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#and i hate his treatment both in show and by writers
Note
THE AARON WARNER X READER FIC OMLLLLLLLL I NEED PT. 2 PLEASEEE
aaron warner x ferrars!reader pt. 2
aaron warner continues to make way into your life, and it's only a matter of time before you grow fond of him too.
(taken place during unravel me)
continuation of the hcs from this piece!
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a/n: hey y'all.... the long awaited pt 2 is finally here. so sorry for the wait, but i had some major writer's block with this at first, and tbh life has been a lil hectic rn with classes n stuff, so thank you for all the love and support on the first headcannons, and thank you for being patient with me! i truly cant express enough how happy i get when you guys compliment my work <3 as usual, hayden is my personal fc, imagine who you like !
side note: i know reader might seem kind of useless at times even tho she has powers, but it's because she doesn't have a full control of her ability yet, still learning how far it goes, and she doesn't have much practice on defensive uses of it, since a lot of her training is about learning about her powers. hope that makes sense LOL. some big events are going to be briefed over bc i didnt wanna bore y’all with stuff you alr read in the book and wanna focus on warner & reader interactions👍
word count: 8.2k
warnings: some plot changes, vague taylor swift reference, mentions of injuries and blood, some violence
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after receiving the note, you immediately crumped it and stuffed it into a random drawer with your clothing. you hadn't told a soul about the message, you feared it would only make the implication of meeting warner again true.
thinking about the note was a pipeline to thinking about aaron warner. thinking about him meant flashing back to the last moment the two of you shared.
his lips on yours, his confessions of his infatuation, and of course, the way your shot him in the chest. you hated how the memory was brung a warm and unfamiliar feeling in your chest, especially thinking back to the kiss.
you told yourself it wasn't a big deal. maybe another member at the base decided to play a prank on you, or perhaps it was just an empty threat. there was no way warner knew your location, so there's no need to tell anyone about the silly note.
but to be extra cautious, you laid off going on missions to the outside for a little bit. plus, it forced juliette to interact with people that weren't you on missions when you weren't there.
you went along with your routine as usual, training with castle and kenji, and hanging out with juliette and adam.
you didn't hate castle by any means, but you find his underlying scrutinization of both you and your sister at times to be bothersome. his constant pushy treatment to juliette never sat right with you either, but since he was the leader of omega point - you knew you had to still show respect for him.
although, you started to notice a strain between the couple recently, mostly from adam's side. there was obviously something he was keeping from juliette.
you comforted your sister to the best of your ability, but you knew not knowing was starting to affect her. kenji also seemed to know whatever this secret was, but was adamant on keeping his lips shut.
however, once castle took adam away in the middle of you guys eating lunch, juliette demanded answers since it was obvious adam himself was struggling to reveal it himself.
this time kenji was helpful and guided you and juliette to the research labs. there you both saw castle engaging adam in some sort of tests, and it sent your sister into a fit of rage, mainly aimed at castle. which then resulted in her angrily punch the ground, causing for a large earthquake that shook the entire establishment.
juliette was passed out for three days before waking up. you worried for her endlessly during those days, it was the one of the only times you intentionally listened for her thoughts, to ensure she was alright, but it was scarily silent. you knew adam also was quite worried for juliette, but castle made sure he kept his distance.
after that, her and adam were on some sort of unofficial break up, and you knew better than to get involved. juliette was also now required to join you and kenji in training, which made for a chaotic, but fun trio.
your powers were getting easier to control, you were working on levitating heavier objects every time. you've practiced mental manipulation on insects and small animals, so you had a gist of to what extent you could control a mind. the most you've done so far was send simple commands like jump, sit, move, etc. kenji always offered to be a test subject for this, but you always declined, not liking the thought of possibly controlling the mind of your friend.
now that you could control when to apprehend thoughts, it made it much easier to make friends without disrespecting people's privacy. while sara and sonya were always kind to you, others had made it sort of clear they wanted to keep their distance to prevent their mind from being read by you. being able to now reassure others that their thoughts weren't being heard made it easier for people to approach you.
much like juliette you found new friends in brendan, with an electric ability, and winston, who had a stretchy ability and also designed the suits for both ferrars.
days at omega point were serene for a bit, everyone following routine and members continuing to patrol areas for any threats of the reestablishment. but it was surely disrupted with the arrival of threatening news.
it was in the middle of the night when you were dragged away from your bed by kenji to castle's office; juliette and adam following suite. he claimed it was an urgent matter that required the presence of the four of you.
there, castle revealed the return of the supreme commander, also known as warner's father - that was big news to you and juliette. it explains how warner was able to be out with his men in the sector so often.
however, news worsened when you found out brendan and winston along with emory and ian were taken by the reestablishment during their patrol. at their missing location was left a note, with specific instructions on how to proceed.
you were shaken by this discovery, it had been only less than 24 hours since you had last spoken with either of them, both you and juliette had had breakfast with brendan and winston.
that wasn't even the end of if, castle instructed that all four of you were to go to this meeting destination.
all of you were taken aback by this, you had initially assumed castle would be the one to see the supreme, since has is the leader and all.
adam and kenji were at the head of the protest against this plan, not wanting to easily comply . both you and juliette remained silent, still taking in all the information given.
you without a doubt were ready to head in for the safety of your friends, but you also didn't like the unpredictability of the situation you all could possibly wander into with the commander.
"the two of you may opt out as you like, but i am requesting the aid of both ferrars, seeing as they are the ones very explicitly instructed to see the supreme - a sort of exchange, them for the hostages. "
again, everyone in the room was stunned with confusion. all having the same question, why would he need both sisters there?
you didn't know the room could've possibly erupted into more chaos than right now. adam was now furious, kenji not too far behind with questions of his own.
you couldn't help but think back to the note you found in your pocket, "see you soon." is this what he had meant? had he known this would occur that long ago?
again, you shook the thought from your mind. aaron warner wasn't the one who sent the order, it was the supreme, so it's possible warner will not even be at the location the four of you are suppose to go to.
no need to think about warner, you told yourself. no need to remember how he kissed you with ferocious passionate intent.
with this newfound knowledge, you knew you couldn't back away from this, not when there were lives at stake, and you didn't have to be familiar with the supreme to know he would not hesitate to take the lives of omega point members.
you looked toward juliette to inquire her thoughts about the situation. you understood from the look on her face that she had a similar plan of action to you. a telepathic (without actually reading her mind this time) message was communicated between both of you, making a mutual agreement.
"we'll do it." you announced over the arguing.
castle was pleased with this decision, but immediately adam objected, and even kenji was hesitant for you both to go through with the plan. however, stubborn as ever, both of you committed to your decision.
preparing for the meeting with warner's father was nerve-racking, worried for the safety of your team, and also the hostages. you and everyone knew this had to be some sort of trap set up by the commander, but there wasn't much you could do besides arm yourself and comply.
the four of you were gathered in castle's office. castle made sure all four of you were equipped with necessary gear for the mission, including having weapons with you.
you attire was the same as usual, a red leather corset-styled top, a matching leather coat-like jacket, black pants in a stretchy material, accompanied with black fingerless gloves and black knee-high boots - except now you had the addition of a harness and holsters up your leg to hold any firearms given to you. the coat did well in concealing a lot of the guns.
luckily, you had a good amount of practice with a gun since the warner incident. you were no james bond, as a man kenji liked to reference, but you had enough skill to defend yourself and others in the face of danger.
"why does warner's father need both sisters?" kenji humorously asked castle, "can't we at least keep one of them, one for the reestablishment and one for omega point."
you scoffed with a grin, entertaining the joke. "i'm sorry, who exactly are you willing to sacrifice to the reestablishment kenji?"
"well, with that attitude i'm starting to lean towards you."
castle goes through the plan once more before having to leave with the rest of omega point. they had to be stationed around building near the meeting point before the four of you arrived.
the time finally arrived for all of you to begin the journey to meeting the commander. since you all were traveling on foot, adam and kenji leading the way, you needed to leave at least an hour before the designated time.
adam was able to successfully turn off his protective shield for kenji to make all of you invisible. it made the journey easier; being able to wander through the land unseen.
after kenji misguided you to the wrong house, you all rushed to get to the correct address, 1542 sycamore. with 50 seconds of time, you all arrived.
juliette made the quick decision to tell kenji and adam to stay hidden, that it was better if warner's dad thought we were alone. in the case of an emergency, they could jump in.
kenji and adam gave a few last words of reassurance, before turning back invisible. then, you and juliette stood in front of the door of meeting house, holding hands before entering the house.
warner's dad did the job of opening the door for you both, inviting you inside even though it was more a of demand, and commenting on your impeccable timing.
once inside, you got a good look at the man. you shouldn't be shocked he was also quite handsome since he is warner's father, but you were still thrown back by his unexpected attractiveness.
unfortunately, you didn't take him his appearance for long before he abruptly & forcefully pushed juliette head against the wall behind her, momentarily knocking her out.
you didn't even get to process the action before you were pushed roughly against the wall, the commanders right forearm holding you down by the throat, while his left hand was disarming you.
almost as if acted on instinct, you pushed him back with a scarlet force, sending him back first onto a nearby table.
you took a second to get react, unsure of what happened, before rushing over to your sister. juliette didn't seem to be bleeding, luckily, but you figured she might have a concussion. much to your surprise, she sat up straighter attempting to act unfazed.
you were roughly yanked away by your wrist and away from juliette. you attempted a second self-defense act, but the commander was first and pulled out his gun, pointing it to your sister.
"try anything else, and i'll shoot her before you could blink."
your silence was a sign of defeat. you stood still as he unarmed you, even taking off your coat for good measure.
he released you finally then went on to do the same to juliette, who was still recovering from the slight blackout she faced from the collision with the wall - he repeated the threat to her, gun pointing in your direction this time.
you swore if you made it out of here alive you were going to learn more defensive uses of your powers to never be in a position like this again.
juliette must've been refocused on the task at hand because she starting asking the commander for the location of the hostages.
you stomach dropped when he disclosed his army is equipped and ready to take down any omega point members who are lingering by.
he went on to elaborate his plan to eliminate the "freaks" that made up the rebellion. but what got your heart beating faster was the mention of warner.
he directs his talk to you, "i admit, your sister, juliette, had piqued my interest quite a bit with her ability and history, i'd never paid much more than a glance in your direction. but what really astounded me, was when my son begged me to spare your life." he smiles, in a terrifying manor, "i just had to meet this girl whose bewitched him and spelled him into such a lovesick fool."
you felt physically stuck to your place as you listened. you didn't have to look at juliette to know she was also frozen.
'did aaron really do that?'
he turns in your direction, "i have every intention to use you to teach my son a lesson, and that will just have to include your death much to your misfortune. i really do hate to waste a pretty face." you face pales at the mention of your death.
then he faces your sister, who had taken a sudden step in front of you, "but that doesn't mean the older ferrars has to suffer the same fate and couldn't prove to be useful to join me in the capitol."
"i'd rather jump off a very steep cliff, thanks."
you wanted to laugh at your sister's retort, but you couldn't help but worry that he'd kill her for her denial. you'd rather be the sole target of his persecution than drag your sister down into it as well.
you reminded yourself adam and kenji were still around, they would surely arrive in time before either of you could be dead. you hoped.
the commander, however, does laugh at your sister's rejection, "a stubborn one you are."
"son, would you come in here, please?"
your eyes widen, warner was here this whole time.
you and juliette glanced at the same time, both being shocked at his presence.
when he appears in the doorway, all the memories of the event in his room come back to haunt you.
his face was void of any emotion, but his stare directed intensely toward you.
there was no time for small talk, because warner's father handed him a gun, meant to kill you. he places it in aaron's hand and aiming it to your head, dishing out the command to 'clean up his mess.'
you wouldn't be surprised if he had intentions to shoot you, you quite literally had shot him the last time you'd seen each other.
juliette let out yells of protests, telling warner to put the gun down.
you were preparing ways to defend yourself, mainly involving levitating an object and throwing it at either person with murderous intent toward you. but you weren't sure how you could hide the movement of your hand, and red glow of your eyes, when the attention was all on you.
but you couldn't help solely stare back into aaron's emerald green eyes. you wondered if this would be your last sight before death.
no, you refused to succumb to death like this, you wouldn't give anderson the pleasure.
you stared back into the green eyes, daring him to take a shot. this could be really courageous or terribly stupid.
then in the next instant, the gun had a new target, his father.
his father didn't look too fazed, confident that his son wouldn't shoot him, even patronizing him for it.
you didn't wait to find out if he would go through with it because now that the attention shifted, you could execute your plan of action.
the supreme and warner were both knocked down by the large heavy table being thrown at them. granted, aaron wasn't your target, but it didn't hurt to knock him down in case he intended to shoot you.
juliette took the opportunity to get the firearms the commander has taken at the beginning, and use the gun to shoot him in the leg. both legs. multiple times.
you were about to reel her back, when kenji appeared out of thin air, literally, and held juliette back from further injuring anderson.
suddenly, you remembered warner was still in the room. you looked around to find him passed out on the ground, a syringe, you guessed kenji used, next to him.
kenji tossed you as roped and told you to bound his arms, so, you knelt down on the floor next to him, carefully shifting him to place the rope.
as you did this, you noticed his features closely, how different he seemed unconscious, at peace. it kind of made him more beautiful.
out of your better judgement, you reached out slowly to touch a lock of his blonde hair, soft.
you immediately pulled your hand away when you thought you felt a stir, but you looked back to his face and he was still unconscious.
maybe, if you had looked a little closer you'd notice the ghost of a small smirk on his lips.
"we're going to take this kid hostage."
you were brought to your current situation with that statement.
"wait, what!" kidnapping wasn't on your to-do list for the day.
however, the most shocking news to be said in this room, was when adam dropped the bomb that the supreme command, warner's father, was his dad - making warner his half brother.
in the midst of all this chaos, omega point had already set off the call to attack, and now were battling against the reestablishment.
there was no time to think about events because kenji was rushing everyone out the door to get back to the safe haven.
the four of you needed to a large distraction so castle could draw back before major disaster since anderson was down and you now had taken warner. juliette promptly stepped up with an idea and create a part two of her earth-shattering ability. - which it turned out working really well because you all were able to make contact with castle.
adam and kenji did the heavy lifting of carrying aaron's heavy body while you and juliette had the task of finding a tank for the four of you to head to omega point in.
once that was settled all of you clambered into the tank, kenji taking the wheel and adam acting as second in command - that left you and juliette in the back with warner.
who was currently to the left of you, slumped against the window side of his seat, and juliette being on your right.
you weren't thrilled to have him smushed next to you. not when you were close enough to smell his cologne and feel the outline of his muscles through his jacket.
a part of you thought he would maybe wake up somewhere during the ride, but his eyes remained close. you know because you were staring at him more than you'd like to admit.
you reminded yourself what he had put you and juliette through, the asylum, the imprisonment, and the tests. it was enough to reel you back in and continue your dislike for warner.
although he was asleep, the bumps on the travel to the underground base made for a lot of jolts of movement and in turn caused warner's body to tumble onto you.
his body was heavy, but somehow it was heavier whenever you had to push him back to his side. it was like a force was trying to keep him on there.
his head somehow always slumped into the hair on the crook of your neck, and at some point, you could've sworn you felt him breathe in through his nose, like a sniff. but you wrote it off as the movement of the vehicle.
you must've passed out at a point because when you opened your eyes, you were lying against warner's shoulder.
your face was a flush of scarlet when you realized your position, but luckily juliette was fast asleep, and the two men were occupied in the front, likely going over today's events. thank god.
not long after, you all arrived at the destination and made it out of the tank.
kenji helped pull you out of the tank, not before leaving a teasing comment.
“have a nice nap, did you?”
you ignored him, but your face went red in embarrassment. he would never let you live this down.
you took a rest for a whole day before interacting with anyone. you weren't sure if you could handle any other sudden revelation without rest, especially if it involved warner.
castle came to you and juliette to discuss further the plan with warner and such. and you were reminded of the fact adam and him were technically brothers, which was kept a secret between all four of you still.
then castle gave you both the most ridiculous task; to be in charge of the questioning and occasionally visiting the prisoner. his reasoning being you both were the most acquainted with warner, and he'd be more willing to comply with at least one of you.
you wanted to decline; you didn't understand why castle always sent everyone else to do work for him - but you knew your sister was happy to finally have a real assignment for omega point; she wanted to be useful.
so the following day, you began your "mission." you sisters went to where they were holding warner, a room much like where you and juliette slept, but the difference was it closely guarded, not letting the person inside leave.
you greeted the guards, and they had looked very relieved to see you there. apparently, warner has been less than pleasant as an inmate - throwing things and demanding to speak with you, and they informed him the two of you would be arriving to calm him down.
you stepped into the room and noticed the lack of furniture, probably because he was throwing, then you saw warner sitting on a mattress on the floor, indulging himself in some sort of journal that you didn't get to get a look at before he put it away.
he looks up at your arrival with a grin, "hello amor, a pleasure to see you again at last." he scanned your attire, "i have to say, this new look on you has you looking rather ravishing."
you rolled your eyes, fighting the butterflies because of his comment. "how you manage to be a prisoner and still keep that stupid charm goes beyond me."
"i did say i'd see you soon didn't i?"
juliette gave you a confused glance, you hadn't told her about the note, nor the kiss.
you ignored what he said, trying redirect the conversation. you glanced down at his chest, "nice to see you've healed from the shot, for a moment, i thought i'd killed you."
"takes a lot more to kill me i'm afraid, however, if it's by your hand i'm more than willing to greet death like an old friend."
before you could bite back, juliette interrupted your banter with a cough, meant to serve a reminder to you to stay on task.
"right, forgot you were here juliette, perhaps you'd like to step out so your sister and could properly reunite."
god, you hated his suaveness. you hated it even more when it worked in making your heartbeat pick up.
juliette took charge of the conversation and started asking questions relevant to the establishment, but warner would either change the subject or give vague answers.
you both decided to leave after growing tired of the lack of information. you ignored warner's pleas for the company and walked out.
the next day you both tried again, meeting in from of his room. juliette, however had decided a change of tactics.
"i think you should go in without me."
you turned to her confused. she explained he would likely be more cooperative with your presence alone, his actions from yesterday proving to be in support of that.
you denied it, even if part of you believed it. you weren't sure you were ready to be in a room alone with aaron.
nonetheless, juliette left you to your own devices and rushed off, probably to find adam or kenji, before you could protest further.
you cursed her, but prepared to enter the room in front of you.
aaron was lying down, resting an arm behind his head and using the other to throw and object up and down. once he noticed you he sat up in your direction.
he noticed the lack of presence of juliette, and you could tell he was more than pleased.
"finally, i was starting to think your sister would chaperone us forever."
"don't be so eager to be alone, i could shoot you again."
"and i'd willingly take another bullet if it meant another kiss."
you couldn't help the annoying pink tint on your face that came up with the mention of the kiss.
you changed topic, "how were you able to send me that note?"
he smirked, "well for one, i noticed you after our eyes met briefly during your first time outside in the sector. after that, it was blatantly obvious who you were; that disguise did nothing to hide your gorgeous face, unfortunately for you. and then it wasn't hard to order a civilian to drop the note in your pocket while you were distracted."
you were stunned; you really hadn't thought to think he recognized you. you thought you blended in pretty well on those missions.
"okay, stop distracting me, what are your father's plans."
"hmm, maybe if you ask nicely and give me a kiss - i'd be more willing to comply."
you left shortly after that, knowing you weren't going to get much out from him.
it continued like that for a few days; you'd walk in, try to get information, but then he'd turn it back into a way to flirt with you or bring up the kiss.
this time when you walked in, you saw him reading the journal from the first day, and you were able get a better look at it. it was yours.
"hey, what are you doing with my-"
"dear diary, today i checked out a book from the library, there was a rather intimate scene between the main charact-"
you immediately recognized the writing as your own and strided across the room to aaron to snatch your journal back.
warner was quicker, standing up in a snap, keeping a distance from you as read aloud more pages.
you yelled at him to stop, catching up to him, but now he held the book to the ceiling, making it harder for you to reach because of his tall body.
you, much to your embarrassment, jumped up and down to reach the journal, wanting this humiliation to end.
"aaron, just give it back!"
all of a sudden, aaron stopped his teasing and looked down to you, a lopsided smile on his face.
"you called me aaron."
you eyes opened in horror, you just called him aaron, not warner. and he heard it.
"no. no. i said warner, you misheard." it was a terrible attempt at lying.
he smiles even wider, his dimples prominent. he reaches a free hands to lift your chin.
"please, keep saying my name, i do love how it sounds coming from you."
you felt you were gonna explode from all the emotions you were feeling, the room was getting hotter, and your heart was pounding in your ears.
you couldn't get a solid sentence our without babbling in embarrassment. so you took the coward's way - bolting out the room, abandoning the mission to retrieve your journal.
you avoided visits a few times after that incident, you were still cringing at the flashbacks, it worsened when you also remembered he had the contents of your journal and all the embarrassing things and darkest secrets you'd written inside.
unfortunately, that didn't stop you from running into warner.
you were eating lunch with kenji, he was currently explaining some princess film you'd never seen.
"wait, so how did this girl even find out when her birthday was?"
"well, obviously, mother gothel told her."
"why didn't she just lie about her birthday, or not even tell her what a birthday is?"
"i don't know, i didn't make the script."
"also does the ending mean she has power still, or was it the last of her ma-"
"oh my god, can you shut up and just appreciate the greatness that is tangled!"
"hey! you're the on-"
"well, isn't this a surprise."
you turned to the new voice that entered the conversation. aaron warner stood in front of your table, hands behind his back, and castle behind him, likely guiding him somewhere.
then you remembered your last conversation with the leader and came to the conclusion aaron was on his way to be tested, probably like adam had.
castle remained unaware of the blood shared between the two, but you did let it slip you were unable to read your mind, and he was able to make skin contact with your sister.
"well if it isn't my favorite ex-boss." kenji spoke with a mouthful of food.
aaron ignored kenji, much to kenji's offense. "amor, here have you been these days, you left quite flushed after our intimate moment in my cell."
kenji spat out his food at that last bit.
you body was filled to the brim with utter embarrassment and hate toward the way he phrased his wording to make it seem what it wasn't.
you turned to kenji who was coughing continuously, "nothing even happened!" you gave warner a glare, "stop making it seem so.. so-"
"so what, amor? i'd love to know what you think i meant by intimate."
"you are so insufferable."
castle then dragged warner along to the testing area. you couldn't deny you weren't curious to find out if he shared a gift similar to adam.
you were planning to engage with warner the next day, but his guards had come up to you during your training session demanding your presence because apparently warner was in a fit of rage.
worried, you rushed over. entering the room, warner was sitting against the wall, face in his hands. the room was in disarray, broken items of what was already so little, scattered all over the room. even his floor mattress had been tossed.
he barely acknowledged you, so you took it upon yourself to kneel down in from of him, silently asking what happened.
"castle..he told me it's possible i have an... ability. he told me i could change," he laughs humorlessly, "that there was potential for me to be.. different... possibly better."
you stayed silent, unsure of how to respond, as he bitterly ranted about his talk with castle.
"what do you think?”
“what?”
“do you believe i can change? i’d love to know what your opinion is on this, amor.”
you weren’t sure how to respond. “i believe… everyone can choose what they want to be. it’s up to them to decide, even if everyone tell tried to tell you who you are.”
this time, he was the one silent, looking down at his lap, likely in thought.
you took the chance to take in his attire; some black sweatpants, grey socks, and no shirt.
you probably would’ve been flustered to see him shirtless if you didn’t notice some peculiar marks peaking from his shoulder.
silently, you slowly crept to the side of aaron, still distracted. you slide far enough to get a good few of his back.
you internally gasped. his back was littered with lines of scarring - likely whipped. your stomach churned at the thought.
you also notice a big tattoo in the upper middle of his back, in all caps ‘IGNITE’.
you must’ve said it out loud because aaron’s head whipped in your direction. he turned his back away from you once he noticed where your stare was directed.
“no need to say anything, i already know how hideous it looks.”
unsure how to respond, you blurt the first thing out of your head - “i think they look cool. kind of like an abstract piece of art.”
yeah, comforting people wasn’t your forte.
luckily, aaron seemed intrigued by your statement. so you took the chance to request something further.
“can i touch your, erm, back?”
aaron was hesitant for a few moments, but then sighed and turns his back toward you.
you delicately pressed your fingers along the canvas of his back. you could feel every ridge and texture of each scar as your fingers glided over.
aaron flinched at first content, then progressively & visibly melted into your touch.
“why ‘ignite’?”
“why not?” you really hated his vagueness.
an idea popped into your head. you pulled a pen out of your jacket pocket, testing it on your own skin a few times before you started drawing lines on aaron’s skin.
“amor, what are you doing?”
“hang on.” he could feel the ink of the pen etched on his back.
“you know, my original plan was to seduce you with my perfect abs, but i guess luring you with my scars works as well.”
“shut up.” but you were smiling while saying it.
you finished connecting a few lines, “there, perfect.”
"i think you've forgotten i dont have the neck of a giraffe to twist around."
"oh, my bad." you said sheepishly. "do you have a mirror?"
"i did, then i broke it. pieces should be in a corner somewhere."
you mentally scolded his carelessness.
you managed to find a piece big enough for him to see your creation upon his skin.
"i drew a star." you wanted to facepalm at how silly it sounded.
star was a bit of a stretch, you connected lines scarred on his bank to form a lopsided and wonky-shaped star.
he just stared at it, not uttering a word. you moved to try to wipe off the mark, but he grabbed your wrist before you could.
"no," he grins, "i adore it. do more of them."
you did. it was a whole galaxy of stars embedded on him.
he stayed mute as he watched you through the shard of mirror while you doodled, but suddenly he spoke and gave you details as to what his knew of his father's plans and the location of brendon & winston.
"why are you suddenly telling me this, why now?"
"it's what your here for, isn't it."
you rushed over to castle immediately and repeated everything aaron told you. he thanked you for the information before he called in others to draw up a plot of attack. you all were to leave immediately the next day.
castle called a meeting in the lunch hall a few hours later; everyone at omega point was gathered there.
he briefed them on the commander's plans or what the plan was supposed to be so far. of course, people were suspicious of this information coming from warner, not trusting him at all; not that you could blame them.
"he's immune to both of the ferrars abilities, he can touch juliette with no issue and y/n can't get into his head. after this reveal, we did some test, and we've come to find out he's gifted like the rest of us."
the room exploded in chaos, gasps, yells, and protests coming from all different directions. a lot of ongoing looks toward your table. castle raised his voice to calm everyone down.
you and juliette didn't stick around long after, for one you already knew the information being given , and two, the stares and questions were getting annoying and uncomfortable.
however, adam shortly followed the two of you out, desperate to speak to juliette, and you knew why - warner being able to touch her.
they began talking intensely as if you weren't there. you watched from the sidelines as juliette explained her side and adam getting more frustrated.
you butted in at a point, you felt bad for the guy, but your sister came first. “adam, maybe it's best you leave to cool down.”
but your voice of reason only irritated him. “how about you stop inserting yourself into your sister’s affairs and let her speak for herself.”
"what is your issue?"
"this is between juliette and i; she doesn't need you speaking for her."
"you hypocrite, that's what you're doing right now!"
"why don't you go fraternize with warner, that's all you seem to be doing these days." adam venomously spat at you.
as if the mention of his name made him appear, warner's presence made it known. he stepped in front of you, dividing you and adam who got closer as the argument headed.
"kent, you've really got an attribute for being infuriating and vexing."
that set off the fire for an intense standoff between the two. adam, already mad at aaron, started the verbal feud.
it got so heated, kenji inserted himself between the two - trying to stop the commotion. you even grabbed aaron's arm to pull him away.
it was all happening so quick; one moment, they were shooting insults back and forth, the next instant kenji was dropping to the floor clutching his head in pain.
juliette immediately called out for help, finding castle, who brought in sonya and sara to take kenji to the medic.
adam and juliette went trailing after them, but you stayed there stunned. what did you do?
you had a flashback to the experiment - kenji reacting, in the same manner, those soldiers had after you freaked out.
you felt extremely horrible for kenji and you prayed he would be alright.
but you hadn't intended to hurt kenji nor did you exert any force in using your powers. you had better practice with your energy, so it didn't make sense.
aaron, still beside you, reached out to you - but you instinctively took a step back. you weren't sure what was happening to you, and the last thing you wanted was to hurt someone else accidentally.
"probably better you stay back," you looked down at your hands in fright, "i don't have control right now, i'm don't even understand how i did that to kenji."
"because amor, you didn't injure him. i did."
your confusion only deepened with that. then he brought back the mention of his gift, and you put the puzzle pieces together as he spoke.
"so you can basically can absorb someone else's power and use it?"
"a little more complicated than that. i can sense people's energy, like right now i know you're confused and worried for your friend, but also scared of yourself for what you did, or thought you did."
he elaborated, saying he unintentionally manifested your energy when you touched him. when kenji grabbed his arm, in an attempt to pull him away, that was when he projected the energy on him and hurting him in the process.
"wait, so does that mean you have my ability to read minds too?"
"hmm, i haven't given it a chance," he smirks at you "would you like to be my test subject?"
"absolutely not."
later that night, you check with sara and sonya on kenji's condition. they informed you that he was alright, but just needed some rest. after, you met up with castle in his office, finalizing plans for the morning - the beginning of the battle.
before you said goodbye, you had a question that had been crossing your mind.
"why do you trust ar-, er, warner, what's to say he won't turn his back."
"well, i guess i can't say for sure that he won't. i just have to have faith in mr. warner that he will make the right decision for himself. and with your added presence, i'm sure he's more open to that than ever."
"what do you mean?"
"surely you realize he's in love with you. he's even told me himself."
"he..he told you he was in love with me?"
"yes, just after i was discussing his gift with him." he said it like it was the most casual thing.
you stayed to chat briefly after. you directly headed to aaron's room, no longer littered with guards since he was considered a "member." you were able to walk in with no issue.
aaron hadn't been asleep yet when you got there, he was sitting up on his bed, which had a frame now, reading a book.
you didn't give him a chance to react to your sudden intrusion before you started speaking.
"why would you tell castle you're in love with me"
he furrowed his brows, but you kept going - you were set on getting answers.
"how could you just.. say something like that, what is your motive? are you trying to get to me?"
"amor, calm down. i have no motive." he said, standing up and walking toward you.
"then why would you even say that."
"isn't it clear?" he gets nears, a hand going to cradle the underside of your face, "i meant what i said."
"you can't love someone you barely know."
"but that's just it. i do know you. i've read your mind on paper, and experienced you for myself the moment i met you. i know that you hate to be wrong, you want to clench your first when you lie, although juliette is older by a bit - you feel the need to protect her, you're afraid of the dark, but never admit it, you hate yourself for loving your powers, and you want so badly to be accepted here because of your lonely childhood. shall i go on?"
you were flabbergasted by his word, and you couldn't even deny that they weren't true.
"how do you know this?"
"because, as my dear father put it, it seem you've bewitched me, my mind, and my body."
then he kissed you. and you let him.
and you very much liked it.
it was a longing, messy, kiss - he had you against the wall, lifted by your hips to his height. you wrapped your arms around his neck kissing him deeper, not letting any thoughts or worries flow from you for the moment.
the doors opened. "y/n? are you her-" then a gasp.
you recognized the voice - juliette.
you immediately panicked and pushed aaron away, attempting an explanation yo your sister, but she was already turning her feet and running away.
you gave warner a glance before you ran off in her direction.
you caught up to her, "juliette, please, wait!"
she abruptly stopped her feet and turned to you, "what are you doing y/n? kissing warner, are everything he's done!"
"it's just... i didn't... it's not like-" you struggled to put it into words.
"so what, you- you like the guy who kidnapped us? the one who shot a guy in front of us. experimented - borderline tortured us? he made me hurt a child, y/n. a child! and now you're making out with him."
you were at a loss for words, tears starting to build up at her harsh words.
"you're an idiot if you think you could love him, and even stupider to think a cold heartless person like him could love you. and i won't have anything to do with you if you keep him in your life." and with that she waked off, leaving you in the hall.
you didn't go back to warner after your fight, nor did you go back to your room immediately. you shamefully found an empty closet to cry into for a while. once you were able to breathe normally, you went back to the shared room - luckily everyone was fast asleep.
by morning, everyone was preparing for the rescue of brendan and winston. you and juliette exchanged no words; you attempted - but was shut down every time. she had never been this mad at you. so you just suited up and went to find kenji. kenji sensed the tension between you sisters, but didn't push for information.
you came to found out from castle, aaron warner was gone - he escaped omega point. likely on his way to the reestablishment.
you didn't want to focus on why a part of you was hurt when you heard that.
the battle was not a scene for the light-hearted - anderson's men had already begun gathering civilians and spewing blood. if you didn't have a strong stomach, you'd already be spilling your guts.
midway through dodging bullets and soldiers, you felt a shift in the already dire environment. there was something wrong, and you sensed it.
you urged kenji you felt the need to return to omega point - there was something wrong. he wasn't too convinced by your vague intuition, so you sought off on your own, doing your best to avoid the battlefield.
you ran into juliette at some point, not caring for your argument at the moment, and told her your inkling. she also brushed you off, telling it wasn't a time for your dramatics.
even with no support, you went back - you couldn't ignore this feeling.
you were maybe 200 ft away from omega point when it happened. bombs were dropped on the territory - causing the destruction of the building and any remaining members who stayed behind.
the explosion was powerful - even from where you were standing, it sent you both painfully flying back. you blacked out before you could react to the tragic ending of omega point.
you regained consciousness after consecutive kicks to your ribs and a voice telling you to wake up.
in front of you stood a crippled anderson, standing with he support of a cain. his composure was calm, but you could see the hatred behind his eyes.
you painfully stood up, surveying the area. you were in a house - similar to the one from last time.
you felt weak, dizzy, and the world was a bit blurry. you were leaning on a mantle to support your standing.
"ah, the fatigue your feeling would be my own fault. had those lovely sisters inject you with something. it will incapacitate you enough that you won't be a threat. can't have you flipping tables again."
you were barely registering his words, but when he mentioned sisters it gave you a bit of a jump start. he had sara and sonya.
your words felt faint, but you demanded to know where they were. he assured you they were unharmed, but it did nothing to ease you.
midway your conversation, warner enters the room - shocked to see you there. you probably would've reacted if you weren't so dosed on drugs.
"now that we have this reunion out the way, i'm going to be generous, something you ought to appreciate. you can tell me where your sister is and where the rest of your band of freaks are. you can aid me in destroying them and only after will i grant you the mercy of joining the reestablishment."
"what do you want with juliette?"
"she did this to me," he gestured to his legs, "and now i want my compensation."
no matter the situation with your sister, you'd never give her up.
"go to hell."
he sighs, "a disappointment once again, miss ferrars." he turns to his son, "this is why it's important i teach you this very valuable lesson son."
warner goes rigid, "what do you mean?"
warner pull out his shotgun, "justice, should always be served - even if it has to be by your own means."
then you were shot right in the chest.
you blacked out, then started slipping in and out of consciousness. all you remember is blood spilling from you at a rapid pace, and aaron crouched in front of you.
you remember voices - aarons, sara, and sonya's talking in rushed voices - then it was only aaron.
"hey cmon, amor, stay with me."
"wow... getting in the chest really sucks. i feel really bad about shooting you now." you spoke deliriously.
"it's alright, i just need you to hold on a little longer." his voice strained, holding back anguish. 
but you didn't; you passed out, your last thoughts hoping juliette would throw you a nice funeral, enough though she was upset at you. 
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hainethehero · 3 months
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Steve Rogers Trauma: A TED TALK
Why is it that any kind of commentary/analysis on Steve Roger's trauma has to be met with comparisons to Bucky or Tony's trauma? Or most of the fanfics I read completely gloss over Steve's trauma?
Some of y'all legit do not care or are blind to Steve Roger's trauma throughout the Captain America & Avengers films and it shows. And this isn't hate to any fanfic writers but rather an observation of most stucky and stony fanfics which seem to minimize Steve's character & trauma in favour of highlighting their fave's. And of course it's fine that people want to write about Bucky or Tony or even Nat's trauma, but MOST TIMES* I've read these fics and they all have an intentional disregard for Steve's traumas.
And this speaks to the wider discourse around Tony, Bucky & Steve- the three characters most written about in mcu fanfics.
Because why is it that anytime I bring up Steve's PTSD or his illnesses or the hell he would've gone through pre-serum, people always HAVE to add in their 2cents about, "well yeah & Bucky went through worse." Like.???? No, I'm not talking about him.
I absolutely love Bucky and he's one of my favourite characters in both the comics and the MCU but, respectfully, this ain't about him.
I'm talking about Steve and his life. The crap he would've had to deal with both in public and at home. Especially the horrors both he and Sarah would've gone through because of Joseph Rogers who was a terrible person and an alcoholic who beat up on his wife and sickly kid.
And even post-serum when he's completely healthy and living in the future now, I'm still seeing popular narratives about "Yeah he's alive now & hasn't gone through half of what Bucky's endured over the past 70yrs." OR "He's had it easy compared to Bucky who was being tortured by HYDRA."
Um, no one's saying Bucky's treatment under HYDRA was a good thing??? But we're talking about Steve here, not Bucky?
And how he was literally frozen in a state of purgatory & how traumatic it would feel to be ripped out of it and then basically thrown to the new world on your ass without any kind of therapy or help. Most people make it seem like Steve was in a Sleeping Beauty kind of sleep and then woke up completely fine. And I will admit the MCU has been the main culprit of that narrative because they deleted so many scenes that humanized Steve Rogers, that now the gen pop thinks:
he's perfectly fine
has zero trauma
should complain about nothing
hasn't had it hard like Bucky or Tony
is a lesser hero because of all of the above
I recently had a convo with a friend & we were talking abt the scene in Avengers 1 when they were all at each other's throats. And they said that Tony was right about Steve being a laboratory experiment & everything special about him came out of a bottle. And I'm like... yeah nah, that's the lazy ass writing that Whedon perpetuated that now makes Steve one of the most misunderstood heroes & people in the MCU. Because he was special before the serum because of his consideration of others. He was special because not only did he hate bullies, but he also went out of his way to protect those that couldn't protect themselves KNOWING what that confrontation might cost him as a chronically sick person. Tony needed a whole ass arc about literally witnessing & living first hand what his weapons were doing to innocents like Yinsen & his people, to change his ways. Steve didn't have, nor did he need any of that to make him special. (AND BEFORE THE TONY STANS COME FOR ME, I LOVE TONY, HE'S LITERALLY ONE OF MY FAVES IN THE MARVEL COMICS & MCU) But this hatred for Steve is ridiculous.
And once again, it's the MCUs fault because they made Tony the ultimate hero of the Avengers at the expense of Steve Rogers' character. Him being able to prove he was "worthy" all along by lifting Thor's hammer was a cheap payoff in the end, much like the entirety of Endgame was. Thanks for coming to my Ted talk.
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allwaswell16 · 7 months
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A One Direction fic rec of fics that involve football (soccer) as requested in this ask. If you enjoy the fics, please leave kudos and comments for the writers! You can find my other fic recs here. Happy reading!
—Louis/Harry—
⚽ Learning to Breathe by youcomecrash
(E, 110k, uni) He’s playing football at one of the top universities in England and he should love everything about his life right now, but instead he’s moving backwards
⚽ Don't Stop Thinking About Tomorrow by @1diamondinthesun
(NR, 84k, high school) the American high school AU loosely inspired by She's All That.
⚽ Bring Your Body Baby (I Could Bring You Fame) by @theboyfriendstagram
(E, 84k, famous/not famous) A self-indulgent AU that takes place over the summer of 2015. 18 year old Harry hates pining after people he can't have, and 23 year old footballer Louis loves flirting with people even though it never means anything.
⚽ Way in the World by flowsque / @mortediunfiore
(M, 74k, both players) the one where Harry has a knee injury and an embarrassing crush on Manchester United's pretty number ten.
⚽ Caught In Your Gravity by @lululawrence
(NR, 62k, Ted Lasso au) an AU inspired by a 30 second trailer of Ted Lasso that doesn't actually have much in common with the show at all.
⚽ so grab your passport and my hand by @infinitelymint
(M, 32k, strangers to lovers) The one in which Louis plays football and Harry sings a lot, and somehow that means they're meant to be. They'll figure it out soon enough.
⚽ Higher, Further, Faster by hazzahtomlinson / @itsnotreal
(E, 31k, uni) the one where Harry decides to go to college regardless of what his team warns him about and has to face the consequences, some of which aren’t so terrible after all.
⚽ Dive (series) by @allwaswell16
(E, 21k, famous/famous) Newly retired football star, Louis Tomlinson has left Manchester for Malibu. Along the way, he finds music, friendship, and love in the form of his pop star neighbour and the very fit movie star hiding out next door.
⚽ Hold My Breath by @zarah5
(M, 19k, injury) It's possible — possible — that his three-week ban from the football pitch makes Louis just a tad antsy. Surely it's not so bad that it warrants punishment in the form of his friends signing him up for a yoga class?
⚽ time slows down whenever you're around by wildestdreams / @thelavendrhaze
(E, 14k, flower shop) Louis plays "soccer" and falls for the wrong boy and Harry works in a flower shop and falls for Louis — again.
⚽ burn this flame by rainbowninja167 / @rainbowtitania
(E, 13k, famous/famous) When Harry gets invited to play in a celebrity charity match with Louis Tomlinson, Manchester United's star player, he's determined to impress him with brilliant football skills. The only flaw in Harry's otherwise foolproof plan? He has absolutely no football skills, brilliant or otherwise.
⚽ Come In and Change My Life by lightswoodmagic / @lightwoodsmagic
(E, 12k, neighbors) Harry and Louis become friends when Harry looks after Louis' cat during away games, until one night at a party changes everything between them. It's just a shame Louis' going to be away for the FIFA World Cup for three months.
⚽ Want you more than a melody by @softfonds
(E, 12k, mpreg) It's 2016, and Harry's life couldn't be better. His band is about to release their third studio album, he's dating the hottest football star on the planet, and tour is going to start the following year.
⚽ Just One Touch by jacaranda_bloom / @jacaranda-bloom
(E, 11k, Dr Harry) When footballer Louis Tomlinson needs to get match fit in a hurry, team doctor and best mate Niall Horan prescribes an unusual form of treatment.
⚽ Down the Field by @creamcoffeelou
(M, 9k, coach Louis) Louis, a pro football player of Chelsea, is forced to retire after a severe injury to his foot.
⚽ every day and tomorrow night by @justanothershadeofblue
(E, 8k, high school) Harry stares. The new boy is beautiful, there’s no other word for him. 
⚽ Eat Your Vegetables by @bananaheathen
(M, 8k, famous/not famous) In which Louis is a celebrity footballer and Harry is the new team nutritionist.
⚽ Glass Heart by @musketrois
(G, 7k, coming out) “26-year-old West Ham footballer Louis Tomlinson was seen getting acquainted with 24-year-old pop sensation Harry Styles and others. Although it is not unordinary for these two professions to be social, we can’t wait to see what this budding relationship will bring to London’s social scene.” -Celebrity Blurb 25 March, 2017
⚽ Down To Be a Distraction by QuickedWeen / @becomeawendybird
(E, 6k, famous/famous) The English national team is on the brink of winning the UEFA final and it all hinges on a penalty kick from team captain and national hero Louis Tomlinson, who was forcibly outed in the press right before the tournament. 
⚽ Game Changer by @neondiamond
(E, 6k, mpreg) A couple months before playing in his first long-awaited World Cup, Louis finds out he’s pregnant. Harry’s there for the ride.
⚽ The Air From My Lungs by Kikiberoski16 / @larrysballetslippers
(E, 5k, uni) Harry doesn't like to take showers in public for reasons he isn't willing to share, until Louis, the hot football captain, rocks his whole world.
⚽ the stars are coming home by lsforever / @kingonafiftymetreroad
(G, 5k, established relationship) After three years together and nearly a full year of marriage, Harry has finally been permitted to sit in for one of the team’s practices. 
⚽ every night with us (is like a dream) by moon_rose25 / @darkinfinity
(T, 2k, established relationship) A look into the life of a professional football player dating a physical therapist.
⚽ 2,870 Miles by @sadaveniren
(G, 1k, mpreg) Harry hated the BT Sports commentators, but considering he couldn’t fly to Baku while eight months pregnant this was all he had if he wanted to watch his husband in the Europa League final.
—Rare Pairs—
⚽ love and kickin'!verse by camiii
(E, 140k, Louis/Nick Grimshaw) the fic where Nick has no interest in football but is dragged to a football match, Louis is the Arsenal player that catches his attention, and maybe there are some redeeming qualities to the game after all.
⚽ Devoted by @nouies
(E, 5k, Louis/Alisson Becker) A collection of drabbles about Louis’ life as the housewife of a professional football player.
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rhoorl · 4 months
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A Bear of a Night | Pickled Peña Writing Challenge
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Summary: Javi returns home from ringing in the New Year and finds a surprise. He’s getting too old for this shit. (AO3 Link)
Rating: M
Word Count: 920
Warnings: This is honestly a pretty tame story, just some swearing and allusions to smut. Hopefully a bit funny too.
A/N: Happy 2024! I decided to take part in the Pickled Peña writing challenge. What is this? Well, it’s a way to show off the different ways writers can tackle the same character/prompt - we all have our own style and perspectives! Javi is one of my favorites to read and I never thought I would actually write for him. But, here we are. Check out @pickled-pena or search the tags to see who else is participating and what they’ve come up with. If this sounds like fun and something you want to try, feel free to post your own fic throughout the month of January!
Javier parked the car and rested his head against the headrest as his eyes cast down to the clock in his truck.
1:45 a.m.
“Fuck,” he muttered to himself. He was late and knew he was about to get the silent treatment.
Javier wasn't one for big celebrations with lots of people, always choosing to duck out of any department party as early as possible. But when several colleagues decided to spend New Year's Eve out at a bar, he thought why not? It was an early jump on his resolution for the upcoming year. It was simple really. He just wanted to try. To try and open up more. To try and let someone in. To try and be present.
And tonight, he actually found himself having some fun. The latest newbies to the department reminded him of when he first started decades ago. Young, idealistic, and ready to do some good. He tried to not let his jaded side influence them too much, but his colleagues found it amusing to mess with him nonetheless.
But the “old man” still had it and managed to pull the glances of several women at the bar, including the bartender who had practically eye fucked him all night as she poured him drinks (which she didn’t charge him for). That's part of the reason why he lost track of time. She decided to spend her break with him in a bathroom. He rang in the new year partaking in one of his favorite activities – buried deep inside a woman, making her scream his name. 
Back in his car, he rubbed his eyes with the heel of his hands and sighed. He knew he was about to be read the riot act. All he wanted to do was go to sleep, already knowing he was primed for a terrible hangover come the morning, or at least later that morning.
He trudged up his driveway and unlocked the door. The TV was still on, but faint. Tossing his keys onto his entryway table, he stilled, waiting. He didn't hear anything, so he kicked off his boots and continued padding down the hallway.
“B?” He called out, walking into the living room. “Hmm, where'd you go,” he muttered to himself.
He continued through the house towards the kitchen when he felt it. His socks wet as he saw the pool at his feet.
“Goddammit,” he gritted his teeth. “Fuck, really?!”
And that's when he heard the jingle and padding of feet coming down the hall. 
“Seriously?” Javier caught the eyes of his English bulldog, Bear, who walked in and sulked in the corner with an even more grumpy look than normal.
Javier adopted Bear when he was just a puppy thanks to the incessant encouragement of Steve. His former partner could hear how lonely Javier was over the phone, so he suggested a dog could help keep him company. Little did both of them know, Javier would end up with a dog who was basically him with four legs. Bear was a bit of a curmudgeon but once you cracked him, he was very affectionate and loyal.
Although initially resistant, dog ownership came naturally to Javier. Growing up on a farm, he knew how to care for animals and he had a soft spot for them. Bear forced Javier to focus and take care of something. And although he hated to admit it to Steve, he rather liked having someone to come home to. When Bear heard the jingling of Javier’s keys, he would make his way up the hallway to greet Javier before turning around and heading to his bed at the foot of the couch. 
But tonight, Bear was mad. Javier stayed out later than planned so he decided to show his discontent on the linoleum floor in the kitchen.
Javier sighed as he took off his socks and walked to the sink to grab some paper towels and some odor eliminator spray. He returned and got on his hands and knees to start cleaning up. As he sprayed the floor he looked up and saw Bear, sitting on his back paws.
“Don't look at me like that. You stand there and accuse me, but where were you at the time when I asked if you wanted to go out, huh? Oh, I remember. Gnawing on a bone, couldn't be bothered.”
Bear sighed and rested his front paws on the floor, giving Javier a look.
“The puppy dog eyes? Really Bear? Por favor.” Javier rolled his eyes with a huff as he finished cleaning up. 
He groaned as he braced himself to get up off the ground. The beginning of a pounding headache was starting to take root. 
Even though it was the last thing he wanted to do, and it honestly made his stomach turn a bit, he pulled out a jar of pickles from the refrigerator and grabbed a bottle of Old Forester Statesman Bourbon from the counter along with two shot glasses. 
“I’m already going to have a hangover, what’s one more,” Javier said to himself as he poured the bourbon and drained the shot, a slight hiss as he felt the warmth in his throat. “Here’s nothing,” he shuddered as he took down the pickle juice with a grimace. As he put the shot glass he looked down at his feet to see Bear plop down and rest his head on Javier's feet.
He chuckled, the smallest smirk coming across his face. “Happy New Year to you too bud. Let's get to bed.”
A/N: There's my silly little entry in the challenge. Take a look at @pickled-pena or the tags to see other entries. I hope we get to do this again sometime, this was actually a lot of fun to do something totally different and outside of my comfort zone.
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salvidida · 6 days
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Everything about Scar's treatment in Brotherhood sucks so bad, but there was something specific that has been bothering me for awhile. I hadn't been able to quite put my finger on what it was since watching FMAB for the first time recently (as a lifelong 03 fan). So I rewatched FMA 03 again and it finally clicked what it was that further upsets me about Brotherhood regarding Scar, besides the more obvious imperialist propaganda and racism:
The Elric's relationship to him.
Now obviously Ed's racism towards Scar in Brotherhood is pointed out frequently enough, but it doesn't stop there. It's the way that Brohood Ed is incapable and fully resistant to ever bridging that gap besides a deeply uneasy allyship-of-convenience. Al is also fully distant from Scar, besides their mutual antagonism in the earlier arc. And nothing more is really explored here between these characters.
And I didn't realize how much I valued the way 03's Scar, Ed, and Al contrast, overlap, mirror, battle, and support one another. Their fates and goals are inseparable. Alchemy's impact on the Elrics' lives is reflected with Scar's life and his brother's, as well as their familial relationship to their own brothers; many point out the similarities between 03 Scar and Al, with some noting how Ed and Scar's brother match each other. And the way the Elrics here are more able to engage with the harsh realities that inform Scar's choices and actions versus that of their place as Amestrians, and for Ed as an active member of the military who, despite wanting to cling to his principle of never taking a life, at times can see Scar's point of view and even, with reticence, sympathize with him (Al even more so).
There are layers to the relationship across these three characters. The tension and humanity that arises is a driving force in revealing the dialectics of this show. It's to the point that Al and even at times Ed defend Scar when talking with other characters towards the end of the show, and they even ultimately owe their lives to him (the philosopher stone and grand arcanum that allowed both Ed and Al to live, and for Al to regain his body). And the bond between the Elrics help Scar to forgive his brother, to speak aloud that he loves him in his final moments, before triumphantly accomplishing his goal against the Amestrian military, saving the remaining Liorans, and saving Al from becoming Kimbly's final bomb.
And there are other moments, such as Scar helping Al in Lab 5, telling him he sees his unmistakable humanity after Al helps him save Ishbalan refugees. Scar attempting to help Ed in Lab 5 after he refuses to sacrifice the prisoners for the Philosopher Stone, because he sees the humanity in Ed too, the humanity that can resist merely being a ruthless military dog and scientist. The way Scar treats Al almost like a little brother of his own, and when he mentions that Ed and his older brother share the same kind eyes- said at a time when Scar still harbours ill feelings for his brother's taboos and his sacrifice; which becomes all the more poignant when he forgives his brother before creating a Stone passed down to the Elrics. Scar mentions having sworn off specifically targetting state alchemists post-Lab 5, and this feels like his way of sparing the Elrics of his wrath, even as he holds fast to fighting against an oppressive system with necessary violence. The material here is rich for analysis and appreciation! It doesn't settle on more digestible, black-and-white character archetypes and plot conveniences.
There's a reason why the final outro for 03, where it flashes across four deceased characters who mattered to the Elrics, includes Scar. The man is in the ranks of Trisha, Nina, and Hughes! This isn't a mistake, the writers are intentionally showing the indelible impacts of these people who they cared about.
But with FMAB, it's exceptionally flat here and entirely derogatory. Ed hates Scar, and the narrative treats him as wholly right to do so. Scar needs to repent and reform to the side of his genociders, and never shall these characters interact or converse beyond putting a stop to Father. Scar was nothing more than a vehicle to reach his murdered brother's alchemic research, and an example to be made of any radical who so much as raises a finger against the State. All three of these characters want nothing to do with each other, and that's about as far as we get with them. In Scar's own words, he's nothing more than the 'ooze' (the poison) that arises from military conquest, and by the end of the show it's clear that, even with Scar saving the entire country that destroyed his life, to the Elrics, he will always be that 'ooze'.
In Brotherhood Scar committed what the Elrics clearly considers to be the ultimate sin: he killed Winry's parents, and no matter the circumstances surrounding that event, no matter what else changes, no matter which mass murderers, monsters, and genociders the Elrics can sympathize with, humanize, befriend, and forgive, Scar will never be anything more than an unforgivable murderer. The best everyone gets here is moving on and living seperate lives. Nothing more.
The fact that Ed openly wishes he could beat the shit out of Scar, he verbalizes as such while Winry patches him up and Miles lectures him about the value of reforming the military regime to include more racialized people for its imperialist complex. And the big mercy Ed in this moment offers to Scar is... Not kicking the shit out of him after all.
The juxtaposition between these adaptations, the cold hatred of FMAB versus the entangled, poetic antagonism and comradery of FMA 03 makes experiencing the former anime so depressing. Until watching Broho it never dawned on me just how much I truly appreciated the complexities between Scar and the Elrics in 03. Finding Scar's Earth counterpart at the end of Shambala wasn't just a fun cameo: it feels like a road that leads back to an ally.
At least now I have something I can more consciously enjoy whenever I revisit 03, while articulating yet another reason why I can't stand Broho.
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PROPAGANDA
ATHENA CYKES (ACE ATTORNEY)
1.) Despite supposedly being the MAIN CHARACTER of the game she was introduced in, she somehow still always ends up playing second fiddle to Phoenix and Apollo, to the point where she isn't allowed to take the lead on even so much as a single case. Instead of the senior lawyers standing to the side in a mentorship role like they do for literally EVERY OTHER PLAYABLE CHARACTER, Phoenix and Apollo keep stepping in to outright take over for her. She literally does not make it through even a single case without needing some male character or other to swoop in and hold her hand every step of the way, not only Phoenix and Apollo but once even Blackquill, her rival prosecutor, as well.
Why? It has nothing whatsoever to do with her competence level. It's a video game; her competence is determined by the player's, just like everybody else. It seems like the writers just couldn't STAND the thought of her doing anything on her own, or thought that the players would walk out en masse if it wasn't the Phoenix and Apollo Show every second of gameplay. (And yeah, it DOES sometimes take me some time to warm up to new characters, but that was the case for Apollo too! At least give me the CHANCE to judge her on her own merits rather than assuming that I'll immediately write her off!) Like, why did you even WRITE this character if you think so little of her?
2.) WHERE DO I EVEN BEGIN. She's introduced in the middle of a male characters "trilogy" (Apollo justice) so the story is never about her. She appears in aa5 only to NEVER headline her own case IN HER INTRODUCTORY GAME and always fail unless a man comes in and saves her. Her own story is sidelined for Apollos. Next game, she only really appears in one case that's a throwaway and still can't do shit on her own. Ugh. She deserved to be treated better, more competent, etc.
3.) my girl is an attorney and a practicing psychologist at age 18 (youngest defense lawyer in the series) & is often shown to be more competent than her male colleagues, and yet is constantly pushed out/sidelined/generally treated like an assistant character rather than a lawyer (the assistant position in these games is usually reserved for characters who don't have law degrees/are generally not educated enough to understand the courtroom proceedings to their full extent. athena is none of those things but she gets treated the same way by the game because. well. we know why.) Instead of being the main playable attorney in her debut game, the story is taken over by her male colleague (WHO ALREADY HAD A WHOLE GAME DEDICATED TO HIS BULLSHIT BTW) & her development is ignored in favor of his in both her debut game AND her second game. Even when her backstory IS explored it's done via a male family friend of hers, meaning even when her OWN story is being told it's not even about her it's about simon's lame ass. for extra context here in her debut game she is only the playable attorney in one case out of five, while the other (male) playable attorneys were playable in all or all-but-one of the cases in THEIR debut games. capcom hates women sooooo bad
CARMELITA MONTOYA FOX (SLY COOPER)
1.) Carmelita has always been portrayed as a sexy badass, but the fourth game in the series does her dirty. Throughout the game she’s given the “bitchy ex-girlfriend” treatment and is always regarded as an unreasonable nag. In addition, they put her in an impractical miniskirt (previous games had her in pants), and there is a minigame where she is forced to dress like a belly dancer to distract some guards (including prompting the player to have her shake her ass for extra coins) and when she complains about this, nobody listens to her, and is then reduced to the damsel in distress in the final act of the game, when previously she has always been a major help in taking down the final boss. While not the main reason a lot of Sly Cooper fans hate this game, it’s certainly a factor.
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gingerylangylang1979 · 9 months
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Black women who ship Carmy x Sydney, please take care of yourselves
This is written from a place of love, not condescension or trying to spank or belittle anybody. 
I guess I’m just growing concerned about many black women in this fandom feeling bad about this ship in a number of ways and some trends I see that aren’t healthy and uplifting. What I say may make some people angry. Some people may feel I’m dismissing legit concerns or lived experiences. I’m sure I’ll get blocked by some. Oh well. I'm gonna speak my truth. All I’m trying to do is give much needed perspective and say the quiet parts out loud.
When I see black women repeatedly literally letting this shit make them upset and enraged at every turn, daily, it’s a bit alarming to me. If one's happiness is so swayed by the whims of perception of a ship it’s a bit unsettling. Why let this shit have so much power over your mood and enjoyment? It’s just a show. But I think for many it’s way deeper than that and that’s not being kind to oneself or fair to the creators and performers. 
I’ll say this, I know there is misogynoir, and both conscious and unconscious bias involved in a lot of the reactions we are seeing about this ship. I’ve spoken to it. But I think a lot of us are failing to see the nuance of the whole picture and are making everything literally black & white and a cause for outrage and panic. Where I see misogynoir is most at play is in how fans view Ayo/Syd and as an extension Carmy x Sydney. Where I don’t see it particularly in play is how the cast and crew speak about the ship. 
Every time an article comes out denying the ship the knee jerk reaction is hating on Storer and Calo like they don’t want the ship to happen because Syd is black. I just don’t see any evidence of that or need to assume bad intentions. If you trust what you are seeing and think it’s endgame that contradicts Storer and Calo not wanting the ship for racist reasons.
I know what has happened with other BW/WM ships but I just don’t see that here. The romantic undercurrents are just too heavy and they greatly respect Syd as a stand alone character and Ayo as an actress and creator in her own right. Are they going to get everything you want right? No. But they are trying. Does that mean we will get everything we want with her/them? Not necessarily. The same can be said for any of these characters. Just trust what you're seeing, the intentionality is there even if it isn’t validated in media about the show. 
But because she is a black woman we are more invested and more focused on her treatment. That’s fine, let’s uplift her, and protect her. But what I see is a somewhat unhealthy attachment to viewing her as somehow being wronged at every turn. I get it. But I also think it’s not beneficial to be almost looking for her to be wronged in places where it isn’t true. If the ship isn’t being validated in the media and Carmy isn’t kissing her and declaring his love next season it's not sidelining, it’s storytelling, and it’s a slow burn. Some of the same people talking about they want a slow burn I guarantee will be up n arms if Carmy x Sydney are further apart next season, which I think will happen. That's what happens in these romances. But the first thing people will jump to is the writers don't want them together because she is black and the first article denying the ship will have people ready to ride at dawn.
I think it’s just difficult for some to come to terms with how this is going to play our over time and what that really means because she is a black woman character and we want the most for her. They will have ups and downs. Yes, Carmy dated someone else. There is pressure to validate her in so many ways that just aren’t necessarily going to be satisfied on all levels and I think some are making it way personal to a degree that isn’t necessarily warranted. 
Whatever happens with Syd isn’t going to correct the history of the black woman's experience in the media or real life. It will be a monumental event if they go canon, for sure, but I think some people are getting way too emotional and angry if every little thing doesn’t go how they want with her and Carmy. I also see a bit of trying to make other elements validate Syd as a black woman and by extension validate oneself. 
The insistence from some that Ayo and Jeremy have something going on or Jeremy’s performance is rooted in feelings for Ayo is so strange to me. Why? I think some people need to feel like Jeremy has feelings for her because he’s the hot white lead to validate her as a black woman. As excellent as Jeremy is as an actor do people really think he has to actually be in love with Ayo to get the performance we are seeing? He’s just extremely good at his job. I don’t think he has to do that with any other emotions he is portraying so why this need to have him be in love to make the performance resonate? 
I’ve also seen people trying to make a connection with the fact that he’s been seen with a biracial black woman as somehow meaning the next step is he should be with a monoracial black woman and connecting that with him and Sydney. Why? I saw a post that was questioning why this woman isn’t dark skinned with kinky hair as if he’s obligated to date someone that looks “black enough” to validate the attractiveness of dark skinned black women. This post also seemed to be super invested in that because that’s what they look like and want to feel Jeremy should be attracted to them. It’s not the first time I’ve seen this and it always makes me cringe and feel deeply sorry for that person.
I think it’s cool he’s dating a WOC but I have no entitlement or expectation that he go darker and nappier to prove anything to me or the public. And it has no bearing on if he would find someone who looks like me attractive in a sexual way or the same for his character. Maybe he would, maybe he wouldn’t. What does it matter? If he is told to kiss Ayo onscreen, he will, because he’s a professional. Why are people making it so personal who he chooses in his real life? It just seems extremely insecure and projecting. If he dates someone else who is white white or another race that’s not black, is that going to hurt feelings? He doesn’t like “belong” to black women now. Jokes about it are funny but internalizing it as validation is dangerous. 
I also see this in an intense desire to have another white character be in the love triangle. If you just want someone else in the picture, fine. But I feel like there is this big desire to have it be another white man when Marcus has been there the whole time. I don’t ship her with Marcus (well, I did for a minute when I was enraged with Carmy) but it’s because I don’t think it’s where her heart is. But I also don’t see Marcus as a non-viable option. But since he’s not the white boy of the month, it’s not as appealing or viewed as big of a win for some if she’s with him or he’s the only suitor. People have mentioned Connor as a potential. Ok, yeah, I can see it based on the evidence presented, but I hope it isn’t viewed as a like let’s boot Marcus so this white boy who sorta superficially looks like Carmy is the rival. Maybe it can be a love square and three men fight for Syd, but I don’t want to discredit Marcus just because another curly haired white boy with blue eyes shows up. 
And lastly, if your emotional well being is so super effected about what happens to Sydney and it’s so entangled with feelings of being marginalized to the point that it’s distressing and your hyperfocused on every detail as a win or lose, I think you need to consider why and understand her being with Carmy isn’t going to heal anything. A lot of fans project personal issues onto characters and it’s just never going to fill an emotional hole or be a substitute for racial justice.
I saw someone post recently that this ship is a coping mechanism. And honestly it shouldn’t be. Just like Claire can’t fix Carmy, shipping Carmy x Sydney and hoping they are canon isn’t going to fix anything. If this is a fun outlet for you and a way to spend free time, great. But I wouldn’t link being in the fandom and shipping with self care. It’s too volatile to be tethering your emotional well being to. That’s like putting your healing in the hands of writers, media, and fandom when you should be in control of your journey. I think it’s cool to relate to the characters and be invested in their story but it can get kind of messy and parasocial if you put too much personal weight on outcomes regarding the show.  
So, I just want us to be more positive and focus on the wins with this character and Ayo. And also focus on the future. That doesn’t mean ignore the shenanigans. But I think so much attention is focused on the negative that not enough credit is being given to the bravery of having a dark skinned black woman as the co-lead, having her be her own person with her own struggles and nuances, having her most likely also be an unconventional romantic lead, having Ayo be the breakout star she is, having her get EP credits and directing next season, how she is a cover star, how she is multi-talented, how she is praised by everyone who works with her, how she is the IT girl. And I think this story will do her justice in the end.
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[Text: Tell me, what do you think of people actually liking the character development in season 4-5 and the show's treatment of mental health? [Redacted] thinks that and she's the mother of a teenager]
Re liking the show: I generally assume that they have poor taste and/or media literacy.
Re the mental health rep: I generally assume that they're incredibly privileged and/or ignorant.
I'm posting this as an image and not an ask response specifically because I will not participate in fandom drama or shaming. This blog exists specifically so that people can actively choose to engage in my content and so that I can post critical thoughts without dragging their source into some petty fight. So I'm not going to talk about the named individual. Instead, I'll replace them with the show's head writer and talk about him in a similar context.*
He's pretty famously denied that Chloe suffered any abuse, ignoring her obvious neglect, which came from both parents, just in different forms. When you pair that with how the show handles people like Gabe and Jagged Stone, we see a clear pattern of the show ignoring the devastating effects that abandonment and neglect can have on a person, especially if they're a child.
Now you could look at that and say, "The head writer condones abuse! He's a monster!" But I prefer to go the more likely route and assume that he's a privileged middle-class cis white man who has never had to deal with those issues or support someone who has, so he has no idea how to handle them properly or that they even need to be properly handled. There's every chance that he's a loving, kind man and a fantastic father who just happens to not be very good at writing a complex topic that he clearly has no understanding of or desire to learn about. I apply similar logic to fans who share his opinions. Never attribute to malice what can be explained by incompetence or ignorance.
And all of the above is assuming that we're talking about someone who thinks that the show is objectively good or that the mental health rep is good, which are big assumptions. It's fully possible to enjoy a piece of media that you know is objectively bad or even "problematic" in some way.
Personal confession time: is Loonatics Unleashed an objectively terrible show that you should never, ever watch? Absolutely. 100%. Are Rev Runner and Tech E. Coyote two of my favorite characters who will live rent free in my head until the day I die? Yep! I pulled up a YouTube highlight real as I was writing this and those dorks still make me smile even though the show is terrible on multiple levels and I know that I'm not alone in that sentiment. Those two clicked with a lot of people for some reason.
A piece of fiction need not be good for you to love it and you don't need to justify your love for a piece of fiction if you're not claiming that it's good. Similarly, people hating that piece of fiction or pointing out flaws in it is not a reflection on you in any way shape or form. You can even agree with their criticism and still love the piece of fiction. This approach to media - loving a thing in spite of its flaws - is normal and healthy and I'd really love to see it make a comeback in younger fandoms.
Like, I cannot emphasize this enough, most fandoms consider it perfectly normal to have lots of fans who are critical of the source or who have even lost interest in the source for one reason or another, but they still like some element of the source enough to want to create/consume fan content for it. These more critical fans arguably make some of the best fan content because looking at canon and saying "That's nice, let me show you how I'd do it" often leads to some of the most complex stories that you'll see in fandom spaces. Stories that can often blow canon out of the water for TV shows and movies since fanfic isn't limited by budgets or studio policies or marketability concerns. Fans who think that the source is perfect tend to just write fluff or romcom type fics, which is not a dig! I love bother of those genres! But woman does not live on fluff alone.
Obviously there's some complexity here because who decides if a show is bad? Saying "it's okay that you like a terrible thing" can certainly sound like an insult and prompt a feeling of needing to defend the thing, which is why I don't fight with fans who like the show. There's really no need to convince them that the thing they like is bad. Do I think it is? Yes. Does it matter if they disagree? No, not really. At worst, they create stories with similar issues and, well, they're not the only ones and fighting with them isn't going to stop them. You're much better off focusing on creating your own good media and trying to get that popular. Heck, even if you made the head writer see all of Miracuous' flaws, it wouldn't change anything. The show is already made.
So, yeah, I don't really assume anything bad about people who think that miraculous is good. I know lots of wonderful people who have terrible taste in media and I'm still friends with them. I just don't take recommendations from them.
It's important to remember that, when you're online in a fandom space, a person is condensed down to a very tiny snapshot of who they are and judging a person solely off of their thoughts regarding a poorly written kids show is a dangerous path to tread. Like, looking at this blog, you might assume that I spend all of my time thinking about miraculous and obsessing over its flaws, which is very much not the case. I actually have this blog specifically so that I don't obsess over miraculous' flaws because I've found that, when something is bothering me, writing it down or talking to someone about it is the best way to stop thinking about it. Even then, most of my posts are reblogs of stuff I come across while browsing my tumblr feed, which is not solely miraculous content. I mostly interact with the show by creating non-salty fanfic that I honestly enjoy writing and find to be a relaxing, positive outlet.
It's human nature to judge and it's totally normal to think that a person's an idiot because of something they post online, but be careful to not lean into those thoughts too hard. At the end of the day, Miraculous is just a stupid kids show that will fade from the popular consciousness a few years after it stops airing. If it and/or the fandom are negatively affecting your mental health, then it's okay to step away for a while or use the block button. It really is your best friend. I enjoy being critical about Miraculous specifically because it's not that important. While I do think that kids deserve better media, I don't think Miraculous is some terrible evil harming the youth. I'm not horrified when a kid watches it, it's just not a show that I'd encourage them to watch and, if the kids was close to me, we'd spend a lot of time talking about the bad things that the show showcases from time to time. There are lots of episodes that are fine and I can think of way worse kids shows. Shows that tell their horrifying morals really well, making a kid far more likely to pick up on them and internalize them.
*Note that I only feel comfortable talking about the head writer like this because he's a public figure with an active social media presence AND because I'm not @ing him. If he was a private person or if he was not a professional creator, then I would not talk about him like this and even in that context I try to avoid it whenever I can. You can think that he's a terrible writer, but he's still a human being and, as far as I'm aware, nothing he's done deserves people harassing him.
I absolutely understand how devastating it can be to see a story you love get ruined by the creative team. The first time that happened to me, the life lesson I came away with was, "I will no longer put my happiness in the hands of another creator. I will enjoy stories, but I will temper my expectations and remember that they're just another human being and it's completely possible that their vision for this seemingly awesome story may end up being terrible."
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skipperauroras · 6 months
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The Loki Series is just one big torture porn show, all they ever do is hurt Loki, demonize him for no reason, make up stuff to demonize him some more, and a lot of other things. I hate this show so much. All of the characters (Mostly Sylvie and Mobius) treat him abusively like verbally abusing and physically abusing him constantly. They try to make up things about new york that aren't true just to slander him and justify their torture porn, the real truth that was CONFIRMED is thanos tortured and used the mind stone on Loki to do those things in new york, look it up, also they make up things like say he killed his mother, when he didn't, Kurse did that, and that's in Thor 2, the writers keep making things up to demonize him for no reason. Sylvie and Mobius both constantly accuse Loki of things he didn't do. The Sif scene was just one big excuse to torture him as well. I'm sorry I'm just venting, it hurts my heart every day what they do to Loki, and it just isn't fair!!! I'm not watching season 2 but I'm observing it from others comments and I'm glad I'm not watching it because they keep wanting to hurt him, just like they did in season 1. I know I sound crazy, because to most people they wouldn't be this upset of the treatment of a fictional character, but I am, and it affects my mental health so much...
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azulas-lightning-bolt · 2 months
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guys I just want you to know that azula is my fav atla character (right above katara/toph/suki can you tell I like girls) but I’m actually going insane about mako right now.
also for the like,, five people who liked my last mako post please please please go look at @/jade-of-mourning’s blog. they’re so cool. they make such super awesome mako posts and his writing is really good and she also posts some stuff on ao3 so like. yeah. I’m obsessed with them.
anyway back to losing my mind over mako,, (a LOT more under the cut)
so okay I’ll admit I’m not typically a fan of angsty male characters (zuko is the exception. he’s too funny to not, and his character and development are really well done) because they all feel like copy-pastes of each other and they’re generally uninteresting.
but mako. mako is the female experience. not sure if I reposted it (as I tend to do with,, everything on here) but I saw a post talking about how what happened to mako’s character (all potential being discarded after romantic plot) is what happens to the vast majority of female characters. and as I’ve probably said at least fifty million times, he’s SO eldest daughter coded. I’m trans (they/he) but I grew up an eldest daughter and he’s like?? literally me??
as I was yapping about in a reblog—I just checked (lol) and it was in fact the post about mako having the female love interest treatment and tags about his eldest daughter syndrome—mako is somewhat made more ‘relatable’ than katara even when sending a similar message for the general audience. I think people should just be less brickheaded and appreciate my wonderful waterbending girl but mako being a guy makes people not immediately put his character into the lens of ‘ugh, dumb feminism’. (which, again, should not happen)
okay so why does this redeem him so much? I said I hate copy-paste angsty backstories meant to exacerbate a character’s edgy mysteriousness and mako is literally batman with a more violent aang for a little brother. he was basically the messiest character on the show, cheated on both his gfs with each other and fucked them up so bad they turned gay for each other (which was funny as hell of the writers by the way. his reaction to them coming out in the comics was GOLD. ik my boy was fighting back tears.) so, logically, I should hate him like 90% of the fandom, right?
well obviously 90% of the fandom HAS NOT WATCHED THE FUCKING SHOW is MISOGYNISTIC or HATES CHARACTER DEVELOPMENT
I have. so much to say about this.
for one. did we watch the same show. mako is one of the most selfless, hardworking, and considerate characters, which he shows multiple times—it’s a major point of his character, actually. he’s the protector, the nurturer (*cough* the eldest daughter). down to his backstory, he shielded bolin from the worst bits of the underworld as best he could while still providing. from eight years old, all alone, he provided. that’s honestly what sets mako apart from literally being Batman (lmao) and why I don’t actually mind his backstory. he was put in an impossible situation, and told to figure it out. he was given no reprieve from the extremely traumatic event of watching his parents die by the element he wields, the one that he has to learn on his own to use to protect bolin.
the other thing is that a lot of his actions are selfish in a way. he doesn’t really care much about the street rats in the same position he was once in the beginning. but even that selfishness isn’t in his own interest—it’s selfishness for the sake of bolin’s well being. one thing that really hits me hard is the brothers’ relationships with food while on the streets. I’m going to make another post about that soon because I don’t want to ramble too endlessly on here. it’s really personal because. eldest daughter who grew up poor. yeah.
second, fandom misogyny. this makes like. no sense but I swear I know what I’m talking about. okay so misogyny is about gender right? but let’s step away from the cutout copy idea of gender, like genitals or fem/masc presentation or pronouns. think of gender as a set of inherent preconceptions, ideals, or societal expectations. that’s what it is but specifying that makes more sense. mako is a dude who is referred to with he/him and he looks like a guy but he represents a girl. mako is expected to be nurturing but not overbearing. present but not annoying. a provider, but don’t ask for anything in return. mako can’t cry in front of bolin, it’s not right for a little boy to look up to someone fragile. mako needs to work, but tiredness is not allowed. don’t be overly cheerful, it’s annoying and unfitting, but too much gruffness is just haughty.
did you feel like you were reading the transcript for that scene about how hard it is to be a woman in the barbie movie? good, because that was the intention. mako, to me, represents the idea of a sibling who is forced to also be a parent, whether or not they are the eldest, and often a girl to a boy. it could be because parents are absent or dead or bad at parenting or just foolish and inattentive. mako is hated (aside from that messy ass romance plot) for almost all the same reasons as katara and that just. infuriates me. like I have this one perfect representation that reminds me of my own background (sorry katara ily and you represent my rage) while aligning with my identity and everyone is shitting on it?? fuck mako haters he’s my special boy
last point. have you never heard of character development in your lives. did you not all love Zuko’s redemption arc, and then as soon as a dumb teenager who’s never had romantic relationships fucks up JUST AS BAD AS THE OTHER TWO PEOPLE INVOLVED (sorry korrasami ily but y’all were nasty for not asking to kiss mako) you’re all like ‘unforgivable’?? like he didn’t even have a redemption arc because HE WASNT AN EVIL CHARACTER. he was a poor kid looking for a sense of stability and he fucked up. he felt bad. I don’t think any of them apologized, despite the fact one was needed all around. he grew as a character because he let himself find stability and mature before seeking someone new to use as a life raft who was already sinking themselves. I truly believe that korrasami—had it not occurred at the end of the series—wouldn’t have worked out either.
all of them were unstable and lost and scared for their lives almost constantly. that’s not a healthy place to be in to seek a relationship and they none of them were good for each other until they gave themselves time to step away from romance and heal.
anyway stan mako to not be a bigot (im unwell about him)
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total-drama-brainrot · 3 months
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that one real-total-drama-takes post about team cirrrrh all being misogynistic got to me because they're not even wrong, they're all different flavours of misogynistic and that includes izzy.
tyler & owen are period-typical misogynistic teenage boys; they're not intentional or malicious with it, they're just a product of the societal ideals + norms of the 2000s, but that doesn't change the fact that they hold a lot of harmful ideals. they congratulate duncan on "bagging two hot chicks", not because they don't understand that cheating is wrong, but because that was just the widely accepted mindset of the late 2000s- and this is applicable to a lot of their behaviour in all 3 gen1 seasons. tyler is less obvious about this mindset, but owen himself showcases this a few times over the seasons. remember the bet he made with cody in season 1?
alejandro beefs up the chivalry aspect of his persona to manipulate everyone but women especially, and often times expresses that he sees the girls he flirts with as less than people and moreso obstacles or prizes. it's only later on in the season where he begins to see heather alone as somewhat equal to him and she's the only girl he doesn't brush off as easy to control, but even then it often seems like he's indulging her instead of treating her like a serious threat. this is even more evident in their song "this is how we will end it", where he showcases all of the women he manipulated as puppets on strings- mere objects for him to play with- whilst the men he manipulated aren't mentioned at all (implying he saw them as more than toys to be controlled).
duncan.
noah, as far as i'm aware, isn't outright misogynistic so much as just an asshole to everyone. Unless you count his treatment of izzy in wt as proof of his misogyny, which is fair because most of his interactions with her and eva both involve him insulting them in some way (all of the different ways he's called izzy a nutcase, mocking the "iron woman" for her weakness against justin). he's got the vibes of "you're gay because you like men, I'M gay because i hate women" which is mostly because he doesn't seem to like men either, but he at least tolerates them, whilst he barely even interacts with any of the girls. Now that I think about it, I don't think Noah ever has a positive interaction with a girl in the whole show (unless you count trying to hug bridgette?)
and izzy has such strong "i'm not like other girls" internalized misogyny. she's a miniboss in the manic pixie dream girl rpg- and i mean it when i say manic- and she intentionally plays up the more masculine or disgusting aspects of herself to appeal to owen in particular. just like noah, i don't think she's ever had an objectively positive interaction with another girl on the show, but at least she does interact with them. sometimes it feels like izzy is so disconnected from her femininity- as if the writers only remember she's even a girl when they're writing about her relationship with owen- and this isn't a 'bad' thing but it does disconnect her from almost every other girl on the show. it's super weird, especially for a show that (usually) showcases femininity as something strong and empowering, especially since it almost penalises eva for not being feminine in the slightest yet only ever rewards izzy for doing the same.
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vole-mon-amour · 11 months
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You know, I was surprised by the amount of people asking for s4. I understand, it's your favourite show. Mine, too. I'll be devastated if we never see Phil as Jamie again (he's my fav character, can't do anything about it). I'll miss him very very much.
However,
1. I was amazed by the amount of things they got wrong but general audience saying that the finale was perfect and asking for more. We must be watching a very different show.
2. After that AMA with Brendan, I simply don't trust the writers to continue this. In my mind it's a bit of a relief that we're probably not getting more because of the possibility of them ruining it even further.
Sure, one of my fav episodes (Sunflowers, 3x06) was written by Jason S. and Joe Kelly. Brendan was probably involved in some way, but not enough to give him credit for writing and directing it.
International break, 3x10, was written by Jane Becker. There are moments that I dislike, but the entire Uncle day? Roy & Jamie being besties? Roy finding the right words after he sees Jamie giving a nod to Sam that couldn't represent his team? Chef's kiss. I still think the way they handled Roy x Keeley was awful, but still. It was, more or less, a nice episode in my opinion.
Mom city, 3x11, was written by both Jason and Brendan & I absolutely LOVE it for most part (especially if we ignore the entire 'forgive him' thing with Jamie's dad). Jamie-centric episode that I'll always cherish & it's a shame we didn't have more of those. Give Phil all the awards. Love love LOOOVEEE IIITTT. Even better, give Jamie his own spin-off and invite Phil back as Jamie. (But then again, the fear of them bringing James back into Jamie's life and showing it as a good thing... The fear is Real.)
However, how could all Jason, Joe, and Brendan together write and release 3x12 as is is beyond me. How could they give us all those parallels, all that build up, only for it to ruin it in the finale? Jamie and his dad, Beard and Jane, the weird triangle thing that before this was mostly presented as ot3 but suddenly turned in the dumbest possible '2 people are chasing another same one' and Roy & Jamie both being OOC as HELL. Even ot3 aside, what was that bar talk? Jamie would never. Then at Keeley's house and Roy that's 'been working his ass off for the past year' but actually regressed to the point of BEFORE we see him in s1. He was presented as mentally mature in s1. I understand that he's jealous and insecure, but getting back to throwing punches at your best friend trying to convince himself/believing that after one night stand (that was VERY poorly addressed in 3x10 and 3x11 in my opinion) you're getting back together with your ex when she's been turning you down again and again? After that misogynistic comment about "But she's a woman, so you never know." WHO wrote that and why? Who allowed this to appear in the actual episode? And don't give me the "He's only human" treatment, he was always human but he never treated Keeley that shitty. He was better than that from the beginning. Or is it just me who wanted him to be better? Plus, Roy attacking Jamie after KNOWING what Jamie went through and how awful it is for him.
Before TL there was a show that I loved very much, but it disappointed me to the point that I started hating it, dropped it before the last season aired, and blacklisted it everywhere. I won't name it, but the writers were absolutely awful and treated the fans and the main gay ship like clowns. Typical Cis White Guys behavior towards their own characters and writing them as OOC as possible. I was very afraid this might happen to TL but was hoping that it won't. After 3x12? You guys. All my trust into their writing and believing in knowing what they're doing completely disappeared.
I am gutted bc of how much this show means to me and how it helped me through the darkest time in my life, but also... Are we sure we want more? Are we sure we trust them to continue this with these characters? I can kinda imagine the female football team, but to continue with all of our favs?
Mmm, I'm not sure about that, guys. Are you?
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pinkandpurple360 · 4 months
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I think it's also worth mentioning that you can still like a ship but realize the problems with it. I know a lot of Stoltiz fans who shipped it during season one because how 'messy' it was (I wouldn't call forced sex and one dehumanizing the other messy but ya know) jumped ship once season two aired being how it took away the things that they found interesting about it and attempted to make it 'wholesome' when it never was or meant to be so.
I'm complete Fizzomdous trash but even I realize the problems within season two and hate how both were defanged and feeling as if Fizz's personality and treatment from the writers made him less of the gremlin we loved while also taking away his agency (I'm the one who sent the disability ask a while ago). Yes they still have cute moments but I kinda wish their relationship they were treated like...well ya know, like they're both adults. Plus them tag team roasting your sex life. That was fun.
Hell, I could have gotten behind Stoltiz if there wasn't the full moon deal plus while still privileged Stolas at least attempted to get to know Blitzo as a person supposed to only use him for sex. Yes, Stolas still cheated and could be a bit out of touch with reality without realizing how much this is affecting Octavia, but at least there's a chance of character development and a real messy kind of relationship.
Helluva Boss is supposed to be a show for adults yet treats its audience like children more than shows aimed for that demographic. It feels as if it wants to write messy or dark dynamics but then backpedals and tries to 'savage' what's already an unhealthy relationship into something that we should be rooting for. Honestly it wouldn't surprise at this point if Viv chooses to recon the whole of season one being it makes Stolas look bad when he was suppose to be the bad guy to begin with.
Sorry for rambling...
Anon, if every message was like you. I’d never be getting irritated with people. Please know I don’t have a problem with anything said here.
And that’s fine, because we don’t all have to debate things. You don’t have to feel guilty for liking or not liking something. Even if people test me sometimes that’s at least what I try to stick to. I’m tired of shipping wars. You are in no way a bad person if you don’t feel like looking deep into things that happened because everyone will enjoy things differently. I run a blog that’s partially random ‘turn your brain off and enjoy it’ content; and critical content where I really don’t hold back.
So I think this has all taught me to improve my tagging systems so people can filter it and only have to engage with it if they want to.
I completely understand and agree with you, and people should enjoy the fanon in any way they choose. Because those are the fans stories, their content, their original material. They also aren’t above critique when things go to nasty territory (you probably know the kind I mean) but are usually harming nobody.
Its different when we get to ignoring and recontextualising canon events that all of us saw. “That didn’t happen the way you remember” “you’re delusional if you think the scene happened like that” (this oneeee 👹🔥🔥) or when it gets really bad, reaching levels of “actually sex consent is a flexible thing, like paying rent” 😶😶because then it leaves the realm of fiction, and right to reality.
Personally, the romantic relationships other than moxxie and Millie weren’t why I ever watched the show. I don’t really find relationship melodrama fun but if I’m suppose to take it seriously, I will.
I think I’d like Stolitz as exes that are now on ok terms. Almost like an anti verosika. The first relationship Blitzø ended in a more healthy way. Them both realising the spark has gone, the feelings weren’t really “love” but loneliness, and that they learned a lot from each other, but don’t really like each other anymore that way, too much bad blood had happened, and have very different priorities and values in life. A scene where Blitz sees Stolas at Ozzies with someone new, with them both smiling and chatting and stolas blushing at his new crush, and the other guy blushing back and crushing just as hard, then we see blitz genuinely smiling and happy for him without any hint of jealousy, then heading back to pride with his friends, that’s a beautiful ending. To me anyway.
Hell if Via feels this strongly like Stolas’ lustful obsession is ruining his relationship with her. That is grounds for ending it. My dude, he’s just not the one for you. LooLoo land and Seeing Stars, where it ends with Stolas holding Via, only her, while IMP are in their own corner, separate, but happy, those are the happy endings. Not tacking stolas onto IMP and having Via tell us that stolas loves blitz over her even though he honestly…doesn’t. Like cmon there’s no way in any universe blitz is competing with Octavia.
Man can you imagine if Via helped Stolas make a lustinder, do a profile pic, find new dating tactics and choose an outfit? And be very supportive and excited for him? Hi?? yes?? that’s super cute and that’s stolas fixed for me. Stella shouldn’t be his only romantic history and frame of reference, that’s bonkers.
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Preliminary Poll
Loki
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Submission reason:
IN THE FIRST THREE MOVIES HE WAS IN HE HAD AN INTRIGUING AND DEEPLY COMPLEX ARC CHARACTERIZED BY TRAUMA, FAMILIAL ABUSE, INTERNALIZED RACISM, AND SOCIETAL REJECTION. THESE FACTORS LED TO HIM ATTEMPTING SUICIDE AFTER WHICH HE WAS FOUND AND PRESUMABLY TORTURED BY THANOS. HOWEVER THIS WAS NOT MADE EXPLICIT IN CANON (god forbid the main antagonist of a superhero film be complex) AND WAS ONLY CONFIRMED IN OBSCURE INTERVIEWS WITH TOM HIDDLESTON AND ON THE *MARVEL WEBSITE* OF ALL GODFORSAKEN PLACES YEARS LATER. IN LATER FILMS HE WAS IN, NOT ONLY DID THEY IGNORE ALL OF THIS CHARACTER BACKSTORY BUT THEY ALSO ENTIRELY CHANGED HIS CHARACTERIZATION. IN RAGNAROK HE WAS A HEEHOO ANNOYING EMO TRICKSTER WITH NO DEPTH, IN INFINITY WAR HE WAS KILLED BEFORE THE TITLE CARD, AND IN HIS OWN FUCKING TV SERIES HE WAS A COMPLETELY PASSIVE MC WHO SIMPLY HAD THINGS HAPPEN TO HIM RATHER THAN BEING THE ONE SETTING THINGS IN MOTION. THEY ALSO MADE HIM TALK STUPID, WEAR UGLY CLOTHES, CALLED HIM A NARCISSIST (????? HE CANONICALLY HATES HIMSELF) AND BASICALLY STRIPPED HIM OF EVERYTHING THAT MADE THE CHARACTER WHO HE WAS. I COULD GO ON FOR HOURS I ONCE RECORDED A ONE HOUR LONG VIDEO ESSAY JUST ON THIS TOPIC OH GOD I'M SO SORRY FOR THIS
Complete personality change, writers refuse to recognize traumatic past, shown to be both skilled at magic and intelligent yet both aspects of the character were taken away. Now turned into the butt of every joke despite being a) intelligent, b) powerful, c) always 2 steps ahead of everyone, d) already has a sense of humour, took away fashion sense, also changed the amount of eloquence in speech
Their character was massacred in the Loki series, where they were pushed to the side (of his titular series, yes). Loki displayed very ooc willingness to go along with the (albeit only *fanon* fascist) all-powerful organisation and status quo, and was boiled down to a couple of character traits and unusual ineptness overall. This appears to be because as a protagonist, they were carried along by the plot, and so he showed little of their usual initiative.
1. Abilities consistently keep getting diminished in every next property he appears in; 2. Despite having magical abilities, tried to kill Thanos (an almost all powerful Titan) with a knife; 3. Generally speaking made into a joke character in Thor: Ragnarok and surprisingly even more so in the Loki Disney+ show; 4. We were promised canon genderfluid Loki. What we got instead was selfcest with his female clone; 5. Said female clone doesn't have any of his personality traits and is somehow better than the original at literally everything; 6. He was put in a psychological torture situation by the Loki series. Which would be fine if the series didn't try to convince the viewer that this is a good thing and that the man inflicting it is Loki's friend; 7. All of the trauma he experienced is left unacknowledged; 8. Costume design has been getting progressively shittier.
Propaganda:
the "anti ragnarok" and "gagnarok" tags on tumblr have general critiques of Thor: Ragnarok, a lot of them are about tye movie's treatment of Loki. But tbh Taika massacred pretty much every single character so idk if it really counts.
There's so much i could say i couldn't possibly get to it all :((((
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ex-textura · 3 months
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I have never been into a video game during its hype before bg3, but it showed me it was for a reason. I love the game but hate the way it treats to Gale and its fans. It’s like going back to high school again. This fucking game has love for everyone else but Gale and it fucking shows. We don’t get any closure for his arc, no special scenes, we don’t even know his fucking age. What we got is all the hate, mistreatment and hostility. Tbh, I was in a very bad place when I played this game for the first time and it pulled me off from there, but seeing my fav getting shit treatment not only from fandom but also the game itself was a big revelation for me. Maybe both me and Gale deserve this treatment. And idc if it’s projection or not, like other people don’t put themselves in their favs place.
Exactly! Exactly!!
I usually miss the big game hype too and show up way too late into a fandom so it's been an experience to watch the progression in real time. There's something to be said for joining a dead fandom is all I can say.
To your point about projection, this is exactly what I've been saying. This is the point I'm trying to make with my limited grasp on words. Of course we're projecting a little bit. A well-written, believable character will do that. So many of us see pieces of ourselves in Gale and it's often those pieces that are getting shit on the most. It's the "I know I talk too much, I know I'm over eager, I know I'm a burden I know I know I know!" pieces that endear him to me. The parts of myself that I hate are the parts of him that I love. I could learn to love myself, I think, through loving a character like him. Like me.
Only the other characters, the writers, the fandom remind me again and again that I'm not meant to love those annoying parts. They're meant to be ignored, to be torn away. To be fixed.
He's the annoying guy that redeems himself through his death.
How many times have I thought that about myself?
I always felt like I wanted more insight into Gale, more thoughts from his writer more discussion of the depth of this character but honestly now I'm not so sure lol. Although I'd love to get a word on his age though lmao. (I'm still gonna hc him at least in his late 30s though they can't take that away from me fjshsidjdhsis)
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nirashiyahell · 5 months
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My Problem With The Fandom's Treatment Of Niragi; And Why His Fans Are Apart Of It.
Wow, a controversial post about a controversial character! Have fun reading and leave your opinions in the comments or reblogs, remember we are all human beings, thanks:)
Let me preface that I absolutely DO NOT CONDONE HIS ACTIONS and you are able to like/enjoy a character without agreeing with their actions or what they stand for, which brings me to my first point: he is not a good person in any shape or form, he does not have decent morals, and he is not a good. person, but no one in the show is. 1. The Gray Morality Of The Characters In Alice In Borderland
This is something I had caught on to by I think near the end of the first season, and it was reinforced throughout the second season of the show, let's take one of the most beloved characters, Chishiya, as an example: his character obtains a large favoritism boost because of the handsomeness of the actor he was played by, which is an unfortunate curse that many medias face, I say curse because most of these characters are separated from their complexity, and the only striking factor they posses is how physically attractive they are.
Chishiya Shuntaro, while not the main character, has quickly become a fan favorite because of the reasons stated above, now let's look at what makes him a really good antagonist (please note: I will be comparing both the LA and manga!); to start off, he is incredibiy selfish, a trait one must have to survive the games, he is shown to be a very "lone-wolf" type of character since his first few seconds of screen time, despite having Kuina by his side, which is a change that differs from the source material, likely made to have him appear as more likeable; in all the games we see him in season one, he is almost never in a group for more than a few seconds, in the hide and seek game, he wanders off to search for a high position to watch over the players and how the shooter moves, thus isolating himself. He does not view the players as people, surviving in his same situation, but rather shields, guinea pigs, chess pieces, anything that he can manipulate; he makes Arisu trust him enough to manipulate him in the 10 of Hearts game, and does not care of the known consequences that Arisu will face for that. The whole thing about his character in the first half, is that he cares only himself surviving, at the cost of other people, no matter who they are.
He lacks empathy and simpathy, well withing the entire season and the first half of the second season, I dislike this season in regards to how they handled his character, before reading the manga, I was not aware of how many panels were left out that showed, empathized his selfish nature, instead putting him in a game he wasn't even apart of in the first place, all for the sake of some sympathy towards him: all in all, I did like the Jack Of Diamonds game and understand why the writers chose this path for him, and Ippei's interactions with him were a good parallel (and a possible moral dilemma) for him, Ippei was sweet, selfless and caring, traits Chishiya does not have, they end up forming a bond that is quickly cut off because of Ippei's sad death, he acknowledges the boy's kindness, and then returns to his former self; he does not show any more compassion, until a crucial game. The King Of Diamonds was also a game that could have been done a bit better in my opinion, yes it's still a great arc, but it neglected a very important dynamic with a character; Daimon, though again, very short-lived, the interactions with her showed that Chishiya does not inheretly hate humanity, more so he does not care for it, most of the time. Kuzuryu was done well, he revealed a worldview that Chishiya was blind to until then, and actually feels something rather than indifference for the ex-lawyer's death.
Arisu, on the other hand, is the complete opposite of Chishiya, he's the protagonist that would be deemed "morally white" and he is at the start, but his morals have changed in the course of the show, because who does not adapt does not survive: he is a very emotional character, he lets his heart speak rather than his head, this is shown to be a disadvantage, as he gets manipulated easily, but it is also why Arisu gained allies in almost every game, because he was able to show compassion towards other people, he cared about saving others, even if it put him in danger. He suffers for every death he comes across, blaming himself for it because he believes he could have done something, but that does not mean that he's not morally gray; Arisu, for the most part, is stuck in a toxic cycle of self-hatred, which lead to him either shutting down or having miscommunication with the people he cared about, like in the King Of Clubs.
Niragi, in contrast to the other two characters is A VILLAIN. A villanous character is meant to oppose the main cast and bring constant or reaccuring conflict to the story, they have twisted morals, selfish motives, and a foul mouth: this character does things that the audience is SUPPOSED to be against, whenever something happens, the audience is actively NOT supposed to condone it, a villain is meant to be disliked, but it's not the end of the world if he does end up being liked. Niragi Suguru is an extreme of that stereotype, his worldview is animalistic, he sees people as weak, things to prey upon, which is why he attempted to prey on Usagi during the panic of the game in the end of the first season: again, I am no way defending his actions or justifying him, he's a terrible person who committed terrible things, but he is an extremely well-written character. Niragi does not start off as what he is currently, pre-Borderlands, HE is the person people prey on, he is put in vulnerable situations that often cause him to be physically injured, and no one cares, therefore his anger goes unchecked, untreated which leads to mental health issues: before the Borderlands, he is not agressive, he is not assertive, he is not power hungry, he was a victim of serious, repeated bullying that went unseen by people he was meant to trust: in the Borderlands, there is NO law, NO social etiquette, just humans fighting for their lives, this is where Niragi gets the confidence he lacked all those years, this is where he becomes the predator and ceased to be the prey.
2. Niragi's Fans
Niragi is physically attractive, his actor is pretty, apperently that's enough to be defended for, and the reason why someone could possibily not hate his character to death. Liking a character based on looks solely should not be considered liking them at all, and it should absolutely NOT be defended, especially if the character is in the wrong: when people talk about the fans, it's mostly in a mean way, as most of them like him for his attractiveness, not all of them, most. which is why both the character and whoever admits to liking them, is looked down upon at best, receiving death treats is rather expectable at this point, that's not the only reason though; a large majority, if not everything, on the Niragi tag is NSFW-related, no character analysis, no character quotes. Just. Smut. I find it revolting for a character, any character, to be reduced to physical pleasure, there's rarely fluff and EVERYTHING is x reader. He did not have that final scene with Chishiya + that character development realizing he was at fault for his actions to be reduced to a sexy bad boy.
TLDR; I'm too emotionally attached to this burnt man so I'm mad about people not seeing him as a character.
(I was really sick while writing this, sorry if it's all over the place!)
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