Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
The isolating childhood he experienced riddled with his strict father constantly scolding him.
Despite everything MC is so important to him he wants to see his father again so we can meet.
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5+1 idea: all of the times the batkids came home from patrol to find Bruce absolutely exhausted/collapsed in front of the monitors in the Cave and had to try and get all 220 lbs of him into bed somehow.
dealer’s choice on why he’s knocked out (awake too long, injury, etc) but the key part in my mind is that he was trying so hard to push through it all (keeping their comm lines open, trying to finish a scan after 72 hours of no sleep, ignoring the bandage he just bled through to review Tim’s notes on a case, etc)
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hopper sees steve as a surrogate son. really, he shouldn't make such a habit of picking up stray children, but he looked at harrington and saw a kid who just... needed someone. saw the vacancy in his eyes when he thought no one was looking. saw the police file, the noise complaints and the few reports from hawkins middle school about suspicious bruises that had been swept away. saw a boy who'd seen too much. who just needed someone to lean on.
so he tries to be that. offers the kid a hand every now and then. keeps an eye on him, all alone in that big house, after everything. after '83 and then '84 and then summer of '85, when he'd signed his medical papers because there was no other adult for him around. it always left him a bit hollow, but he told himself that it was okay as long as he was around. as long as steve knew, deep down, that he could come to hopper for help, even if he'd wait until he was on the brink of overload before doing so.
it's all this that makes the sight of steve's car, that brown beemer that had dropped his daughter back home so many times, pulled into a ditch with the lights off cause his stomach to sink. a million awful things come to mind as he pulls in behind it and quickly hops out of his cruiser.
had he seen something and spiralled into a panic? had he gotten a bad migraine? had he run off into the woods alone?
thankfully, he finds the best case scenario: a slightly flushed and dishevelled steve rolling down a foggy window. grinning like he'd been caught with his hand in the cookie jar when he realises it's just hopper. he's fine, he's in one piece.
what's not fine, however, is the person with him in the backseat. eddie fucking munson, a kid hopper's put in handcuffs more than once. not because he's another boy, who gives a shit about that, but because it's eddie munson. drug dealer, general troublemaker, and definitely a bad influence on his boy.
he does his best to save the judgement this time, sensing the fear emanating off the couple. tells them to be more careful, to go home and kiss or do whatever there instead in case anyone else drives by tonight. munson looks at him like he's grown a second head, (which, fair. usually their interactions go a lot less amicably than this) and steve just tears up and nods. he reaches in to ruffle the boy's hair, ignoring the protests, before reluctantly trudging back to his car and driving away.
he calls steve the next afternoon and gets him to confess that, yes, he is dating edward 'eddie' munson. no, it's not a fling. yes, they're boyfriends, god help him. he gripes about it a decent amount, because really, steve? that one? you picked that one? but he keeps the tone light enough that steve feels comfortable enough to defend eddie's honour amidst laughter. within a week he's got steve sat across from him, eddie by his side looking two seconds away from shitting himself.
"well, boys." he grins, cracking his knuckles. eddie watches. gulps. "let's have a little chat, shall we?"
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Does anyone else who reads a lot of steddie fic get the vibe that a lot of fic writers just,,, don't really like Steve? So so tired of the trope of Eddie constantly making fun of all of his interests and music tastes and it being presented as totally okay and Eddie is right, actually, because his interests DO suck. Or the pile of fics that turn Steve so ooc he is completely unrecognizable because they turn him into a weak, crying damsel who needs Eddie to constantly save him. I also personally hate Punk!Steve because it usually just ends with completely stripping Steve of any of his unique personality traits and giving him Eddie's personality. Or making his entire life revolve around Eddie, he goes to every Hellfire and every band practice, like let him have hobbies and a life outside Eddie!
I think it comes from people having Eddie as their fave, and people like to ship so they ship him with Steve, but they don't really see Steve as an individual character in his own right and just treat him like Eddie's accessory.
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