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#Unreliability
valpwca · 2 years
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and another thing about reading the locked tomb & terra ignota interleaved: both absolutely excel at unreliable narration. not “we’re not talking about The Incident,” not coyly insinuating that there’s Something the Reader Doesn’t Know, not misdirection, just straightup zero indicators of the relative reality of any given scene. the acknowledgment by the perspective characters of their rather loose grasp on concepts like truth & objectivity; their awareness of the fallibility of their perceptions; their frustration with or resignation to their own states, their absolute willingness to lie like rugs to cover for themselves. like, i’ve done the psychosis thing, i’ve done the non-recreational hallucinating thing, it’s desperately weird & horrible but also just - how things were, at the time, to me, & explaining it to people who were not me was impossible, & these two aren’t trying to make it palatable, aren’t editing themselves (aside from the editing in terra ignota frame) - 
narration & perspective in written work can be used as a guide, but it can also be used as a scalpel, & muir & palmer are both expert surgeons
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meplusself · 4 months
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pov: the experienced of being let down by a friend
In the unpredictable rollercoaster of life, there are few blows as disheartening as the experience of being let down by a friend. It's like navigating a maze, thinking you've found a reliable companion to guide you through the twists and turns, only to realize they've left you stranded at a dead end.
Picture this: the sun is shining, birds are chirping, and life is humming along as usual. You and your friend have shared laughter, secrets, and countless memories. There's an unspoken pact of loyalty, an understanding that no matter what, you've got each other's backs. But then, out of the blue, the script flips, and the trust you once took for granted crumbles like a sandcastle swept away by the tide.
The initial sting is a blend of disbelief and disappointment, a bitter cocktail that leaves a lump in your throat. You replay the events leading up to this moment, desperately searching for a clue, a sign that could have warned you of the impending betrayal. It's like sifting through the ashes of a burned friendship, trying to salvage something meaningful.
What makes it all the more bewildering is the contrast between past camaraderie and present betrayal. It's as if you were handed a script for a feel-good movie, only for it to take a dark and unexpected turn. You find yourself questioning the authenticity of every shared moment, wondering if the laughter was genuine or merely a façade.
There's a certain vulnerability in friendship, a willingness to expose your true self to someone you consider a kindred spirit. When that vulnerability is met with betrayal, it's akin to having your soul laid bare and then trampled upon. The disappointment is a heavy cloak that wraps around you, making every step feel like an uphill battle.
In the aftermath, you're left grappling with a whirlwind of emotions. Anger simmers beneath the surface, a fiery reminder of the breach of trust. Hurt, like a persistent ache, lingers in the corners of your heart. And woven through it all is a thread of sadness, mourning the loss of a connection you once held dear.
Yet, amidst the wreckage of shattered trust, there's an opportunity for growth. It's a harsh lesson in the impermanence of relationships and the fallibility of human bonds. As you pick up the pieces, you may discover a newfound strength, an ability to stand tall in the face of disappointment.
Life, with all its unpredictability, teaches us that people are flawed, including ourselves. It's a reminder to approach friendships with a blend of optimism and caution, understanding that while some companions may falter, others may surprise you with unwavering support. The experience of being let down by a friend is a chapter in the book of life, a chapter that, with time, fades into the background, making space for new connections and the resilience to weather whatever storms may come your way.
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semperardens-juli · 1 year
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" ...... it's not just a single rumour. What I mean is, I think it's one that gets created from scratch over and over. You go to the source, stamp it out, you'' not stop it starting again elsewhere."
Kazuo Ishiguro, Never Let Me Go
leave a little kindness
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raffaellopalandri · 9 months
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Book of the Day -
Today’s Book of the Day is The 7 deadly sins of Psychology, written by Chris Chambers in 2017 and published by Princeton University Press. Chris Chambers is a professor of cognitive neuroscience in the School of Psychology at Cardiff University and a contributor to the Guardian science blog network.  His research focuses on how the human brain supports cognition and he is also interested in the…
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loumands · 1 year
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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bottombaron · 8 months
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The scarest thing about Nandor being actually smart in all things Guillermo is that this is the reason why he'll never make the move to be with him:
Nandor already knows how he feels about Guillermo.
He's not even repressing it. He's just made peace with it. Because Guillermo was never an option.
Guillermo is human. He'll choose to stay human. He's fleeting. He'll always leave in some form or fashion. Nandor doesn’t choose to act on his feelings for Guillermo for the same reason why he never turned him. It would just be a curse.
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meowtismz · 6 months
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Remember that if talk or type weird all ok
Remember that if not low support need all ok
Remember that if not level 1 autism all ok
Remember that if nonverbal or semiverbal all ok
Remember that if cognitive function low all ok
Remember thay if dysfunctional all ok
Remember that if "more debilitating autism" all ok
Remember that disability ALWAYS debilitate one thing or another, if have "less accepted" autism still valid and deserving of love respect help
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golden-reedwolf · 7 months
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Actual hell country
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bethanydelleman · 15 days
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I'm on a duet kick and I'm marvelling about what an amazing song Somebody That I Used to Know is from a narrative perspective. We're told this sad tale about love and we're all sympathizing with this poor man:
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And then the girl shows up shouts, "UNRELIABLE NARRATOR!"
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The guy tries to get us back, "No wait! This is my pity party! Hear my sad tale again." But he's lost us, we can't see him in the same way again. The spell is broken. And the spell remains broken, you cannot hear the first verse in the same way ever again.
The acting in the music video too, the way he silently accepts her words. The way he flinches as she talks. He was trying to write his own narrative but he can't stand hearing the truth. And he has no new rebuttal, he can't refute her.
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eraoppnf9zmj · 1 year
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beaft · 2 years
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the fact that tolkien started writing lord of the rings, realised that the entire concept of the one ring made various plot elements of the hobbit fall to pieces, and dealt with this by saying 'the reason this makes no sense is because the hobbit is from bilbo's perspective and he fudged the truth' is already extremely powerful. but then he actually went the extra mile and re-released the book as essentially the same book but with the plot holes fixed and said 'please enjoy this Objectively True version of this story, untainted by bilbo's mischievous lies' like what a flex. absolute madlad
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damianbugs · 1 month
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comics are in and of itself, an unreliable narrator.
i say this because i started my comic journey with jason todd. i read all his robin appearances, pre and post crisis, then read hush and under the red hood, and all i could think about was what the fuck. what the fuck batman. how did you become this. what happened between 1988 and 2006. how did the the man who's life revolved around caring for this child, teaching this child, learning from this child, protecting this child, losing this child — become hurting him.
it was so baffling to me i found myself slipping into the batman shaped void that many never return from (lol). and so now, i have read over 1500 batman comics, over 300 different writers, spanning over 80 years of publication. i finally get to what happened between 1988 and 2006, and how batman as a character has become as unrecognisable as he has remained familiar. i see the events of alpod, knightfall, cataclysm, no man's land, the 200 individual batman issues and 200 individual detective comics issues alone that had passed, not taking into account the the other long runs, mini runs, short stories or collaborative comics that were released in those 18 years. the people he had met, lost, been betrayed by, abandoned in those stories.
it has only been about 5 years since jason todd died for bruce wayne. 5 years that have felt like two decades.
it has only been around 4 years for jason since he climbed his way out of his grave. 4 years that felt like less than three.
so when reading as jason, i felt betrayed. how could batman do this? how can't he see? he knows how i would have mourned him, he knows how fiercely i love him, how all i want is for him to prove he ever loved me the same way. how can he not change after all these years? how is he not aware that he is not the change gotham needs? (how does he not see that he is what i need — needed.) how will he save gotham? he can't. he can't save gotham. he can't save me. but i can. i can fix it.
then i read as bruce and i am betrayed. who is this? why does he doubt how much i loved him? what changed? why did he change? (am i the one who changed? no, surely not.) after everything, the people i have hurt, the people i have lost, the people i have sacrificed for gotham, how can he doubt? he would have never asked me to do this before, he understood, i'm sure he did, before. i won't choose. i can't choose. where is my son. where am i. i can't save gotham. i can't save you. but i can fix it. i can fix you.
they're both wrong.
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chubs-deuce · 2 months
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I don't have specifically valentine's day art or anything but I made this today :3
look I love me a good corruption arc for this ship as much as the next guy esp bc it's more in-character for them, but the few stories that take a sillier, more light-hearted approach are a nice sugary treat too from time to time
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disgracefulthings · 2 months
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Everyone brings up how Shen Yuan is an unreliable narrator, but no one brings up the other unreliable narrator of scum villain:
Shen Jiu: I hate Yue Qingyuan!
Yue Qingyuan: *dies*
Shen Jiu: *loses will to live*
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pyrox39 · 3 months
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Kim dokja
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unboundprompts · 4 months
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Could you maybe write some prompts for portraying an unreliable narrator?
How to Write an Unreliable Narrator
-> 8 Tips to Writing Unreliable Narrators - Writer's Digest
make them a liar. Have them commit their faults outright, contradict themselves in the narrative, prove them to be a liar by their actions, have them hint that they know more than they're telling, reveal the truth a little later than they should, or have gaps in their memory.
shift their motives. Give your character conflicting desires and changing drives. Keep your reader guessing about their true mindset. (Are they in love with Character B? Or are they obsessed with Character B? Do they want to help B, or do they want to harm B?)
make them more clever than they appear. Have your reader believe your character is innocent and incapable of cunning and calculating schemes. Maybe they appear innocent and naive to the reader, and only later it is revealed that their childish actions have purpose.
use your secondary characters. Have them catch your narrator in lie, reveal that they are a victim of your narrator's lie, reveal a truth that the narrator has yet to share with the reader. How they treat the narrator can also show their unreliability. Sharing personal histories with the narrator may expose a side to the narrator that the reader hasn't seen.
add an unpredictable act. When a calm, thoughtful, innocent character suddenly does something out of character and a little unhinged, they become unreliable. (ex: a grieving woman suddenly throws all of her husband's belongings in the lake.)
4 Types of Unreliable Narrators:
-> What Is an Unreliable Narrator? - MasterClass
Picaro. The picaro is a character who has a knack for exaggerating.
Madman. The madman is unreliable because they are mentally detached from reality.
Naif. The naif’s narrative abilities are impacted by inexperience or age.
Liar. The liar is the most deliberate of all the unreliable narrators. The character fabricates stories, often to paint a better picture of themselves or achieve a desired outcome.
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