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stluciabuns · 6 months

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The Historical Accuracy of Kirsten's Dirndl

Despite its adorableness, I have seen many people complain about Kirsten's Swedish Dirndl outfit.

I would kill a man to have bought this for $22.

She wears this outfit for most of Meet Kirsten, being that she is an impoverished immigrant child who does not own any other clothes, and also for continuity reasons.

Frequently, I have seen it claimed that this outfit is not historically accurate and should not have been included as part of her collection. Conversely, I have also seen many German folk costumes marketed as being made for Kirsten. Both of these pain me a great deal (actually they just annoy me).

Nonetheless, I have decided to further procrastinate doing actual, meaningful work and instead set out on a new mission: figure out what the fuck is up with Kirsten's Dirndl.

In this post, I will lay out the research I have done, the evidence supporting the historical accuracy of this outfit, the challenges to its existence, and ultimately aim to answer the question of whether this outfit is one Kirsten plausibly could have worn on her journey from Sweden to America in 1854.

Let's begin.

First, the name. Pleasant Company/American Girl referred to this outfit as "Kirsten's Swedish Dirndl and Kerchief."

Unfortunately, there is no such thing as a Swedish dirndl. "Dirndl" is a German term, and refers to folk costumes worn by people in German-speaking areas of Europe (the Alps, Bavaria, Austria, and so on).

Kirsten is Swedish, and before Meet Kirsten has never left Sweden before. It is very unlikely she would have acquired, and regularly worn, a German dirndl. See this gorgeous example of a dirndl c. 1840:

Outfit, c. 1840. Munich, Bavaria, Germany. Münchner Stadtmuseum.

This ensemble is beautiful, but tragically, it is not what Kirsten is wearing.

What, then, is Kirsten wearing? What kind of traditional dress does Swedish culture have?

As it turns out, the proper term for what she is wearing is a folkdräkt. This is a Swedish term meaning "folk costume." Here is an illustration depicting multiple examples of Swedish folk costumes. In proper terms, these would be called "Svenska folkdräkter."

Nordisk familjebok (1908), vol. 8, Folkdräkt. Retrieved from runeberg.org.

These outfits are not quite identical to anything we see in Kirsten's collection, but you can observe various elements that have carried over -- the vertical stripes, black woolen skirts with ornate trim, and white dresses and red sashes (hello St. Lucia)!

Let us dive deeper. What do extant Svenska folkdräkter, specially those made c. 1850, look like? Is there anything like Kirsten's outfit among surviving examples?

Johan Sodermark, "Kvinna i dräkt."

In my few hours of research, this example image is the closest thing I have found to Kirsten's dirndl.

This lovely portrait is a watercolor from 1850 painted by Johan Sodermark. It is very creatively titled "Kvinna i dräkt" -- literally, "Woman in costume." The pattern of this woman's apron is incredibly similar to that of the skirt of the Kirsten doll's outfit -- a dark red base with blue and yellow stripes woven throughout.

Here is a closeup from the American Swedish Institute.

Although it is not shown in the doll-sized version of the outfit, the illustrations in Meet Kirsten by Renée Graef show us she also wears a light-colored, striped apron, which is almost surely the one that comes with her meet outfit.

Illustrations from Meet Kirsten, drawn by Renée Graef.

Notice the fabric of the bodice in the third illustration, though: Kirsten's top is made of red plaid fabric, while Sodermark's girl has an outfit full of stripes. Kirsten, bless her heart, spends an entire book outfit-repeating a potential pattern-mixing fail: plaid and two kinds of stripes and a floral scarf. Did Pleasant Rowland just hate her? Is Kirsten on another, elevated fashion plane far beyond my comprehension? Is there a historical basis for this combination of patterns?

I have no answer to the first two questions, but thankfully can speak on the third.

Komplett Vilskedräkt, Västergötlands museum. Some pieces c. 1865.

The top is plaid and laces up, which is not necessarily the most common way of fastening (in most examples, the bodice pins up), but it is a sensible choice considering both Kirsten's age (9) and the fact that Pleasant Company was making toys for little hands.

The model for the outer shell (the lace up top) belonged to Karl Edberg from Hällestad; it is not dated, but at least one piece of this set (the bag, which is not shown) is c. 1865. Additionally, the blouse here is very similar to the one that comes with Kirsten's winter outfit -- look at that keyhole neckline!

So, Kirsten's Dirndl outfit is actually very accurate as far as the clothing itself goes...the name remains the trouble.

I have no idea why they called it a dirndl. Folkdräkt is definitely challenging to pronounce, but why wouldn't PC just translate it as "folk dress" or "Swedish outfit" and call it a day? Why the insistence on referencing a culture that isn't relevant to the doll or her dress at all?

Perhaps this is a mystery to tackle for another day...

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daughterofcainnnn · 1 month

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Preacher's Daughter aesthetic.

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extra-somethin-somethin · 2 months

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If i analyzed a mitski song through a kuwameshi lens would u care…

i just think it kinda fits as a yusuke pov is all! like here let me just-

what if yusuke wanted to be held. he hasn't been held since he was a child and had no one but a mother too young to know how to do it right. what if all of a sudden he had someone to depend on no matter how hard he bit and fought and clawed. kuwabara has his back in fights, in life, so why not be at his back in the quiet intimacy of night. maybe i can kiss your fingers for a change instead of breaking them. i can be soft. i can want soft sometimes. but it's a pointless desire because kuwabara has potential yusuke doesn't see in himself. a chance to be "normal" and "successful" away from the destruction and strife that seems to lick at yusuke's heels. all yusuke has is this man eating demon heritage and a ramen cart. so he can send kuwa off with a smile, call him college boy to further separate himself from what kuwa has the chance to achieve.

i will compare kuwabara to the sun until i die. he's bright, he saves with his light. when he smiles he beams. even his aura is yellow and hot and beautiful like the sun the very center of our existence. of yusuke's galaxy, his universe even if that doesn't make sense. and kuwabara knows what it's like. his childhood wasn't much better than yusuke's. and still somehow he came out the other side shining while yusuke belongs to the night. a creature of the night. not even a part of the grand solar system just some thing that is wrong and rough and hurting that wanted to hurt in turn. still he can't help but open a little for the sun. maybe like a morning glory. he can't bring himself to be direct can't take that leap. but he can sing for the birds to pass messages for him. little touches, sweet moments that can be laughed off if necessary, hugs they pretend didn't happen. those are his song.

do not wait!! i'm not for this place and you're meant for better so don't waste your time on something like me. there's this divide. human and demon. sun and the monster undeserving of its rays.

you'd think that because their situations were similar shizuru and atsuko would be thick as thieves but i feel like there'd be a disconnect. a sort of envy on atsuko's side and judgement on shizu's. maybe shizuru sees this child her brother brings home unattended and mean and unwilling to be cared for and she gets it but also she doesn't. because kazu isn't like that so what could've happened? yusuke knows shizuru feels bad for him, for how he was brought up but he can't bring himself to share the sentiment. he's glad for his mother even. her willingness to tell him how it is. to make sure when the world punched him he punched back ten times as hard. to not get to attached because it only hurts when you get left behind.

Kuwabara is...he really is a man amongst men. he is just that good. he's got honor, he has respect, he can do the yes ma'ams and no sirs, he can also rile you up if need be. he can raise his abysmal grades just by believing he can. he can defend he can protect he can be strong he can be sweet. he can be confident and vulnerable. he's just everything you can wish for in the guy you wanna take home to meet your parents. and yusuke wants. he doesn't want to want but he does. he wants to be worthy of that guy.

if. well when it all comes crashing down because yusuke cannot keep things afloat he doesn't keep connections he breaks and breaks and breaks. kuwabara is everything he could ever want wrapped up in one person and that's exactly why he knows he'll fuck it up because urameshi yusuke cannot keep a good thing. he shouldn't have tried it in the first place

and maybe his mom was wrong. wrong in what she taught him. the lessons she gave. but at some point down the line yusuke can realize it's not always learning what to do. but what not to do. and because kuwabara is this perfect guy he will never give up on yusuke even if he fucks up. so the least he can do is put that same effort in. maybe he understands his mother more the less he becomes like her.

#kuwameshi #yusuke urameshi #kazuma kuwabara #shizuru kuwabara #atsuko urameshi #your best american girl #character analysis #of sorts???#anyways #long post #yu yu hakusho #kuwabara kazuma #i should mention i do think atsuko and shizuru would get along after spending some time together #gain an understanding if that makes sense #like shizu wasn't a teen mom but she also was and atsuko did what she could even if she could've done better #like by the time the dark tournament rolls around they're 🤝🏼#i feel like yusuke does very much see kuwa as this untouchable thing #you'll burn up before you ever get close enough to the sun to touch it #kuwa feels much the same about yusuke ofc. like neither is worthy of the other or smth #yusuke putting kuwa on a pedestal furthering a separation that kuwa tries desperately to close

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blkgirlsreadfanfic2 · 3 months

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hello, gorgeous

for black girls, by black girls

let's face it, we all want to read fanfiction without being someone's adopted daughter or having to rewrite it to fit our skin tone and hair type. this is meant to be a safe space with resources for fanfic writers and readers alike.

[more content coming soon]

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meat-wentz · 2 years

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two tragic lyrics that sum up my familial pain:

“your mother wouldn’t approve of how my mother raised me but i do, i finally do”

“he had the same first name as my dad and myself and i hate that i hated it”

like really and truly a shot to my heart, the agony of the trauma of youth and looking back as an adult and understanding your childhood self on the basis that you hated the bits of yourself that your parents and grandparents gave you of themselves and you did this for so many reasons: for acceptance from others, for rejection of your family, for fear of being cast out by accepting those parts, that perhaps your individuality was compromised, perhaps your only value was in those bits in the first place rather than parts of the people that loved you that deserved embrace. and that now, as an adult, you regret ever having felt that way, you wonder if it’s too late to express how thankful you are to have those parts, to carry them with you, to have them engraved in your being. it fucking hurts, man. to be so proud of something you once viewed with such disdain, and wondering if there’s ever a way to go back and attempt to let your family know it means so much to you, to erase all the shame attached to your youth and return that love and hope it means the same as it could have back then.

#idk just like i have such complex emotions about being a mixed kid #but i hate that i let everyone get to me all the way up into my 20’s that my asianness was #a novelty at best and a target painted on my back at worst #that i spent so much of my youth wishing away the name of my grandparents who had been interned #wishing away the face that was my mother’s that was her mother’s #wishing away the food they made me and the clothes they gave me #because i hate that more than anything as a child i just wanted to be more white #i wished that my japanese half would vanish #i would try to hide it as best i could #but now i feel the regret so deep in my soul i want to hold my mother’s face in my hands and scream thank you #i don’t know how to do that #i don’t know how to express that love #frank iero #mitski #lyrics analysis #text #your best American girl #9-6-15

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spiritunwilling · 7 months

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i feel mostly normal things abt the great gatsby but once in a while i remember the tenderness with which nick would describe and talk about gatsby

#this is like if a guy accidentally got pulled into some weird rich couple's epic relationship divorce drama #and came out of that experience going hm. gatsby turned out all right in the end #GIRL. GATSBY IS DEAD. PLEASE STOP TALKING ABOUT HIS SMILE AND JUST TELL ME WHAT THE DRAMA WAS #god saves his prettiest prose for his most classics your english teacher tells you to read and then you have to do analysis on the american #dream instead of going why did he write gatsby like that. gayass. in front of your whole class

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bethmol · 1 year

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Portrayal of Mental Illness in Horror Films

I wrote this article a few weeks ago as a Halloween feature for the Chester CELLMates magazine I act as an editor for. The idea came to me as a stereotypical 'light-bulb moment' and - with my fingers working overtime, and a fantastic team member's aid with editing -this was the finished product:

Please feel free to share your thoughts via comments on the CELLMates website, or in Tumblr reblog/submission form!

#blog #blogging #film review #film analysis #black swan #american psycho #joker #fight club #shutter island #horror films #halloween #mental illness #psycho #midsommar #girl interrupted #psychological horror

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kraniumet · 1 year

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all american tv from before 2004 had the network doing some sort of twisted collage to the episode airing order

#is this mayhaps quirky guy analysis... 6?#american gothic girl what have they done to you

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mikiviki111 · 2 years

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#difficult dinner direction director discover discuss discussion disease do doctor dog door down draw dream drive drop drug during each early #fear federal feel feeling few field fight figure fill film final finally financial find fine finger finish fire firm first fish five floor #game garden gas general generation get girl give glass go goal good government great green ground group grow growth guess gun guy hair half #institution interest interesting international interview into investment involve issue it item its itself job join just keep key kid kill k #left leg legal less let letter level lie life light like likely line list listen little live local long look lose loss lot love low machine #sort sound source south southern space speak special specific speech spend sport spring staff stage stand standard star start state stateme #myself name nation national natural nature near nearly necessary need network never new news newspaper next nice night no none nor north no #performance perhaps period person personal phone physical pick picture piece place plan plant play player pm point police policy political #under understand unit until up upon us use usually value various very victim view violence visit voice vote wait walk wall want war watch w #always american among amount analysis and animal another answer any anyone anything appear apply approach area argue arm around arrive art

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rwoh · 4 months

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#film analysis #american girl 2021

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human-for-tonight · 19 days

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potential reasons kipperlily has hated riz since day one:

1. riz didn't give her a business card

2. riz did give her a business card but she did an american psycho style analysis of it and did not like what the card told her

3. a goblin getting dunked in a trashcan killed her mother

4. a briefcase killed her mother

5. has a crush on riz and is taking the tweet that's like "one time I had a crush on a girl and I put a note in her locker telling her to leave the school" to the next level

6. has a crush on a different bad kid and is mad at riz for becoming the rogue of the group before she had a chance

#absolutely 100% guaranteed one of these will be correct #d20 #dimension 20 #fantasy high #fhjy

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brujahinaskirt · 10 months

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Okay, I obviously made the above post as a leetle joke, but since it's getting not insignificant traction, I do want to offer a more serious note.

I love this about Arthur. It's probably my favorite thing about him, but let me use this fresh new RDR2 meta post to clarify exactly what I mean. Despite the aspects of his personality & appearance that are traditionally hypermasculine, and despite how often he is annoyed with people (especially incompetents or people who meddle with his plans), Arthur is decidedly NOT annoyed by the social performance of femininity or by traits that are/were frequently stereotyped as feminine. Ever. Regardless of subject. I might go so far as to say he seems to canonically prefer hanging out with women and with "feminine" men.

Your long-winded, bullet-pointed analysis is below!

The Girls. Most noticeably, Arthur actually sits down to talk with and actively confides in the camp Girls (Tilly, Mary-Beth, Karen) more than anyone else around. These three are the most traditionally "girly" (single, 20s, active, pretty, unattached, highly social, feminine, chatty) members of the gang, though of course they are still criminals and don't perfectly adhere to all period-typical standards of feminine comportment. He doesn't mock the girls** like he sometimes does with other auxiliary members of the gang (like Uncle and Pearson, playful or not). Notably, he doesn't even gently tease Mary-Beth for writing her "silly" romance novels, a highly feminized hobby which she speaks about in a self-depreciating manner, much like Arthur speaks about his own artistic hobbies. Rather, he talks to her about writing like a peer and encourages her to write more by going out of his way to get her a nice pen. Crucially, there is no canon romantic or sexual interest in any of the girls on Arthur's behalf. He just feels the most comfortable in their company and seems to value their advice/opinions on life the most. To me, this is much stronger proof than his forever-burning torch for the cultured & ladylike Mary, which is (or was once) rooted in romantic desire. ** Unless the player persists in Antagonizing them, and these lines (while sometimes shockingly cruel and offhandedly sexual in nature; see Arthur teasing Tilly about pursuing Javier) are largely about goading them for laziness or, in Karen's case, her alcoholism. That said, many of the Antagonize lines strike me as clumsily tacked-on & poorly rooted in canon, which could indicate: (1) an Arthur who is deliberately trying to be disruptive (a generous interpretation), or (2) writers instructed to add throwaway content that will make a certain type of childishly misanthropic gamer (think 13 y.o. boys) squeal in glee with relatively low impact on the overall story.

Campmates. Following the above point... who doesn't Arthur hang out with much? The manly men of the gang; the very people social mores suggest he ought to be hanging out with. Bill, Micah, Joe, Cleet, and even Dutch. (To some extent, this includes John and Sean, but I'd say John sort of lives at the edges of gang life anyway, and Sean is, well, Sean.) Conversely, which male gang members does Arthur hang out with a lot? Sweet little bookish Lenny, a wordy, positive-energy, breezy intellectual who has just barely become an adult. Introspective, soft-voiced, long-haired Charles, who is traditionally masculine by some standards (strong, usually calm, can be standoffish) but decidedly NOT so when his appearance/demeanor is judged by the white Christian American male standards that began to dominate masculinity concepts in the later decades of the 1800s.

Algernon. Oh, my, Algernon. Arthur clearly dislikes Algernon's fancy, loud, outrageous clothing. But weirdly, he seems to like Algernon, not just tolerate him. Arthur in fact goes through significant personal discomfort to avoid hurting Algernon's feelings (the awful hat, the POST.MAN. sobbing), and he immediately says yes to having tea with him without any awareness of a coming business proposition, though half the time Arthur clearly has no fucking clue what Algernon is talking about. I am left to conclude that on some level, he just enjoys hearing Algernon talk, which is word-for-word what he says while listening to the Girls argue about romance novels ("I just like listening to you [all] talk." Hello????). I mean, for God's sake, he meets the man while he's choking to death on a nut at a fancy party, and the second thing Algernon does is tell him he looks like a guy who wears a corset. If anything was going to set off the boiling defensiveness of a dude who worships masculinity, thirty seconds with Algie would have done it.

Margaret, Mistress of Fucking Danger. It's pretty clear Arthur doesn't like Margaret. But that has little to do with Margaret's femininity & cross-dressing (this doesn't faze him at all when Charles Châtenay does it; more on that below) and everything to do with Margaret's deceptiveness and highly selective memory. It's not until the bullshittery unveils itself that Arthur starts getting visibly pissed off at Margaret. Conversely, Arthur does seem more positively disposed toward Sally Nash. (That said, this quest has a lot of problems and poorly aged lines that are depressingly easy for a politically motivated jerkoff to soundbite and miscast as Rockstar being pro-bigot. Cue 800 heterobnoxious gamerbro ARTHUR MORGAN ULTIMATE ANTI SNOWFLAKE SIGMA MALE OF THE WEST YouTube videos.)

Albert, my beloved. Rather than goading him to man up, Arthur tries to persuade Albert (whom he very obviously likes) to pick safer animal photography subjects, e.g. horses, and doesn't insult him for his lack of wilderness knowledge (an aspect of traditional manliness that is highly relevant to Arthur's lifestyle). You'd think he would tear into him for this shortcoming, given that they share so many of the same interests and passions, and IMO his genuine eagerness to serve as Albert's protector and facilitate his art is highly convincing evidence that Arthur does not necessarily view masculinity as a net positive.

Arthur is a basic goddamn boyfriend-hater. He pretty much harshly disapproves of every husband, boyfriend, male partner, etc. in the game and is very, very vocal about it... except one extremely unlikely candidate: Beau Gray. Weak, dandy artist Beau Gray, whom Arthur takes one look at and promptly hands the only gun to Penelope. Arthur is curt and impish to Beau at times, but helps him in his relationship troubles willingly (without collecting repayment), and seemingly for no other reason than the fact he can see that soft, fearful Beau is genuinely head-over-heels in love with Penelope. Is he projecting his own young love for Mary onto them? Maybe/probably, but Beau could not possibly be more different from young Arthur, and Arthur seems to believe this difference will make him a good husband for Penelope. A good husband, in Arthur's view, seems to simply be a man who ardently loves his beloved, regardless of his ability to provide for/protect her, and whose only goal in life is to live that life at her side. This is completely antithetical to mainstream late-1800s views on what constitutes a good husband and what it means to be a man.

Châtenay. Arthur shows us some of the most obvious delight and mirth he experiences in the game when he's hanging out with Charles "Allo Boys" Châtenay, who is straight up in drag a third of that time. This baffles Arthur a little, but doesn't disgust or repel him. I've written about this mission elsewhere at greater length because it is one of my favorite disasters, but it's worth mentioning here too.

Trelawny. Arthur clearly enjoys Trelawny despite his grumbly claims to the contrary. Most of these "claims" are just Arthur's established way of affectionate teasing (he does much the same with Uncle and Pearson, both of whom he genuinely likes). His authentic gripes about Trelawny are all about a perceived flightiness/lack of loyalty to the gang, not about his flamboyance. And even these gripes are half-assed, in Arthur's usual way.

Bluegills & Daisy Chains. One of the most genuine moments of softness we have with Arthur in RDR2 is when he takes Little Jack out of the camp to go fishing. Arthur's usually a much truer version of himself when he doesn't have to play the Big Bad Gang Lieutenant role, but this moment of escape is especially important, and not just because Arthur reveals his fondness for children and his natural understanding of how to talk to them. I notice this: Arthur tries to gently teach Jack about fishing, and Jack is completely fucking uninterested. Jack prefers to make flower chains for his mommy. Arthur doesn't scold him for his drifting attention or his lack of attraction to masculine past-times; on the contrary, Arthur goes out of his way to encourage and protect Jack's natural sweetness and innocence. That's a wild stance for a murdering outlaw to have re: the "next generation" of his family. Hell, I've encountered far too many 21st century dads in my own family who flip their shit when their tiny sons prefer hanging out with women & partaking in "womanly" hobbies like art, cooking, and flowers rather than hunting and fishing.

"...and be a god damn man." This seems like classic masculine bluster on the surface, but what does this keynote line mean in the context in which Arthur says it? Well, it's complicated. This statement serves as (a) Arthur's goodbye to John, (b) Arthur's final call to action for John, and (c) Arthur's last wish for his brother's life. But it certainly does not mean standing and fighting or being tough; i.e., "dying like a man." In that moment, it means abandoning all masculine bluster and revenge fantasy, and running away: leaving violence and fighting and brotherhood and all that crap behind to simply be there (alive, present) for your wife and son.

The Best Women People. Who are the best people Arthur knows, by his own crystal-clear declaration? Abigail and Sadie. Sadie's a rough-and-tumble, super-violent gunslinger and Abigail's a stubborn thief & a former sex worker (in the time Arthur has known her), but they are also, critically, two wives: the most traditional feminine role for a woman of the time period (and indeed perhaps most of human history once the concept of "wife" subsumed that of "mother"). It's also important to note that Arthur doesn't truly give up on Dutch until Dutch abandons Abigail, which serves as Arthur's point of no return. The other men left in the gang at this point specifically note that she's "just a woman" and not worth going back for. Arthur is straight-up shocked by all of this; he obviously considers her among the most worthwhile and value-having members of the gang, and certainly one of the most core members of the gang. Without any hesitation or doubt, the instant it's clear Dutch is cutting Abigail loose, Arthur declares: "That's that, then."

tl;dr: Arthur unironically prefers hanging out with women and queens and I love that for them.

#rdr2 #arthur morgan #red dead redemption #i promise to wait an appropriate amount of time before hurling another one of these massive essays at you tumblr #redmeta

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lilislegacy · 2 months

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an analysis: piper calling percy unimpressive

(warning: i wrote this at 1 am)

so basically

remember how we all despised piper mclean when she had the audacity to call our beloved percy “unimpressive” and we all lost our shit on the inside a little bit?

i truly don’t think she meant it in the way we think she did. i think we’re all just defensive of our boy.

piper clearly states that she is comparing percy to jason. first of all, jason is her boyfriend, so of course she’s biased. second of all, hera was manipulating piper to be obsessed with jason. so other guys and girls are automatically unimpressive to her.

and here’s the big thing: piper does not call him unattractive. she does not call him ugly. she simply says he’s not her type. piper is clearly attracted to the “good boy” look. jason is literally your all-american boy. he’s tall with light skin, a sturdy build, neat blonde hair, and blue eyes. part of why annabeth doesn’t trust him is because she is unsettled by his “perfect” appearance. jason is also obedient and well-mannered. he’s your standard good boy.

and the fact of the matter is: percy looks like a “bad boy”. and often, he acts like one too. him and jason are contrasts of each other. a symbolic representation of this: their features. percy has a darker complexion, messy black hair, unique green eyes, and a “sarcastic troublemaker smile.” he’s muscular, but in a leaner and more trim way. he’s tall, but he’s not a towering muscleman by any means. not that jason is either, but don’t forget, percy is a whole one. inch. (GASP) shorter than jason (which to me isn’t even noticeable, so her pointing it out as a flaw just proves that she’s so incredibly biased towards jason.) their other big contrasting feature: their personalities. jason is respectful and well-mannered. very obedient and under control. percy, however, makes jokes during inappropriate moments, talks back to people of power and authority, gets angry quickly, and loses control easily. i mean, literally right after she says this, percy starts insulting the roman god Bacchus and rapidly escalates a situation because of his natural instinct to be disobedient. piper is horrified by him doing this, especially because jason would never. does it make US all love percy very much? yes. but piper isn’t us.

THAT SAID, even she can’t actually call him unattractive. she even went as far to state that she can see why annabeth likes him, which means even her magically-obsessed-with-jason brain can still recognize his attractiveness and see why girls find him appealing. she calls him “cute in a scruffy way,” meaning she thinks that he’s got a disheveled attractiveness to him. she also once said that his pleading eyes are like a cute baby seal’s - even she can’t deny that his eyes are wonderful. so even though piper calls him unimpressive, i think rick put in a lot of clues here showing us that she acknowledges him as a conventionally attractive person, even if she’s not personally attracted to him.

let’s sum it up, shall we?

what does it say about percy? absolutely nothing. piper calling percy unimpressive is an inaccurate and unreliable source when it comes to analyzing percy’s physical appearance, especially if you don’t consider the context. this was rick’s way of showing piper’s clear preference towards jason, just like annabeth has a clear preference towards percy. and even though she said this, rick also made her give us several hints that percy is handsome, just not in a way she’s inclined towards. rick wanted love triangles to be completely out of the question with these 4. he wanted to make it very clear that annabeth had no interest in jason, and that piper had no interest in percy. so since piper is so drawn towards jason, percy had to be very different from him in her eyes.

jason is your a superman, percy is your batman

jason is your captain america, percy is your iron man. some even say spider man.

so put yourself in piper’s shoes: after hearing percy jackson’s name non-stop for 6 months, hearing him compared to jason, hearing of all his accomplishments and how heroic he is - i mean, the guy was literally honored on olympus and offered godhood - she was expecting a stereotypical good-boy hero. a hercules. a superman. your standard muscular blinding-white-teeth-smile hunk. the conventional, well-mannered good boy. and instead she got a wild and untamed, trouble-making bad boy. percy has an edge to him. he’s intimidating and unpredictable. he’s sarcastic and witty. he just looks like he’s up to no good. she wasn’t expecting any of that. that’s not what we’re taught a hero is supposed to be like or look like.

jason is appealing in a “he’d be a respectable and sturdy husband” way.

percy is appealing in a “he’s gonna fuck up my life but i so badly want him to” kind of way. (even though once you get to know him, you see he’s literally the world’s best boyfriend. piper even gets jealous of how loving he is towards annabeth.)

she had this exact idea of what he would be, and he wasn’t that. hence her calling him “unimpressive.” but it says nothing about his attractiveness.

i rest my case, your honor.

thank you for coming to my ted talk

disclaimer: i am not saying percy is actually a bad boy or a bad guy. he is a sweetheart. he has the biggest heart ever. he’s a cute little cinnamon roll. i am simply talking of first impressions from outsiders, and how he appears if you don’t know him.

#don’t worry #percy is hot #analysis #this is so disorganized lol #late night thoughts #you guys asked for it #percy jackson #jason grace #mark of athena #heroes of olympus #percabeth #percy jackson and the olympians #pjo #annabeth chase

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jesncin · 4 months

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The Potential of Asian Lois Lane. Pt 1: Girl Taking Over and American Alien, a comparative analysis

Lois Lane has had many iterations over the years. But specifically in the last decade, Lois has been reimagined as an Asian American woman in both the comics and recently in the animated show My Adventures with Superman.

I believe making Lois Asian is a very inspired choice for the Superman mythos! I would like to take a moment to analyze these versions of Lois from an Asian perspective, seeing what works, what doesn't, and what I'd like to see more of. We'll start with the comics first, as MAWS is going to need its own post.

Usual disclaimers: I'm just one Asian perspective, I do not and never will claim to cover every Asian person's opinion on a thing ever. We're not a monolith, we come from a variety of backgrounds and experiences. I'm simply a fan who enjoys media analysis and believes it's valuable to have my perspective in this topic. Secondly, this discussion covers the comic run American Alien, which is written by Max Landis. He's an ultra creep and while I think the comic is worth a read for what it is, I leave it up to you whether you'd like to buy the comic. You can always arg-arg-ahoy otherwise.

I'd like to start with Girl Taking Over: A Lois Lane Story written by Sarah Kuhn with art by Arielle Jovellanos. This is a self contained YA graphic novel about a young Japanese American Lois dealing with the ups and downs of breaking into journalism as a career in National City. When her dream internship at Catco gets a corporate take over, Lois seizes an opportunity to write an exposé on a shady art director. But when her story is turned down, Lois does some out of the box things to get the story of marginalized performers shared with the world.

Girl Taking Over is a fantastic story and I happily recommend it to anyone looking for how an Asian American Lois could be reimagined (with fabulous art by Arielle! The fashion especially is on-point). This story isn't just a diverse coat of paint on a Lois Lane story, being Asian informs Lois' experiences and choices. Both she and her frenemy roommate Miki, are ambitious Asian women yet have hidden insecurities where they still made themselves small to their respective white male bosses. They played into model minority in different ways, and it's only by working together that they're able to foster a community for their stories to be told.

Lois and Miki don't just "have a diverse friend group", that friend group is actively being taken advantage of and suppressed by white gatekeepers. By extension, Lois' friends from work find solidarity in each other. Lois looks up to Cat Grant, a Filipina-American journalist, because seeing Cat succeed made Lois feel like her dream as a journalist is possible. I love how Lois' mom (a character so rarely expanded on in DC canon) acts as a voice of comfort for Lois in the story. All these characters feel holistic and whole, going through their own unique struggles.

It's clear from interviews with both the writer and artist that they care for the history of Lois, and saw an opportunity to reimagine her in a way that aligns with her character but also revitalizes her for new readers of color who aren't used to seeing themselves reflected in media. It's taking Lois' ambition and fearlessness and channeling them into the need to be a model minority, and the insecurities that can come from the desire to succeed constantly. It's taking a character historically frustrated by sexism and disrespected by her male peers- including Clark Kent (who got better treatment than her as a man), and expanding her to be a Lois that has to deal with both sexism and racism in the workplace. It's humanizing Lois' excellence into something painfully specific and relatable for many Asian women.

The only thing I feel I want from this version of Lois is... honestly more of her! I want to see what Japanese Lois does when she moves to Metropolis and works at the Daily Planet. I want to see how her experiences in National City informs her adulthood. Girl Taking Over sets up an incredible groundwork for stories to be told in the Superman mythos. How would Lois react to Superman, a fellow immigrant? Would Superman see himself in Lois? Since she's someone who, in the American context, is perceived as the perpetual foreigner? What would their relationship be like? Out of all the Asian Lois' in media we have so far, this Asian Lois' story has the most rich potential in my opinion.

Up next, we have American Alien written by Max Landis. This 7 issue series swaps artists for each issue, as a means of reflecting different milestones in Clark's life. I will be focusing on issues #4, 5, and 7 since those have the most prominent Lois appearances. With that, I'd like to celebrate the artists for those issues: Jae Lee (issue 4), Francis Manapul (issue 5), and Jock (issue 7). All these artists did a fantastic job, their art styles are energetic and fun to look at. Lee and Manapul are both Asian artists (Korean and Filipino respectively) and I love how they draw Lois- who looks undeniably Asian in their art styles.

American Alien is a modern take on the Superman tale. It expands Clark's story to be connected to Batman, Green Lanterns, Green Arrow, and more. We see Clark grow from his days in Smallville to a city boy in Metropolis, coming into his own as Superman. It's a bold and pretty divisive take with some standout story moments. From what I know, this is likely the first time Lois has been reimagined as Asian- and continues to influence Superman media like MAWS (the producer specifically calls out this comic as inspiration).

In issue #4, Clark moves in to his Metropolis apartment and talks on the phone to his mom about "some bigshot guy named Louis Lane". The reader, likely familiar with the Superman mythos, knows Clark is coming in with biases and a preconceived notion of who he considers a promising student reporter. Once we meet Lois Lane however, the comic turns the reader's expectations on their head:

Lois Lane is an Asian American woman (it's not specified what her exact ethnicity is)! This is a fun moment where the comic metatextually challenged the reader's own biases, showing it's not just Clark who had a different idea of who Lois Lane could be.

Lois' introductory panel is my personal favorite part of her characterization in American Alien. Lois proudly stands as a wall of text behind her recounts how she was considered as a winner for the Daily Planet's Charlton Memorial Laureate Program. When asked why she deserves a place on the program, Lois snaps back that the very question itself is loaded. She's listed her credentials and looks professional- so she's either already been rejected and is just being made to "at least had my say" or she's been accepted and is "meant to garnish my success with eloquent affirmation" to which Lois refuses to do either.

This is a great defiant introduction to Lois, showcasing how jaded she is with the way the world perceives her- but is very confident in her self worth as a journalist. By the end of the issue she reaches out to Clark to combine their exclusive interviews into one story to make a big impression on the news. Her words inspire Clark to seize an opportunity to make a big change in the world as Superman.

Afterwards, the comic plays the classic Superman and Lois dynamic straight. Lois is initially suspicious of Superman, but eventually comes around and is inspired to hope through him. There's a great back and forth between the two where Lois' words initially inspire Clark to be Superman, then Clark assures Lois that Superman is probably just a good guy, and when Clark loses hope from a bad day of heroism, Lois gives him hope again. In the end, Lois realizes her love for Clark Kent over Superman and they share a passionate ending kiss.

Overall American Alien nails the Clark and Lois dynamic and understands their relationship. I consider this Asian Lois "just okay". I like that we get to see an adult jaded Asian Lois meet Clark Kent and Superman, and see them get together. Similarly to Girl Taking Over, I'd like to see how this Lois and Clark would play out. My only issue with American Alien's Lois is a sense of missed opportunities.

The writing overall leaves room for plausible deniability over Lois' Asian identity. The artists (particularly Lee and Manapul) are doing the heavy lifting delivering Asian Lois. If she was drawn as a white woman, none of the writing would need adjustment. Sure her introductory panel implies that people judge her based on her appearance- but that could be just sexism instead of the intersectional experience of Asian Lois going through racism and sexism. Clark did assume she was a man after all- it's never specified if he assumed she was a white man. The only thing you'd lose is the metatextual shock value of Lois Being Asian This Time. That's really what this Lois boils down to, initial shock value with no specific writing to follow through. Her marginalization and identity is written broadly enough that it could be attributed to general sexism and womanhood. It's not specific to being an Asian American woman.

However, because of its broadness, there's room for Lois' Asian identity to be built on in the world of American Alien. The story centers Clark's experiences, but I can easily imagine a continuation of the story expanding on Lois'. The basic groundwork is there. I think it's telling that in a comic called American Alien, we get a more diverse Superman cast system. Jimmy Olsen is Black, Lois Lane is Asian- when Clark moves to the city it feels expansive compared to Smallville. It's a world that feels ready to tackle themes of racism if it was ever to continue (and probably in the hands of a writer with that kind of life experience!). In the end, there's room for this Asian Lois to be something special. Clark isn't the only American Alien in American Alien, if you catch my drift.

You can see how Girl Taking Over has a huge piece of what American Alien is missing. The characters aren't just diverse for shock value, they're not an aesthetic change over historically white characters. They have a story to tell that is inseparable from their identities. Whereas in American Alien, the art is doing the heavy lifting with the reimagined diverse characters- Girl Taking Over has both the writing and art carry the representation. Lois can't be changed into being white in Girl Taking Over.

Both of these stories have potential- but if I had the choice to pick which story should continue, it would easily be Girl Taking Over. This graphic novel works for what it is: it makes sense that this is a younger and idealistic Lois that hasn't met Clark or Superman yet. It's a YA book and Lois can absolutely carry a story on her own. What I want as an Asian fan, is for the potential of Asian Lois Lane to be seen through to the point it's considered the definitive version. As of right now, Girl Taking Over is a fun twist on the Lois Lane story. Not something that is seen as inseparable from the Superman mythos. However! If those themes of marginalization and immigrant identity are tapped into for both Superman and Lois Lane? I feel that has the potential to radically strengthen the overall themes of Superman. It's certainly been touched on before.

(TW/CW: racial slur mention in below image)

Superman Smashes the Klan by Gene Yang with art by Gurihiru is a retelling of the Clan of the Fiery Cross arc in the classic radio show The Adventures of Superman where Superman faces off with the Klan who had been terrorizing a Chinese American family. The graphic novel adapts the story to center the Chinese American characters, and makes it a point to show that Superman relates to them. If that dynamic was applied to Asian Lois, that feels like a definitive love story waiting to happen.

The classic two person love triangle with Clark and Lois is that Lois loves Superman and is indifferent to Clark Kent. She thinks Superman is this ideal macho man and Clark is a cowardly fumbling guy at work who rivals her. What happens when you take that dynamic and made it so Lois identified with Superman- the more othering identity? How complicated would that make Clark Kent feel? How would he navigate that when his marginalization isn't always visible? That's a whole new depth to the love triangle we're not used to seeing. I feel so far, none of these versions of Lois have touched upon this potential dynamic. The perpetual foreigner, Lois Lane and the ultimate alien foreigner that is Superman. The jaded city girl meets the alien farm boy who gives her hope. They inspire each other to be more of themselves in a world not ready to accept either of them.

Up next, we'll be discussing My Adventures with Superman's Korean Lois Lane in pt 2. It's well. You can probably guess how I feel about it from what I wrote here but welp. We'll talk about it.

#ramblings #media criticism #lois lane #once again please be nice!!#i have many many feelings about asian lois lane so i may as well write it down and share it with you #jesncin talks maws #(a little bit anyway! like a precursor)#jesncin dc meta

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rainbowgod666 · 2 months

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A few oddities on the funny floating island of the tumbler

Over 65% of spells are related to henital punishments

@the-gnomish-bastard's tower: scanning and FreeCam didnt show any sort of system to move the island so yeah, his "dont fuck with the tower" makes sense because theres nothing to fuck with. However: the tunnel leading to his horde (the one with anachronistic dragons due to yours truly) is... not the only one. Theres a second tunnel leading into the gnome's Personal Piggy Bank and let me tell you. That shit is long and worrying, there are NO RATS in THAT tunnel.

@official-megumin: HER HOUSE IS CUP SHAPED AND THE ROOF IS HER HAT (squeals like a fucking anime girl)

Most of the island is... empty. Trees trees trees and maybe some critters but everything else is accessible through clearly mapped portals. Deep Reality Analitic Scanning yielded NOTHING either when the island was lifted, currently, or when itsgoing to be destroyed. Which means its either Like That From Before The Wizards, or Faunocide.

The area around my base (which is basically in a crater) is even MORE uninhabited. I tried it all: the rats, the gnome's fungus, ants... it doesnt "stick".

Turns out im immune to fucking chronological manipulation. Maybe i added "chronosapien bullshit" to my splicing and just... did not remember??? Huh.

On that note, this explains why lancer rpg's whole "lich licenses are retroactive" thing doesnt work on me. Cool huh.

Turns out this place is a few thousand miles off the USA east coast. Neat.

Internet and cable work here, but piracy is still based

I heard of "revolutionaries", what i dont get of them is why their boss looks REALLY similar to Sabo from one piece

Found the bowl of the original stew arcanum: someone stole it and used high-dimensionality to hide it... RIGHT where @the-illegal-wizard-council put their access. Good thing i have more dimensions than inches on my di

Theres a shrine to @nyancrimew. For some reason. I dont know but it looks cool. Left some flowers there cause it felt like the right thing to do. Idk

Theres a strange version of american wood bamboo (a thing that exists but isnt called like that) but metallic growing on the southeast side, and analysis shows that those are... caused by my presence. Whoops.

I saw TF2 POOTIS ENGAGE HEAVY in the forest. Not fucking with that

There is a portal (which didnt exist until my arrival so its probably some kinda fracture in spacetime) that apparently shows something like the future. I saw a bunch of wizardblr users crucifed and my literal corpse on a shining marble throne. Whats up with that huh?

The Fungus fears me. Which is dumb cause dude im not gonna use all of you for rice you dumb fuck-

Someone owns a giant rooster simply called "Mr.Cock". Not sure why tho... considering the name arrived to the new owner in a dream

#welcome to the multiverse #wizardblr #wizardposting #wizard island island #<- i swear its like an elementary classroom and im the teacher trying to not die

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hobiebrownismygod · 6 months

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Let's talk about Miles G./Prowler Miles and his characterization in fanfics/headcanons

I'm gonna refer to him as 42-Miles throughout this analysis btw

Fairly short post, about 1.1k words with pictures and gifs to help explain <3

Summary: I'm gonna analyze his characterization as being angry/aggressive, I'm gonna talk about his backstory a little bit and compare him to the original Prowler and then I'm gonna rant about his sexualization a little bit as well.

1. Characterizing him as angry/aggressive

Most of the fanfictions/headcanons that I've read treat 42-Miles like a thug. They act like he would be overly aggressive toward the reader/y/n and often characterize him as slightly misogynistic and a bully. One question. HOW? I genuinely don't understand where people get these headcanons from. You're telling me that this guy, who is literally the exact same person as Miles Morales, would be a cheating, narcissistic asshole who needs to be fixed by some random girl? Are you kidding me? Do y'all think RIO MORALES would've allowed that to happen to her son? HELL NO.

This hispanic lady?? BFFR

In the scene between Miles and 42-Rio, we see her asking him to get groceries, cracking jokes with him and just having an absolutely lovely mother-son dynamic. Its because of this that I think that he's actually a sweet, kind boy who's just trying his best to take care of his family. This little thing that he and his mom have going on proves that 42-Miles is not a bad kid. He's a genuinely nice guy who was thrown into a crappy situation.

As for his whole "You can call me the Prowler" persona, that's obviously just a setup. Miles did the same thing in the first movie when he met Peter B. Parker. He tied him up to a punching bag and put on a slightly deeper voice to confront him. 42-Miles did the exact same thing. He tied up Miles to a punching bag and did his best to intimidate him with the claw and the voice. He's just trying to look cool in front of his twin, guys. He's not that way normally. If anything, he's just gonna be a slightly more depressed version of Miles, but he's still Miles.

Its practically the same scene.

This type of characterization happens a lot towards edgy black males in the media. The same thing happens with Hobie Brown. He's portrayed as cool, a rule-breaker and a punk and immediately, people characterize him as dirty and violent which are nasty stereotypes targeted towards African-Americans. 42-Miles is portrayed as intimidating and edgy and immediately people are quick to say that he would be an asshole and that he would be a bad boy which are also horrible stereotypes. This is blatant racism and its not cute or fun to read. If you want him to be aggressive in your fanfictions, give him an actual reason to be aggressive. Don't just assume that he would be, because if you really think about it, he wouldn't.

2. Calling him a murderer (The original prowler didn't kill people)

A lot of the fanfictions/headcanons that I've read that involved 42-Miles treat him like a murderer and romanticize the idea of him being a criminal. Authors write stories about him violently murdering thugs and beating people up for no reason. Any f.f. involving his identity as the Prowler usually has a killing scene written in or an implied murder scene.

It has been confirmed that 42-Miles is gonna be an anti-hero. Now the Aaron Davis version of the Prowler did kill people. However, he wasn't an anti-hero. If we're going to compare 42-Miles to a Prowler, we need to compare him to Hobie Brown, who was the original Prowler.

Hobie Brown was also an anti-hero who actually helped Spider-man multiple times throughout the comics. He never killed anyone and after trying to lead a life of crime, he actually ended up quitting. This suggests that 42-Miles would be similar if not the same, because its confirmed that he's fighting against the Sinister Six, and isn't a "villain" and therefore would not kill anyone.

He's also 15 years old. Why are people acting like a 15 year old would be a murderer? There is no way this 15 year old kid is going out into the streets and beating up thugs. This guy was supposed to be Spider-man, remember? He fights for justice and he fights against real villains, like Doc Ock, Scorpio, Rhino, all villains who are confirmed to exist in Earth-42.

This headcanon is extremely inaccurate and people really need to chill out on the whole "Prowler" aspect of his character, because he's still Miles. He isn't a whole new character. He's literally Miles Morales in a different font, and he's not gonna be a murderous maniac.

3. Sexualizing him (he's a minor!?!?!)

I'd say about 70-80% of the 42-Miles fanfictions that cross my feed contain smut. People age up Miles, not for the plot, not for the headcanons, but just to write smut.

Personally, when I read a fan fiction or a headcanon about a character, I imagine them in my head when I do. I genuinely read the fan fiction like it would be played out with the character. So to me, people who are writing these smutty fan fictions are imagining a minor in their head while doing these things. This is absolutely insane to me.

Now I know a lot of people are gonna come for me for saying this because "if you don't wanna read it then just scroll" and "he's aged up so its okay" but this is normalizing pedophilia.

Once again, I see the same thing happening with Hobie. Why? Once again, casual racism. People see an edgy black male and they immediately assume he'd be super sexual. The people writing smut about Miles are the same way. They see an attractive black teen and the first thing that pops up in their mind is "I'd let him fuck me." He's 15 years old. No one should be writing smut about this kid. He doesn't do anything sexual in the movie, he doesn't have a confirmed love interest, he was literally on screen for two minutes. Stop treating black characters like sex toys and enjoy their damn storylines.

I explained more on the sexualization of black characters in the media in this post here if you want to read more into it or still feel a little unsure about my analyzation. I included sources as well <3

This guy is a tired CHILD. LOOK AT HIS EYE BAGS

As for the whole "aging up" thing, aging up a character for a fan fiction and aging them up for smut are two very different things. I've read 42-Miles fanfictions where they age him up, but they actually add to the plot. This one fanfiction I read (I'll link it if I find it) aged him up to create a officer x criminal trope, which I found absolutely adorable. They were able to write an amazing story with zero smut. Compare this to people who are saying "I'm aging him up to 18 <3" and its just 4000 words of straight, gut-wrenching smut.

This genuinely disgusts me. I don't know if its just me who feels this way about his sexualization, but its so icky to think about. You're taking a literal child and imagining yourself doing all these things with him and posting it for the rest of the world to see. A lot of the people who write these fanfictions are 18+ which baffles me as well.

Stop sexualizing minors and stop aging up characters just for smut. It's messed up.

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