more people need to talk about how
1. Gale thinks the world is better off without him in it.
He thinks the mistake he made was so monumental that it's not even worth him being alive anymore. He thinks that if he does as Mystra asks and blows himself up to kill the elder brain, then at least his folly would amount to something. He's lived for a year in darkness and isolation and convinced himself that the only way to move forward is by somehow regaining his goddess's favour, and if he can't do that then he's not worth the air he breathes. He wants so desperately to matter, to mean something, that he's willing to throw his whole life away to garner even a fraction of the love Mystra used to bestow upon him. He's a brilliant man, an incredible wizard, kind-hearted, and trying so damn hard to do the right thing, but somehow he fails to see all those qualities and puts his worth solely on a single mistake he made that he made out of love. Out of ambition and out of desire, but ultimately out of love. And now, after spending months in self-imposed isolation, the only future he sees for this world is one where he's not in it. And,
2. That he doesn't think he's worthy of Tav. He doesn't believe that anyone can love him as he is, no matter how often Tav tries to convince him otherwise. If a literal god deemed him unworthy, then who is he to claim he isn't? He finds the ability to love again with Tav, starts the slow and excruciating journey of healing together with them, but somewhere in the back of his mind, he still believes he's not good enough. He wants to be more. He wants to be everything that Tav wants him to be. He wants to be everything Tav needs him to be. He wants to prove to them that he can be a good fighter, a good lover, a good friend. That's why he asks again and again if they wouldn't love him better if he were a god. If he was perfect - truly perfect. If he could command armies and fell kingdoms, if he could give them everything they could ever dream of. Wouldn't Tav want that? Why would they want his battered, broken, mortal self when they could have a perfected version of him? What beauty is there in failure, in making mistakes, in being flawed? Even when Tav insists that they love him for who he is, not for the power he would wield, he struggles to accept it. He trusts that they're telling the truth, but he's been a wizard of renown for so long that he doesn't quite know how to be a regular man any more. His whole notion of worth has been tied so tightly with power and control for so long that he's forgotten what it is like to be loved simply for being who he is. Not the Wizard of Waterdeep. Not Mystra's Chosen. But a man, wandering in the dark like everyone else, afraid, but so full of hope.
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gnawing on my arm because i think there's something to be said about how stede not only dreams about himself with a beard, but ed with his full beard back too. like, the dream seems to be riddled with imagery that he thinks ed would want.
and i say this especially because of how stede reacted when ed had to shave his beard. he freaked out on his behalf. he shrieked in horror whereas ed was entirely unbothered. he feared he had ruined him, had dragged him down to some despicable level, when in actuality, ed was completely content to shed that part of his persona.
and then there he is dreaming about ed with that part right on back.
so there's very clearly still a part of his mind that's convinced that's what ed wants. because why wouldn't he? everyone else seems to. and why would he want the softness and femininity stede had been bullied for his entire life?
which in turn plays into his own imagery too. bearded, masculine, fiercesome, rugged...
because how could someone love what everyone has hated him for? how could someone want what everyone has tried to quite literally beat out of him?
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[ cw: death mention / violence mention / slight suicidal implications / self-worth issues / ]
I always think about Leo’s “I’m nothing without my brothers” and recently I’ve been particularly thinking about how that’s not…entirely inaccurate, when put against the fact that without his brothers there to save him from the Prison Dimension, they would have next to nothing of Leo left.
And even more than that, him thinking he’s nothing without his brothers…is that what he thinks himself to be, as he floats in the Prison Dimension, battered and beaten? Alone as he was, with nothing but a photo to connect him to his family and his fellow prisoner being someone who doesn’t even know his name…was he content being nothing, then?
There’s a dichotomy there, in regard to how Leo tackles the difference of his family being separated from him, and him being separated from his family. One gives way to immediate action and panic, the other quiet acceptance.
He willingly takes on the descriptor of Nothing only when he’s the one that’s cut away.
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I NEED PEOPLE, MORE PEOPLE TO APPRECIATE BABE'S OBSERVANT MODE BEING FULL ON SPIRALLING AROUND CHARLIE...THERE IS SO MUCH LOVE IN OBSERVING THE LITTLE DETAILS OF THE PERSON YPU LOVE WITH YOUR SOUL...
● BABE NOTICING CHARLIE WAS UNCOMFORTABLE TO DRINK A WHOLE GLASS AND TAKING IT AWAY FROM (EP 2), HIM GIVING CHARLIE A LIMITED AMOUNT OF DRINK AND ASKING HIM IF HE CAN HANDLE IT IN HIS SOFT VOICE (EP 6)
●BABE NOT DRINKING OR SMOKING DURING HIS MOURNING 'CAUSE CHARLIE WOULD WANT HIM TO BE HEALTHY (AS ALAN SAYS "what would Charlie think if he saw you being like this" IN EP 10)
●BABE KNOWING CHARLIE BLAMES HIMSELF SO HE WALKS UP TO HIM AND REASSURES HIM AND COMFORTS HIM BY PATING HIM AFTER HE LOST THE RACE IN EP 9, HE DOES THE SAME IN EP 5 AND 6 AS WELL.
● BABE TEACHING CHARLIE HOW TO RACE AND RECOMMENDING HIM TO THE TEAM (since he thought Charlie was there to get a race car, he teaches and believes in his racing even though he was a newbie)
● BABE IMMEDIATELY LOOKING AT CHARLIE AFTER HE FINDS BLOOD IN KIM'S ROOM, ALERTED, TELLS HIM TO STAY STILL AND HIMSELF GOES IN TO CHECK IN THE NEXT ROOM.
●CHARLIE MENTIONING DIEING, AS A JOKE OR NOT, AND BABE REFUSING TO LET THAT SLIDE EACH TIME
●BABE NOT DIRECTING COMMUNICATING DURING EP4-5 AND NOT LETTING CHARLIE EXPLAIN, TO CONFRONTING HIM ABD LETTING HIM EXPLAIN IN EP7, TO AGAIN CONFRONTING CHARLIE AND WAITING FOR AN EXPLANATION DURING EP 10 BEFORE THE RACE (even though it was a misunderstanding, it shows babe's growing confidence and trust in their relationship)
●BABE GOING FROM HAVING TRUST ISSUES TO HAVING BLIND FAITH AND TRUST IN CHARLIE
●BABE LOOKING OUT FOR CHARLIE AND CALMLY TALKING AND LISTENING TO HIM BEFORE THE RACE IN EP9, SUGGESTING SEX 'CAUSE IT HELPED HIM WHEN HE HAD THE POWERS.
●BABE SHIELDING CHARLIE, PUSHING CHARLIE AWAY FROM DANGER
●BABE IMMEDIATELY LOOKING OUT FOR CHARLIE AFTER EVERY ALTERCATION
●BABE BRINGING CHARLIE TO THREE PLACES (the restaurant, the stargazing road, his childhood home) WHICH ARE SOME INTIMATELY PART OF HIS LIFE
●BABE TOUCHING CHARLIE, BEING EXTREMELY INTIMATE WITH HIM DURING THE SEX SCENE IN EP 13, JUST TAKING HIS TIME TO STARE AT HIM, HOLD HIM AND KISS HIM.
●BABE IMMEDIATELY HOLDING CHARLIE WHEN BEING PUSHED IN EP 8
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❛ no matter what you think of yourself , i will always think you are worth loving . ❜ whichever way around of combos, aziracrow and raphzi and you decide setting/timeline <3
Soft Words, Soft Skin
Kind, gentle words, and it was not the first time Crowley had heard such a sentiment from Aziraphale, but as much as it was appreciated, it was harder to really believe. After all, he was a demon---and not just any demon, he was the demon that introduced sin to humanity. And Aziraphale was...Aziraphale. Good and compassionate, the best of all the angels, in Crowley's opinion. It never ceased to amaze him that he could possibly love him, and he certainly didn't think he deserved that love.
Yet that love was his all the same, and the fact that they were lying in their bed, the angel's arms around him, was proof.
"Mmm," Crowley made a soft noise of protest while his hands trailed down to slip underneath Aziraphale's shirt and trace aimless patterns against his skin. "I really don't deserve you, angel."
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I feel like there’s a point to be made about how SVSSS, MXTX’s first novel, deliberately comments on and explores the prevalence of tragically orphaned, traumatised protagonists through Luo Binghe (both versions), and explores how that trope would actually affect the characters as people. Meanwhile, her second novel tells the story of someone who at face value has a very similarly generic backstory, but she deliberately breaks past those narrative confines with Wei Wuxian, whose identity doesn’t depend on that at all.
Both characters have a very similar, deliberately ‘generic’ backstory – orphaned very young, grew up on the streets in poverty, were taken in by a cultivation sect but were abused by someone in power, and so on – but what separates them is their actions and levels of agency (both narrative and personal). If the value of it for Luo Binghe is to comment on and exploring its use as a button for sympathy points, the value of it for Wei Wuxian is to actively reject that use, and rather than using it as a way to make him tragic and sympathetic because of his helplessness, it’s used to enhance his narrative agency. He isn’t defined by it, he’s defined by what he does despite that.
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