#also main side plot being a lesbian couple? was this talked about a lot when it was released bc i had no knowledge of it being such a big | Explore Tumblr Posts and Blogs

stormyoceans · 1 year

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weekly show reviews

BL SERIES

between us - ep. 12/12. gotta be honest, any coherent thoughts i might have had just flew out of the window because of waantul. i do think their resolution was incredibly rushed, but it's hard to complain about it when tul was there saying stuff like "can you be my future?" and "i want to be your safe zone". waan never stood a chance. and you know what else never stood a chance? my sanity as soon as waan started to take off tul's clothes, but let's just not go there. it was a nice final episode, where all the pairings got their little moment to shine, but im not sure i'd call it satisfying ;;;;;; overall i think the show as a whole would have benefited from being shorter (10 episodes would have been enough imho) and from taking out at least one side pairing. don't get me wrong, it's not a bad show, i still enjoyed it a lot, but at times it felt pretty repetitive and i think the resolution between win and team got dragged along way too much. the insanely high expectations that everyone had for the show also didn't really help it. still, winteam remains one of the best pairings i've seen in BLs and im definitely gonna miss them.

candy color paradox - ep. 06/08. this is probably the first japanese BL that isn't quite doing it for me and i can't really explain why. despite the terrible things he did, during this episode i found myself being more interested in inami kei and his secret love for his friend rather than in onoe and kaburagi's relationship, which.. isn't good ;;;;;; i still hope the last two episodes will make me come around tho!!

cutie pie 2 you - ep. 04/04. THEY GAVE JAYFOEI THE MOST PERFECT HALF INTERACTION THAT IM GONNA USE TO FUEL MY CLOWNERY FOREVER SO I REALLY COULDN'T BE MORE SATISFIED WITH THIS. like it happened with the show, i still found jay, foei, and nueasyn to be the most enjoyable part of it, but i actually ended up liking this special significantly more than the last couple of episodes of the main series, maybe because there was more communication between lian and kuea, so im glad it happened, even just so i could say goodbye to the show with nicer feelings towards it!!! i also really liked the way they shot the last scene, because it suddenly felt more like a korean BL rather than a thai one, but im not an expert on this, so i could just be talking out of my ass ;;;;;;

history 5: love in the future - ep. 05/10. somewhere in this there's a plot i really like (time travels are the kind of things i tend to enjoy, just like timeloops), so it makes me incredibly sad that i can't quite click with this show. dai zhe ni and hai yi are a bit too chaotic for my taste, and there are some old tropes that i was hoping we were moving away from. im enjoying the side pairing a bit more, mainly because i find wen hsen very charming and adorable when he drops his composure as soon as huai hen isn't there to see him, but they still suffer from some questionable writing, especially in this episode.

i will knock you - ep. 11/12. PAIN SUFFERING TORMENT AGONY ANGUISH. CAN'T BELIEVE EVEN MY FEEL GOOD SHOW COULDN'T ESCAPE THE 11 EPISODE CURSE. of course noey doesn't really mean what he said and im pretty sure someone (maybe thiw?) said something to him to make him change his mind in the short time it took thi to talk to his mom on the phone, but IT STILL HURTS AND THEY WERE SO MEAN TO HAVE THI DANCE ALONE IN THE END CREDITS. THEY BETTER GIVE THEM THEIR HAPPY ENDING OR I WILL RIOT. im willing to forgive some of their crimes only because they gave me a hint of side lesbians AND THAT'S EVERYTHING TO ME.

individual circumstances - ep. 03+04/08. im honestly not sure how i feel about this show ;;;;;; i do spend most of the time being frustrated and yelling JUST TALK TO EACH OTHER at my screen, though, so.. maybe that's not good ;;;;;; i do like the use of the novel as a way to mirror their story and give us a glimpse into woo jae's thoughts, however most of the time i find it hard to sympathize with him. the interactions between the manager and yeon woo in ep 4 were actually far more interesting and entertaining to me ;;;;;;;

my school president - ep. 08/12. THESE KIDS CONTINUE TO BE UTTERLY DELIGHTFUL TO WATCH AND GIVE ME INSANE AMOUNT OF SEROTONIN. OH TINN'S FANTASIES, HOW I'VE MISSED YOU. however, as funny as they are, i appreciate how the real moments he shares with gun always end up being better and more significant for their relationship. they really have one of the healthiest dynamic i've ever seen and are probably gonna ruin me for any other pairing because now im just gonna expect the same kind of emotional maturity from all characters in existence. win and sound also have me by the throat, but then again i always enjoy a good enemies/rivals to friends to lovers when it's done right. sound also quickly climbed up my list of favorite characters and i think his friendship with gun is really cute. GUN AND HIS MOM MEAN EVERYTHING TO ME AND THEIR RELATIONSHIP IS SO GOOD IT MAKES ME TEAR UP EVERY TIME. i just hope tinn's mom is gonna be as understanding when she's gonna find out that tinn lied to her (which, btw, i don't blame tinn for: if a kid doesn't feel comfortable and safe talking to their mom, then that's on the parent, not the child).

never let me go - ep. 07/10(?). palmnueng is making me rabid. benchopper is making me rabid. this entire show is making me rabid in ways i can't really explain. i do understand the criticisms about the plot, but i personally don't mind the island getaway: when set roles and social classes play a big part in a relationship dynamic, having the characters being placed somewhere where those kind of rules aren't as strong is a pretty common narrative device to put them on a more equal ground and bring them together. i also think they are gonna pay the consequences for it, because im pretty sure that sadly tanya is going to die, which will make nueng reject palm, so im willing to overlook some stuff if it means letting them have some temporary happiness. or maybe im just biased because i find every single dynamic in this show incredibly compelling ;;;;;;; im pretty sure the final kiss is gonna enter my list of favorites of the year because it was SO GOOD and i absolutely loved the parallels with their first one.

the new employee - ep. 06/07(?). GROWN ASS MEN BEING CUTE AND IN LOVE WILL ALWAYS BE SUCH A WEAKNESS FOR ME. "do you want to see my cat?" is also quite possibly the best pick up line i've ever heard. im very glad it didn't turn out to be an euphemism ;;;;;; something tells me that the reason seung hyun wasn't hired is probably linked to what's making jong chan looking kinda worried when he's at work, so i wonder how they're gonna deal with it. viki is listing only 7 episodes instead of the 8 on mdl, which means the next one is gonna be the last and im not quite ready to say goodbye to them.

GL SERIES

gap - ep. 10/12. the final boss made her move so IT'S TIME TO KILL AN OLD LADY. in an unexpected turn of the events, nop has also become the most sensible character in the show. who would have thought. i do wish mon and sam would stop defaulting on running away and getting jealous as soon as an issue arises, but im glad they actually managed to communicate this time around. and i do think they got married (however symbolical it may be) a bit too soon, if i have to be honest, but im also fully aware that there are a lot of things im willing to overlook for their sake. at 49 minutes length, this was also the shortest episode of the series up until now, so it's making me wonder if it's because they cut a lot of teeyuki scenes. im still trying to understand why they even decided to cut them out tbh, but at least we got cher and risa.

OTHER SERIES

dirty laundry - ep. 03+04/06. i admit i liked the first two episodes a bit more, but the show is still insanely funny while also having a solid plot: the mystery of who took the briefcase is well done and pretty entertaining imho. the entire cast is also doing a fantastic job, but i have to admit film in particular keeps surprising me with each episode. maybe it's because the only roles i saw her in before this were eugene in not me and earn in 2gether, but i didn't expect her to be so insanely good at comedy. i love to watch her play as neon and im starting to like her and night together a lot!!!

the warp effect - ep. 07/12. i was expecting what happened to kat and yet it still was incredibly distressing to watch. i do ship her and jean quite a lot, but honestly i just hope she's gonna be okay and that they won't make her change her mind about relationships by the end of the show, because women have every right to just have fun and stay single if that's what they want. i'd actually be okay with jean ending up with tony (if he doesn't turn out to be an asshole too), but sadly i don't have much hope for it. jan and silvy have great chemistry and are doing an amazing job as nim and molly, and the same goes for fluke and thor as army and joe. im not sure if they're going down the asexual joe route, or the joe being side route, but either way it makes sense for him to not tell army about it since army seems to consider penetrative sex as more 'serious'. after what happened it's understandable that he would try to protect himself and his heart again, so i can't wait for army to surprise him (and us) positively on this!!!! a huge shout out to singh and ciize as well, they were AMAZING in that last scene, though i admit it was pretty frustrating to watch ew walking straight into disaster when he 1) knew what he was risking and that he was in the wrong, and 2) could have just talked!!!!! to liu!!!!! IM SERIOUS PLEASE JUST TALK TO YOUR PARTNER MAYBE IT WON'T SOLVE STUFF AND MAYBE YOU'LL BOTH DECIDE YOU'RE BETTER OFF WITH OTHER PEOPLE BUT YOU HAVE TO COMMUNICATE. also there's something shady about liu's boss and i don't like it one bit.

#an attempt was made #this is not gonna work if i don't learn to shut up about stuff #but i definitely won't have so many things to say in the future #idk why im so nervous about this honestly ;;;;;;#just. gonna throw it out there for now #bl shows #weekly show reviews

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goddamnwebcomics · 4 months

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My Brief Review of Letters on the Wall (Chapters 1-11)

When I started reading this comic, I was a bit suspicious. Anyone who has read this blog or has read webcomics in general knows that webtoon comics focusing on LGBT+ couples are either attempting to be a Coffee Shop AU levels of fetishized wholesomeness, or just are really insulting. Thankfully Letters on the Wall quickly proved itself to be more nuanced. But what is it about anyway?

Plot and Writing

Letters on the Wall follows Tara, an introverted artist who returns to Manchester after living in Spain for 5 years to get her bachelor's degree in arts. Tara can't handle big changes and unfortunately a lot of things have changed. She is forced to live in a campus because her mother is pregnant and out of town. There she runs into Emma, her childhood friend and a fashion designer. Tara is also forced to see how much his childhood friends and the city have changed to her dismay. But also, a romance starts brewing between her and Emma, slowly but surely as their shared passion for arts and moments of romantic tension keep happening between them.

Let me start my review by stating I am not on this comic's target audience. Not because of the lesbian relationship but more because of the setting, the comic focuses on two university students who are coping with the childhood's end and reaching their young adulthood, while I am slowly capping up my 20's. Thankfully since the comic is set in UK, it feels very European so the ever-present cliches of American college life aren't there to annoy me. It's also very mundane, there are no supernatural elements sprinkled in, aliens are mentioned but they play no role whatsoever.

In terms of writing, the comic is written very realistically, nothing is exaggerated for the sake of comedy or strawmen, which makes me think it may be mostly based on the author's own experiences and memories. Characters rarely feel like gimmicks, though some of them do require a bit of expansion, I will talk about that more on the characters section.

A lot of chapters begin with a random flashback, which gave me bad memories of Console Girl, but most of the time the flashbacks do have a convenient role in helping to build the relationship with Tara and Emma, or establish Tara's relationship with one of the secondary characters. I do think some of the flashbacks are too long, and take away from the present day, like the most recent chapter as of this writing, Chapter 11, is 80% flashback and 20% modern day. I think flashbacks could have their own chapter as long as it's framed well.

Now I know what you're thinking, on a scale of Tsuki and Kriti to Burke and Sulfur how does the main relationship of this comic rank? Well, what I like the most about it is, it's not Love at First Sight type deal, it's romance that started from a childhood friendship. Yes, both of them being in a career field that involves drawing is a bit too convenient in my taste, but I do like the contrasting personalities of the protagonists, while both of them are socially awkward Tara is a very introverted cynic while Emma is a sweet-tooth perfectionist with more of a social side. I do elaborate on my thoughts on them as individuals later. But the comic does dedicate a chapter to introducing both characters, instead of just throwing the love interest into the scene for the protagonist to flirt with like a lot of other comics do. Objectively it's easily the best written lesbian couple I've seen in any webcomic, but when compared to every couple in this blog I still prefer Lexx and Chel due to both of them having more screentime and Burke and Sulfur out of pure bias.

In terms of writing flaws, as you can see my synopsis of the story was very short. There are 11 chapters of the story out, and I can confirm the story progresses very slowly, though sometimes the chapter progresses an entire week within the span of one chapter, and sometimes it takes 3 chapters to go through one day's events. Webcomic pacing, especially with Webtoon comics, is nothing new, and a lot of the negative aspects of this comic can be attributed to the problems of Webtoon's structure, but I'll talk about that more in the art section.

Characters

We talked about the protagonist relationships, but what about protagonists as individuals?

Tara Muñiz is an introverted art student, she's never been a people person but also she is not incapable of having relationships. Deep inside she is afraid of becoming an outsider as the world around her changes. She also carries guilt for some past event that the comic only hinted at in the first chapter. Tara does tend to be somewhat pokerfaced when Emma is not around, which can be irritating sometimes. She is capable of showing a wider arrange of emotions but it takes people she likes to get them out, like Emma and her grandparents. She is still a good protagonist, in any other comic she would've been written as an edgelord whose only defining trait is her introvert personality and she probably would hate people to the point of being a misanthropist but when she meets Emma she goes so fucking bananas she might as well be out of character. But this is thankfully not the case.

Emma is Tara's childhood friend, a perfectionist fashion designer who's much more motivated at studying than Tara is. She is also a scaredy cat and a sweet tooth. Emma feels like a human version of Noelle Holiday from Deltarune, but that's not necessarily a bad thing. That being said, I think she is weaker than Tara because she doesn't get that much screentime when she isn't around Tara outside of her introduction chapter. It's not as bad as most love interests in this blog, but you know it's still a flaw. I do wish we got to see flashbacks with her that wouldn't involve Tara, so we could get a good idea of how she handles the world around her. This comic isn't always told from Tara's point of view, and the most recent chapter featured more of Emma's inner monologue. Retroactively this does make me appreciate the scenes of Lexx and Chel being separated in Alien Dice more because those scenes helped to build them up as individuals, even if every decision wasn't perfect, but I'm going off-topic here. Emma's foundation is good, but she needs a bit more independency to help establish her as a fully grown person and not just "person in Tara's life".

As for rest of the cast, we have Min. Tara and Emma's childhood friend and a neurotic nutcase who acts as Student Council President and campus's tour guide. I was worried that her quirk was going to be the "girl who scolds everyone" but while she does scold people a lot and basically act as the comic relief more or less, she is still a decent character. She was apparently bullied at school as shown in one flashback and Emma and Tara helped to fend off their bullies, but she looked so different I didn't realize it was her until while I was writing this part of the review. I'll go more in detail on the art section, again. She is decent but she still needs a bit more establishment.

Then we have Richard, the most important male character. Richard is even more of a pokerface than Emma. He is Min's boyfriend, son of a tech company owner, but he prefers baking. Richard never changes his facial expression, and he is often very blunt, but he is thankfully not a strawman of men in general, like other comics would portray him as. Still he is shown to be somewhat of a negative character due to the fact he isn't someone Tara knows from her childhood, and he also finds Emma still treating Tara like her childhood bestie weird. I think Richard is a very very very light anti-hero of the comic because of this. Richard could have potential to be the most interesting character in the comic, because his stonefaced nature is a sign that he is very heavily repressing his emotions, and him dating someone very emotional like Min is an interesting contrast to say the least.

The other guy in the comic, Ethan is a diabetic bodybuilder who used to be fat when he was younger. He has a good relationship with Tara because they go way back, but other than that, he is more positive male character than Richard is. He is even less established than Min, so moving on.

The final important characters I want to spotlight are Emma's grandparents, her italian grandmother and her sick but optimistic grandfather with a tendency to tell wild stories about aliens. These two are my favourite characters in the comic because the elderly being depicted positively AND realistically is a rarity in webcomics, and I think both of them work great, and them having such a wholesome relationship with Tara and eachother is nice to see.

Lastly there is Tara's deadbeat pregnant mother who Tara has so little respect for she only calls her by her real name instead of calling her Mom. She is still unseen as of chapter 11 but Tara tends to have very tense phone conversations with her. She has a tendency to be very controlling, she forced Tara to move back to Manchester from Spain, forces her to live on a campus and she disapproves of her career as an artist, and Tara herself believes she's only having a baby because she considers her only daughter to be a failure. I do hope the comic approaches her on a nuanced level and isn't just Author's Mommy Issues: The Character.

There's also a receptionist woman who appears frequently in the early chapters of the comic, she mainly works as the exposition character but she doesn't have a name so I guess for now she isn't that important.

The cast of the comic is very strong and at worst need a bit more time in the oven. I do think some of them having mystery to them is a good thing because it gives the reader some reason to continue looking forward to future chapters.

Art

Art is probably the section I have the most critical things to say about. The comic is on Webtoons so naturally it follows Webtoons toilet paper format, and a lot of scrolling is required just to get one speech bubble. Thankfully it's not as bad as in Console Girl, but if I ever were to riff this it would be incredibly tedious and difficult to turn the comic into a more traditional comic format.

But enough about formatting, for the art itself, it's passable on the first look, but something that I had an issue since chapter 1 is, most characters tend to default for the same expression. Tara has a constant bored look on her face (which is even acknowledged in the comic), Emma has a constant look of uncertainty, Min has a constant look of neurotic disapproval, Richard has a constant bored look similar to Tara but more refined and so forth. Characters get more expressive as the comic goes on, especially Tara, and the comic does a nice job to justify lack of change in Richard's part, and also Emma's grandparents are immune to this problem. However if the characters aren't having samey expressions, you do notice how samey their faces tend to be. I don't want to accuse the artist of having same face syndrome, as again, Emma's grandparents and Ethan look very different from everyone else, but some characters just have identical facial structure and it is a bit distracting.

Speaking of faces, I mentioned the flashbacks earlier and they're often set in either 2008 or 2011 while the main comic takes place in 2016. although they're younger, the faces of the protagonists barely change. They have different haircuts but they're practically the same, and it's rather distracting and see how the characters look like little adults in 2008 when they're supposed to be in middle school or something. Again, Emma's grandparents are immune to this because they have more wrinkles in the present than they do in the past, but then again adding more wrinkles is a bit more easier than making two characters who I presume are 18 or 19 look 10. With Ethan we see he was fat in his childhood, but he also looks like a child at least. Min also looks more like a child, to the point of being a bit too unrecognizable as I had no idea she was supposed to be Min when I first read the page.

Lastly, the comic for some reason treats facial expressions as sound effects. That doesn't help with the "lack of expression" criticism. Like here is an example.

I know this is one of the few manga-esque elements this comic has, but I find it dumb and the comic tends to overuse it instead of having it happen occassionally.

Lastly, the comic is very inconsistent about backgrounds, we see a real background in far shots, but in closeups we just see a gradient backdrop that doesn't match the color of the scene, and of course we get fades to black and white at times. Do you love the colour of the sky?

In a nutshell, while also not irredeemable, there are some things about this comic's art that need the most improvement.

Final Thoughts

Now some of you may be thinking "What the hell GW? Why are you reviewing a random lesbian webcomic out of the blue? Are they holding your family hostage?"

Well, the reason I am riffing this is because my friend became an english translator to this comic, and since I am the webcomic riffing man, I did decide to give it a look. I wouldn't have probably touched this comic otherwise. But I am glad I did.

Even if the pacing is slow, the comic is easy to digest and doesn't take too long to catch up. I found myself getting invested into the story and the characters. I do hope they don't mystery monger too much about the past event Tara feels guilty about, I hope they don't screw up with Richard or Tara's mother and make them generic soap opera bad guy characters and I especially hope they don't make Tara's mother a super homophobe who hates gay women more than Cydnee hates dogs or Siggy hates orcs. But I do have a lot of trust in the creators of this webcomic, and I don't think my friend would've become a translator for the comic if it was bad. She has a good taste.

The comic did have an old version that is still readable online, and while I haven't read it this old version had a goth butch woman who I presume might be making this a love triangle, which I really really hope isn't the case.

I will be returning to Letters on the Wall in the future as more chapters come out. You can read it here. If you're a fan of slice-of-life webcomics about lesbians that aren't fucking insulting, you'll definitely get something out of it.

#letters on the wall #review #non-riffy review

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buddielove · 3 years

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Hi! I'm a gay fan of 911 and I have a question about the whole Buddie fandom. As much as I like Buck and Eddie, it's frustrating that a HUGE part of the fandom is pushing for these two characters to get together instead of putting energy into supporting Hen & Carla and Michael & Dave. Not to mention Carlos and TK in Lone Star. Can you explain to me the appeal of wanting these two men together? Wouldn't it be more interesting to see two heterosexual males just be able to bond in a non-toxic fashion? That's something we don't get to see often on television.

Hey! This is MAD long lmao I am so sorry! You caught me on a day I felt like talking! Also this took like a year to answer you lolololol. This does have a few ʻhot takesʻ so please be warned! So like in this essay....

So first I am also apart of the LGBTQIA+ community, so I do understand how it could come across as a fetish or being non supportive of the current canonically LGBTQIA+ characters, however I think a lot of the interest around Buddie and the want for them to be confirmed as a couple is how they are being written. Me personally I knew since s2 e1 Buck and Eddie were written not as rivals but as two people who would eventually become friends, but it wasn’t until the Christmas episode with the elf assuming Buck was Chris’s dad and Eddie’s partner that I was like ‘hold on!’ because I was really hoping Abbey would return and I didn’t see Eddie as a possible Buck live interest because of that. The elf’s comment wasn’t played off like most other shows would (think Dean and Sam arriving anywhere in Supernatural) it made me go back and look at the other episodes to see exactly how Buck and Eddie were being framed/written. And as we have moved into further seasons I think there has been a shift in how Buddie is being written, in s3 it was very much like two people progressing into a deeper friendship then the blood clot/lawsuit gets in the way and they both have to deal with emotions surrounding that, then Buck’s response to Eddie being trapped (we see how is he when Boddy is trapped in a fire WITH A GUNMAN, it’s emotional but not to the point is is with Eddie), even the love interests feel very pushed on us and there’s so little banter between Buddie about their gfs and how they feel about these new beginnings. It feels off, not like a friendship in the slightest, more like two people trying to force something and not wanting to deal with any other feelings. Then when Eddie gets shot and reveals Buck is Chris’s legal Guardian in the event Eddie dies, that’s huge, and he did this after only a year of knowing Buck (I have friends with kids. I’ve known one of them for FIVE years, I’m at their house every week, the kid calls me family. I’m person #10 on the list of ‘who gets my kid if I die’, not #1 lol) It just feels like it’s all building up to something, and people are getting tired of waiting for that something! We’re all emotionally tired from the past two years, and probably from many shows queerbaiting us and this is something that could happen, seems to be something the actors are ok with and the fans want. So why do they keep drawing it out. This isn’t about us demanding they ignore the chance to write a healthy platonic male friendship, or forcing two characters to be gay, it’s about holding the writers to what they’ve implied and seeing what could come of it.

Also think of it like this; If Buddie is confirmed it will still be a good example of a healthy friendship which then developed into something else, like Booth/Bones! Showing the natural progression of friendship to relationship that happens a lot in real life. It’s two men who previously (on screen at least) have only been with woman, but now they have an emotionally connection with someone which they then develop and explore. This could be 911’s first nontoxic depiction of two gay characters coming together, because sorry not sorry the canon couples aren’t perfect (which does humanize them) but they also reenforce harmful troupes that plaque the LGBTQIA+ community, which I’m sure you understand: TK was a drug addict, who only got with Carlos at first cause he was hot and sex was TK’s new addition (all gay men are sex addicts who do drugs and sleep with anything that moves). Carlos was ashamed and wanted to keep TK on the downlow (poc gay men want to pretend to be straight but have free access to gay sex). Hen cheated on Karen seemingly the first chance she got (lesbians can’t handle monogamy when pushed, and cheat on their long term partners). All known and documented troupes that happen far too often.

I’m not saying Buddie is some gay jesus ship that’s gonna save the entertainment industry but if done right it could prove to be one of the few healthy depictions of two men getting into a gay relationship we have. If they plan it out correctly, show us the relationship development, like they did with Maddie/Chim for example, Buddie could be used as a positive example of a gay fictional relationship (I really could go into depth about this. I probably should tbh).

As for not supporting Hen and KAREN, or Michael and DAVID, I think fans do support them! The writers don’t. If you read fanfics Henren and Michael/David are featured heavily in many fics, and ik some people might say ‘well they’re only there so Buddie can talk about their gay side!!’ but both these couples have their own fans and fanfic tags! They aren’t just plot devices in Buddie stories. There is a huge side of the fandom that supports Henren and wants to see more of them and their family. Same with Michael and David, during the episode where Michael and Bobby team up to find that plastic surgeon who was working illegally many people where ecstatic that we were getting more Michael/David content and that David was getting more than a couple lines. But sadly it seems like the writers only want to delve into these story lines when they need filler, they even miss opportunities to include these other LGBTQIA+ characters when it makes sense;

(Someone came for me about this but I am going to bring it up again)

When Chris is sad and wants more human connection, instead of bring Harry + Michael/David and Denny+Nia+Henren back into the picture (and yes I understood at the time the pandemic was bad (lmao still is!!), but all the actors at some point would have/had crossed over into each other’s ‘bubbles’, so ALL the actors would have been exposed to each other so getting the children together with adults they had ALREADY been with during shooting wouldn’t have been a super spreader event) but instead they brought in Ana after only two on screen dates and pretended like it was a logical thing for someone who’s up to that point been extremely careful with their child.

They really could have pushed the ‘118 is a family!’ message here and included the canonically gay supporting characters, and the lesbian main character(s) but they did not and instead chose to push the Ana/Eddie coupling even though they hadn’t properly developed it yet. The writers themselves don’t seem to care about developing their canonically gay characters and including them more than they have to but fans are continuously developing Henren and Michael/David with hc and fics.

I’d like to use your logic against you for a second, in s1 we have a very healthy, platonic friendship between Chim/Bobby but that got written out to the point they are more like boss/employee unless the scene calls for them to seem closer, we now have Bobby and Michael friendship but again we hardly see Michael. On Lone Star we have Owen and Judd as a really, really good example of a healthy male friendship but we see Judd more often with Tommy now then we do with Owen, and in s2 it’s overshadowed by Owen trusting Charlie from Twilight and constantly getting fucked over! Why can’t the writter just be happy with these happy, healthy, emotionally well male-male friendship they’ve already included and expand upon them. There’s enough drama because the show literally involves burning buildings and people’s lives being at risk from some natural/man made disaster ever 12 seconds. Does it need to have so much interpersonal conflict and male peacocking??

#Buddie #Please donʻt get offended by anything in this!!!#These are JUST my opinions which MAY change the further we get into this show!!#ALSO IT IS JUST A TV SHOW!!!! PLEASE BE KIND TO ME AND TO EACH OTHER

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tendercoretroglodyke · 3 years

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... I’m interested in legitimately gay Reese (I assume one piece of evidence is “look at what they’re doing and tell me you’re not gay”)

okay this is like 2 days late but this is why reese malcolminthemiddle is legitimately gay:

(side note: did anyone need a queer media thesis paper or something... I am willing to share lmao)

so none of this is like... rock solid evidence or anything but I need to believe at least one main character of a show is gay and/or trans to maintain interest and reese is the most plausible gay character. also it’s early 2000′s so he just gets a lot of vaguely homophobic jokes lmao

first of all, yes, the biggest piece of evidence he’s gay is those lines from that episode I quoted the other day--thinking malcolm is gay, he tries to show his support by giving him a gay porno: “’Naught Pool Boys 3!’ I watched 10 or 12 of these, and this one seems to have the most stuff you guys like.” and when malcolm says he isn’t gay, reese responds “Malcolm. Check out what those guys are doing in that movie, and THEN tell me you’re not gay.”-- so, 1) reese sat down and watched like a dozen gay porn movies to ““find a good one for his gay brother”” and 2) he thinks malcolm would reconsider his heterosexuality if he watched what was in that movie, implying that HE reconsidered his sexuality after watching that movie, or at the very least found it hot

in the same episode, the character tricking malcolm into thinking reese is gay lists the following as evidence: he obsesses over his hair and his looks, loves his gourmet cooking, has a bunch of magazines covered in comically muscular men, and that he’s angry and acts like a jerk because he’s “dealing with something weird and confusing.” now obviously, the obsession with hair/looks can be chalked up to the fact that he’s a teenage boy, and there’s nothing inherently gay about enjoying cooking. the dozen magazines of muscle-bound men could certainly be taken as gay evidence, though, and it IS established in the show that his entire bully persona is his way of masking his inner feelings and insecurities. there’s literally a whole episode where he & malcolm realize they have no friends because they act like little shits to push people away because they’re afraid of rejection and/or abandonment from their peers. they ostracize themselves before they can be ostracized by the other students at school. I could probably write a whole other essay on reese’s psyche tbqh lmao there’s a shocking amount there!!

of the brothers who are actually old enough to be attracted to girls (reese, malcolm, and francis), he shows the least interest. now bear with me here. you might be thinking, “well, yeah, it’s malcolm’s show, we’re not gonna see things from other people’s perspective!” but that is actually surprisingly untrue, the show is very much equally shown from each family members’ perspectives. starting about s2, when malcolm is in early middle school, he starts getting crushes on girls and pursuing them. francis goes after a few women in the first couple seasons and then marries a woman we see a lot throughout the show.

in the roughly... 130?? episodes I have watched so far, nearly all of reese’s “interest” in girls involve either: competition with malcolm, genuinely just liking her as a friend, or some completely ulterior motive. the only exception to this I can think of is in the early seasons where he has a crush on a cheerleader and tries to get on her good side by joining the cheerleading squad, which the writers clearly set up as a way to make gay jokes about reese. let me give you a few examples of his relationships with girls

the first relationship we see him in is with a “stupid girl” that malcolm tried (and failed) to date, and the main reason they get together is that they think on the same wavelength and genuinely seem to enjoy hanging out. they take breaks from their bro chats to make out every once in a while. eventually he gets her to break up with him because he doesn’t want to go to the school dance with her (he doesn’t want to go at all). years later, he’s dating some girl we meet for like 5 minutes, before he goes to confess to her that she’s the first girl he’s ever loved. she then breaks up with him. he’s sad, but taking it fairly well. he’s about to leave when he sees malcolm hiding under the bed, and learns that he stole his girlfriend. he then runs away to join the army. he was clearly MUCH more upset that his brother stole his girlfriend than he was that his girlfriend broke up with him. there are many more instances of him and malcolm competing for a girl’s affections, and he seems mostly motivated by the competition itself.

in addition to “stupid girl,” he also manufactures an “attraction” to his female army buddy in the last season. the premise of this episode is that his old army buddy (a girl he play-wrestles with and insults like he would his own brothers) comes to visit him, and malcolm convinces reese that she’s attracted to him, and that reese’s nervousness at learning that fact is proof he’s in love with her. there’s a misunderstanding where reese asks her if she has certain “feelings” and she says she does, but what she ACTUALLY means is that she has a crush on reese’s MOM. she’s a lesbian. reese later propositions her (saying he’s saved his virginity for this--he’s probably about 18 here), and when she says omg no im gay, he is HUGELY relieved they can go back to being friends. CLASSIC mlm/wlw friendship moment.

there’s an episode where these cute girls pick up reese (& nerds) to kiss in front of their boyfriends to make them jealous. reese is all for it, and when malcolm argues that it’s not worth his dignity and the beating he’ll get from the girl’s boyfriend, reese counters that that’s WHY he wants to do this--he’s completely invisible at school, and thinks getting beaten up for kissing some guy’s girlfriend will at least make him known around school. at no point does he indicate he’s actually attracted to this girl, and when it comes time to kiss her, he finds the weakest excuse to run away at the last minute.

im not gonna list all of these but there’s more lmao

the following is a random assortment of one-off gay jokes and out-of-context lines with gay reese implications, often homophobically bc its early 2000′s writing:

says “I’m gay” to a girl to give malcolm a better shot at her

(again in competition with malcolm) tries to flirt with a girl by spraying milk in her face as the punchline to a joke, which is. well. hm. self-sabotaging, to say the least!!

Reese: “Do you think it’s right to totally change who you are and turn your back on EVERYTHING you believe in, just to impress a hot guy??” [his dad gives a long, blank stare, before asking:] “...Burt Reynolds hot, or Sting hot?”

“YEAH I like clouds! I call them sky kittens :)” (I just think that one’s sweet!)

“Look, Christie, here’s the thing. When I first met you, I was just messing around. But we’ve gotten so close that, now... I really like you! I can’t keep this up anymore. I’m not the person you think I am. I’ve been pretending since the day I met you. It’s so hard having to constantly cover my tracks to keep my story straight... and I don’t WANT to anymore! I’m tired of living this lie! I’m done with it. I’m sorry.”

he catfishes some guy to blackmail him, but is implied to continue the flirtation even after the catfishing/blackmail is revealed

reese is, technically, married to a man. this particular plot point is played as a joke and manages to be both racist and homophobic, so I won’t go into it. but I believe he is still married to that man. technically.

reese takes care of a huge box full of caterpillars until they pupate and become beautiful butterflies. I feel like there’s some kind of gay coming out metaphor here somewhere.

I think there are a couple other times where he comments on a guy’s attractiveness but I couldn’t find specific instances.

In conclusion: Reese is a deeply repressed gay kid who was socialized SO thoroughly as an early 2000′s straight boy that, despite his attraction for men and his obvious compulsory heterosexuality, he still cannot admit to himself that he is gay even as he enters adulthood. Furthermore, his subconscious frustration about this fact is turned outward to form the “schoolyard bully” costume he uses to mask his insecurities and keep others from getting too close to him.

Thank you for coming to my Ted Talk. I could be convinced to come back for another talk about how Dewey is trans or about how each and every member of that family is neurodivergent in entirely different ways. Assuming anyone has read this far in the first place!!

#sorry this was so long lmao I legit spent 2 hours on this #I have 2 modes: not doing the thing and overdoing the thing #hey anon if you actually see this I'd appreciate a quick message saying so lmao I'd hate to write all this only for you to miss it #I'll probably rb sometime tomorrow at least #also liz if you're reading this i was GONNA add a bit about francis' gay potential like you mentioned but I ran out of steam so remind me t #i think reese has the most gay potential tho #mitm #malcolm in the middle #anonymous #Anonymous

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botwstoriesandsuch · 3 years

Text

Whoopsie King Rhoam’s a dick but I gotta flesh him out so

Read Part 1 here!

Part 2

If you’re on mobile, and tumblr hates this post, follow along on this google doc!

Rules/overview this rewrite in the beginning of Part 1

‘sup ya beautiful bastards it’s time to gush about the process of storytelling and writing as we fix up the fix it fic so let’s just jump into it

- - - - - - - - - -

A quick recap of Part 2, and I swear this recap is faster than the recap last time: Chapter 3 of Age of Calamity opens with a more substantial scene the beginning points of Revali’s character, and contrasting the old position that Link and eggbot have, so that their later changes in this chapter (well, at least for Link in this chapter) are more pronounced. We edited a bit of the dialogue to make Revali’s intentions make a bit more sense, while also putting some little foreshadowing points with some camera tricks for the Hollow Champions. The Hollow Champions can now speak, which means their potential for being used to bring out the flaws or bitter aspects of each character is more readily available further into the story. And of course, we’ve introduced the main antagonist of Astor, and coupling his presence and dynamic with Zelda’s insecurities. While his intentions of needing Zelda for something is clear, his motivations and backstory remain a mystery as of yet, the only true clue we have so far being some sort of connection to eggbot.

I didn’t get any big asks or comments about Part 2 so I’m going to assume that it was mostly well received (although I will note that I promise I’m going to flesh out Revali to be more than he has been presented as of yet, this is just the very very start of this development don’t you worry your feather loving butts) that being said, you should totally critique me or give me your opinions or comments. I’d love to hear them! Although, keep in mind that I am restraining my rewrite to the guidelines already said, so don’t get mad at me for not killing off all the Champions or something. Thaaat’s a rewrite for another time. So yeah if you reblog you get a little kiss from me because believe it or not I spent a lot of time trying to rewrite an entire storyline while keeping it’s tone and integrity intact. So thanks much <3

Okie dokie then chaps! Let us finally delve into Urbosa lesbian vibes, a zest of Zelink angst, rants about pacing, and a couple tablespoons of Astor backstory, all starting in the latest stage of Chapter 3: The Road Home, Besieged

So right of the bat, big problem here. This Chapter follows directly after the events of Korok Forest, so you assume that maybe “The Road Home” refers to the team, going home, back to the castle, to tell King Rhoam what’s up. But...that’s apparently not the case.

So this entire stage, firstly, it brushes over any scenes where Zelda, Link or the other Champions might talk to King Rhoam about the Master Sword, or the Deku Tree, or...hmm what else happened last stage that might be interesting to see—oh yEAH HOW ABOUT that mysterious magic guy that tried to kill Zelda and was going off about the future and stuff?? That guy that wielded a bunch of dark magic and malice looking stuff and, uh yeah, you’d think it might be important and interesting to see the King’s take on was is essentially a wanted traitor to the crown who may or may not be leading the entire movement for the Calamity’s uprising. But nope, no one asks questions, no one says anything or has interesting conversations that reveal stuff about the plot. It's just….just all about Zelda and ooooOOooo she can’t awaken her powers oh no what’s a gal to do!

And I do mean that quite literally, this entire stage is all centered around two scenes with Zelda. The first, an admittedly narratively important scene of Zelda having a quick flashback about eggbot after he sings her a song, but it lasts for five seconds. And the second, being a pep talk with Urbosa as Link eats rocks in the background. For the majority of this stage, it’s all focused on Zelda, and pacing wise, it does virtually nothing to progress the narrative/plot forward.

And on paper, there’s nothing wrong with that! Hell, people read entire fanfictions dedicated to character development and relationships that have absolutely no external plot. Having a scene dedicated to just character development is completely fine, it’s something that’s pretty common and even encouraged to an extent. The problem arises when you remember that this is a story being told through the medium of a video game.

Now, I am going to try and breeze by this because, similar to Age of Calamity, I have to also construct this post with pacing that keeps my audience engaged, while progressing with my core narrative and story. But I highly encourage you to watch through this video by hello future me (On Writing: How to Master Pacing) because a lot of what I know about this I’ve picked up from his videos, and if you’re a writer or just someone who thinks storytelling is cool, it’s a great guide to the art of pacing.

youtube

Anyhow. There are two levels of pacing within a story. There is the small type of pacing, like for the structure of a singular scene. And there is the pacing of the overall core narrative, how the larger beats of the entire story is revealed. Good pacing for your core narrative is about whether the reader feels like they are getting closer to the big thing, the big climax or answer or promise of satisfaction. The smaller type of pacing, for your singular scenes, focuses on that timing between how close you get to achieving new information, this refers to your slow and fast pacing, tension versus rapid action.

So, overall the rule of thumb is: the amount of time you invest into your smaller scenes, even put together, that must correlate with a big enough payoff in the core narrative. That’s what good pacing is. (And that’s why people make stuff like the Three Act Structure to help visualize this pacing process but obviously other forms of pacing guidelines exist like the Five and Seven Act Structures but that’s too complicated for this Nintendo Game anyhow that’s just some educational flavour for ya to impress your highschool English Teacher I guess)

So knowing that, the question now is: Does The Road Home, Besieged contribute good pacing to the story? This is going to be my excuse for changing up other later scenes in the game, so when I mention pacing and narrative again, remember this. The time spent playing for thirty minutes, minimum, in the game, to only be paid off by two lines of character development isn’t good pacing. So the answer is “no.”

Delving as long an amount of time as thirty minutes, means that pretty much everytime a stage is complete, you must introduce new substantial progress to your story. A game like this just doesn’t have time to waste it’s valuable cutscenes on character development alone. There’s an even further wrench in the issue when you consider you also need to account for sidequests, so you could really be forcing your player to go through hours of gametime before you introduce new details in the story.

Obviously it’s not always gonna be cut and dry like that—sometimes you have to account for how enjoyable the gameplay is, and sometimes the amount of character development offsets any lack of narrative development—but for the majority of stages I’m gonna change, they all suffer this pacing problem. In a game that's entire story hinges on these cutscenes, bad pacing is just something it doesn’t have time for.

Anyhow anyhow anyhow, I got to get my dose of serotonin by talking about pacing writing structure and stuff and blah blah, so now I shall grace you with the changes that address these problems that would theoretically lead to vast improvement. I gave you this reasoning and backstory to writing because I am making hella changes, to hopefully make the experience more “poggers,” which is something the cool kids say these days if you didn’t know.

Firstly, timeline wise this stage is gonna take place directly after the Korok Forest battle. The gang is returning home from the battle, with Link, the new wielder of the Master Sword, along with this new information regarding a certain Astor character.

We open the same way it does in game, focusing on Zelda’s face, before the frame is suddenly blocked by the pommel of the Master Sword. A wordless way to express how the sudden revelation of Link being the hero has forced its way into Zelda’s mind, great use of camera Koei Tecmo 10 outta 10

Now I don’t want to immediately jump into Zelda’s “oh poor me I can’t awaken my powers” dialogue because—and this is something even Breath of the Wild is guilty of—This game seems to forget that there are other characters besides Zelda. It’s marketed towards kids, sure, but I assure you that kids playing this game have a longer attention span than 2 minutes. You don’t need to keep reminding the audience every single scene about how Zelda is anxious about her powers. It gets redundant, you waste the audience’s time, and therefore you waste your own time, because you could have been using that precious screen time to develop some other thing further. So anyhow, goes a bit like this.

Zelda’s walking, the Master Sword comes into frame. Zelda looks down at the ground but keeps walking, but you can tell from her expression that she’s troubled. Don’t need to waste time on dialogue for her here, show don’t tell, we need to make the most of the scene here. Camera is still on Zelda, but the focus blurs shifts from Zelda to the Champions behind her. We can start with Mipha, I don’t have my heart set heavily on any specific dialogue, but I want her to say something along the lines of “how proud she is of Link” and what an honor it will be to fight by the side of not just her dear friend, but also someone selected by the goddess to be the hero. Subtextually, I want her to say this in a tone that suggests that she doubts the need for her to be here at all. She’ll say something like “He’s grown so…” glances up at Link who's just walking ahead, “...so much stronger than I could ever imagine. [Something Something] His power has grown so much over the course of a few days, more than I have achieved in a lifetime.” She looks down, but she still has a sweet smile.

Now I’m doing this because I want to develop further this plot line of “getting stronger” that Age of Calamity sets up but never does anything with. Remember how in Chapter 2, Mipha asks Daruk to train with her to get stronger? I really like the possibilities of this arc with Mipha as it can not only parallel with her feelings for Link, but also make her character better as an individual. Mipha wants to get stronger so that she can protect Link, but now she thinks that Link’s already growing stronger to an extent that she might not be needed. She’s not jealous of Link, nor does she wish him to be weaker, she simply wants to be more than she already is. This is literally echoing her words that she left her father, about how leaving the Domain and experiencing new challenges would be “good for her.” So I wanna run with it. The dialogue here establishes Mipha’s motivation to grow stronger, almost equivalent to a rivalry of sorts.

So after Mipha says this, Revali scoffs and butts in. Again, I’m not too set on any particular dialogue here, just something like “Hmph! Well, I don’t know about that. Seems to me all that’s happened is some magic sword gave the knight an ego boost. Blade’s only as strong as the little Hylian who wields it, and—based on my own extended experience and professional observations of course—I’ve yet to see this ‘stronger’ boy that you speak of.” Another camera pan to Link a ways in front of them. “If you ask me, hero or no, that knight is still exactly the same as I first met him.”

Revali places a wing on his chest dramatically. “Perhaps if you’re truly keen on seeing growth in skill and strength, Mipha, you’d do well to—”

“Flattering of an offer as that may be, Revali,” Urbosa interjects, “But I think Mipha might find it difficult to observe growth from one of the shortest Rito in Hyrule.”

Cue laughter from others or snickering or something. We just need some banter to add a bit more flavour to the characters. Revali can do a little huff and cross his wings or flip his scarf or something. But then Urbosa continues.

“Although...he is right about one thing.” Urbosa looks straight ahead. “A sword does not alter a hand, just as strength does not alter character.” She puts a hand on Mipha’s shoulder. “Grow as he might, there is no doubt in my mind that he is the same boy as he’s always been.” Urbosa looks up in the direction of Zelda. “Whether you realize it or not.”

Ok so, scene’s not done yet, BUT quick gush on the dialogue flow here. I’m trying to establish parallels in these character perspectives based on the flow of conversation. We started with Mipha who, like I said, wished to grow stronger along with Link. This flows into Revali who also has a similar parallel as he wishes to grow above Link’s shadow. But the distinction between Mipha and Revali is that Mipha think’s Link’s strength is earned, and Revali thinks he cheated, gaining authority through a magic sword, and not through merit and skill. Thus, leading to Revali’s perspective of Link being exactly the same as he’s always been, he believes the sword doesn’t change anything. Urbosa then speaks, because she thinks exactly the same thing. However, her distinction is that Link is the same as he’s always been: a determined young boy earned his place and cares for his friends. Then she looks to Zelda who, as we know, will develop a perspective that contradicts this. So you get it? This scene is like 20 seconds long but it already mirrors nearly all the character parallels and perspective, that’s why the flow of dialogue is important. And I know half of you probably think these kinds of details are a stretch but I promise you it’s not, just look at any movie or show ever and I guarantee you can find similar stuff there too. Ok moving on moving on—

Urbosa looks up at Zelda, comments her, “He’s the same boy, whether you realize it or not” piece of dialogue. Camera shifts back to Zelda and Link, who, idk if I mentioned this, but in the scene there’s enough distance between the Champions and Zelda and Link that the Champions can speak without the other two listening. So they didn’t hear any of this.

So the camera is back on Zelda, and now we can get her “How can I…..If I am unable to awaken my inner power….” line. Eggbot senses her sadness, does his little cheer up dance, Zelda gets a flashback.

One small change I wanna make to this flashback: Instead of just a baby Zelda going “nighty-night” I want there to ALSO be a figure in the background behind eggbot wearing a silk royal blue dress. And said woman has blonde hair and she’s by the table back there. We don’t have to show her face or anything because Nintendo hates that. Just place the woman somewhere in the back somewhere

Also possibly you could add the shadow of another figure by the doorway, maybe? It would serve good continuity purposes for the plot points that I’m telling, but that part is not as necessary. I just need at least the woman there.

Then Zelda is like “I remember you” to eggbot and all that and blah blah… Now, instead of Impa offscreen just yelling “enemy ahead!” I just want it to be a full on ambush. Not like a major one, but just enough where the group is surprised a bit. Maybe on the cliffs above, a lizalfo throws a boomerang, or a bokoblin shoots and arrow, or even just throws a rock. I don’t really care. I just need this to happen because…

As soon as this danger is presented, Link turns around to grab Zelda’s hand and they start running again. And he can like use his body to try and shield her a bit, I need it to parallel how he acted during Chapter 1 on the road to the Royal Tech Lab. However, this parallel has one important distinction because…

Zelda rips he grip from Link’s after a moment. “You don’t need to coddle me!” She says, or something along those lines. “Y-You...You’re the hero aren’t you! I’m perfectly fine, you don’t need to spend your precious time playing babysitter to me.” In the distance, a horde of monsters is beginning to form. Zelda looks between the monsters and Link’s Master Sword, her expression unreadable. “Well? Just...just go do what you need to do.” Link hesitates, looking between her, and the approaching monsters. Zelda speaks more sternly now, “Go!” So Link, not one to disregard an order from the Princess, gives one last look to Zelda before setting off towards the monsters. Maybe Zelda can take a deep breath to steady herself after he leaves, but as soon as Link unsheathes his sword, the metal glistening in the setting sunlight, it cuts immediately to gameplay. Start battle.

For essays’ purposes this is the part where I explain why this is better than the original. So here’s my reasoning:

Uhhh, it just is. :3

Ok but seriously, I’ve already talked a tone about why the pacing and dialogue flow is better than the original. But also this scene doesn’t just say “Ooo Zelda is sad about her powers,” because that’s not interesting. Like I said, it’s redundant information. What is interesting is see how characters deal with that internal conflict and how it affects their relationships. AKA Zelda’s relationship with Link, who now basically embodies the success that she’s been working so hard towards but never achieved, is deteriorating a bit. I wanted to get that sense of the Zelda that we see in Breath of the Wild because all things considered, they should be roughly the same character.

So that’s that, you fight the battle, the Hollows show up a bit, so insert “dark evil Champion” dialogue because if you’re gonna use the evil clone trope might as well use it to the fullest. Then you fight the Talus and hurray horrah the day is saved.

Then we have that iconic Urbosa motherly pep talk to Zelda as Link eats rocks in the background. Now honestly, I’m not that big a fan of the first half of the dialogue, so I wanna change it into something more interesting. But the rest of the beats and camera work go roughly the same.

Zelda: “Link is...so much stronger now”

Urbosa: “‘And yet I have not.’ I presume that’s what you’re thinking, hmm?”

Zelda: “Well it’s true, isn’t it? More and more, monsters have been appearing around Hyrule. It is a sign that the Calamity draws near. So...there isn’t much time. And still, no sign of my power awakening.”

Urbosa: *sighs* “Little bird…”

Zelda cuts her off, in an attempt to change topics: “Why do you call me that?”

Urbosa: “Hmm?”

Zelda: “Little bird...I feel like I’ve heard it before. Why do you call me that?”

Urbosa, after a beat looks off in the distance or something: “A long time ago, my dear friend would call me to the palace, or perhaps invite herself over to mine, [she chuckles] ...and she would talk with me all day, and ask me to gaze upon her little bird with her. Her dearest daughter...a princess”

Zelda: “You mean my…”

Urbosa just smiles with a soft nod: “Back then, times were a bit different. The destiny that you have was still upon the Queen, who worked day and night to refine her powers and fulfill her destiny. In just a few short years, I went from being friends with a Queen, to friends with the destined sealer of the Calamity.”

Another pause, before Urbosa speaks again: “But...she was still the same woman I had grown with. Still the same loving mother who spoke about her little bird with joy. She had not changed one bit.”

Urbosa: “Even when your mother passed, her loving smile was there until the very end. She always loved you—believed in you, Zelda. She had great hope, great faith that her daughter would grow into the beacon of light Hyrule needed. That even with her gone, you would spread your wings and fly, because you were just that amazing to her.” *Urbosa puts her hands on Zelda’s shoulders.*

Urbosa: “Destiny did not change your mother’s love, just as it does not change Link’s courage, or your value.” *the camera can pan to Link eating rocks now*

Urbosa looks directly at Zelda now: “Look how hard we’ve all worked to get this far, how hard you have worked to get here. While we may grow in strength, in that regard, we’re all one in the same.”

Zelda: “...I….well…”

Urbosa: “What did the Great Deku Tree say? There is no need to fret princess.”

Urbosa: “Our faith, Link’s, your mother’s, it’s all as strong as ever. And everyday, with every moment that you travel towards your destiny, it just grows. It is always with us. So believe in that, have hope, yet, little bird.” *Eggbot can scurry up and make cute noises here next to Zelda*

Urbosa: “I know, you are where you need to be. You must accept that too.”

Zelda: “...”

Zelda gives a solemn nod: “Thank you, Urbosa.”

So that’s that scene! Don’t let the length fool you, it’s technically even shorter than the original scene in Age of Calamity. So why is it, in my opinion, better? Because for one, we actually get an insight into Zelda’s mom and Urbosa’s relationship, something that was PROMISED To us but never given and I’m still a bit salty about it. Anyhow, in addition to just getting some lore details, that relationship between the Queen and Urbosa is important for this scene because, just like Urbosa spells out, it’s in direct parallel with Link and Zelda.

Before the Queen suddenly got sick and died, she was destined to seal the Calamity. But she didn’t let that destiny change her, she was still the same loving mother to the end. Now that is something that Zelda needs to realize about Link, as his newly acquired destiny doesn’t change who he was before, the knight who cares for her and wishes to protect her. Zelda needs to realize he’s the same and that she can still trust and confide in him. Hence, that’s why this mom backstory is in this scene and not somewhere else, because it serves to the narrative but also more impactfully to the character development.

The dialogue could probably be polished a bit more but come on, not half bad for an improvement yeah? So that concludes Chapter—

SIKE we’re not done yet. We still have to move into the entire point of this stage, the road home, to the castle.

So, badabing badaboom, I’m adding an entirely new scene from scratch right here at the end, because it is VITAL that I set up something new about the story, as a sort of clincher. So anyhow

Zelda is alone with her father, let’s set it in the royal library (Intact, not ruined, of course) because we don’t see enough of that location and it’s really cool. So Zelda is briefing her dad about the events in Korok Forest and on the journey back home. I know I always gush about cinematography but it can’t be fully appreciated since I’m….writing,,, this, BUT I think it might be fun if the side shots of Zelda have her background be some bookcases of the library, maybe half bookcases and the other half the ornate walls. Then the background for the King’s shots is the full symmetry of the elegant staircases.

[And if you needed the specific reasoning for that, because it makes camera shots more fun. Like when Zelda says something that aids in her scholarly side, the camera angle can change slightly where the bookcases take up more of the frame, and then when the King’s will takes more power, then the book cases can be angled a bit more out of frame. And then the symmetry of the King by the staircase is a way to show his higher power dynamic to her, and contrasts well with Zelda’s shots since the bookcases are dark and the stone is lighter, so on a meta level is also makes it easier for the audience to understand where they are. Shot composition is fun ok, and that’s not even getting into color theory (Thinks about Baby Driver and LaLaLand....even videogames like Undertale and Hollow Knight have such wonderful shot composition and use of color theory hhhhh love it)]

Ok so Zelda’s briefing the King in the library, she’s standing while he’s sitting at a desk. There’s maybe two or four Royal Guards on the staircase entrances, but for the most part, they’re alone. You can tell that this meeting between them has been going on for a bit now, as from Zelda’s dialogue, she’s retelling events midway through the story.

The King is flipping through some paperwork, not really looking Zelda in the eyes. She continues speaking.

“And so...with the malice cleared and the monsters being dealt with, Link and I made our way into the heart of Korok Forest.”

The King hums a response, flipping through another page. “And this is when Link pulled out the Sword that Seals the Darkness then, I presume.”

Zelda paused, as of thinking of how to phrase her next words. “Not exactly. I...we both encountered someone beforehand. A man, with a pale face, and dark hair and robes, and he had the power to control malice, using a strange object in one of his hands.”

Rhoam stops writing in his journal or whatever. He doesn’t look up, but the sudden stop he makes is obvious. Zelda notices, but continues.

“He talked about...the Calamity, and my birthday...destiny, and the future….I’m not quite sure I can remember his intentions word for word. But he did introduce himself as—“

“Astor…” Zelda and the King say simultaneously. The King has fully perked up now, looking at Zelda. She’s pleased to see a reaction from him. The King rises from his chair, and starts pacing a bit, stroking his beard thoughtfully like the asshole he is.

“So you know him then? This Astor man? Who is he, father? What does he—“

“Were you alright? Did he hurt you, or mention anything else?”

Zelda pauses for a moment before shaking her head, as if the concern he was expressing was uncharacteristic. “N-No. No, I’m fine, and Link was there. During the battle, as Link fought him off, that was when the sword was pulled. Then Astor fled, or...” Zelda pauses for a beat, “retreated...he expressed his wish to speak with me again.”

Another beat of silence, as Rhoam gets up, hands clasped behind his back. “He used to work at this very palace.” The shot is now directly on Rhoams back, as he faces a bookcase, although it’s clear that he’s just deep in thought, and not just staring at books. Rhoam is in third column of the shot (he’s to the right, not in the center)

“A trusted advisor. Someone gifted with foresight, who many years ago, had first predicted the coming Calamity.” Cut to shot of Rhoams face, the camera being by the bookcase, so that we see Rhoam’s expression and Zelda’s.

“In truth, I thought him dead. For the last time I saw him alive—truly, truly alive—was ten long years ago...” The shot goes back to the original establishing shot, of Rhoam facing away from the camera, towards the bookcase, he’s standing to the right, hands still clasped behind his back.

“...when your mother still graced this earth.”

From left frame, a younger Astor walks up and stands beside Rhoam. He runs his fingers along the books. Rhoam looks to his left, as if he is seeing Astor. Camera cuts to Astor’s right, as if looking at him from Rhoam’s perspective. He continues brushing his fingers against the spines of the books, before he finds the one he’s looking for. Pulling it out, he opens the book, flipping through its pages, before giving a genuine smile. Cut back to wide angle behind them. With the book, Astor starts walking back out left frame, but this time the camera follows him. Filter fade to a memory tint as the camera pans right to left

[when the camera fades fully into the Astor memory, the figures can have that silhouetted effect like you see in botw. Cause I know Nintendo hates making new character models for some reason.]

So if it wasn’t clear already, even though the memory filter doesn’t come immediately, Astor isn’t actually there, but it’s just a flashback. I’m a sucker for merges, which is something this game and botw NEVER do which bugs me because there are so many creative ways you could introduce flashbacks without just doing “ooOooOoo fade to sepia filter and then oooOOooOOO we fade back to reality and no time has passed.” I apologize if my explanation of the camera doesn’t make sense as it’s hard without much visual aid, but hopefully it makes sense so far. Anyhow! Let’s continue.

We’re now fully immersed in this memory, but King Rhoam’s voice still narrates overhead.

Astor brings the book to one of the desks in the library, where a woman sits writing something onto paper. News flash, it’s the queen. Astor hands her the book and starts speaking about something, although you can tell the tone of their conversation is light, almost akin to Zelda rambling about Sheikah Technology. The Queen laughs about something unheard, as Astor continues ranting about something, his hands moving to like a professor giving a lecture.

Rhoam Narration: “When he had first predicted the Calamity, things were much more hopefully for our kingdom. As although his foresight granted him only glimpses and fragments of a future, he was almost certain that with the Guardians, and the strength of your mother’s power, our victory would be absolute.”

Scene changes to the Queen walking down a corridor, Astor is leaning against the wall by a window.

Rhoam Narration: “He and your mother would often work together tirelessly to study the ancient arts, to make the most of the powers given by the goddess.”

The Queen has walked up to Astor now. She crouches down and gestures to her left, the side not yet seen by the camera.

Rhoam Narration: “In fact…”

The camera changes to focus to where the Queen was looking towards—a young Zelda, crouched behind her mother’s dress, stares up at Astor.

Rhoam Narration: “I would not be surprised if you found within yourself, a memory of such.”

I would prefer if you could see the expressions of Astor (giving Zelda not a smile, but not really a frown or anything rude either) and young Zelda. But I guess it can also just be silhouettes too cause again, Nintendo hates giving us younger character models outside of first person POV stuff. Anyhow.

The scene fades, the light from the window dimming as everything darkens.

Rhoam Narration: “I often times wish we could go back to such a time, when victory and pride swam in every corner of this castle. But of course…”

The scene brightens again, although not as bright as before. It’s the exact same corridor with the large window, but now it’s raining. A young Zelda stands alone in front of it, looking outside.

Rhoam Narration: “Such a time did end…”

We now cut to a new scene, King Rhoam is walking down a hall, the camera’s perspective is of a bird’s eye view, like we’re peering in from outside a window. We can see the shadow of Astor chasing after him, as he starts speaking frantically about something, not quite, but almost to the point of shouts.

Rhoam Narration: “After your mother died, the visions of the future shifted drastically. No longer was there glimpses of rolling fields and shimmering skies, but instead, of rubble, red earth, and death.”

You can now more clearly hear the words coming out of Astor’s mouth. He is telling something about failure, and souls, and the Calamity to the King’s ear. He’s still walking forward.

Rhoam Narration: “He was adamant that our demise was now coming faster than ever, and that without your mother, we were doomed. That even you, should you take up your mother’s mantle, could not save everyone.”

Astor: “I’m telling you Your Majesty, if you go down this path, there is no going back.”

King Rhoam: “There is no other choice, we are moving forward.”

Astor: “I don’t think you quite understand the true gravity of the fate you’re choosing for yourself. It is a guarantee that you, me, and countless others shall die.”

King Rhoam: “I don’t want to hear it.”

Astor: “And of course, there are a multitude of possibilities, but the end result is the same.”

Astor: “Do you have a preference, perhaps? Crushed by rubble? Suffocation under ash?”

Rhoam’s tone is deadly: “Stop.”

Astor: “I’ve seen fire too. I’m not yet quite sure the exact circumstances that lead to flame appearing and spreading so quickly, but rest assured that if you—”

King Rhoam: “Stop.”

Astor: “If you saddle someone else with this duty I am absolutely certain that you and I will—”

King Rhoam, voice not shouting, but still with a booming intensity: “Just like you were so certain of our victory 10 years ago?”

Astor’s face darkens. He’s silent for a moment, collecting his words before practically spitting the first articulation: “...That, future, was the one that would come to be if Her Majesty was alive. If you’re so unsatisfied with my departed wisdom you can go ahead and flail around with destiny alone. You think I choose for these events to happen? You think I lie when I saw I want what’s best for this kingdom—”

King Rhoam: “What’s best for you.”

An ugly pause.

King Rhoam: “It is decided, Seer. It’s time you accept this. My wife is dead. That is the truth. Thus the role of sealing the Calamity shall pass to my daughter. She will work to awaken her own ability. It will be her duty to save us.”

Astor half laughs: “A child?! Surely you don’t need the supernatural to see how foolish that is.”

King Rhoam’s voice is even more stern: “You are living proof that the future is not absolute. Therefore I...must place all belief in her ability.”

The King walks away, leaving Astor alone. Weirdly, he smiles. Perhaps to mask some other emotion.

After another moment, Astor yells to the King: “I’ll fix this! Alone if I must!” He’s chuckling as he shakes his head. “Your useless faith may cost many lives, but even so mark my words, I will fix this.”

The King looks back, but says nothing, his expression unreadable. He continues forward, leaving Astor alone chuckling, or perhaps something in between chuckling and crying to himself.

Rhoam Narration: “We haven’t spoken since that day. I simply left him to his devices. If he was so determined to find another way to stop the Calamity, then who was I to stop him. I doubt my word could have swayed his mind regardless.

We’re now looking at a room, the camera is just by the doorway, looking at an office, circular and domed. It’s stone brick walls are covered in parchment and ripped books, covered in symbols and frantic writing. An old Sheikah tapestry hangs crudely on the left wall, and the window on the right seems to tint grey, or even a deepest crimson. Centerframe, is the back of Astor, robe hanging just above the paper ridden floor. He is flipping through something on his desk.

Rhoam Narration: “Fixated as he was on the perfect future that you mother might have led, I still had hope that with time, he might still assist you with your destiny one day.”

The camera slowly comes closer to Astor. We can see more clearly the type of stuff that sprawls the papers and books and diagrams across his office. Some depict stars and constellations, and even a few notes on Ancient Technology, although in a noticeably cleaner font. However, as the camera moves close and closer to Astor, the papers and books depict only one clear topic: the aura of death that comes only with necromancy.

Rhoam Narration: “It seems…”

Astor finally reacts to whatever he was doing on his desk. You don’t see his eyes, but as he fully turns around to face the camera, you see his smile, along with him holding a dark orb of unknown energy. It hovers in his hand.

Rhoam Narration: “...I was mistaken.”

The camera cuts to a wide angle, looking at Astor from behind a stack of books on his desk. The stack of books on Astor’s desk brighten in color (from the memory dull filter), until the scene fully fades back into the Royal Library. The camera is now focused on a similar stack of books on the desk behind Zelda, where Rhoam was working before.

Zelda is still looking at her father, who is still turned away. Now, he turns back around to face her.

“He had disappeared completely one day, so it was my understanding that whatever he was working on killed him. However, if he is truly back as you say…”

Rhoam walks closer to Zelda, close enough that he might have put a hand on her shoulder, but his arms stay behind his back.

“It is in your utmost interest to prove him wrong. I know not what he plans on doing, but it would be wise to stop him before he does.”

Rhoam turns away now, pacing back to the otherside of the desk. “But, your more important priority is unlocking your powers, understand? Now more than ever, is not the time to get distracted.”

Zelda, taking this all in, takes a deep breath. She then nods at him. “I understand...Father.”

After a moment, the King makes a motion as if to dismiss her. She starts to walk away, her thoughts churning in her head, heart thumping to the same beat as her echoing footsteps. Suddenly, Rhoam calls,

“Zelda.” It’s not a question, but the tone is asked like one.

She turns back, looking at him, expectantly. Rhoam only stares at her, an uncharacteristic moment of uncertainty for him. The words he wants to form seem stuck in his throat, until finally, he lets out a quiet breathe through his nose, before simply saying:

“You must.”

Zelda can only frown, her shoulder’s slumping slightly, as she ducks her head and leaves.

- - - - - -

And that’s that! That’s the complete end of Chapter 3. So tune in next time for Chapter 4, including a new slight but important story changes, Yiga husbands, and shocking turns of events.

Edit: I forgot that posts with link’s dont show up in tag results so a rb is appreciated :p

#Hwaoc: The Kip Cut #fuck this is the biggest one yet #hwaoc #age of calamity #hwaoc rewrite #hw age of calamity #hyrule warriors age of calamity

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idontbelonganywhereanymore · 3 years

Text

Queer Representation; An Essay

Since the LGBTQIA+ community doesn‘t have a lot of representation in the media, we tend to take it into our own hands and find queer subtext in Tv shows and movies, like Supernatural (fml) and Hannibal (fml2.0).

The reason The Gays do this is to find just the tiniest amounts of representation even if what they found that was a tad bit gay, was unintentional.

This leads to ships, some reasonable, some that are stupis, and some that are just straight white girls fetishizing men tearing each other’s asses up.

Anywho, queer ships. That’s what I’m talking about.

There are tons of gay ships, more male ones than female ones (again, fetishizing). people tend to have a lot of concerns on the fact that people are shipping two heterosexual men/women together, but when it comes to people shipping men and women together, there are no boundaries. Welcome to being queer, where straight people can get away with anything as long as they’re straight (yes; i’m generalizing, fuck off).

Representation is a big thing for any community, not just for the lgbtqia+, like, for example, colored people like to see their own color on screen as a main character or someone in the movie/show.

Representation matters a lot because of how it shows that you are not alone and not everyone is like you, so it sends a good message to show how diverse this world really is.

Q&A for things I see often (but then again what I see these things, they aren’t question, so Q&A doesn’t really work, so that was unnecessary and so is this but here we are).

”’Why can’t anyone be close friends anymore?’”

Okay, for years, people of the same sex have always been friends, just look at history, the gay eraser has been used to the max. You have plenty of straight representation, and yet you still want more. When there is a straight ship, I don’t see anyone saying anything like this, so there’s a double standard here. Yes, I get the fact that people get irritated that people try and push the “faggy agenda“ on them but trust me honey, it’s not hurting you, the fact that there is hardly any representation for the queer community is the thing that is hurting people. The thing is that, why do the same-sex always have to be friends, why is it always heterosexual? There is so much potential in some ships that have more build up than straight ones, yet, as long as it‘s not straight, it’s shit and shouldn’t happen because they are just friends. I’ve seen plenty of movies where the two people of the opposite sex were way more better of as friends than they were lovers since it had hardly any build up, that’s what makes gay ships so great, the writers try to avoid it so much, but you can’t destroy it. It’s always there, deadass. Like, look at destiel, look at hannigram, stucky, and fuCKING CHERIK, HOLY SHI-

Harmful Representation

I’ve seen a lot of queer movies (what I mean by a lot, I mean only five because there are only five movies that aren’t oversexualized and fetishized) where the main character always has internalized homophobia, it’s really harmful for those who are still closeted because they think that it’s normal and okay to have internalized homophobia, but it’s not; you’re gay and it’s fine. I get that having some internalized homophobia at the beginning of the movie shows how much the character has grown by the end, but they just add too much self-hate to every queer movie. Another example of harmful representation is queer side characters. The writers of the show claim that they’re coming of age writers but they never give queer characters the spotlight, only giving them the role of the goofy side-character that gives the show comedy. Queer people aren’t your gay best friend, they’re their own person, not just some person to move your plot forward because guess what? the world doesn’t revolve around you, you aren’t the main character. Stereotyping is also a HUGE problem in queer movies, they always make lesbians super butch and they gays really feminine and queer men not like sports. It’s not alright to just make someone so obvious that they’re gay, queer people are just the same as straight people, your sexuality doesn‘t decide your personality.

Why are there so many gay ships compared to lesbian ships?

Butt sex. and fetishization.

Why are there so many toxic ships?

My take on it is that people tend to like enemies to lovers (like stony, which-🤢 hurts my soul to type), but even if it isn’t gay, that trope is toxic altogether so I just stick to those who are friends and actually have romantic subtext. Also, since there aren’t many plausible queer ships, a lot of them are toxic because people tend to get confused when it comes to sexual tension and wanting to tear each other’s throats out. Hannigram is a good mix of both worlds, which actually have sexually tension and ‘I want to kill that guy, but..’. That ship is super-duper toxic but like, we’ll deal with healthy relationships when there are actually decent queer couples.

Feel free to add something else!

#hannigram #political #queer representation #politics #lgbtq #lgbtqia #queer #lgbt rights #destiel #discourse #long post #tw rant #wlw #gay #lgbtq community

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otterplusharchive · 3 years

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rey! do you have any recs for kdramas? i have never watched any, but i like lovable characters and romance ? thank you in advance!

I DO IN FACT HAVE DRAMA RECS HII not all of these will be kdramas, but ill start with the kdramas ive watched and enjoyed and ill include all the warnings for them that i can remember off the top of my head and a brief synopsis for u!

kdramas-

1. weight lifting fairy kim bok joo

this was probably one of the first kdramas i saw people post about in like 2015 and i watched a little bit of it in 2016 but then only just got around to finishing it last year. the basic gist of it is its about a young sports college weight lifter, kim bok joo, centering around her navigating through her life and trying to figure out who she is and what she wants in life and what she wants to be. her romantic interest in the show is a swimmer and they have a sort of rivals to friends to lovers, he is SO in love with her and its adorable. i absolutely loved the side characters in this show theyre all so fun and kim bok joos best friends and weight lifting team are especially delightful. my main warning would be that this show addresses eating disorders and theres a lot of mention of both weight gain and weight loss, theres also a plot point early on where kim bok joo has a crush on her eventual love interests older brother but it gets resolved and the older brother literally goes "i didnt realize you had a crush on me and if i knew that i wouldnt have been so friendly with you, it would be completely innapropriate for us to be in a relationship". overall its a really sweet and emotional fun show but if you have issues with weight talk id skip this one

2. tale of the nine tailed

this one is really recent from last year and i didnt expect to be so hooked by it but boy howdy did i get attached to all the characters and the wild plot. it feels hard to explain the plot but basically a nine tailed fox named lee yeon is living in modern day seoul and is working for the underworld finding paranormal spirits/creatures/other rogue foxes that are causing havoc on the world, hes resigned himself to living this life while waiting for his girlfriend who died tragically 600 years ago to come back to life because he traded his status as a mountain god in order to ensure that her soul would one day be reincarnated. a plucky investigative journalist named nam ji ah figures out that hes not human and shenanagins ensue because she looks exactly like his dead girlfriend oooooo whatll happen. the plot beyond that gets really wild and its hard to explain and is easier to just watch. if u enjoy paranormal adventures this one is good. my one big complaint and issue with this is that the immortal mountain spirit meets his original girlfriend when shes a child and she continues to visit him off and on as she grows up which is Hm I Dont Like That! but thankfully the present time romance our female lead meets him when shes about 30 if im remembering right. also warnings for general fantasy violence, references to child abuse, animal death, and abandonment issues

3. extraordinary you

HUGE unreality warning for this. if you have issues with feeling unreal or have paranoia/delusions about not being a real person id avoid this one just because of its premise

ok i know i said tale of the nine tailed was a hard plot to explain but BOY extraordinary you is even HARDER to explain. because its so wild but so good. its about a girl who realizes that she is literally a side character in a comic book, and the story becomes her trying to change the story to save her character from dying but it becomes a lot more than that. the romance in this is literally tooth achingly sweet and the show itself is very pretty, i loved the side characters in this one and the show was engaging and interesting to watch it became really layered and meta. super reccomend this one honestly. my main issues/warnings that i can remember off the top of my head were just one character being the classic controlling boyfriend stereotype, bullying someone specifically for being poor, unreality like i mentioned before, and then at the very end there was this love interest for a side character who got reincarnated from a past piece of writing that they had been in and put in the comic but she was a student and he was the school cook which is weird but thankfully they like barely interact at all and theres no real romance he just like recognizes her and its barely a thing at the end of the show but its still weird

4. mystic pop up bar

big warning for suicide, sexual harrasment (which is framed as being bad and the guy whos harrassing the girl literally gets thrown off a roof)

i havent finished this one yet and thats mainly because im not emotionally ready because this one makes me soooo emotional. if you like found family this is a good one. its about a pop up bar run by a woman whos been tasked with solving the problems of a certain amount of people in order to atone for her crimes in the past before dying, shes able to enter the dreams of people and solve their issues using the information she gets in the dreams. paranormal shenanagins ensue, she acquires a son and a husband and it kills me its so fun and quirky and fun despite handling dark themes and peoples problems. also very sweet the found family murders me

5. kingdom (netflix original)

i literally am not going to be able to watch any other zombie media because kingdom and train to busan are the best pieces of zombie media ive ever seen. warnings for gore and violence and just general horror aspects.

i absolutely love this one its so thrilling and well done, i love the acting and the way that this show looks its absolutely gorgeous. a zombie plague breaks out in joseon period korea where the emperor has died and then was brought back to life by the queen and her father in a ploy to try and keep their family in political power, the crown prince must find answers. a lot more happens and its very dramatic and good i love the characters in this one

cdramas

1. the untamed. if you follow me and you havent watched the untamed im begging you to watch the untamed. literally one of the most beautiful stories ive experienced in my life i am not joking when i say i cried multiple times over it. the main characters are canonically gay in love and have a son together please watch the untamed. handles a lot of dark themes, heres a tw guide

2. the sleuth of the ming dynasty

this is another one i havent finished but its fun so far, very gay, found family, food, and solving murder mysteries during the ming dynasty

3. hikaru no go (also known as qi hun)

havent finished this one, there is some propaganda about hong kong in the first episode but as far as i know thats the only instance of something like that in the show

this ones about the game go and so far its very sweet and fun, local boy awakens a ghost who was a master of the game of go hundreds of years ago and eventually is persuaded to learn how to play go with the aid of the ghost. im really liking this one so far its very cute and i love the characters in it. if youve watched the untamed nie huaisangs actor ji li is in this one!

4. the legend of yunqian

this ones very short and on youtube, all the episodes are about 5 minutes long and its a lesbian time travel fantasy adventure with a happy ending! funny and cute

jdramas

1. cherry magic

please please please watch cherry magic. the premise sounds very much like a weird yaoi kind of thing but trust me on this. trust me. it is so heart warming and sweet and i was so emotional about it and the growth of the main character.

adachi gains the power to read peoples minds on his 30th birthday based off a urban legend that if youre a 30 year old virgin that youll become a wizard. after gaining this power he accidentally finds out that his extremely popular and handsome coworker has a crush on him, and shenanagins ensue along with adachi having blossoming feelings in return. this show was really refreshing in a lot of ways, adachi is a main character who like.. is unsure of himself and insecure in a very kind of realistic way, he closes himself off and is afraid to reach out to people and through the course of the show we see him slowly come out of his shell and realize that hes likeable and lovable and that people want to be around him and its so nice to see. my main complaint about this show is that i dont really like the background couple, but otherwise this is a very sweet and refreshing gay romance that has a happy ending!

some others that i myself havent seen but that ive seen people talk about a lot and that i want to watch eventually:

- the legend of fei (cdrama)

- the wolf (cdrama)

- gaurdian (cdrama, not the kdrama one called goblin)

- healer (kdrama, i did watch some of this one but it was in 2016 and i never finished it so i barely remember any of it but i do remember liking it)

- nobody knows (kdrama)

- its ok to not be ok (kdrama)

sorry this is so long but i hope youll be able to find a drama u enjoy!!

#long post

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gothmedia · 3 years

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Movie Review: My Summer as a Goth

”If you don’t care what people think, why did you just ask me what I thought?” Overview and Plot My Summer as a Goth is a crowd funded movie directed by Tara Johnson-Medinger. It stars Joey, a morose teen who constantly talks about her dead dad and gets angry when other people talk about her dead dad. Since her mother is a prolific author set to do a book tour, Joey is shipped about 45 minutes out of town to her grandparents' house for the summer. There she becomes interested in the neighbor boy, an even more sullen teen called Victor. Victor notices Joey's interest and whisks her away into the world of goth summer romance. In terms of production, very nice looking film. Professional. I liked that the beginning of the movie looked very washed-out and reflected the mood well, getting warmer as the summer went on. I also loved the texting graphics. The movie was well-paced and a good length, however the passage of time in the movie was a bit odd. VERY soon after the movie says summer starts it’s the Fourth of July, then again only a short time later everyone’s talking about how the summer is almost over. Joey even gets mad at her mother in one instance for not being available in time, but it seems like the mother responded back in about a day while Joey makes it out that it took weeks. The in-movie passage of time was very confusing for me. Most of the characters were well-written with some hiccups mostly on the grandparent’s and Antonio’s end. Costume design was on-point. Sound was fine and the music choices throughout were wonderful. Overall, the film had really good production value.

Moving into spoiler territory, Joey’s grandparents are a ride as they swing from giving Joey hundreds of dollars and baking her pot brownies to telling at her she can’t stay out late and that she needs an exorcism. Antonio, a punk, starts the movie off by getting into a fist fight with Victor, but later becomes a loveable member of the cast. We meet Cob and Pen, the “goth swan couple”. They’re Victor’s friends and a breath of fresh air; despite having morose interests they’re very bubbly and outgoing. I wish more of the movie had them in it. They along with Victor decide to give Joey a makeover and invite her to a few different events over the summer including a silent disco in a graveyard, a party at Pandora’s house, and a concert. They also go on a camping trip with Joey, her grandparents, and one of Joey’s high school friends. Eventually, Joey gets annoyed with Victor’s constant toxic attitude and finds out he’s cheating on her. Everything’s fine in the end as the summer comes to a close and she goes back to school with Antonio as her new boyfriend and her new, darker look.

Joey the babybat has daddy issues. In the beginning Joey feels acts catty and defensive about everything. Don’t worry, she never really grows out of that. Pretty much everything about her revolves around either the fact that her father is dead or her relationship with Victor. She does have an art hobby that’s shown throughout the movie but she seems almost embarrassed by it? It’s never actually brought up by any characters and no one ever looks through her sketchbook or shows interest in it. Which I found really odd because a lot of the goths I know in real life tend to be pretty creative and would love it? Anyway, she falls head-first into goth because of a boy. I know that’s how some people get into the subculture, but it kind-of sours the movie because it seems like she also only stays in the subculture because of the boy. In the beginning she mentions liking the music and how it helps her express how she feels inside, but other than Victor, we really don’t get to see how she thinks about the subculture. She’s friends with Cob and Pen because they’re Victor’s friends. She goes to events because Victor goes. She dresses up because Victor wants her to. But once Victor is out of the picture, why does she stay? Other than the passing mention of music at the beginning, she really has no interest in the goth scene. She’s never shown engaging with the scene on her own terms, and I find that a little disappointing. When I was a babybat I was reading goth blogs like Stripy Tights and Dark Delights, I was trying to get my hands on back issues of Gothic Beauty, I was watching a ton of different youtubers talk about the scene and I just wanted more. There’s none of that with Joey save for a short scene where she watches tutorials on how to do her hair and make-up. (Which, admittedly was really cute.) I didn’t understand WHY Joey stays a goth at the end of the movie and I think it’s because the movie really didn’t portray the positive aspects of the subculture as much. Also, Joey needs to work on her attitude problem. She mentions her dead dad quite a bit at the beginning and gets upset when other people mention it back to her. At the end of the film she calls her mom over heartbreak and when her mom tries to talk about it with her, she acts sarcastic and shuts her mother out, getting mad that she reached out at the wrong time. I’m unsure if it was just Joey going back to her old coping strategies or if she was in the right because I have no idea how much time had passed since the phone call. I’ll never know. Either way, she does dump Victor which is nice and she reconciles with her mother as well. I do like that she feels more comfortable with herself at the end of the movie and begins doing things on her own terms, even if others don’t “get it”. Victor is a VERY well-written, manipulative dick. Storytime! So, there weren’t many goths at my college and we never really had any classes together, but I remember seeing this one kid walking across the street to the art buildings with a flowing black velvet cape over their backpack, an unlaced black poet shirt, platinum white hair in a side-hawk, knee-high black leather boots and a TON of silver jewelry. Honestly, they would have looked so cool if their harem pants weren’t made of chiffon and completely see-through. (Batman boxers!) Seeing Victor for the first time immediately reminded me of that. Over the top, charming, charismatic and a bit silly. I liked him at first. His wit is dry and in the beginning he didn’t take himself of the subculture TOO seriously, making jokes about vampires. I liked that he seemed to be having fun chatting about music and dressing up Joey. And then there came the lipstick. Honestly, the lipstick was used absolutely perfectly to show how the relationship is souring and how manipulative Victor really is. It really is a gradual showing of how things are going south in their relationship and how Victor isn’t as much as a downcast victim as he puts on. Later on in the movie he starts reminding me of that Bruiser sketch where there’s two goths and one of them is just badgering the other one that he can’t take his sweater off in the summer or join in on seasports because it’s “not goth”. He begins chastising Joey for not looking perfect at all times or not knowing things about the subculture despite the fact that he just dresses her up and brings her to parties instead of actually trying to integrate her to the local scene or teaching her about music or history. Eventually he goes back to hooking up with Pandora, something he apparently does frequently because Joey is not the first person he’s cheated on and literally everyone in town warns Joey about it. Victor clearly has a massively inflated ego and you love to hate him in the end. There are definitely his type in goth scenes around the world and I can see how he stays in good graces with the other asshole friends he has. Some people just really like being elitists. The one thing I can’t figure out, though, is why Pen and Cob are friends with him. They’re so nice compared. A punk by jacket only and why casual homophobia makes me salty. Antonio is... hoo boy, is he a thing. First introduced starting a fight with Victor you think, "Ah, this is the antagonist of the movie. I wonder why they made the punk an asshole? Usually punks are okay with goths." Luckily for us, he apologizes for the outburst and becomes a friend of the main cast. We learn he likes canasta and plays guitar. Oddly, he doesn't seem to have any punk patches or pins on his jacket and never actually mentions punk music. He does, however, mention goth music and he seems familiar with the other goths in town going to their events, so it seems he's on good standing with them despite bullying the goths at the beginning of the film. Seeing as goths would rather pretend to be haughty vampires than get their tail coats in a twist, Antonio makes for a heroic figure in the movie when Joey is in trouble. In my notes I wrote, "Ten bucks says punk kid is gonna save her,” and lo and behold, Antonio comes out of nowhere to save Joey from some bullies. I do like that he uses his rough appearance to his advantage to help people and do the right thing. That pretty accurately describes every punk I’ve ever met. They look tough as nails, but you’ll only see that side of them if you absolutely deserve to.

It's also revealed that Antonio is not straight as he's seen making out with some guy at a concert, mentions having had a previous relationship with Victor, and is being made fun of for being gay in the end. He also ends the film by being Joey's boyfriend. Pardon, what? I'm kind-of tired of this heteronormative nonsense where movies have to end with all main characters (Sans the villain, of course.) end up in a happy straight relationship. Joey's non-goth friend who's in the movie for a very short amount of time also ends up with a goth boyfriend because happily-ever-after and all that. It probably wouldn't have sat as poorly with me if they didn't make fun of Antonio for "looking gay" which in context makes no sense since he's pretty gender conforming compared to the goth men in the film. It also didn’t help that there were comments about lesbians at the beginning of the movie. At one point Joey's grandparents suggest she might like girls and Joey rebukes it with vitriol saying her grandparents are "too cool". The same kind of vitriol you hear when a straight person tells you they could never imagine being gay, that's disgusting. Oh, but they support your "choices", hm? I just wish Antonio’s character was a bit more fleshed out and he didn’t end up being back-up male love interest that’s only there to save female lead from bad guys and heartbreak. First rule of Goth Music is you don’t talk about Goth Music? The movie introduces goth along with music. The music in the film is honestly really good and a good portrayal of what goths actually listen to. Joey mentions she likes the music near the beginning and she goes to events such as a silent disco, a party, and a concert. Despite music obviously being a major source of community in the movie, no one actually talks about it other than that one instance of Joey mentioning she likes it. No one suggests bands to her or actually goes to the parties or concerts to do anything other than make out. The silent disco is the only real instance of them listening and dancing to the music and it feels like it's over in a flash. Though, the corny goth dance moves in that scene kind-of make up for it. At one point Antonio pulls out a guitar and asks if Joey wants him to play “Bela Lugosi’s Dead”. She mentions she’s never heard of it which leads Antonio to ask if she’s new to the scene. At another point in the party, Joey asks someone if they like Marylin Manson. While this is an obvious faux pas to anyone actually in the goth scene, no one actually engages with her in conversation about it. How was Joey supposed to know his music isn’t goth? Wasn’t she listening to goth music earlier at the silent disco? Or the music she said sounded pretty from Victor’s room when they met? How did she get this far liking these bands but not noticing that they sound nothing like Marylin Manson and did she never look them up on her own to listen to them later? She obviously likes them, so it really surprises me that she only got in the goth scene for a guy.

Robert Smith NEVER has smeared lipstick. /s The emphasis on appearance is a little annoying throughout the movie, but I guess it had to be. It fits Victor's personality to change Joey's personal style to match his, and the makeover scene was fun, but I wish there would have been more diversity in the cast of townie goths who attend the parties, concerts, and discos. I counted one person with blonde hair and a small handful of older goths. I didn't notice any non-white goths and unfortunately the movie placed quite the emphasis on pale skin and trying to avoid tanning. I know people like the white face along with dark make-up and looking vamp-ish, but when all your characters are in white greasepaint and there's no PoC to be seen in goth garb it sends a message that only white people can be goth and that's really something we need to kill in the subculture. I did, however, like the wardrobe choices. I liked that Joey got her wardrobe from a thrift store and that she dyed a top she already owned. She looked up tutorials on how to do her hair and make-up and it never looked perfect. That's a good thing. Baby Bats won't know how to do a bats nest hairstyle, they won't know to blend foundation to the neck, and they won't have a perfect eyeliner wing. No one mentioned alt-brand name clothing and no one had a perfectly couture outfit that media likes to sell as a stereotypical goth teenager. The goths actually looked like goths. Their wardrobes were things you'd actually see in a club and we get to see that they wear a plain black tank top and shorts when milling about the house, only breaking out the corsets and top hats for big events. The older goths were more well put together and that makes sense because they've been in the subculture longer and have had time to figure out what they like and what looks good on them. The costuming department did a really great job with this. Ah, but as a side note about wardrobe, who donates brand new, tall Docs to a thrift store??? You can’t sit with us. And sadly, the worst part of Goth in the movie- community. What was that, film? Other than the three main goths, we only get to see other goths at large events and they all seem a bit catty? You have the silent disco, which was cute but no one really spoke to or interacted with each other. Pen and Cob are kind-of doing their own thing throughout no matter who they’re with. We also have the house party and the concert. The other goths there are.... pretty much just there to be judgy because Joey’s new? The first time I went to a club in a new city and didn’t know anyone some random person grabbed my hands and dragged me to the dancefloor. It was fun! People would ask the DJ what he was spinning and they weren’t shamed for not knowing. If someone’s jacket ripped, five people would come out of the woodwork with a safety pin and afterwards we’d all pile into Denny’s and laugh and joke and talk about nothing. I’m not saying there’s no “Gothier-than-Thou” types, believe me I’ve met more than a few, but in a movie that’s trying to portray someone WANTING to become a goth, why not portray the subculture as more inviting? Also, with the comments from Victor and a few other remarks, it seems like alcohol is needed to blend into the goth scene, and that definitely isn’t the case. Sure, a lot of us love absinth or a snakebite in black, but it’s not needed to fit in with the cool kids at the club. The community really is my favorite thing about this subculture and I feel it was a disservice that most goths were showcased as uninviting. I can understand Joey not being wanted at the party initially as she wasn’t invited in the first place and perhaps the eldergoths in the room didn’t want to have to have an impromptu etiquette and history lesson with a babybat when they’re supposed to be relaxing, but the point of the movie was to showcase why Joey wants to be a goth. She never makes friends outside of Victor’s immediate group and never tries to find community or information about the scene online or anything. I guess that is how babybats do act a lot of the time, but again, at the risk of sounding like a broken record, the point of the movie is showing why someone would WANT to be a goth. Final Thoughts. The goth scene in the movie looked like a regular goth scene. I liked the emphasis on thrifting and DIY and that newcomers don’t come out of the womb knowing the lyrics to the entirety of Floodland. The music was phenomenal. I liked that the music featured was goth music, but not the main five bands that everyone already knows. I liked that the events attended were focused mainly around music. I liked seeing actual goth dance moves on screen. I liked that people in the movie did use terminology found in the subculture and made jokes about the subculture that insiders would actually make. I liked that Pen and Cob were wonderfully peppy despite their dark interests, I liked that we got punk-goth solidarity. I liked that it did remind me a bit of my babybat years and got me missing clubs and events. I miss all my friends... I really do...

I was put off by the passage of time in the movie, Joey’s cattiness with anyone who tries to help her, the light and casual homophobia sprinkled in, and the negative-leaning portrayal of the goth community. Other than that, though, I did think it was a good movie with a satisfying ending and I would really suggest people check it out. It’s probably the most accurate portrayal of goths in any media, really, and it’s worth a watch. At the very least, go listen to the soundtrack on BandCamp.

#gothgoth #goth #my summer as a goth #movie review #long post

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nessabear05 · 3 years

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A Day To Remember, a Nea x Yui Oneshot

#2k21BVryKnd

#SilverRescueTeam

#SRT

This is a commission collab I did with my friend Fizzie! Basically, we came up with the idea that we give each other characters and a third or first-person POV to go off of, and we write a story just based on those. She posted hers a day or so ago, so go check it out and give it some love!

Fizzie’s Story: http://aminoapps.com/p/u8pxte

Keep in mind…she doesn’t know the plot ;) But I decided with the number of characters she gave me, I would do an AU where they just have a girl’s day! She gave me Nea, Yui, Laurie, Claudette, and Meg to work with! Hope you enjoy girl!

Also uh....had to add a little side ship of your OTP since I know how much you like Quendette :)

Word Count: 1,929

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The weather was perfect today. The sun was shining, no clouds to be seen...it was just a great day to get out and do something. And that’s exactly what this group of friends was doing. But they weren’t going out just as a last-minute thing, this was all planned out months in advance. And it was going to happen no matter the conditions.

Why so dead set on going out? Well, today was an extremely special day for two girls, in particular, those girls being Nea and Yui. The two had been dating for...well what seemed like forever. But they had been dating for around four years maybe? Ever since the beginning of college. And well...within the next couple of days, they were going to get married. And who else would be a part of their wedding if not their group of friends they had been with basically since they were children?

Now, things weren’t always great for this group of girls, but honestly, it always worked out in the end. And today would hopefully be no different. The five of them were just supposed to go out and get their nails done, then go to lunch afterward. And it was all supposed to go according to plan, but you know, nothing could ever go perfect, especially not with this group.

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It had all started this morning, and can you guess who the first one to screw up was? If you guessed Nea, you would be correct. The girl had forgotten to set her alarm the previous night, and Yui had gone to spend the night with some of her old friends from Japan that had flown down to America for the wedding of their friend. They had stayed at the hotel, but they weren’t coming with them to get their nails done today. Since it was just going to be the two bridal parties together.

And as anyone could have guessed, Yui was not that happy to find out that Nea had forgotten an alarm on a pretty special day. But, Nea had apologized profusely as she ran around the house quickly getting changed into sweatpants and a t-shirt, all while their three friends Laurie, Meg, and Claudette giggled at the couple’s antics. The lack of Nea being prepared did not make them late though, so that was a little bit of a bonus to the shitty beginning of the day.

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When they arrived at the nail salon, everyone was no doubt, excited. Nea was talking with Meg and Claudette as they walked in, trying to decide on a matching color. Since the two were her bridesmaids, she wanted to make sure she picked out something they all liked. In the end, they had decided on a pretty light pink color. Since Nea’s dress was white, sticking with the traditional way of things. Well, as traditional as you could get with a lesbian wedding that is. The pink would match really well with the bright white gown.

Yui on the other hand was supposed to wear a white kimono, sticking with her traditional Japanese ways. She had a pink and white floral uchikake for the reception afterward, something her grandmother had worn at her own wedding, a garment Yui absolutely adored ever since she was a child. Now….she would get to marry the love of her life in it.

Laurie was her bridesmaid, being closer to the older woman than Nea’s two other friends. And they had both decided on a beige color for their nails, thinking it would look good with the white and the pink. Which, funny enough, were the colors for the decorations the two women had decided to be their main decor of the ceremony.

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As they walked inside the salon, there weren’t a lot of people there, maybe like….two others? Since it was still pretty early, but since they were getting both nails and feet done, they didn’t want to be there super late in the day when more people would start popping up. Common decency at its finest.

They were lead to sit down by a worker after picking out a polish from the walls, deciding to get acrylics for their hands with gel polish instead of normal polish, so it would stick on longer. And...quite a few of them had short nails, mostly because of their jobs. Yui was a mechanic since she always loved bikes and cars, things like that. Nea was a painter, but not a normal one. She got paid to do graffiti art on bridges and such, something to make the town more lively.

Meg was a semi-professional athlete. She wasn’t too well known, but she made a pretty good amount of money. Laurie was a childcare worker, working at a school and her nails broke easily around young children, she had come to learn that the hard way. And Claudette was a doctor, and she didn’t want to accidentally be poking people with her nails all too often through the gloves she wore. So needless to say, they didn’t get to have nice long nails like some girls a lot of the time and wanted to make sure they stayed on for the amount of time they could have them.

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They were sat down in the chairs to get their toes done first, one of the workers bringing over five glasses of champagne for them, one for each girl. And since they were all over twenty-one, they accepted it gratefully. Claudette wasn’t much of a drinker, but she would make an exception for this. It was a pretty special day after all, and she had taken off work for the next two days for the wedding.

Honestly, most of them had forgotten what it was like to just...be pampered like they were. It was honestly something they weren’t able to do often, being adults and such now with jobs to worry about. So it was relaxing while they just chatted, laughed, drank, and got their nails done. They did have a little incident where Meg almost kicked the nail stylist because the red-head was very much ticklish, but it didn’t seem to phase the person working on her. Only waving it off with a chuckle and saying it happens all the time.

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They were there probably around….three and a half hours? Mostly because despite the early time of day, a lot of people seemed to come in quickly, and the girls had to wait to get their hands done. But, nonetheless, it was worth the wait, and the five females were very happy with how everything turned out.

Though they didn’t condone drinking and driving, Claudette didn’t really like the champagne, and only ended up drinking two or so sips before she couldn’t do it anymore, finding the taste too strong without a chaser. And Nea was more than willing to finish it off for the smaller girl.

This also meant Claudette was now their driver for going off to lunch. So, they all piled into Laurie’s car, Laurie in the front with Claudette while the other three sat in the back, Nea and Yui sitting beside each other holding hands while Meg stared out the window, asking where they were going for the thousandth time since they left the salon. And the answer was the same each time. It was some little small-town restaurant that Claudette’s boyfriend, Quentin, owned. So not only would they get a discount, but he made pretty awesome food.

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It didn’t take long to get there, the place only slightly packed for the rush hour of lunchtime. And they quickly got out of the car, heading inside while chatting, obviously having to tease Claudette about coming to the place her boyfriend worked at.

As they walked inside, they spotted the curly-haired brunette behind the diner immediately. He had on his usual bright smile, his smile only growing bigger when he saw the five walk in, but it was definitely aimed towards Claudette.

“Hey, guys! Welcome in and have a seat wherever you want. I trust you guys to not take any unneeded space,” he said, more concentrated on the plates of food he was currently trying to carry. Quentin had changed a lot since high school. He wasn’t as shy as he used to be, and he had grown a lot taller almost six feet, and his hair had grown out a little longer. Needless to say, Claudette made a really good choice when she decided to start dating the nerdy kid.

The five took a seat at a booth, Meg, Laurie, and Claudette on one side with Nea and Yui on the other sitting beside each other. They chatted as they waited patiently for Quentin to come over to take their order, the boy handing off the plates of food to his co-worker, and ex-girlfriend Nancy. They had ended off on good terms, Quentin finding out he was into Claudette. And Nancy was totally fine with that, considering she and Quentin had been friends since childhood.

When he did come over, he let his customer service facade drop, his smile still there but seeming just a little less fake. He leaned down to press a quick kiss against Claudette’s cheek, causing the girl to giggle quietly and her friends to coo at her, “Alright….I’m guessing you all want the usual? Tea for you babe, water for Laurie, Sprite for Meg, iced tea for Yui, and a coke for Nea?” he asked, earning nods and smiles from the five girls. He wrote it down and walked off quickly, not before giving a quick congratulations to Yui and Nea. He hadn’t had much time to see them running his diner. One that his friend Steve had said he should open and most of his friends had pressured him into it. It was one of the best decisions of his life if he was entirely honest.

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They sat and chatted for an hour or so, eating the food that was paid for by Quentin, despite the objections of everyone at the table. But, the brunette was kind that way...even if he was a little more than annoyed when he saw the tip left for him by the five women. Since the day was over, Claudette was going to drive everyone home with Laurie’s car, and Quen would pick her up when he was done with work in a couple more hours.

Nea and Yui were the first to be dropped off since their house was the closest, the engaged couple giving hugs and promises of seeing them tomorrow bright and early to go to where their wedding ceremony was supposed to be held. And after the goodbye’s, waved as they watched their three friends drive off down the road.

Nea turned to her smaller fiance, a small smile on her face as she slipped her arms around the woman’s waist, pulling her closer and pressing a kiss against her forehead, “I ever tell you how much I love you?” she asked with a small tilt of her head, and Yui could only giggle at Nea’s antics.

“You say it all the time darling....but I guess there’s nothing wrong with hearing it again..” she told her as she leaned up, arms wrapping around her shoulders to kiss her properly, lips pressed firmly against Nea’s. If this is what she was getting for the rest of her life, well, then she got pretty damn lucky.

#nea karlsson #dbd ships #dbd #nea dbd #yui kimura #engaged #girls day #claudette morel #laurie strode #meg thomas #dead by daylight #writing #fanficton #oneshot

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ghoulishhusband · 3 years

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I just realized I can actually talk here. Like this is my account fuck u

Fucking uhhhhhh, hi ig lemme ramble abt my God ocs yea?

Ignore this part if you don't wanna hear (likely) unedited rambles lol it doesn't matter

CW: neglect/abuse, assholery/narcissism, manipulation, tread lightly!

read the under cut owo

Also don't steal my art I'll fucking?? Fight you????

I have three main gods that I wanna talk abt especially bc they've been on my mind lately.. Less get it, side notes are in (parentheses) and are bolded cause I have perception issues whoo I don't want it to jumble together is my point lol

First up is my asshole,

Giodine

they/them (preferred)

god/godself (i like pronouns that fit my characters, so I'm giving a bunch away for one night only at--)

ID : Giodine is colored with gold-ish yellow skin and ginger hair. Their eyes are a muted purple and they have tiny eyebrows. Their lips are a muted brown and are full looking, their nose is sharp and points down. They have wings for ears and is wearing a blazer with a long-sleeved, collared shirt underneath it. The background is beige with a yellow square and a dark purple square partially encompassing it. It is signed GH (for ghoulish husband), Spork, 21.

(lemme know if that helps at all! I'm sure I can do better so lemme know!)

If they look weird here it's bc I accidentally made their face too long but believe it or not this is in fact just a doodle Ik I'm so fuckin talented babes.

Anyways, they're basically the first God to ever exist on my version of earth (though even that is fickle rn, world-building is hard unless I hyper-focus on it, and haha Guess What I Haven't Been Thinking About) and they're very egotistical and selfish. As I'll probably yap about later is how they're manipulative as well, especially to another God I'll mention, and very neglectful to the other... other one.

Their partner(professionally), or fiend as they call him, is sam who for the first few eons was, unsurprisingly, absolutely terrible to him. A few tender moments are few and far in between in what could only be described as a completely rancid relationship. I'll describe giodine's side and in sam's lil ramble, I'll describe his :]

I have to explain this because it's a big part of the lore and how they can't work together, even when one of them is very much near The Void (technical death for gods) BUT basically, with Sam, giodine created purgatory. The issue here is that they basically seduced sam into doing it. Well, even if they hadn't, sam was in lesbians(happy pride month lmao) with giodine and would've done it anyway. But the ISSUE is that with the creation of purgatory came complications. See, my gods have to take time to develop into their power, and considering giodine was first and sam was around 666th.. you see the issue. Sam wasn't into his complete power yet and thus lost a giant part of it that went into purg.

See, giodine saw no problem with this (until much later, they do get a VERY SLOW BURN redemption arc cause this ain't even the worst of it), they got what they were aching for out of them and thusly had no need for..sam. They laid him in the spot where she was made (fwi it isn't inherently sexual, it can be, but literally, they just merged together-- taking bits and pieces of each other (which sam did not have enough of) and earth and light yadda, yadda I'll post the story I wrote for that later if I'm up to it) and left him there in the grass.

Again, they saw no problem with that, the deed was done, they didn't care anymore. A common issue in their qualms, sam and Giodine. They did find an issue in Sam finding an issue in the lack of aftercare, which resorted to any message going to or coming from sam going straight to his assistant and going back through them for a couple of thousand years. They found that infuriating-- how could he not face them over something so small! and for years?! it was ridiculous. After forcing a face-to-face meeting, a heated proclaim of hurt from sam, and a bitter agreement to meet up every now and again, they got what they wanted from him. Again. It was a business after all, there was no point in making it harder than it needed to be.

Giodine doesn't necessarily like boundaries and tends to overstep sam's frequently. They also don't like his reaction to his boundaries being long jumped over, which thusly ends up in disgruntled messages being sent back and forth between them and his assistant for a month or three. It slowly gets through to them, but they tend to say some stupid shit and if they want sam to stay, they have to try and avoid mentioning how "overly sensitive" he is to something that happened eons ago.

(quick mention, there isn't like. time. here. so in all honesty, giodine probably counted earth days instead of Heaven 'days' to get that) Soon into their arrangements to meet, they seem to get on at least tolerable terms, obviously, a few meetings where neither of them feels like going apeshit and taking proper shapeless (or in sams case, he's got a newfound form for ANGER OO just for giodine 🤗) forms isn't going to fix a grudge that has yet to be apologized for by the way. But it's a start to a very long process down the road. Tolerance.

Giodine as an entity is very fickle and rude and demanding. They tend to have a short temper that no one else is allowed to have or comment on-- They were the first therefore they were the most important!

This is very obviously an issue. But it's mostly directed to purgatory. Almost all of their seething rage is pointed towards the poor entity, she's barely been alive yet and they already seem to hate her for things she doesn't know how to do. Honestly, I don't think Purg will ever fully forgive them for the unnecessary abuse of her character, but just as Sam and Giodine get on better terms, they had barely just begun fixing the hole in their relationship. As of now, Sam/Giodine don't have any minor plot points with purgatory other than the major one so I don't have a lot to say about their relationship right now. Maybe one day.

I'd go into details, seriously, but I just wanna ramble about their relationships with each other and their impact on each other's existence. Hope you don't mind a few secrets 😉

But, now, it's time for a new God, one I think most people take a liking to...

Sam (Samuel)

He/him

ID: Sam is surrounded by clouds in the light blue, fading to a darker blue sky and the yellow sun. His horns are a darker beige, which is being highlighted by the sun shining down on him, he also has pointed ears. His skin is red which is very prominent in the sun. His eyes are completely yellow, his hair, beard and mustache are also black. He has an orange scar crawling up to his Adams apple. His wings are a darker grey which is also being highlighted by the sun. His nails are painted black and his hand is holding up the black fabric barely covering his shoulders. Around the painting is a gold and red shaded frame with swirls complimenting each side and a crystal at the bottom of it. It is lightly signed GH, for ghoulish husband.

Sam, Sam, Samuel.

If you don't realize right away, Sam is basically Satan, he's the ruler of hell

Like how giodine was the first to appear on earth, as mentioned before sam was 666th for funnie reasons. Sam was made from bugs, dried blood, and sunlight which sounds pretty gross, but he's far from it. He's a silly, yet neat, guy. He wears Hawaiian shirts and khakis (not around giodine lmao) for cryin' out loud! how bad of a person can he be? Apparently to giodine (for a while obviously) he was the most retched entity to exist. This very much hurt him considering the amount of fake care they showed him before. With a mixture of confusing feelings (which wasn't supposed to be a thing but Univerce went "lmao you'll be fine" and left... short explanation, Univerce is the Universe and is the entity who simply builds these planets and gods that'll appear there and leave them to their own devices, xyr not extremely important in this story. Nor would they care.) and feeling used, he decided that no he wasn't going to take that.

If there is one thing Sam knows how to do is to self preserve himself, even if that means getting passive-aggressive notes sent to him every once in a while. While this period, Sam was surprisingly the least productive (unfortunately giodine knew this and eventually mentioned it in one of their meetings which made him hide away cause like hell giodine was going to be critical of /him/) but he managed. It wasn't terrible, but unfortunately, Sam being able to talk it out with someone who does practically the same work as he does and gets newer, more helpful ideas was better in the long run.

Unsurprisingly, Sam was the first to initiate the healing of his and giodine's relationship but it wasn't reciprocated. Who would've figured, aye? Giodine kept pushing it back onto him and ignoring any progress that could've been made before. Which was frustrating.

The painting above was 'painted' by giodine, which is sorta where their relationship gets somewhat on an understanding of each other. Giodine gets to take a deep long look into who Sam is and tries to express it but it never fit him, it makes them realize that they never really-- truly got to know him. And all it does for Sam is make him even more confused about his place in giodine’s mind. He figured it's another fluke to get him to do something, so he ends up distancing himself when they start actually reciprocating his friendship advancements.

Suddenly, like a flash, Sam was forced to stay with giodine which is where the majority. I'll explain.

Sam...isn't actually the ruler of hell. Anymore, anyways depending on the timeline. His and purgatory's relationship has always been complicated, she always avoided him, and when they talked she always seemed scared of him. So in the end, they've never been close. Distant. Sam always wanted to talk to her, he made her, but if she didn't want to talk to him he wouldn't force it. But imagine his surprise as Purg singlehandedly took over hell in a hazed frenzy.

And not only that, had a personal vendetta against him!

Well, that would be the only explanation to Sam considering how he ended up broken and barely 'alive' at the hands of her. Horns broken and in tatters, pain and almost obliterated it felt like a hate crime. He didn't know what to do when he made it to the office, Purgatory was creating chaos outside his door and barely being able to breathe he felt like it was the end. So he called giodine.

Purgatory

She/her

ID: Purgatory is surrounded by flowers that are dark grey and white. The light fades down into a dark green. The light shines down on top of her straight, white hair that has yellow flowers tucked into it. Her skin is a dark brown and has a orange-ish yellow scar on her shoulder trailing up to her neck. Her skin is also highlighted by the sun. In one of her eyes, her sclera is black with an orangey, glowing iris. As for the other eye it it has a white sclera and the same, glowing orange iris. She has wings for ears, one dark grey and one white along with beige horns. She has a white fabric covering her chest. The frame is gold with white accents, but also has vines and moss crawling up the side.

(may have goofed a bit and forgot to color the sclera of her other eye white but ignore that pls)

Purgatory was made by Sam and Giodine, but to her it felt like a mistake. Why make someone that you’re going to be terrible to, she believed. Giodine seemed to hate her and eventually made her section almost obsolete because she simply wasn’t able to keep up with the backlog that she wasn’t taught to deal with. Not only that, she didn’t have any help with any of it, it was almost like she was expected to just do it on her own. Until Death came along to help, but that’s not what we’re going to be talking about right now.

And also, Purgatory is Purgatory yadda, yadda, I wont insult your intelligence.

Giodine’s thought process (other than wanting to be Real Close to Sam and once that thought filtered out, promptly ignored it) was that all the extras that don’t fit in either category of their thought of good and evil they’d go to her. (doesn’t matter cause in Sam's system it filters through ‘levels of assholery’ and depending on how bad you are you either just vibe in the upper city under rule of capitalism and possibly many under paying jobs or being actually tortured for his amusement if you’re just evil. Morally grey. Anyway, it could work p well in heaven if giodine wasn’t such a damn stickler.) But in the end, every day, less and less people ended up in purgatory, leaving her with barely any people and more verbal abuse from giodine who ‘HAS to take them or they would be more dead than they already are’. You see the pain she has to go through, right?

~Idea section, this is probably not canon anyways so dont take it serious~

My thought is that another oc (BA, you may have heard of him idk) takes over simply because Purg took multiple hims from alternative timelines (which isn’t allowed but what’re they gonna do, undead a dead clown? multiple times from multiple timelines???)) because she adored him and they figured ‘well we gotta redo purgatory may as well do it like this’ and make him a demi-dead-god. i think thats a cool idea right? anyhoo

~Idea section over uwu~

Purgatory overall is a fairly timid character, she doesn’t like conflict, is easily overwhelmed, and generally keeps to herself. She doesn’t see the point in being in any drama if she’s just going to be yelled at and scolded even if it’s not about her. The only way i could describe her taking over hell is this:

She was tired. She was angry and after feeling like nothing was in control or in her hands, she snapped. Why doesn’t she get anything or get to be ‘all powerful’ but they do? She knew if she took on Giodine she’d likely get thrown to the void, but sam? He felt fair game. Considering her fear of both of these gods, she planned and got her courage up to take him over. She had considered negotiations but in the end, she ended up going into a haze and ruining everything in sight. She was more powerful than she thought and once she started, she didn't stop until Death restrained her and Sam was already in pieces at God’s doorstep.

The aftermath was fuzzy for her and for everyone really. Godine was planning a take back hell while actually worrying for sam, sam was planning for a retirement, and she was being consoled while trying to get in contact with sam to apologize. Giodine wouldn’t dare let her talk to him, until she just showed up in their office. She didn’t have a problem with Sam, honest, she just was going to take shit over, but it got out of control.

Spoiler, Sam took her apology and they actually became.. somewhat closer after reaching an understanding.

I wanna say that giodine took them being okay and sam retiring as good as sam did about purg running hell, but they didn’t. Giodine and purgatory actually barely got along in the first place, and only begun ‘working’ on their bitterness toward each other because they both had sam to encourage it. I can’t say for certain if they’ll get better, as theyre both undying and have time, but I’ll just say for now its uncertain.

Also, Death is Purgatory’s girlfriend after all of that lmao.

And.. yeah, i hope this makes sense and that you like my drawings and ramblings about my lil story in my head, i guess this is my way to develop it without just keeping it to myself cause god forbid i keep things to myself hshsh. If you made it to the end, thank you for taking the time to read and attempting to process everything, and even if you didnt read and just looked to look at my art thank you to!!

I may post some art over on @ghoulishhusbandart cause.. it was my art account before i completely forgot about it but i might reboot it! But if you wan art NEOWWW follow me on insta (ik cringe lmaoo) by the same name as this account @ghoulishhusband or just click that insta link! also ignore the fact that giodine is the only one without a portrait, maybe I’ll replace it the next time i draw but im graduating on monday and my dad’s coming TOMORROW?? so i won’t have too much time to do it... but i hope you like my art anyways :]

ok!! ty!! ily!!

#ghoulishrambles #ghoulishsporkocs #man this is weird lmaoooooo #THE CUT DIDNT CUT IM SORRY #Man I should've edited this before ppl could see it I'm so sorry if it's a mess shshhs #I keep adding tags bc I have more to say but I wanna pin this but I don't wanna remove that Palestine post just for my ramble so #I'll just reblog it every once in a while

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inmyarmswrappedin · 4 years

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Now that Nora's season is coming to end, what are somethings that you want for amira's season

Hi 😁 I bet you thought I’d never reply to this ask! Well, after you sent this in MARCH, I am finally posting an answer.

Btw, I did the same for Nora’s season, and as a note, I’m a white European and an atheist. If any of this is offensive or not my place to say, I preemptively apologize.

1) I would like for Amira's arc not to be about being Muslim. That is, Cris' arc isn't about being bi, it's about learning (and accepting) that she's more than the fun friend. That she has and can offer more to the people in her life. Nora's arc isn't about being a feminist, it's about not being so set in your first impression of someone that you don't notice red flags or don't notice them trying to be better people. Same with Eva and not being defined by her mistakes, or about Viri and her financial situation. And I would like the same for Amira.

2) I think one common denominator of all Sana seasons so far is that they've shown the mains doing something that people assume hijabi can't do when it's more like they're systematically excluded from participating. For Sana, it was basketball. For Imane, it was dancing. For Amira M, it was boxing. I joked on twitter that Amira N's thing should be binging TV shows and eating junk, proving that hijabi are really like anyone else, but on a serious note, I'd like for Amira's thing to be photography (and maybe modeling? since Amira's friend was taking pics of her).

3) A scene where Amira explains how she can be a feminist and a hijabi both, just so we as a society have that scene to point to when the question inevitably comes up again. Seriously, I feel like that's one of the questions I most often see people asking Hajar.

4) I want the association girls to have their own youtube channel. Or at the very least, their own instagram and/or twitter account. I would love for them to post memes punching up about their experiences.

5) I feel like, much like with trans narratives, there's this "acceptable" narrative for hijabi in mainstream society, which is: the character made the decision to cover after coming up with solid reasons to do so. I.e. she made the decision early and can defend it with inarguable rebuttals. It's like women can't be trusted unless they know 150% what they're doing, be it covering, or dating a girl, or going vegan, or any number of things. I really appreciate that Amira started covering just because it felt right, and she's finding meaning in it after the fact. I would like for this to be a thing in her season, that she's still figuring herself out, that she's not already an Islamic scholar.

6) I also think that's what makes her stand apart from the other Sanas. I feel like (maybe with Zoya's exception), none of the other Sanas would entertain a crush on a white guy. They'd have never drunk or flirted (like we know Amira used to do). It's like they're not allowed to fuck up, or can only fuck up in acceptable ways, like engaging in a flirtation with a non Muslim only because they didn't know he wasn't a Muslim, or had booze at home, but it wasn't theirs, etc. I'm hoping that they've made Dani a love interest specifically to explore this idea (and not because they wanted to whitewash a character or give less time to an actor of color).

7) On that note, SKAM Hajar brought up an idea that, because the hijab makes them super visible, hijabi are perceived as ambassadors of Islam, expected to be able to answer any question about Islam, but also that people will judge all Muslims based on whatever mistake they individually make. I would like for a potential bench scene to allow Amira to say that it puts major pressure on her to feel like she can't make any mistake, because every Muslim will be judged based on her making a mistake, having a shitty day, being in a bad mood, not wanting to be Muslim wikipedia that day, etc. That sometimes she just wants to be Amira, not Islam personified.

8) I would like for Dani's character to represent not just white society, but also childhood, the safe choice, the choice her parents would love, and for Sofian's character to represent not just Moroccan culture, but also like... SEXY risk, independence, novelty... Because I feel like when I see Muslim girl/Muslim boy/white guy love triangles in fiction, the Muslim guy is positioned as the boring choice (but still incredibly wrong because he's abusive or maybe even secretly gay and forced to beard by his parents), the safety, the guy you'd bring home to your parents, whereas the white guy represents independence and carving your own path away from your parents.

9) Just once, I would like for a Muslim character to say, "what do you think of Catholic priests abusing kids?" to someone asking them what they think of such-and-such Muslim majority country doing such-and-such to its citizens. Bonus points if it's Sofian's character.

10) I would like for Dilan to get an insta and a storyline. And for that storyline to connect to Amira's.

11) In general, I would prefer that parents be kept to a minimum (not to get rid of them entirely, of course, but to be kept at the level they've been in other Sana seasons). I just have never thought the point of Skam was the parents. And I get why they have a larger presence in a second gen kid, but I, personally, am more interested in what they represent in the main's life, rather than in giving them a lot of face time.

12) And, on that note, if they do with Amira what I've outlined above, I don't think there's a necessity for Amira to have siblings. Particularly if eskam isn't going to continue after this season. I think it'd be far more interesting if Amira's character contained the elements of figuring her identity as a Muslim living in a Western country that Elias, Idriss and Essam had. (And maybe that way Dani is both Yousef and Elias, stealing not just one role for an actor of color, but two! lmao)

13) I really hope that the obligatory evak s4 side plot be kept at a minimum tbh. I'm really not interested in a) Eloy coming back to cause drama, b) Amira's friend causing croana drama because she's Joana ex or whatever, c) a physical fight breaking out because of (perceived) homophobia.

14) I want Amira to tell Cris that amiris es lo más real que hay. 😭 I would love it if, as a parallel to Cris' season, Amira doesn't tell Cris about her interest in Sofian's character at first because she's afraid of her reaction, only for Cris to be supportive of whatever she chooses to do.

15) I would be so fucking happy if eskam adapted the "is your faith stronger than your lust?" scene in this season. I have always wanted to love that scene, because how often do you get a scene where two girls get to talk that long and that much (even in Skam most of the iconic dialogue scenes between just two people aren't between two girls in the squad), but I just haaaated the purpose of the scene in Skam.

16) I would cry buckets if we got a scene like Det Beste fra Islam where Amira and Sofian's character both talk about what Islam means for them. Particularly if Sofian is introduced as not the Perfect Muslim Man, but it turns out he has THOUGHTS about religion.

17) And, finally, I would love for the unquestionable villain of the season to be a white guy. If the villain is going to be a woman, then I would want her to be Cris' mom, not a high school aged character. Not because of white feminism yayyy! but because I think the major issue Sana seasons have run into before is that the showrunners want to touch on white girls being the problem, but they also don't want to villainize white girls. So we have stuff like Sana inviting Sara and Ingrid (of all people!!) to Eid, Imane apologizing to Ingrid (of all people!!), random one clip white women attacking Amira M (and the Kiki/Amira friendship of course), etc. I'd just rather they didn't have girls doing shitty stuff to Amira N, if they're going to go back on it. Which they inevitably would, because eskam's overall message is sisterhood.

Bonus clips

18) I would love it if Skam España was like, "you thought we were dropping storylines left and right? Nope!" and resolved long standing mysteries like who was behind Eva's hate ig, who had the pills, who outed Cris to the school, who's the owner of the keys that were left behind at GSC, and so on. Will die if it turns out to be Ramón!

19) I want Joana to get that job she wanted so bad last season!

20) I would love for Emma to show up and come out as a lesbian, just as a last hurrah lol.

21) I don't feel strongly about which couples should be endgame and not (other than not Dani/Amira hghvvh please), BUT in my most embarrassing fantasies, I want Skam España to hire Alejandro Reina's irl boyfriend to play Lucas' boyfriend for the finale. Not because I can't separate fiction from reality or anything, but because when I thought Lucas would be getting a season, I wanted his boyfriend to be a poc, and I was highkey buttmad that they hired random white bread when they could just as easily have hired a poc.

22) I think it would be really cool if Inés got a clip on her POV, but I don't think we're going to get it. I think all bonus clips will be from the squad's POV, i.e. Eva, Cris, Nora and Viri. Not even Joana.

23) I want a Mallorca special or episode so bad, and I will be so FUCKING ANNOYED if we don't get it. Seriously, I can't imagine the team didn't feel betrayed when they watched Skam for writing purposes, and didn't get their russetide. So they should know how angry we would be if we didn't get even a little bit of Mallorca time.

#ask #skam españa #I am literally unable to be concise it's just not in my blood #long post #comicluke #I used to always say that I wanted them to feature the m-30 mosque in amira's season #and they're doing that!! so yay!

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soyouareandrewdobson · 4 years

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100 followers special post: KorraSami Book 1

Today’s entry (sort of a little extra for 100 followers) is rather short and admittedly just the tip of an iceberg I want to tackle later on, as it relates to a certain issue with Dobson in general when it comes to his “support” of the LGBT community. In addition it is not a comic I want to talk about, but rather a picture. To be more precise this one:

Titled “Out of our way” and released around summer of 2015, this picture is obviously fanart in relation to KorraSami, the ship of Avatar Korra and Asami Sato, which unlike other ships in certain fandoms became even canon according to “Word of God” and some post tv series material. Now personally my opinion on KorraSami is a bit “complicated”. I do not hate it nor do I really think it is as “groundbreaking” as many, including Dobson, make it out to be. Reasons for that I am willing one day to discuss in detail, but not now.

And like with KorraSami, my opinion on the picture is also a bit complicated. To paraphrase John Cleese from a famous sketch: I may not know much about art, but I know what I like. So when it comes to things such as posture and linework I can not give too many critical details.

However, even I see from a technical point a few irksome details. Like how Asami’s hips move a bit too much perspective wise to the left, making it look like she would soon slip off the wheelchair, the sparks on the ground looking more like someone inserted shitty fries via MS Paint in the picture and Korra’s face looking like it was hit with a frying pan at least once. But honestly, I think it does not look that terrible and it is at least colorful.

That said, I think it highlights a certain issue with how Dobson perceives the ship.

Independent of my thoughts on the ship, I think Korra and Asami are pretty neat characters personality wise. They are both not flawless (in fact, Korra at the start of season 2 felt like any character development from last season was missing and don’t get me even started on how she would have almost started a world war because she was a whinny ass) but they are pretty strong and independent characters who went through a lot both as friends and as individuals over the course of the show. Well, that and they boned the same guy.

The thing with Dobson is, any time I see him do something with those two, that sort of badassery is not really on display. Instead his KorraSami fanart tends to be just whimsical fluff as seen e.g. here

And don’t get me wrong, I do not think fluff is bad. I like cute pics too and hey, the following two pics in regard of KorraSami by Dobson count for me as decent fluff, even if from a technical drawing point there are likely still flaws in the pic. Mostly because they are also related as pics to the world of the show they are part of, with the first one even showing interaction with someone other than the ship.

But I also think that just because you ship two or multiple characters, doesn’t mean you can’t also draw something of such characters as a power couple so to speak. In case of those two, perhaps something like fighting a group of Equalists, showing Asami building and working on something with Korra at her side metal binding something according to Asami’s instructions etc. You know, something that is both “cute” because in a way they do stuff as a couple, but also badass because it is about two characters doing something they were born for. Or not even necessarily badass. Just something that shows them in a situation that isn’t just mindless fluff or feels like you just randomly insert the characters into whatever you can think of, thinking that in itself makes it already shipping art.

Bottomline, Dobson when tackling KorraSami only focuses mostly on the mindless fluff of the ship. Which in my opinion is in so far an issue, as that it reduces this so called “groundbreaking LGBT representation in animation” just further down into something cute and rather shallow Dobson can adore. The characters are not appreciated for their personality, but fo their looks and how cute they look together. And frankly, can something be considered “good representation” when it is just pretty shallow on closer look?

This at least is one of multiple issues I have with KorraSami in general, but also in relation with Dobson. Others I can address later on someday. I also bring it up here mostly, because this “shallowness” is indirectly on display in “Out of our way” once you know a bit about why Dobson drew this and how it may even be a bit insensitive. Not for any living creature, but the character of Korra actually.

See, here is the thing: The inspiration for the pic was two things: A clip from an anime called Gekijouban To Aru Majutsu no Railgun (which I admittedly never saw in my life and do not necessarily intend to) as seen here

And the fact that Korra spends some time in a wheelchair over the course of the show. And considering that the scene from the anime is actually meant to be funny (as it actually ends with both characters crashing in the gras in a hilarious position), what sort of cartoonish antics resulted in Korra temporarily being in a wheelchair? Did she slip on water during waterbending? Break her leg in some heroic fight but took it in strife and even made fun of her situation? You want to know?

Korra was kidnapped, tortured, poisoned with mercury and almost killed by a group of four terrorists, resulting in her being physically crippled for a long time and suffering from mental trauma, depression and PTSD.

……..ehhhhhhhh….. Funny?

Yeah, on a technical level I do not think the picture is the worst, but as “fanart” when you consider any canon context involving wheelchairs and Korra… yaiks. I mean, tone deaf is a bit of an understatement.

And I am not making this up. The plot of season 3 of Legend of Korra involved a group of four elemental benders trying to kill Korra, because their leader thinks that if he kills her he can break the Avatar cycle and that in turn will bring in a new era where people take their lives as a whole in their own hands, instead of the fate of the world depending on a few chosen ones like the Avatar. To do so they kidnap Korra and poison her with mercury, which they forcefully bend into her body. This results in her going full avatar mode and fighting the main villain Zaheer, only to get her ass handed by him thanks to the poison and him almost suffocating her by bending the air out of her lungs. Korra was in fact closer to death than any other character I have seen in the show, including Aang. And the aftermath of Zaheer’s actions were horrible. Season 3 ended with Korra still recovering from the poison (which had been bended out of her body again), by being stuck in a wheelchair and it being obvious she needs to get through rehabilitation. And while she did put on a brave face in front of everyone, the final shot of the episode is her at a ceremony celebrating the air nations rebirth, a single tear going down her cheek, indicating that in a way she is broken. The hotheaded and overall determined Korra at her lowest point.

I will openly admit, when I first saw that scene, I was taken aback a bit how bittersweet if not outright depressing the ending was. Begging the question, how by the time season 4 would roll in, Korra would have recovered. Turned out, not well. Not only was season 4 set three years after the events of the last one, but the first two episodes showed among other things how Korra went through rehabilitation in those years, how she was on more than one occasion on the brink of giving up and how she essentially went into hiding, not wanting to meet her friends again, abandoning her duties as the Avatar. She was not a sobbing mess, but she was broken. Not considering herself worthy of the title of avatar for the longest time and still suffering from physical and mental trauma because of what had happened to her. In fact, one of the better aspects of season 4 is how Korra tries to overcome her own trauma, in order to be strong enough to take on the fight against Kuvira before she can turn the Earth Kingdom completely into the Third Reich and take Republic City over.

In short, the picture of Korra in a wheelchair has a pretty significant and dramatic meaning for the character and the show as a whole. It is an important aspect of te shows storytelling and Korra’s final part of her character arc. Something with gravitas a lot of fans acknowledge. But Dobson sees it supposedly as something that gives way for a “badass and fun” pic with his favorite ship. And again, in my opinion, that is just tone deaf.I am not saying you can’t make a KorraSami pic with the wheelchair, but I think something with that motive should out of respect for the actual canon and its characters also be more somber than what we got here.

Which brings me back to how Dobson handles the couple in a shallower manner than it needs to be. Cause if he wasn’t just out for whimsical fun and fluff with his two favorite lesbians from Nickelodeon and would Korra and Asami consider more than just something to fawn upon based on looks, he could have drawn something more meaningful that genuinely showed how both are a decent representation of an LGBT-couple and interesting individuals. Cause being a couple when everything is fun and sunshine is one thing. Being there for each other when things are hard? THAT is the challenge and shows how much you really love someone.

#korrasami #andrew dobson #lgbt representation #lgbt #legend of korra #adobsonartwork #adobsonart #shipping #korra #korra comics #asami sato

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takaraphoenix · 3 years

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Grey’s Anatomy: Review

Took me four months, but I have successfully watched all 16 seasons of Grey’s Anatomy - and what there is of season 17. Figured it deserves some words.

HOLY SHIT I LOVE THIS SHOW? SO MUCH?

(To set the appropriate mood for this and give you a TL;DR.)

That being said to open it up, it is most definitely not flawless. So let’s start there. For me, the one big flaw it has is really the writers’ cuckolding kink. So. Much. Cheating. And - worse than the cheating plots - the cheating apologism. They echo the exact same sentiment so often, that cheating is only one mistake and humans make mistakes. That’s... at one point, that stops being a plot device and starts to be very telling about the writer, to be quite frank.

That being said, let’s roll out the positive. And let’s kick it off with something that relates to all the cheating; so many forced love-triangles, but they usually don’t include toxic rivalries. It’d be so easy to have the men throw punches over the women or the women pull hair and scratch each other’s eyes... so many other rom-drama shows do it already, after all. But, honestly, the two lose ends on the love V (because these things ain’t triangles) usually have such a good dynamic with each other, ranging from civil to friendships to deep mentor ships - Meredith and Addison, Mark and Jackson, Cristina and Teddy? Seeing these dynamics, quite frankly, makes having to sit through a love-triangle-nonsense actually more than bearable.

The most impressive thing about the show is, to me, the amount of rep on it. I mean sure, the main lead is white and I’d estimate half the overall cast are white, but even from the get go - in 2005 - the ratio of white actors versus actors of color in the main cast was five to four. And they’re not background or side characters - I mean, two of them are, aside from Meredith, the only ones to still be around on season 17. They all have their own plotlines, their own relationships and troubles and struggles. It’s not just the Meredith show, not by far.

And beyond that, the queer rep on this show is... honestly mindblowing? I mean, seriously?

They introduced their first queer character in season 2, in 2005, when other procedual dramas that aired then in large parts just... never... added queer characters. And sure! Joe was only a recurring character and not a main character, but he was recurring for six seasons, he recurred a lot, he got established, he and his husband partook in the plot. And, again, this was just the beginning, back in 2005.

They’ve since then steadily broadened their horizon and become more inclusive.

Recurring and main character wise, we’ve had 5 lesbians, 5 bisexual women, 4 gay men and 2 trans characters over these 17 seasons. That’s a very solid list, honestly. If I look at other shows, again especially procedual dramas that are still largely aimed at a more conservative audience, the fact that we’ve had actual queer storylines in every single season since season 2? That’s amazing.

Even more so on the one-off characters, to be quite honest. Just... casually, this patient has two moms, this man is visited by his husband, here the child of the patient is nonbinary, look this patient is in a polyamorous relationship. Sure, those are only the one-off episodical characters, but you have no idea how much that matters too.

I know I’m repeating myself with this, but especially when compared to other procedual dramas, where the characters are often only queer when it’s important to the plot. He got beaten up and ended up in the hospital because he was gay. She got killed because she was trans. They’re motivational and important to the plot (and also usually used to victimize the characters).

The fact that this show, even 10+ years ago already, just... included queerness as part of our reality, included it casually, positively and repeatedly - really, it’s not just like it’s one episode per season like it’s some obligation, it happens a lot? For no actual needed plot reason, she just has a wife and she’s just happily married to her wife and that’s it, because queer people exist.

And I just, I struggle to express how much this casual rep means to me? And how it becomes even more amazing if you consider how long ago it started? And if you add to it the steady prominent recurring/main character rep?

Sure, it’s not perfect - the majority of their characters of color are black; it’s not overly diverse when it comes to what characters of color it included, it took forever to include the second Asian character and the first Muslim character and it could feature a broader variety of ethnicities, just like it could offer a broader variety of queer experiences, I mean it took them forever to introduce the first mlm main character and they have yet to include a bisexual man, I’d also just love to see an ace character or a polyamorous character, to paint a contrast to the sex-obsession and cheating plotlines - but... it’s doing more than many others and I do think it deserves praise for that and it keeps improving. They didn’t just add Erica and Callie as the first wlw couple and then stuck to only having two queer ladies on screen at the same time and never more, just constantly replacing Callie’s girlfriend. They kept adding more, they keep adding more.

Now, on to my absolute favorite thing about this show.

Because, let’s make one thing clear, I hate cheating and under other circumstances the amount of cheating on this show would have driven me off it ten seasons ago. But despite all of the very forced romance drama and sex obsessed allos on the show, that is not the show’s main focus.

This was never mainly about the romance. It’s always been about the platonic relationships first and foremost. Romances changed and broke up and got complicated, but what prospered were the friendships and found family relationships.

Cristina and Meredith are the defining relationship of this show. They are... friendship portrayed in a way I have never seen friendship portrayed before. The writing on their dynamic is just amazing.

And when Cristina leaves the show, the shift to Meredith-Alex and to the sister-dynamic between Meredith, Maggie and Amelia really works.

Personally, after watching the show, I’ve come to divide it into three arcs, each with a Part A and a Part B.

The first arc of the show - spanning seasons 1 to 5 - are about Meredith, Cristina, George, Izzie and Alex. And they explore the dynamic between those five and the individual relationships between them all, so very well. This was really found family done right.

Arc 2 is what I dubbed the rebranding arc - seasons 6 to 10. In Part A (s6 to s8), we got the focus on the Mercy West merger, ending in the horrific plane crash. While Part B is what I call the outfall, season 9 dealing with the outfall from the plane crash and season 10 being all about that Meredith-Cristina outfall.

I love Arc 1 a whole lot, it’s really good. I think Arc 2 is good too, especially the plane crash and its outfall were very gripping and well done, but I do think that this middle part earns the dub as rebranding because it feels like the show itself is trying to find its footing, trying to figure out a direction after MAGIC graduated into residents (and, inevitably, fell apart with the death of George and the departure of Izzie). It’s a bit unfocused on where it wants to go and I still loathe the big misunderstanding nonsense of season 10 (but am glad that Meredith and Cristina rekindled before Cristina’s departure).

Arc 3 is the sisters arc, where the Meredith-Maggie-Amelia dynamic rules, with a more uneven split between A and B, because A spans seasons 11 to 16 for me and is lovingly dubbed the Merlex arc by me, while B is just... season 17; the corona pandemic is really shifting the tone and focus and it coincides with the departure of Alex.

I’m more mixed on it than I am on the other two. For me, Cristina and Meredith just are the heart and soul of the show, so despite just how brilliantly they handled that all, I still miss them (though I greatly appreciate the fact that she still regularly comes up through phone calls, texts, etc). I greatly disliked Alex’s departure (which is a rant of its own).

On the overall, I would actually rank them in order - the first five seasons were my favorite, followed by the awkward middle because it still added brilliant things to it regardless, and despite coming in last, I do also love the second half of the show with the sisters in the focus.

I do admit that I had high hopes that Jo would become Meredith’s new person in season 17, considering the tremendous growth their relationship had - especially considering how Meredith crawled into Jo’s bed and was the one to coax what had happened with her mother out of her; that was “my person” behavior, quite frankly, and I also thought that Alex’s departure might bring them closer. I truly did not like Alex’s parting words to Meredith that she’s always been her own person.

Well, duh. Meredith Grey is an absolute badass. Which, also a thing I love a lot about this show. She is so incredibly strong and brilliant and takes care of herself.

But the point of her having her person was never that she needed someone else to stand in for her; it was to have someone around whom she didn’t have to be that strong. Someone she could come to to be weak around, someone to have her back when everything became too much. You just... can’t do that for yourself. So that sentiment was just incredible rubbish and I will be very mad if they truly have her embrace that nonsense, because she deserves someone like that.

Lastly, let’s talk romantic relationships. Very broadly, I assure you - I wouldn’t even have the patience to tackle them all, I mean seriously everyone has had sex on this show, or so it feels (no but seriously, the amount of overlapping ships on this show is ridiculous).

The only note I do have on that is that... nothing lasts forever. Quite frankly, the most “endgame” ships on this show are Richard/Catherine and Ben/Miranda (which, bless them, those two are literally my favorite of the canon ships). Everything else is just... fair game? They change, they break up, even if you absolutely hate a ship - don’t worry, it’s gonna end soon.

And occasionally, that... is even more rewarding than seeing a couple you do like get together? I mean, honestly, watching a ship you dislike for x reasons and then having them break up on screen and a character actually listing x reasons to the other’s face? Very carthatic.

I also have to mention the adoption positivity; Meredith and Derek adopt a child, not as a last resort after all else has failed, but simply because they fell in love with that little girl, Ben and Bailey took in Joey, because they have big hearts. So often, adoption is only shown as that very, very last option after you wasted thousands of dollars on all other biological options and then it is like a tragic compromise or something. Seeing them just... fall in love with this baby and adopt her and love her is so refreshing?

This show is just... really, really good? The writing is brilliant. I mean, this show made me laugh more than some comedies have? It’s funny, poignant and... not overly dramatic? I mean, of course it’s dramatic - it’s a drama. But it’s more... grounded. Even with some outstandingly extreme things happening, it is still very down to Earth, compared to other dramas that feel the need to go higher and more bizarre each season. It’s incredibly consistent, it includes so much rep and actual plotlines for every character, it really draws out relationships - familiar, platonic, romantic - in such great details.

I just really love this show.

#Grey's Anatomy #Phoe's Random Show Rants

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fandomshatelgbtqpeople · 4 years

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mod a’s lgbt musicals

Hi there! I’m a big theatre kid so I thought for pride month I’d put together a list of LGBTQ musicals. Despite its association with queer people, musical theatre is not known for its amazing representation. I’ve put together a list here of musicals I know of with queer characters. I’ve tried to avoid those where the queer characters are incredibly minor roles or those where the representation is just not good enough to be salvageable (*side eyes Legally Blonde*) I know there are many musicals I will have missed out but these are the ones I am most aware of. Feel free to add more! So without further ado, here it is.

Fun Home

The big Tony winner of 2015! Based on Alison Bechdel, a butch lesbian cartoonist. At the age of 43, she looks for new material by trying to explore her past and her relationship with her closeted gay dad. Looks back at a version of herself when she was 10 and a “tomboy” and at 19 when she came out and got her first girlfriend. Has very cute lighthearted moments as well as very sad moments. Has a beautiful song where small Alison sees a butch deliverywoman. Problems in that since the original broadway cast, Alison’s costume has got less butch. Content warning for suicide.

Here’s their Tony performance: https://www.youtube.com/watch?v=pMAuesRJm1E

The Color Purple

Based on Alice Walker’s novel about black women in the 1930s. Follows Celie who has been abused by men her whole life who discovers she is a lesbian but also makes a journey of self discovery and learns to love herself. Her love interest is a bisexual woman. Won best revival at the Tonys in 2016. Content warning for discussion/implied sexual abuse.

Here’s their Tony performance: https://www.youtube.com/watch?v=3k2xzQyT2bk

Everybody’s Talking About Jamie

A teenage gay boy in Sheffield wants to be a drag queen and go to prom in a dress.Also a nice touch that is does not focus on him having a relationship (since he is sixteen) and him having to come out as he is already out. Focuses on his close relationship with his supportive mother. Has a diverse cast. Jamie is currently played by a black actor and his best friend wears a hijab and has a very diverse ensemble as well. Unfortunately has a part where Jamie responds to a homophobic bully by calling him a bunch of ableist and classist slurs.

Here’s a clip of the most popular song: https://www.youtube.com/watch?v=M7C3FuFWDdw

The Prom

Emma is a lesbian teenager in Indiana whose prom is cancelled by the PTA after she requests to bring her girlfriend to it. A group of Broadway actors come down to help her campaign to be allowed to attend prom, as well as styling her, helping her work on her confidence and educating the town’s people. What ensues is basically a two hour musical episode of Queer Eye. Cheesy and fun with so many musical theatre references crammed in. My one issue is that the show is rather harsh on people who are closeted since Emma has conflicted with her girlfriend Alyssa because she is not ready to come out.

Here’s a clip of their Tony performance: https://www.youtube.com/watch?v=lGcG_r5xv3E

Rent

Probably the most well known on this list. Artists in New York during the AIDS crisis. Two of the main couples featured are queer: Maureen is bisexual and in a relationship with Joanne who is a lesbian, and Angel is a transgender woman of color in a relationship with Collins, a presumably bisexual man. However, she tends to be played bi cis men and there are instances of her being misgendered by the main characters uncritically. In Rent Live (2019), all instances of her being misgendered were removed and her gender identity was confirmed. She was played in this by Valentina, an nb drag queen and has also been played by Pose’s MJ Rodriguez, a trans woman. Very diverse with Jewish characters and people of colour and in the live show, only 1 of the 8 main characters was white. Has been criticised over the years, mainly for its biphobic portrayal of Maureen who is promiscuous and implied to cheat, but in the 90s did a lot for the LGBTQ community and is more progressive than a lot of media even now.

Here’s a clip of Maureen and Joanne from Rent Live: https://www.youtube.com/watch?v=06oCfKYYPTY

And here’s some Angel and Collins: https://www.youtube.com/watch?v=_hl-M94o_x8

Falsettos

Marvin comes out as gay in the late 70s but decides to move his ex wife and son in with his boyfriend. Addresses AIDS crisis in Act 2. Has “lesbians from next door” in act 2. F Revived on Broadway in 2016. All of the characters are Jewish. Unfortunately, in revival casts, very few actors tend to be Jewish.

Here’s the trailer: https://www.youtube.com/watch?v=ZjnAHOdMQVk

Come From Away

In the aftermath of 9/11, 38 planes are diverted to a small town in Canada called Gander. Shows people of different races and nationalities bonding in a scary time. Addresses Islamophobia. Has one song called Prayer where prayers from different religions overlap. Has an interracial gay couple called Kevin and Kevin. They break up in the end but are very important characters. Won best direction of a musical in 2017. The Broadway production starred Jenn Colella who has referred to herself as ‘mostly gay’.

Here’s a clip of Jenn Colella singing a song from the musical: https://www.youtube.com/watch?v=Q8ukgH6U-d0

Head Over Heels

Honestly I don’t quite know what this musical is about, even by reading the plot summary and listening to the soundtrack. I know it’s set in a Tudor fantasy world and that there are wlw couples as well as an explicitly non binary character, played by Peppermint, a trans woman, and that there are interracial couples and plus sized actors. It is a jukebox musical using songs by the Go-Gos and yes the wlw anthem that is Heaven is a Place on Earth is one of them. The soundtrack is fantastic even if you can’t follow what is going on.

Here are some show clips: https://www.youtube.com/watch?v=Wx2qQ7QAPm0

Spring Awakening

German school kids in the 19th century discovering their sexuality. Two of the schoolboy supporting characters, Ernst and Hänschen, have a romance when they have a reprise of an earlier song in Act 2. A BIG content warning as it has graphic discussions of rape and songs about it and a sex scene with very dubious consent. However there was a very wonderful 2016 revival using deaf actors and sign language.

This is another one you can very easily find the full show of on YouTube which I won’t link. However here’s the Tony performance for the revival: https://www.youtube.com/watch?v=CSagsMcak4Q

If/Then

A woman named Elizabeth (originally played by Idina Menzel) moves to New York after a divorce and contemplated how different her life would be if she took two different paths. Four supporting queer characters. Her ex-boyfriend is bisexual and played by Anthony Rapp (who is bisexual in real life) and he gets a boyfriend in one timeline. Another of her friends is a lesbian called Kate who marries her girlfriend in the musical. Problems occur as in both timelines, cheating goes on in the lesbian relationship although they stay together in one. Elizabeth also says she doesn’t believe in bisexuals, a view no one ever challenges her on, however Lucas is very clearly bisexual which is some proof for the audience that she is wrong.

I’m not going to link it here but there are many very high quality bootlegs on it on YouTube if you want to watch,

Ghost Quartet

A bit of a weird one. This is more of a concept album. There are four performers who each play instruments and they tell the stories of many interconnected timelines. It is very hard to explain but there are souls travelling through time who keep being reincarnated as different people with different relationships to each other which usually end with one woman killing the other. In the song Soldier & Rose, the ghosts Rose and Pearl are lovers as Rose seduces the soldier for her honey. In the song Four Friends, for one chorus the men sing “I like to put my hand on a pretty girls’s knee” and the women sing “pretty boy’s knee” and then they switch for the next chorus so they’re all bisexual. In general, a lot of fun if you like weird musicals and I mean really weird.

The full show is online: https://www.youtube.com/watch?v=dJSaEJm8pCE

Mean Girls

Yes there’s a musical of it. I was not looking forward to it when it was announced but have actually grown to quite like it. It’s hardly lyrical genius but the songs are fun and a lot of the problematic aspects of the film have been fixed. Damian is more explicitly gay in the musical and sings about an ex boyfriend in one song. Janis is heavily implied to be a lesbian (confirmed by actress offstage) and she doesn’t end up with Kevin Gnapoor. She is played by a queer actress in the tour cast. Both queer characters are much bigger roles than in the movie and get several songs each. I’d consider the musical to be quite white feminist but it does address issues such as the sexualisation of teenage girls and the notion that to be ‘sexy’ is ‘empowering’.

Here’s a clip of one of Damian’s songs: https://www.youtube.com/watch?v=x-zM6QKkxEQ

& Juliet

An English jukebox musical about what might have happened to Juliet in Romeo and Juliet if she had not died at the end. I haven’t seen it but I’ve listened to the soundtrack and it is mainly comprised of 21st century songs by women. One of Juliet’s best friends is non binary although is played by a cis man as far as we know. Also I went to the same school as one of the actors which is a bonus for me. Very diverse cast.

Here’s a trailer: https://www.youtube.com/watch?v=Dm2k9nS3o20

In Transit

A capella musical about several people’s adventures on New York public transport. Two of the main characters in this ensemble cast are an interracial gay couple where both are pocs. They are engaged but one of them is having trouble coming out to his mother. I found it refreshing in that his fiance for the most part was not upset with him at his struggles in coming out and they were both able to live fulfilling lives despite this. I am always astonished by the talent of a cappella singers.

Here’s a trailer: https://www.youtube.com/watch?v=zhvik6qoass Another one where the bootleg can be found very easily on YouTube

Firebringer

Remember A Very Potter Musical? Well, the company that did that are still putting out new pieces of theatre on their YouTube channel. In 2016, they put out their ridiculous comedy musical Firebringer, about a group of bisexual cavewomen. I won’t spoil the ending but trust me, it’s great. You may know it from the viral clip of one of the main characters singing ‘I don’t really wanna do the work today.’

You can watch the full musical here: https://www.youtube.com/watch?v=ZmVuNlu0LCk

Special Mentions

Company

Musical by Stephen Sondheim about a man unable to commit to a relationship, surrounded by his friends who are all in couples. However, the award-winning 2018 West End revival chose to change the genders of some of the characters. The main character Robert became ‘Bobbie’ (although all of her love interests were gender-swapped as well). One of the originally M/F couples became an M/M couple. It opened on Broadway for about a week before the Covid outbreak so that will be one to look out for.

Trailer: https://www.youtube.com/watch?v=OtDK03y4gT0

In the Heights

A musical by Lin-Manuel Miranda about the Latin American community living in Washington Heights in New York. The original theatre production has no explicitly queer characters. However, in the upcoming movie version (that was meant to be released this summer but has been pushed back to next summer) it has been confirmed that the characters of Daniela and Carla (Daphne Rubin-Vega and Stephanie Beatriz) will be explicitly a couple.

I absolutely love this musical and the trailer for the movie looks beautiful check it out: https://www.youtube.com/watch?v=U0CL-ZSuCrQ

#mod a #musicals #theatre #lgbtq rep

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