“There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.”
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Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
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So I was rewatching Eddie Begins and (this isn’t going to be the most eloquent so hold on) when Eddie is drowning and all the memories are flashing before his eyes, they use the song ‘Carry You’ by Ruelle. This song is the same song they use in MayDay in season 5 when the team goes to save Bobby and May.
What makes this so cool to me is that when it comes to both scenes, both men have dealt with a reality where they thought they wouldn’t be able to have a proper family; Bobby because of losing Marcy, Bobby Jr, and Brook (and not wanting to overstep w/Athena and the kids) and Eddie because of Shannon and his parents and his own struggles of feeling inadequate and not wanting Christopher to suffer, so putting up a wall of some sorts.
So in Eddie Begins, the song swells when he has decided to keep going. He keeps going despite being at deaths door because he doesn’t just have Christopher (although thats the main part of it) , he has an entire family that he and Chris are a part of and he accepts that. That he has a family that loves him
Bobby sees May as a daughter but doesn’t necessarily expect her to see him the same way as a dad. Also, while he has gotten 100x better ever since his infamous, “We’re not a family” in season 1, he still has that doubt when it comes to his team; 2021-22 had been hard on his team, the family aspect of it especially crumbling and he has been having to hold it together. But then he’s in danger, and as the song swells, his family which had been broken reaffirms that they are family that he is a crucial member of it, and they pull him and May out (and we get the scene of May affirming that this is her dad).
And at the same time we also get Eddie, who tore himself from his family because he thought it was the right thing to do (because of overwhelming trauma about to pop off like mentos in soda) coming back to his family and realizing that is where he is meant to be.
Anyway, Bobby and Eddie being mirrors of each other makes my chest fill with emotions and they both get families and happiness and I thank god for the 9-1-1 writers we have.
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I also think the word “parallels” needs to be taken away from some people because first of all, half the things you’re referring to as parallels aren’t even parallels, and second of all, the parallels you’ve connected in ur heads are not the grand evidence of something you simply wanted to happen being “meant to happen” or heaven forbid “guaranteed to happen” you think they are. And finally, it is not bad writing when a parallel you’ve fully made up never comes to fruition in the way you wanted it to.
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