steve and eddie pre-season 4 doing divorced parent swaps of dustin after hellfire meetings.
at first, when steve hears dustin’s becoming friends with eddie, he doesn’t really care. it’s not his business, honestly, and if his friendship with robin’s taught him anything it’s that cliques in high school mean so little.
it’s only when dustin’s mom pulls him aside one day, when he drops dustin off, that he begins to worry. because dustin’s the last on the list of hellfire members to get dropped off in eddie’s van, and there aren’t seats back there, and honestly eddie’s driving is bad on a good day.
so at first, steve offers to start driving dustin home from the high school. and the way dustin acts, well, steve feels like he just offered to take out an armed russian guard again. after a bit of arguing, he gets to the bottom of it: dustin likes hanging out with everyone on the ride. and since the way to his place passes the closest micky-d’s, eddie and garath always take him to get dinner.
so they make a deal: steve’ll meet them at mcdonald’s, pick dustin up, and take him home so his mom stops stressing. it’ll be a quick weekly hand off.
only every friday, when he pulls into the lot, eddie’s standing outside waiting with a few sarcastic quips. steve and he almost always argue about dustin while dustin finishes eating (“if it were a sports car you wouldn’t give a shit about seatbelts” “that’s why i don’t drive a fucking sports car to pick him up, dick.”) (“you’re late.” “i had a date.” “and he has a bed time.”) (“i get that your campaign is important, but he has a c in latin right now.” “i can’t make him do homework if he doesn’t want to.” “you most certainly can.”)
the first time robin comes with him, she spends the whole ride to the hendersons giggling. when dustin’s finally out of the car, steve turns in the driver’s seat and crosses his arms.
“out with it, buckley. what’s so funny?”
she blinks twice, and then starts laughing again. “what’s the custody agreement look like between the two of you?” she manages.
“what?”
“do you not realize it?”
“realize what?”
“you and eddie ‘the freak’ munson have spent the last three months doing a quintessential divorced parent drop.”
“wait, wait-“
“the arguing? the mcdonald’s parking lot? the weird pseudo-flirting?”
“i do not flirt with eddie.”
“does that make me dustin’s shitty step-mom?”
“robin!”
“oh my god.” she’s laughing so hard at this point that she can’t breathe.
steve shifts back into the driver’s seat. he doesn’t say anything until they’re back on the road, and robin calms down, and his face is sufficiently red. finally, he manages a “fuck you, buckley.” which starts robin into another laughing fit.
steve’s extra aware of how eddie calls him sweetheart next time they meet up.
edit: wrote a fic of this lowkey.
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In 3 days inky will explode out of the jar again
... tumblr jar, jar jar, or rainbow town dash in jar jar
there's too many jars in the inklore
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i'm unwell!!! because in stede's eyes, ned low was right!! ned says "he [ed] only likes you because of your bumbling amateur status" and calls stede blackbeard's "pet" just like izzy did in series 1
so stede steps up as a captain, kills the man who harmed his crew, and suddenly, for once in stede's life, he isn't a joke! the gentleman pirate is taken seriously and welcomed into the pirate community!
and what happens less than 24 hours later? ed calls their night together a mistake, AND LEAVES.
yes, obviously the situation is more nuanced, and these old men are once again struggling to communicate, but i 100% understand why stede went a bit of the rails at the end of episode 7. stede's been so focused on trying to help ed, that he's completely ignored his own ongoing identity crisis and trauma, and after the incident at the academy in series 1, this meltdown was long overdue.
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seeing analyses of nimona is fun because they have really good insights and are analysing every inch of this movie but in virtually all of them there is a gaping hole where the very obvious messages and metaphors in regards to race and racism in this film lay.
Like tell me, do you believe the story of a brown man, brought in by a black woman in an attempt to fix the systemic issues in a system where ancestry is valued over merit, is framed for the murder of said black woman by a white woman who is fueled by paranoia that a black woman’s efforts might upend the system, the supposed threat this brown man and of dangers that don’t exist and a desparation to fulfill the legacy of a white woman who is a literal metaphor for the way bigotry is taught (in particular homophobia/transphobia). And thus the brown man is villanised for something he didn't do and is forced to find support and companionship in another victim of the system, with this story ending with the white woman willing to destroy everything than let the brown gay man and a trans girl change the system/her mind, has absolutely no racial implications or messages surrounding race.
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