Tumgik
#dw meta
3lostyears · 2 months
Text
until i recently read posts on here about how there is an inherent queerness to the doctor and rose's relationship in how it's unspoken and filled with yearning that i'd never really considered that element, despite knowing for ages that RTD is gay but. man. it's just reframed a lot of the series for me, like the idea that you have this lonely man who's just watched his people die and is self-destructive and misanthropic and traumatised and he can love again and he wants to but it has so many risks.
but especially S3 and how it adds even more weight to the doctor's grieving widower status. how he tells martha that he and rose were together but martha refers to rose as a friend to tallulah; the fact that he can only say they were together once she is gone; how the only other person that both can feel how he feels but also understands the depth of his feelings is jack, a queer man himself. and I've been thinking to myself lately oh, it's ok, the doctor and rose probably accidentally got married on at least one planet or something but also the point is that there was no official title that could convey to people the extent that they meant to each other, that the doctor can really only tell donna that rose was his friend even though it is so wholly inadequate and she comes to see that by the end of the episode (and martha too of course). how people who saw the doctor and rose together assumed they were a couple, like on krop tor, but once there's no more physical evidence of the relationship it becomes more vague (and simultaneously clearer).
anyway something about how christopher eccleston said he based his portrayal of nine on RTD and something about RTD saying that his husband is "in every good man i write now" and how the doctor and ruby seeing each other in the club mimics his first meeting with his husband aka the one moment he would use a time machine to go back to hmmm
532 notes · View notes
theheroheart · 5 months
Text
There was a lot of things I loved about that episode, and roughly a billion references to older canon, but I'm always gonna hook onto the weird obscure stuff.
Specifically the shit about the Guardians.
Tumblr media
Cause yes, on-screen we've had the White Guardian (order) and the Black Guardian (chaos). Yes they have birds on their heads don't worry about it.
Tumblr media
But like he says, THERE IS PLAY. Because there's also sources saying that the Celestial Toymaker is the Crystal Guardian. Dreams and imagination, another dimension of the universe. (It's never great for the universe when any of these guys show up in physical form.) The Toymaker himself claims that he and the other guardians are Great Old Ones from the pre-universe.
Tumblr media
(Google "rassilon omega and that other guy" to find the source for this, a deeply comprehensive timeline of the entire whoniverse.)
WHICH IS EXTRA INTERESTING given you then get this line from the Toymaker:
Tumblr media
Note that there are no guardians of the spacetime dimensions. The "Guardians of Time" refers to Black/White, and possibly the others.
You may notice the Doctor is also on this list, as the Red Guardian of justice and morality. Which is all I could think about for this:
Tumblr media Tumblr media
((PS: This also ties in with the slightly more bonkers theory that the Doctor is themself a Great Old One, specifically Nyarlathotep. There's basis for this in some books, but that's a whole nother thing.))
Given the context we now know from the Timeless Child being reaffirmed, there's just something meaningful about "THE Time Lord" in connection with the Toymaker and the Guardians.
Especially given several accounts say the Great Old Ones were from the previous universe, and were the equivalent of Time Lords in that universe.
Which ties really interestingly into Tecteun's claim that the Doctor was from the next universe, and wanted to go there with them.
Tumblr media
So anyway yes the Doctor is a traumatised lil bean just trying their goshdarn best.
And they're also a "face concealing a vastness that will never cease" like the Toymaker.
Cause that's also the show. A vastness that will never cease.
530 notes · View notes
Text
Random headcanon I came up with early this morning, because I’ve been thinking about Gallifreyan language recently:
The reason why so many Time Lord things are decorated with circular Gallifreyan, often too impractically to actually be read (eg. on the Moment), is because it’s a cultural touchstone that remains from pre-/early-Pythian Gallifrey’s use of magical runes and sigils.
Presumably it was more typically Old High Gallifreyan used in that time (though The Timeless Children does seemingly confirm circular Gallifreyan existed at least as far back as Rassilon's time, if not earlier), however. Twelve describes it as ‘the language of the Pythia’ in The Lost Magic, and as Eleven says in The Time of Angels:
ELEVEN: There were days, there were many days, these words could burn stars and raise up empires, and topple gods.
This is obviously very reminescent of the Carrionites' (themselves from the Dark Times too) "word-based science" from The Shakespeare Code:
MARTHA: What did you do? TEN: I named her. The power of a name. That's old magic. MARTHA: But there's no such thing as magic. TEN: Well, it's just a different sort of science. You lot, you chose mathematics. Given the right string of numbers, the right equation, you can split the atom. Carrionites use words instead.
In other words, while they probably weren't actually intended as such and may have their own specific meaning, whether they be poetry, namesakes, histories, instructions, whatever... these are basically protective wards:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
[ID: Five screenshots of Circular Gallifreyan in New Who.
1. Rassilon's Inner High Council meeting in The End of Time Part 2. The table and headrests are inscribed with circular Gallifreyan.
2. The Moment in Day of the Doctor. Gallifreyan writing bends round the edges of the wooden frame.
3. The 'whirligig' rotar in Eleven's second TARDIS, inscribed with individual Gallifreyan symbols.
4. Set photo of the glowing Gallifreyan writing on the steps of Thirteen's TARDIS.
5. Tecteun's laboratory in The Timeless Children. Circular Gallifreyan lines the light above her, and a door in the background.]
As a side note - if they actually are kind-of intended as a form of protection, perhaps this is why we were only introduced to Circular Gallifreyan in New Who, despite it seemingly existing through Gallifreyan history. Because it was retroactively inserted into Gallifreyan culture as a form of defense during the War in Heaven / Last Great Time War?
Regardless, this also opens up questions how many other Time Lord traditions are holdovers from the Dark Times.
For example, who's to say that the renegade naming tradition didn't begin as a form of protection from hexes - either from hostile forces in the pre-anchoring universe, or from oppressive magic-users back on the homeworld? This may also be connected to the change in Gallifreyan name format before and after the Intuitive Revelation (eg. ancestral -sti and -sor names), though shifting power structures, gender roles etc. presumably played a role too.
Heck, is this one reason why Gallifrey's own name has changed over its history? From Jewel to Gallifrey in Rassilon's time to try and protect it from vengeful Pythian curses. From Gallifrey to just 'the Homeworld' in the War to protect it from new rituals of alternative histories and paradox?
221 notes · View notes
tsnbrainrot · 4 months
Text
i've been binging ten's series (for the hundredth time) and losing my mind (again) over the doctor and donna's matching outfits
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
the doctordonna !!!!!!!!!!!
213 notes · View notes
camcorderrevival · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
amy pond: on beauty, ageing and birth ( part two here )
[ all text with grey background is from the lovely @amelia​​​​ <3 the most accomplished amy scholar of our time || the eleventh hour, flesh and stone, meanwhile in the tardis, amy’s choice, S5 draft of the doctor’s wife ]
1K notes · View notes
waffowo · 3 months
Text
The take that Moffat had to make every companion important or make the Doctor the most important person ever is extremely funny to me. It’s definitely true that for Amy and Clara, they are presented originally as “important” but their later appearances always focus on dismantling the notion of being simply “important.”
S6 and 7 for Amy begun to progressively unravel things like her marriage to Rory and the “girl who waited” concept is sidelined aside for moments where its plot convenient (Wedding Of River Song) while Clara originally begins similarly, her actions of recklessly jumping into the time stream and her own interior life is put under scrutiny in S8 and 9. Plus Bill and Rory are just some girl and guy respectively 😭
The whole point of The Pandorica Opens and A Good Man Goes To War literally is an attack of the notion of the Doctor’s own personal importance and how it has grown to the point of undermining what it actually means to be The Doctor. The Pandorica Opens is literally so funny because the entire basis HINGES on undermining his grand monologue. Series 8-10 is an exploration of what it means to rise to the occasion of being “The Doctor” and concludes that anyone, as long as they are kind, has the right to embody the mantle. The Doctor Falls is arguably the most least-stakes finale of all of NuWho, the entire thesis being, “Without hope. Without virtue. Without reward” to illustrate that very point.
Moffat is unable to catch a break and that’s so funny, he can go, “The Hybrid is a metaphor” and he is still misunderstood 😭
194 notes · View notes
inhonoredglory · 5 months
Text
Tumblr media
The fire and grief and sorrow that comes out of his love for Donna. It's beautiful because as Ten, he could only see how tragic it was she had to forget him. And he was proud of her and what she did in the worlds they visited. Yet the loss was too much, and he couldn't see the good behind the darkness.
But as Fourteen, his pride in her now, it doesn't make him feel like killing himself anymore. It gives him strength, fire, conviction. This is a Doctor who, if Donna really died, would live in her honor and for her memory. And he would burn down anyone who ever disgraced her memory.
216 notes · View notes
bisexualamy · 11 months
Text
thinking again about the idea that gallifreyan would have temporal pronouns that references an individual time lord ‘in general’ as opposed to referencing a specific rengeneration. and how the gallifreyan language probably has complex verb tenses or conjugations around not when events take place in the timestream but also tenses relating to where two time lords are in relation to each other.
in this vein, i love the idea that gallifreyan has three conjugations or words for the concept of “i can’t do or tell you that”:
“i am physically unable to do that / I don’t have the info you need”
“i am choosing to withhold this information and/or not do this / i promised i would not do or reveal this”
“i cannot tell you or do this because it would violate the laws of time / it gives you too much foreknowledge / it’s likely to cause a paradox”
while #1 and #2 can intersect, it makes sense to me that #3 would be its own separate concept or word. that it’s not just that you’re choosing to withhold something: you are bound by the laws of time to withhold it. you may badly, desperately, want to help this person change their future, but you know doing so could cause incredible damage to the timestream. “i’m so sorry. if it were up to me, i would tell you, but the universe won’t allow me to say.”
533 notes · View notes
cosmicallyavg · 1 year
Text
has anyone else ever stopped to think how the tardis feels when doctors and companions leave because its ruining me rn
like imagine you're this sentient spaceship and you have an unbreakable bond with a time lord who stole you and ran away. and how sad it must be watching them die and be reborn over and over again. feeling them die and be reborn over and over again. oftentimes destroying your very being in the process. you've been together for thousands of years, possibly more, and you've gone on nearly every adventure together. 
they know you inside and out (literally) and while they are a quite careless owner, they make up for it with the constant repairs when you get damaged or need general maintenance. its how they show you they care, because you know they do. you have a telepathic connection with them, after all.
you take them wherever they need to go, even if its not where they want to go. its fun to show off every now and then and make it look like they don't know how to pilot you. but all of time and space, so many distress signals, you hear planets and ships and people calling out for help. your time lord isn't like the others, they like to help. you take them to those people so they can help.
and oh, the people. your time lord likes to pick up strays along the way - human beings more often than not. you don't particularly like the idea, the humans always have sad endings, and you don't like to see - to feel - your time lord experience that sadness over and over again. but they continue. how many has it been now? too many to count. but you keep count, you do. 
some of the humans you're more fond of than others. some of them your time lord is more fond of than the others. some of them grow on you, others don't, but all the same if your time lord cares about them, you care about them. you like when they say that you’re bigger on the inside, that part is fun.
perhaps you don’t mind the humans as much as you should, you're supposed to have multiple pilots anyway. if this is how you procure them, then so be it. unfortunately your time lord never cares to show any of them how. they would rather bumble around on their own and crash land into things than share that part of you to their human friends. hubris has always been their downfall.
there have been a few that have done it though, some more successfully than others. finally! you have another pilot!! you like these ones especially, they pilot you much more carefully than your time lord ever has, and they have established what little telepathic connection their tiny human brains can handle. not quite the same that you have with your time lord, but every little bit helps you feel more connected to those humans than the others.
it hurts more when those ones leave.
it hurts when all of them leave.
but your time lord continues on. drying up the tears and probably regenerating into a new face - again - but this new face loves you all the same. they pick up more strays. the strays leave. repeat endlessly.
you have too many bedrooms in storage, too many clothing preferences in the back of your wardrobes, too many favorite snacks left to expire in the cupboards, too many personal items and too many souvenirs from their travels hidden away, never to be picked up again. but you're infinite, you can keep going so long as your time lord keeps breathing. you can continue growing and changing, making room for every new human friend, altering yourself for every version of your time lord.
you hold all of these memories, all of these lives, just the same as your time lord. but they don't have to organize, sort, and carry the physical reminders of all of those lives like you do.
they can saunter off and forget it all, when its convenient. but you know they don't actually forget. neither of you can ever forget. 
and the weight isn't any less just because there's two of you to carry it.
2K notes · View notes
3lostyears · 4 months
Text
timepetals thoughts i keep having:
i know that the assumption is “she is my s-” means soulmate but i always think he just thinks of rose as his soul. less that she completes him or is his other half and more that she just is his conscience and any goodness he may have is hers. he was born out of love for her, she is such an integral part of him, she is his soul itself.
i know everyone has taken permanent damage from the “how long are you going to stay with me” and why the general focus is on the doctor’s reaction but the way rose says forever gets to me. she’s not giddy or girlish when she says it, in some ways she almost sounds resigned to it, which has wonderfully angsty connotations in the timeline of s2. but it’s why it really works for me, she is so dead serious and committed when she says it, because she understands everything it means (and therefore part of her feels solemn about it). it has a lot of weight to it. even the first time donna says she’s going to travel with the doctor forever to martha at the end of the doctor’s daughter she sounds a lot more fanciful.
every time i hear the doctor scream when rose loses her grip in doomsday i just think that he would absolutely not have survived her actually being sucked into the void.
i always think the vocals in doomsday are similar to the doctor’s theme so to me the angry rock music is rose’s side and the vocals are his, rather than the howling wolf idea i’ve heard some people compare it to. how the doctor’s theme is lonely and mournful with its sparse instruments but calm, everything the ninth doctor was, while doomsday is heartbroken and angry and an entire orchestra because it’s two people overcome with grief together. how doomsday becomes such a motif for both characters individually, even when they're separated.
i still struggle to comprehend that the doctor wearing floral ties in s3 is canon and NOT a fanfic trope like you're telling the doctor said "i need a floral motif as close to my two hearts as possible" and you're describing him as something other than a grieving widower???
the doctor really could not go anywhere in s3 without running into some kind of couple but i never see people talk about the parallels in 42. “we chose this ship together / he keeps me honest so i don’t want false hope” and the way the doctor literally gives mcdonnell his condolences through gritted teeth?? the fact that she would rather die with korwin than be without him and have it be her fault
that the doctor, king of self-loathing, saw rose dressed as his ninth self and carrying a giant weapon and he not only RAN to her but then deliberately protected her from the trauma of seeing him change again. and then tentoo immediately picks a blue suit to be like now i’m matchey matchey with rose 🥰 the universe was ending and he’d seen rose again for two actual minutes but the doctor was so utterly focused on her.
how tentoo truly is rose's doctor, especially as he's got that little bit of nine in him. he's born out of the same love and protection of his previous incarnations but he loses a heart and the curse of the timelords and goes oh, this is rose's heart. and then he wears the blue mourning suit and yes, there is still mourning, but there is also the start of the rest of their lives together.
how the doctor’s hair most noticeably changed after school reunion to become spikier and less boyish. how that coincides with him using mickey to put distance between himself and rose now that he’s been reminded of rose’s mortality.
how wild the doctor and jack’s conversation in utopia is. the way the doctor says “rose” like it’s an entire explanation in itself because even before she absorbed the time vortex she fundamentally changed the life of everyone she met. the way he says “everything she did was so human” and the way he accepts jack’s sorry to him because there’s no trying to deny his feelings from jack, not when he saw his ninth self. the way jack has BARELY finished his sentence about watching rose grow up when the doctor casually asks him if he wants to die, the almost playful way he says it. one semi suicidal immortal who spent half of the season trying to get himself killed to another, both of them still kind of toying with the idea. both of them trying to have hope even though they've lost so much.
333 notes · View notes
anthonygaycrowley · 4 months
Text
I know we love to talk about how Donna and Shaun's "A lot of husbands would worry" "Yeah but not him" exchange is reflective of 14 being extremely fruity (very true)
But I wanna talk about how that exchange reflects how open 14 and Donna are about their affection for each other, compared to 10 and Donna.
People always assumed 10 and Donna were a couple because they'd see them riffing off each other, constantly on the same wavelength, and recognise that they're two people with a very close bond. But their affection was all implicit - they never voiced or physically showed affection - so it was up for outsiders' interpretation what type of love this was.
But with 14? Him and Donna express so explicitly, both in words and physically, their care and commitment to each other. Strangers don't need to speculate, and worry can't even cross Shaun's mind, because 14 and Donna are just so open and clear about their feelings for each other that you don't need to wonder.
121 notes · View notes
roxannepolice · 1 month
Text
I think one of the most headscratching to me aspects of thoschei fan interpretations - and to be fair, writing, lately - is the chaos-order thing. That's probably because both the writers and the fandom immediately slap moral values on what are fundamentally amoral states. There can be disagreements about which is good and which is bad and which character is which as a result of the moral association, but like. It's always about what the show is trying to tell you is the better way to live because "What would the Doctor do" has become an unironic life coaching advice.
Meanwhile, from philosophical, physical and cognitive perspective it's been spelled out by Eight:
I love humans. Always seeing patterns in things that aren't there.
and Ten:
No, but that's what you do. The human race makes sense out of chaos. Marking it out with weddings and Christmas and calendars. This whole process is beautiful, but only if it's being observed.
and Terry Pratchett:
Things just happen, one after another. They don't care who knows. But history...ah, history is different. History has to be observed. Otherwise it's not history. It's just...well, things happening one after another.
and Hesiod:
First it was Chaos, and next broad-bosomed Earth.
Chaos isn't eviler because scary and ununderstandable nor is it gooder because society wants to me do stuff, man. It's more primordial. It's the objective state of things without a subject to perceive them. Yes, there are patterns in nature, but they are results of working least bad in the evolution's infinite monkeying, not some unique order.
What I'm saying is, when you think of chaos snd order as ontological concepts rather than moral admonishments, it becomes borderline incomprehensible how you could look either at a character who delights in a species obsessed with evoking order out of chaos or a character who's whole shtick is control and scheming and say yup, one of these is totally into chaos.
70 notes · View notes
intuitive-revelations · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
FLUXES [Celestis: Engineered Participants / Technologies] Example: "DOCTOR, The"
[Image description, courtesy of @quailfence: a series of pictures of text, alternated with screencaps and gifs from Doctor Who.
1: Text: Fluxes: [Celestis: Engineered Participants/Technology] Individuals transposed backwards in time but not too far in space, using a very high chaotic limiter setting and tied to their home period by a thread of biodata
2: The Eleventh Doctor stands in the future corpse of his TARDIS, looking and a pulsing stream of light that has replaced the console. He says, "That is the scar tissue of my journey through the universe. My path through time and space."
3: Text: He raised a finger. 'Look. There.
Now she could just make out the thread in the moonlight. It was just a faint reflection, maybe a foot or two long, about a metre off the ground. A taut strand of spiderweb hanging in the air, not attached to anything.
'What is it?' Fitz asked.
'It's only partially rotated into three dimensions,' he said. He pushed his finger right through the glimmering line, without affecting it. 'That's why it looks one- or two-dimensional. The rest is still perpendicular to what we can see - woven into higher space, or the time vortex…'
'Yes,' said Fitz, 'but what is it?' 'It's what your friend mistook for a ley line.' The Doctor was scuttling around the silver thread, peering at it from every angle, getting more and more agitated. 'It's part of the fabric of space-time itself. What DNA is to your genetic code, this stuff is to biodata. And it's all just exposed here now. Personality, history, memory, perception, all vulnerable…'
'I'm going to have to ask you again, aren't I?' said Fitz.
The Doctor said, 'It's me.'
4: The Fourteenth and Fifteenth doctors in the TARDIS. 14: "But you're fine?" 15: "I'm fine, because you fixed yourself. We're Time Lords, we're doing rehab out of order."
5: Text: The subject is turned loose in his or her own history, and the limiter setting allows tiny actions taken by the future version to have considerable effects on the past version. The biodata link then transfers these changes to the future version, which alters it, and thus alters the changes made to the past version. Therefore, the individual's history is kept constantly in flux.
6: The Fugitive Doctor says, "Let me take it from the top: Hello, I'm the Doctor."
7: Text: Let me finish. Think back to that time when you went to see your previous selves.
8: Ten, Eleven, and War talk to each other. Ten: "You're not actually suggesting that we change our own personal history?" Eleven: "We change history all the time. I'm suggesting far worse."
9: Text: 'Maybe there's no one home on Gallifrey,' said the boy softly. There was just the one of him.
The Doctor looked at him, cupping the small white cube in his hands. The boy said, Maybe they all left. Or maybe the whole planet's being destroyed, and undestroyed, and destroyed, and you just caught them at the wrong moment.
10: The TARDIS by the ruins of Gallifrey
11: Text: 'It's impossible,' said the Doctor. 'It's impossible for my people. Our past is unreachable. What's written can't be unwritten.'
'Who said your history can't change?'
Another boy answered, 'Someone from his history.'
And another: 'Maybe it's the second-biggest lie in Time Lord history.'
12: Dhawan!Master tells Thirteen, "You are the Timeless Child."
13: Thitreen stares at a ruined house. Swarm whispers in her ear and tells her, "All the memories you've lost, all the people you've been. It's all in there, contained within that house."
14: Text: And it was like the Doctor's home. As if his ship understood the loss of the House and had compensated to fill the emptiness. Shadowy corridors, alcoves and stairways, a secret at every turn. Like being in the Doctor's head. Like his life, for that matter, the details of which were strewn like flotsam across the floor.
15: Text: 'Sweet,' said the little boy. 'That's my favourite of your origin stories, too.'
The Doctor opened his eyes. He had been laughing, he realised, he felt that lightness in himself. The boys had all moved away, behind him, leaving him facing the empty dark of the warehouse.
'What do you mean?' he asked. His voice sounded very small.
'Is this the version where they banned all mention of his name, and yours, for consorting with aliens? Or the one where he got every record of himself deleted from the files?'
'Feel free to believe either of them,' snapped the Doctor, 'or both of them, or neither of them. If you're curious about my past, I want there to be as many wrong answers as possible.'
16: The Eighth Doctor tells someone, "I'm half human. On my mother's side."
17: Text: 'Well he's a hybrid, you know that. A Gallifreyan not born of Gallifreyan, the one who unites the two races and brings good old human niceness into their alien society. Aliens need that, y'know.'
'A human hybrid? She saw the contempt in his curling lip. 'Pseudoscientific nonsense. There's no evidence,' he repeated.
'He's allowed to be different. He's got a prophecy and everything.'
18: Lady Me says, "By your own reasoning, why couldn't the Hybrid be half Time Lord, half human?"
19: Text: Someone giggled. 'Let's play pin the tale on the donkey.'
'Maybe you didn't use to have a father.'
'Maybe you're living in the middle of a time war. Maybe there's an Enemy out there -'
The Doctor shouted, 'I'm not listening!'
'- who's rewriting you when you're not looking!'
'Maybe you weren't always half human.'
'But now you've become always half human.' 'Maybe you weren't always a Time Lord.'
But now you've always been a Time Lord.'
'Maybe you originally came from some planet in the forty-ninth century. Fleeing from the Enemy who'd overrun your home -'
'I said I'm not listening! Laa laa laa laa laa -'
'- and you've just been written and rewritten and overwritten, ever since.'
'Pin the tale!'
'How d'you know it's not true?'
'How could you know it's not true?'
The voices crowded in. 'How would you know, huh?'
'How would you know?'
'How would 'How would you 'How 'How would you know? you know? you know? know?'
'Why would I care?' shouted the Doctor.
The boy fell silent.
20: Lady Me asks, "Am I right? Is it true?" Twelve replies, "Does it matter?"
21: Text: However, the one group from the Homeworld which has excelled at flux-engineering is the Celestis.
22: Two asks the Time Lords, "Now then… what about me?"
23: Tecteun tells Thirteen, "Which is ehy we engineered the Fluyx: Shut the universe down and you within it."
24: Text: Even Mictlan itself can be considered a kind of enormous flux, an endlessly-shifting realm so cortosive to the rest of history that its heartland has to be kept on the outer skin of the universe
24: The Fourteenth Doctor tells Donna, "I invoked a supersition, at the edge of the universe, where the walls are thin and everything is possible."
25: The space station from Wild Blue Yonder
26: Text: There are suggestions of a stable middle-ground between the two fates, in which the physical matter of the flux is lost but the meaning of the subject/ victim is retained, a series of memetic connections with no flesh to support it. Yet this entity exists only on a purely theoretical level, relying on the perceptions of others to survive at all.
27: The Twelfth Doctor walks up to the TARDIS console. He says, "Can't wait to hear what I say." Glancing at the viewer, he adds, "I'm noting without an audience."
28: Text: You know what Sam represents. If a tree falls in a forest and no one's there to hear it, does it make a sound? Stop me if I'm getting too abstract here, but if a Time Lord saves the world and nobody witnesses him doing it, does history care? She's your witness. The thing you need to make you whole.
29: The First Doctor looks at the viewer and says, "Incidentally, a Happy Christmas to all of you at home!" End description.]
[Plain text: Fluxes [Celestis: Engineered Participants / Technologies] Example: "Doctor, The". End plain text.]
@dw-described
215 notes · View notes
intyalote · 1 year
Text
the thing about doctor/river is that the blatant romance is a defense mechanism. it’s playacting it’s how they sketch out the boundaries of their relationship because they can never be sure of how the scales of intimacy are balanced - they love each other, sure, but they are so rarely in a place where they both know enough about each other for mutual trust. so you get these really interesting juxtapositions like how eleven is in full flirty mode for impossible astronaut/day of the moon to the point where it feels like they’re about to make out every time they’re in the same frame but at the same time he dismisses her with “trust you? seriously?” and is shocked when she actually kisses him goodbye. in let’s kill hitler they flirt like hell when she is literally trying to murder him but not at all when they save each others’ lives. in the wedding of river song kovarian complains about them being lovey-dovey in front of her but right after that the doctor attempts to reset the timeline and river has to drag him kicking and screaming into respecting her enough to tell her the truth. in angels take manhattan we get both “just you wait till my husband gets home” (flaunting their relationship to grayle) and “never let him see the damage” (she doesn’t trust him to love her as a flawed, mortal person). they’re out of sync all the time, so sincerity is off the table except when it’s a necessary shortcut to trust that doesn’t exist yet - river whispering his name to him in the library when he doesn’t know her yet, their literal wedding being a tool the doctor uses to convince her to let him “die.”
the thing about “hide the damage” in particular is that river was responding to the doctor’s own fear of seeing the damage. she lied to him because she was trying to give him what he wanted, even if he couldn’t admit it. and it applies both to the broken wrist and to their relationship in general. every time he looks at her all he can see is the pain of her death, and she can see that he’s holding back even if she doesn’t exactly know why. this was always going to be a barrier to true intimacy between them unless they could be linear for long enough to know and see each other as they are, not as they’re going to be or as they were.
that’s why husbands of river song is such a perfect resolution for them. the only way river would ever be honest enough to let him see her insecurities is if she didn’t know who he was, so it had to be twelve and not eleven. and it specifically had to be twelve fresh from losing his memories of clara, so that he’d stop running away from confronting her death and just give them those 24 years together on darillium to really get to know each other, to see the ugliness and the imperfections and stay together anyway. it makes perfect sense that after that they could reach the level of love and trust river has for “her doctor” in the library, in a way that just isn’t possible with a relationship built on whirlwind dates done out of order and nothing else.
761 notes · View notes
championashley · 4 months
Text
Alright. I said I would write this and I’m gonna stay true to my word.
I’ve been seeing a lot of takes since The Giggle has come out questioning the potency of 14’s ending. People have been citing multiple different times during the reboot era where the Doctor has “settled down” somewhere, from Darillium, the university in S10, to even Trenzalore. However, I think all of these comparisons are apples to oranges, completely missing the details of each instance and how The Giggle’s ending rebukes all of them. 
So, because I cannot leave an inaccurate take alone, I’m going through every single one of these instances and explain why 14’s ending is different from them, in chronological order.
I’m gonna start with a weird one: S7EP4, The Power of Three. Because it provides a good example of all the things we’re going to be talking about. 
Prior to this episode, long time fans already had a good idea that the Doctor…does not do well in monotonous environments, a truth that is consistent across multiple incarnations.
“I don’t do families.”
“Street corner, two in the morning, getting a taxi home. I’ve never had a life like that.”
“Here you are, Living a life, day after day. The one adventure I could never have.”
“Christmas dinner.” “I don’t do that sort of thing.”
“Oh god I had a terrible nightmare about you two!” [Talking about Amy and Rory having a normal life in Leadworth]
The entirety of The Lodger
“There’s a bigger, scarier adventure waiting for you in there.”
The Power of Three, spells this truth out in bold, montage style marker pen. The Doctor “needs to be busy”. Why, as Amy later asks?
Personally I think this answer varies slightly between regenerations, based on experiences and losses each face goes through. 9 couldn’t imagine a life of peace coming out of a war, a war that he had a major hand in. 10 continues that idea, with the added baggage of losing Rose. 11’s reasoning is a bit subtler: he says to Amy that he is running to things before they go, as if he now understands how short beautiful things last. He’s going from one thing to the next in avoidance of staying to watch things die. 
“And what’s the alternative? Me standing over your grave?”
This doesn’t change by the end of the episode. The Doctor explicitly tells the Ponds that he’s only staying to watch the cubes, and once the threat is gone, he’s already out the door. He only stops because of a potential threat, an idea we will return to in the next example. He even accepts the idea of Amy and Rory wanting to stay behind: “things to do. Worlds to save. Swings to swing on. Look, I know. You both have lives here. beautiful, messy lives. That is what makes you so fabulously human. You don’t want to give them up. I understand.” The Doctor is saying, ‘I know you have lives here, and that I can’t always be a part of that. And that’s ok.’ 
This episode in my opinion is a perfect microcosm of The Doctor regarding this topic, spelling out explicitly why The Doctor can't ever settle down. The Doctor needs to have something to run to because they don't feel secure enough in any place to not allow their altruism outweigh their need to process their trauma. The only thing that could motivate the Doctor to stop, even just for a second, is the promise that their friend(s) will be there too. The next example is the worst-case scenario of this issue.
Trenzalore is an interesting case. When I first heard of it being counted, I immediately shut it down, because Trenzalore was a literal war zone (wars are obviously not a good place for mental health time). But in doing research, there is actually way more baggage contained in this period making it unsuitable for this argument than just that fact. 
Trenzalore was set up to be the Doctor’s final resting place, where they would truly die. It wasn’t the first time a death prophecy had surrounded the Time Lord, and once again, just as with The End of Time, the thing that kills them is, what Davros would later call The Doctor's “greatest indulgence”: compassion. Tasha Leem warns 11 that she will burn the planet upon the possibility of the Time Lords returning, a warning the Doctor takes extremely seriously.
“This planet is protected.”
“Christmas has a new sheriff.”
For 300 years, 11 stayed true to his word. He fought long and hard, for the townspeople and his own. He was celebrated and was loved. But Clara returning with the TARDIS revealed how he really felt about all of it. 
“Everyone gets stuck somewhere eventually.”
“But you didn’t have your TARDIS.” “Well, that made it easier to stay.” 
There’s an unspoken sentiment in these words, echoing 11's philosophy in Power of Three: the Doctor will always want to leave, in this case, to understandably avoid his prophesied death. But he doesn’t, because “Every life I save is a victory”. Their compulsion to help, their innate capacity to help those in need. So often it’s been their greatest strength, but here it’s framed as destructive selflessness. 11 has become so wholly committed to helping others before himself that he’s willing to accept his own death. 
Clara correctly calls this out: “What about your life? Just for once, After all this time, have you not earned the right to think about that?” The Doctor didn’t stay on Trenzalore for himself, he stayed for everyone besides himself. It’s only because Clara gave the Time Lords a proper verbal smackdown that the Doctor managed to survive. Had they not intervened, The Doctor would've suffered and died, once again to protect them, despite already saving them from annihilation in the previous episode, Day of The Doctor. Trenzalore wasn't The Doctor stopping, it was a century-long effort to keep satiating the bottomless survivor's guilt they still carried from The Time War.
Darillium is yet another case of looking like a time the Doctor settled down somewhere on the surface. But the details don’t match that conclusion. The entire thesis of 12 and River’s final conversation was about the fleeting nature of their situation. 
“Times end, River, because they have to. Because there’s no such thing as happily ever after. It’s just a lie we tell ourselves because the truth is so hard.”
The Doctor says this, cries at hearing the Singing Towers, despite already knowing they have 24 years in a night. Because he knows it can’t last. There’s already a deadline on their moment of peace before it’s begun. Eventually River must go to The Library. 
The final quote of the episode punctuates this: “And they lived happily ever after.” Fading away until “happily” remains. Because they didn’t have their “ever after” and they didn’t “live”, because a person can’t entirely experience life to the fullest with a clock hanging over their head. 
Tumblr media Tumblr media
While they got their moment of happiness, it was only a moment. 24 years is just a blink of an eye for a Time Lord, and sure enough, we see by the end of “The Return of Doctor Mysterio”, the next chronological episode, 12 is ready to leap back into the fray. Still the same overall Doctor he was before.
The University is an extension of this. We find out that the only reason he has stayed is to guard Missy in the vault. When 12 tries to mindwipe Bill (an eerie parallel to both Donna and Clara), he directly says: “I have no choice, I’m in disguise. I have promises to keep.” Just like with Trenzalore, The Doctor’s altruism has trapped him somewhere he doesn’t actually want to be. The second he hesitates, he immediately runs after Bill, inviting her into the TARDIS and sneaks off to the universe behind Nardole’s back.
So, now that we’ve gone through each past instance, what’s the connection? What’s the key issue(s) that prevented the Doctor from permanently stopping in any of these cases?
The (fear of) loss of their friends, and the Doctor’s own self-loathing. Either out of fear of the march of time, or the chains that their altruistic nature binds them to, The Doctor always runs away from the picket fence life.
Now, let’s look at 14 and how this ending departs from all other examples.
Wild Blue Yonder and The Giggle more prominently explains 14’s origins as a coping mechanism. The reason why 10’s face came back was to retreat to an incarnation that didn’t invoke the loss of The Ponds, Clara, and Bill. The second destruction of Gallifrey and the reveal of The Timeless Child. The Doctor’s avoidance of their trauma has now been made physical, just like how mental stress can often manifest as physical changes or ailments. 
“We stand here now, on the edge of creation, a creation that I devastated, so yes I keep running, of course I keep running!! How am I supposed to look back on that?!”
Already this is a departure from the instances we’ve discussed, because by the very nature of having 10’s face again, it’s forcing the Doctor to ask why. 
“It’s like I'm trying to tell myself something. Like I’m trying to make a point.”
But 14 chooses not to answer it, because answering it means accepting the truth: it’s too much. The trauma can’t be avoided anymore, because The Doctor would always be reminded of what they’re trying to avoid by looking in a reflection. 14 telling Shirley, “I don’t know who I am anymore.” Then asking Donna, “what am I? What am I now?” It’s not because he’s been given a blank slate and doesn’t know what to do with it, like other regeneration stories. In trying to run away again, to bury the trauma and pain, The Doctor has made it more visible than ever, and doesn’t know what to do with that. 
Ironically, the Toymaker causing the bi-generation was the greatest gift he could’ve given the Doctor, because 15 was exactly who 14 needed to see. He’s happy, energetic, full of life and wonder, but also empathetic, understanding and open. He’s the only other person in the entire universe who The Doctor will listen to (well, one person, we’ll get to the other later), because he knows all of the trauma they went through, and yet, made it through ok.
“But you’re fine.”
“I’m fine, because you fix yourself.”
15 is leading by example, their own ‘ghost of Christmas future’ but positive. 14 now has an ideal self to strive towards, a face born from love and empathy. 14 doesn’t have to ground herself out of moral obligation, 15 will now protect the universe. 
But that leaves one question: why Donna? Out of all of the people to settle down with, why her? That’s easy: because she gets it. 
Donna, out of all of the companions the Doctor traveled with, understood the soul behind the legend, because she recognized someone fundamentally similar to herself. One of Donna’s signature character flaws is her horrendously low self esteem: “I’m nothing special.” no one ever listened to her (thanks Sylvia, for at least cleaning up your act later), so she covered up the silence with noise. She held onto whatever indisputable moments of genius she had to drown out the cacophony of voices shutting her up. Wild Blue Yonder explained this perfectly: Donna believes she is both brilliant and stupid at the same time. 
She lives in two contradictory self images at once, and so does The Doctor. The genius and the idiot. The universe’s most fascinating person, and the person who would easily throw away their life for the betterment of others. She’s seen their blinding arrogance/rage (the Racnoss, Jenny) and their crippling self doubt/loneliness, and always met both with empathy and kindness. 
“Doctor! You can stop now!”
“Cause sometimes I think you need someone to stop you.” 
“It won’t stay like that. She’ll help you. We both will.” 
“Is ‘alright’ special Time Lord code for ‘really not alright’ at all?” “Why?” “Cause I’m alright too.”
Donna shouldered the burden of destroying Pompeii, she silently hugged 10 after coming back from Midnight. All because she knew what all of that would feel like in her own life. She didn’t need to know the history of The Doctor and Davros, because she saw her best friend afraid and knew he would want comfort, because she would too.
Even if Dalek Caan manipulated the timelines to get Donna to him, That friendship was completely real to both of them. We saw what Donna was like without the Doctor in Forest of the Dead and Turn Left, and she always felt some level of unhappiness. 15 years removed from them and she still felt as if something was missing. In every future/reality, she always wanted them there. Same for the Doctor too. Within only a few episodes of losing her, 10 started to fall into becoming the “time lord victorious”. 12 looks the way he does because of Donna’s plea to adhere to his name, and save people. Even before 14 came into existence, the Doctor was willing to tell other people how important she was to them, on account of River recognizing Donna by her name: “you’re Donna, Donna Noble.”
Donna didn’t just travel with the Doctor and she wasn’t just friends with them. She completely understood them, their soulmate. Two halves of a greater whole, The DoctorDonna. 14 stayed because there was a more stable incarnation to take his place, and because his best friend would be there alongside him, helping and supporting him through and through. The Doctor stayed because, for the first time in their life, they felt safe. In where they would be staying, and what they would be leaving behind. 
That's why 15 doubling the TARDIS was so significant. In giving 14 her own TARDIS, 15 is allowing his younger self to have what they always removed from the equation: free will. The Doctor can still go anywhere they want, which makes them even more motivated to stay and fix themself. 14 can feel safe staying with Donna, Wilf, Mel, Rose, Shaun, and Sylvia because the option to travel is still there.
And the truly amazing part of all of this is that the TARDIS knew it from the beginning. Was it a coincidence that very soon after 13 regenerated into 14, the TARDIS landed close to where Donna and Rose would be shopping? 
“You didn’t always take me where I wanted to go.” “No, but I always took you where you needed to go.”
The TARDIS brought the Doctor home, and this time, they stayed. Because it was a place where they wanted and needed to be. 
123 notes · View notes
ssaalexblake · 8 months
Text
still got a bee in the bonnet over people who actually bought Tecteun's abuser 101 tactic that the doctor is just like her, Especially 13, whose entire run was basically one big Does The Opposite Of Tecteun speed run from the time she carefully watched over Ryan as he tried to ride a bike atop a cliff, in direct opposition to how Tecteun didn't bother to keep an eye on a pair of kids playing atop a cliff and one of them fell and died and started this entire horror story.
Even 13 at her worst was trying to help and save. I mean, she's got Problems with a capital P, but she always tried. She's always high on emotion, close to the edge, a bite in her voice. Nothing like Tecteun whose calm was close to violence.
In hindsight, from the very start this was a break the cycle story. It culminates in 13 saving a small girl, just like she was. Nobody saved the child she used to be, but she got to symbolically save them, and that will have to do. The break in the chain. The catharsis of feeling like you've saved yourself, even just a little bit.
157 notes · View notes