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yurinaa-world · 1 day

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hii, may i send in a request for Blade, Jing Yuan, Aventurine and Sunday with platonic headcanons of them maybe with their child who has a severe illness? Like how would they look after them/attend to them.

Characters: Blade, Jing Yuan, Aventurine & Sunday !Platonic x Gender-neutral Reader

Synopsis: with a reader who has a severe illness + how would they look after you

Warnings: angst to sort of comfort?, spelling mistakes,

notes: I'm sooo jetlagged rn

𝐵𝓁𝒶𝒹𝑒

Death can come in seconds with a person even realizing but you do anything since it’s already too late. It’s the same in the end, you cry, give flowers since regret means more than gratitude ever could; then just leave and never look back.

Does it have to be the same? Not for you. He'll care even when no one else will, he’ll stay and listen to you cry, even if it’s a childish thing like wanting to see the world instead of being stuck in this awful room with wires attached to your body.

He visits when he can–which is when he’s not on missions–when he isn’t he stays with you most of the time, showing up with bags of gifts but what’s the use if you’re paralyzed, too tired to move yet not enough to finally sleep–at least to be free for a couple of hours of pain–So the gifts are open and sit around your room to make the room look alive.

He ends up sitting with you in silence, watching if your heart rate went up or anything that has drastically changed in your health. He holds your hand and wipes your tears since you always cry since you can barely sleep and your eyes are just so tired that you can’t anymore.

The scarce days that you can even sit up in your bed and gaze outside your window while looking at all the gift blades’ gotten you over the several months you’ve been unable to do anything. Yet now you're still weak and the quick recovery will change to worse in a couple of hours.

𝒥𝒾𝓃𝑔 𝒴𝓊𝒶𝓃

He’s sentimental with you, just watching your face contort into pain as a fit of terrible coughs leaves your throat leaving it burning more than before. It was a complete never-ending nightmare for you until you finally were to be freed when you took your final breath of air.

He tries to bring an upbeat attitude to you, listening to you with contempt about whatever you may be talking about, like your dreams, goals, and wishes; maybe a chance to see life outside of this miserable room–yet deep down no one thinks you will.

He loves to bring you sweets–you can’t eat because most of the time you're bedridden–and toys–you can't play with. It's the duty of the general to make sure every citizen is safe and you mean the same to him even if you are sick–and dying.

You’re his child that's all that matters to him. The fake people's pity along with the whispers and disgusting assumptions. He hates it, he hates what they say is the truth–Since in the end, you’re the one dying, right? So what’s wrong with saying what everyone knows is going to happen.

𝒜𝓋𝑒𝓃𝓉𝓊𝓇𝒾𝓃𝑒

Everyone comes to Pencony to have fun and let their dreams become reality yet you’re the pitiful one who must be stuck in your room all day whilst Aventurine is out and about having “fun” you can't help but be a little envious of him, yet you are love more than anything by and you’ll wait for his return as you’ve always have done.

Watching the lights from below your window along with the sounds of everyone having so much—you cut the sounds out since your body is a rotting corpse lying there.

But it’s not that bad!! Aventurine splurges on you whenever he can and wants!! Even if your room is filled with stuffed animals, util your room can’t handle all the stuffed animals, then he’ll get you a bigger room!! He just wants you to feel included in any way he can. Even playing board games with you, or even it’s patty cake.

Your dream is to be like other people. To be a “normal” kid since dreams will only ever be dreams and never be anything good for the hopeful.

𝒮𝓊𝓃𝒹𝒶𝓎

You’re the child of the great oak family, a prized child even with ruined lungs, hoarse throat and weak rotting body, you’re still his child, the only reason he does the things he does is for your sake.

He always reads you bedtime stories no matter if it is the 100th time reading the same one or the first, your wish is his command. Even if it’s reading you a lullaby no matter how bashful and embarrassed he feels he’ll still do what ask just to see a bright smile on your face.

It’s okay, don’t cry, it's only just a couple of needles. The pain will go away in a second, you can handle it, right? That’s what he always tells you. Comforting you is the most important thing, you’re his everything, watching you cry or whimper at the face, needles, nightmares or anything else then he’ll do anything for you.

if you liked this, consider tipping me on ko-fi! it'd mean a lot!

#✧*:･ﾟ✧:･ Yurinna's Writing :･ﾟ✧*:･ﾟ✧#honkai star rail x you #honkai blade #honkai blade x reader #blade x reader #honkai star rail #hsr x you #hsr x reader #honkai star rail x reader #jing yuan x reader #hsr jing yuan #star rail #aventurine x reader #aventurine x you #aventurine hsr #hsr x y/n #sunday hsr #sunday x reader #sunday x you

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heyclickadee · 2 days

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So, here’s the thing. The finale is weird. Yes, I’m hurt by the fact that Tech didn’t come back and that a character that’s very near and dear to my heart was badly handled, and that will never sit right with me. But even apart from that, the finale fundamentally does not function as a piece of storytelling or as the end to this story. I’m glad that people are enjoying it, and I will never tell anyone not to. But I don’t think it works. (I get very negative about the TBB finale under the cut.)

It’s not just the Tech stuff or the CX-2 stuff (which may very well have been the same stuff) that got dropped. It’s *everything*. Every theme, Every narrative thread besides retrieving Omega, every character arc except marginally Omega’s, Echo’s (also marginal), and Emerie’s, which was the shortest and gets wrapped up by her deciding to help Echo rescue the kids. It all stops. It makes everything that came before seem cheap and pointless if you take it into account. And this is so, so frustrating for me, because the entire show was driving towards this incredibly rich payoff, it could have been immaculate, and then it whiffed the ball so bad in the last episode that it didn’t just miss, it managed to knock over the bleachers and set the entire court on fire.

Some examples:

1. This season had a really interesting exploration of Crosshair’s PTSD via his hand tremor and how it was something he can learn to manage, but not something that would ever fully go away. Aaaaand then his hand gets chopped off. One, that was stupid. I’ve seen some excellent posts (here’s one by @the-bi-space-ace) detailing why that was a terrible way to handle Crosshair’s lingering trauma, and others talking about how the idea there was that Crosshair needed to move on and it was severing his last ties with the empire. The former, I agree with; the latter, I don’t, because not only—not only!—does this episode stop dealing with Crosshair’s trauma, it doesn’t even deal with having cut off his hand! It just sort of occurs. No one reacts to it, no one says anything about it, there’s no follow up or commentary, nothing happens as a result—it’s an event which occurs with no results coming after it. It may as well be an animation error. You can say it was about Crosshair needing to let go and move on, but that’s something you have to project on to the text, not something that’s actually offered by it. It’s empty.

2. Crosshair again: We also have the lingering issue of Crosshair’s guilt and the fact that he never seems to get to a point where it’s resolved. There’s set up for a resolution. We have that, “Sure you have,” like about Crosshair from Rampart. We also have Crosshair saying he deserves whatever happens to him in Tantiss. And then…no pushback. No resolution. No moment of Crosshair realizing that he doesn’t need to carry that burden. Nothing that says he didn’t deserve what happened to him. He had all this character development this season, but he needed - last little push to forgive himself—and we never get any indication that he does. It, like his trauma, gets dropped like a rock.

3. Hey! More Crosshair! A good chunk of Crosshair’s arc this season was about learning that anyone can change, first, and that no one is beyond saving. Eeexcept that goes no where.

4. Which brings me to my next point: There is set up for the CXs to be saved. Even if we’re laboring under the conclusion that CX-2 was never intended to be Tech at any point in the writing process (I have. Doubts. Yes, I’m calling the creative team liars, here, but with the understanding that they have contracts that may require them to lie), we do have the set up where we learn the electrocyanide zappers can be removed, and with Rex offering forgiveness to CX-1. “Whatever they did to you, whatever you’ve done, you’re still one of us.” CX-Tech or no, Crosshair’s arc was tied up with the CX plot, and because he’s the one the CXs tend to react to—or, at least, understands what was done to them—the set up was there for him to help save and maybe rehab the CXs. At the least, there was an indication that they could be saved. Eeexcept nope! That gets dropped like a rock, too, and they’re not going to deal with it. Time for maximum carnage.

5. Hunter’s arc actually takes a step backwards. Sure, he gets a technically happy ending, but because the squad is basically in the same place they were in “Pabu” back in season two (down a member but successfully hiding from the Empire in a safe place), it negates Hunter’s development towards actually taking action—and actually hurts Echo’s arc, too.

There’s been this tension all through the show between just sitting things out on the one hand (Hunter’s way) and taking direct action despite the futility on the other (Echo’s way), but instead of finding some kind of middle ground or third road, it sort of comes back around to saying that, actually, Hunter was right, they should have just gone to Idaflor back in episode three and never left even though the Pabu invasion said that no, you can’t just hide, and even Hunter’s development was moving in the opposite direction. And this also means that Echo never reaches a point where he feels like he can walk away and that he doesn’t have to get himself killed doing this. Despite development otherwise they both end up back at that conversation in “Tipping Point” without any move in either direction or resolution of that tension.

6. Omega. Okay, Omega probably comes out the best after the finale, and, conceptually, I actually love the idea of Omega becoming a pilot even if the epilogue falls a little flat for me. But stuff with Omega still got dropped, including:

- The force stuff. We have two episodes dealing with m-count (after learning in episode three what Omega was created to do). We also have Ventress telling Omega that she doesn’t have a high m-count as far as she can see, Crosshair immediately calling Ventress out for lying, and then Ventress basically saying, “Yeah, no shit, but if she has force potential she’d have to leave you behind, and it doesn’t matter what your opinion on that is, so I’m not dealing with that.” Aaaand then,m. That. Goes nowhere. Despite a bit of set up for Omega connecting to the force as early as episode one, and some more set up in Tribe, and that whole subplot of her learning how to meditate, and so on.

Now, I don’t think that it was ever going to turn out that Omega did actually have a high m-count or that she had a particularly powerful natural connection to the force. I think she’s probably got a low or baseline m-count. What I do think, however, is that we were going to see Omega connect anyway as a refutation of Palpatine’s and Hemlock’s entire scheme. Their goal (based off of the ST) was to create extremely force sensitive clones as a way for Palpatine to jump bodies without having to waste time re-learning how to connect to the force. You know—dark side, quick and easy path, focus on eugenics and raw power, etc. Had Omega connected anyway because of her big heart and desire to protect, it would have not only paid off that set up, it would have also refuted Palpatine’s and Hemlock’s entire goal. It would have worked so well thematically and the set up was THERE.

- branching off of that, I think the Omega force stuff was probably tied to the Zillo beast. We also had a through-line of Omega being good with animals and taking the time to calm them instead of responding with violence. The first time we see this is in “Replacements,” where she realizes that the ordo moon dragon (also an electrophage—I don’t know what to call these things—like the zillo beast) is just scared and hungry. This is all conjectural, but it still fits with what was set up.

- Moving on from the force stuff, we also had a through-line that started way back in episode two of the series, but which was really emphasized this season, about Omega feeling like she’s the cause of the bad things that happen to the people she loves. This is why she gives herself up during the Pabu invasion in the first place. This is never resolved! We get Omega’s confidence boost when she realizes she has the force kids to take care of, but we never get a moment where Omega realizes that she has no reason to feel guilty. She’s the glue that holds the family together! But nope! Also dropped!

- But wait! There’s more! The first two season finales have Omega watching someone she loves fall away while she’s helpless to do anything to save them. That’s perfect set up to put Omega in the same situation, but be able to save them, because she’s finally come into her own. Instead we just end up with her needing to be rescued again.

- Omega has this big speech in Shadows of Tantiss about spending her life stuck in one place or another against her will, and how she refuses to be confined like that. I don’t think Omega would have been happy just staying on Pabu for the entire rest of her childhood and young adult life, even if I think she’d want to use it on a home base. But! Dropped!

7. I still can’t get over the fact that the zillo beast is on screen for about two minutes and then just. Walks away. It’s a large beastie that’s been locked in confinement for a while and is probably hungry. And somehow it didn’t go straight to the reactors for some delicious energy smoothies. Like. It. Did. The. Last. Time. Someone. Let. It. Out. But no, that would have required it sticking around for something that was probably dropped sooooo ZILLO BEAST EXIT STAGE RIGHT I GUESS. (Edit: I have been reminded that Hemlock does say to turn off the generators once the zillo beast is out, so that at least makes sense. I still think the zillo beast should have stuck around to do something.)

8. You notice how there are a ton of commandos around Tantiss, even up through “Flash Strike?” And how they kind of largely cease to exist? And how Echo says that there are far more clones imprisoned in Tantiss than anyone thought? And then how they rescue, like, a dozen guys? Because we never find our way back to those cells Crosshair was held in during season two? And how Tarkin does mention not wanting to allow clone dissidence to turn into an uprising back in “The Summit?” Because I did. This show was never going to be about a clone rebellion, that wasn’t the point, buuut I do think the set up was there for an uprising at Tantiss itself. Begin the series with clones losing their agency en masse, end the series with some of the most subdued clones taking it back. Except nope, dropped, soooo we gotta pretend the commandos don’t exist and murder the hell out of poor Scorch.

9. SPEAKING OF. The batch does kill clones sometimes, that does happen, but they do at least usually make some kind of effort to be non-lethal even when they’re not using stun, and times when they do resort to lethal tactics are usually born out of extreme circumstances. Not here, though!! NO HESITATION MAXIMUM CARNAGE. For. Reasons I guess.

10. There’s one point IN THE FINALE where Echo mentions signaling for Rex. This never comes up again. Rex does not show up. In fact, despite being called, “The Cavalry Has Arrived,” the cavalry does not in fact arrive. There is no cavalry. Yes, I know it’s a reference to Wrecker’s first line. But I’m sorry if you call an episode that YOU HAD BETTER HAVE A CAVALRY SHOW UP. Especially when you have a one about calling them in! But that also!! Got dropped like a rock!!

11. One positive: the moment Crosshair and Hunter leaning on each other to make that shot was nice.

12. Sorry, but Hemlock’s death was deeply unsatisfying. Let’s do something more than just shoot him multiple times, okay?

13. Rampart’s death, on the other hand, was incredibly satisfying. That said, the conversation about project necromancer? I’m dying. It’s actually hilarious, because it basically goes like:

“Tell me about project necromancer.”

“Wow! How interesting!”

I’m.

Are you serious?

I’m going to become the Joker.

Yes, I know we know what project necromancer is because of a different show. That’s not the point, the POINT. Is that any pay off for project necromancer in this show got dropped. And that’s deeply frustrating from a narrative perspective.

14. Speaking of, we never find out anything more regarding that partially successful m-count transfer from episode three.

15. We also never do anything with those medical records!

16. And Omega has a whole crossbow she never actually shoots despite the fact that her role on the team was as a sharpshooter after Crosshair left, and despite her getting advice from Crosshair on how to be a sniper. The literal chekov’s gun never goes off. I’m going to go eat gravel.

17. AZI, likewise, got toted around for three seasons for no reason. Probably could have helped with the medical records. Given that he was a Kaminoan medical droid. Oh, and that Omega was Nala Se’s medical assistant. So. Hmm.

18. You can cut everything in the season past episode five and skip straight to the epilogue and end up in the same place. This is not because the other episodes are filler. Far from it! The other episodes are great and deliver some amazing set up. But, because the finale does nothing with that set up, it doesn’t go anywhere.

19. And you know what else? From a narrative perspective, there’s no reason for Hunter, Wrecker, and Crosshair to be in these episodes at all. They don’t accomplish anything and make everyone else’s job harder. Omega was doing fine, she would have gotten out with the kids with just Echo and Emerie, and Tarkin was coming to cut off Hemlock’s funding and shut everything down once Hemlock lost control of the facility anyway. I can only suppose that the whole reason they were in this episode ended up getting dropped, too.

20. CX-2. Listen, the answer we get about CX-2 isn’t that he’s not Tech. It’s, “Maybe, maybe not—you don’t get to know.” Because. He’s the only CX whose mask never comes off. After a season and a half worth of buildup of unmasking CXs and people pressing them to learn their names. It’s not a no, it’s a non-answer, which is far less satisfying.

And finally:

21: CX-Tech. I’ve seen some people speculating that there was a planned CX-Tech reveal that got scrapped at the last minute—dropped, along with the other points I’ve already laid out. And, honestly? I have to agree. Despite what the creative team says, because even their denials kind of come out weird (like the Kiners saying that the large brass chord in “Battle of the Snipers” was just a nice sounding brass chord and not a reference to “Plan 99.” They also basically say that the sacrifice theme from “Plan 99” is Tech’s leitmotif. Which. Is all over “Battle of the Snipers.” That theme. Not Crosshair’s. In a scene. Where he’s supposed to be fighting a shadow of himself who Totally Isn’t Tech but we put Tech’s leitmotif here and layered it in Techno music but nooo that was never supposed to be him. Nope. I mean, come on. I’m not stupid).This post is already long enough, so here are some posts by @apocalyp-tech-a pointing out the reasons why I think this was the case, and one by @eriexplosion pointing out why CX-2 as Crosshair’s shadow and only that doesn’t quite work. I don’t need to go over the trail that was laid out again. Up to the finale this was a character that had more screen time—and far more solo screen time—than Echo. Some people will not stop yelling that there was no evidence, and. No. I’m sorry, there was. I can’t agree.

And some people might say, well, okay, the show misdirected you guys and pulled off a twist by having CX-2 be no one, and well, I can’t agree with that either. Twists only function if the twist is more satisfying than the conclusion to which the story seems to be leading. And I’m sorry, you can’t tell me that a season and a half of CX building and three seasons (because I can find set up all the way back in episode one of the show) for Tech survival culminating in what amounts to a boss fight is more satisfying than getting to see Omega have her big brother back. You can’t.

The reason I bring this up last is because, yes, I think CX-Tech was a plot dropped at the last minute, but because I also think that it’s the dropped plot that ripped everything else apart. CX-Tech was an incredibly efficient way to tie up most of the lingering plot threads and dropped character development.

-Crosshair’s guilt? Okay, he faces down the end result of his decision to stay with the empire and possibly something he knew about (Tech would be in this situation because of Crosshair, and were given hints that Crosshair knew) and is finally able to forgive himself because they’re able to save him.

- Hunter’s decision to finally take action and be proactive rather than reactive is validated, because it’s the thing that finally gets him his entire family back.

- Echo saves someone the same way he was saved, and maybe he realizes that it is enough and that he doesn’t have to be a soldier forever.

- Wrecker’s efforts to keep the family together and keep Hunter sane finally pay off.

- Omega is able to protect the people she charges about and finally, finally has all of her brothers.

- Thematically, it rounds off each member of the batch (Omega included) traumatically losing and then taking back their agency in a way that correlates directly to who and how they are as people.

- It also rounds out the OG batchers each being haunted by a failure that has to do with the thing that makes them special.

- You get pushback against “Clone Force 99 died with Tech! We’re not that squad anymore!” because no, it didn’t, and they’re more than a squad, they’re a family.

- It comes around and closes the wound opened in Aftermath and ripped back open by Return to Kamino: they go in for Omega and lose someone, but here, they go in for Omega and get someone back.

- Would allow Tech to close off his lingering threads and finish his character development BECAUSE THOSE REMAINED UNFINISHED.

- Completely subverts the “bury your disabled” trope by making sure we know the character whose disability was explored the most’s life is more important than his death. Seems like an important thing to do in a show that is kind of about disability. Just saying.

- Makes the lack of closure and little mentions of Tech make sense from a storytelling POV because the necessarily catharsis would come from his return.

- And it would actually add some triumph to the ending. Yes, this little family survived. They outlived the war. They’re together, despite every effort to rip them apart. They made it, despite the dark times, despite the Empire, despite what they were made to do and be. They defied all of that. That would have been so, so satisfying.

As is, without Tech, without that CX-Tech reveal, we sort of end up in this weird place where all the themes are half-baked. They are more than soldiers…except Tech, who had to fall out of the story as a soldier (despite us getting the clearest glimpse of what his life outside of soldiering could have been). They get to live how they want…except Tech. They don’t leave their own behind, except Tech that one time. They should value their own lives a little…except Tech. They’re more than a squad, they’re a family…except Tech, the only one besides Omega to say that’s what they are, doesn’t get to see it, and they don’t get to have him around. We begin the series with a broken family and end it with a family broken differently. That’s not dynamic.

So there’s no really punch to the ending. It’s sort of…well, okay, we tortured a family for three seasons I guess. Relieved that the survivors are doing okay, but that’s kind of it.

22. The finale in general is just sort of a bunch of events which happen, but which don’t lead into one other. It’s weird. It’s not that too much happens, it’s that almost nothing happens. Nothing of substance, in a way. The finale is, in a word, the only true filler episode in the entire show.

TL;DR: I think a lot of stuff got dropped from the finale. I don’t know why. I suspect that it might have to do with the strikes—basically, the script was done, most everything was recorded and boarded, and then when the finale was in production they got sudden drastic budget cuts (this was during a time when the studios were disappearing entire completed shows and movies as tax write-offs), had to gut what they had planned, and couldn’t bring the writers or even showrunners in to smooth over what was gutted or to even pick what got taken out. They wouldn’t have gotten to choose or compress things. They were on strike (because the studios wouldn’t negotiate), and whoever did choose ended up just ripping out the stuff that would actually take any time or budget to deal with (so, basically everything I laid out), killing it (literally), and using the remains of what they already had recorded. And who knows how they had to fill in gaps.

But I don’t know for sure. Maybe it was that. Maybe it was a last minute decision to take certain plot points and put them in a different show. Maybe it was executive mandate. Maybe the creative team just sucked the whole time (that’s one I have a hard time buying—we have four other shows and most of this one that tell me that they’re better at their jobs than this). Maybe everyone said screw it, who even cares anymore at the same time.

Maybe nothing happened. Who knows? I strongly suspect something bad did happen behind the scenes that was out of the creative team’s hands—I really do, because that’s the only way I can make sense of this—but until we can get someone talking without six layers of PR and NDAs, we won’t know for sure. All I know is that The Bad Batch is an amazing show with 46 episodes that range from “fine-but-clunky” to “IMMACULATE,” with more leaning towards immaculate than not, and some incredible set up, and one episode so nonsensically bad it makes me want to eat drywall.

It’s just that the one terrible episode comes right at the end.

I love The Bad Batch. I love every single episode and all the things that were set up, but…eh, I think I’ll be ignoring the finale until further notice.

#the bad batch #in which I eviscerate the last episode of my favorite show #this is very negative!#you have been warned!#I did not like the finale!#AT ALL #I will continue to love the show #but that episode is getting memory holed #it’s BAD #in an otherwise remarkably solid and well written show

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gittetj · 2 days

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You've mentioned that you hc Reigen as ace, can you elaborate?

I agree w/ that but can't sort my thoughts out well enough to make a coherent analysis ;w;

Yeah, that's the vibe he gives me. No concrete "evidence" and I don't care all that much about the sexual orientations of fictional characters, but I guess for me, the headcanon comes down to three things:

1) Reigen is super disinterested in other people being attracted to each other. I feel like there are several small examples of this, but first one that comes to mind is that case with the esper who can astral project and uses it to stalk his neighbor. When they discover this, Reigen has such a non-reaction. I've seen a lot of people bring up these panels

which, yeah, but when they find the culprit, Reigen also doesn't express much of an opinion. It's just "it's a stalker, stalking is bad and illegal, this is a job for the police." No more introspection from him, he immediately moves on, it doesn't interest him. Mob is the one doing all the reacting.

2) Reigen never resorts to flirting despite how he's known for bullshitting his way through anything else to complete a job. Like, no matter how horny Studio Bones is for the guy, they can't change this. He could deliberately capitalize on the fact that a considerable amount of his income comes from massaging middle-aged ladies who find him attractive, but he doesn't. It's accidental. It does not even seem like something Reigen thinks about.

3) Reigen's a self-conscious person, yet doesn't act like it bothers him that he's seemingly never been in a relationship before. He explicitly has a crisis over being lonely in the confession arc, but it's about friends and connections and doing something meaningful with his life. Romantic relationships don't factor into it, even though it easily could, considering it has great thematic relevance for Mob who spends the entire story being in love. Not that you can't fall in love with someone if you're ace, this goes a little bit into aro territory I guess, but either way.. it just gives me that vibe. The indifference. I mean, even in chapter 99 when Mob point-blank asks Reigen for advice about Tsubomi, Reigen first asks Serizawa, then looks it up on his phone, exactly like he would with any other topic he doesn't know jack shit about.

Also, at the end of the scene, he muses about what's important in a relationship, and his conclusions just.. don't sound like he's talking about romance? To me?

I don't know, that entire scene gives me flashbacks to being younger and not yet knowing what asexuality (or aromanticism) is and having to navigate conversations like that without giving away that you fundamentally can't relate to this thing everyone else is so preoccupied with.

Them's my takes, I don't have much else to say about it.

#I remember a million years ago I set out to write an ace reigen post bc someone else asked me about it and now I guess I did #mp100 meta #reigen arataka #mob psycho 100 #replies

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writingwithfolklore · 2 days

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Sequels and Series

On one hand, a sequel can be easy because you already did the worldbuilding, character creation, etc. in the first book.

On the other hand, expectations are high—both that the sequel be as good and consistent as the first book, while offering something new. There’s generally two kinds of sequels, ones that continue the world and characters but within a new journey (think Frozen 2 or the Percy Jackson books), and ones that continue the same journey set up in the first book (Hunger Games, or Divergent). Either way, your sequel is about your MC’s arc, so let’s get into it:

1. Leave room for greater change in the first book

The first thing to consider when writing a sequel comes in writing the first book—obviously the world should leave room for more story in either style of sequel, but so should your character arcs. The first book needs to follow an arc that’s satisfying and fulfilled by the end, but still has room to grow and change in subsequent books.

It’s important not to go backwards in the sequel and make your character forget what they learned just to learn it again.

So, if in the first book your MC learns to be confident in themselves and trust their instincts, maybe in the sequel they are too overconfident, and need to learn to trust others’ ideas and suggestions. Or maybe a new situation means adjusting their old instincts that no longer apply. They shouldn’t start as unconfident again and have to relearn their lesson—they’re a changed, grown person continuing to change and grow.

Otherwise, they may not fully complete their arc in the first book if you’re continuing the same journey in the second—this means you’ll have to plan out a lengthy and difficult arc that has the ability to hold up across several books.

2. But they’re still the same character

The arcs between books should be somewhat related—it would be odd if in the first book a character gets confident, and in the second, they learn something completely new and unrelated to their backstory or personality. If you feel like you’re creating a new character when working on the sequel, you’re probably adding too much.

This goes the same for continuing the same journey. Characters need to be relatively consistent across books, and their gradual change throughout the series should feel consistent, with none of the development happening off page.

3. Sequels/Series are harder to get published (as a first time author)

If you’re looking to get traditionally published for the first time, unfortunately your novel likely won’t/can’t be part of a series or made to have a sequel. It makes sense that an editor is putting a lot of trust and hope into your story to get it published—they aren’t going to sign on to a longer series (or even duology) that they don’t know will be successful. This means that you’re probably unable to do the second type of sequel (by ending on a major cliffhanger).

What you can do is have an ending that wraps up the story satisfyingly, but leaves a little bit of room to continue onto a sequel. If the first book is successful and your editor wants to sign you on for a sequel, you have room to write it. Or, in a lot of cases, you have to publish a few standalones before you build the reputation and trust to write your sequel.

Anything else I missed?

#writing #creative writing #writers #writing community #screenwriting #writing inspiration #books #filmmaking #film #writing advice #sequels and series #writing a sequel #writing series #sequel #series

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kisses-for-you · 24 hours

Text

Preference: You're injured

Resident Evil Characters X Fem!Reader

Characters: Leon Kennedy, Luis Serra, Jill Valentine, Carlos Oliveira & Chris Redfield.

Requested ✅

Leon Kennedy:

Leon glances over at you, his expression tense as he assesses the situation. "Just stay close," he says. "Stick together, and watch each other's backs." He brandishes his knife, ready to fend off the Ganados.

"I don't think we'll be able to kill them all-" You're about to finish your sentence when a Ganado comes up from behind you, to which you have barely any time to react. "Y/N!" Leon calls out. You spin around just in time to see the Ganado lunging at you. Acting quickly, Leon pushes you out of harm's way and swings his knife, severing the Ganado's arm.

"Let's get out of here before more of them show up," you suggest, to which Leon nods and the two of you start to make a break for it.

After narrowly escaping the horde of Ganados, you and Leon find an abandoned building. As both of you catch your breath, you suddenly wince in pain, clutching your arm where a deep gash is bleeding profusely.

Leon notices and rushes to your side. "You're injured," Leon observes, concern evident in his voice as he gently examines your wound. Leon quickly rummages through his pack, pulling out a first aid kit. "Hold still," he instructs. You nod, grimacing against the pain.

His hands work carefully as he cleans and bandages your wound, his touch gentle yet firm. Leon's focused expression softens as he tends to your injury, his touch bringing some form of comfort to you.

"Thanks, Leon," you say, offering him a weak smile as he finishes dressing your wound. He returns the smile, albeit a bit strained. His gaze lingers on you for just a moment longer, making sure you're not injured anywhere else.

As the adrenaline begins to fade away, you feel a wave of exhaustion wash over you. Leon sees this and silently offers you a shoulder to lean on. You gratefully accept, leaning your head against his shoulder. "Are you okay?" Leon asks softly, his voice filled with genuine concern as he looks down at you. "Yeah, I think so," you reply.

____________________________

Luis Serra:

Your heart races as you find yourself surrounded by a group of snarling Ganados in the abandoned house. You fumble for your gun but the sheer number overwhelms you. Fear grips you as you realise you probably won't make it out.

But you hear a familiar voice call out, "Y/N!" Luis comes into view and with steady hands, he aims his gun and fires, each shot hitting another Ganado.

You feel relieved but that joy is short-lived because as the last Ganado collapses to the ground, it lunges at you; its claws tear through your flesh. You cry out in pain, feeling hot blood trickle down your leg.

Luis reacts swiftly, putting down the creature with one final shot. He rushes to your side, concern etched on his face as he assesses your injuries. "Cariña, are you alright?" he asks, voice filled with worry.

You nod weakly, trying to stand up. Luis gently supports you, his strong arms steadying you as you struggle to stand. "Easy now," he murmurs, his gaze soft and caring. With his support, you manage to rise to your feet. Luis keeps a close eye on you, his concern evident as he guides you out of the house to a safer spot.

As you both make your way out of the abandoned house, Luis keeps a protective arm around you. The adrenaline begins to fade, and the reality of your injuries sets in. You wince with each step, but Luis supports your weight with his body.

You find a relatively safe spot to rest, away from any potential threats. Luis carefully inspects your wound, his brow furrowing with concern as he assesses the damage. "I'm going to have to patch you up, okay?" he says, his voice firm but gentle. He starts rummaging through his pack, searching for supplies to tend to your injury.

As he begins to dress your wound, his touch is surprisingly gentle, his focus unwavering. Nothing is said between you two, but you don't feel the need to speak - it's a comfortable silence. When he finishes dressing your wound, he meets your gaze with a reassuring smile.

"Thank you," you whisper softly, your voice barely above a breath. Without a word, he pulls you into a tender embrace, his arms wrapping around you protectively. You lean in, closing the gap between you, and press your lips against his in a gentle kiss.

____________________________

Jill Valentine:

Jill instinctively steps forward, hiding your body behind hers. "Stay behind me," Jill whispers, her voice remaining steady despite the current situation.

You have no time to even respond as the B.O.W from earlier - Nemesis - lunges forward, coming right at you both. Without thinking, you push Jill to the side and you both fall to the ground - out of the creature's reach.

Jill quickly rises to her feet, grabbing your hand and pulling you up with her. "We need to find a way out of here," you say, scanning the area for any possible escape routes. Jill nods, her expression determined as she grips her weapon tightly. Together, you make a dash for the nearest alley.

When you can no longer see or hear the B.O.W, you and Jill stop to catch your breath, leaning against the wall of a building that appeared to have been some sort of restaurant before this whole mess.

"Are you alright, darling?" Jill asks, concern etched in her voice as she checks you for any injuries.

"Yeah, I'm fine," you reply, though the close encounter with Nemesis has left you quite shaken.

Jill pulls a slight face, as if not believing your words. She takes a closer look at you and as she looks at your shirt, she realises, "Y/N, you're bleeding."

"I am?" You glance down at your shirt, noticing the stain spreading across the fabric. "That thing must've got me earlier." You shrug, trying to downplay the injury but as the adrenaline fades, the pain worsens.

Jill's expression softens, her concern deepening. "Let me see," she insists, gently lifting the edge of your shirt to look at the wound.

Jill carefully inspects the wound, her brows furrowing in concern. "It's not too deep, but we need to clean and bandage it quickly," she says, her voice firm, leaving no room to argue. She reaches into her bag and pulls out a first aid kit, efficiently cleaning the wound and applying antiseptic before carefully bandaging it up.

Not long after, she's done. "Thanks, Jill," you say softly. She looks down at you, her eyes softening with a small smile. "Of course, darling," she replies.

Gently, she reaches out and cups your cheek, drawing you closer to her. And without another word, you lean in, closing the distance between you, and press your lips against hers in a lingering kiss.

____________________________

Carlos Oliveira:

In your cozy kitchen, Carlos and you are cooking together, getting ready for a fun night. You joke around as you chop some vegetables, but as you laugh at another one of Carlos' stupid jokes, you fail to pay attention to what you're supposed to be cutting.

Looking away from the vegetables for a split second, you manage to accidentally cut your palm with the knife. Pain shoots through you and you wince, dropping the knife with a clatter.

"Fuck!" you exclaim, clutching your hand to your chest as blood begins to seep from the wound. Carlos's laughter dies away instantly, replaced by a look of concern as he rushes to your side. "Hey, are you okay? Let me see."

You wince as he takes your hand in his, examining the cut with furrowed brows. "It's not too bad," he says, his voice gentle yet reassuring. "But we should clean it up so it doesn't get infected."

He gets you some paper towel to try to stop the bleeding and while you try to stem the bleeding, he goes to grab the first aid kit. With his steady hands, he cleans the wound carefully, his touch surprisingly gentle.

"Thanks, Carlos," you murmur, feeling a mix of embarrassment and relief.

He smiles warmly, his brown eyes softening. "No problem, mi amor. Just be more careful next time, okay?"

____________________________

Chris Redfield:

You and Chris are on holiday in a small cabin in the middle of the woods, a place for you to get away from your busy, demanding life. This was the perfect place as it was quiet and a way for you to just relax.

Next to you, Chris is fast asleep but you find yourself restless and unable to fall asleep. With a sigh, you slip out of bed, deciding to go for a quick walk to clear your head.

After what felt like a couple minutes, you start going back towards the cabin but lost in thought, you fail to notice the tree roots in front of you. With a sudden jolt, you stumble, pain shooting from your ankle and up your leg as you crash to the ground. You struggle to stand as the pain overwhelms you.

You manage to lean against a nearby tree and start thinking about how you're going to get back now. Just as you're about to rise and start limping the rest of the way back, you see what looks like a flashlight in the distance and a familiar voice call out, "Y/N!" It's Chris.

"Here!" you call back.

You hear his pace quicken, coming in your direction. As Chris approaches, concern etched on his face, he looks at you and notices something is wrong. "What are you doing out here so late? Are you hurt?" he asks, crouching down beside you.

You wince, trying to hide the pain in your ankle. "I... I tripped over some roots," you admit sheepishly, trying to brush it off as nothing serious.

Chris's expression softens as he gently examines your ankle. "Let me take a look," he says, his voice calm and reassuring. "It's swollen," he observes, his brows furrowing slightly with concern. "Let me help you back to the cabin and then we can ice that ankle," he offers, gently lifting you up and supporting you as you hobble back. He wraps an arm around you protectively, guiding you every step of the way.

As you reach the cabin, Chris helps you settle onto the couch before disappearing into the kitchen. Moments later, he returns with a bag of ice and a makeshift wrap.

"Here, let's get this on your ankle," Chris says, kneeling beside you and carefully placing the ice pack on the injured area. His touch is gentle yet firm, comforting you despite the pain.

"Thank you, Chris," you say, to which he smiles warmly.

____________________________

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cripplecharacters · 3 days

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In general, how would you approach writing nonhuman/feral characters with disabilities? How would you balance the symptoms animals usually show vs human symptoms, experiences and available accomodations?

I'm considering giving my Warrior Cats character with TBI-induced blindness (yes, I know, these books are awful about disability rep and yet I can't help but get attached) a guide animal of some sort, but... in real life blind cats can get by just fine using their whiskers, and though realism isn't a concern here, I'm worried that'll come across as nonsensical. However, I'm personally uncomfortable with writing yet another blind character that doesn't need mobility aids despite not being able to distinguish objects from one another "properly". He may not be totally blind, but I feel like I'd be contributing to the misconceptions surrounding my own condition that way. Thoughts?

Thank you for your ask! In real life animals, including cats, have been known to assign themselves as a guide for a blind packmate, usually walking on the side with less vision to help with navigation. Sometimes an animal of another species will act as a guide, but only if they’re bonded. This also occurs more often in domesticated animals, so if you don’t want the guide to be another cat you could do something like a dog, chicken or rat (though I’d imagine the last two would be hard to keep in a cat pack!).

You could also have your character able to move around unassisted in familiar areas that he is often in, but need assistance in unfamiliar areas.

As for writing your character, I’d say research how his injury affects his other senses. Touch, smell, hearing and limb movement can be affected by a traumatic brain injury, and it would definitely affect your character's ability to get around.

As of now, this blog unfortunately doesn’t have any blind mods (applications are still open as of posting this). However, you can check out other blogs for more information on blindness, such as BlindBeta, AskABlindPerson, and Mimzy-Writing-Online.

Have a lovely day!

Mod Rot

Hi!

When talking about TBI induced blindness, you have to keep in mind that it's different from ocular blindness. The brain-based type of blindness is called CVI, or Cortical Visual Impairment, and it's very common!

(Note: I have done a lot of research on CVI, but I don't have it myself. I heavily encourage you to check the blogs that Rot mentioned!)

A CVI will often have different symptoms than ocular blindness. For example, the character's field of view could be severely limited - the left (or right, or top, or bottom...) half of their vision could be non-existent, and the other half could be what is sometimes described as "incomprehensible". It could also present in infinitely different ways from that, as it can be very diverse!

CVI is often fluid and the person (or cat) can function very differently depending on the circumstances like fatigue or stress or even the weather. If he's having a horrible day he will be able to understand the visual input less than when he's doing fantastic.

With CVI, it's important to remember that visual acuity generally won't be the main problem, but the brain's comprehension of the image is. This is where cat-available accommodations can hopefully come in.

Showing him experiencing visual fatigue and how he deals with it could be one of them! During his kitty activities he could prefer to have them spaced out so that he only sees one at a time and makes it easier for his brain to comprehend without tiring him out. A cluttered environment would probably only make it worse, so you can have him make sure that everything is nice and in its place. He could also take longer to recognize new objects or cats.

If he has, for example, very limited field of vision, then he could have his kitty house (I don't know how warrior cats work I'm trying my best here) arranged so that it would work for him; i.e. everything being on a specific height.

I also very much agree with Rot that he should have more symptoms than just blindness! One example of a brain-based cat disability could be cerebellar hypoplasia; it can't be caused by a TBI, but it causes ataxia which can be a result of a TBI (mildly complicated, sorry). Either way you can use it as a reference to visualize how your character could move!

I hope this helps! I really appreciate the effort of trying to include disability accommodations in a character who's a forest cat.

mod Sasza

#mod Rot #mod sasza #blindness #brain damage representation #fantasy species #<- i know cats are real but IDK i think it fits there. four legged fantasy species and all

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nekropsii · 20 hours

Text

Small Atomic Ask Bomb!!

I've got a bunch of short asks that I'd hate to spam the dash with individually, so I'll just put 'em here, under the cut!!

Content Warning: Long, Brief Discussions of Racism, Misogyny, Grooming, Brief Mentions of Incest and Pedophilia in Fanfiction.

I've always been a hater, and I honestly don't really think it's a bad thing - not as much as everyone says, at least! I think being kind of a bitch about things that don't matter is good for you, actually. Gets the urge to be angry out in a way that's healthier than just snapping at people in critical moments. I also just think being strong and passionate in your convictions is good for you. Being a hater gives you a spine if you do it right, and it fires a gunshot and scatters people you don't really want to be around. It also has the funny side effect of people thinking I take things way more seriously than I do, just because I'm opinionated and will state said opinions clearly. Big fan of this meme:

This is me.

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I used to peek in there every now and then, just to be nosy. Incest at the top, always. Or straight up pedo shit. Sigh. Looked in the Mituna tag a couple times. CroTuna fucking nightmare hell dimension, always. Or KanTuna, which I also have gripes with. Or KanMiTula, which I have even more gripes with.

It is my understanding that the state of Homestuck fanfiction hasn't gotten much better since the 2010s. Everyone is wrong and no one is normal. Sad.

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I don't know if the mere act of only making Jade and Jake brown out of all the Kids is Racist on its own, per se, but it is kinda silly in the sense that, you know, John and Jade are siblings, so realistically they'd look similar. And... People absolutely do get racist about it. Like, making Jade and Jake uniquely huge, hairy, threatening, and oddly shaped - gangly in the context of Jade, buff as hell in the context of Jake. I've seen some SEVERELY racist drawings where Jade and/or Jake were the only hints of melanin in the Kid line up and... Oh my god. It can get to straight up caricature levels. Watermelons and everything. Just comedically racist.

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Genuinely one of the dumbest fucking things in the world. People will say literally anything. Saying Damara isn't Japanese is on par with calling Porrim a fucking Men's Rights Activist. It's a funny little claim people who are grievously wrong say as a condemnation of the Alpha Trolls for no reason. Why. To look smart? To fit in? Dumbass. Notice how they always have to invent bullshit lies to critique anything instead of just saying things that are true. It really frustrates me how 99.9% of Alpha Troll criticism just isn't at all legitimate when there's some real, genuine issues you could critique. It's stupid horseshit. I hate it so badly.

I don't actually care whether or not someone likes the Alpha Trolls, but at least hate them accurately. Come on.

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@sleepy-apparition

Everyone is so, so quick to turn a blind eye to just how violently misogynistic Kankri is, lmfao. Genuinely, I don't think I've ever seen anyone other than myself bring up the fact that he's an avid Slut-Shamer in the modern day. Other than that, I only really saw older Mituna fanatics bring it up over in the early-mid 2010s, but none of them are around these days.

Genuinely, some of the shit he says is so appalling, lol. Kankri FULLY deserves to get his ass beat.

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I have said this before but I'll say it again - I do not think a Red Romantic Relationship will fix Dirk, or even really help him all that much. Before he gets into a RedRom, he needs some therapy, a break, and mood stabilizers.

However, I'm thoroughly of the opinion that a good BlackRom could work wonders on him, way more than a RedRom would. I think a solid, established Pitch Relationship with, like, Caliborn would be genuinely great for him, both mentally and in a Character Development sense. I hold zero interest in watching Dirk and Jake badly fumble a traditional romantic relationship - that notion is painful to me. ... But I do think I could read a full Intermission's worth of Dirk and Caliborn fucking around and not get tired of it once. They have a fantastic dynamic. It'd be good for Caliborn, too, I think.

This has been my Dirkuu propaganda bit. Thank you.

Also, the Voyeuristic feel of how people handle his Mental Illness. It makes me uncomfortable.

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True. I don't have any other remarks to make about this, you're just correct. True.

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... Fuckin'... Why, though? What- what's the appeal? There's nothing there. I literally cannot conceive any way in which that would be compelling, and I'd say Hal and Kankri are pretty high up there in the list of Male Homestuck Characters I Enjoy.

People will do anything but pay attention to Female Characters for five minutes. God. Lol.

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It's literally just DaveKat 2. I don't think it even qualifies as a Crack Ship when it's just a variant of The Fandom's Most Darling M/M OTP. It's just a deeply mid RarePair. Crack Ship would be, like, Dirk Strider x Rainbow Dash.

Dirk x RD was a popular Crack Ship, sure, but it's still a Crack Ship on basis of being a Crossover Pairing.

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I can't recall any specific instances of seeing this myself, but I'll believe it. People will do anything except be normal about Vriska. People will fight the war against Vriska on the side of and against Vriska at the same time. People will call her a Huge 8itch but then call her pathetic when she stops being a Huge 8itch.

We love Misogyny, I guess.

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Well, he is based on Tumblr, after all. Particularly how dogshit the politics are on here. Of course he would. He'd do numbers on here, considering his Woke Hate Speech.

It's called Bubblr, by the way. Like, canonically. We do know what it's called.

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It's actually based on the Three Wise Monkeys. You know, that old Japanese Proverb that goes "See No Evil, Hear No Evil, Speak No Evil"? That.

Kurloz is Speak No Evil, Meulin is Hear No Evil, Mituna is See No Evil.

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Great Question. My personal guess is that he's a little too nuanced for a lot of people to be comfortable with handling. He throws out too much surface-level Bigotry that people aren't willing to ignore because it isn't Racism for many to feel comfortable making him their Blorbo. When Dave says the N-Word and talks about how fucking Racist he is and it literally never gets acknowledged or resolved, that's fine and dandy, but god forbid Caliborn be a Misogynist in the funniest way possible AND have that get acknowledged literally constantly as a problem. The fact that Caliborn isn't a Fuckable White 13-Year-Old Twink means none of his crimes are ever forgivable because he's ugly and unshippable, or whatever.

The fact that he's Mentally Disabled doesn't help. People can't fucking STAND IT when a character is Mentally Disabled in a way that isn't Cute and Consumable, much less a character who is Unconsumably Mentally Disabled AND Complicated. It's just not allowed!!

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uriekukistan · 1 day

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alright i've been seeing so much megumi hate recently, and especially after the new chapter (not on here, mostly twitter youtube and tiktok), so as president of the megumi defense squad, here is my dissertation defending him against the bum allegations.

i've seen a lot of people comparing megumi's situation to yuuji in shibuya, and saying that megumi should be able to "just get up and keep fighting," so i'm going to tell you why this is not a fair comparison, and give some context on yuuji's "recovery" from shibuya that i feel people are missing when they say this. this is quite lengthy, sorry in advance

i. fundamental differences in the ways in which yuuji & megumi view saving people

yuuji wants to save everyone. he wants to save as many people as he can because of what his grandfather said to him on his deathbed. this is what kickstarted the events of jjk. if yuuji hadn't felt this way, he never would have eaten that finger to say some guy he met an hour ago, which is another point. yuuji cares for people easily. he threw his life on the line to save megumi immediately after meeting him. he mourned junpei, who he spent all of a few hours with in total like he had known him for years.

this is very different from megumi, who both does not get attached to people easily, and does not care to save everyone. he only cares to save people he deems worthy, and as far as we know, this list consists of only tsumiki and yuuji. its even unclear if he feels this way about nobara or gojo, despite them also being relatively important in his life. as you can see, when he thinks about saving people by his conscience, the only two characters shown are tsumiki and yuuji.

this is why he sometimes gets some criticism for not doing a half-assed job as a sorcerer, but i think its important to remember that he does not actually want to be a sorcerer, only doing it out of necessity to keep tsumiki from the zen'in clan. the times where we do see him taking things seriously are when yuuji and/or tsumiki's lives are what's at stake.

so in shibuya, after watching his own hands slaughter innocent people, and watching nanami and nobara die, yuuji is able to keep going because there are still more people who need to be saved, and he wants to save everyone. in contrast, megumi has watched his own hands kill one of the two people that he cares about saving, and severely maim the other one, so what is there to keep fighting for, given the way he views the world?

and i think it's also important to note that megumi has not been aware of his surroundings since sukuna v yorozu, so saying that he should get up now to save yuuji is not reasonable because he doesn't even know yuuji is there.

ii. the environment yuuji was in in shibuya vs the environment megumi is in right now

now none of that is to say that yuuji did not also break down and want to give up in shibuya, because he absolutely did (actually, im not sure if this is canon or just my theory, but the reason he did not switch back with sukuna at the detention center was because he wanted to give up), but the circumstances were way different

within minutes of watching nanami and nobara die, todo & nitta were there to encourage him and get him back on his feet (most of that was due to todo, but nitta was also telling yuuji not to lose hope).

meanwhile, megumi has been alone for over a month now, save the few seconds in 251 where i'm pretty sure he didn't even know yuuji was there, with nothing but his own misery to keep him company. sukuna took over his body and killed tsumiki with megumi's technique on november 16th. the shinjuku showdown takes place on december 24th. that's over a month stewing in guilt and mourning with no one to support him at all. that makes it a lot more difficult to bounce back quickly like that.

iii. more context on yuuji

even after todo's little pep talk that gave him the strength to get up and finish mahito off, yuuji didn't just "bounce back" and stand up to keep fighting in the way people think he did. in the days following the shibuya incident, he was really directionless, probably a bit reckless, because he genuinely didn't know what to do with himself, and didn't know if he even deserved to be alive. in my personal interpretation of yuuji immediately post-shibuya, if it weren't for choso, he would have likely lost his life, as he just showed a lack of self-regard in those days following. just one example:

it's not until megumi shows up again that yuuji finds a direction to go, and even then, he's operating with the mindset that once everything is over, megumi and tsumiki are safe, and gojo is unsealed, he will die and stop causing trouble for everyone.

so again, i think the megumi/yuuji comparison as a way to hate on megumi is not fair, both because there are important differences in the way they think and their situations, and because yuuji's reaction post shibuya isn't quite as resolved and strong as people make it out to be. this is not to say that yuuji is not strong! he absolutely is, just to point out that he, like megumi, was/is also lacking the will to live, and there's nothing wrong with that! wanting to give up is a completely reasonable reaction to being in this situation as an ADULT, let alone at 15 years old.

if you've made it this far, thank you for listening to me ramble 🙏 pls let me know any of your thoughts as well, i'd love to chat about this!

#jjk spoilers #jjk leaks #jujutsu kaisen #jjk #megumi fushiguro #yuji itadori

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fancyfade · 2 days

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Thinking about the representation of characters with chronic pain and... part of why I don't believe that any writer besides the batgirls writers was ACTUALLY trying to represent invisible disabilities with babs is because being an invisibly disabled person with chronic pain does not mean that you do everything an able bodied person does, but with one line that things hurt or you have to be careful.

Like now I use a wheelchair, but I used to do karate when I was still getting fibro. There was a bit where we all had to run for conditioning, and I had to sit out . Not "oh no this will feel in my knees". If I ran I would be able to do nothing else bc how much pain there would be. I still could do kata and stuff and sparring (probably unwisely) with a bunch of braces on every joint (ankles, knees, wrists, elbows), because that was low impact and hurt less. And I was completely wiped out after practices and lessons.

But my point is - being an active person with chronic pain does not mean looking like an able bodied person. Obviously it changes based on severity, and each person's individual experience, but I'm like... really babs has chronic pain and potential risk of reinjury and she's keeping up with the other batfam members on the rooftops in fear state? She's frantically lifting rubble and not immediately collapsing the instant she hears the people she was trying to rescue are safe? She pretty much just does everything an able bodied person does, but since the author said she had a back brace were supposed to pretend its reprentation and not CYA for ableism?

Like. Should note - I don't want babs to be a part time wheelchair user with chronic pain. I'm fine not being represented in this way, because she originally had another disability that was erased. But it's baffling to me when people act like dc actually intended her to be representation for people with invisible disabilities. I mention batgirls being an exveption bc that was what inspired this post - I was so surprised to see babs mention not getting up because her back hurt that I was like "wait literally no other writer of this era has done that amd acted like her disability might affect what she does'

#like inb4 i still dont like the Batgirls thing #but reading more comics of this era its like .. ok so that's the only place where dc pretends its for rep #and thats probably on the vwriters not the company #dc comics #barbara gordon #disabled characters #chronic pain

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halfratsalready · 2 days

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The "What if the Traveler is Jack's Dad?" Dilemma & The Power of Character Design in Just Dance’s Storytelling

Originally I had an entire post of all of my thoughts on the worry that the Night Swan event will confirm that Jack's father is the Traveler, but this part made up well over half of it, so I made it a post of its own. I might post the rest separately at some point (I don't even know if I actually think that Ubisoft will make it canon, but I did this anyway).

I went a little crazy on this one, but stick with me here. I am well aware that people don't have to look anything like their parents, but in the world of things like video games (and especially in a game that has to rely entirely on visuals in the absence of dialogue), it's not a bad idea to make related characters visually similar enough for the audience to put their relation together, and the Just Dance team has done an excellent job of this with Wanderlust, so I thought I'd do some analysis on it in relation to the "Jack is the Traveler's son" theory we're all so worried about. This is a very long post - you have been warned.

Disclaimer of sorts: I'm not a costume designer. I'm not a character designer. I'm a musical theater composer, though, who has worked closely with artists on costume design, and I like to think that I have a pretty decent handle on the basics of visual storytelling through character design, which is what this entire post is based off of.

(This post also contains a small spoiler for Sweet Dreams, though it seems that it won’t be a beta for much longer…)

One of the cool things about Wanderlust's appearance is the way that the designers managed to give him his own unique look while also paying homage to both of his parents. It's important to note here that both Si'ha Nova and the Traveler were already well established characters by the time of Wanderlust's first appearance in JD23, so it was important to give him those visual similarities to make his connection to them more apparent.

The most obvious visual similarity between Si'ha and Wanderlust is their blue skin, which makes it pretty clear upon first glance that they're related. A non-genetic but still obvious visual similarity between the two is the use of triangle motifs. Si'ha has one on her head and more on her earrings, for example, while Wanderlust has them on his crown, one on his glove, and one on his belt. I think that it's also worth noting that the golden accents on Wanderlust's sleeves are vaguely reminiscent of the ones on Si'ha's purple glove. They both also have purple, gold, and pink in their overall designs.

Wanderlust has fewer “genetic” visual similarities with his father than he does with his mother, but they're still there. The only "genetic" similarity that they really have is the blue hair (granted, Wanderlust's is only a streak of blue, but it's still there, and his eyebrows are blue, as well). They have a ton of other visual similarities in their designs, though. Just like Si'ha, the Traveler has several triangle motifs throughout his appearance. The one he wears on a chain around his neck is very similar to the one on Wanderlust's glove and belt. They both have their own unique triangle symbols, but they're quite similar. Also notable is Wanderlust's half-cape, which is dark with gold accents, much like the Traveler's cloak. Once again, those gold lines on the Traveler's cloak are similar to the ones on Wander's sleeve. Additionally, Wanderlust seems to have the same eye color as both of his parents.

Even when he's been transformed by Night Swan's spell, Night Wanderlust (or, as I like to call him, Swanderlust) has several visual similarities to both of his parents that he doesn't have in his "normal" form. Though not the same shape or color, he has a shape over one of his eyes like the Traveler does, and those shapes on the black part of his shirt are, to me, very reminiscent of the circles on Si'ha's blue glove. And that little triangle on his crown is remarkably similar to the one on Si'ha's head, black surrounded by gold (I also think the blue of the feathers on his cape are similar in color to the Traveler’s shirt).

I know that Sweet Dreams is a beta (though it might not be for much longer) and that it's very possible that if they do release it, they might change this shot, but for now, I want to use it. When I first saw this shot of Night Swan at the end of Sweet Dreams, I was really thrown off because something felt very wrong with it, and I realized that it's her eyes. They are such a bright green here. It felt like such an intentional choice, and it made me think of the fact that all of Jack's avatars (though you can see it most clearly in his legendary avatar) have green eyes. Does he have green eyes in the actual game? No. But I thought it was an interesting enough detail to include here. Personally, my headcanon is that Night Swan had green eyes before she became Night Swan, at which point they turned yellow, meaning that her eyes are naturally green and that she passed that trait on to her son.

Though they're rather lacking in "genetic" similarities, though, Night Swan and Jack have plenty of those visual similarities that Wanderlust has with his parents (I also think it's worth mentioning that, save for that one teaser in Season 1: Astral, Night Swan and Jack were introduced in the same game, meaning that the need to make Jack as visually similar to her isn't necessarily as important, because Night Swan isn't an established character like Si'ha and the Traveler were prior to Wanderlust's appearance). The pink feathers are an obvious visual similarity between the two. They also both wear gold earrings and have a golden chain (Night Swan on her coat and Jack hanging from his pocket), and Night Swan's golden claws are represented by the golden glove on Jack's hand.

I also want to throw out there that Wanderlust is the son of two "good" characters, and his visual similarities to them indicate that he has that same "goodness." Jack, on the other hand, is the son of a villain, and making him stand out from his mother visually is a good way to represent from the start that he's supposed to be a sympathetic character who isn't anything like his mother. Because it's a dancing game, we don't get any sort of dialogue from him that could indicate that he's not a villain, so we're left to rely on his expressions (which Mickael did a fucking phenomenal job on) and his overall design. Making him stand out from his mother visually is a good way to show us from the start that he's not inherently on his mother's side.

Assuming the Traveler is Jack's father, there is essentially no similarity between the two save for the inclusion of some gold accents. I would say they have the same eye color, but I feel like Jack's dark eyes are overridden by the green eyes in all three of his avatars. Granted, it makes sense for Jack's appearance to be influenced by his mother considering she's the one who raised him, but I think that, from a storytelling perspective, it would have been a smart move to include some semblance of a visual similarity between Jack and the Traveler if they had really intended from the start for the Traveler to be Jack's father. If they did intend on this being a plot point from the start, they intentionally kept it a secret by not including a single visual clue, which is, to me as a storyteller, a sort of annoying thing that makes it seem like they’re more focused on pulling the rug out from under the audience than they are on making sure that the plot twists make sense. But hey, that’s just me.

If you actually, read all of that, I love you and you are the best and thank you for actually taking the time to read my ridiculous rambles. I hope it was at least mildly interesting and made some decent points.

#just dance #just dance theory #just dance 2022 #just dance 2023 #just dance 2024 #jd si’ha nova #the traveler just dance #wanderlust just dance #wanderlust jd #jack rose just dance #jack rose jd #night swan just dance #night swan jd

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kerubimcrepin · 3 days

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Crepinlore and the 30-50 random games 90% of fandom has never heard about

This post, like everything else about this blog, is very self-indulgent. I discovered many things, during its making. I shall begin with something you likely have literally never heard about, and go to more popular things from there:

KROSMASTER ARENA 3D

Krosmaster arena online was a video game it seems nobody played, and honestly, I am mentioning it here because I fear that if I don't document it, it will disappear, and it will turn out that it was simply a vision I had, as if in a David Lynch movie. Evaporating, like tears in rain.

I don't think anyone ripped/tried to rip/found a way to rip the models from it — and considering the fact they're pretty... mobile ad-core, not much may have been lost.

Anyway, here's Keke beating the shit out of some guy.

Wakfu Les Gardiens

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Joris appears in the quest "The Tree of Life" of this game, which, as far as I'm aware, was updated in time with Wakfu episodes.

Even back then, Ankama knew that 1. Joris is very sus and 2. you cannot let him get close to you during a battle, or it's OVER.

It's all very cute.

There is some interesting I have to say about this sprite, actually!

An alternate version of it exists, made as a concept for the Dofus MMO. I am assuming it was Juien Druant elaborating on the ways Joris might look in the game. The first two designs are: baby Joris (probably not used because he looks too young to be a 200 year old man...) and Welsh & Shedar 60yo Joris. They were combined to make the iconic Dofus MMO-era 200yo Joris design.

I'm quite sure that this sprite references the Les Gardiens one very heavily.

One More Gate: A Wakfu Legend

The first game in this list that actually has implications for real lore, and yet its plot is literally "it was all a dream that Oropo was having while inside the Eliacube"

For this reason, the events of this game are not entirely reliable — but are probably based in some way on the memories Oropo has.

The main contribution this game has to Crepinlore is a third Crepin, who might be an ancient ancestor of the brothers, whom Oropo met and remembered, some sort of cousin, or he might be based entirely on fiction, and inspired by Kerubim (though ehhh I severely doubt Oropo would care so much about him that he'd hallucinate a guy like him within Eliacube's fake world).

I really want to headcanon that the events of the game are based on something he really experienced, waaay before forming the brotherhood. But that's just my brain disaeses.

Here we can see the store itself.

Krosmaga

I saved the best for the last — Krosmaga.

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A video of the casts of Dofus and Wakfu beating the shit out of each other

There are characters besides Atcham, Joris, and Kerubim in this game — Julith, Jahash, Lou... But I choose to concentrate on my favorite three ones. Or I will die fr.

If this Ecaflip gives the impression of constantly having a bad hair day, it's precisely because he doesn't have any! Brother of Kerubim Crépin, Atcham is fiercely jealous of the man he considers his worst enemy. And how could he not be, when not only does he occupy the prestigious position of Ecaflip's favorite son, but also displays his dense, silky fur without any modesty or sensitivity?

Here are his three forms:

I'm.,. unwell about the white one. I have to draw Atcham in a Bontarian getup one of these days.

They're really giving a fight to this Joris costume recolor from a Christmas event in one of the MMOs... (Now I want to see Kerubim in red too!)

On topic of Joris,

Adopted son of Kerubim Crépin, Joris is a curious and mischievous little boy. His favorite pastime is listening to the childhood adventures of his beloved "Papycha". And when he's too busy serving customers in his antique store, he's off playing with his best friend Lilotte! An avid boufbowl player and fan of Khan Karkass, Joris also hopes to become a star of the horned ball. While his destiny may already be mapped out on the stadium pitch, his origins are much less clear… But the good thing about not knowing where you come from is that you can imagine anything! For the little boy, there's no doubt: his parents were great boufbowl players, and it doesn't matter if it's true or not!

Here are his alternative forms:

I LOVE THE WAY HIS ADULT SELF IS DRAWN IN THIS GAME... I'm insane.

And now, last but not least: Kerubim.

Judging by his adventures, Kerubim seems to have had more than 9 lives! From small-time opera rat, to Bontarian police officer, to lawyer: the least we can say is that during his youth, the man Joris calls his Papycha never stopped working! So much so that today, the owner of the antique store Aux Trésors de Kerubim takes advantage of his free time to purr quietly in his armchair, or to tell his adopted son about his past adventures. Past? Well, not quite! Because when the terrible witch Julith arrives to retrieve Jahash's Ivory Dofus, and seems intent on attacking Joris, the old tomcat doesn't hesitate to get in her way. With Kerubim, there's no age limit to being a hero!

Once again, it is confirmed that the store's name s literally "Aux Trésors de Kerubim". Sorry, I'm insane about the name of the show being the name of the store.

And his alternative forms:

He's beautiful.

#sidegames #wakfu #dofus #krosmoz

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omnomnb · 3 days

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dude thirteen has so much potential as a character and i will forever be mad at how underutilised she is (as much as every character is underutilised, esp anyone who isn't a brother, she gets the worst of it imo)

listen, the og s4 was kinda sucky across the board in terms of well-done character development, but mephisto and raphael both at least get the implied beginnings of a character arc in nightbringer, WITHIN the lessons

but for thirteen the most we really get in terms of a tangible source of character growth is in her birthday phone call, where she talks about being used to being alone. in-story though?? it's just straight up not there!!!!

i've heard thirteen barely has meaningful interactions with the other characters, even in the devilgram cards that she's in? even if this isn't true, it is true that she doesn't get any in the main story. mephistopheles and raphael, however, do not have this problem

let me put my tinfoil hat on for a second: is this to appease the fans who would get upset/jealous/whatever if she got close to any of the boys? is her incredibly fast switch to liking mc in NB (which is not how she behaves in s4 of the original game) also to like... sweet-talk them somehow?

also walk with me here. raphael and mephistopheles' arcs both seem centred around their loyalty to the ruling body of their respective realms. thirteen, on the other hand, is (iirc) described as "free and uncontrollable". the WAY their arcs could intertwine?? i'm afraid it would fuck severely

what i'm saying is that, if you're gonna put a hot bi reaper girl into your game, put your ENTIRE ass into it and COMMIT

#i have more thoughts but tired. lol #anyway obey me writers i'm outside ur house #obey me #obey me thirteen #obey me raphael #obey me mephistopheles #obey me nightbringer

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anon-sect · 16 hours

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Pic source: Tumblr account @7ef6

Miles, Terry and Will had been roommates for at least several years. One thing they had in common, was that all three were big fans of the Dragonball Z universe and avid players of Xenoverse 2. As all three were highly competitive, they were all trying to prove who was the best at the game.

Terry came up with a bet that the one who loses first in a free for all has to be socks for one of the other two for thirty days. The one who beats both opponents gets to wear the one that lost first. Miles and Will agreed to the conditions as well. Terry only made that the bet, because he played the game a little more than the others and thought he would definitely win.

Terry found himself the first one being defeated while using Majin Buu. Miles and Will paused the game to gloat a little since Terry was the one who made the bet. Terry placed his TF Phone down for one of them to pick up once the winner was decided.

Will end up winning their fatal three-way fight using his favorite character, Vegeta, super Saiyan blue form. Terry wanted to back out initially, but a bet was a bet. He had to see it through despite that he was predicting that he would be using his device on one of them.

Will picked up the device and made the settings. "It's only for a month. I am sure you can survive my feet for that long." He spoke laughing while he flashed it at Terry. Terry vanished and in his place on the couch was a brand-new pair of white socks. He picked up the socks and tried them on his bare feet. "These new socks feel great." He said to Miles, not even acknowledging Terry. Terry was a pair of socks for the next thirty days. There was no need to acknowledge his socks. "He or it really feels that good?" Miles asked. He too decided to not acknowledge the sock's former form. "Yup, I think I will wear my new socks every day. I really want to see if this pair can survive my feet without getting a hole in them for the next thirty days. Normally, I have a hole in my sock after two weeks. Maybe this pair might be different." He laughed as both he and Miles started up another game.

Terry instantly knew his bet was a terrible idea. Will's feet had a slight odor to them, but not horribly bad yet. He was just an object on his roommate's feet. The fact that neither of them acknowledged him made his new existence feel even worse. Yet hearing that his socks has a hole in it after two weeks scared him. If he develops a hole, it would be nearly impossible to transform him back to normal. He would be forever trapped as a pair of socks. He mentally pleaded for Will to turn him back to normal before a hole could even develop, but he was a pair of socks with no voice or even movement. The only motion he would get is by his owner's feet. He just hoped that he would be durable enough to serve the thirty days.

THIRTY DAYS LATER....

Will had put his new socks through so much. He literally wore him every day. He wore his new socks to the gym, and every workout session. He wore him to work and just simply hanging out. He slept with his new socks on. The only time he didn't wear them was to bathe, jerk off in them on occasion or as a cum rag. A tiny hole had developed on the sixteenth day of wearing his socks, but they were his possession for thirty days and he was going to keep true to the bet. When it was finally day 30, he took off his socks. He found Terry's human setting and flashed the socks, but nothing happened. He tried it again, yet still nothing happened. He asked Miles what the problem could be, but he didn't know either. They found the manual in Terry's room. There was a warning. If you become clothing, make sure you don't get torn or ruined or you might be forever trapped as that object. Transforming back to human might be impossible. Looking at the large hole in one of the socks, Will realized that Terry was forever trapped this way. He put the socks back on. He felt slightly sorry for what his feet had done to his former roommate, but he did say that socks usually don't survive his feet unharmed. This seemed to be true for even human transformed socks. He decided he would keep his new socks. If they get torn too bad, he could always keep them as his favorite cum rag.

Terry's mind was completely gone by the end of the 30 days. He tried to hold on, but once the hole started to develop, it started to unravel his mind. He lost all sense of free will in his mind. He was just a dumb sock slave serving his master's feet. His only pleasure was being worn by his master. He even forgets that he was once human. He loved being used and worn by his Master Will, even though his existence was one of pain every time being worn and sometime reek of foul foot odor. As long as his master was fine using him, he loved his life of being just socks.

Will was completely unaware of his feet had done a number to his roommate over the course of the 30 days. HIs feet had completely destroyed his mind and turned his former roommate into a dumb sock slave. Even if he could transform him back, Terry would be down at his feet begging to be close to him. Now his fate was sealed, to forever be owned by his former roommate as just an object on his feet.

#inanimate transformation #foot domination #sock transformation #tf story

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