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y-rhywbeth2 · 5 months

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D&D Vampire Lore Dump #3

Hierarchy (Spawn VS Spouse VS Lesser VS Greater) How they're "born" and the pecking order and what distinguishes a vampire spawn, a vampire bride/groom/spouse, a "lesser" vampire and a "greater" vampire. Also, the various ways a vampire is "born". With a brief nod to the various random species that crop up; for example there are vampires who are elves and there are elven vampires and these are two different things!

OBLIGATORY DISCLAIMER FOR FIRST TIME READERS: There are two things to note about the lore presented here: First, while the standard stat block in the monster manual is the default, in terms of lore vampires have this annoying tendency to be incredibly, stupidly varied. They are magical monstrosities ruled by the power of symbolism and superstition above anything else.

The next is that D&D is decades old, spans five editions, several settings and hundreds of writers. One guy establishes a piece of lore, and then the next picks it up goes "nah" and writes something else. I collected info from four different source books, all from different editions, which naturally don't entirely agree on how vampires work. Lore never stays consistent and may contradict itself. You may see information somewhere else from a source I don't have that contradicts what I wrote here. If you read this and like some of this stuff but not other bits, take the good and ditch the rest. Larian themselves have not written BG3 totally compliant with some established D&D lore or the original games.

Welcome to D&D: In your own story canon is what you say it is.

Feeding | "Biology" | Hierarchy | Weaknesses and Cures | Psychology

Ultimately, while they can be classified separately, a vampire is a vampire is a vampire. In every edition newly created vampires are enslaved to the wills of their creator, but the concept of vampire spawn as a separate category wasn't introduced until third edition. Even then, they were mainly just normal vampires enslaved to the will of the vampire that made them and the only difference was that they couldn't turn into a wolf or command animals. Prior to 3.5e what set the "spawn" apart was the age difference: vampires grew stronger with age, and the fledglings were impossibly outmatched by their seniors.

Age is the cornerstone of the vampire world; it is expected that a vampire is to show due reverence/fear towards their elders while in turn expecting the same respect/fear from their juniors. Younger vampires are to refer to their elders as "Eminent [Name]," "Ancient One"... while older vampires tend to refer to younger vampires contemptuously as "Child" or "Fledgling" regardless of their actual age and power. The age categories shown are used more by scholars and hunters to classify the degree of threat, rather than by vampires themselves. Fledgling - 0-99 years old Mature 100-199 years Old: 200-299 years Very Old: 300-399 Ancient: 400-499 Eminent: 500-999 Patriarch/Matriarch: 1000+

Generally spawn are created almost exactly as Astarion tells you. A vampire kills you by draining all of your life energy and you get up with the next sundown as a member of the undead. If you were buried then you are bound to your gravesite, sometimes a vampire who is not buried will rise again, being bound to the site of their murder. Generally though, those killed by vampires who are not buried in a grave are simply dead. Sometimes vampires are bound to the soil of whatever they consider their homeland instead of their grave. …and also some of them have toxic saliva that turns you into a vampire, and some of them are born of curses that they cast on you by making eye contact that make you sicken and mysteriously waste away and rise again a vampire. A vampire is limited in the number of spawn it can create/control. The more powerful the vampire, the more it can have.

Spawn remember both their death and the identity of their killer on waking, and generally grasp what they've become within seconds.

Other ways to create vampires includes necromancy, the influence of Fiends (devils and demons) and divine will. Bhaal, for example, can cause a slain creature to rise as any form of undead he chooses. Vampires made this way are forced to complete whatever purpose they were created for and after the task is complete usually have full free will.

Vampires created by other vampires are freed of their master by either their death or by the master explicitly dismissing them from service. 5e has added a ritualistic gift of blood, but the key factor is still the vampire freeing its spawn willingly. The Turn/Command Undead ability of a cleric can also break a vampire's control over its spawn, temporarily.

There's conflicting information on the extent of the control vampires wield over their spawn. Some state that spawn are forced to not only obey but have a sensation of affection for their master forced upon them (even against their will) and spawn can be forced to take actions that will harm and kill them if ordered. Another source, however, states that while all vampires have an inborn compulsion to obey their maker, the exact level of control is not guaranteed and particularly stubborn offspring may be able to fight back, and that spawn build a resistance to their master's control over time.

Whatever the truth is, vampires don't trust their offspring and don't take chances. When it comes to educating their "children" about their condition, vampires will omit vital information or even teach them flat out lies to keep them ignorant of their own potential and dependent on their maker. One vampire is on record laughing about how he's convinced his spawn that if he dies they will die with him. Vampires are also known to kill their spawn if they're worried that they're growing too powerful or seem to be learning too much… or just because the vampire is worried by the mere idea that they might, even if their spawn are innocent of whatever slight their master is imagining. Vampires do their best to abuse and gaslight spawn into a state of self-debasing terrified obedience where they truly believe their master is an indestructible, powerful being they could never stand a chance against, while they are weak and helpless. Just in case.

Aaaand then there are vampire brides/grooms/spouses: Sometimes a vampire develops a fixation on an individual and decides they're going to keep them bound to them for all eternity, untouched by time. To do this they turn the target into a vampire through a slow, drawn out murder via draining the blood out of the target, followed with the vampire feeding the victim their own blood. The spouse-to-be may be permanently lost to bloodlust and die within 24 hours, and even if not the trauma this inflicts on the target is usually too much for the new "spouse" to cope with. Assuming death doesn't follow, the pair are bound together by a sensation of obsessive affection and telepathically linked, much as if they're drinking each other's blood (but without the ability to control each other). Their bond enables them able to share thoughts and share the experience when their partner is feeling a powerful emotion.

Vampire marriage follows a pattern: Eventually, the spouse gets tired of the utter repetitive tedium of existence as combination of a favourite decoration, pet and sex toy that's been put on a display shelf somewhere, and gets rebellious. They start wanting to use their powers and have and do things for themselves outside of their significant other. Said SO then responds by getting jealous and possessive and tightening their grip and putting extra locks on the bars. The emotional link creates a toxic feedback loop and everything escalates from there. Vampire divorce also exists, though only the sire can end the bond (the spouse must agree, but that agreement doesn't have to be given of their own free will). The spouse is then free. Generally the vampire, being so bound up in their chosen spouse and not wanting a free vampire running around on their turf, doesn't want to divorce and instead it's all downhill until one fatally tears the other apart in a rage.

A vampire can't have more than one spouse at a time.

At the other end of the spectrum are Greater Vampires. These guys are created when a succubus drains the life out of a living being - a sensation that makes you believe you're in the throes of passion but is actually "quite painful, giving no satisfaction, only utter emptiness." It also destroys their soul beyond recovery. What makes them "greater" than everyone else is simply that they cannot be harmed by sunlight. They have all the same powers as a "lesser" vampire.

Outside of that we have garden variety vampires. They die in the sun, have all the powers every other vampire has and aren't enslaved to another vampire's will. That's it.

All vampires have the following abilities*:

The ability to turn into mist, giving them the ability to fly, very good escapist skills (if you're made of air you can just enter a locked room through the keyhole, after all), and make themselves invulnerable to most forms of damage.

The ability to mind control others by making eye contact "crushing the will of another."

The ability to climb or walk on walls and ceilings similar to a spider.

The ability to completely heal from almost any amount of damage within minutes.

Immunity to paralysis (so a Hold spell won't work)

The ability to drain the life energy and/or blood out of a living being, and in the process create a new vampire enslaved to their own will.

Upon being freed they gain the additional ability to summon rats, bats and wolves to do their bidding, as well as transform into those animals.

*(Most of these traits do not appear on the vampire spawn stat block in 4e or 5e's Monster Manuals, despite spawn being capable of all of the above until that point. Only spider climb and regeneration was included.)

There are also other kinds of vampires. Nosferatu are mutated by their curse into obvious monsters, and aren't harmed by sunlight. While typical vampirism affects anything, there are other types of vampirism that are pickier about hosts. Elven vampires are killed by moonlight instead of sunlight and hate plants so much. Gnome vampires age rapidly, can turn into ghosts and inflict seizures on people they touch. Then there's the vampire dragons, and the vampire illithid (which is what you get when you somehow infect a tadpole with vampirism and use it for ceremorphosis) and the vampyre - which is a type of vampire with a pyromania problem…

D&D gets a bit silly with vampires, sometimes.

EDIT: OK, apparently I didn't specify enough. Astarion is a normal vampire with the sunlight weakness. Elven Vampirism is a different type of vampirism that affects elves and half-elves, but he doesn't have it. Otherwise Cazador wouldn't be able to have human, gnome or tiefling spawn.

#bg3 #baldurs gate 3 #astarion ancunin #astarion #abuse tw #whoever came up with the “vampyre” should be sent to jail #and once again; WotC de-nerf the vampire spawn before I bite you #long post #tw abuse

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ineffable-endearments · 1 month

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The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

#good omens #the crow road #good omens book club #go3 speculation #s3 speculation #good omens 2 spoilers #go s2 spoilers

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kithj · 15 days

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IM THE PERSON WHO WAS TALKING ABOUT THINGS HAVE GOTTEN WORSE SINCE WE LAST SPOKE A FEW DAYS AGO And i agree about how sad it is that most queer horror authors i dont vibe with. do you have any you DO like? im always on the lookout for more and from what i’ve seen of your book taste on here we have pretty similar taste in books. can be any genre of horror tbh im not picky

hehehe yes i'd love to give u some recommendations! though if i'm being honest i really haven't found that many authors in the genre that i really vibe with yet. im still on the hunt... may leitz is probably the only one i can recommend that is kinda in the same vein as the "popular" ones, but Leitz is someone who i think does well balancing the extreme aspects of it with characters that are actually interesting and sympathetic to read (as opposed to just one-dimensional cannon fodder for random violence)

i don't know if any of these authors actually refer to themselves as "queer horror" authors nor do i know with certainty if all of them are a part of the lgbt community, but um. well i like their books. these also all aren't strictly about the characters identity; some focus more on it than others so i'll just say it's horror + lgbt characters.

i'll start with extreme horror:

fluids by may leitz - this will be the most extreme book i recommend, and i've talked about it a few times before. it's about two women, named Dahlia and Lauren, who meet on tinder during the pandemic, and after only a few days of talking Lauren takes it upon herself to drive to Dahlia's hometown and try and "save" her. things escalate, and the two women's paths diverge. cw: extreme violence and gore, rape, incest (the two girls pretend to be related), emetophobia, suicide, eating disorder, murder, literally everything you can think of. this is Extreme Horror, and i wouldn't recommend this one for anyone that's not already familiar with the genre.

girl flesh by may leitz - while i didn't like this one as much as fluids, i'm just a fan of may leitz's writing in general so i'd still recommend it. this one has a bit of a pacing problem & does a lot of telling rather than showing, but i like the direction leitz takes this one in the end. i've talked about this one before too so you might remember me rambling about it. this one is about two women who are kidnapped and wake up restrained in a dirty hotel in the middle of the texas mesa. they work together to escape their captors as well as the wild mesa and maybe even fall in love a little bit on the way. cw: extreme violence, gore, transphobia/deadnaming, eating disorder, emetophobia, self-harm, rape. this one isn't as extreme as fluids but i'd still be cautious with it.

to be devoured by sara tantlinger - this one is a short novella you can read in one sitting. Andi really really really wants to know what carrion tastes like. she's fascinated by the vultures that circle the edge of her property, but her fascination soon turns to obsession, and Andi will stop at nothing to learn their secrets. cw: blood consumption, cannibalism, violence and gore, very graphic animal harm and animal death

okay now the rest are just more general horror:

house of hunger by alexis henderson - loosely based on the legend of Elizabeth of Bathory, this story takes place in a society that runs on blood. Marion travels to the House of Hunger to begin her term as a bloodmaid under Countess Lisavet, who has a mysterious ailment that renders her weak and bedbound unless she has a constant flow of blood to treat it. Marion gets to know the other bloodmaids, and in time begins to realize not all is as it seems at the House of Hunger. cw: blood consumption, violence, abusive relationships/gaslighting, death

alexis henderson has also written the year of the witching, and she just announced an academy for liars. i really like her writing so i plan to check out her other work soon-ish.

apparitions by adam pottle - again i talked about this one recently so you may have seen it already, but i NEED more people to read this book. this follows the story of a young man who was born deaf and raised in an abusive household until he was able to escape as a teenager, only to be institutionalized immediately after. there he meets another deaf teen, and for the first time in his life, he has a language that he can speak with and can finally be understood. cw: child abuse, institutionalization, homophobia, abusive relationship, ableism, violence, death, religious trauma, animal harm and animal death.

the luminous dead by caitlin starling - gyre price is a lone caver swaddled inside a hi-tech suit that allows her to dive deep underground to map mineral deposits off-planet. however, the person on the other end of the suit has other plans, and easily takes control of gyre and her suit, putting the two at odds with each other as gyre spirals into uncertainty and paranoia while also having to deal with the terrifying presence of the tunneler. cw: claustrophobia, death, forced drugging, violence, gore, abusive/toxic relationship

caitlin starling also has a few other books though i haven't gotten around to reading them yet and i honestly haven't heard much about them so i can't say how they compare, but the luminous dead is one of my favorites of all time.

the Sworn Soldier series by T. Kingfisher - i love these books, they're just short fun horror stories with a really charming main character. Alex Easton is a retired soldier from Gallacia, and has their own special pronouns in Gallacian (kan/kanself) as part of their occupation and culture, and is what we would consider nonbinary (not all soldiers identify this way, but Alex does). vicars in Gallacia use van/vanself, there are different pronouns for children and adults, etc. i think it's just really interesting and i enjoy what the author has done with the worldbuilding and language, and how seamlessly it fits into her writing. the first book is a retelling of the fall of the house of usher (and is the stronger of the two) while the second one has Alex returning home to Gallacia and facing off with an old Gallacian superstition that's haunting their family cottage.

again i don't really know how T. Kingfisher/Ursula Vernon personally identifies but i do recommend her writing regardless, she's written other horror books as well as some fantasy books & she's just incredibly skilled imo, easy and fun to read.

most of my TBR that i'm working towards is horror so maybe i'll update this post later with more.... i'm currently reading providence girls by morgan dante and into the drowning deep by mira grant.

morgan dante has a few other books that are all some flavor of gothic horror/romance and i'm very excited for their new book that just came out TODAY that's a carmilla/elizabeth of bathory reimagining. i'm planning on reading that Immediately (i preordered it) so i'll report back for it and once i finish providence girls, too.

the next few books on my TBR that are all lgbt + horror:

The Seep by Chana Porter

Thirst by Marina Yuszczuk

A Dowry of Blood & An Education in Malice, both by S.T. Gibson

Little Rot by Akwaeke Emezi (i think this one is a thriller actually and also isnt out yet but whatever. i recommend this author, they genre-hop a lot & have a decent amount of work published already)

Sorrowland by Rivers Solomon

and of course i always recommend looking up content warnings if you need to especially for the last few since i haven't read them myself and can't vouch for them just yet. but ummm hopefully you see something you like 😭 i'll stop yapping <3

#sorry i do favor f/f pairings or sapphic characters in books and thats kinda obvious here lmfao #anyways. thanks for enabling me to talk about books <3 #i really want to read the seep ive been dying to get to it. nyehilism recommend it to me mwah #into the drowning deep is beating my ass i WILL finish it today so i can move on #i'll probably post about it here once i finish i have Thots about it already #oh also i just looked and caitlin starling's newest book is under st martin's press which is being boycotted atm #so that's probably why i havent seen anything #the luminous dead is under harper voyager tho #ask #anonymous #long post

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1moreff-creator · 10 months

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Trying to figure out the DRDT chapter 2 murder method, with evidence! (Theory)

CW: Murder, mentions of suicide, hanging, general brutality.

So, I’ve noticed a lot of people have given their predictions for the second case murderer, the motives and all that. This is obviously what most people care about, and I love reading predictions for it!

However, I am not most people. I also am really curious about the exact murder method.

You see, DRDT has consumed my brain mercilessly, and thus I have decided I can’t wait for the hiatus to end, and want to see if I can figure out the murder mystery with the clues we have. As a warning, this doesn’t actually help much with the culprit, but I will give my thoughts on that at the end.

I think a decent job! It’s not perfect, and I’m fully expecting to get a lot if not most of this wrong. I will be happy regardless of whether I’m right or wrong, so what matters is that I had fun thinking about it! Right? :D

This took me hours.

Spoilers up until Chapter 2 ep 11, and… further? Maybe? It’s just a prediction, but with evidence, so, you decide if you wanna read it.

Where we left off

The cliffhanger currently consuming me, as you may recall, happened just after David started his Tumblr sexyman arc, with Charles cutting in with just a fantastic line (“You’re out of your element!”). He says that, while trying to prove David’s innocence, he realized something bigger, before proclaiming he and Teruko fucked up.

As many have pointed out, Charles cuts in when David mentions the time of death, meaning he’s likely realized something about that.

What Charles has probably noticed is that the note Arei received never mentioned if she was supposed to go to the playground at 7:30 PM, as the characters had assumed because of the fish and the nighttime rule for the Relaxation Room, or AM. The fish could have easily been kept in the water jugs found outside in a trash can, so it’s pretty feasible that the murder actually happened at 7:30 AM. Unfortunately, Nico, the only one keeping track of the fish, likely fed them before David went there, and thus before 7:30 PM, so we can’t tell for sure when they were taken.

(This is because Nico mentions they fed the fish after dinner, and they likely ate before David. Whit mentions having a ‘late dinner’ when he and the gang meet with Suspenders Man in the kitchen and send him to the fish, David even mentioning he wasn’t expecting anyone else to be there. Assuming Nico ate dinner with most of the class, they would have eaten before David went to the Relaxation Room, which we know was around 7:30 PM)

However, if Charles is only bringing the possibility up now, it’s likely the right answer. Also, as you’re gonna see, the murder method I believe was used requires quite a bit of setup that would have been easier to do at nighttime, without potential witnesses showing up out of nowhere.

Now, this is where I’ve seen most people stop. Content with knowing what the cliffhanger itself is about, they don’t think further into the murder method. But I will, because my life is extremely empty.

Let’s get to the evidence!

“Truth Bullets” (let’s pretend)

-First, the layout of the scene.

(Ultimate Artist coming through-)

The exact position of things doesn’t matter, but it helps to visualize. The seesaw, to the dismay of Korekiyo stans, is unimportant and can be disregarded. Here are the takeaways:

•The ground near the entrance is scuffed. This heavily implies something went down in the playground, and we probably aren’t dealing with a crime scene switch.

•The fish, you should be acquainted with.

•The spinny thing will be important.

•Not pictured is a sand pit without sand. This isn’t important, but I do find it funny.

•Then, the swing set. I’d like to point out that the rope attached on one end to Arei has nothing on the other end, and rather remains there via a knot at the top of the swing set. This is important because of:

-Broken Neck: Arei’s neck is broken, alongside:

-Veronika’s Account: Although a hanging can cause someone’s neck to break, it wouldn’t happen to Arei if she were to be hung from that height. She would either need to weigh more, or fall from higher. Because the rope Arei’s corpse hangs from is tied with a knot, it can’t extend further than what we see, meaning she was likely hung from somewhere else (if that’s even her cause of death).

-Bound Wrists: Arei’s wrists were bound with duct tape at some point.

-Duct Tape on Spinny Thing: There is duct tape covering every handlebar the spinny thing has.

-Longer Rope: There was a longer piece of rope bundled up below the spinny thing. Teruko claims it’s a couple yards long. I don’t use that unit of measurement, but it sounds like it’s large.

-Flickering Lights: According to MonoTV, one of the lights in the playground was flickering. The way he acts when inquired implies this had something to do with the murder.

Going away from the playground now, we have the trash can.

-The note: You know this one.

-Eating utensils, food, painting tools. Unimportant.

-Water Jugs: Likely where the fish were kept overnight. Notably, the handles are snapped in the middle.

-Needle and thread?: I’ve seen some people mention there’s a needle with a bit of black thread that none of the characters address when dealing with the trash. Personally, I think this isn’t going to be important, but I do have a place for it if it ends up coming up. That is:

-Ball of clothes: Charles takes this from the dress-up room. It’s apparently held together with starch (not an adhesive, just sticky, but sure), though I wouldn’t be surprised if it was actually created with the needle and thread. Again, I don’t think it’s important, but you can choose to believe it was used here if you want. It’ll make sense later.

-The gym. I’ll be honest, this is the one thing I don’t know how to fit in. During the investigation, Teruko makes memory to how the gym looked before and after the Nico incident. I’m not great at Spot the Difference, but for the life of me the only thing I could see change was the missing fan and the missing ‘grippy thing’ on the pull-up bar. I don’t know how that would fit with the mystery, so I’ll be glad if anyone can figure something out.

-The motives: Not important for the method, obviously important for other reasons.

So, with the evidence laid out, what can we figure out?

Theory Time

When I said I spent hours thinking about this, I mostly meant running through several theories at once, trying to see which one made the most sense. I went to some weird places: from a crime of passion disguised as a suicide, to drowning her in the Relaxation Room, to somehow getting from the Movie Screening Room to the Playground (MonoTV had mentioned punching through the wall would get you there), to Arei herself being the one originally trying to murder…

But in the end, it was simpler. There are three important facts which help narrow down the options.

-Arei’s neck was broken. This eliminates simpler killing methods such as strangulation. Something happened which broke her neck, yet:

-Her wrists were bound. A broken neck is instant death, but Arei’s bound wrists imply the killer feared she would struggle. This eliminates a crime of passion. This thing was premeditated.

-The murder happened in the playground. The scuffed floor, broken light, duct tape on spinny thing and the other rope all make it clear. There’s no crime scene switching here. This eliminates stuff like the drowning in the Relaxation Room I mentioned.

All of this makes me believe that Arei was hung from somewhere in the playground, likely after the killer bound her wrists to stop her from struggling. The scuffed ground serves as evidence of an initial struggle. It doesn’t quite look like that, but frankly I just don’t know what could have caused the exact shape in the ground, so a struggle it is.

However, how? If Arei’s neck broke from her hanging, as per Veronika’s Account, she would need to be hung from somewhere else first, in a way that she either weighed more or fell from higher. Now, at first, you might assume that she had to be simply hung from higher, since it’s impossible to make Arei weigh more than she does. But what if I told you, there is a way to achieve that?

Enter: the water jugs.

I don’t know about you, but the way those handles are broken looks to me like they were snapped too cleanly for human hands. It almost looks… like someone tied a knot around them, then exerted a bunch of force on the rope.

(WARNING: Geometric depiction of a hanging a bit below)

We know for a fact there are at least two pieces of rope: one longer, one shorter. It would be possible to tie the two ends of the shorter one around the handles of the water jugs, then tie the middle around Arei. Water’s pretty heavy, so the extra pull of the water jugs would exert an additional force to her body once she stopped falling, one which could serve as one of the reasons her neck broke.

…Now’s probably a good time to mention, I have no idea why the killer did half the shit they did. I cannot explain to you why they would do this with water jugs. I’m just telling you how my brain’s interpreting this evidence.

However, this doesn’t exactly solve the height problem. You still can’t hang Arei from the swing set directly, as the jugs would hit the ground. It’s still necessary to hang her from higher up, although thankfully it’s easy to see where that would happen.

Yeah, the railings of the playground. The problem, naturally, is how to get there. Or rather, how to get the rope there.

Well, here’s a question. How would you do something like that if it was lower down, but still unreachable? One answer is to try to throw the rope over the railing, so that one end stays near you, and the other, on the other side of the railing. Of course, that’s impossible with a rope of this length and a railing of this height, but the concept can still be used in conjunction with something else. Thinking about the other pieces of evidence we have, there is one that stands out as particularly strange, doesn’t it?

Exactly. The ball of clothes. Because throwing a ball, especially one as light as this one would be, is much easier than throwing a rope, you can set up the hanging spot by tying one end of the rope to the ball, and throwing that over the railing.

You might think it’s still too far up, but think of it like this. How far can you throw a basketball straight up? Probably enough to clear two floors, at least given enough attempts. The ball of clothes would have more drag, yes, but it would be lighter. Keep in mind the killer had all night to get this right, and they could have even climbed on the swing set if they needed a bit more height. It’d be awkward, but possible.

There is one more piece of evidence that makes me think this is the case. That is, the flickering lights.

The lights weren’t broken, but they did get fucked up. This is by far the clue which gave me the most trouble when thinking about this, since it just seemed so impossible to achieve. However, this ‘ball of clothes’ theory gives us a solid answer. On the way up, the ball of clothes may have hit the lights:

This wouldn’t break the light, but it could displace it, causing it to flicker… or something like that. I’m sorta banking on J giving a proper explanation with her pre-established expertise, since I’m no electrical engineer. However, I see no other way this could have happened, so it’s the answer I’m giving for now.

So now we have the long rope on both ends, all that’s left is actually pulling Arei up. Except, that’s still quite complicated, isn’t it? Already pulling her up would take quite a bit of strength, but the main problem is the ‘going down’ part.

For Arei’s neck to break, she needs to enter free fall, then abruptly stop halfway. That would mean you need to stop the rope from moving on the way down, but how? Just using your hands is impossible, because you’d get burnt.

Enter: spinny thing.

The duct tape tipped me off that this thing was important, and once the use of rope is factored in, my first instinct was to use it for a sort of pulley system.

Weave the rope through a few of the handlebars, then tie a knot around one of them. That way, if you make the thing spin, it will drag the rope with it, sort of like a roll of film in reverse.

Then, once Arei reaches an appropriate height, you spin the thing the other way, letting her fall at full speed for a bit. When you want to stop her, you would just need to stop the carousel from spinning, which may take a bit of strength, but it’s perfectly doable.

Now, this explains how the murder could have been done, but where does the duct tape come into play?

…

Yeah, good question. My best answer is that the rope somehow burnt a friction mark into the spinny thing, which the killer feared would give away their trick. After all, even if the duct tape is more noticeable, it’s harder to make a connection between that and the murder than a friction burn, which while harder to notice, would point more directly to the pulley idea.

Yeah, it’s not a great answer, and it’s frankly the part which still puzzles me the most, but it’s an answer, so I’m going with it for now. Open to change, though.

Notably, this is also the part of the crime where I feel the gym may come into play. Again, I have no idea what the relevance is, but if it has something to do with this crime and not just the Ace - Nico incident, perhaps the grippy strap of the pull up bar was somehow used to better grip the spinny thing’s handlebars for the pulley trick? Again, this is one piece of evidence where I could use the help.

And so, we’re done! Practically all of the important evidence was used, and I can’t find any contradictions in the reasoning!

Closing Argument

The killer first put water from the Relaxation Room, fish and all, in some water jugs before nighttime.

At nighttime, they stuck together Teruko’s and Hu’s old clothes with either starch or the black string. Going to the playground, they tied a long rope they got from storage around the ball of clothes. They repeatedly threw it up, until they managed to get the rope over one of the railings in the playground. However, on the way up, the ball of clothes hit a light and displaced it, causing it to flicker. MonoTV would later remove this light.

After that, they tied one of the ends of the rope to one of the carousel’s handlebars, possibly looping it around some of the other handlebars to make sure it would work as a pulley. The killer left the water jugs in the room, first tying a shorter piece of rope around their handles, and took the ball of clothes back to the dressing room.

After that, the killer wrote a note. They had overheard the Eden-Arturo-Arei situation, and used that to lure Arei out to the playground at 7:30 AM. She potentially arrived just before the killer, based on the scuffed ground being a bit far from the door, but the killer got there just a moment after, before Arei could understand the situation.

The killer overpowered Arei, scuffing the ground near the seesaw in the process. They eventually bound her wrists together, and wrapped the middle of the rope attached to the water jugs to Arei’s lower body. Possibly around her waist, as to prevent rope burn injuries from giving the trick away.

After that, they tied the unused end of the longer rope around Arei’s neck, and moved to the spinny thing. Using the grippy strap they got from the gym (maybe), they grabbed one of the handlebars and spun the spinny thing so that the rope was pulled in and around its handlebars. This also had the effect of pulling Arei up towards the ceiling.

Once Arei was high enough, the killer quickly spun the carousel the opposite way, then abruptly stopped it just a few moments later. This caused Arei to free fall shortly, before suddenly stopping. The force of that stopping broke both Arei’s neck and the handles of the water jugs. Arei died here, if she hadn’t already asphyxiated beforehand.

All that was left for the killer to do was cleanup. Retrieve the longer rope and hide it under the spinny thing; set up Arei’s body to look vaguely like a suicide; empty the water jugs on the ground; throw them away, alongside the duct tape and the note. The killer’s trick had also left marks on the carousel, which they decided to cover up with duct tape. Finally, the killer reconvened with everyone at around 8 AM for the motive announcement.

And with that, all questions are answered. Well, except for:

What the fuck

Like, why would the killer do this? It’s so unnecessary cruel, when they could have just hung her. I was honestly worried, as I thought about the method, that the killer would end up being Veronika, just because it’s so fucked I genuinely can’t see anyone else doing this. But Veronika doesn’t have a motive to do this: she’s talked about wanting to enjoy the trials for as long as possible, and it’s been set up if she murders, it would be of boredom. Doing that before a motive announcement which would make things interesting doesn’t fit her at all. Or maybe I’m coping.

The answer to the question of why the killer chose this method is only part of a larger question, though. So, knowing the method, how does that change the final question?

Who did it?

EDIT: DISCLAIMER: The following part of this blog is outdated. Go here to read a revised version of the method, with a different culprit. It's a reblog of thebadjoe's reblog of this post, as they pointed out a lot of flaws in my original theory (adult content warning for Arei's corpse). I'm leaving the rest of my original post up, but just know I now believe the killer to be Eden, with an accomplice.

Let me start by saying that I can’t definitively say anything about anyone, even knowing the murder method. However, this *does* paint some of the theories in a different light.

Smaller theories

I’ve seen a few people suggest everyone from Charles to J or even Arturo. A lot of these theories are decent, but some rely too much on certain assumptions which may or may not be disproven if this method is accurate.

Charles is ruled out. The murder required moving the corpse around postmortem, and while there wasn’t any blood around, Charles’ necrophobia would make it impossible for him.

A theory I saw was that J may have used her remote to open secret trapdoors and move around rooms, taking advantage of the placement of the playground in relation to the Movie Screening Room. However, while that theory is interesting, the murder is perfectly possible without these trapdoors, so the main argument kinda goes out the window. Although I guess it’s possible her remote could be used to make the carousel go spin, but that’s kinda ridiculous if you ask me.

Arturo was ruled out from the beginning because the handwriting in the note is too pretty to be a doctor’s. That’s a joke, and Arturo would actually be quite capable of the crime. In fact, he’s sort of become my second most likely culprit, even if he was accused early in the trial.

Hu / David manipulation, in shambles

A popular theory states that the killer was manipulated by David to do the deed. The most common victim of this manipulation theory seems to be Hu Jing. However, in my opinion, the sheer brutality of the method pretty much rules this out. David may be a good enough manipulator to get somehow to kill Arei, but I really doubt he’d be able to convince them to do… all this.

Especially since he has no reason to order the specific method, which would imply it was born from the killer’s own mind. So, even if David actually told them to kill Arei, they decided to use this insanely elaborate method all on their own. And, listen, I don’t care how you feel about Hu, she wouldn’t do this.

Is it still possible? Sure, I guess. Does it look a lot weaker under this method? Absolutely.

The surprisingly strong Whit/Eden allegations

I didn’t make this theory considering these two the killer, I really didn’t. I still don’t think they are. And yet, they are the only ones who could benefit from this method. How? The BDA.

You see that loophole, right? I noticed the moment I saw the rule. The way it’s written seems to imply the BDA only plays when three ‘spotless’ see the body, ruling them out as the murderer. Except, that’s not how it’s worded. It doesn’t say ‘three non-murderers’, it says ‘three people who didn’t witness the murder’.

So, pray tell, what happens if the culprit has their back to the victim when they die? Simple; they didn’t witness the murder, so their eyes count for the BDA.

How does this help? Well, imagine if Teruko had been the one to kill Arei. By making a contraption where she can be sure Arei dies instantly upon something happening (in this case, abruptly stopping the spin of the carousel), she can make sure her back is turned the moment Arei dies. Of course, the moment she turns around, the count for the BDA goes up to one, but it doesn’t trigger, since you need three.

Then, when Teruko ‘discovers’ the body alongside Eden and Whit, the BDA plays; one person (Teruko) had already ‘discovered the body’, so Eden and Whit seeing it would increase the BDA count by two. That makes three, BDA plays.

And yet, during the trial, if the murder method hasn’t been found out, Teruko could claim she isn’t the murderer because of the trickily worded BDA rule.

Now, we obviously know Teruko didn’t do it, but Eden and especially Whit are common theories. This could be used as evidence, except…

There’s a pretty obvious problem there. It’s not them, but Teruko who asks to team up in a group of three for the BDA, and it’s also her who suggests going to the second floor. Then, the playground is the last place they check, and Whit even questions Teruko when she suggests going there (the infamous ‘hanging out there’ line).

I wouldn’t rule out Teruko’s bad luck making her pick the absolute worst possible partner possible, but that doesn’t take away from the fact that neither Eden nor Whit were proactive in the search method, which goes against this potential ‘BDA alibi’ plan.

As for the rest of the theories, I don’t quite believe them. Yes, Whit definitely has more issues than he lets on, but he has no motive to do this (remember; he asked an entire group of people to reveal his secret if they had it, so the only reason his secret lasted until the trial was Rose throwing it away). Eden even less so.

And in the end, it really is the motives which points us to what I believe to be the killer.

Yeah, it’s Levi

As does what I believe is most of the fandom by this point, I think Levi is probably the killer.

Many have already theorized about the remaining motives, so I’ll spare you the ordeal and tell you: Just with the information all the characters have access to, it’s possible to narrow down Levi’s secret to ‘murdered someone’, ‘poisoned competition’ and ‘dead family’ (I know the last one’s Xander’s, but the characters don’t really have access to the Bonus Episode).

However, Eden can eliminate the ‘dead family’ one, as Levi has talked about his family with her, and they’re not dead (He also mentioned having brothers in the present tense during the trial, but just in case).

Min’s Bonus Episode makes it likely her secret is the ‘poison competition’ one, though how the characters are gonna figure that one out is beyond me. The point is, Levi’s secret is the ‘murdered someone’ one, the one Arei had. And, listen, in-game logic aside, you don’t just give that secret to the victim of the case and then have it mean nothing for the murder.

Other suspicious behavior has been noted, such as him wanting to start voting time quickly when David did his thing, him quickly checking the motives when they became public (keep in mind, as some characters mentioned, it’s possible the killer thought just killing someone before the motive reveal would be enough to prevent it), etc. Also possible foreshadowing such as Ace claiming Levi could ‘snap [his] neck with his bare hands’ and Levi promising to protect Eden in the trial, which is exactly what Arei did before dying.

However, something I feel people overlook is that not only did Arei get Levi’s secret, but it was also Levi who got Arei’s secret. A secret which, keep in mind, wasn’t public knowledge until the trial, when Levi finally revealed it. Sure, David and Teruko knew, maybe Eden at best, but other than that, only Levi knew of that secret.

And this is where the murder method may come in. I’m still unsure. Because the only reason I can find for this amount of elaborate planning and brutality, beyond the BDA thing which I mentioned likely isn’t important, is the killer having a deep grudge against Arei.

Levi is a guy who cares about his family. Sure, he was disowned, but he claims it was good, because he and his family were ‘bad influences on each other’. He seems like he genuinely wants the best for his brothers, it just so happened that the best thing was going their separate ways.

So, how do you think he feels when he learns that Arei, someone who had already insulted and belittled him, calling him a pushover and stuff, did horrible things to her sisters? If he doesn’t have the full picture, it’s not impossible to see how that may make him angry at her, especially with his already established anger issues.

Not to mention, keep in mind the setup for the crime was done one night after the Nico - Ace incident, one which ends with Levi grumbling ‘why do I even bother?’ as he locks himself in his room. This could imply a complete loss of faith in the group in general, which could lead to him deciding to kill.

Of course, that theory has more holes in it than Swiss cheese. Levi’s outbursts of anger don’t really last long enough for it to explain such a long and elaborate murder scheme. Not to mention, if he really did react negatively to the motive, he’d have done it the moment he received it, not several days later. He has murdered without remorse before, if his secret is to be believed, but until we get the specifics, we can’t know for sure how okay he’d be doing something like this.

However, the important question Levi as the culprit answers isn’t the ‘why?’, but the ‘how?’.

I’ve sorta glossed over it until now, but it would take quite a bit of strength to stop the spinny thing in the trick. I don’t think Levi’s the only one capable of it, but he’s certainly the most capable, if that makes sense. Not to mention, actually overpowering Arei in the first place wouldn’t exactly be easy. Plus, the ball of clothes being involved implicates him in a meta-sense, as it could technically count as his talent being involved in the murder.

The problem, of course, is that I have no definitive evidence. His custom weapon, brass knuckles, wasn’t involved at all, and there’s no way to place him at any of the important scenes. No one has an alibi for nighttime, no one has an alibi for 7:30 AM, and pretty much no one has an alibi for the Eden - Arturo - Arei incident (afternoon of the day of Nico’s attempted murder, when for now we only know Hu, David, Nico and Teruko where talking in the Relaxation Room. Though of course, the exact time is impossible to know).

I suspect he’s going to be suspected for the motive and the strength thing, and either someone will come up with something incriminating, or he’ll make a slip-up a la Mondo. I have no idea.

So… what did we learn?

Kinda nothing. As you can see, the murder method doesn’t really point to a killer in any definitive way, so we’re just back where we started, basically. But hey! It was fun! I guess.

Now, back to crying over the hiatus. See you!

#danganronpa despair time #drdt #fanganronpa #arei nageishi #drdt chapter 2 #drdt theory #levi fontana #whit young #eden tobisa #this took way too long #i need therapy #veronika grebenshchikova #arturo giles

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the-marvelclub · 3 months

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While you were sleeping | Bucky Barnes

Part 3.

read part 2 here series masterlist

Summary: Reader is in love with the mysterious man who goes every week to the bar where she works. When one night she witnesses a fight that leaves the man in a coma and he´s taken to the hospital, she is mistaken for his fiancée, unaware that the mysterious man is Steve Rogers himself. With no family and after losing everything in The Blip, reader becomes captivated with Steve's friends and their unconditional love for her that she can't bring herself to tell the truth. Things get complicated when she finds herself falling for Steve's best friend, Bucky.

Taglist: @rosecentury @ozwriterchick

"So do you have a date for the wedding yet?" you choked on the wine you were drinking, Wanda's question taking you by surprise. You were now sitting, eating the food in front of you. You had been chatting happily for the last 30 minutes, surprised by how easy it was to talk to them and not bring up your relationship (or lack there of) with Steve, well, until now.

"Actually, we haven't talked about it" you replied leaving the wine glass on the table, your voice finally coming back to you. Wanda nodded seemingly satisfied with your vague answer and continued eating next to you.

You focused your eyes on the food looking for the right way to continue the conversation. The determination to tell them the truth that you had hours before seemed to disappear. It had been years since you had felt part of something. Sure, you had your apartment and your job, Joe was the closest thing you had to a friend, if you could call him that. But that was it. The events after the blip changed everyone including you, people close themselves off, and although many had returned the world was different, everyone could tell. But for this moment, being there felt right.

"I always thought he'd end up with Sharon" Sam commented, talking more to himself than anything else.

Who is Sharon?

Natasha threw him a pea which caused Sam to let out a squeal of protest. "Well, he obviously didn’t” she replied giving him a murderous look before returning to you “I'm glad it was you."

"What I MEANT is that I'm surprised there still women out there who are romantically interested in the elderly." He defended himself giving you wink.

You couldn’t help but let out a small laugh.

"Who knows, maybe there's still hope for you after all, Buck." Tony said, standing on the bar next to the table pouring himself some whiskey. The comment causing Bucky to roll his eyes but he didn't look angry.

"I've never had a problem in that department." he stated, not seeming to be bothered by this conversation at all.

The previous car ride with Bucky from Steve’s apartment seemed to last an eternity. You wouldn't be surprised if he told you he took the long way home, something about him screamed ‘disbelief’. Of course he used the moment to asked you a lot of questions about your supposed relationship with his best friend, you knew he was probably taking mental notes of every lie that came out of your mouth, you tried your best to do the same hoping it wouldn't all come back to bite you in the ass. You knew what he was good at, you had never been one of those people who idolized the avengers, not before, not during or even after the blip, you knew who they were from the news or from what your co-workers talked about. But you certainly knew what Bucky Barnes was good at, you had read about the winter soldier in a history book you had been flipping through while waiting for your favorite coffee order.

Steve Rogers' best friend, womanizer, his supposed death, what he been through and his relationship with the others avengers. You'd be lying if you said you didn’t find him somewhat intriguing.

“Well, we can all agree that 4 months is pretty fast for an engagement" Bucky’s voice snapped you out of your thoughts. He pushed his now empty plate aside and leaned back against the chair, his chest seemed to rise as he crossed his arms over it and a small, almost unnoticeable, smile crossed his face. "I bet you know a lot about him" He cocked his head to the side slightly and looked at you "like for example, his favorite movie”.

You knew it wasn't just a statement, he was asking you. Of course he was his best friend but apparently he hadn't seen Steve either for the last two years. People change. Well if that's the way he wanted to play it, you were going to use your cards right.

"He doesn't like watching TV" you said with confidence mimicking his posture and crossing your arms over your chest. For the first time since you ran into him, you held his gaze for more than just a couple of seconds. If you wanted him to believe you, you had to play the part.

"Favorite musician?" He asked quickly ignoring your previous reply. If Bucky was being honest with himself, he liked the nervous look you’d have on your face every time he looked at you, but this time he couldn't see anything but your defiant stare.

"Marvin Gaye" You mentally went over everything that was on Steve's nightstand when you went to pick up his clothes, remembering the old cds he had "and the Ramones."

"Book?"

"1776"

"What are you doing, James?" Nat’s stern voice next to you made you look away from him, for a moment you had forgotten they were there, "what is this about?"

"Nothing, nothing, just curious" He simply replied before getting up and heading to the bar for another drink. You let out a sigh of relief as the others continued their chatting. You were about to take your last sip of wine when you noticed Wanda's gaze fixed on you, you smiled softly at her and returned your attention to the food in front of you.

"And what do your parents think about him?" Tony said after a while, the food was long gone and now everyone was getting more drinks "I bet they're very happy for you."

You gulped grabbing your dirty plates taking them to the dishwasher distracting yourself from the question.

“They passed away” you replied quietly "I never knew my mother and my father died of cancer one year after I disappeared on the blip, so I never saw him again. It’s just me”.

“Oh” Tony looked at you apologetically “I’m sorry”.

“It was a long time ago” you brushed it off, not trying to make the evening uncomfortable. You close the dishwasher and turn to Nat who was going to take you to see Steve. Before you left the room you caught Bucky’s stare, only this time this one was soft, almost kind.

——

Natasha had taken you to see Steve, who remained in the same state, if you didn't know what was really happening to him, you would think he was just sleeping. His cheeks were still full of color. You'd been able to notice the little details that adorned his face, and yet Joe's voice wouldn't leave your head, he really look a lot like Ryan. According to what you had been told, it was all a matter of waiting, he was a super human after all.

An hour later, Bucky had offered to drive you back to your apartment. This time the ride was shorter, if he wanted to investigate further about his suspicions about you, he didn't. He kept quiet for the entire ride. Maybe he was just tired or maybe finding out about your loss had made him identify with you, if only for a moment.

"Did you enjoy dinner?" he finally spoke, ending the comfortable silence that had formed between you two since you left the compound. You were walking down the small hallway in your building.

His kind tone had taken you by surprise "Yes, everyone was very friendly, thank you". You replied pulling your keys out of your bag, the door to your apartment in front of you.

He let out a big sigh as he leaned against the wall next to it, hands in his pockets, while he waited for you to enter. He almost seemed shy, nothing like the Bucky you had met hours earlier.

"Look, I'm sorry if I gave you a hard time" he finally said closing his eyes for a moment before turning to look at you.

You stopped.

"Oh, don’t worr-"

"The truth is that it’s been a long time since Steve told me anything really, it's not your fault" he interrupted you and by the way his voice failed you noticed he was having a hard time talking about it. You could feel the horrible sense of guilt flooding through your body. You didn't want him to feel bad. "I'm glad you two had each other and you were taking care of him." Well, now you really felt guilty. The imposter syndrome was really kicking this time. You gave him a half smile entering your apartment.

"I didn't tell you before but… thank you for saving his life, not everyone would have been brave enough to do what you did." You turned to him, he was leaning against the door frame looking at you only this time you didn’t feel strained with his blue eyes. "I can see why he’s attracted to you” he simply said giving you one final look before turning and walking away. If he only knew.

"Goodnight, Bucky" you whispered watching him go, but this time he didn’t hear you.

A small continuous rustling sound made you wake up from your sleep. Opening your eyes to a completely dark room, you were about to reach out to turn on the lamp at the side of your bed when a cold material covered your mouth and the smell of leather filled your senses.

What seemed like a figure of a man was on top of you, his gloved hand was over your mouth trying to restrain you.

Terror began to invade your body. Oh god, he’s going to hurt me. You twisted and pulled your arms trying to free yourself but he was much stronger than you. He didn’t budge an inch. Feeling the adrenaline rush through your body, you didn't even realize that you had managed to let go of your arm, without thinking you dug your fingers into his eyeballs, and your knee hit his groin, knocking his breath out of him and making his grip weaken for a moment. You jumped out of bed, turning on the lamp and bringing it to the floor along with you as the man pounced on you again.

The room filled with the dim yellow light and that's when you saw him; an unknown man with black hair and tan skin loomed over you, he was dressed just like the men of the alley. You let out a high pitched scream before the man slammed your head hard against the floor.

Your vision blurred and a high pitched noise rang in your ears leaving you dazed. Before you knew it, the man was no longer on top of you but lying on your side, his face was in pain and a metal arm was around his neck.

Bucky.

That’s all you remember before you pass out.

#bucky barnes fics #bucky barnes x reader #steve rogers x reader #bucky barnes masterlist #bucky barnes fluff #bucky barnes oneshot #marvel blog #marvel fic

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1ovede1uxe · 2 months

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tired - jotaro kujo x reader

set during pt. 4, you and jotaro get into a little bit of an argument (kinda fluffy ending dw, also tbh Jotaro might be a bit ooc here, it's been a while since I watched part 4)

You endured the journey to Egypt together. You endured grad school together. You then endured telling a rambunctious teenager about the slutty old man. Then it was Angelo, then Red Hot Chili Pepper, and now, Yoshikage Kira.

It was 8:37 pm. Jotaro paced your shared suite at the Grand Morioh Hotel back and forth. Yoshikage Kira had escaped today, becoming unrecognizable. For the first time in a long, long, time; a fight had ended in a draw for Jotaro Kujo, even worse, Koichi had to endure part of this battle on his own. Koichi fought well, even then, he still ended up getting his stomach punched out. Jotaro reflected on the situation and fought with himself mentally, passing glances as you sat curled on the couch, reading a book.

Jotaro did not get close to many people, let alone finding a partner that he actually wanted to stick with. Having seen the horrors of the journey to Egypt, you understood and processed the same thing that he had to. You had helped each other through the grief of your dear friends, you had helped him defeat Dio for god's sake. Despite him not being a man of many words (hell, in the years you've been married he hadn't verbally said it outside of big moments and times he couldn't express love otherwise), you understood him better than anyone else could at this point. You knew how he showed his loved, you knew how he thought. However, you couldn't quite figure out what caused this stir.

Jotaro sat on the chair next to the loveseat you were reading on, elbows resting on his knees, his face buried in his hands. After a sigh, he leaned back in the chair.

"Don't you get tired of doing this?" He asked you, with a twinge of pain in his voice.

It clicked for you.

"Never, not when it's with you." You responded, finally taking a look up from your book. Folding it shut, you leaned over the arm rest and studied your husband. "Why do you ask?" You questioned.

For the first time in years, there was an uncomfortable, thick tension between the two of you. His usually stoic demeanor began to crack, revealing the raw vulnerability beneath.

"I just. . . I worry."

"Jotaro, we literally fought an insane vampire as teenagers, and we weren't even together by that point, we can handle a murder mystery."

"I worry for you."

"I worry about you too, but that kinda comes with the whole stand users thing, your family lineage thing. It's not a big deal."

"Today I watched another kid reach the brink of death, Koichi, and he would've died had it not been for Josuke. We met Reimi, she was killed by a stand user. That kid- Shigechi, I think Josuke called him?" Jotaro gulped. "He died by that same one. That damn arrow creating all these stupid users. It wouldn't be our problem, the kids' problem, without interaction with me and my damn bloodline."

"Jotaro, I-"

The stoic man began to crack. "I'm sick of hurting the people I'm around, even if it's not even my fault." Jotaro sighed and looked at you for one more moment before dropping his head. "I want you to go home back to Florida."

You shook your head in shock and sat up on the sofa. "I'm sorry, what?"

"You heard me." Jotaro said, not even looking at you at this point, not wanting you to see the tears glazed over his eyes. Over the years, you two had been inseparable since you had met on the journey to Egypt. You graduated high school the same term, went to the same university and even grad school. "Jotaro, I'm not just going to leave you, we're partners. We've been through hell and back and-"

"Things are only getting worse and more dangerous. This isn't about being partners, this is about survival. Your survival." He said sternly, continuing to pace, hands shoved deep in his pockets.

"I can handle myself, Jotaro." You refuted, growing a bit aggravated you felt your spouse was trying to push you away.

Jotaro's jaw clenched, his eyes flashing with frustration. "This isn't about you being weak, it's about you being safe." he argued back, his voice appeared to be dripping with exasperation, coating his true concern for you. "I can't bear the thought of something happening to you because of me."

"I'm not just some bystander, Jotaro!" you yelled back, your own anger boiling over causing you to raise your voice. "I've been by your side through everything, and I'm not about to leave you now just because things are more dangerous!" After you had raised your voice, you exchanged glares and stood in the heavy silence. You loved him so much, you wouldn't leave his side, no matter how much he might want you to. "I-" You paused. "I'm sorry for yelling, but I know what I walked into twelve years ago, I know what I walked into marrying you. I'm not going back home." You solidified. Jotaro, still facing away, supressed the small smile growing on his face. As much as he cared for your safety, Jotaro was grateful you'd be there for everything.

"Good freakin' grief, You're so damn stubborn, you know that?" he muttered, his frustration dissipating. Jotaro quickly turned to face the window and sniffled, trying to keep himself composed. "I'm not letting you go through this alone." You said firmly. You wouldn't go back even if God came down to earth and told you to. Jotaro wrapped his arm around your shoulders and you leaned into side as you gazed out over the town. He planted a quick kiss on the top of your head. "I love you, (y/n)."

masterlist.

first ever posted one shot? omg? also constructive criticism is always appreciated through dm or askbox <3 The next chapter of beyond the stars is a WIP at the moment, I just wanted to try something fresh, love you all <3

#jotaro kujo x reader #jotaro x reader #jjba #jojo no kimyō na bōken #jojos bizarre adventure #jotaro kujo #jjba headcanons #stardust crusaders #diamond is unbreakable

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the-fiction-witch · 3 months

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Arrangement P2

Media The Artful Dodger

Character Jack Dawkins

Couple Jack X Reader

Rating Flirty

Requested More!!! Yes please! OH MY GOD do part 2 where they skip to the wedding and get up to no good 😏 I need a part 3!! pt 2 plz

"did you have anything you wanted to ask or know about myself? Or am I simply a woman so that's enough to be your wife?" She asked,

"yes...I would like to know more things about you. I would like to know the real Y/n, not just the pretty girl who is going to be my wife."

"of course, ask away then" She nodded,

"I suppose the obvious first question is...what do you like to do for fun?"

"I read. I sew. I bake of occasions"

I nodded, I rather liked those answers.

She reads, sews and bakes. Those all sound like very wholesome activities. Very Wifely, I can imagine her sewing my shirts and baking me cookies for work.

"well...what kind of books do you like to read? are you more into fiction or perhaps more nonfiction? do you like a nice romance novel? I suppose romance is something that might be right up your alley." I smirked, "Perhaps reading some romance in preparation for our meeting? but you seem like a woman of...depth...and a woman who has more layers to her than meet the eye."

"I don't much enjoy romance I find it very repetitive, I do love a good nonfiction book it's always interesting to learn but" she explained, "I enjoy mystery, horror, and thriller a good murder mystery novel cannot be topped" she smiled genuinely giving my arm a little squeeze,

Awww that genuine smile and that squeeze. it's the kind of contact I'd been craving from her all day, and it makes me feel even more attracted to her. I felt very lucky... to be so close to her and get to hear more about her like I was discovering a beautiful garden now her harsh walls of stone were lowered, she sounds like the perfect woman...I barely want this day to end.

"that's very interesting, actually. I would have never guessed that. I mean I could guess the mystery part. but horror and thriller? those are such intense genres. why do you like them?"

"I enjoy the darker more macabre I suppose" she giggled,

my curiosity piqued as she mentioned 'macabre' I couldn't help but smirk and let a sly smile form across my lips pulling out my most flirtatious language, "a woman after my own heart. dark and macabre. I think you're the only one who can make such a claim and get away with it. I don't think anyone else could pull that off. I have to admit, it's somewhat sexy that you're attracted to such intense genres."

"Pardon?" She chuckled,

"I said I think you're sexy when you're into dark and macabre things. isn't that what I said? did I say that wrong? am I not making myself clear here?"

"it was clear I was merely checking I heard correctly," her lips curling into a smile

"yes, you heard correctly. a lady who likes dark and macabre stuff...is pretty sexy. I will stand by what I said." I smirked, "I am a surgeon," I chuckled, "Blood, bodies and death are a key part of my day,"

"So you'd say you like a more macabre young lady?"

I bit my lip hard trying not to imagine her with her hands and a pretty dress covered in blood, Ummm she'd look good like that. The thought of a dark macabre young lady admittedly excited me, and the thought of my wife being like that... well how can I not love it. "yes...I do indeed, a young lady who's a bit macabre is incredibly attractive to me. I can't help but find such a woman intriguing...and sexy."

"ohhh wait till you see my bedroom" she giggled to herself biting her lip a little,

"Oh my...I dare say you're only making me more interested and excited. I would love to see your bedroom..." I smirked, Half at the idea of merely seeing her bedroom and at the idea of my macabre little firecracker.

"I don't know it might frighten you" She raised her eyebrow,

"frighten me? my dear, nothing you can do will frighten me. I'm a surgeon. I see more blood than a human holds most days, but... I find this dark and macabre side of you enticing and appealing. I want to see what really lies underneath that innocent and charming exterior of yours. I dare say that the darker and more intense nature is what I really want to see..."

"humm" she smiled clearly enjoying herself as by now we had finished with the garden and headed back towards the house

I can't help but be mesmerized by her gloved hands, which have now taken mine, the soft supple texture of her fingers in the sweet velvet as they intertwine with mine. I rather felt a wave of sensual excitement build inside me as her gloved hands intertwined with mine. I can't help feeling incredibly aroused, this is not just due to the physical touch, this sight mixed with the flirtatiousness we had been experiencing back and forth with each other unable to remove the thought of marrying my little macabre firecracker makes my body ignite.

her fingers began dancing on my palm for a while only causing me more excitement and arousal and after a while, I noticed she was not just playing with my palm but reading it her fingers tracing subtle lines and shapes on my palm was so exhilarating. the more she traces, the more my body trembles. suddenly I became very curious to know what she could tell.

"oh ...what do you see in my palm, My dear?"

"very strong lines, life line shaky at the start but I'd say that's fair"

I felt a little odd she brought it up, as I know she's right. "well you're definitely not wrong about that. I'm actually pretty surprised that you can read my palm accurately, although I suppose that's what you learn to do when you read so many dark and eerie genres..."

"Something like that,"

I stared deeply into her eyes, My expression of pure devotion as I felt her soft hands tracing those strong lines on my palm. I am already so captivated by her beauty and by these innocent gestures knowing what's behind them. I was already feeling so aroused by her that now my breathing is quick and shallow my feelings showing themselves in the slight trembling in my hands as she continues to read my palm. "well, I hope that's true. and you're telling me this based on the line shapes only?"

"ummm, heart line is very thick too you must be very caring, fate line is very strange though"

"Strange? in what way? what does my strange fate line indicate?"

"usually difficulty with life, with money and with experience usually a struggling life"

"yes...you are correct in that. my life has been fairly difficult so far." I nodded, "What a clever little thing you are my dear,"

"forgive me. I shouldn't" She shook her head trying to separate our hands but I took her hands in mine again,

"no, please. it's ok. I think it's good for me to know that information. maybe I've just been having bad luck so far, and it will turn around someday. but it can't be right all the time...right?"

"no, it does straighten out see," she said showing off the lines in my hand, honestly they just looked like lines to me but it was still interesting to hear her talk like this with me, and feeling her trace the lines with her velvet gloved fingers were helping,

"so...this indicates...a turn of luck?"

"mhm, struggle and then stability, and look your heart line and love line join," she said showing off where two lines become one,

"yes...they do. I've never read into any of this at all. what does it mean that they join together like that?"

"it means your love life and relationships meet and then combine with your heart's true intentions usually means soul- ohh uhh soulmates." she blushed letting my hand go and fixing her hair behind her ear,

Awwww her blush is so cute, "Soulmates?" I smirked at her and she blushed more,

"If you believe in that sort of thing,"

" believe in it," I told her, part of me honestly did I like to think there is someone special out there for everyone, but most likely never find them, and I also just wanna tease her a little more, and if she believes this stuff? no harm in thinking we... couple be. "I believe this was destiny...and what you had just described. soulmates. I absolutely believe in that sort of thing...I am a hopeless romantic at times."

She nodded as we walked blush flooding her cute little cheeks, I just wanted to kiss all her her sweet little red face.

"And...what about you? do you believe in the same things? love at first sigh...being soulmates and all that jazz?"

"I don't know honestly, I would like to believe such things but I think I am too uncertain to truly believe them" she said fiddling with her fingers,

"Being sceptical is good, very good I think. doesn't mean you can't be allowed to believe in a little magic," I winked, I am...quite a bit sceptical myself. but the way today has gone...and the way you've made me feel...I have to believe that this was simply meant to be. I cannot believe anything less than that."

"I have..." She began stopping walking and fully turning herself to face him fiddling with her fingers and being almost unable to make eye contact "hope."

"Hope?"

"Mhm, Hope."

"For us?"

"For us." she nodded,

"then I feel the same. I also have hope for us. let us promise to hold on to our hope and make things work. let us try our hardest to make this work and be the happiest we can be...together." I smiled kissing her hand,

"I'd like that Jack," she nodded,

I smiled so warmly to think this was true I know I already got lucky that an arranged marriage was to a woman so beautiful so sweet, so firey, and so many of my desires all in one woman, and now to hear she had hope for us even after so little time together, hope for our soon to be marriage, It made me feel so cozy, I was starting to believe maybe she was my soulmate, my most perfect little innocent macabre firecracker of a woman soon to be my wife, I rubbed my thumb against her hand and for a moment was convinced we simply had become part of a romance novel, as I glanced at her sweet eyes holding her hand, it all felt so delicate, so tender, so sweet, a little sensual those sweet eyes looking back at me, "I would like that too..."

Y/n and I made our way back to the house and into the dining room where the formal dinner was to take place. The large meal was already laid on the table and was indeed quite impressive. Mr. Y/l/n takes his place at the head of the table with his wife Mrs Y/l/n, to his left.

I was seated at the other end of the table directly across from Mr. Y/l/n. Y/n is seated to the left of me. already my stomach was rumbling after a good while of hospital food, I did my best to seem a proper gentleman even if my mouth was watering, Mr. Y/l/n raised from his seat with his glass so we all did too with our full glasses,

Mr Y/l/n he smiles warmly, his eyes brightening, "I'd say today we toast, to agreements come to pass, to clear skies ahead" he said, "To marriage and to love young" he said raising his glass to Y/n and I, "and old" he gleamed raising his glass to his wife,

I smiled as we all had a sip after the toast that was very sweet and then he looked to me,

"I think that is a very appropriate toast that you have chosen, Mr. Y/l/n...I hope that we can all share happy and successful marriages like the two of you."

"Here, here," He nodded and we all had another sip before sitting and getting on with dinner.

Be a gentleman. Be a gentleman.

I'm at the table with her parents, and my soon-to-be wife, having met her less than two hours ago. I have to be proper, I know I'm hungry and I know there is literally a whole roast chicken in front of me! but I need to... BEHAVE. But I... did my best.

Once dinner was done we headed to the parlor where Y/n sat with her mother the two signing back and forth, and Mr Y/l/n put his arm around my shoulder in a very fatherly way, "Shall we have a drink then Doctor Dawkins? I am rather eager to have my first drink with my soon-to-be son-in-law."

"Ohh yes I'd be delighted sir," I nodded,

"No no, No sir, Just Martin. You are to be my son-in-law. You are to be family." He said as he fixed us each a glass of whiskey, he handed me my own and we clicked our glasses. "Just a week to the wedding,"

"Just a week, I admit I am quite excited." I nodded, I chatted with her father for a while being pleasant as I slowly drank the whiskey, doing my best to be a gentleman and conversationalist even if I think I missed some secret conversations given her mother would often sign things and they would reply back to her in sign so I have no clue what anyone is saying, I should really learn. I'm sure y/n can teach me once we're married, just feel like kinda a dick making her mother lip-read me, and I'm sure it would be handy in the hospital. For patients and for secretly insulting Sneed.

I noticed her mother sign something and Y/n blushed a little,

"Perfect idea Darling," He smiled signing back to his wife, "I think we shall leave the engaged couple to chat I'm sure they'll get along swimmingly," he said taking her by the arm and the two leaving shutting the door to let Y/n and I be alone.

"Would you care to join me?" She asked flicking a deck of cards between her hands,

I smirked immediately downing the rest of my drink, "I'd be delighted, my dear."

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xxsycamore · 6 months

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👻🕸️🦇 IKEVAMP SUITORS IN A HORROR-MOVIE SETTING ! 🦇🕸️👻 (headcanons)

Happy Halloween! Yes, this includes all 17 suitors. I'm no expert on the genre but I thought this might be fun! Some of them die. I'm sorry. Warnings: everything that can appear in a horror movie really, including mentions of death, mass murder, blood, gore, torture, cults.

If you feel like reading something more goofy where everyone lives, try Pumpkin Carving Competition At Saint Germain’s Mansion or maybe even “Welcome to Saint Germain’s mansion, please have a fang-tastic night.”

𝐍𝐀𝐏𝐎𝐋𝐄𝐎𝐍

The "okay guys, we need a plan" guy and welp, he has a sword, he is willing to walk in front, why not trust him? 👍🏻✨He's totally the one to hide being infected because come on, how are they gonna get out of there alive if the leader is down? Has a dramatic scene where he's fighting off the transformation in secret. Ends up being saved by someone and survives.

𝐋𝐄𝐎𝐍𝐀𝐑𝐃𝐎

Leonardo is the one you find along the journey, mistaking for an enemy at first as you get into his trap... when it actually turns out he's been there long before you, surviving all alone in this post-apocalyptic setting, adapted to it, prepared for every danger out there with gadgets he made himself! He might not stay alive until the end but plays a key role in the plot.

𝐌𝐎𝐙𝐀𝐑𝐓

He tried to warn them not to do anything stupid... He's now stuck suffering from the group's bad decision-making. He doesn't even know how he ended up there. Mozart is that one character that you're supposed to hate for being an asshole. At one point he falls in danger that specifically relates to a fear of his, and when everyone expects him to sacrifice another person to save himself, he does the opposite. He seemingly dies right there, breaking everyone's hearts, only to be revealed at the very end that he managed to survive!

𝐈𝐒𝐀𝐀𝐂 (credits for the idea goes to @scummy-writes guys she can write a whole fic of those I swear,, it's been such a pleasure listening to her)

Isaac needs to be saved five minutes into the movie... which writes him off as the weaker one from the get-go. This is going to be bad if the situation comes to "we gotta leave someone behind or we all die here!" - but hey, DON'T LEAVE ISAAC BEHIND IF YOU WANT TO SURVIVE! Because the next thing you know everyone falls into this deadly trap that only HE can figure the way out of, using his big brain skills. His worth has been proved! Everyone loves him now! And all he wants is to go back home and never go on a trip with these guys ever again!

𝐀𝐑𝐓𝐇𝐔𝐑

I'm sorry, Arthur dies first. The others are trying to warn him about the cases of victims who've been sucked to a dry husk and he's like "later virgins, i have a date tonight". Yeah his date totally killed him. Bonus points if we're dealing with vampires here, because irony. It's fine though, he's still important to the plot after he dies, because we find his writing diary and he left important cues there while trying to escape from his killer. Maybe he even came close to the truth! He knows his mystery genre stuff after all...

𝐓𝐇𝐄𝐎𝐃𝐎𝐑𝐔𝐒

Theo just does NOT believe paranormal exists, not even after witnessing it with his own two eyes. Worst part, he tries to convince the others too. "My broer IS NOT POSSESSED!" Uhuh! Okay Theo! You just saw cryptic images appear on his canvas without him even moving the brush but I guess he was just trying a new painting technique!! And he levitates too and his eyes are tar black but what do we know... Once Theo realizes the situation, he's out there swinging a bat (sexy), ready to beat the shit out of whatever caused this, and he's good at it. Don't worry about him dying.

𝐕𝐈𝐍𝐂𝐄𝐍𝐓

Poor baby Vincent is every sinister ghost/demon's number-one target. Vincent listens to the voices. He sympathizes with them! He makes friends with them! Maybe he doesn't even need to be possessed at this rate... Same story with joining a cult, honestly. When their bad intentions begin to come to light, Vincent puts up a fight and is suddenly not as easy to control as they thought.

𝐉𝐄𝐀𝐍

Jean might take some bullets from our main cast while someone shouts "IT WON'T DIE!" but it's fine he's used to it... he's been dead for quite some time and not just inside. Jean is probably the result of some sick experiment about making an immortal army of warriors and. It's sad. But it's fine because he joins the protagonists now! He's friend! I hope they apologize for calling him a monster. No, he doesn't die by the end of the movie, but at what cost?

𝐃𝐀𝐙𝐀𝐈

"Oh, it was just Dazai." Of course it was, someone has to be that one idiot that scares the shit out of everyone until he becomes the boy who cried wolf. Which usually ends with death! I'm sorry Dazai. At least they can take him seriously now and pay some more attention to the strange things he kept on saying.

𝐒𝐇𝐀𝐊𝐄𝐒𝐏𝐄𝐀𝐑𝐄

A very old-school villain! Bonus points if the setting is modern yet he still has a villain's lair and all that. There's something beautiful and tragic about him and he probably dramatically lets himself be defeated even if he had a chance to escape. Everyone will remember him. Mostly for the mental and physical torture, but still.

𝐂𝐎𝐌𝐓𝐄

"But we have one hour left until the curse kills us all, how are we gonna get there on time?!" *sounds of safari jeep pulling over* "Someone ordered a ride?" - yeah. Comte is here to save the day with the power of money friendship. And not just that! Who is the one who suddenly remembers a family heirloom that is as old as time and suspiciously shaped exactly like the key they're searching for? I also want him to lose an eye or a limb for some reason... just for a little touch of gore maybe?

𝐒𝐄𝐁𝐀𝐒𝐓𝐈𝐀𝐍

Gods, Sebastian is the only prepared one, bless him for that. He's read all about that urban legend while everyone's been busy denying its existence. He is not scared at all, too... you might wonder if he's just geeking out during all of this bloody mess or something. He's so important, please don't let him die please don't let him die... he died.

𝐂𝐇𝐀𝐑𝐋𝐄𝐒

The villain's aide that infiltrates the protagonists' group. By the time his betrayal scene happens and he nearly kills three members of the group with a chainsaw, we get a glimpse of his trauma and that's the key to sucessfully talking him out of doing it, eventually disarming him and catching him. He manages to escape and maybe later returns as an ally! Yay!

𝐅𝐀𝐔𝐒𝐓

Gods he's scary. I'm not watching this. Of course he's the killer, what did you expect? Has a tragic backstory of being used by an even more fucked-up killer in the past to do the dirty work for - and kept doing it even after getting rid of them himself, because that's the only thing he knows how to do. You can't fix him.

𝐕𝐋𝐀𝐃

IT'S HIMMM he's the scary little boy from the photos and the same scary little boy that always shows up in the rose garden and his soul just won't rest in peace!! Shows up in his adult form plenty too, just expect his expression to twist into something horrible every second. He needs to be sealed forever somewhere and it would take three sequels to get to know what would actually defeat him once and for all.

𝐃𝐑𝐀𝐊𝐄

... I'm sorry but there definitely is a lighthouse in this movie. And you can totally trust Drake! The poor guy's body just washed up for you to discover, tragically drowned-oh, wait no, he's breathing. He's totally not the same sailor who died around here many, many years ago. He's gonna keep you good company in the lighthouse alone for miles.

𝐆𝐀𝐋𝐈𝐋𝐄𝐎

Galileo is the one who saw the Thing™ with his own eyes, while he was watching the stars one night ages ago. He dedicated not only his massive research but also his life to this, yet noone believes him. If he somehow manages to find that one missing piece that connects everything together, he will die a horrifying death before he can even share it with the main cast. Rip...

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literary-illuminati · 6 months

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Book Review 57 – Pale by Wildbow

I have been reading Pale as it released from the very beginning in 2020 until the end. As such I am clearly suffering from a severe and acute case of Stockholm Syndrome, and you shouldn’t trust a single thing I say. But to try and step back a bit – Pale is the best 4 million word serial I have ever read, and very nearly even good.

The story follows Avery, Lucy and Verona, precocious and for various reasons marginalized teenagers in a decaying Canadian ski town. They are recruited by a council of the various ghouls, ghosts and goblins who live in the shadows of the town to be its Official Witches and investigate the mysterious death of the Carmine Beast, the greater spirit who stood as judge over all contests of struggle and violence in the region (less in the hopes that find anything and more so that any nosy outsiders can be truthfully told it has already been handled). Being of a protagonist-ey bent, they rapidly exceed their new patrons’ expectations, especially the ones among them who had a hand in the murder. After that it’s basically just literally several million words of things escalating further and further out of anyone’s control.

Or, I kid, but it really is impossible to talk about Pale without forgrounding its length and medium, I think. This is a serial which ran continuously with at least one update a week for more than three years, and (to grab another story about child wizards to compare) is roughly four complete Harry Potter series’ in length. Beyond being an entirely superhuman accomplishment as far as writing productivity goes, this had unavoidable effects on the story as it was being told. It also makes it literally impossible to provide anything like a complete plot summary in a review short enough that anyone will read it. So just take my word that there’s a lot of it, and we’ll come back to the others length-related issues.

This is an urban fantasy book, and a kitchen sink one at that – it’s clearly one of the underlying principles of the setting that it should, insofar as possible, be able to fit every type of storybook monster and horror movie plot and twilight zone episode within it somewhere. Underlying and ordering it all is the axiom that (almost) nothing magical can lie. The world will only respond to your word if its actually worth something – contradicting or gainsaying yourself harms your karma and sets the universe against you, breaking a sworn oath is an open invitation to fates worse than death. The natural consequence of this is that every practitioner (wizard, basically) worth shit has been trained from birth to be an asshole genie and most of the really powerful Others (catch-all term for supernatural creatures) come by it naturally.

None of which is new – this is the second serial Wildbow has written in the setting – but they do combine to make a bunch of amateur detectives investigating a murder really, really fun. The heroines POVs also offers a great way to introduce the setting to the reader, or, at least, provides an excellent justification for in character exposition dumps – and to be clear, this is a series with lore. I consider this an absolute win, but if you don’t like elaborate asides about random monsters or marginal otherworlds that clearly exist only because the author thought they were cool, then this is not the series for you. (On the other hand, most of them are absolutely cool). The world is vast, and the story is full of asides and tangents about things that could easily sustain a novel in their own right.

The other way the exposition is provided is through occasional Extra Materials mini-chapters (quite regular during the beginning of the story, less so as it goes on), which are just excerpts of in-universe documentation – specifically things that the protagonists or occasionally another major character would have been reading. Everything from class notes to chatlogs to investigation summaries as written by one of the girls to local social media posts to a dozen other things. Surprisingly good graphic design on most of them too, which really helps sell them as in-universe artifacts and as ways to characterize the implied authors/readers. It’s very much to the serial’s detriment that these fade away as it goes on.

The series has three protagonists, and chapters alternate between each of their POVs and internal narration. It actually does an excellent job differentiating between Lucy, Avery and Verona and giving them their own distinct voices and making each compelling in their own right (not that I don’t have my favourite, but). While the book’s not perfect about it, on the whole they mostly feel like unusually bright and dedicated teenagers (and increasingly incredibly traumatized child soldiers with variably healthy coping mechanisms), rather than short and legally disabled adults.

As is fairly common with web serials, the normal chapters are intercut with interludes from the perspective of some more minor character. Across all Wildbow’s works, these are honestly where he really shines most, I think. They’re each essentially short stories introducing and providing the history and characterization of someone from their own point of view, in the process more often than not totally recontextualizing their role in the story so far, with how they advance the actual plot almost incidental half the time. If I wanted to sell someone on the setting with as little investment as possible, I would probably just link them the first interlude – the first 90% of the chapter is a really quite good standalone horror story about a totally normal kinda shitty kid getting drawn into and being consumed by an occult living ritual (with its own creepy song! And cannibalism!)

Wildbow is actually an incredibly gifted character writer - both as a web serial author (but on the whole that’s not really any great accomplishment) and just, generally. Despite having an absolutely comically sprawling cast (like, dozens, minimum. If you told me hundreds I’d believe you), he manages to give the vast, vast majority of ones that matter their own distinct aesthetics, voices, and even their own little character arcs and plotlines. Even as much as I complain about bloat and pacing, it never stops being a joy to just spend time in any of the three protagonists’ heads, and I was deeply invested in them achieving their dreams in a way I rarely if ever am for fictional characters.

Now, the complaining. Wildbow is, as I said, one of the best character writers I know working today. The same cannot be said for his skill writing action scenes – which is incredibly unfortunate, because there are so, so fucking many of them. Some serve a real narrative purpose or showcase some bit of characterization, but most could honestly be cut by 90% and you wouldn’t lose anything except wordcount – even the ones which should be there tend to drag on past their natural end because of the book’s love of making things as desperate and hardwon as possible. Which I wouldn’t necessarily mind but like, there are individual action set-pieces that are longer than some published novels. At a certain point exhaustion sets in. If I had to guess, I’d put this down to the fact that when you’re writing 10k words a week and don’t have any concrete ideas of where to go next with the plot worked out, just extending the action scene and throwing some new monsters or puzzles or reversals of fortune at the heroes can eat up a chapter and buy you some time – but just because it’s an understandable consequence of the serial format doesn’t mean I need to like it.

Perhaps reading far too much into it, but if I had to guess, I would say the story’s more structural issues stem from the same thing. Pale was originally planned as a (relatively) short and (relatively) light serial, but in the process of writing rapidly ballooned past all planning and expectation. Which like, as I said, I just enjoyed spending time in the various protagonists’ heads and seeing them develop, but at a certain point you can absolutely start to see the plot starting to outpace all planning and spinning off in multiple entirely new directions that were pretty clearly informed by whatever idea Wildbow was turning over in his head at the time. Sometimes this worked out very nicely – I still love Avery’s whole Thunder Bay/accidental love triangle arc. Sometimes it’s a bit mixed – Wonderkand is a very fun idea, but tonally and aesthetically is kind of a mismatch with 90% of the rest of the setting. Sometimes, well – did anyone like the extended Aurum/Dark Fall trial sequence? But even aside from individual arc quality, if you are someone who cares even slightly about things like ‘pacing’, ‘narrative discipline’, or ‘plot points/foreshadowing not going in weird directions or fading in the background because the author just forgot/kind of lost interest in them in the course or writing a novella weekly for three years’ then oh boy is this not the story for you.

A similar sort of thing happens, I think, with the story’s themes. Pale is from the beginning very explicitly concerned with ideas of punitive versus rehabilitative justice, an already slightly fraught use of the subjugation/binding of magical creatures as a metaphor for oppression and colonization, and just generally with the idea of building a better world in the hidden corners of the current one. The story, well, remains very interested with those subjects, but having any coherent viewpoint on them falls to the wayside compared to coming up with ways to advance the plot or dilemmas to throw at the protagonists or just vivid bits of imagery in the moment. This more or less generalizes – I kind of get the sense that Wildbow set out wanting to write something that goes against his narrative reflexes/habits, but as the story went on and the writing piled up they just kind of crept back in. Certainly for a story that take pains at first to emphasize how hellish and cruel long term binding and confinement are, the happy ending involves a lot of various cruel and torturous prisons that are portrayed as somewhere between necessary and just. The big final villain also more or less works on a character level, but thematically is basically the single worst choice of anyone the protagonists faced down across the entire story.

I’m accentuating the negative here, and part of that is just because I’m a miserable husk of a human, but it’s also just that Pale’s real problems tend to be structural, while its high points are much more particular and specific, and hard to sell without immense amounts of context – there are so many random side characters who get more compelling stories than the actual protagonists of some books I’ve read this year, and a half dozen scenes that are pretty permanently burned into my memory. My favourite dynamic involves a character whose only present for, like, 3% of the story max.

At one point the story was intended to end with Arc 13, followed by a hiatus and then a sequel. I still think this would have been the correct choice, even that ending would rip my fucking heart out and also possibly get Wildbow literal bombs mailed to his house. Still – if you can stand that sort of ending and also are the sort of person to read million-word web serials to begin with, that would be my recommendation. Get to that point, and then decide for yourself how invested you are in spending time in the heads of the protagonists and in the world. Or read Pact, which is like a fifth of the size and ostensibly set in the same setting – though leans so much further into horror than urban fantasy for tone that functionally there’s a lot of discrepancies.

All of which said, Verona Lucy and Avery are going to live in my head for the rest of my life and I make no apologies about this.

#book review #web serial #pale #parahumans #wildbow #sff #urban fantasy

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