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#and cas is the gateway to that
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Just a hot girl doing what hot girls do best, revert back to shipping destiel
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reasonsforhope · 28 days
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"The Yurok will be the first Tribal nation to co-manage land with the National Park Service under a historic memorandum of understanding signed on Tuesday [March 19, 2024] by the tribe, Redwood national and state parks, and the non-profit Save the Redwoods League, according to news reports.
The Yurok tribe has seen a wave of successes in recent years, successfully campaigning for the removal of a series of dams on the Klamath River, where salmon once ran up to their territory, and with the signing of a new memorandum of understanding, the Yurok are set to reclaim more of what was theirs.
Save the Redwoods League bought a property containing these remarkable trees in 2013, and began working with the tribe to restore it, planting 50,000 native plants in the process. The location was within lands the Yurok once owned but were taken during the Gold Rush period.
Centuries passed, and by the time it was purchased it had been used as a lumber operation for 50 years, and the nearby Prairie Creek where the Yurok once harvested salmon had been buried.
Currently located on the fringe of Redwoods National and State Parks which receive over 1 million visitors every year and is a UNESCO Natural Heritage Site, the property has been renamed ‘O Rew, a Yurok word for the area.
“Today we acknowledge and celebrate the opportunity to return Indigenous guardianship to ‘O Rew and reimagine how millions of visitors from around the world experience the redwoods,” said Sam Hodder, president and CEO of Save the Redwoods League.
Having restored Prarie Creek and filled it with chinook and coho salmon, red-legged frogs, northwestern salamanders, waterfowl, and other species, the tribe has said they will build a traditional village site to showcase their culture, including redwood-plank huts, a sweat house, and a museum to contain many of the tribal artifacts they’ve recovered from museum collections.
Believing the giant trees sacred, they only use fallen trees to build their lodges.
“As the original stewards of this land, we look forward to working together with the Redwood national and state parks to manage it,” said Rosie Clayburn, the tribe’s cultural resources director.
It will add an additional mile of trails to the park system, and connect them with popular redwood groves as well as new interactive exhibits.
“This is a first-of-its-kind arrangement, where Tribal land is co-stewarded with a national park as its gateway to millions of visitors. This action will deepen the relationship between Tribes and the National Park Service,” said Redwoods National Park Superintendent Steve Mietz, adding that it would “heal the land while healing the relationships among all the people who inhabit this magnificent forest.”"
-via Good News Network, March 25, 2024
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smartycvnt · 3 months
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Let Her Go
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Title: Let Her Go
Pairing: Rhea Ripley x Reader
Prompts: "Can I have a hug?" + "Oh sweetheart, come here."
Word Count: 1330
Ash stared at the pack of cigarettes laying on the groud next to her. She had quit a long time ago, back whenever she started training seriously. There had been worse vices that Ash had fought through, but these were always the gateway back to them. Ash should have thrown them away immediately after buying them, but something had stopped her.
The past few weeks had been rough, but Ash preveiled through them. She just wasn't so sure how much longer she could do that anymore. Wrestling wasn't what it used to be for her. WWE had sucked all of the fun out of it. They had fired their old punching bags, so they made a joke of her career.
"I thought I'd find you out here," Damian said as he stepped out of the side door. Rhea, Dom, and Finn were right behind him. Ash smiled up at them, but Rhea could see that it wasn't a real smile. Things between them had been a bit strained, but Rhea still cared about Ash more than she did anybody else.
"It was crowded in there," Ash lied. She had snuck away when everybody else was busy somewhere else. She had been completely alone for the majority of the time that she'd been waiting backstage. "I didn't want to leave and miss the main event."
"Eh, it's just those bozos in a tag match," Rhea said as she sat down next to Ash. Damian and Finn huffed at the insult, but didn't argue against it.
"Why don't we go back inside boys? I think we need to strategize," Dom suggested. Damian shot Ash one last look before he followed Finn and Dom inside. Rhea watched the two of them curiously for a moment. There had always been rumors about something going on between Ash and Damian, but Rhea had always chalked it down to people being bored backstage.
"How long has that been going on?" Rhea asked. She tried to push down her own feeling of betrayal. Her two best friends being in a relationship should have been something that she knew about, but if Ash and Damian didn't want to tell Rhea, there was nothing to be done about it.
"Don't worry, it ended the same week it started. Nothing to run home crying about," Ash said.
"If it's not a breakup, then what's going on with you?" Rhea asked. She had been noticing Ash acting weird for a long time, but she didn't get it. They had finally made it like they used to fantasize about on the indies.
"In a way, it kind of is like a breakup. I used to be so excited to come to work, but they've screwed me. This feels like torture some days and I just want to run away from it all, but I can't. I know that I'm heading to the chopping block, but after that, I don't think that I want to try again," Ash confessed. Rhea's face fell as she thought about having to do this without Ash at her side.
"No, you can't quit on me!" Rhea yelled angrily. Ash flinched at the sudden outburst. Rhea was on top of the world, so Ash didn't expect her to understand where she was coming from. Rhea had never been kicked down like Ash had. Every single one of Rhea's losses had led her towards something even bigger, unlike Ash, who had been kicked to the very bottom of the food chain the second that she lost her title.
"You don't get it, but I don't expect you to. Things don't work out for me the way that they do for you, and that's okay." Ash seemed completely fine with giving everything up, and that infuriated Rhea to no end. Ash had always been the passionate one between the two of them, especially when it came to wrestling. In a lot of ways, Ash had gotten Rhea into wrestling in the first place. Rhea didn't feel right living out Ash's dream.
There didn't seem to be anything for Rhea to say that could convince Ash to stay. They started to avoid each other a little more, which didn't go unnoticed by the rest of The Judgement Day. Damian and Finn seemed to know what was going on with Ash, but Dom was in the dark. He had heard Rhea's side of things about Ash giving up and not caring anymore. Dom was confused, especially since it was very obvious that Ash was suffering the most from the separation, directly contradicting Rhea's words.
March couldn't have come fast enough for Ash, but it came far too quickly for Rhea's liking. Finn knew exactly what was coming, so he made sure to be by Ash's side when the call came in. He knew that it wasn't the same as Rhea being there, but the texts from Dom and Damian told him that Rhea was a complete mess about Ash being let go.
"It doesn't feel as freeing as I would have hoped," Ash mumbled. The tears had come fairly quickly after that. Finn hated seeing someone who he had come to care for hurting so badly. His lips pressed together in a thin line as he tried to think of a way to comfort Ash. He had never felt like he was good at that sort of thing.
"Can I get you anything?" Finn asked her.
"I know this isn't your thing, but can I have a hug?" Ash asked. She looked up at him with glassy eyes, looking like a hurt puppy. Finn nodded as he moved towards her.
"Of course," Finn said. He wrapped his arms around Ash and held her as she cried for what seemed like hours. He had seen this before in some of his other friends. People came to WWE looking to see their dreams through, but it rarely ever ended up that way. Their failures weren't always their own faults. Most of the time, it was something out of their control. For Ash, there didn't seem to be a real reasoning behind her being pushed to the very back after being on the brink of stardom.
Ash contemplated her next moves. A break from wrestling was the first step, but a part of her wanted to try again when it was all done and over with. She could rest her body for a little while before she started training for her comeback. Nobody had contacted her yet, but it was still early in her release. She wasn't exactly someone who expected the calls to start coming in immediately.
"I'll get it," Finn said as he pulled away from Ash to answer the door. The door had barely opened up a little before Rhea came barreling through the entryway.
"Can you give us a minute?" Rhea asked. Finn nodded and stepped outside, closing the door behind him. "I don't want you to leave. You're gonna go somewhere far away, and I'll never get to see you again. Please, I want you to stay here. I'm going to miss you and I don't know what to do about it."
"Oh sweetheart, come here." Ash hadn't even finished her sentence before Rhea was rushing over towards her. If it wasn't for the couch being against the wall, Ash was certain that it would have tipped from the force of Rhea coming towards her. Ash wrapped her arms around the back of Rhea's neck as tightly as she could without choking her.
"I've been an ass, but I want you around. Do you still want to be around me?" Rhea asked her.
"Always, and no matter where I go, I'll always be a phone call away," Ash said. Rhea seemed to relax a little at that, but it was obvious that she was still extremely upset over Ash leaving WWE. Ash just hoped that Rhea would accept it when the time for her to debut somewhere else came around.
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evan-collins90 · 1 year
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The first Torrid store - Brea Mall - Brea, CA (Opened April 18, 2001)
Designed by JGA, Inc. 
From the book: “The retailer, Hot Topic, based in City of Industry, CA, started a short 12 years ago with a concept and a target market; cutting edge apparel, accessories and novelty items--all inspired by alternative music, oriented towards a hip and trendy, teenage market. Hot Topic changed the look of their retail settings, which are usually located in mainstream malls, and the company has recently taken aim at another special market. The new focus is on plus-size teens; an area that the fashion market seems to have neglected. 
Up until this time the 15-30 year old hip and trendy young women who wear sizes 14-26 had no other choice but to shop in the larger size women's shops where the fashions were tailored to the more matronly and conservative tastes. That is how Torrid was born! 
Torrid was introduced in a new, hot and fun retail setting designed by JGA, Inc. of Southfield, MI which has designed the various prototypes for the Hot Topic stores as well. To be sure of the need for such a niche to be filled, the company opened five Torrid shops almost simultaneously; the first in Brea, CA, followed by stores in malls in Mission Viejo, CA, Annapolis, MD, Omaha, NE, N. Attleboro, MA, and Littleton, CO. The merchandise offerings are clustered as "Streetwear," "Clubwear," Rockabilly Wear," and Renaissance Wear" and the stores average about 2,750 SF. Besides the "everyday" slacks and novelty T-shirts, these larger size young women can find black vinyl pants and mini-skirts, black corsets, dog-collar chokers and platform shoes as well as retro-inspired clothing and accessories. In addition to the gothic and prom dresses, Torrid also carries a full line of lingerie for this particular market. Listening to the target market, Hot Topic's Torrid offers teenagers and up the opportunity to look "girly yet fierce." 
The design objective for the prototype store that was designed by JGA, Inc. was to create "a celebration of abundance" and make the setting as unique, unconventional and spirited as the plus-size young women who will be shopping here. Inspired by a "mythological, after-hours club in New Orleans," the atmosphere is romantic, dark and filled with a sense of "unbridled passion." "From the signature flaming heart icon to the curving voluptuous lines throughout the store, excessive materials and scale mirror the zest of the Torrid woman." It starts out front with the shopper-stopping facade which serves as a dramatic gateway to the store. 
The curvaceous and sensuous "hourglass" figures of the Torrid customer is expressed in the hand-crafted metalwork and the backlit translucent glass glowing red. A "drippy" red chandelier and the hand blown flaming heart torcheres add to the store's distinctive sense of place and being. The mosaic porcelain tile floor sets the color palette of jewel tones and metallics. "Visually complex, layers of finishes and architectural pieces evoke a one-of-a-kind artistic flavor." The eclectic mix of fixtures, furniture and furnishings-even the armoires--add to the New Orleans flavor. The hand painted, whimsical and overscaled armoires or cabinets are used to anchor the various zones within the store and at the center of the space a large bronze metallic drape further divides the departments.
The designers added special touches to each area to create that unique, one-of-a-kind feeling to the design. Specially designed, oversized red sculptured chairs with slatted backs are featured in the shoe area. Shoes and accessories are displayed on the slatted backs. The lingerie area takes on a more intimate and exotic--almost Moroccan--feeling with the hand blown glass chandeliers suspended down from large plaster domes. Seen behind this area--beyond a hand painted wall and arc--are the individual, oversized dressing rooms which are equipped with flattering uplights and decorative chandeliers that are visible from other parts of the store. The cash wrap becomes a "focal fantasy" in the total design and it resembles a giant canopy bed topped with twisting shapes and forms.
The space is filled with a pulsating excitement that is so appropriate for the merchandise and the young clientele. In addition to the shimmering palette of rich, deep colors, the warm colored downlights not only enrich the ambient colors and textures but they enhance the merchandise display. The traditional long and narrow mall space is broken up into more personal and individual zones by the variations in ceiling heights, the tin ceilings, finials and the assorted wall coverings. The use of brocades, metallics, and jewel tones on the walls also help to differentiate areas in the store. The metal fixture system--tortoise shell like in appearance--was customized to accommodate the products unique size and length requirements.
If all goes as well as anticipated we can expect to see more and more Torrid shops opening up across the USA- maybe even as many as 700 outlets!”
Images and text were scanned from the book, Stores of the Year 14 by Martin Pegler (2003)
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bizarreauhavre · 4 months
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Gateway of the temple of Dendera, Egypt, ca. 1862.
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deancaspinefest · 1 year
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When I Knew You  |  Explicit  |  54,272 Words
Author: FriendofCarlotta Artist: xfancyfranart
Shortly after moving into his new house, Dean Winchester finds a strange, flickering light in the middle of his living room. When he touches it, he’s transported two years into the past, to the days when a man named Castiel Novak lived in the house.
Dean’s own time pulls him back eventually, but the gateway to the past keeps appearing, and Dean keeps visiting Cas — sometimes for minutes, sometimes for hours. They soon fall in love, but there is no possible future for them, for one simple reason: in a few weeks, Cas is supposed to die.
As the date of Cas’ death draws closer, will Dean be able to save his life? And if he does… will the two of them find a way to be together in the same time?
Link to fic and art
Pairings: Dean/Cas (background Sam/Eileen, past Cas/Inias, past Dean/Cassie)
Warnings: Minor Character Death, Mention of Suicide (No Suicide Occurs)
Tags: Time Travel AU, Angst with a Happy Ending, Mutual Pining
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four-of-cups · 1 year
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Hey remember when supernatural spent their first three seasons establishing that Dean was a mirror for John and then spent the next three seasons developing Cas as a mirror for Mary???
Because I cannot stop thinking about it please send help.
The Castiel and Mary parallels across seasons 4, 5 and 6 are just wild.
Please consider. That both thee dead wife and thee angel of the lord:
Are cosmically entwined with a Winchester, manipulated by forces beyond their control.
Are gateways. They catalyse the introduction of a previously unknown realm: John to the supernatural, Dean to heaven.
Were raised to do violence: Mary the hunter and Castiel the soldier.
Refused to play the role they were given: Mary left the life and Cas rebelled.
Made a secret devil’s bargain that would ultimately get them killed: Mary with Azazel, Cas with Crowley.
Are presented as characters doing the wrong thing for the right reasons - ultimately forgiven by others but still punished by the narrative.
Symbolically, they represent benevolent archetypes (mother, angel) but complicated individuals.
And for most of Dean’s life, he only relates to them as heavenly ‘others’ - perceiving them both as fundamentally unknowable and unobtainable.
That last point is the one that kills me. Because as long as they stay that way, Dean is safe to love them.
A mother can’t leave you if she’s already dead. And an angel can’t break your heart if you believe he isn’t capable of falling in love.
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oldschoolfrp · 1 year
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TSR Hobbies "Gateway to Adventure" catalog -- This version was included in TSR's boxed games ca 1980. Inside are many well-loved classics, some rarities, and probably the final appearance of many of their historical miniature wargame rules. The original D&D box set of 3 little books was still offered for sale, now in a white box marked "Original Collector's Edition," because it continued to sell and make TSR money even alongside Holmes' Basic set and the hardcover AD&D books. The last page teased an update to Metamorphosis Alpha to make it compatible with Gamma World (oddly listed in the "Miniature Rules" section), but that version never was published.
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harvardfineartslib · 5 months
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Benjamin Alfred Haldane (1874 –1941) was a Tsimshian professional photographer from Metlakatla, Alaska. The Tsimshian (Ts’msyan or Tsm'syen) are an Indigenous people of the Pacific Northwest Coast.
Haldane took up photography in the late 19th century. At the age of 25, in 1899, Haldane opened his own portrait studio. He documented the people of his community from the 1890s to approximately 1910, specializing in portrait photography.
Self Portrait of B. A. Haldane Inside His Studio Haldane, B. A., Native American and American photographer, 1874-1941 [photographer] Native American American ca. 1900 CE Repository: Tongass Historical Museum, Ketchikan, Revillagigedo Island, Ketchikan Gateway, Alaska, United States HOLLIS number: 8001703477
This image is part of FAL’s Digital Images and Slides Collection (DISC), a collection of images digitized from secondary sources for use in teaching and learning. FAL does not own the original artworks represented in this collection, but you can find more information at HOLLIS Images.
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franklespine · 5 months
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I have just finished s13 and I'm all for the Winchesters plus Jack family dynamic, but so far the interesting thing is that Dean became a supportive, parental figure who was there for Jack when it was easy. When life was going good for the first time in a long time at the start of the finale - all the members of Dean's family where present, they finally had a major win, and Jack had proven himself to be good. Sam was a supportive and parental figure when it was hard. When everything around him had crumbled - Cas was dead, Mary was gone, Dean himself was crumbling and Sam had every reason to hate Jack. But he didn't, he was there when no one else was and believed in his inherent goodness when he had yet to prove it. For all that Dean argues that Sam only cared about him as far as he could 'use' him as an 'interdimensional can opener', Sam tells Jack that, sure, that would be great to try and pull their family back together, but even if that never happens, even if Jack never opens a gateway, that doesn't mean Sam will care about him any less. Because Sam believed he was worthy of his compassion, kindness and trust simply because he existed.
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ca-dmv-bot · 1 year
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Customer: PONTIAC G8 DMV: GATEWAY DRUG Verdict: DENIED
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shirtlesssammy · 1 year
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Dean Winchester's Multiverse Adventures
"Every notebook on this particular shelf tells a version of how you die. You specifically: heart attack, burned by a red-haired witch, stabbed by a ghoul in a graveyard, and on and on... But which one’s right? That depends on you, on the choices you make." Billie says this in Supernatural season 13, Advanced Thanatology. The books are impersonal portals into Dean's own personal multiverse.
When Mary Campbell talks to John about her experiences in the gateway between worlds, she tells him that she saw "everything - every possible version of myself." In the space between the worlds, she sees herself - her beginnings and endings, her triumphs and failures. First of all, it's pretty impressive that she's not insane after this. Mary's always been stronger than we gave her credit for. But the space between the worlds sounds shockingly personal.
In Supernatural, we got a multiverse which brought us back versions of long-dead characters, and we made our way to those worlds through god-level powers. Angels may have brought us there during the Kripke era (or it may have been Zachariah's illusion skillz?). Jack's impending birth split reality - ostensibly because he was so powerfully strong. However, I propose that there is no time and space when you're talking about god-powers. Jack became God and his heaven is apparently lousy with portals to other worlds. Jack became God and his birth was riddled with portals to other worlds. Is it the godhood, or a future story that will tell us exactly why he's the key to world traveling? When you're dealing with time and space, your ending exists alongside your beginning, after all. This is a rich area to explore! The void could be where the god-powers live - the special view into the multi-verse that let Chuck see it all.
Anyway, I digress. Dean Winchester's driving through Heaven. He's heavily traumatized. The man just died, after all. In doing so, he left Sammy behind to stumble through life on his own (abandoning Sam is its own kind of trauma). He lost his best friend in the most agonizing way. And I think the Dean we saw in the finale was terrified to meddle in those larger patterns of destiny - those cosmic forces that ripped so much of his selfhood from him. He's trying to find himself and who he should be (hello, job application), he's trying to convince himself that "what's dead should stay dead" (Cas sacrificed himself and they need to accept that and live their lives), and it all feels...terrible (beer bottles everywhere). Maybe because he's looking for something new once he gets to Heaven, maybe Chuck's obsession with Dean and his car gave them extra powers, maybe future!Dean gives himself those powers and we don't even know it yet...Dean finds those cracks in Heaven's armor that lets him slip through to other worlds.
It's one thing to think of Dean slipping blithely from world to world, with his view of his other selves a bit myopic. He could take a trip to Squirrel World, and a trip to Dean Smith Verse, and that one world where everyone's a mermaid. After all, he's only seeing a sampling of AUs, just like he did in Supernatural. Right??? But Mary says she saw every version of herself when she was in the space between the worlds. Think of what that must have been like for Dean! Just stepping into that void is enough to see everything. He doesn't even need to put a toe into another doorway to know himself more than anybody should. He knows himself more than he would from reading through Death's books because the void between the worlds also shows his lives. He's dead and therefore more tear-proof in the void. I propose that he saw it all and retained it too. And being Dean Winchester, he probably focused on the worst aspects of himself.
The Dean we see in the Winchesters finale carries a sorrow that I think can provide a rich well to explore in (hopefully) future Supernatural properties. I think it's important to understand that the Dean we see would have also experienced Mary's revelation: he must have seen every version of himself. His family history spiders out from there - Dean's heard his own story out of Chuck's mouth often enough to follow the threads. I think Dean saw all of his lives and wondered if he really was cursed, or broken. I think he mostly saw sorrow. There can be no peace - no pacification in Heaven - with that weighty burden.
Dean Winchester knows all about death. He's died over a hundred times and that was just in his OWN world. What Dean doesn't understand - the frontier he's so rarely pursued - is living. In future multiverse adventures (please, please, please) I think he's going to finally learn about that.
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chere-indolente · 3 months
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Hi!! How did you learn to make maxis match clothes? I would like to start doing it uwu
Hi ! So to be fair I don't remember exactly how I went about starting making CC at the very beginning except from reading tutorials and downloading Sims4Studio but here are the steps I more or less followed in my CC making journey.
First off I was already quite used to some picture editing softwares (namely Gimp and Photoshop) which definitely helped so I would recommend familiarising yourself with one of these.
Then comes the gateway drug to CC creation that are ✨recolors✨. For those you just need S4S and a picture editing software of your choice. Recolors can be quite simple : maybe you just want to change an item's color or add patterns to it. But with a little more editing/drawing skills you can also remove/add some details to the diffuse texture.
Here is a link to a short tutorial for a simple recolor using gimp by @smubuh
To keep the maxis match aesthetic the easiest way to go is to be a 🙌scavenger🙌 : you want to add buttons / belts / lace / embroidery / whatever to your texture ? Steal it from an other Sims 4 item ! Just look at your CAS and BB in game as a catalogue of all the details and textures you could frankenstein onto your project.
Maybe you'll be content with making recolors forever but if like me you start wanting to make something with a shape that doesn't already exist in game or in the CC world out there, you will have to deal with mesh. (the mesh is the 3D shape of the item as opposed to the 2D texture that is applied onto it) Meshing has a steeper learning curve than recoloring for sure so arm yourself with as much calm and patience as you can muster. First you'll need to download Blender, I recommend downloading the same Blender version as the one used in the tutorial you choose to follow because if you're anything like me you'll get lost otherwise. Also use a mouse, the scroll wheel makes moving around in blender so much easier than using a laptop touch pad like I did at the start 🤡.
And now that you have blender and a mouse time to mess around with meshes and for that like everyone I started (and honestly I mostly still stick to it nowadays) by frankenmeshing. Sticking to the frankenstein/scavenger theme from earlier, this is quite similar to what I described with scavenging textures, except this time we're combining meshes aka shapes : see a collar you like on that blouse, a sleeve you like on that dress ? Bam put them together !
For example here is a handydandy frankenmesh tutorial by @deetron-sims
Outside of frankenmeshing other ways to tranform meshes are to inflate and stretch parts of it (want a bigger skirt ? a shorter jacket ? the O key is your friend). And if you want to go beyond what I have you can also learn how to create meshes from scratch.
That being said dealing with meshes is full of surprises (mostly bad ones unfortunately), since you may have to deal with distorted weights, UV1 and whatever else, so it involved a lot of trouble shooting and trial & error. Being part of the S4S forum or the Creator Musing discord can be very helpful when you're at a loss (but always google and search for yourself before going around asking people).
Finally it's important to keep in mind that it takes time to learn how to make CC so don't be too hard on yourself and take breaks when it gets too frustrating. Personally it took me many months to graduate from recolors to frankesmeshing, I had to give up and try again many times before I finally got what I wanted.
Here are some more tutorials and resources :
@myshunosun made this great post about Maxis matched CC : Tips: components of creating Maxis Match objects for The Sims 4
@powluna has great video tutorials for beginners, especially this well rounded one that goes in details throught all of CAS CC creation (from the use of S4S all the way to blender) with neat little chapters so you can watch only the parts that you're focusing on at a time
S4S forum in addition to the S4S software itself this forum provides plenty of tutorials and a CC creator community
The Creator Musing discord is also full of links to various tutorials and resources (and once again a community of peers)
Specifically for Blender :
@ravasheencc's Resources Archive, I remember especially her Blender Basics Video being quite helpful when I was starting out
@surely-sims's Edutainment Lives which you can find on her twitch, mainly focused on Build&Buy CC
PS : I didn't mention the normal/bump map and the specular map because they are very much optional. I honestly didn't use these until a few months ago and even now I don't bother with them most times
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It’s Not That Simple and It’s Not That Strange [2/?]
Fandom: First Kill  Pairing: Elinor Fairmont x Fem! Reader  Summary: After Elinor’s would-be engagement to Tom Davenport falls through, the Atwood-Fairmont family decides to host a selection ceremony to marry her off to another eligible male Legacy vampire. While you are not competing, you are attending the ceremony with your family, and you and Elinor keep finding your way to each other.  A/N: the title is from the song Desire by Grace Potter. this is my first time writing smut, let me know if you like it!! also there is a moodboard for reader’s outfit at the bottom of the fic :) Warnings: smut, 18+ only
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Your family and Akio’s were staying in the same hotel, so as soon as you’d arrived, you met up with him to catch up before getting ready for the welcome party that was starting at 7:30 pm. Back in your hotel room, you unpacked your suitcase and got changed. First, you slid into some lacy black lingerie. Then you pulled on some nice black designer jeans and a white button down, leaving the top few buttons unbuttoned. After that, you pulled on black leather boots with a little heel and a black blazer with a floral pattern. You’d already painted your short nails a burnt orange colour and applied a bit of makeup, but you figured you could touch up the deep indigo eyeshadow, black mascara, and copper bronzer on your face. After a final glance in the mirror, you decided to add a matte gold chain necklace to the outfit before heading out the door confidently. In the lobby, you met up with your parents, who were also dressed in fancy clothes. Your mother wore a black and gold pantsuit with opal and emerald accessories, and your father wore a black suit with a golden handkerchief in the breast pocket. Both of your parents nodded in approval as you walked up to them. 
“Ready?” your father asked. You nodded, falling into position behind them as your mother took your father’s arm, and the three of you walked around to the grand courtyard of the hotel, where the party was being held. At the entrance, the Atwood-Fairmont family stood dutifully, greeting everyone as they filtered in. Your eyes were immediately drawn to Elinor, whose vibrant lipstick matched her red dress. She looked stunning, and you sent her a shy smile as your parents shook hands with hers. You had tuned out their conversation, only drawn back in when you heard your name. 
“Of course, Y/N here isn’t participating, but she is honored and thankful to be here as well,” you heard your mother say before Mr. and Mrs. Atwood-Fairmont turned to you. 
“I don’t think we’ve had the pleasure of meeting,” Mr. Fairmont said, extending a hand. “We haven’t, but it is so nice to meet you,” you replied. “Thank you for the invitation.”
“Of course, dear,” Mrs. Fairmont said. “Now go on in and enjoy the festivities. The Sugimotos arrived just minutes ago and Akio had asked if you had arrived yet. There are refreshments walking around as well as a fully-stocked bar and buffet. We’ll be entering shortly, just as soon as all the guests have arrived.” You nodded and followed your parents through the gateway into the courtyard, where you quickly found Akio at the bar getting a dirty martini–his favorite. You rushed over to him and did a playful twirl, showing off your outfit. He let out a low whistle in reply before both of you burst into laughter. “You look great,” he complimented. “Seriously, you look better than half the men here hoping to woo Elinor.”
“You clean up well yourself,” you answered before ordering a drink from the bartender. “So,” you said, turning back to Akio. “Got any new book recommendations for me?” you said, skipping the small talk, just like you always did with him. Akio’s smile widened and his face lit up as the two of you began to talk about books, and before you knew it, the sun had set and the Atwood women were standing in the center of the portion of the courtyard that had been transformed into a dance floor and calling for a toast. 
“Thank you all for coming here tonight,” Davina Atwood said. “I’d like to start by saying that I apologize for not greeting everyone at the gate with the rest of my family; I was in a meeting. But I am here now, and I would like to start the evening by giving my granddaughter the chance to say a few words before we meet the gentlemen participating in this selection process. Everyone clapped as Elinor took a step forward, offering a dazzling smile to the crowd.
“As my grandmother just said, thank you all for being here tonight; this means so much to me and my family, and I can’t wait to strengthen the ties between our family and all the other Legacies. As I am sure everyone is aware, you are here as family representatives or maybe even my future husband, which is why, after all the participants have been introduced, the rest of the evening will be spent partying here, giving everyone a chance to mingle and relax before the formal elements of the selection begin tomorrow morning. Thank you again!” she said before stepping aside. Davina stepped forward once more and called forth the first contestant, a man with olive skin, curly dark hair, and the whitest teeth you had ever seen. Not caring much for this part of the evening, you returned to your conversation with Akio, which lasted until he had to step forward and introduce himself. Among the potential suitors, you saw your cousin Jonathan, the Savelli boy, the Davenports, and many others. You were grateful when the process was over and the lights dimmed, the music got louder, and everyone moved to the dance floor. 
Several fancy cocktails later, you were just buzzed enough to be more smiley than normal and receptive to touch. On the dance floor, you and Akio had danced for a while, but a couple songs ago he had disappeared with a tall, muscly man with dark skin and full lips; you doubted you’d see him again until tomorrow morning. Several men had danced with you, all moving on when it became clear you weren’t interested in doing anything more than dancing with them. Elinor’s younger sister Juliette danced next to you for a little bit before heading inside and disappearing from the party altogether, and while you’d seen Elinor dancing freely between several men earlier, you had no idea where she was now, and as the beat slowed down, your hands found their way to the waist of a woman in a maxi skirt with a slit that showed off her toned leg. The two of you got closer, and you smirked at her and pushed a dark strand of hair out of her face when the beat started to speed up again. Before you could get any further with the gorgeous woman, someone tapped her on the shoulder, whispered something to her, and another body took her place and slid a drink into your hand as she stepped off the dance floor. In the dark and flashing lights, you weren’t sure who you were dancing with, only that she was a woman. She spun in your arms and leaned in to kiss your neck while you sipped on the fresh drink appreciatively. 
“You have been teasing me all night with this shirt,” a sweet voice said, and one of the woman’s hands traced a line from your chin to the valley between your breasts, snagging on your gold chain. “I caught a peek of black lace under there, and the way you move your hips is downright sinful.” You smiled and tightened your grip around her waist, pulling her hips flush against your own and moving them, gaining confidence. 
“You could’ve come over anytime,” you whispered as she started rolling her hips against you and kissing your neck harder.
“Then it’s a good thing I’m here now,” she said before guiding one of your hands higher up her waist and up to her chest. “I want,” she breathed out, her voice catching. “Touch me, please.” You squeezed your hand a little and she moaned softly. “Like that, just like that.”
“You want more, gorgeous?” you asked, head spinning. The woman nodded. You guided her against the wall in a dark corner of the courtyard, and slotted your thigh between her legs roughly, which caused the woman to moan softly. Her blonde hair was starting to come undone as she began to thrust her hips into you. Everything was a bit hazy as you downed the rest of your drink and set the glass down so you could grip her better as you moved with her.  
“More, just fuck, I need more,” she said, panting lightly. You gripped her jaw and your lips met hers, and she gripped your shoulders tightly as you bit down on her bottom lip. 
“God, you're hot,” you muttered, pulling back a little. “You’d look so good in my bed, moaning my name” you mumbled before you could stop it. The woman nodded and moaned louder at that. 
“Please,” she said.
“Wait, really?” you asked, shocked. 
“Yes!” she replied. You grabbed her hand and led her to your room, stumbling all the way to keep your lips connected as much as possible. 
In the light of the hallway, you got a better look at the woman. Her cheeks were flushed, and her lips were swollen, and all she was wearing was a vibrant red dress that hugged her in all the right places. Her light eyes looked hungry and her smeared lipstick drew your attention to her delicate lips. Her hair was everywhere, and you couldn’t help but think she looked a lot like Elinor Fairmont. But there was no way Elinor would hook up with you. You didn’t even think she was interested in women. 
As you closed your door, you pushed the woman back against it and she jumped up to wrap her legs around your waist. She tugged at your clothes, and the desperation in her touch made you throb as you carried her to the bed and set her down before removing the rest of your clothes. “Hurry,” she said, somehow both whiny and commanding at the same time. You spread her legs apart, moving her dress aside, and moaned when you saw her slick cunt exposed. 
“How naughty of you,” you teased, looking up at her for a moment. 
“Just hurry up!” she answered. Within moments, you were on her, your fingers working against her folds, and she spread her legs wider and bucked her hips against your hand. With your other hand, you reached up and grabbed her breast, finding her nipple and pinching it lightly. 
“Fuck,” you moaned. “I want to taste you.”
“Yes, yes!” she replied, her voice getting higher. Without hesitation, you leaned forward and quickly found her clit with your tongue before licking and sucking in tandem with the thrusting of your fingers. “So close!” she cried, and you doubled your efforts. Within moments, she came, and you lapped it up, moaning at the taste. You looked up with a sly grin, and she pulled you up to her and in for a deep kiss. “Your turn,” she said playfully before shoving you back on the bed. You grinned down at her as she spread your thighs apart, much like you had just done to her. “I’m a woman who knows what she wants,” the blonde started, leaning forward so you could feel her breath against your core. “And I want you to ride my face like it’s your damn job,” she finished before leaning forward, her hands on your ass pulling you forward. You groaned and started moving your hips, giving her exactly what she wanted, causing her to moan and send pleasant vibrations through your center. She leaned in like she couldn’t get enough of you, and you’d never felt so wanted before, not even by your ex boyfriend. A few flicks of her tongue later and you were cumming all over her face. She smiled up at you before crawling into bed next to you and saying, “Goodnight, Y/N.”
“Goodnight,” you replied, wrapping yourself around her as she nuzzled into you. But she was already asleep. 
It was only the next morning, when you woke up alone in your bed, that you realized the woman you’d fucked didn’t just look like Elinor Fairmont. She was Elinor Fairmont. 
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cryptid-stimming · 3 months
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Mosaic Tile House Venice, CA
[Image description: a 9 gif stimboard; from left to right.
First line: A close-up gif panning over a glass door made from a mishmash of different cuts of coloured glass. A gif panning around an analog clock on a wall; mirrors & ceramic pieces, coloured letters, jewellery and other small trinkets are mosaicked all around the ticking clock face. And a gif of an outside structure's underside (the structure looks a little like roots) covered in mirror shards.
Second line: A gif of a porcelain cow skull with glass red eyes set in a pillar with mosaicked shards of mirror and ceramics. A gif in the pov of someone as they walk towards an intricate gateway, the gate has flowers and wavy interlocking painted metal. And a gif of water bubbling in a mosaic fountain, ceramic animal figurines are mosaicked into the back of the fountain alongside ceramic tiles and shards.
Third line: A gif panning down and over painted colourful tiles on a garden pathway, a gif of people reflected walking in a mosaic broken mirror (the shards are set in almost a starburst type of pattern). And a close-up gif panning over a glass door made from a mishmash of different cuts of coloured glass
End of image description.]
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deancaspinefest · 1 year
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When I Knew You
Author: FriendofCarlotta | Artist: xfancyfranart Posting on Thursday March 9
Shortly after moving into his new house, Dean Winchester finds a strange, flickering light in the middle of his living room. When he touches it, he’s transported two years into the past, to the days when a man named Castiel Novak lived in the house. Dean’s own time pulls him back eventually, but the gateway to the past keeps appearing, and Dean keeps visiting Cas — sometimes for minutes, sometimes for hours. They soon fall in love. But there is no possible future for them, for one simple reason: in a few weeks, Cas is supposed to die. As the date of Cas’ death draws closer, will Dean be able to save his life? And if he does… will the two of them find a way to be together in the same time?
Keep reading for a sneak preview!
Castiel retrieves his book from its place beside his armchair and settles down to eat his dinner. But just as he’s found his place on the page, there’s a disturbance in the air, and Castiel’s skin prickles. He recognizes that feeling. His fingers curl tighter around the book, and his pulse thuds in his ears. He stares down at the page as if hypnotized, not daring to risk so much as a glance. Thump. He looks up from his book. The man is back, and he’s landed in the same place as before — beside the kitchen counter, about ten feet away from the table where Castiel is eating his dinner. Once again, he’s on all fours, but he gets to his feet more quickly this time, almost as if he was expecting his unorthodox arrival. He has freckles, just like Castiel remembered. But whereas Castiel’s memory has him dressed in red and black flannel, he’s now in a plain white t-shirt that clings distractingly to his shoulders and biceps. “Woah,” the man says, staring at Castiel open-mouthed. This was supposed to be a fluke. Castiel fixed this. He left the house and broke his routine so that he would never hallucinate strange men in his living room again. “You’re not real,” he says. For some reason, this makes the man chuckle. “Thought the same thing about you, if I’m honest. I thought I dreamed you. But, um, no. I’m definitely real. See?” The man doesn’t step any closer to Castiel, but he holds out his hand, as if asking Castiel to shake it. Castiel considers that outstretched hand. If he approaches the man, would that mean feeding into his own delusions? Would it just make things worse? But the fact is that a man is standing right here, inside Castiel’s home, smiling at him a little nervously. The man’s chest rises and falls with each breath he takes, and there are well-worn laugh lines beside his eyes that suggest he’s a kind person. Castiel can’t just ignore him; he has to deal with this somehow. He begins by setting down his book and getting off his chair. Cautiously, he rounds the table. The man watches with rapt attention as Castiel inches closer, his own hand rising to meet the stranger’s. Castiel isn’t sure what he expects to happen when their hands touch — for the ground to open underneath their feet, or for men in white coats to take him away. But there’s nothing more than the warm, pleasant brush of one person’s skin against another. The man lets out a small, disbelieving laugh, and then his fingers curl firmly around Castiel’s. His hands are dry and there are calluses on his fingers and Castiel is holding hands with a mirage. A warm, solid, living and breathing mirage. If this is what it feels like to suffer from delusions, Castiel wouldn’t mind doing so just a little bit longer. 
 [continue reading on Ao3 on Thursday March 9]
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