know? I really thought I’d start crying at one point.”

“Really?”

“Yeah, and that woman was so cold. She was pulling all of these faces at my self portraits and saying they were naive.”

“Oh, God,” In an attempt at reassurance I start rubbing her arm, “I’m sure they liked plenty things about your work.”

“Oh, I don’t know. I sensed they hated all of it.”

“They couldn’t have, it’s probably just your perception, they… I bet they’re harsh to everyone, you know? They probably don’t want to get anyone's hopes up with there being limited places and all…”

She looks at me, “Was yours bad too?”

“Awful,” I say without missing a beat, “Same as you, they gave me nothing. It was hard to tell what they really thought of my work, but they didn’t seem overjoyed by any of it to be honest.”

“Oh,” her shoulders relax, “well if they were like that with you then they must be just playing hard ball.”

“I think so.”

“What if we don’t get in?”

“Well fuck ‘em,” I grin, “We don’t need them. NCAD? Who cares, right? It’s not exactly at the top of our list.”

“Yeah, you’re right.”

“I usually am.”

“Something else will work out, right?”

“Of course it will! C’mon, let’s just grab a coffee and chill out,” I drape my arm over her shoulder and walk her around the corner to where I parked the car. 

The car, the brand new, shiny, blue Volkswagen Polo that my parents got me for my eighteenth birthday, is gleaming under the afternoon sun, one tyre wedged awkwardly against the kerb because I haven’t yet mastered the art of parallel parking when there are two other impatient drivers beeping their horns at me and gesticulating wildly out their windows. 

“He just got his fucking licence, you spas!” Michelle screamed at them from the passenger window as I manoeuvred myself into a gap big enough to house an articulated truck but somehow felt the width of a water closet as soon as I tried to fit my 1.0 litre hatchback into it. I could have told her that firing middle fingers at other drivers left and right wasn’t really doing much to diffuse the situation, but it seemed she was reaching some sort of catharsis from it. She likes that. Screaming, I mean.

This car has been a point of contention, not because I can’t park it well, but because it was an extravagance I neither needed nor desired. “We live in the city,” I protested when my parents handed me the keys, “I can just take the bus.” But they had this idea that I might like to drive it into school and be the envy of all the other students, poverty stricken losers without parents who can buy them vehicles worth half the average national salary. I told them I can just walk like always, and they didn’t like that. 

“This is a good present,” said my dad, as though insisting could make it so, “You can drive all over, you won’t have to rely on public transport any more.”

“Did I say I didn’t like public transport?”

“Well, you could get mugged on the bus, someone could pull out a knife and take your phone and all of your money! That kind of thing is happening all over the city lately.”

I showed him my Nokia from 2004 and asked him what kind of person might like to risk prison for it, but he didn’t appreciate that, and it just escalated the argument further. 

“I’m not going to even live in Ireland in a year, not if I can help it!” I cried with exasperation, after a further ten minutes of his dramatics, “What’s the point?”

“Sell it then!” he bellowed back, “I don’t care what you do! It’s yours!”

“I just don’t need it! It’s too much. You can use that money for something better.”

“Money? Money is not an issue.”

“Well that car will be wasted just sitting in the driveway.”

“You’ll figure out what to use it for.”

And I did. I still walk to school, I still take the bus into town most days (when I’m not hauling two A1 portfolio cases along with me), but sometimes, late at night Michelle and I drive up and down the coast. We get ice cream at the drive through, we talk, but mostly I park it in the darkest corner of some car park, sea facing for maximum romance, and we fuck in the passenger seat. Not that I’ve kept track of it by any means, but I’m almost certain I have spent more time having sex in my shiny, blue, Volkswagen Polo than actually driving it. I’m sure it wasn’t Christopher’s intention for it, and it might affect the resale value, but the car has become a haven of sorts, a place where we can go to be alone, at a safe distance from my nosy sister, from Michelle’s anxious father, and perhaps most vitally, from Jen, who has never quite stopped being weirded out by our relationship, even with nine full months to get used to it.

Beginning // Prev // Next

#lucky boy 2010 #the car <3 #you'll be happy to know that Christopher is such a fucker #tw: sex

[yanderes-galore]

Could you write a scenario for 2012! Commander Mozar with a mutant darling?

Some time ago, you said that you wanted to add more horror to your stories. Well, I hope this idea is horrific enough for you. It takes place in Annihilation: Earth! Part 2 of the 2012 TMNT show. But things happen differently in this different timeline. The turtles fail like in the show, but Fugitoid never shows up to save them, causing all four of them to be consumed by the black hole. But the worst thing is that the triceratons, specifically Mozar, decided to spare the reader, a mutant, by capturing and locking them in their ship. Why exactly? Humans were all over the planet, but a mutant is special. They could serve as an exotic souvenir from the planet they just annihilated. It is a desperate situation for the reader and there is no hope of escape. They saw Splinter getting stabbed in the back, all their friends dying, the planet getting destroyed and now they're just a prize/pet for an alien commander.

Sure! I watched both episodes to know what to write for this :) Here you go!

Survivor Syndrome

Yandere! Captain Mozar with Mutant! Darling Story

Pairing: Romantic/Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Kidnapping, Isolation, Mind break implied (Darling), Mass death, Manipulation, Dark themes, Darling has Survivor's Guilt, Dehumanization (Technically), Darling is a pet, Forced companionship/relationship.

You swore if your heart beat any harder you'd die of a heart attack. Your breathing was rapid as you look around your surroundings. You were in a cell... cuffed like an animal.

Perhaps you really were just an animal... you've been one since becoming a mutant.

The memories kept echoing in your mind. The black hole, Splinter dying, being kidnapped. You grit your teeth...

Everyone's dead... not just Splinter... far as you know everyone is.

Everyone except you.

Now look at you. Stuck in a cage like some exotic animal. It didn't matter what you looked like as a mutant... The Triceratons would still deem you unique. They didn't want to let you die like the rest.

Perhaps the fate of your companions was... better than this?

You aren't sure.

"Do you still cower in your cage, creature?" A deep voice greets you, heavy footsteps standing in front of your cell. "Pardon... Mutant is the term, no?"

Captain Mozar....

You hesitantly look up, eyes catching the blue eye of the commanding Triceraton. You grit your teeth and not answer. The captain merely chuckles softly.

"You really are interesting... Hard to believe something like you was once human." Mozar hums, looking at you as you press yourself against your cell with a smile.

"I wish I was still human! That way my fate would've been like the others!" You cry, Mozar tilting his head at your sudden defiance.

"Hm... your anger is understandable." Mozar comments, leaning down to get a better look at you. "But we have plans for you... Good plans."

The Triceraton chuckles, watching as you growl at him. You were such a strange creature... unique to Earth and now the only one of your kind. Oddly enough... He felt a bit drawn to you.

"I want nothing to do with your plans. Can't you just... Toss me out the airlock?" You ask, Mozar looking unimpressed at the suggestion.

"No. Where's the fun in that?" Mozar chuckles, tapping on the cell. "You have no choice but to stay here, pet."

"... What did you just call me?" You ask, staring up at the towering alien while he watches you with intrigue.

"Well, why do you think I decided to keep you?" Mozar grins under his metal plate. "A mutant like you is exotic... a pet... you'll grow used to your new role."

You push yourself away from the cell door cage when Mozar pulls out something from behind him. You make it out to be a chain... a leash. You really were just an animal now...

A pet for Captain Mozar to enjoy.

"Best you don't fight." Mozar warns, opening the cell door. "Besides... What else do you have to fight for, Earthling?"

You feel yourself yanked out by Mozar, cold metal clamping around your neck. You pull against the leash but ultimately end up choking yourself instead. So instead... you try to stay compliant.

"There's nothing for you... except for me." The Triceraton taunts, pulling you closer by the leash so he can stare you down. "I'm all you have now, aren't I? I'm your new master... your everything."

"What if I don't comply?" You hiss, Mozar harshly pulling the leash to choke you.

"Then you'll break." Mozar threats, chuckling as you pull at your new restraints. "I either gain your obedience now... or I break you to gain it later."

The Triceraton then walks you around the room, an attempt to get you used to the leash and your new role. It felt nice to be out of the cage... but you felt yourself crumbling. His words really got to you...

All because they were indeed true.

"What's it going to be?" Mozar hums, turning back to watch you. "Will you listen to me..."

He then yanks the chain down, making you collapse harshly to your knees with a whine.

"Or will I have to break you? Your choice, pet."

#yandere teenage mutant ninja turtles #yandere tmnt #yandere tmnt 2012 #yandere commander mozar #yandere captain mozar

[thesublemon]

best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2  or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie. 

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say. 

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like. 

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.) 

#posts: art #movies #am rusty at blogging and don't have all the virtuous nuance i would like in this but we will go with it

[traumxrei-archive]

【 v. plated perfection 】

summary: now that yuu was better, they still had nothing to do. that is, until they heard the cheerful tune of a certain white haired maid floating down the halls… maybe they should go see what kalim is up to.

word count: 1.3k

author’s note: kalim’s part !! i really wanted to do the whole shoujo manga cliche w/ this one so i hope you enjoy ^^

[ the perfect debutante series | or read on ao3 (coming soon) ]

There wasn't much left to do for Yuu when they finally got permission to start working again. (That was an arduous process on its own.) It appeared that Azul, Jade, Riddle, and even Jamil had pitched in to take care of any last-minute preparations.

Now that everything was decided, the previously fast-approaching ball seemed to approach at a snail's pace. On top of that, Yuu had even more free time than usual because the Duke had taken over their work to "give them more time to plan". They did come up with an idea for something special at the Debutante, but it was undergoing some final review from the head butler, so it was a waiting game.

That was why they were strolling the halls, looking for something that they could do. A cheerful tune floated down the halls catching Yuu's ear. They instantly recognized the singer's voice, approaching the open door carefully.

Inside the grand room was Kalim, silverware and dishes spread out in front of him. The silver haired maid looked more put together than usual, his short skirt fluttering over stockinged legs as he spun. A white and gold bandana laid over his silvery hair, ribbons trailing down his neck.

"A whole new– Master?!"

Yuu suppressed a laugh when Kalim finally noticed them, "Hello Kalim, that was a nice song you were singing."

"Oh, I think so too! It's a classical ballad from Scalding Sands. But, Master," The maid blinked, his earrings clinking when he tilted his head. "What brings you here?"

"I was bored." And wasn't that the truth? It was easy to be a little more unfiltered with Kalim. Red eyes sparkled knowingly at their words.

"Hmm, then Master," Kalim very gently grabbed a plate. "What do you think about this plate?"

The plate was...shiny. So shiny, in fact, that Yuu felt a bit dazed, "Er, why did you pick that one out?"

"Well," Kalim set the plate aside. "Jamil and Azul told me to pick something perfect. It's Master's debutante after all!

Kalim started listing on his fingers, "They said, 'pick something that shows off the dukedom's opulence, elegance,' and..."

"Humility?" If it was those two that gave Kalim advice, they would know a thing or two about not going overboard on the flair. 

"Yes! Something like that," Kalim pouted. "But it seems that this set isn't to Master's liking." They could see the metaphorical puppy ears droop as he picked up the plate, going back to the display cases.

"It's only a little bit too shiny," Yuu said quickly, trying to soothe Kalim's mood. "There are plenty of other options."

"Theb how about this one?" Kalim picked up a dish with flowery vines adorning its rim. The gold tipped edge made it look all that elegant. "I think it's very pretty."

"Hmm, but I don't think it would fit with the interior decor of the ball," Yuu offered. "It would be very nice to use for the gardens area, but the plates should be uniform."

A thoughtful look crossed Kalim's face, "How about using it as serving plates? It would also make it easier for the chefs if they knew which plates would go to the hall and which will go to the garden."

"That's very thoughtful of you," Yuu said, and Kalim all but beamed at the compliment.

"I heard Jamil complaining about it before," Kalim said, taking out some serving plates. "One of the times that he was helping out at a party my Baba held, the servants weren't given clear instructions on which food was for which hall and it was a mess."

"Okay, now we have some flowery serving plates and trays!" Kalim dusted off his skirts. "Do you have any suggestions, Master?"

"How about choosing something with Night Raven colors?" Yuu took a seat on the bench beside the tray of plates.

Kalim perked up at that, "That's a great idea! The grey plates are somewhere on this shelf..." The silver-haired maid crouched, reaching for another plate, "This one seems very Night Raven colors." The plates had a grey base, and symmetric white lines crisscrossing to create an intricate pattern.

It was certainly an elegant choice, "That's a bit..."

"...too serious," Kalim concluded, sliding the plate back to its spot. "I guess I'll look at the top shelves."

They watched as Kalim dragged a rolling wooden ladder toward the shelf, "Don't forget, to lock the wheels." Yuu stood up, approaching the shelf as Kalim started climbing the ladder. He made it to the platform, opening the doors to the cabinet.

"It's alright Master, I've been doing this all morning," Kalim called out, as Yuu braced an arm against the ladder. Suddenly, Kalim shouted, "Oh! I found the perfect one!"

Kalim spun in his excitement and that was when it happened. Yuu could do nothing but watch as Kalim's body tilted unnaturally to the right, and—

Yuu lunged forward.

It was instinct, and they could barely think before their back was hitting the ground. A burst of pain hit their shoulder as they rolled before finally coming to a stop.

Their chest rose and fell, the blood rushing in their ears. Kalim's weight was keenly on top of them. That much they could figure out. Yuu pried open their eyes, their chest feeling stifled when—

Oh. Kalim's eyes were such a startling shade of red. Yuu had never seen his eyes that close before. The maid's head jerked back, his earrings chimed at the action. His ribbon brushed against their neck. The sensation was strange. A little ticklish, making them huff out a short breath.

Kalim blinked, his mouth falling open. He reeled backward with a shout and they winced as they heard another thump. Yuu sat up, gingerly touching their shoulder. Kalim was still lying on the ground, his skirts in disarray, still seemingly shocked.

And then Kalim shot up, hands clasping their own, "Master! This– I'm so– this maid apologizes for such a blunder, the ladder was— I-I should've been more careful, but— Oh, the others will kill me if they—"

“The others won't find out," Yuu reassured, glancing at the spotless floor. "None of the plates are broken, and we are both fine, save for our clothes."

"But—" Kalim seemed to sputter, hands gesturing wildly. "But Master, you—"

"Instead of arguing, why don't you show me the plate you found?" Yuu stood, dragging Kalim with them.

Kalim looked conflicted, his stare swinging between the cabinet and them, "Still, you... Master shouldn't do anything dangerous like that again. Promise?”

“I promise,” Yuu nodded toward the shelf. “Let’s see the plate that made you so excited.”

Kalim climbed up the ladder— but not before double-checking all of the wheels to the ladder— before returning with a white plate, with grey flowers and gold patterns lining the border, “Isn’t it perfect?”

“It is,” Yuu agreed, taking the plate into their hands. “You found the perfect plate.” Kalim pumped his fists in the air, before going back to grab the rest of the set. They grinned at Kalim’s quite antics, nodding along to the happy tune he was humming as he placed the plates onto the cart. 

“Should we go have a treat to celebrate?” Yuu suggested, and Kalim’s eyes grew even more shinier than before, his previous mood forgotten.

“Oh! Jamil was cooking up some tester desserts last night!” Kalim gushed, grabbing their hand. “Let’s go and ask him for the rest!” Yuu laughed as they were hurriedly led down the hallway. They had all but abandoned the plates there, but oh well. Maybe having fun and letting loose with Kalim was exactly what they needed before the debutante. (And sweets. Sweets made everyone’s days feel better, right?)

thank you for reading ^^ if you’d like to read more, check out my masterlist ! like the art ? look at more of dumple's works on insta !

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#/trau writes #kalim my boy <33 #kalim al asim #twisted wonderland #twst #twisted wonderland x reader #kalim al asim x reader #twst x reader