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#a baby meta
haleigh-sloth · 2 years
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Ah yes perfect, this is just what I needed
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Also on the note of his scars disappearing and erasing his individuality:
AFO here is talking about controlling everything, how it’s better for everyone if he does so, blah blah blah.
Which is interesting because it’s in COMPLETE stark contrast to Shigaraki, who has zero desire to control anything at all, and just wants society destroyed so he and the other people within his scope who have suffered can live how they see fit.
Completely opposite goals. And as one goal takes precedent over the other, Shigaraki’s signs of identity start disappearing.
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biceratops7 · 6 months
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This, this fucking image...
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It drives me insane, just activates something visceral, and I finally realized why. It's not just an appropriately placed close up shot to denote intimacy between Gabriel and Beelzebub, it's a fuck damn pov shot.
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Gabriel is not dressed in accordance to his preferences, he is borrowing Aziraphale's clothes. And Beezlebub, well lets just say a black blazer is a black blazer, not exactly the easiest thing in the world to differentiate. Just looking at those hands joining, the individual identities of their owners melts away. The moment could have so easily belonged to Aziraphale and Crowley... and it's just- it's... it's just like the Rats of Nimh. They've seen this sign everyday for almost their whole lives, and have never once known what it says. They can make inferences, use context clues, wherever they are, it seems to be too so it must be about them, but they couldn't ever know for sure. Until one day, without warning, they looked at the words, and understood them.
And the sign communicated a way out.
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Aziraphale and Crowley are the first of their kind. I don't think we really appreciate or understand how utterly unfathomable what they feel for each other is in their lived contexts, even to them. All this painful fear, all these lengths they go to, all to keep safe this precious experience they don't even have the language to name. It's not just unallowed, it's unreal. So then just imagine what the actual fuck they must be feeling when they see someone else... just fucking do it. Just like that. An angel and a demon. In love. Intimate, affectionate, in front of heaven, in front of hell, in front of humanity, in front of GOD, and She knows who the hell else.
For literally the first time, they’re seeing the things they feel for each other exist in others like them.
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ennas-aesthetic · 9 months
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If we DO ever get a Good Omens season 3 (and fingers crossed we will) then using the Second Coming as the narrative device to facilitate the final culmination of Good Omens' ideology and message is brilliant, actually.
Because the Second Coming IS NOT another Adam situation. And, contrary to the misconceptions I've seen, It IS NOT about Jesus being born again as a baby, etc, etc.
THE SECOND COMING. QUITE LITERALLY refers to THE LAST JUDGMENT.
As in. The SAME Last Judgment Michelangelo painted on the walls of the Sistine Chapel. As in - THE JUDGMENT of the Living and the Dead. THE LAST, FINAL, ETERNAL JUDGMENT.
It's the WHOLE thing Armageddon was leading towards. Book of Revelation speedrun: the world ends, everyone dies, and then they get resurrected again to be judged by JESUS himself. He will flick through the Book of Life (WINK WINK WINK DO YOU SEE HOW LOUDLY I'M WINKING AT YOU???), and if your name is there he will go "oh nice you deserve eternal paradise! :D" and if your name is ERASED from the Book of Life he will go "oh no, sorry, you go to the lake of fire for eternity now D:" (except apparently in Good Omens lore it'd just DOOM YOU TO NON-EXISTENCE FOREVER???)
And if you THINK about it, The Last Judgment is the ultimate manifestation of moral absolutism. No shades of gray, no chances. Just BLACK, and WHITE. Never mind that you're like Wee Morag and Elspeth, who are forced to do "bad" things because of circumstances. It's either you pass Judgment Day, or you burn (or disappear forever.) And the way THINGS are going in the Good Omens universe? I don't think there's ANYONE "good" enough to be "saved." Not Crowley, not Aziraphale. Hell, not even the Archangels themselves.
So it provides a PERFECT opportunity for Aziraphale and Crowley to UPEND that SYSTEM entirely.
I think that's what Crowley and Aziraphale would do in s3: establish a new kind of system in which angels and demons have free will to determine the right (or wrong) choice.
Giving them the APPLE, so to speak.
And then they'll go off to retire in a cottage, together at last.
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thymechaos · 29 days
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i just can't believe that oda fucking create sanji, a stereotypical ladies man who simps to an embarrassing degree for women while having his hackles comically raised around everyone he perceives as a man - and most notably butting heads with the more obvious ~manly man~ of the crew. haha, classic anime running gag, the kind that gets obnoxious at times but still makes you laugh.
AND THEN, like a billion chapters later, motherfucker steeples his fingers and goes "soooooooo... what makes a person Like That?"
and the answer is that he grew up in fucking Toxic Masculinity, The Kingdom. the answer is that he was always Different, in a way other guys instinctively perceived as weak, and that made him the target of visceral scorn and violence. the answer is that he was sensitive, sweet, caring, nurturing - feminine-coded traits which are only valued by patriarchy insofar that they're performed by women in service of men. the answer is that in a kingdom comprised almost entirely by violent men, the only ones who were ever kind to him, the only safety he ever had, were a girl and a woman.
so cooking is for women and servants, it makes you less of a man. only women will ever really value you for your passions and dreams. women are also actively hurt by the way the world works, they are unsafe unless they comply with men's violence, and you have to protect them.
(men will always know what you are, and they will hurt you if you let them.)
and even after he leaves... at baratie he is cherished and respected, but even that is an extremely masculine environment. we don't talk about our feelings, we don't let our guard down, the only love is tough love. when he tries to express his artistry and express himself through his cooking, rather than just filling orders and making money, he gets mocked.
so here is a man who will not raise a hand to a woman, because he rejects the masculinity he was raised with and refuses to become yet another man subjecting women to violence. he is desperate for women's attention and affection because it's SAFE, it's the only kind he can trust. other men are potential threats and must be treated as such. he must at all times be snarky, tough, Not Feminine, because to be perceived otherwise is to be powerless, to be hurt.
like y'all. the queer coding of it all? the overtly feminist themes? the active rejection of toxic masculinity and the way it's shown to be directly tied to imperialism? what the fuck.
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doks-aux · 9 months
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The idea of William Afton genuinely loving his children is so much more interesting to me than the alternative, not just because it's more tragic and makes his motivations make more sense, but also because it's fucking hilarious.
You are about to be obliterated from this Earth by a six-foot-something zombie rabbit, and your last moments are spent terrified and deeply confused as he shows you pictures of his kids in a blood-stained wallet: a clearly haunted bear costume, a limitlessly unnerving chrome clown doll, and what looks like Grimace's corpse left to shrivel in the sun.
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possamble · 2 months
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Marcille must have been an insanely popular teaching assistant at the academy
Like sure she's strict
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But she's also not at all hesitant to praise you when you DO get it right. Can you imagine being a gay preteen at the All Girls Magical Academy and getting blasted with this smile???
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She probably had half the school crushing on her. If they have an in-universe equivalent to valentine's day, her desk would just be piled high like a fucking mountain
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thefiresofpompeii · 6 days
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parallels are parallelin’
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soliloquent-stark · 8 months
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besides the well-known fact that tony stark's arc reactor literally powered his heart and symbolised his second chance at life, it's been not just alluded to but clearly stated by marvel from the very first iron man film that it represents his heart:
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this point is made very clear again when it's used to portray his death:
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of course they did this; they're such obvious metaphors that are easy to rely on for beautiful visual storytelling. they undoubtedly were aware of the potential for these scenes and carefully considered them since the beginning.
but you don't really get to use each of these moments more than once if you want them to matter, so they had to choose which one of tony's stories needed to be told through carefully picked parallels.
and who did they use them on?
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yup, that's right. steve rogers. steve, who literally ends their painful fight by breaking his heart.
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steve, whom tony literally hands his heart and says "here, take this" while he's devastated, disappointed, and at one of the lowest moments of his entire life.
so, platonic, romantic, alterous — the intricacies of his feelings don't even matter. they're only for tony to know.
but what we as an audience know, what we were explicitly told by marvel, is that the feelings tony had for steve were so strong that they were the equivalent of getting his heart actually shattered into pieces, and being reduced to offering your desperate, mourning heart on a platter as a way of saying "take it all, there's nothing left of me that you don't own now".
these were not accidents. we were meant to understand how profound his feelings were. so many things spiraled out of their falling out — the entire universe's faith was at stake as a result. tony was not indifferent to him. his problem was that he felt too much.
tony's achille's heel was always steve rogers, and that will forever be the backbone of the marvel universe.
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cakemousse · 7 months
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alright unless proven otherwise, i'm going to hc that toxinelle's crush is actually griffe noire
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or a “crush who doesn’t think I’m a lame-o”! credits to @2manyfandoms2count for the translation
it's unfortunate... but hear me out
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the salters always say that the lovesquare is toxic codependency, imma show you what real toxic codependency really is, on the part of emonette at least
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'he's rude as fuck and disrespects her all the time, there's no way emonette would fall for him' while this is true and i would agree under normal circumstances, toxinelle came from a world where she didn't have anyone, no super awesome friends to inspire her everyday, no best friend in life and in death, no mum who is gentle and calm, nothing. she's lonely and has nothing to fall back on, but you know who she can fall back on? griffe noire
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even if he does let her fall
he is the only constant she has in her life, at least ever since she got her miraculous. even if it means getting insulted left and right by him, she puts up with him
why? cause if she doesn't she'll truly lose the only thing she has 'going' in her life
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and we can see that after she read marinette’s diary about the part where ladybug and chat noir are partners or rather teammates, she looks at griffe noire, as though she’s thinking of being teammates with him. it’s something she wants, and we know it’s something she truly wants by the end of the special
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also in this universe, emodrien has a crush on emonette, so what's preventing toxinelle to have a crush on griffe noire?
toxinelle isn’t happy, we can tell when she poured her heart out to ladyfly about everything and then finally about her crush thinking she’s lame all the time, but there isn’t much she can do if she wants her constant to continue be by her side
loneliness really does some fucked up things to a person huh?
the concept’s pretty fitting of a villain don’t you think? 🥲
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breesperez139 · 11 months
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Dc x Dp Prompt #2
Danny loved his life. After his reveal to Jack and Maddie as a half ghost went right, everything started falling into place.
Vlad stopped his insane schemes once his parents were set loose on him. Sure he’s still mayor but he funds the town, keeps them protected from unwanted visitors, and is no longer trying to kidnap/adopt/clone Danny anymore.
Speaking of clones, Ellie was officially adopted into the family. She didn’t live with them full time with her obsession being freedom, but at least she has a home to return to now.
Dan was also adopted into the family. He is still on probation but turns out having their adopted family again (and as many ghost fruits as he wants) helped ease the rage. That’s not to mention Dan’s and Skulker’s bi-weekly figh- errr meetups.
Well at least there’s been no property destruction since he’s been crowned. After he and his rogues began scheduling their own meetups, his grades started going up again. So while he may never become an astronaut like he always dreamed of, he could still go up to space and see the stars whenever he wanted to.
Sure, being king wasn’t exactly what he wanted in life (or death) but he could protect his ghosts and liminals better this way. And considering his entire town is either ghost or liminal, it was just easier to protect them from the GIW and the government in general with a crown on his head.
Besides being king isn’t all bad either. He’s rich now meaning they won’t be racked up in college debt, he has cool artifacts that were gifted to the ghost king over the millennia that were left untouched but he’s not about to return them (they were gifts to the ghost king, practically funeral gifts like flowers but more rare and expensive), and he has crazy powerful Ancients as friends/family/mentors/protectors. He’s still a baby in ghost years and a minor in human years so he’s not expected to do much either way.
Life was going great, especially after Amity Park adopted ghost etiquette and ecto-infused food and beverages.
So why the Ancients are the Justice League of all people standing outside his front door with the Batman looking thoroughly freaked out the moment he opened the door? He hasn’t said anything yet either!! Stupid fucking government heroes.
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kuroshika · 9 months
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hey. *reaches for your face without warning and adjusts your glasses* where do you fall on the spectrum?
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meteortrails · 1 month
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I think a lot about how we only get like one or two scenes of law actually interacting with his little sister, but it’s so glaringly obvious what kind of older brother he was to her through all his interactions as an adult. every time he pulls a morbid prank on the strawhats; the genuine joy of reuniting with his crew; his protectiveness and the way his crew’s safety comes before anything else. it’s so clear what a loving, doting, and insufferable older brother he must’ve been. you know if they grew up together he would’ve done that thing that older siblings do where they lie to you about how the world works and then just let you believe it until you’re like, 25. he would’ve walked her to school and tied her shoes for her and earnestly attempted to help her with her homework. and it kills me a little bit that I don’t think law recognizes that in himself; that the parts of him that were lami’s brother and his parent’s son are still alive and well in who he is today.
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parvuls · 9 months
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no, because - famous person starts dating less famous person and is then gradually overshadowed is a trope. a trope often used to bring external conflict into stories. but jack and bitty are carefully constructed as the opposite of that, and I'm fucking feral over it.
we joke about how jack will eventually be bitty's trophy husband and be thrilled about it, but it definitely has a giant grain of truth in it. it's how they're characterized. bitty is an extrovert; jack is an introvert. bitty reached out and built himself an online audience to deal with his trauma; jack shut himself out and started avoiding the public to deal with his.
bitty finds comfort in being able to talk to others and (as seen in spotlight on eric bittle) considers being a public figure a sort of healing experience: coming out and being a public person (in every manner of speaking, not just sexuality wise) and putting himself in the limelight is such an important part of his journey because he sees it as a way of helping others who were in his situation.
jack grew up in the spotlight as the only son of two prominent figures. he grew up as a child with anxiety with the media's eyes on him as he was compared to his father. he grew up as an overweight teen featuring in trashy gossip columns as he was compared to his mother. he got into rehab in part because of this attention and it only attracted more attention to him. a lot of jack's anxiety stems from the notion of people looking at him and thinking about him and talking about him and judging him, and it's unfortunate because jack's dream is to play hockey, and that comes with even more attention.
but that's the thing: jack and bitty's story is (once again) a demonstration of two people making each other's lives better.
jack's fame thrusts bitty into the spotlight post-cup, and it's a giant push forward in helping him reach a bigger audience and thus grow his independent fame. bitty's growing fame slowly overshadows jack, to the point where ngozi says they'll one day be Eric Bittle and his Athlete Husband. and that means jack gets to play hockey, and win cups, and achieve fame in his own field, but the media's attention slides off him to his husband, and the fans on the street gradually approach bitty more than him, and jack is free to have his success with less of the personal scrutiny.
it's not that jack becomes less important than bitty. it's that bitty gets to stand in front of the direct sun and flourish as a result, while jack gets to stand in the shade bitty creates and flourish as a result. it's symbiosis. it's beautiful.
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causalityparadoxes · 6 days
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Interesting that the Doctor says his adopted family is the reason he uses a title. Except thats not quite true is it?
Sure they are stuffy aristocrats who love ranks and titles but Tecteun, Rassilon, Borusa, Romana, Pandad, Andred, Rodan, Darkel, Flavia, and practically every other non-renegade timelord (and even some renegades like Drax) still use regular (if not human) names.
But you know who does often use titles? THE GODS. Those from before or beyond the universe's constraints. The Toymaker, The Guardians, The Maestro, The Trickster, The The Beast, The One Who Waits, The Gods of Ragnarok, The Entity, etc. Even those with 'names' often have descriptive ones like Time or Swarm.
Is it really the Doctor's adopted family that made them identify with titles? Or is it perhaps traces of their 'birth family' peaking through?
More than anything I just want to know if RTD is going anywhere with this. Did he just need a quick way to get new audiences on board with calling the main character the Doctor? Or does it mean something.
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onchyart · 10 months
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So Will in the ladder scene puts a boundary with his body language (arches his back, so Hannibal has to stop closing in on him)
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and he checks again with putting his torso forward and Hannibal recoils back a little bit (but stays put)
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It shows that he is sensitive to Will's lead in their bodily geography. Will becomes more comfortable after the second check (maybe even aroused a bit, cause he feels in control)
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All Will's dreams that include Hannibal, have an element of putting him in place permanently and Hannibal feeling okay with it, comfortable in Will's restraint, under his control.
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Some may say that Will's s2 dreams are erotic, full of suggestive imagery.
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well, so if we go all the way with this logic
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On his knees, pinned, okay
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Meeting Will for the first time in three years, freedom of movement only in his memory palace, glass wall, practically no agency at all. Greeting Will with his back and ass first okay
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and hmmm
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hmmmmm so yeah, Hannibal's cell was a perfect seduction set up for Will Graham and Will Graham only
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angelickewpie · 4 months
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some of my favorite pngs ive made of pieces in my wardrobe, I need to get around to making some more
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