I often wonder how my fellow translators used to work in the past, when they were miles or even ages away from the authors, unable to reach out and ask for guidance. That's why I'm grateful to live in the age of the Internet and even more so to my wonderful authors for helping me out!
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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playing a new game where i talk about fandom using words that belong on corporate powerpoint slides like:
✨ we have to align our headcanons to authentically reflect our strategic mission and meet quarterly margin objectives ✨
sorry to everyone who understood that
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annabeth, screaming at percy mid battle: haec est culpa tua!
percy, sighing: yeah i know
grover: when did you learn latin?
percy: i didn't. i just know the phrase "this is all your fault" in every language annabeth speaks
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Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.
If you are an art reposter, you are a thief and I have no respect for you.
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>looking into the official English release of Japanese media
>fandom says the translation is horrible
>ask them if the translation is actually bad or if it was just localized
>they don't understand
>pull out illustrated diagram showing what is a bad translation and what is localization
>they laugh and say 'it's a bad translation'
>check it out anyway
>it's localized
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Does Chloe tone down her direct bullying/harassment of Marinette after that day to just the dead mom jokes out of guilt, or is it more that Marinette now being homeschooled means Chloe just lost access? Also, does Lila try the whole lying/sabotaging thing on Marinette and just fail or does Marinette just not care?
Lila has no reason to sabotage Marinette because Marinette isn't threatening her little empire she wants to build. In fact, she really wants Marinette on her side BECAUSE she's not apart of the school, so she doesn't need to keep up an elaborate web of lies! She can just try to befriend a talented girl who makes AMAZING food and try to get freebies~
meanwhile, with Chloe, things got really complicated after the pool incident...
Tom was not in the mood to put up with this crap.
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link
on twitter, a viral thread started where people around the world shared their translations of “If I must die”, the last work of Dr Refaat Alareer also known as "the voice of Gaza". A beloved poet, teacher and life-long activist for Palestine, he was recently assassinated along with members of his extended family by a targeted Israeli air strike. His loss leaves a hole in the heart of palestinians all over the world.
Below the cut, I’ll be posting the translations of his poem, with links to the original posts. Unfortunately, tumblr limits posts to a maximum of 30 images. I will update when I can.
Arabic (Refaat’s mother tongue)
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2. Spanish
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3. Irish
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4. Dutch
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5. Greek
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6. German
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7. Vietnamese
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8. Tagalog
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9. Serbian
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10. Japanese
and the traditional japanese calligraphy version
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11. Nepali
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12. Tamil
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13. Bosnian
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14. Indonesian
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15. Romanian
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16. Italian
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17. Albanian
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18. Urdu
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19. Turkish
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20. Polish
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21. Norwegian
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22. Galician
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23. Swedish
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24. Jawi
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25. Bengali
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26. Russian
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By killing her mum in a mercy kill, she's doing exactly what the Ghoul did to Roger. She's learnt from him. She has turned into him. When she said, "I'll never be you," maybe that's not true. And in that moment, when she shoots her mum, it means so many things. It means 'I'm coming with you.' It means. 'I f*cking hate you, but I have turned into you, you were right.' It means she's letting go of her golden centre.
I want the audience at the end of the show to wonder if their hero is still a good person. I don't know who she's gonna be in season two, but this is what happens when you break the unbreakable. I don't know who she's about to become. [...] I'd be down to play it either way.
- Ella Purnell (x)
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So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.
And I kept wondering: why?
For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.
So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.
But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.
The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.
Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?
That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.
My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.
Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.
Milsiril the puppetmaster.
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