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mollyrealized · 2 months

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How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.” I mean, this is … what … '88? '88, '89. So it was … now I know that it was a period of time that was a big change, transformation going through comic books. Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No." And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story. And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy." Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick. Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe. Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman. And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA. And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary.

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.” You know, “This is eel. This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"

We'd finished, so we pay our bill. And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil. And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be – it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months. So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course." I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.” But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well. And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up. And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God. Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”. I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah. Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard. I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you.

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

#neil gaiman #michael sheen #david tennant does a podcast with...#good omens #aziraphale #crowley #sushi #whale #the cove #oscars 2010 #coraline #mini secret compartments #howneilmetmichael #howmichaelmetneil

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earthtooz · 8 months

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x : NOT JEALOUS ! :*+ﾟ

in which: alhaitham isn't jealous, he doesn't get jealous, so what is this suffocating feeling in his chest that only happens when you're talking to another man that isn't him?

warnings: 5.4k words, jealous!alhaitham x gn!reader who has loads of rizz, university!au, fluff with angst but happy ending, pining!alhaitham who doesn't realise that he loves you, kaveh is there, mention of cyno, ooc at some bits?, swearing, alhaitham is a little bit of an asshole at some parts sawry. he's bad with feelings.

a/n: inspired by @danijaci's jealous jealous boy comic with alhaitham! hi dani if you're reading this pls don't perceive me... hides... but i hope you all like it :,)

Alhaitham isn’t jealous.

The uncomfortable feeling obstructing itself in his throat is just because he’s beginning to develop a sore throat- that’s all. It is flu season after all, who knows what kind of bacteria are in the air? Ones capable of lathing an uncomfortable oil that burns inside his chest, the smog crowding its way into his heart, sickening him to his core as Alhaitham can’t help but eavesdrop on the conversation happening beside him.

“I’m free friday,” a voice besides you confirms.

“Okay!” you cheer, sounding a little too happy for Alhaitham’s liking. After all, it’s 9 am, who has this much energy in the morning? “lets do Friday then!”

“Sounds good, I’ll see you then. Bye Y/n.”

“Bye, see you!” Alhaitham watches from the corner of his eye as you wave to the random stranger you’ve decided to associate yourself with before finally taking the seat beside him with a sigh.

He doesn’t say anything to you, feeling your eyes glance at him expectantly as he stares stubbornly at the lecture board instead of acknowledging you or the jumble of feelings clogging up his diaphragm.

“Hello, you,” You lean over slightly, careful to not invade his personal space whilst waving at him, hoping to catch his attention. He glances at you, nodding in greeting before returning to his book, the pages and rows of words only fuelling his unease he suddenly felt. He doesn’t even know where he left off, the book’s events a blur in Alhaitham’s mind.

How bothersome. What’s happening to him?

“Talkative today, aren’t you?” Your tone is playful despite his cold attitude and Alhaitham sneaks another look in your direction, noting the way your lips curve upwards. “So, how are you?”

“I’m fine,” he murmurs, inserting a bookmark between the pages before slamming it shut, an indicator that you could keep conversing with him.

“Cool.” You tap your nails on the desks of the lecture hall. “Oh, I finished my essay the other day.”

“The one for your elective?”

You hum in agreement, “I hope I never get it back. Submitted it ten minutes before the due date.”

“You know you wouldn’t have been stressed over it if you just started it earlier-”

“I know, I know,” you huff, “spare your productivity lectures for another time, I’ll be needing them later in the semester.” The grey-haired shakes his head as you laugh, but his gaze returns to the front cover of his book as he solemnly thinks about the interaction you had with another man, right in front of him.

(What right did he have to see you smiling so earnestly like that?)

“Who was that?” Alhaitham coughs out, barely choking down his pride in time to make space for the question.

You murmur some guy’s name that he doesn’t bother to remember. “He’s a friend of mine in the same discussion group for this course and we decided to do the assignment together. He bumped into me on the way in so we were just planning when to meet to do the research.”

“Oh.” Your answer doesn’t calm the churning in Alhaitham’s gut. Not even one bit, in fact, it makes it worse.

But it’s not jealousy, Alhaitham doesn’t get jealous because he’s above petty feelings of inadequacy. He’s merely concerned for you, worried for your brainpower by the end of the project because your partner seems less-than-incompetent. If you’d picked someone like Alhaitham (or better yet, just picked Alhaitham), you would’ve aced the class without even blinking an eye.

(The two of you are friends, so why didn’t you pick him? It’s literally been proven that the two of you are compatible working together since you were both executives of Sumeru’s Cultural Society, and amidst all of the activities the club has run, you’ve collaborated many times to make each event run flawlessly. So why not him? Why would you pick another man over him?)

“You know you could have picked me, I wouldn’t mind working on the assignment with you,” he grumbles, words soft but very clear.

Alhaitham misses the way your eyes widen in shock as apologies scramble out of your mouth. “I’m sorry! I automatically assumed that you wanted to work on it by yourself. Next time I’ll ask you.”

The lecture begins before he could say anything in return and like a robot, he sets his thoughts aside and begins listening, notes document up and cursor blinking at the ready.

A mundane two hours pass by, one powerpoint slide after powerpoint slide before the lecture is finally over, much to your pleasure. Alhaitham notices the way you eagerly jump out of your seat to stretch, grabbing your bag. On the other hand, your grey-haired accomplice takes his time in packing up, forcing you to wait for him.

“Would you like to get some coffee before the meeting?” You ask.

“Sure, we can find a seat there and join it together,” he adds and you beam at him, expression bright and so enchanting that it makes him forget about all the perplexities he felt before the lecture.

The two of you make your way to one of the many campus cafés where you practically wrestled Alhaitham to stop him from paying for both your orders (losing in the end) before sitting at a booth, your laptop set up with a pair of Alhaitham’s earphones shared between you. The meeting begins to fill up with almost all committee members, even Kaveh, who resides in his room of his and Alhaitham’s shared flat. Upon noticing him, you go to text him, with the grey-haired peeking over your shoulder from time to time to see your conversation- not that he cares that much.

(Perhaps if Kaveh glanced up from his phone, then he’d see how close Alhaitham had gotten with you, breaching the distance that he prefers to keep around others. He’d also notice the headphone sharing despite how he generally tends to keep them out of anyone else’s hands.)

You’re tasked with the role of taking notes for the meeting since Alhaitham, in your opinion, is not at all a reliable scribe. His notes tend to just include vital information and never what everyone else needs to know, yet each time you scold him for it, his unbothered expression never falters, waving your complaints off with a shrug.

“Hey, Kaveh and I are going to go for lunch tomorrow after our classes. Care to join?” You ask, smiling at him hopefully as your messages with Kaveh sit open on your screen. Alhaitham doesn’t think twice before agreeing.

── ⋆⋅☆⋅⋆ ──

“It looks like it’s about to rain,” you murmur, pulling out a chair as Alhaitham and Kaveh take their seats opposite you.

“So it does,” Alhaitham notes, not caring to look too long out the window before returning his gaze to you. “You have an umbrella, right?”

“I, uh, didn’t think I needed one today.”

“Do you not check the weather before you leave?”

“Not everyone’s like you, Alhaitham.” Kaveh teases. “It’s no problem, Y/n, if it rains I can walk you back to your dorm.”

“Only if you are okay with it,” you insist, “I have no problem walking home in the rain. I love the rain.”

Alhaitham intervenes with a raise of his hand. “Nonsense, you’ll catch a cold. We’ll walk you home.”

A soft but genuine ‘thank you’ slips from your lips, neither of you wiser to the way Kaveh eyes his roommate suspiciously, not missing the use of ‘we’ in his sentence and the implications the collective pronoun has. For it meant that Alhaitham is willing to take precious time out of his day to perform an act for someone that he is not indebted to do. Not that Alhaitham is inherently selfish, per se, but he is a man of routine. He wakes up every morning and takes five minutes to scribble on his stupid whiteboard in the kitchen what he has to do for the day and strictly abides by it, not even straying two minutes off schedule.

Willingly volunteering his minutes? Kaveh finds that suspicious.

“So, how’s your architecture assignment, Kaveh?” You ask, breaking the blond from his daze whilst Alhaitham pours glasses of water for the table, starting with your cup.

“A nightmare,” he sighs, sinking into his chair. “I still have so much to do, you know my professor didn’t like my blueprint? How ridiculous! I hope that man steps in a puddle and wets his sock.”

The grey-haired pipes up with a remark. “I can’t wait for it to be done, our living room is a mess right now.”

“Hey, I am the one that cleans that living room, thank you very much. Your bookshelf is still a mess even though I’ve asked you to clean it five times.”

“If it bothers you so much then why don’t you do it yourself?”

“I’m the only one who-”

“-I’m going to go to the bathroom,” you murmur, cutting the conversation before shuffling out of your chair, seemingly eager to do so.

Kaveh turns to the grey-haired again, “and you just scared away Y/n.”

“Sorry no one wants to hear about your architecture project.”

“Y/n literally asked, asshole.”

A rebuttal sits on the tip of Alhaitham’s tongue- as it always does when it comes to bickering with his roommate, but it dies out when an intruder comes to the table. “Excuse me, I hate to interrupt,” he begins, “but the person who just got up, is that your friend?”

“Yeah, why do you ask?”

“Oh, I just wanted to drop this off, mind passing it over for me?” The piece of paper he was holding lands in Kaveh’s hand. “Thanks, bro.” Is all he says before strolling away, out of sight but definitely not out of mind.

The blond does not hesitate to open it up, chuckling in amusement when reading the content. “’Hey you’re cute, here’s my number’ it says. What a bitch! You didn’t like his vibes either, right, Alhaitham?”

“Hold on, what does the note say?”

Grabbing (snatching) it from Kaveh, the grey-haired has half a mind to rip the note apart, a certain sense of distaste washing over him that intensifies the long he stares at the guy’s handwriting. His eye is twitching. Why is his eye twitching?

“Hey!” He hears Kaveh call. “Don’t scrunch it, that’s Y/n’s-“

Alhaitham stuffs the ball of paper into his bag where he’ll recycle it later even though something irrational within him tells him to burn it. “Y/n won’t miss it. You said it yourself, he’s a bitch.”

“Sure, but why are you doing-“

“Hey!” You interrupt, sliding back into your chair with a grin on your face. “So, what did I miss?”

“Nothing,” the grey-haired murmurs, assuming his crossed-arm position. Kaveh side eyes his roommate before agreeing with a hum. “Let’s order something now. We want to beat the rain, right?”

── ⋆⋅☆⋅⋆ ──

This meeting for the Sumeru Society might have been one of the most important ones of the year thus far, with almost every committee member expected to attend. After all, the annual ball was a big event that always had the largest turnout, and the amount of planning that goes into it to ensure its success is almost triple that of its other events.

So why weren’t you here?

“Why did you leave the meeting early on Friday?” Alhaitham asks as soon as he sees you.

You pause briefly, eyes widening and eyebrows raising. It must have been the way that Alhaitham’s voice raised a pitch towards the end of the question, demonstrating a nervous break in character that was not at all typical. Cool and collected would be the defining words to describe Alhaitham, as well as someone who does not care for the menial activities of others, so what is he doing asking you? And why does he care so much?

“I, uh, had dinner with someone,” you confess, continuing to grab your books and laptop, missing the way his features contort into something un-cool, and very un-Alhaitham.

“Whom?”

You murmur the name of some other guy, who he vaguely recalls to be your project partner.

“What?” Alhaitham snaps.

“I didn’t think missing out on some of the meeting would be a big deal! I got another committee member to explain what I missed,” you justified. “Besides, there’s no big events going on right now, so I thought-”

“-That you could abandon your tasks and go have fun with someone else?”

Alhaitham’s not really sure why he said that. He’s not angry that you skipped a meeting; there are larger things in the world to worry about, he’s angry because you spent time with another guy that wasn’t him.Why not go to dinner with him instead? He spends it every night with Kaveh, and you are far more favourable than Kaveh.

“Is it really something to get mad over? I already told you, I got the meeting notes and everything-”

“-You’re an executive of the society, Y/n, more is expected from you.”

“Seriously?” you ask, “how come you didn’t bat an eye when the vice president wasn’t there the other day?”

“Because she was sick.”

“Okay, fine! what about the subcommittee? they’re not always there either!”

“They’re subcom. Whether they miss a meeting or not is not crucial.”

“So, it’s just my business that you care about?” You ask, eyebrows furrowed, disbelief clouding over your expression like a mask.

Again, Alhaitham doesn’t know where these punches are coming from and why he’s throwing them against you so viciously, but his heart is tightening defensively with a burning emotion that he’s been feeling more and more recently, and his first instinct is to lash out, to protect himself from it.

Perhaps it’s because foreign things that he can’t understand terrify him and you, all you ever do is make him feel things that he’s never felt before and he can’t understand why.

“You’re not that special.”

A flash of hurt gleams in your eyes and Alhaitham knows now that he’s royally fucked up. “You’re an ass,” you grumble, about to walk away when he intercepts.

“Listen to me!”

“Fuck off!”

“Y/n-”

You’re gone before he can get another word out, retreating figure stomping away whilst his chest weaves into knots; something that no amount of deep breathing can calm. It doesn’t help that the minute he returns home, Kaveh is onto him like some sort of parasite, curious over the tense air surrounding his normally-composed roommate.

“Hey, welcome home- whoa, what’s gotten into you?” The blond asks.

“None of your business,” Alhaitham grumbles through gritted teeth, taking his shoes off and throwing them aside haphazardly. Kaveh doesn’t miss the way Alhaitham’s jaw is clenched, or the strain in his hand when he brings up a hand to run through his hair, or the very subtle and minute twitch in his cheek.

The blond ignores all signs that he wants to be left alone, and instead, follows the grey-haired to his room after he swung the door open.

“Whoa, whoa, whoa, hold on, let’s talk about this-”

“Talk about what?” Alhaitham growls.

“Who pissed in your black coffee today?”

“No one. Now get lost.”

“Aw, come on, you know what they say. Getting things off your chest is always beneficial.”

“There’s nothing on my chest, go away.”

“You sure? no stress, no deadlines, no love interest making you tear your hair out-”

“-No, no, none of those!”

“Then what?”

Alhaitham steadies himself by resting his elbows on his thighs, hands clasped together as he exhales loudly. “I got pissed and took it out on Y/n, who’s mad at me now.”

“Huh? Why so annoyed?”

“Because Y/n went to dinner with another man.”

It’s silent for a while. The sassy quip that he expects from Kaveh does not happen. Instead, the blond merely smiles, a satisfied, knowing grin that slightly irks him. “You know, I’ve been waiting for the day you realise you have feelings for Y/n.”

“What? Where did you get that conclusion from?” Alhaitham sits up straighter. There are a lot of things he knows, and he knows for sure that he does not like you in any way beyond platonic. He doesn’t have any time to spare for love. There are scholarships he still needs to apply for, internships to be interviewed for, research projects to submit- nowhere amongst the minute hand of the clock is there space for love.

“Oh come on,” Kaveh sits down on the bed beside his roommate, leaning back on his hands. “You’re not as smooth as you hope to be sometimes.”

“I’m serious, I don’t know what you’re talking about.”

“Y’know the sooner you accept you have feelings for Y/n, the easier life will be.”

“Life is already easy and there is no sooner because I don’t like Y/n like that. Now get lost. I have stuff I need to finish.”

Kaveh shrugs, standing up with a soft ‘suit yourself’, taking seven steps before he’s out of the room. Alhaitham lets out a sigh that has lodged itself in his throat for too long, and the feeling of reprieve he gets is short-lived before he’s flooded with a certain tightness again. Maybe he did have a weight on his chest after all, not that he’d ever admit it to himself or Kaveh.

He gets up from his made bed with a grunt and decides to push aside all distractions. Time is unforgiving, and if doesn’t finish his assignment by this Friday then he’ll be a little less than pleased.

── ⋆⋅☆⋅⋆ ──

Alhaitham feels like he can’t breathe.

You’re sitting alone at a library desk, all focused and concentrated on your laptop screen with your headphones on, blocking out any outside voice as you type away. He wonders if he should say hi, maybe try apologising for the way he acted last Monday- who is this guy that’s approaching you and why does he look so familiar?

And why are you smiling so happily?

You beckon to the seat beside you and the guy readily complies, taking the chair beside you like he belonged there, like there weren’t other candidates that should be there instead (he’s not talking about himself. definitely not).

He hands you one of two coffee cups he’s holding. What kind of right does this guy have to give you a coffee? Does he even know your order?

He feels like a bit of creep keenly watching you interact with someone else from a balcony of the library, but the book and laptop in front of him lies forgotten, and in a rare moment of weakness, Alhaitham can’t find it in himself to return to his tasks, pursuit of knowledge momentarily forgotten. He can’t push aside the bile that threatens to rise, he can’t loosen his grip on the couch’s armrest, and he can’t blink for a second in fear of losing you from his sight.

(You’re laughing. Why are you laughing? How can you look so pretty laughing and why doesn’t he ever get to make you laugh like this?)

Alhaitham is losing his damn mind. So much so that the first thing he does when he sees you again is corner you.

“You shouldn’t talk to that guy anymore.”

You’re backed against the brick walls of the time-worn building that your shared lecture always takes place in, and Alhaitham, spotting you like a hawk, put you in this precarious position as soon as the two hours were over.

He can’t breathe. It’s been almost three weeks since you last spoke to him and you’re staring up at him like you’ve done nothing wrong, blinking once and twice at his uncharacteristic display of subtle aggression.

“Who?” you mutter, shaking your head to try and grasp reality once again. you hug your laptop closer to your body. “What’s this about?”

“I said you shouldn’t talk to that guy anymore.”

“What guy?”

“Your project partner.”

“Really?” you mutter in disbelief.

He nods, teal eyes shining at you firmly. “Really. The project’s over, you don’t need to talk to him anymore.”

“I don’t recall ever giving you the right to dictate who gets to be in my life or not, just like how you can’t tell me what to do with my time.”

“I’m looking out for you, so stop trying to make me sound tyrannical.”

Your mouth hangs open as you furrow your eyebrows, growing more and more frustrated with each second. So much for thinking that he wanted to resolve the awkwardness between the two of you. “I’m not even going to argue with you,” you murmur a quick ‘jerk’ under your breath before brushing past him.

Alhaitham, however, is not willing to let you go as easily as you wish, quick to chase after you. Not that you go far anyways, turning around to face him again in the spaciousness of the vacant hallway. “Why do you care?” You ask, exasperated. “You’re Alhaitham, you don’t let trivial things like who I hangout with bother you, you’re cool and collected and rational, and I just don’t understand why you’re acting like this.”

He doesn’t understand either, not the erratic beating of his heart, the stubbornness of his mind, nor this undisputable urge to keep you all to himself. Is it normal to want to hide someone for selfish reasons?

Trailing off, Alhaitham is slightly humiliated that for the first time in his life, someone has witnessed him coming short of an answer. No logical conclusion, no explanation, not even a satisfying quip, just plain, suffocating silence.

“Right. When you do have an answer, let me know.” You walk away.

── ⋆⋅☆⋅⋆ ──

Your last rebuttal still weighs heavily on Alhaitham’s mind, even two days later as he and Kaveh are seated for a lecture in a shared course. His thoughts are scrambled like never before, the messiness of it all making him feel uneasy because for once, he doesn’t have an appropriate answer to a question.

Why was he acting like a temperamental teenager? What you did with your life was up to you, and indeed he has no right trying to change that. More importantly, why was it so hard to apologise for the stuff he said-

“So, how’s everything between you and Y/n?”

Kaveh turns to him with widened eyes whilst Alhaitham’s poker face doesn’t move an inch, deceivingly apathetic.

“Good, we’ve been hanging out a lot more recently,” the other guy says, who Alhaitham quickly recognises to be your project partner and distaste rises in his stomach like bile.

“Aye, good for you, man! So when are you going to ask Y/n out?”

“No way, bro, not yet. I’m such a wimp, but I hope I grow the balls to ask soon because I really like-”

“-looks like you got some competition!” The blond nudges Alhaitham, and if it were anyone else, they would not have glanced twice at the grey-haired who seemed unmoving and uninterested. However, Kaveh is not anyone else because he noticed the darkened look in Alhaitham’s eyes instantly, anger seeping into his composed gaze as his nose scrunches in disgust.

── ⋆⋅☆⋅⋆ ──

“So, you and Alhaitham still aren’t talking?” Kaveh asks, leaning on the table of the restaurant with curious ears, hoping that he can grab some answers out of you as to why there was a stalemate between you and his roommate.

“Nope,” you sigh.

“Why not?”

“I’m just-” you pinch the bridge of your nose, “I’m just waiting on an apology from him.”

“An apology? Why? What did he say?”

“He didn’t tell you?”

“You know how he is. Always insufferably secretive, so no, I don’t know anything that happened.”

“Alhaitham just said some hurtful things to me, and he was being weird when I told him I was going to dinner with a friend of mine. Just kept being in my business.”

“Really?” The architecture student quirks a brow, confusion plastered on his face. “That’s not like Alhaitham at all.”

“I know, right? He kept trying to be like ‘don’t hang out with him’ and ridiculed me for not playing my part as an executive of the Sumeru society,” you complained, “like sorry I have other things I want to do.”

Kaveh nods in understanding as the conversation briefly stops when the waiter comes to drop off utensils at your table. As soon as they were gone, however, you begin again.

“And even though he was all up in my business, trying to tell me what not to do, he then said that I wasn’t special, which is so confusing because like-”

“-hold on. Alhaitham said that you weren’t special?” You nod at his parroted claim. “To him?”

“Yeah. Stung like shit when he said that, especially since I thought we were friends but guess not,” you murmur sadly, fiddling with the fork.

Later that night, almost immediately after meeting you over dinner, Kaveh barges into his roommate’s room, not even changing out of his outside clothes. The sudden intrusion shocks Alhaitham who was busy typing on a document, textbook splayed open beneath him but momentarily forgotten as the blond takes a seat on the bed.

“What the- not even a hello?” The grey-haired asks, confused by this uncharacteristic silence of Kaveh’s. It’s pretty normal for the blond to barge into his room without notice, but it was not normal for him to be so quiet, practically brooding on the mattress. “Whatever. Where have you been? Have you eaten yet, because I made-”

“When will you just confess to Y/n?”

The mention of your name causes a spike in Alhaitham’s heartbeat and he swivels around instantly, attention fully directed towards his roommate. “Where is this coming from?”

“Y/n told me everything that happened between you two by the way-”

“-what, when?”

“Tonight, we just met for dinner.”

“And you didn’t tell me?”

“What would you have done if you knew? Showed up and made things worse?” He doesn’t say anything in retaliation, merely shutting his mouth and furrowing his eyebrows. “Why did you say that Y/n wasn’t special to you?”

“I didn’t,” Alhaitham sighs, very loud and very perplexed. “I didn’t mean for it to come out the way it did.”

“Don’t you miss Y/n? You two used to hangout so often.”

“I do, of course I do!” He exclaims, burrowing his face in his hands.

“So why aren’t you apologising?”

“Because whenever I’m around Y/n, I’m not who I normally am,” he mutters, “especially everything whenever that project partner is around-”

“Jealous, much?”

“I’m not jealous.”

“Oh come on, you’re ridiculous. Stop pushing away your feelings and just be honest with yourself, Alhaitham! Y/n is not just a friend to you and you know it.”

“But, we are just friends-”

“So you mean to tell me that if I hung out with someone else- like if I hung out with Cyno, you would be pissed?”

“What? No, of course not.”

“Then why is it different with Y/n?” Once again, Alhaitham doesn’t have an answer to the question, sitting as still as a statue hunched over his desk. “Fine, I’ll spell it out to you. You like Y/n, more than just a friend!”

The silence leftover from Kaveh’s outburst is tense and full as the grey-haired lets the words sink in.

“I’ll let you think about it,” the blond murmurs, voice softening dramatically as he stalks out of the room. Before he closes the door, however, he leaves a few final words. “Just- be honest with yourself, Alhaitham, and I wouldn’t delay trying to talk to Y/n.”

A sharp click rings through the room.

Alhaitham is no stranger to being alone, for who needs the company of others when you are happiest by yourself? Yet, in the weeks that you have not been speaking to him, a cardinal urge as been growing each and each day, wanting him to do something so atypical of him: to reach out and make the first move. Every passing day doesn’t lessen the thoughts that plague his mind, rather, they make him more and more impatient, because what if you get swept away by your project partner?

(What if he’ll be too late? What if you won’t know of these powerful emotions that are steering through the storm in his heart? What if you won’t know just how badly he was been wanting you- wanting to see you, wanting to apologise, wanting to see you beam at him like you always would.

What if you won’t know that he adores you, especially now that he’s figured it out?).

── ⋆⋅☆⋅⋆ ──

A rain droplet falls and lands on your nose, another lands on your forehead, then another lands on your lip then more and more keep falling from the cloudy sky, falling through the leaves and landing on the bench you were currently sitting on. Goodness, you should have checked the weather before leaving your dorm. Why was it now out of all times that it had to rain, what would Alhaitham think after he finally decided to reach out to talk?

Taking your phone out to message the grey-haired about relocating, an umbrella is suddenly held over you, stopping the gentle drizzle from falling onto you. Looking up, you’re greeted by a familiar face that you have been missing too much recently.

“Hello, you,” you breathe, voice gentle and quiet and Alhaitham feels like he can finally breathe after so long, the scent of rain washing away all perplexion.

He nods at you in greeting before offering you the bouquet of flowers he was holding. A gorgeous arrangement of pink of white stare prettily at you and a man even more gorgeous expects you to accept it.

“For me?” You ask.

“For you.”

“Thank you, they’re so beautiful,” you take his gift with gentle hands, holding it close to your chest.

“I want to apologise,” he firmly states, getting straight to the point; very Alhaitham of him. “For treating you the way I have been recently.”

You beam at him, so bright and so gorgeous that it renders him speechless, a feat pretty difficult when it comes to someone like Alhaitham who has a whole dictionary of words, in multiple languages too. Somehow, they all flock out of his mind the second you smile at him.

“I accept your apology, thank you for reaching out, must have been hard for someone like you, huh?” You tease, standing up from the bench.

“Well, I had do for someone as special as you.” The grey-haired’s voice is deceivingly confident and assured, but you know better, especially when he looks away to hide his expression with his neatly styled bangs.

“No need for the flattery, you know, I’ve already forgiven you.” There’s a moment of silence that occupies the air, caused by Alhaitham’s hesitation as he fishes his brain for the courage to ask you out. You speak before he can get a word out, however. “I got asked out the other day.”

“By your groupmate?”

“He has a name, you know, but, yeah. I rejected him, though,” you laugh awkwardly, almost like you were trying to cope with it by playing it off. “Did you know that he would do that?”

“Yes. I did.”

“Is that why you were so adamant on me not hanging out with him?”

“I guess you could say that. We can talk more about it another time,” he tells you, voice gentle and caring to mask the subtle hit of jealousy he feels in his chest, scolding himself for letting someone else confess to you before him. However, it’s a minute sensation in comparison to the triumph Alhaitham feels knowing that you rejected the other party.

“We have a lot to talk about, don’t we?”

“We do, but I want to ask you something first.”

You nod, hugging the bouquet closer to your chest, anticipation heavy in the air as you spur him to continue.

“If I asked you out, would you reject me too?”

A mere second passes by where you don’t respond, yet the second stretches out to what feels like eternity as Alhaitham’s stomach churns. Patience is something he doesn’t lack, but how can he be patient when his heart wants you so bad?

Then, you take his hand, and the heavens sing at the feeling of your hand in his. “I wouldn’t, but are you asking me out?”

“Are you free right now?”

“I am. Why?”

“Let’s go out then. On a date.”

“I'd love to.” You rise up to place a lingering kiss on his cheek, one that has his heart racing with joy rather than frustration.

The smile you earn is gentle, shy, but says more than Alhaitham's words ever can.

#i didn't edit this btw don't judge #alhaitham x reader #al-haitham x reader #alhaitham x you #al haitham x reader #genshin impact x reader #fluff #alhaitham fluff #al-haitham fluff #genshin fluff #genshin x reader #alhaitham fic #genshin fic

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wifelinkmtg · 8 months

Text

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

#phyrexia #not defining the ditch except by implication #thanks to all the very smart vorthoi on the flavor text discord server for helping me work through my thoughts on fascism and phyrexia #this is technically the march of the machine review also #or as much of one as i care to do

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alpaca-clouds · 6 months

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Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

#baldurs gate 3 #oppenheimer #barbie #barbie movie #hollywood #game industry #media #indie media #media criticism #anti capitalism #late stage capitalism

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flowerfan2 · 1 year

Text

Steve has asked to see Eddie in the hospital four times over the past week, and each time Wayne says no. He’s not mean about it, more like perplexed, and increasingly annoyed.

When Steve tries to sneak in when Wayne’s not there, a nurse kicks him out, kindly at first, and then with a threat to call security. He’s not family, and Wayne hasn’t left permission for him to be there.

Steve doesn’t think anyone’s being intentionally cruel, he’s just a teenager who happened to meet Eddie a week ago, he doesn’t have any right to see him. But he did carry him out of hell, and he would really like to see how he’s doing.

Steve’s got injuries of his own, and his head hasn’t stopped throbbing in days, and he hasn’t been sleeping much. But he still wants to see Eddie. Needs to see him. Because sometime in that handful of moments fighting monsters together, he thinks he fell in love.

This seems crazy, he knows that. People don’t fall in love so quickly, not normal people. The fact that Eddie is a guy makes it all a little out of left field, he knows that too. But Steve’s miles past exhausted, and sore with aching, and somehow the thing his brain has latched on to, that will make things just a little bit better, is if he can see Eddie and make sure he’s okay.

Because he’s pretty sure that Eddie feels the same. He can’t be positive – it was only a handful of moments, a few meaningful looks and a phrase or two that he could well have misunderstood. But he doesn’t think so. And he needs Eddie to know he’s still with him, he’s thinking about him, he’s here for him.

Steve takes a new approach with Wayne, showing up every day at the same time and quickly saying it’s okay if Eddie isn’t ready for visitors, please just let him know I came and give him this. This ranges from a brightly colored get well card, to a comic book, to a tape player and a tape of one of Eddie’s favorite bands. It takes the pressure off of Wayne to keep saying no, and hopefully at the same time lets Wayne – and Eddie -- know he’s not going anywhere.

Two weeks after Steve dragged Eddie out of the Upside Down, he arrives at Eddie’s hospital door with a worn copy of The Hobbit. He hands it to Wayne and says his piece, but as he turns to leave, Wayne calls out for him to wait.

“This is one of Eddie’s favorites,” Wayne says slowly. “But I don’t think he’s up for reading yet.”

“Oh, of course, I’m sorry-” Steve says, embarrassment flooding his cheeks.

“Maybe you could read it to him?”

Steve freezes, his heart pounding in his chest.

Wayne hands Steve the book and claps him on the shoulder. “I’m gonna go get some coffee.”

A few minutes later, Steve is curled up on the bed with Eddie, pretending to read to him while Eddie dozes in his arms. Turns out he wasn’t the only one falling in love while fighting monsters.

#Steddie #Steddie fic #Steve Harrington #Eddie Munson #Stranger Things fic #Stranger Things #Wayne Munson

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m0nsterqzzz · 30 days

Text

Something Stupid

pairing: Wanda Maximoff x reader

summary: and then she goes and spoils it all by saying something stupid like...."I love you."

content: absolute teeth rotting fluff. pining for each other but wandas is much more intense? tiniest bit of blackhill if you squint.

a/n: had this idea for a while, and I actually kinda like it??? idk. first time for everything. reader is referred to as "sweets" like twice just because I love the nickname. it's what my boyfriend calls me. anyway. love yall!!

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Wanda Maximoff loves you.

She’s known that for years.

She’s known it since she first became an avenger and felt a strange urge to gain your forgiveness over everyone else's after what her and her late-brother Pietro did during the battle against Ultron.

She knew it when you became her best friend, teaching her how to control her magic and really just how to enjoy life.

She knew it when she had to watch as you got ready for dates with people that would never live up to your standards. Not she thought she would live up to your standards- no, she knew she couldn't- but she did know she treat you better then any of those no good pigs who are just looking for a fuck buddy ever good. The witch wouldn’t go up against your suitors though, just standing on the sidelines as her heart slowly breaks faster and faster the more you don’t see her in the same light you do them.

Little she did she know, she was the only one you truly wanted.

So finally, Wanda worked up the courage to ask you out so she no longer had to cry into her pillow while you were out sucking face with someone else.

Surprisingly, you agreed easily. The only thing you had to say was that she had to promise it wouldn’t change anything between you guys for the worse. If it didn’t work, you guys couldn’t become like Natasha and Maria. (those girls can’t be in the same room as each other for more than 2 seconds without making a backhanded comment about their four week long situationship)

The Maximoff girl agreed, eagerly setting up a dinner date.

It had quickly gone wrong.

The reservation was somehow not in the book despite the fact that Wanda called the fancy dinner place with insane prices about six times in the hour-long drive there. So you told her it was fine, that you’d be happy with some food from the delicious Thai place down the road as long as you were with her. But they were out of your favorite and Wanda ate so much that she felt ready to barf as you guys walked out of the restaurant- that was before she actually did barf in the parking lot.

Finally, you guys headed to a bar near the Avengers tower for a quick nightcap, but that quickly turned into you both downing two drinks each before stumbling onto the dance floor.

A sweet looking old man who’s been reading a comic book in the corner sees you two and decides to put his own change in the jukebox and press play on a slow, but peaceful song. He sends you guys a smile, winking Wanda's way before he continues to read about some cool looking superheroes.

Wanda’s hands fall to your waist, gently gripping them as you both sway. Your head falls to lay on her shoulder, arms wrapped around the back of her neck as the music fills your ears. Her breath is on the back of your neck, warm, but it doesn’t even begin to compare to the feeling of her lips as she places a gentle kiss in that same spot.

Then she goes and spoils it all by saying something stupid like, “I love you, sweets.”

You roll your eyes, thinking back to how many times people have told you that during first dates just to get in your pants. Though you will admit that when you hear Wanda say it, it brings a small, warm, fluttering feeling to your chest, and you manage to let out a small giggle before you say, “No you don't. You don’t love me Wanda. You like me. There’s a difference.”

She fights the urge to tell you that she knows there is a difference between love and like. She knows that because she’s felt both those ways towards you. Why can’t you just understand that so she doesn’t have to find a way to put it into words?

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After a few days of her saying the same thing and you never believing her, the witch realizes she has to put it in words. Nothing else is capable of explaining how she feels about you. How she’s felt for so long.

So she recruits Natasha and Clint for help, and they spend the day working on some speeches. By 2pm, she has this;

“Are you from Tennessee? Cuz you’re the only ten-I-see.” - A line from Natasha which she used on Maria who was passing by at that moment just to prove to Wanda it works. (Natasha left and was found leaving the agents room an hour later. Apparently that’s back on)

“I love you.” - Clint Barton, the stupidest man on earth. There is a reason people call him bird brain. They were there because the three words are not enough to describe what she feels towards you. Did he even read what was on the brunch invitation? It clearly stated; “fixing Wanda's love life; no I love you’s, no magic town in which she controls so she can make Sweets fall in love with her against their will.”

“Hey, do you have wifi? Cuz I’m really feeling a connection.” - Natasha. She once again used it on Maria and was gone for another two hours. Can someone please address this?

“Start listing facts about the baby turtles you saved. Always gets the ladies.” - from Tony, who was walking by the living room and decided now was the best time to interrupt. He has never once gotten close enough to endangered animals to be able to ‘save’ them, but we can pretend if he wants too.

“Are you a beaver? Cuz dam.” - Natasha. (someone needs to restrain Maria from jumping the redheads bones. She is literally needed at this meeting.)

So, as we can see, no one is any help.

She decides after that to just go with her gut, and her gut is telling her that you’ll know when the time is right, and hopefully will send her a sign.

Maybe the sign is sooner rather than later.

The witch spends about an hour in her bedroom in front of her mirror, trying on every outfit from sweats and a t-shirt to the 10,000 dollar dress Tony bought her for her birthday. Which clothes would draw your attention to her? She thinks about that alot, which is why she wears different outfits everyday simply in hopes of you sending her a small compliment. She always spends countless amounts of time planning the perfect outfit just to hear you say, “You look pretty Wans.”

Why is this happening to her?

It’s when she sets up a cute little picnic under the stars with all your favorite foods and snacks and a makeshift tv screen with a projector to watch your favorite film do you realize that you are deeply and utterly in love with Wanda Maximoff.

She’s sweet, and pretty. She can always make you laugh when you truly think you no longer can.

And besides all that, she’s your best friend. The one that will stick with you through thick and thin simply because she wants to be beside you.

You can’t help but feel your cheeks beginning to heat up every single time she even glances in your direction, let alone actually speak to you. You can feel your stomach flutter with a mix of excitement and nerves as she just… exists.

You don’t tell her that though, afraid of getting your feelings hurt.

You just sit down on the nice thick blanket with her, grabbing some grapes to give a few to her and a few to herself as she presses play on the movie. It’s silent other than the sound of the movie, but she can hear your thoughts louder than any film. It’s not like she’s trying to read your mind. The witch vowed to herself to never use her magic on you unless it was necessary or life saving. That includes mind reading. Your thoughts are too loud though, and even with the amount of control she has over her powers, they still fill her head as she tries to focus on the movie.

“I love her.”

“She says she loves you.”

“She doesn’t mean it.”

“Yes she does.”

“No she doesn’t.”

“It doesn’t matter. I love her.”

Your internal battle on if she truly does love you or not breaks her heart into a million pieces, though she doesn’t want to call you out on it and make you feel uncomfortable. So you guys continue silently watching the movie. She doesn’t mention your loud thoughts, and you don’t mention that you can feel her eyes burning into the side of your face as she stares.

When the movie is over and the projector turns off, you guys sit in the darkness of the night. There are stars dressing the night sky, so you silently look at them as Wanda turns on her side so she can gently pull you closer to her.

The moment is perfect; looking up at the stars in each other's warm embrace, your back pressed against her front and she moves around until she snuggles her head into the crook of your neck, so close to you that your perfume fills her senses and puts her into a peaceful bliss. Your truly happy as is she, and this time, as she says the tree words, you find yourself believing her;

“I love you.”

She doesn’t regret it or cringe out of embarrassment when she says it like she did last time. The witch just lets the words hang in the air. If you choose to say them back, you do. If not, at least you'll understand how much she truly means it.

“I love you.” You whisper back with new found confidence, and her chest fills with warmth and pure happiness. You finally believe her. Her words sounded so sincere and simple, not like the drunk words she said a few days ago. It’s the only reason you feel okay telling her the truth. You love Wanda Maximoff.

“I love you.” She mumbles, leaving a chaste kiss on your cheek.

“I love you.”

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#Spotify #wanda maximoff #wanda maximoff x you #wanda maximoff x reader #the scarlet witch x reader #the scarlet witch #marvel x reader #marvel #marvel mcu

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