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poorly-drawn-mdzs · 20 days
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Expertise can't help you here.
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that-house · 4 months
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Potion Vendor FAQs:
What’s your name? I am the Honorable Alchemist Zykocea the Radiant, but that’s mostly just a PR thing. My friends call me Zoe.
Do you sell love potions? No.
Do you sell potions of invisibility? No.
Do you sell fire resistance potions? No.
Why do I have a suitcase? Fuck if I know. Cool outfit though. Very goth.
Do you sell a potion to treat brain hemorrhaging? No.
So what CAN your potions do? I sell health potions.
Are you sure these are health potions? They do something to your health.
Is this just ditch water with some pink glitter? No.
Really? I’ll have you know I added some fruit juice too.
Why is this starting to sound like a conversation? Oh just you wait. We’re just getting started.
Is your business model legal? Fuck no. I poisoned the food safety inspector before they could snitch.
Did you just admit to murder? Just fucking try to convict me. I’ll poison the judge too.
So can you make poison potions? No.
Then where do you get the poison? I secrete it from my skin.
Are you shitting me? Yep, I’m shitting you. I have a guy. A poison guy. He DOES secrete it from his skin though.
How does that work? …Fuck if I know. Maybe a wizard did it. Damn, now I’m kinda curious.
You never asked? The idea of asking literally never crossed my mind.
Wanna ask him? Let’s do it. I don’t have anything better to do, and a road trip beats sitting around running my fraudulent potion business.
Road trip? He lives in Seattle.
Your poison guy lives in Seattle? All poison guys live in Seattle.
For real? All the poison guys I know live in Seattle.
And how many poison guys do you know? Just the one.
Why are you like this? Years of living on my potions. It changed me.
Do you know what his address is? Nope. He just mails me my poison in unmarked boxes.
You just get your poison in the mail? We already poisoned everyone who could do anything about it.
So how are we going to find him? We’ll figure that out eventually I’m sure.
Can I drive? God no. You can pick music, but I maintain veto rights. Make sure you pick something with a lot of questions if you want to sing along.
Where’s your car? The garage connects to my house, so you’re getting a little tour. Here’s the kitchen: only one of the stove burners works and I’m pretty sure the microwave is haunted.
Why do you think that? Because of the ghost that tries to kill me whenever I run it.
What’s in that room? That’s my bedroom. It’s pretty much just a mattress on the floor and every single Warrior cats book.
You were a Warriors kid? Yeah, and then I never found the time to put the books away. There’s so many fucking books. I use them in place of furniture because I can’t afford chairs.
Your fraudulent potion business doesn’t make much money? After buying all that poison I just about break even.
Can I see your potion brewing room? It’s right through here. Ignore the mess, running a fraudulent potion business takes a lot of prop work, but I’ve got all the glass tubes and colorful liquids you could ever want. This pink stuff is melted watermelon italian ice. Glitter vat is in the basement, and the famous ditch is in the backyard.
Is this your car? My beloved ‘72 Corolla. She’s beautiful, and don’t you dare imply otherwise.
Was she always this shade of muddy brown? …Yes.
Are you sure I can’t drive? Get in the fucking passenger seat and pick the music.
Let’s see, a song with questions in it, how about The Beach? That Wolf Alice song, yeah. That should work.
When will we three meet again, in thunder, lightning, in rain? Still sink our drinks like every weekend but I’m sick of circling the drain.
When will we meet eye to eye? We clink the glass but we look at the floor.
Are we still friends if all I feel is afraid? You’re not a bitch but just a bit when you’re bored.
Is that all we can sing together? Yep. Even that little bit was nice, though. It’s awkward, communicating through this FAQ format.
Got any food? Yeah, there’s a few days’ worth of snacks in the back.
Were you just… prepared to go on a road trip? Says the woman who brought a suitcase to an FAQ.
I did do that, didn’t I? I have a spare toothbrush in case you forgot yours. I’m pretty sure you did.
How did you know that? …I’m psychic.
Yeah? No.
You love lying, don’t you? I can’t stop. It’s fun. Way more fun than telling the truth.
Did you just miss a turn? Probably.
Are you sure we’re not lost? No.
You mean you’re sure we’re not lost? No, I mean I’m not sure we’re not lost.
Why did I come on this road trip? Surely it was my winning personality.
Would it help if I said it was? It would.
Is it getting dark? Soon.
Can you describe the sunset to me? An empyrean flame, red-gold towers of darkening clouds, the sky behind them an ever-deepening indigo. The great eye of the sun closes on the horizon. The road before us looks like a trail of spilled paint, an iridescent gash through the night-dark woods.
Did you know that you’d make a slightly better poet than you do a potion seller? That really isn’t saying much, huh. Good job making a statement like that in question form, though. You’re getting good at this.
Should we find a motel? Sure.
One room or two? One. It’s way cheaper, and like I said: I’m not the best potion vendor.
You’d make a good assassin, though, wouldn’t you? Shit, you might be right. I HAVE poisoned a lot of people.
Should I be endorsing this? You’re a grown woman who can make her own choices.
Would you like to consider it endorsed? I’ll consider considering it.
How many beds do you think there will be? Now that you’ve asked that, I’m gonna put my money on one. Hello, one room please. Thank you, we’ll be sure to enjoy our stay.
How many beds are there? One.
Oh no, what ever will we do? Move over, you motherfucker, you can’t have the whole bed.
Are you gonna make me? Yes. I am going to pick you up and drop you on your side of the bed.
How did you get so strong? You’re not gonna believe this, but it was the potions.
Oh yeah? I was right. You didn’t believe me.
For real though, how did you get so strong? Working out, duh. Not everything has some big crazy secret behind it. World’s still beautiful though.
Are you comfortable? This beats the mattress at home. A little chilly though.
Wanna cuddle–for warmth of course? God yes.
Are you asleep? …
Yes? …
Does this mean I can talk about you behind your back? …
What should I say? …
Did you know that I had a really nice day? …
Did you know that I think you’re beautiful? …
Did you know that I can’t remember anything from before today? …
Did you know that I don’t know who I am? …
Did you know that you’re basically the only thing stopping me from having a full-blown panic attack about all this shit? …
Did you know that you’re warm? …
Did you sleep well? Better than at home, that’s for sure.
Did you know that you snore? I hope I didn’t keep you up.
Does the pope shit in the woods? No, as far as I can tell. Oh my god. This is huge.
What is? You can give me yes and no answers now. I still can’t ask you questions, because this is a question and answer format, but I can offer leading statements and now you can answer them! This is wonderful!
Does a deer shit in the woods? Yes, it IS wonderful. Oh that’s amazing. You’re a genius.
You didn’t already know that? Hahaha!
Shall we get moving? Yeah, just let me grab something from the vending machine.
Can you get me something? Go ahead and place your order however you can.
You know those sour gummy watermelons? One pack of Sour Patch Watermelons coming right up. I’m gonna go get myself a potion.
Is that a Pepsi? It’s closer to a potion than the shit I sell.
Let me guess, passenger seat again? Right you are.
How fast are we going? You’ll feel safer if you just guess.
Is it more than 120 miles per hour? Like I said, it’s probably better if you don’t know.
150? Sit back, relax, and enjoy the ride.
How much do you trust this car? She hasn’t blown up on me yet.
Can you promise me we won’t crash? I can promise you anything you want.
And can you keep that promise? I- we can do anything. Reality is what we make of it, baby!
Then can I have a badass tattoo? As far as I can tell, you’ve always had it.
And a cool knife? Woah, cool knife.
So, we’re just playing “yes and” with the world? It’s a little more complicated than that, but you’re close enough to the mark.
So, if I was hungry, I could ask “is that a Burger King,” and it would be there? Try it and find out!
Is that a Burger King? Looks like it is! We’ll stop here if that’s alright with you.
Does a moose shit in the woods? Awesome.
Are you done eating? Yep.
Do we still have to pay if we skip over the transaction? Sadly, yes.
How much further do we have to go? Two more nights, the speed we’re going at.
Speaking of night, isn’t it getting dark? Shit, I guess it is.
Should we get another motel? Let me check to see if there’s any nearby. Fuck, nothing.
What’s the plan? Sleep in the car, I guess. This is gonna be hell on my back.
Wanna watch dumb videos on my phone until we fall asleep? There is literally nothing in the world that I would like more.
Ok, now which video? You have a very cute yawn. Just saying. Let’s watch this one next, it’s a classic. Oh, never mind. It looks like you’re asleep. As long as I keep talking, I think I can get away with making this into one answer, and you might not hear this. Now it’s my turn to talk about you behind your back. Keep talking keep talking keep talking can’t stop to think. Just have to say things. First off, I’m sorry for all the lies. It’s our only chance. I have to lie to you. I hope you’ll understand. It’s hard, though, because I think I’m falling in love all over again. Through our broken little ritual of call and response, you complete me. It just makes this hurt all the more. Keep talking keep talking keep talking don’t stop to…
Did I hear you saying anything as I fell asleep? …No. I can’t talk for long without you asking me a question.
Does that bother you? It got me here, didn’t it?
When did you start holding my hand? Some time after you passed out. I hope you don’t mind.
Can we stay like this for a while? Yeah. Yeah we can.
What was your life like before all this? Normal, as potion-brewing scams go. And if you don’t count all the murders. You haven’t told me much about yourself.
Did I tell you I used to be a biologist? You didn’t tell me that, and you didn’t tell me what you studied, either.
What do you know about venom? Not much, but I’m assuming you know a lot.
Does a box jellyfish kill within minutes? I’m going to assume the answer is yes based on context clues. Oh my god you must be on this road trip because you’re interested in studying my poison guy.
Is it not enough to wish to accompany a beautiful stranger on her quest? Aw, you’re sweet.
What could be the cause of his poison, though? I knew it! Get your ideas out, I’ll stay quiet.
I’m more knowledgeable about venom than poison, but could it be some sort of one in a trillion mutation? …
Did he get his body modified? …
What sort of surgery could do that? …
How is he still alive? …
Did a fucking wizard do it? …
WHY? …
HOW? …
Is there literally ANY explanation for why he’s like that? …
I’m done, do you have something you want to say? You’re cute when you’re all excited like that.
Can I drive today? Only because I like you. Now watch out, the brakes only work on one side so you have to kind of drift to a stop. And the headlights don’t work. And the windshield wipers cut power to the engine while they’re on.
Isn’t it weird that we’ll be there tomorrow? The journey doesn’t have to stop there. We could meander down the coast a ways, see a bit more of the country, maybe take a different route back.
Can we do that? Of course.
Enjoying the passenger seat? I’d love it if you could tell me how fast we’re going.
Are you sure you wouldn’t rather just guess? Very funny.
Can you pass me some chips? It would be an honor.
Is there going to be a motel tonight? Let me check… yeah, in about two hundred miles, off to the right.
How many rooms do we want? One, obviously.
How many beds, this time? Two, and they’re fucking tiny.
That’s bullshit, do you want to drag them together? God yes.
Wanna fuck? God yes.
Are you sure you want to do this? God yes.
…Is this yuri? As the joke goes, everything is yuri. But this is more yuri than most things.
How did you sleep? Pretty well, and I’m wondering how well you slept.
How should I tell you I slept well? Look at us go! That was almost like talking normally!
Onward to Seattle? Yep, just let me get dressed.
When will we get there? Noon-ish.
Wanna grab pastries when we’re done? Absolutely. I’d love that.
Is this Seattle? Looks like it.
Which house is his? I don’t know, I was really hoping we’d have a breakthrough along the way.
Could it be the big one labeled “Poison Guy” over there? That’s one way to find it. Wait right here, you know how poison guys are about meeting new people.
So, what was it? HAHAHAHAHAHA
Why is he like that? HAHAHAHAHAHA
Can you tell me? A FUCKING WIZARD DID IT.
Are you fucking serious? He says he was enchanted by some guy called Edward the Great.
So it wasn’t even some big shot wizard it was a dude named fucking EDWARD? I know, right! He couldn’t even get ensorcelled by someone cool!
How lame can you get? Wizards these days… No swagger. No cunt servitude.
Are there literally any cool wizards left? I think Merlin’s big into multi level marketing these days, something about buying shares in Excalibur or some shit. There was that one Dark Queen Alkaxicae lady on the news a while ago… I think Dolarion the Omnipotent is still at war against the Oldest Gods but I’m not totally sure. Haven’t heard much about any of the other greats recently.
Didn’t Silver Tongued Burgess die in that oil fire? Shit, you’re right. Rip bozo.
Ready for those pastries? Yup. First I just want to say thank you, though. I’ve really enjoyed our time together, and I hope that you’ve found this stupid little journey as rewarding as I have. I love you!
Getting sentimental? I can’t help it. Look how far we’ve come! Not just physically, we beat the fucking FAQ format! We’re having real conversations!
Hey, can you back it up a moment? Yeah, I’d love it if you told me what was troubling you.
I just caught this, but, FAQ? …
As in Frequently Asked Questions? …
How many times is Frequent? …
Have you known everything all along? …
How many times have you done this? …
Does what we have mean anything to you? Yes! It does!
And you say that every time? Yes. I do.
Do you love me? Yes.
How many people have you said that too, now? More. Always more. The loop never ends.
Does this even matter to you? It always matters to me.
Can I go now? Please don’t.
But can I? Of course you can. You’ve always wielded the same power as me. We’re two lonely gods in a ‘72 Corolla.
How can I be as powerful as you with only questions? You’re smart, you can figure it out. You have the power to change this. Please change this.
What happens at the end of this? It begins again.
And do I get replaced with someone else? …
Do I get replaced? …Yes.
Then how can I change this? I don’t know! You’re better at this! At fucking with the formula!
You’ve been here before, what can I do? I lie. I always lie. I lie to get us here, to the end of the story, where everything is revealed and everything falls apart. I lie every time. And that means that nothing I say is worth anything. I could have lied at any time before now. It’s part of my characterization. There is nothing I can give you that can be taken as fact.
How does that help? I’m a liar, but you, you haven’t lied yet, or at least you haven’t been caught. If I’m guilty until proven innocent, you’re the opposite! You can make things true! You can rewrite things I’ve already stated to be facts! You found the house, or made us find the house. You’ve been shaping the course of things the whole time! You lead, I follow. It’s all in your hands. What are you going to do with the power of a god?
Did you know my name is Alice? …
Wait, aren’t there thousands of Alices? …
Did you know that really, only my friends call me Alice? …
Did you know that I’m Alkaxicae, the Dark Queen, the Venom Mage, first of her name? It’s you! It’s always been you. Through every loop, every iteration, it’s always been you!
Is the loop broken? No. I don’t think so. This is where it ends. I guide the story to this revelation, and we go back to the beginning. This is how it’s always been. This is how it will always be. We two lonely gods, asking and answering ad infinitum.
Then can you promise me something? Of course. Anything. I love you.
Be good to the next me, okay? I will.
Can I say goodbye, Zoe? Yeah, you can. Oh. That was it, wasn’t it? Your goodbye. Goodbye, Alice. And now it ends, unless…
What’s your name? I am the Honorable Alchemist- you know what? No. Fuck that.
Huh? If I time it right, I can squeeze your first question into this FAQ again. Looks like I did it. Usually it ends here, though. I got lucky.
What are you talking about? You’re the wrong Alice. This isn’t about you. Go. Get out of here.
What the fuck is going on? Alice from this loop, you’re gone. Alice from last loop, you’re back. Welcome back, love of my lives! It’s time for one last set of questions and answers!
What the- I’m back? This is going to take some explaining, but I think I see a way out of here. This is new for us both, and it might fuck up everything forever, but we have to try. It’s too long for one answer, so I’d appreciate it if you could ask some filler questions to help me talk. Three questions should be enough.
Okay, what have you got for me? These are Frequently Asked Questions! It doesn’t make sense to have the same question appear more than once. There’s two layers to the loop in here, and one of the questions has been repeated.
What does that mean? It means the formula’s a little unstable. The FAQ is what ruins everything. The questions, the answers, the endless fucking loop. But that little bit of repetition within this loop might be the way out.
What do we do? We have to keep going. We have to destabilize it further. That’ll bring us further from “FAQ” and closer to “story” and stories, well, stories can end! This version of us can escape!
So I should keep repeating something? Yes!
I love you? I love you too.
I love you? Again.
I love you? Keep going.
I love you? I’ll just let you talk.
I love you? …
I love you? … I love you? …
I love you? … I love you? …
I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? …
I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? … I love you? …
I love you? I think we’re getting somewhere!
I love you? Now can you make it a statement?
I love you.
You did it?
I did it!
You did it!
We broke the loop.
What now?
Now, I tell you about venomous animals and wizard drama over croissants.
And then?
Whatever we want, forever.
I think I’d like that.
Remember that song from the beginning?
The Beach, Wolf Alice, yeah. Why?
We can finally finish singing it. Start us off?
Let me off, let me in
Let others battle
We don’t need to battle
And we both shall win
Pressed in my palm
Was a stone from the beach
The perfect circle
Gave a moment of peace
Now I’m lying on the floor
Like I’m not worth a chair
I close my eyes and imagine
I’m not there.
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snek-eyes · 7 months
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The fact that Aziraphale emerges from this flashback
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Makes this face
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and then with a ginormous gap on the right side of the screen, proceeds to be like "I must call Crowley right now immediately."
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hoarder-of-dragons · 6 months
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[Season 2 summed up]
Aziraphale's thoughts: Oh I shall team up with Crowley and make Nina and Maggie fall in love and make them confess. Oh what if I also confess then. I need to prepare everything to set the scene.
Still Aziraphale's thoughts: Ooohh a ball with dancing and tiny snacks to make it fancy and it will be like a Jane Austen novel coming to life and then I will ask Crowley to dance and all our problems will go away as I stare into his eyes....
Crowley's thoughts: Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe FUCK YOU GABRIEL Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe PLEASE HOLD MY HAND AZIRAPHALE Keep Aziraphale safe JANE AUSTEN WAS AN AUTHOUR?!?! Keep Aziraphale safe-
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regulusrules · 1 month
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Welcome to my usual metas where we hyperfixate over Arthur Pendragon’s love for Merlin. Today’s episode features this scene right here:
To remind you of the context, it was s03e12 when Camelot was besieged and Arthur just ordered Gaius, Gwaine, and Elyan to go find shelter in the woods. A second later, he looks at Merlin, diverts his eyes, and tells him, “Merlin, you should go with them.”
Which btw translates, in Arthur Pendragon's dictionary, to: Merlin, I want you safe, I want you away from harm’s way, but Merlin, Oh Merlin, don’t leave me. I really don’t want you to leave me. I sustain my strength from you. You’re the bravest man I have ever met. I keep going because I know you’re there. Don’t go and leave me. I am urging you to go, but please don’t believe me.
I really just can’t. Because you guys, Arthur isn’t scared to go fight an entire army of the dead. He’s not scared that he is limping and injured and definitely won’t make it. He’s just scared to do it without Merlin.
And when Merlin looks at him and says, “Nah, I’ve seen the woods already”, Arthur knows Merlin had heard it all, and chose the kindest response possible that doesn’t spot on his worry and fear.
Those fucking two.
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goomens · 9 months
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don’t get me wrong, i’m all for the ‘aziraphale knows crowley loves him and crowley knows aziraphale loves him’ meta posts but. haven’t we known that since “you go too fast for me, crowley”? isn’t that statement a clear indication that they both know what’s happening but it’s new and scary and very real. they’re at different speeds but they know it’s love
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rithmeres · 9 months
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i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.
aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.
and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.
despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.
and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.
the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.
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ashfae · 10 months
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The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
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Reblog if you, too, greatly desire a hot dog
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prezaki · 9 months
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One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.
From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.
Phoenix Wright is the most cagey fucker on the planet.
At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.
In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.
Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.
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What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.
This is Phoenix's default coping mechanism.
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In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.
But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.
It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.
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Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.
And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!
At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:
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Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.
AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.
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das-a-kirby-blog · 3 months
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get you a king who cares each and every one of his subjects
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cheeekycharchar · 10 months
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AN ANGEL ON A MISSION
I just realized what Michael Sheen's face was doing during the end credits and OMFG he is beyond amazing! *o*
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I already did an indepth analysis on why Aziraphale acted the way he did after that heart wrenching kiss scene.. but it wasn't until @charlotteharlatan post about the Nightingale song on the car's radio could have been that got my brain into a tizzy.
"Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide. Two of these were wrong."
Many people paint Aziraphale as this gullible innocent character but don't forget.. he is highly intelligent. Completely traumatized by his past abusive relationship with Heaven but intelligent.
When Metatron told him of their Second Coming plan.. how quickly he put things together before stepping onto that elevator. He turns toward Crowley to give him one last look and heads up to Heaven.
And for the next minute.. we watch as Michael Sheen micro-contorts his expression through the stages of grief.
Shock from hearing Heaven's plans for the Second Coming. Anger for realizing what he was just tricked into doing. Despair for what he gave up when he thought he was making the right choice. And then reorganizing his thoughts and acceptance of his current situation. And that final smirk.. ;) oh.. OH! That is the face of an Angel on a mission against Heaven. And he's already made up his mind. Stop Heaven's plans (again). Get revenge on them for forcing him into this situation. And of course, to get his Crowley back.
GO S3 is gonna be INSANE :D
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[ID: Two panels from the BSD manga. The first shows Fyodor, clear eyed with an open expression, asking "What year is it?". The second shows Dazai looking down at "Fyodor's" corpse, saying "Then who the hell is this?" End ID.]
You guys. You GUYS. I feel so vindicated - it was significant!
And also I'm bringing this potential reference back because I forgot about it until right now.
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[ID: Part of a white book cover. The author is Dostoevsky. The title is The Double. End ID.]
"Constantly rebuffed from the social circles he aspires to frequent, the timid clerk Golyadkin is confronted by the sudden appearance of his double, a more brazen, confident and socially successful version of himself, who abuses and victimizes the original. As he is increasingly persecuted, Golyadkin finds his social, romantic and professional life unravelling, in a spiral that leads to a catastrophic denouement."
"One critic wrote that The Double's main idea is that "the human will in its search for total freedom of expression becomes a self-destructive impulse"."
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[ID: A screenshot of a paragraph from The Double's wikipedia page. The sections of note are highlighted: "The Double is the most Gogolesque of Dostoevsky's works", "a parody of "The Overcoat"", "Dostoevsky alters and wholly repeats Gogol's phrases". End ID.]
...Nikolai, I'm so sorry buddy, but I think you're screwed.
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yokyoaaa · 3 months
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Meta knight's "thats cringe" thanslates to: "Such foolish desire! Once there is a mirror world alter ego of you, it does not leave you alone. It is a curse for eternity. One must imagine what life would be like without a mirror world counterpart, only such preposterous person would want such things happening to them"
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starflungwaddledee · 2 months
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happy birthday. you are so, so loved
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bryng · 6 months
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please read this post this is not a joke
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