#This is just my critique in terms of the story pacing - like I said; the time it takes them to write / translate stuff is understandable

[im-no-jedi]

the (true) problem with the TBB season 2 finale

the more I’ve been thinking on it and pondering wtf happened and why the fandom is reacting the way that it is, I’ve come to a conclusion about the season finale that I think explains it all.

over the years, I’ve been able to train myself to separate my personal opinions from things and look at them from an artistic perspective, despite the subject matter. things like blood and gore - although they still gross me out - aren’t as bothersome to me since taking theater classes in college and learning the science of how things like that are done in media. I’m able to look at things and critique them artistically as opposed to with pure emotion.

while I do still react on pure emotion (as some of y’all witnessed last Wednesday 😝), I also try to look back on things with that artistic perspective in mind. which is what I’ve been doing with The Summit and Plan 99. and while I can appreciate everything that happened artistically and dub each individual thing that happened as nothing short of a masterpiece, there’s one major issue that I realized right from the start that has been solidified now for me more than ever.

it was way too much content.

I’ve said already that I thought The Summit was done really, really well. the pacing was good, and it felt like the high-stakes TBB episodes we’re used to. but then Plan 99 hit. and golly gee, did it hit hard.

pardon the comparison, but everything that happened in Plan 99 was a literal train-wreck. Tech’s sacrifice. everyone getting injured. Cid’s betrayal. the Empire invading Ord Mantell. Hemlock capturing Omega. Crosshair and other Clones being experimented on. Emerie’s reveal of her true identity. and to top it all off, it ended on a cliffhanger.

that.... is WAY too much to absorb in one episode. like... waaaaaaaaay too much.

let’s just look at the fandom itself as an example. what’s everybody focused on right now more than anything else? Tech’s sacrifice. that in of itself is the hardest hitter here, by far. that alone was enough to carry the finale in terms of emotional intensity. but no, it didn’t stop there.

the team came out of the whole thing battered and bruised, with Omega seemingly taking the hardest hit. not too terrible, it’s happened before, like when Omega got taken by Cad Bane right after the whole Bracca endeavor. but here’s the thing. they barely had time to even grieve the loss of Tech before the Empire showed up on Ord Mantell. adding that plot point in so soon after losing Tech was literal lemon juice on our open wounds.

and then they had the gall to slap us in the face with everything on Mount Tantiss. do you know I’ve seen literally NOBODY talking about Emerie? we literally got confirmation of another female Clone, and NOBODY is talking about it???

this is what I mean. individually, on their own, these plot points are good and were done well imo. but geez louise, I felt like I went through a Super Saiyan fight having all of that thrown at me in one single episode. I feel like even if something like Tech’s sacrifice had been put at the end of The Summit as opposed to Plan 99, it might’ve alleviated things just a tad. still would’ve been too much though.

I’ve been absolutely blown away by every story choice made this season. I feel that way about the entire show, honestly. but I also think the finale was a misstep, solely in terms of the amount of content shown. I feel like this should’ve been the opener for season 3 as opposed to the end of season 2. at least have Omega getting captured be put off until then. cause right now, despite Omega being one of my favorite characters, I’m also still more focused on what happened to Tech more than anything else! and don’t even get me started on the Emerie thing, good GRIEF 🙄

again, individually, these plot points are GOOD. very good imo (except maybe the Emerie thing but I digress 😝). but man... why did we have to get them all at once. I remember, I literally stopped breathing at one point while watching Plan 99; that’s how bad it was. I was so overwhelmed and overstimulated and emotional that it was hard to even function. @jam-n-ham and I just sat in silence for like a full minute once the episode was over, unable to process what had even just happened. and well... I don’t necessarily count that as a good thing 😬

so yeah. all this to say, despite how good the individual plot points were in Plan 99, it was just far too much content for one episode. I think the whole thing with Ord Mantell and Mount Tantiss should’ve been held off for the beginning of season 3. because putting all of that immediately after the loss of Tech made it nearly impossible to even absorb properly as an audience. and the fandom’s reaction is proof of that.

#the bad batch #star wars the bad batch #tbb season 2 #hope this clarifies some things for some of y'all #if you're still struggling with what happened #this is probably why #it's hard going through multiple terrible things at once #and it's unfair that we as the audience had to endure that #this is honestly why I plan on changing some things in MLWTBB #because it's just too much man #give us some time to breathe for goodness sakes #I also hope some people are able to take my perspective on it #and look at everything from an artistic perspective #because it really does help #might even change your mind about certain things #personally it's helped me cope with what happened to Tech #cause now I actually believe more than ever that he'll come back #simply because of how things were presented throughout the season #Tech is a survivor just like Crosshair #and it'll be a much more satisfying story to continue that route than anything else #\o/ #star warz #tbb spoilers

[aerithisms]

hi! I just wanted to share my 2 cents about your aerith post and her screen time bc after I finished the game I shared the same sentiment, but after 2 weeks of thinking, rewatching and analysing cut scenes (this game lives rent free in my head now), I realized why they pace her arc the way they did. basically her arc deals with her duty as cetra and coming to terms w/ it. however there wouldn't be any progression if she was already resolved to do it, hence at the beginning of rebirth we have aerith who is happy to start her adventure w/ her new friends (the one she wanted to go w/ her mom as we learn from her trial, so her moment of joy after leaving kalm feels even more deep). but as we continue we can see the mix of inner struggles that resides in her: being last cetra, trying to moving on from zack and dealing w/ dark thoughts about hojo. her Costa del Sol scene suggests that she'll learn how to deal w/ all of that and she believes it'll make her a better person in the future (in some way it has come true bc aerith sacrifices her life and any chance to spend it w/ ppl she loves, and of all things she wanted exactly this). despite that it doesn't cancel her desire to have a normal life and enjoy every moment while she can (in the same Costa del Sol ch. where everyone leaves the beach you can see aerith lingering and watching the sunset as she tries to take it all in for the last time). I think starting from Cosmo canyon her resolve comes into form bc she admits about the loneliness she had to face. At the temple she's willing to learn how to control lifestream (even tho you can see moments when she's upset when it doesn't work out). and at the end she's resolved to fulfill her duty not bc she's a cetra but bc of her friends.

This way you learn to care about her as a person and not just her role as a chosen one. also it's just my personal impression that the devs didn't want her to be a walking sign of death to preserve that feeling of her loss. instead they tease the player the idea of saving her to via marlene, red xiii and partially zack scenes (which feels even more cruel imho).

i can definitely appreciate your perspective!! to clarify i didn't want her to be fully formed in her identity and duty as a cetra at the beginning of the game, and this sort of arc about her learning to explore that side of herself more was in fact exactly what i wanted, i just feel the game doesn't really address it as much as i wish it did. like besides the cosmo canyon fire scene and the last couple chapters there's not a lot there and you're left to infer a little too much imo. i would've liked to see aerith voice her feelings about it to someone more so that we could get inside her head about it. nanaki would've been great since he has a similar connection to the planet/responsibility to uphold the legacy of his people, or tifa since she and aerith confide so much in each other already. or even cloud! that could've brought more attention to their relationship in the narrative so it wasn't so sparse.

i do get that they don't want it to be obvious she'll die for new players but by the same token i sort of feel like if they were that concerned about that they wouldn't have had marlene straight up say sephiroth is gonna kill her. by and large this game's story feels targeted at a primary audience of people who've already played ff7 so i don't know that i feel that's a good enough justification not to explore all the facets of her character in more depth while they could.

that being said i absolutely agree that i love her arc about her connection to the party and how she clearly struggles with but ultimately is able to accept her fate because of how much she loves them and how much they brought to her life. i thought that was really beautiful and heartfelt. and for all my griping i did sob over the ending so it's not like these critiques i have ruined the emotional impact overall!

#blahs #answers #rebirth spoilers

[thefearandnow]

Audio Drama Sunday: 12/18/22

The Sheridan Tapes

Alright so I’ve officially finished season one of the Sheridan Tapes and I think overall it was a great run. I’d say the first half of it was a little bit frustrating for me but that the last 6 episodes or so really started to feel much more consistent and focused. I get why the first 14 episodes are the way they are but for me it just felt like so much build up that never fully satisfied me. It’s probably my editor brain kicking into gear but there was a lot of early episodes that I think could’ve been simplified.

That said, I think there is an art to writing a podcast that can anticipate fandom and can play off its audience and I think The Sheridan Tapes is an incredible example of that. It’s not really my style of audio drama but the fact that it’s been able to sustain a fan base and grow a community around the story and characters is really inspiring. It’s that fandom that makes other people want to listen and it’s always amazing to watch that magic play out via different corners of the internet. And quite honestly I’m sure the things that I was frustrated by in terms of plot and pacing are what avid listeners love about it. Even if I had some issues with it, I’m glad I finished the first season and gave it a shot! The people who make it are lovely and I’ll probably at least start the final season (which got fully crowdfunded!!)

Shipworm

Two-Up Productions has produced some of my favorite fiction podcasts (36 Questions, season 1 of Limetown) and though I'm not sure this is really the "first" feature length audio drama piece, it might be the most memorable. Something that I think Two-Up does really well with their audio projects is that they treat the listener's position with a lot of care. In the case of Shipworm, the space for the listener is claustrophobically intimate and yet alienating, cleverly using spatial audio to put the listener in a liminal space between technology and consciousness. This relationship between the listener, Wallace (the main character) and the voice that may or may not be real is the main crux of this piece, holding all the character development, causing story twists and fueling a tone of paranoia throughout. The music and scoring is cinematic and impressive, the acting is masterful and even though details of the story could get confusing, there was never a point where I stopped trusting the writing to fill in the blanks and hold my hand. I recommend finding time to listen to it in all one go, I think there are some natural pause points where you'd expect an episode to end or an ad break to break up the flow but it was an incredible experience to absorb the whole story in a 116 min sprint. I can imagine relistening to this a couple times just to experience it all again, the immediacy and style was such an entertaining listen.

Joy to the World

This holiday limited series from audio drama vets like @starplanes and @innbetween is so cute and wholesome, a perfect feel good listen written for all ages. It’s a sweet little collection of audio Christmas cards in the form of holiday conversations shared over the radio waves, hosted by a lonely astronaut, Joy. It’s got some Charlie Brown Christmas references mixed with Delilah-esque intimacy and some nuanced discussions about family, vulnerability and queerness. Each episode is a snack sized scene that melted my heart, there’s 7 episodes out that I listened to all today. Really looking forward to the rest leading up to Christmas Eve! My favorite one so far is “Dorothy, Out at Sea”

Also for me, Christmas and radio is such a classic combo and it’s so cool to have holiday audio drama like this to listen to. I’m curious if there are other holiday-themed fiction podcasts out there?

Edit: didn’t realize they have a tumblr! @jttwpod

Burning Gotham

This week I listened to episodes 6-7 as well as a behind the scenes bonus episode and it unfortunately is just not doing it for me. In addition to all the other critiques I've had of the show over the last few weeks, what I realized this week is that the thing preventing me from liking this show is my editor brain flagging missed opportunities. Of course, this is kind of useless and selfish feedback because the underlying mentality is "this is what I would've done." But I think for my own ears there are a lot of choices in terms of pacing, structure and aesthetic that feel more distracting for me as a listener than engaging. And it just takes me out of the experience. Like why was there sound effects and 1835 scene audio all the way through the bonus episode? I understand the cutting into the scenes for reference but why is it present throughout people's interviews if this is the non-fiction part of the show? I can hear and see the shape of influences like 1865 or even something like NPR's Throughline which is why I was excited to listen but there isn't any particularly strong commitment to a recognizable style to get me excited to keep listening. I think there's only one episode left so I'm probably going to listen to that last one but I probably won't write about it.

Honorable Mention:

This is just sorta becoming my non-fiction podcast corner but I listened through all of the second season of Cover Story and I’m still just floored. NY Mag’s investigative series was one of my favorite podcasts last year and this season is similarly jaw dropping. In the first thirty seconds they say that most of the people they interviewed lied to them and then from there it’s an absolutely bat shit story that I won’t spoil. So many cringey texts and emails, amazing storytelling and brilliant scoring. It’s only 6 episodes and each one is just as addictive as the next!

#audio drama sunday #fiction podcasts #audio drama #the sheridan tapes #season 1 #shipworm #shipworm podcast #two-up productions #joy to the world #burning gotham #cover story #season 2 seed money #new york magazine #my writing #dunno if I'll do another audio drama sunday this year #this has been a ton of fun writing though #getting some practice #and it's gotten me inspired to do bigger projects in 2023

[loregoddess]

Temenos Mistral for the character ask game! (Because you were talking about them earlier!)

First impression: "Oh, he seems neat, wonder what his story will be about."

Impression now: I love Temenos, one of my top favorite characters from the game, probably my scond-fave after Ochette. He's such an interesting character and his story (gripes I might have with the pacing aside) was unexpected for a "cleric" story, based on what I'd seen with Ophilia and some of the clerics from CotC. Honestly I'd write up an entire character analysis if I had the energy to do so, bc there is so much going on with him.

Favorite moment: A few different ones, but I really like how any time that the façade he puts up starts to slip, this sheer force of anger slips through--that's good stuff. Love that his "In Pursuit of Truth" theme also sounds much more energetic and aggressive when compared to his normal theme song (and like, I'm not well-versed with music terms and stuff, but Temenos is also the only character whose "In Pursuit of..." song has a significantly different tempo and more aggressive melody when compared to the standard theme, if I recall correctly).

Idea for a story: Hmm, do the two rewrite ideas of his main narrative that I have floating in my head count? Like I've said, something about the general pacing of events and a handful of narrative elements in his story don't really work for me, and as a result his story arc doesn't seem as strong compared to the others' stories. Not all of it is "bad writing" or anything, like the writers clearly had a plan in mind, and I know some of it is just my personal taste...but yeah, I have a "canon compliant, trying to match the general narrative motifs and themes of the rest of the characters" rewrite idea, and a "mostly canon compliant, but definitely changing some things to fit my personal tastes which therefore go against one or two of the overall recurring themes and motifs" rewrite idea. I'll probably never do anything with them though bc it's more like...anytime I come across story writing that I thought was really good, I try to figure out what about it I liked and how the writers set it up, and any time I come across story writing that doesn't work, I do the same thing where I try to figure out why I didn't like it and then try to figure out how I'd write it myself, and this is like, a little mental enrichment I do just for fun and also to try and sharpen my own preferences and sensibilities for storytelling and writing. So like, I don't technically have that much beef with his story, and I don't want to come off as "I'm a better writer than the original writers" or even that I thought the original arc was bad (it really wasn't bad writing per se), it's more just a thing I came up with for myself for funsies and as a mental exercise in narrative, more so than an actual like, critique of the original story.

Unpopular opinion: I uh, I don't ship him with Crick...or anyone actually. In fact the Temenos x Crick ship really does not float my goats (nothing against anyone who enjoys the ship, you do you and all that, it's just not my cup of tea). I actually read and more or less headcanon Temenos as aroace, and even if I didn't, he's got like 2934820398432 unresolved trust issues, so I'd have a hard time seeing him be able to enter into a romantic relationship anyhow. But that's just my reading, again no shade to anyone who has a different reading/headcanons.

Favorite relationship: I love his interactions with all the other main characters, but I find his weird friendship with Ochette to be really, really interesting especially (I'd write up an analysis and list of thoughts on this too if I had the energy). Outside of the main cast, what little we get to see of his interactions with Jorg, along with what we learn after Jorg gets murdered, is really fascinating to me as well. They have a very unusual familial/professional relationship (although given that Benedict and Anna's wildly unconventional familial relationship is also super interesting to me, I'm thinking I might just be an enjoyer of unconventional and murky adopted familial relationships in fiction).

Favorite headcanon: I am fond of the idea of him being related to Alpates and Throne by blood, although as I've turned the headcanon over in my head and whittled it like a wood carving, it's developed into something really specific with basically no in-game source to back it up, so it's a 100% bona fide "I just made something up and went with it" headcanon that I keep modifying and changing. Basically, I think he's got a situation similar to Hikari's, but significantly more subdued since he doesn't have an evil shadow version of himself trying to talk him into murdering everyone, and that his blood ties to Alpates's bloodline are stronger than his blood ties to D'arqest. Some more specifics about that under the cut bc explaining myself requires talking about late-game spoilers.

(Specifically rather than being directly Claude's son, I think it's entirely possible some of the Blacksnakes were able to have kids of their own, like Father did, without Claude finding out about them and having the child killed, and that even potentially those kids might have had kids, thinning the blood ties to Claude further--so rather than being Throne's half-sibling, Temenos would be more uh...*checks cheat-sheet chart for familial ties* ummm...her half-grand-nephew, god I hate everything about that phrase why does anything relating to Claude have to be a string of "wtf??"s). I keep changing this headcanon slightly (I did originally start from the base of having him and Throne as half-siblings), so who knows just how much it's gonna change before I settle on something I'm really happy with, but I do like the idea a lot.

#sdlfkja;slfdjasd sorry for posting early I keep forgetting there's a keyboard shortcut for posting a post #anyhow I heacanond the majority of the Octopath characters (both games) as some variation of ace #which is why my ''Temenos reads as aroace to me'' headcanon isn't my Favorite headcanon for him #bc it's like...my headcanon for over half the main cast #anywhos yeah #love my dude Temenos he's great I don't talk about it but I love this guy so much #thanks for letting me rant about The Guy #youcantencryptyourface #ask game #I still don't have an ask tag

[avelera]

I've been thinking a lot about 'joy' in fiction lately.

This rumination began back when I described 'my novel' to my dad. Yeah, that novel. The novel we're all working on but that we're too scared or too busy or too hung up on outlining to actually write. The details of the novel are immaterial but it is something of a tragedy, and when I finished describing it my dad said, "Where's the joy in it? Where's the fun?"

At the time I was indignant, the point of the novel wasn't to be "fun", but it was styled as an adventure so it was a fair question. I didn't have an answer. I was consumed by the tragedy of that story and hadn't really thought about where the other pleasures of the genre, like fun or joy, would fit into the story. He and I disagree about a lot when it comes to fiction so I was tempted to write off the comment as him 'missing the point' but we also agree on many things and he was the one who introduced me to a love of reading at a young age with his nightly storytelling, so the critique stuck. And grew. And worried at me. I began to really, really think about where the joy and fun were in stories, even in tragedies.

This was several years ago and the world has become a grimmer place since then, or perhaps I've simply aged and become more aware of what's around me. The latter is more likely. Perhaps it is with age and awareness that I began to really see his point. As a teenager, craving the most extreme of experiences, I longed to read and write stories of the most aching anguish: the world is ending and my lover is dying in my arms, that sort of thing. It was about teasing at emotions too big and operatic for me to have experienced yet at that age. Pain and anguish and drama and tragedy are all wonderful seasonings, they allow us to live vicariously feelings outside what we've experienced. Fiction allows us to safely, on our own terms, and at our own pace, experience destruction, and self-destruction in ways we'd never want to permanently impact our real lives. With experience and lived pain, though, I believe one loses a bit of one's taste for the banality of endless pain and unmixed anguish, even in fiction.

There should be joy somewhere, perhaps not in every story, but as a maxim to myself for future creative endeavors, I believe this is important. It's hard to see the depths of a rich, inky darkness without a bit of light. It's hard to appreciate a character crying if we've never seen them laugh. Even as a writer, it can be hard to live in the lowest depths of a character's despair if there's no break from that emotion. It's hard for audiences, I think, to cheer for a character if they never see their happiness as well as their suffering.

On a more personal, fandom note it's one reason I'm reassessing some of my older WIPs in fandoms like Pacific Rim, where Newt/Hermann as a couple were a comedy ship for me at first but the events of Uprising made Newt's fate so gutwrenching, and in my own fics as well, that I feel I abandoned some WIPs just because I could no longer live in that place. Even if the story still calls to me to be finished, I feel I need to rediscover the joy there. For OFMD I feel it a personal mission that anything longer than a one-shot that I might write contain some glimmer of the humor of the source material, or else it feels like a disservice to the text. In my own novel, I’m mentally writing and re-writing the outline (maybe someday I'll write the actual book!) trying to find where the joy should go. It feels like the latest key to unlocking the story.

Joy has a place in stories. Not always a central place, but like Hope in Pandora's box of horrors, we need a glimmer of it, I think. Or at least I do, these days, to be fully engaged. It's where my head is at lately. It's what I hope to impart in whatever I do next.

#maggie rambles

[spikeinthepunch]

made the risky choice of replying to a comment on my yt video in regards to the new buzzo dialog. heres to hope assholes dont arrive. and ill put it here bc i finally decided to write out my actual thoughts on how that conversation could apply in a meta context, as i felt like it was partly meta.

@ultimatecorgi3392 honestly, my interpretation of this rant given feels more like… idk, i dont wanna say a critique/rant at the /fans/ but, more so a mindset or lesson its projecting and it takes a bit of a meta route i to do that. i think its very much an attack on buzzo's character that didnt feel properly concluded, and so an extension of the dialog that didnt happen in the og to do it. i take buddy's rant at buzzo as saying something to someone who has gone so hard into blaming themself that it excuses other people's actions and/or paints a picture about a person they cannot speak for. which of course, thats buzzo here.

the original dialog left buzzo blaming himself for like everything- brad's actions, the joy, etc. he cried about lisa and spoke for her in a way that he felt she would love that world etc even though she is dead and also labelling her as the evil one who made it all happen. and i dont think the original writing was exactly trying to convince the audience that he really is to blame! but i think the pacing and writing on the original just made it bad because it gave no chance for anyone to be like "wtf dude?" in terms of why he even acted like that, cuz thats how i felt about it. like there was nothing at all after he said any of that shit really, and it wasnt good to me bc i felt like someone should have said 'man thats not how that works'. not going and countering buzzo in the og kind of left the idea that it probably was all his fault or that we should be left with the idea that everyone's actions can be brushed off just bc hes crying about himself, and thats that. and again, probably not what the audience should see and im sure many didnt take it like that, but the lack of writing in story wasnt great at sending that message.

but the slightly meta part comes to me as how i saw a lot of people reacting to Joyful too. i dont want to say that the fans or something are 'buzzo' but i feel like the message of not speaking for someone you dont know or dont know enough about is aimed at the audience too-- but also really that dialog of buzzo saying lisa is evil because even though i dont think the og intention was to say that she actually is, i saw a lot of how people's reactions were to believe she really was the evil in the end. the ranting and anger about it is what made it feel a bit meta with its length, and imo the things buddy was criticizing made me feel like it was a counter at the loads of fans back when joyful came out who did a complete 180 to the opinion of lisa suddenly no longer being good bc her being toxic towards buzzo. suddenly black and white, and the lack of dialog on what buzzo said initially really didnt help. thats at least, the first things that came to mind . lisa is a character we dont know everything about either and you can have your opinions that vary from good or bad, but there is a point where you gotta remember these are also characters we cannot speak for, or know everything about in order to form the most perfect opinion. and of course, that buzzo's words were not literally either… leaving the blame on lisa being the one who led buzzo to all this is the wrong view to have. i feel like this was trying to be corrected heavily with the other new content from Painful and Joyful too where there was more put on her. honestly, things that remind you she is a human and not some mysterious force of the narrative.

and of course, many lines that feel like obvious jabs at the writing/continuity itself. like how buzzo is suddenly pathetic and giving up, whether or not his story makes sense, etc. feel blatantly meta too.

and i dont think the entire conversation doesnt work… its just executed in a way that still doesnt help joyful's pacing, sadly :/ and the fact the rant went on for quite a while and started to not feel 100% in character. and well, especially the way buzzo's reaction was way more exaggerated too lol. which definitely made me just think of more like a written 'lol whatever' kinda vibe for that meta feeling. i cant say i hate the intention, if my theory is like. anything correct lmao. i mean even as a meta text alone i agree with what buddy voices- i think it gives at least a little or what i wish the og managed to say before buzzo just died. but it went too meta for it to feel like it was in character still, as is a common complaint of joyful too.

#lisa

[phoenixlionme]

If you disagree with me, fine. But do not insult me in any shape or form. You want your opinions respected, then respect mine.

I wanted to give my personal two cents on both sides of the argument regarding the whole "woke" media. Personally, I feel both sides take it too far. And below I will give my reasons. But first I want to educate that the term "woke" was coined by the Black community to have other people in said community be aware of social injustices; it was supposed to be about vigilance. And somehow it got turned into an insult (mainly by the more conservative groups, even politicians), with many not being able to define it and thinking it's the end of all humanity. Look, humans have more important and urgent things to deal with than stupid culture wars and it be nice if said politicians got that but they don't. And that's the end of that, now I will begin my thoughts.

Anti: Just because something has diversity in it doesn't mean it's "woke". And (like I stated in the above paragraph) I don't think you can even honestly define it. Most people in these groups take things out of context in some moments to make your point. And I strongly believe that it's just performative outrage meant to get clicks so you can get money. You get bent out of shape if you see very brief political stuff (i.e., BLM) if that said stuff is opposite to your liking. You claim not to be bigoted but your content is mainly dragging down or outage porn over women, minorities, and the LGBT. You call the other side sensitive but look at your actions. Not to mention, you cherrypick any shows/movies that did fail with this "woke" content in order to provide "evidence". Getting some type of sick glee at watching it fail. You make some valid critiques over the problems with race bending and gender swapping but proceed to attack the creators and actors for essentially a fictional piece of work. Also, quit being an asshole to someone who genuinely states how seeing someone on screen who looks like them made them feel seen; it's not about them saying they relate to someone only because of surface level feature. It's about seeing someone who is like them in some way (race, sexuality, gender, etc.) who isn't made into a joke, criminal, sacrificial lamb, or diversity checklist. They are happy to see someone who looks like them in a role that they often don't see them in, and are written with respect and nuance. You don't get it, fine but don't be an asshole.

Pro: Diversity can't be the ONLY reason to watch a show and/or movie. There has to be good storytelling, characterization, plot, pacing, etc. to draw the audience in. Also, raceswaps and genderbends are (in my opinion) not great diversity examples. While I won't mind a few selections it's mainly for the former and still very limited. People of underrepresented groups should get original stories. And while it's okay to discuss social injustices in the work, you gotta do your research on it and not just hearsay from Twitter. You have to be careful and thorough thought into these moments and let it happen organically. And bragging to audiences about how inclusive you are makes you look performative especially when you start canceling actual good shows with great diversity. Also if you want to empower certain groups then given them actual stories from a variety of genres where they are fleshed out and given a personality. If they just show up mention their sexuality, race, and/or gender in some way with nothing else about them as a character it comes across as pandering.

Middle: Diversity and good stories EXIST. The Owl House, Arcane, Carmen Sandiego 2019, The Old Guard, Disney's original Mulan, Black Panther, ATLA/TLOK, Never Have I Ever,Everything Everywhere All At Once, Power Rangers, Steven Universe, The Dragon Prince, Star Trek, Harley Quinn TV series, Into the Spiderverse, Craig of the Creek, Dead End Paranormal Park, Brooklyn 99, Love Simon/Love Victor, Amphibia, Captain Planet, Dreamwork's She-Ra, Fullmetal Alchemsist, Paper Girls, Moana, DuckTales 2017, etc. They aren't mutually exclusive.

To summarize: Good storytelling can have diverse casts, people from underrepresented groups should get original stories instead of rehashed movies/series, fans are free to critique artwork and can offer valid criticisms but there are some "fans" who will behind the term "woke" to hide how they genuinely don't like a story simply because of their own bigotry (and might be profiting off of outrage porn). Everyone's entitled to their opinion but no entitled to be bullying, mean-spirited assholes.

#fandom critical #truth bomb #representation matters #my posts #personal rant #mymedia

[sketching-shark]

I think we should start a protection squad (although they don’t need it because they can protect themselves) for Sun Wukong and Guanyin

“Begone monkie kid fandom trying to down grade these really interesting characters with interesting personality’s and backstory ( the both of them like seriously Guanyin backstory is so cool) to a villain wile trying to justify your angsty backstory (that are no where near as cool as monkey who fights gods and Person who has 1000 arms and heads to help people in need) for the actual villain”

So who wants to join

Me:*raises my hand*

Ps: sorry if I got Guanyin backstory wrong am not an expert on it.

Haha okay so some critiques on the jttw & associated media western fandom & fandom in general coming up, so please skip this upcoming text wall if you don't want to encounter my undoubtedly ~devastating~ words (i.e. don't like don't read as people love to say, & if I have to be inundated with images of my notp every time I go into the sun wukong tag then I imagine people can be chill with me expressing my opinions & giving people fair warning that I WILL be critiquing common fandom trends, but no need for you to see that if you don’t want to. Cool? Cool.)

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PFFFFFTTT oh man there are many times when I feel like signing up for such a protection squad...when it comes to the current western jttw & Sun Wukong fandom I do feel like I'm often swinging at a rapid pace between "well it's fandom & people are allowed to make the stories they want" & "I am once again begging my fellow monkie kid enthusiasts (& sometimes creators) to do more research into the og classic/show it more respect so you can avoid any potentially offensive/off-the-mark misunderstandings of the status & cultural context of the characters in their country of origin (I promise it's super interesting & I can provide you with links to free pdf copies of the entire Yu translation, i.e. the best one ever created, so feel free to ask!) & maybe also stop constantly stripping away all the nuance of Sun Wukong's character for the sake of either making him an entire asshole so your little meow meow can look completely innocent in comparison and/or making the monkey king's entire life & character revolve around said meow meow."

Like I get that fandom's supposed to be a kind of anything-goes environment, but one thing that honestly seems to be true of a lot of fandoms--and the western one for Sun Wukong & co. is certainly not immune from this--is that there often seems to be a kind of monoculturalization at work in what stories are created & what character interpretations are made popular. Across a multitude of fandoms, you frequently see basically nothing but the exact same tropes being made popular & even being insisted on for the canonical work (especially hasty redemption arcs & enemies to lovers these days), the exact same one-dimensional character types that characters from an original work keep getting shoved into, the exact same story beats, etc. And I get it to an extent, as fandom is generally a space where people just make art and fic for fun & without thinking too hard about it & without any pressure. 

This seems to, however, often unfortunately lead to the mentality that it’s your god-given right to do literally whatever you want with literally any cultural figure without even the slightest bit of thought put into their cultural, historical, and even religious context, even (and sometimes especially) when it comes to figures that are really important in a culture outside your own. For such figures--even if you first encounter them in a children’s cartoon--you should be a little more careful with what you do with them than you would with your usual Saturday morning line-up. It of course has to be acknowledged that there exists a whole pile of absolutely ridiculous & cursed pieces of media that are based on Journey to the West & that were produced in mainland China, but for your own education if nothing else I consider it good practice for those of us (myself certainly included) who aren’t part of the culture that produced JTTW to put more thought into how we might want to portray these characters so that at the very least (to pull some things I’ve seen from the jttw western fandom) we’re not turning a goddess of mercy into an evil figure for the sake of Angst(TM), or relegating other important literary figures into the positions of offensive stereotypes, or making broad claims about the source text & original characterizations of various figures that are blatantly untrue, or mocking heavenly deities because of what’s actually your misunderstanding of how immortality works according to Daoist beliefs. Yet while a lot of this is often due to people not even trying to understand the context these figures are coming from, I do want to acknowledge that the journey (lol reference) to understand even a fraction of the original cultural context can be a daunting one, especially since, as I’ve mentioned before, it can be really hard & even next to impossible to find good, accessible, & legitimate explanations in English of how, for example, the relationship between Sun Wukong and the Six-Eared Macaque is commonly interpreted in China & according to the Buddhist beliefs that define the original work. 

That is to say, I do think it’s an unfortunate, if unavoidable, part of any introduction of an original text into a culture foreign to its own for there to be sometimes a significant amount of misinterpretation, mistranslations, and false assumptions. There is, however, a big difference between learning from your honest mistakes, & doubling down on them while dismissing all criticism of your misinterpretation into that abstract category of “fandom drama.” The latter attitude is kind of shitty at best and horrifically entitled at worst. 

Plus, as I’ve discovered, there is a great deal of interest and joy to be drawn from keeping yourself open to learning aspects of these texts & figures that you weren’t aware of! I can say from my own experience that I’ve always really enjoyed & appreciated it when individuals on this site who come from a Chinese background--and who know much more about the cultural context of JTTW than me--have taken the time to explain its various aspects. It often leaves me feeling like woooooaaaahhhhhHHH!!!! as to how amazingly full of nuanced meaning JTTW is like dang no wonder it’s one of China’s Four Great Classical Novels. 

And I guess that right there is the heart of a lot of my own personal frustration and disappointment with the ways that fandoms often approach a literary work or other piece of media...like don’t get me wrong, a lot of the original works a fandom may grow around are just straight-up goofy & everyone’s aware of it & has fun with it, yet the trend of approaching what are often nuanced and multi-layered works in terms of how well they fit and/or can be shoved into pretty cliche ideas of Redemption Arc or Enemies to Lovers or Hero Actually Bad, Villain Actually Good etc...well, it just seems to cheapen and even erase even the possibility of understanding the wonderful complexity or even endearing simplicity that made these works so beloved in the first place. Again, I feel like I need to make it clear that I’m not saying fandom should be a space where people are constantly trying to one-up each other with their hot takes in literary analysis, but it would be nice and even beneficial to allow room for commentary that strives to approach these works in a multi-faceted way, analysis & interpretations that go against the popular fandom beliefs, & criticism of the work or even of fandom trends (yes it is in fact possible to legitimately love something but still be critical of its aspects) instead of immediately attacking people who try to engage in such as just being haters who don’t want anyone to have fun ever (X_X).   

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Anyway, I know I didn’t cover even half of the stuff you brought up in the first place anon, but I don’t want any interested parties to this post to suffer too long through my text wall lol. I was asked to try my hand at illustrating Guanyin, but as with you I’m nowhere near as informed as I should be about her, so I want to do more research on her history and religious importance before I attempt a portrait. I’ll try my best, and do plan to pair that illustration with my own outsider’s attempt to summarize her character. From what little I do know I am in full agreement that her backstory is so incredibly amazing...just the fact that she literally eschewed the bliss of Nirvana to help all beings reach it, and even split herself into pieces in the attempt to do so (with Buddha granting her eleven heads and a thousand arms as a result)...man, I can see why she’s such a beloved & respected deity. 

----

 As for what western fandom commonly does with everyone’s favorite god-fighting primate...I can talk about this at length if there’s interest, but for this post I’ll just say that I guess one lesson from all of this is that for all the centuries that have passed since Journey to the West was first completed, literally no one drawing inspiration from the original tale in the west (lol) has come even slightly close to being able to equal or even capture half the extent of the nuance, complexity, religious, historical, and cultural aspects, and humor that define Wu Cheng'en's story of an overpowered monkey who defied even Buddha.

So thank the heavens we'll always have the original.

#journey to the west #jttw #guanyin #sun wukong #monkey king #monkie kid #fandom #fandom critical

[lucemferto]

WE NEED TO TALK ABOUT TECHNOBLADE (or A Narrative Analysis of the Dream SMP Doomsday Event) - Script

Heyo! Per request I am posting the script to my video of the same name here on tumblr. I must warn you that just reading the script will probably not give you the full experience, so I would encourage you to watch the video (linked above).

There might also still be a lot of grammatical errors in the text, because I don’t proofread.

Okay, so! I don’t want this to turn into a reaction channel OR a Dream SMP channel for that matter! I am planning on doing a big dumb, way too long analysis video on the Dream SMP which will – at my current pace – come out in five years. I am already way too late on this one.

Spoiler Alert for the Doomsday Event that took place on the 6th of January in the Dream SMP. Surely the worst thing to take place on the 6th of January 2021 … I’m sorry, what’s this about the Capitol?

In case you don’t watch the SMP and need context: The Dream SMP is a Minecraft Multiplayer Server, that, throughout the last year, has transformed from a normal Let’s Play to an ongoing new-media series streamed by multiple high-profile streamers such as Dream, TommyInnit or Technoblade. It comes complete with script – by which I mean loose bullet points – and story events. It has attracted a large fanbase specifically invested in the story and less so in the actual gameplay content. Like I said before, I will probably do a big video on the Dream SMP at some point in the future.

The storyline is long and complicated and trying to explain it all would take up the majority of the video and there are other channels who have already done a much better job than I could ever hope to do, so give them a watch. I’ll try to summarize all that is pertinent to what I will talk about in this video.

Okay, let’s speedrun this summary. Cue the music!

Major Players here are TommyInnit, a founder of the independent nation of L’Manburg, Technoblade, an anarchist who was deep in conflict with L’Manburg, Tubbo, Tommy’s best friend and current president of L’Manburg, and Dream, the ruler of the Kingdom of the Dream SMP (even though he is not the king, but we’re not going to get into that right now). Tommy had in the past been exiled by Tubbo for endangering L’Manburg’s shaky peace with the Dream SMP. Tommy had then teamed up with Technoblade, who was hellbent on destroying L’Manberg after some prior altercations – more on that later.

Tommy and Tubbo came into conflict during a festival set-up to celebrate the friendship between L’Manburg and the Dream SMP. After punching out their feelings, Tommy came to the realization that his friendship with Tubbo was more important than his vendetta against Dream and those who exiled him. Techno took that change of heart badly and teamed up with Dream to destroy L’Manburg … and that’s exactly what happened.

Techno and Dream, with little to no opposition, obliterated L’Manburg with no hope for recovery leaving its inhabitants stranded hopeless and alone.

… And that’s what you missed on Dream SMP!

Okay. So, usually I just put whatever thought slime drips out of my mouth hole into your subscription box. But then I asked myself: “Am I not taking this a largely improvised nonsense story from a bunch of 16–24-year-olds a little too seriously?”. And then I remembered. I’m a pretentious bitch. I made an 18-minute video explaining why the popular commentary YouTuber memeulous is secretly the time travelling Anti-Christ, REASON HAS NO SWAY OVER ME!

So, like the English Major drop-out that I am, I will present you with two theses, which I will then combine into one … supratheses! That word doesn’t exist, I just coined it, it’s mine! I am very smart!

[I know words, I have the best words!]

 Thesis #1: The Fandom focuses too much on Character Analysis in Favour of Narrative Analysis

The Dream SMP is truly something special. It is uniquely singular in how it tells a story of this scope through its chosen medium. While there is an overarching script that lays out the plot points of the future, each of the 30+ streamers on the SMP are their own cameraman, director, writer and actor. You cannot watch “the Dream SMP” – if you attempted that, you would be 80 by the time you caught up to the Doomsday Event. You have to choose whom to watch. You have to choose your focal point character.

Because by the way the story is told and consumed – aka in such a compartmentalized fashion; you watch one streamer and get one character’s perspective – it has sort-of unintentionally conditioned fans to look at the SMP and its characters less as one coherent story with messages and themes and more as sports teams they can root for. You’re Team Techno or Team Tubbo or Team Tommy or Team JackManifoldTV (formerly known as Thunder1408) and every other side is in the wrong! It’s like Twilight for a decade old children’s game about virtual Lego!

Okay, I’m exaggerating, but the amount of discourse perpetuated by and revolving around so-called “apologists” – a terrible term that unfortunately has caught on – is really not something that I think is good for how we interact with the story of the Dream SMP.

The Dream SMP is discussed a lot on character-based level, which is, like I said before, hugely advantaged by the way the story is consumed by its audience. With traditional, visual media such as film for example, the audience can be made more aware of what messages the narrative might try to communicate on a narrative level without the need for an explicit narrator to tell you the moral.

As an example, in a movie you could have a smash-cut from the Butcher Army’s discussions about neutralizing the danger Technoblade poses to Techno being nice around villagers or taking care of animals. This would communicate on an extradiegetic level, that the Butcher Army is in the wrong with their assumptions. Alternatively, you could contrast Techno’s declarations that power corrupts and that Tubbo’s administration is cruel with Tubbo choosing not to punish Ranboo for his association with Techno – thus the narrative would communicate that Techno’s view of Tubbo and by extension the government is one-sided and not true to reality.

Stuff like that helps the viewer understanding a story holistically and manages to communicate stuff like themes and morals without having to solely rely on in-character logic and argumentation, which, as Ghostbur put it so eloquently, is comprised of a bunch of unreliable narrators.

Character analysis is great if we want dive deep, if we really want to give a character flavour and understand their motivations. It helps make the universe feel like it is alive, like it’s real. But – and this might be a shocker for you – it’s not real. It’s written. It is construction – and as such, in its construction, it has messages and themes and morals, intentionally or unintentionally.

By being so focused on specific characters and their individual journeys, viewpoints and motivation we really run the risk of not looking at the bigger picture and fail to see what the overarching narrative is actually communicating. And we may also fail to understand how characters might or might not fit into the overarching narrative.

Speaking of which …

 Thesis #2: Technoblade experiences very little Meaningfultm Thematic Conflict

Okay, let’s talk about Technoblade. I’m sure I’m not going to get any hate for this one.

I want to preface by saying that I don’t watch Technoblade’s streams; I catch up though clip channels and summaries. I’m mainly watching Tommy, Tubbo and Quackity – which is honestly already more than I can handle – but I want to be clear that while I’ll try to be as even-handed as possible – like I explained previously – the way I consumed the storylines will undoubtedly leave me with some bias.

Also, needless to say, I’m talking about the character Technoblade, not the actual content creator, unless I specifically say so. That should be obvious.

Now, I’m not doing a Technoblade character analysis, because that would be hypocritical of me – seeing how I just bitched about the overwhelming amounts of character analyses in the fandom – but I’ll try my best to summarize what is necessary.

Technoblade’s interesting in that he is a very static character – at least inwardly – he doesn’t change much. He is very steadfast in his beliefs and ideals and has very little introspection. He doesn’t question himself; he doesn’t waver, he is never in a bind about whether what he’s doing is right or wrong. He is very much a parallel to early TommyInnit – who, of course, famously said “I’m always in the right”.

And I want to emphasize that I mean this in no way as a critique of Techno’s character. A static character provides a nice contrast to more dynamic characters and can balance them out. It can also be utilised by the writing as a character flaw – which is what I hope content creator Techno is going for.

Like Techno doesn’t have a lot of empathy in the sense that he is particularly skilled at or interested in trying to see the viewpoints of others. There is never an attempt to reconcile, for example, the goal of the Pogtopians to reclaim L’Manberg and install another administration with his desire for an anarchist society. This is also compounded with his overreliance on violence as the only tactic for conflict resolution – Techno has a whole thesis statement about violence being the only universal language. I’m sure you’ve heard the quote.

And lastly, what really drives this all over the edge, is his all-or-nothing approach when dealing with the enemy – he is not so much eye for an eye as he is – to use another biblical example – you make fun of me for being bald and I’ll sic two bears on you that maul and kill you and 41 other children.

There’s also the open and completely unacknowledged hypocrisy of a self-described anarchist working together with a man that installs and dethrones Kings with his every whim – someone who – and I cannot stress this enough – hits about every box when it comes to the definition of tyrant.

So, what I’m saying is that Technoblade is the Dream SMP equivalent of Dick Chenney. C’mon you know it’s true! He will bomb that freedom into your country whether you want him to or not. That’s some cogent political commentary in the year 2021.

Okay, so now that I’ve outlined his character, what kind of conflicts does Technoblade face. Well, it’s mostly physical or external. He fights a lot whether it’s against Quackity or Sapnap or bodying Karl Jacobs five times in a row. And – with the exception of maybe Sapnap – none of it is challenging. Technoblade is the best PvP-Player on the server – there really isn’t much tension to be had from a purely physical fight.

So, how are these fights supplemented emotionally. Well, internally there is not a lot going on. As I said before, Technoblade isn’t really an introspective character. Even during his shouting match with Tommy there’s not a sense that Technoblade is wavering or unsure of himself in the way that Tommy is. He exposits that one of the reasons, he acts like he does is that he feels dehumanized; that people only use him like a weapon and then discard or even try to neutralize him once he’s no longer useful.

But that is not something that Technoblade has to grapple with – it’s not conflict for him, it’s more conflict for Tommy. Technoblade is self-assured in that he’s a person and not a weapon – it’s almost like there was a character arc there, where Technoblade self-actualizes and breaks away from the people that want to use him. But we didn’t see any of it. Technoblade unleashes the withers; then he goes into retirement because he wants to be, I suppose, and then he returns to violence as a reaction to the Butcher Army. There is a story of vengeance here, but not any conflict about being used. There is never a point where we see Technoblade come to this realization or comes to assert himself.

In season 1 there’s never a push from Pogtopia where the narrative frames them as exploiting Technoblade. He fights with them of his own volition, he gives them weapons and armour of his own volition. Nobody pressured Techno into procuring their inventory for the fight. And in Season 2, he’s the one to approach Tommy about their potential partnership – he is in the position of power here, explicitly not Tommy.

Like, I’m sorry, if this ruffles some feathers, but I really don’t see this arc where Technoblade is being used. There’s a story of misunderstanding and maybe co-dependency – but not of dehumanization. This entire line of thought seems to solely reference that moment, where Tommy says to Sapnap “I have the blade” during one of their wars – which, to base an entire emotional arc around that without any further set-up, is, and I’m sorry to say that, incredibly flimsy.

Okay, so we covered physical and emotional conflict? But what about conflict on the narrative level? Well, that leads me to my suprathesis …

 Suprathesis: The Narrative is Unclear on how it treats Technoblade … and that’s Not Good.

Here’s a Hot Take: The narrative of Season 1 treats Technoblade way less sympathetically than that of season 2.

Let me explain. The narrative of Season 1 revolves mostly around Wilbur and Tommy. The emotional fulcrum of the overall narrative is Wilbur’s rise and fall from Grace – and Tommy succeeding him as symbol of L’Manberg’s “special”-ness. Now I will talk about all that more in detail, when I talk about Season 1 of the Dream SMP. So, you’ll just have to go with me on this one for now.

Technoblade, by contrast, doesn’t really have much going on thematically in Season 1. He mostly exists as a sort-of utilitarian character – he is an accessory to make story beats happen. Like him executing Tubbo doesn’t open up any sort of thematic conflict involving him – on a character level it sets up antipathy between him and Tommy and it grants us some insight into how he operates with his violence speech – but on a larger-scale narrative level it really just shows how far Wilbur and Tommy have drifted apart in how they react to the event.

His biggest contribution is during the Season 1 finale, but even there he plays second fiddle to Wilbur. Not just because Wilbur does way more destruction with his explosion than Techno does with his Withers, but also because Wilbur had an emotional and thematic climax to his arc and by extension the entire storyline. Like Techno’s is a cool moment and very epic visual but in terms of thematic relevance, his Theseus-speech is really more set-up for Season 2.

And Season 1 is very unambiguous about L’Manberg being good and Tommy’s ideals ultimately being morally justified – I mean, they have a whole speech about it in the end and it was built-up throughout the entire Season – Techno is cast in a … less than sympathetic light. He is, if not a villain, then definitely an antagonist.

But with Season 2 the narrative is either uninterested in or not very clear on exploring Technoblade’s flaws.

Like ask yourselves: is Technoblade’s character ever consciously challenged by the narrative? Are his actions ultimately shown to not be in the right? Are his beliefs about government and power ever called into question? Are the negative consequences that his actions cause ever shown to be larger than the “good” he does?

I think what exemplifies this the most is how the Butcher Army event played out on December 16th. Now, during that event, the Butcher Army, which was comprised of Tubbo, Quackity, Fundy and Ranboo, managed to apprehend Technoblade, who at that point was living the quiet retirement life, and tried to have him publicly executed – without trial.

Now, smarter people than me have pointed out that the Butcher Army had a bevy of in-character reasons that can justify or explain their actions. And that’s definitely interesting, but as I said before, I want to get away from that and look into how the Butcher Army is treated on a narrative level. Because this is one of the few instances where the otherwise grey-loving Season 2 has some very clear narrative intent when it comes to morality.

The Butcher Army is very deliberately framed as almost cartoonishly corrupt and violent. They very forcefully investigate Philza, mock him and then put him under house arrest – and there’s just no remorse in the script even from normally sympathetic characters like Tubbo.

Compare and contrast with the Tommy-exile scene, which is also an act of moral ambiguity and is treated as such. And things get even worse once the Army arrives at Technoblade’s abode and attack him after he softly tells them that he has left that live behind him. They then proceed to take his horse hostage, mock him and execute him without fair trial – and I haven’t seen it but from live commentary I gathered that Techno really played up the whole softie-schtick before the Butcher Army arrived. I mean, before the big Technoblade vs Quackity fight, Quackity had whole villain monologue for Christ’s sake.

And even afterwards, the Butcher Army really plays up the corrupt angle with Tubbo proposing a festival as a guise to publicly execute someone. And again, I know that on an intradiegetic there’s nuances and it’s not really comparable to the Red Festival, but in combination with what the audience has seen up until that point and with how much it feeds into the already established themes of history repeating itself and becoming like your predecessors, it really does not paint a pretty picture of the Tubbo administration.

You can feel the heavy hand of the script on your shoulder, which is a feat seeing how – as discussed before – that’s not something that can be easily accomplished in this medium.

And that is what I mean when I say that Technoblade is not really challenged by the script and is in this case even emboldened by it. Because after this whole ordeal the thought of Technoblade taking revenge by destroying L’Manberg doesn’t seem like such an extreme response to the viewer – even though in my opinion, it is.

As of right now it is too early to say how the narrative will judge Technoblade’s actions in the future. Will they be framed as extreme but ultimately justified or perpetuating a cycle of ever-escalating vengeance? Will we ever see a government that’s not just at best misguided and at worst completely awful?

Ultimately, I believe and hope that Technoblade will be challenged by the narrative, mostly because a character that cannot, believably, be physically challenged, who doesn’t have any meaningful internal conflict about what he’s doing; and who does come out on the other side having everything he always believed in be proven completely in the right by the narrative, would be incredibly boring. Not just to watch but also to play as.

As it stands now, if the destruction Techno, Phil and Dream inflicted upon L’Manburg is framed as ultimately in the right, I would find it personally a distasteful message to send. I would ultimately say that the “correct” way to counter corruption in government is to completely obliterate the entire country. Like we’re not talking simply disbanding the government – that’s not what Doomsday was – we’re talking complete and utter annihilation. And that would be cynical and depressing. Like, call me a big softie, but even bothsidesing this argument would be bad.

Like, I’m not calling for Technoblade to be transformed into or treated a monster like Dream. But I personally feel like the narrative needs to acknowledge that the Doomsday was something that was taken way too far and that it ultimately brought more harm than good. And Technoblade needs to held accountable by someone who is not a cartoonishly corrupt government-official or who is in conflict with him anyway, like Tommy.

I thought Philza or Ranboo could do that but seeing how their storylines are progressing I don’t believe that will be the case. But who knows, maybe Captain Puffy will come through for us. We stan a Queen.

 Conclusion

So, yeah, I made this entire video just to air out my grievances with how one-sided the mode of analysis is in the fandom, because no person actually involved with the production of Dream SMP will ever see this.

But after everything I am cautiously optimistic, that content creator Technoblade knows what he’s doing. He has talked in the past about how his character is a bad guy and he loves his Greek myths. After all what’s more Greek myth than hybris being rewarded with punishment? [Technoblade never dies] That bodes well for him.

Also, this isn’t the video I promised at the end of the last one!

#dream smp #dsmp analysis #dsmpblr #dreamsmp #c!technoblade critical #dream smp analysis #dsmp #dream smp doomsday #dream smp season 2 #l'manberg #l'manburg #lmanberg #lmanburg #tubbo #dsmp tubbo #quackity #dsmp quackity #butcher army #tommyinnit #dsmp tommyinnit #dream #dreamwastaken #dsmp dream #dsmp tommy #lucem ferto scripts

[goodguydotmp3]

two questions: why don’t you like harry and do you really think harry villanized the weed video or do you think that was the people attempting to court him (azoffs)

Whew, this is a long one folx!

Why don’t you like Harry [Styles]?

Let me preface this response by saying that I’m a pretty new “fan” if one can still call me that. I got into the One Direction fandom in the summer of last year, and much of my opinions of the boys where shaped by fan reactions. After gathering more and more information however, I realized that the fandom and I were wrong about some things, and over hyping others. 

Still, it wasn’t until this year that I actually broke out of the Harry-centric bubble to realize that the shady goings on where much worse than I originally thought. Add to this my realization that Harry’s music really doesn’t withstand the test of time, and that his persona is pretty Stagnant, and I’ve come to feel rather bamboozled.

Of course I know that the entire point of his PR team is to sway public opinion of him one way, and if I ate it up that was part of the plan. That doesn’t mean I have to like it. It also doesn’t mean I feel any less hurt about it. It also doesn’t mean that I like when other people fawn over him, as quite a lot of what I’m going to say has been public knowledge, and some of it before I was even a fan.

A. Music

 Actually getting to a big part of the problem here, his music isn’t good. Well, not long term like I said in the preface. He doesn’t really have much of a vocal range despite being a singer for more than ten years. He does not care and acts like he does, often leading to him sounding like he’s screaming instead of singing. He’s lyrics are boring and flat, and his melodies are fine, they just don’t make up for his unmemorable lyrics. I personally think that the cause is him more heavily relying on song writers to fill in more in more, but that’s mostly because I don’t want to believe that the same person who wrote Happily and Olivia also wrote At the Dining Table and Treat People With Kindness, because that would just mean he’s getting worse or putting forth less effort. 

Of course one could argue that I’m not a professional, I don’t have the necessary Jargon to correctly critique, and I’m no longer a singer so I can’t even do what he does. But to that I say fuck off. I know what sounds good! I know what I like! 

Even more than that though, If you bought a product (non food), and you could only use that product for the first two weeks you bought it, you’d say it was a shit product! You’d scream from the rooftops that no one should ever buy this product because it’s crap! Well guess what? I pre-ordered Fine Line just to listen for two weeks and never pick it up again except for golden, she’s a funky tune every couple months. 

Besides the test of time, there is still the subject of actual talent/listenability if you will. I feel there’s four main categories when I listen to music that makes it worth listening to

1.Amazing voice

2.Awesome lyrics

3.Funky/ cool ass melody/Beat

4.Catchy as hell

Now, a song doesn’t need to be all four, however the more they have the more likely I am to like the song. Also, I’ve said “main categories” because I’ve definitely had songs were I just through the beat drop was cool, or maybe the bridge was sick as hell, or maybe I just liked the pacing or the way the singer/singers stressed a note. Alternatively there is a sweet spot for me of super depressing lyrics but a melody/ that makes you want to dance. See: most of After Laughter by Paramore, Lola By Mika. But in general, those four usually make me love a song long term.

If it’s an album, it usually Just has to sound like it belongs on the same album/ tell a story. Like I really don’t like albums that sound like it’s just a playlist of songs personally. I should be able to listen to a song and go “oh yeah, that’s off --- album” or I didn’t like the album as a whole. An album is a bit like an outfit to me. It’s not going to be all tops, nor does it need to be monochromatic, but it does need to go together

For Example, I love Four as an album. I thought it was amazing. I still hate Spaces and Illusion. I hate both of their melodies, I don’t like the Illusion intro, I’m not to keen on those lyrics, and they’re definitely not catchy, I skip every time. 

So taking that logic to Harry’s music, I think HS1 works very well as an album, almost all of the songs sound like they’re supposed to be there. And I hate every song but Kiwi. The lyrics are boring/don’t make a ton of sense, the melodies definitely don’t make up for that, he doesn’t have the range, and none of them are catchy! And then you get to Kiwi and she’s got that vibe you know? She’s a pop punk bop and I cannot fucking believe that Harry has one pop punk bop among unmemorable pop rock album.

Going to Fine line, It’s not as great as an album. There are some songs that don’t really feel like they fit? Like just going through the album, cherry doesn’t have any business being there? Like the lyrics fit sure, but what is that weird intro and outro? It probably would have been fine If the song didn’t have those two, but having them there upset the pace a bit I felt. And then there was Treat People With Kindness, which was really Jarring and doesn’t feel like it belongs on the album at all? It  actually feels like it’s trying to be Kiwi - it’s loud and garish, and the lyrics are trying to be carefree, but! It just doesn’t work! TPWK sounds like Hippie music! Kiwi sounds like Brendon Urie could sing it and people would be like “good ol Panic!”. And then the album goes back down into Fine line the song, which again is Jarring because you’ve had this TPWK monstrosity right before it.

Then, looking at the overarching theme of his music, It’s whiny piss baby music He hates to take responsibility for his actions! It’s all in his lyrics! And don’t get me wrong, I love Honest lyrics, but not if the person is an asshole! LIke I fucking hate confessions by Usher specifically becasue he’s talking about how much he’s a piece of shit in the most whiny and piss baby way, making it all about him and no the people he hurt. I also really hate that one song that Zayn did with Usher and Chris Brown, because you have these awful men completely misunderstanding what it means to write a love song, and then you have Zayn at the very end all like “actually I really am in love tho…” Esp Chris browns verse! It boils down to “Hey I know I was a asshole seven billion times but I miss you tho :(“ GIRL BYE! 

Harry sounds the exact same though, Except he can’t even blame himself for his own mistakes, and just wades through self pity about how the object of his affection won’t love him even though he didn’t even do anything except it wasn’t his fault and why are you still mad it wasn’t even his fault and he was young and reckless and drunk and horny. Like??? WRITE A NEW SONG TAYLOR SWIFT 2.0! There’s only so much you can repackage the same narrative before it becomes stale no Cinderella does not count keep that shit coming. And It really jumps out in his writing, even through 1d, although I will say there were some catchy beats, and awesome lines to keep him afloat back then. Although wtf was Walking in the Wind??? Choke!

Then there are the melodies I’m talking post wondee here which often give this 70’s pop rock vibe. Which fine I guess, it’s his brand, but that doesn’t make it interesting. Or new. Or fresh. Or an interesting take. 

Now I completely understand relying on nostalgia to boost people’s opinion, but you could at leas have the decency to actually have good music. For Example, Miss you by Louis Tomlinson has a very distinctive pop rock feel, but it’s also an amazing song. Great lyrics, amazing voice, catchy liddle diddy that happens to be reminiscent of that 2005- 2010 punk pop/emo pop feel. Sour diesel has that like,,,basey 90s pop feel, and it fucking works with the lyrics, and of course his voice is beautiful. When Walls dropped and Lou put out that playlist of songs that were an inspiration, you can hear the influences when you listen to the album, but they’re also really good songs in their own right, with amazing lyrics, and Louis’ distinctive voice. Comparing that to Harry, it seems like he’s mostly relying on people’s nostalgia rather than actually good music.

Okay so this last point I’m making on music is a little petty but it’s been like a week and I’m still pissed about it so I’m saying it now. Someone said that Harry Styles is the best pop rock artist right now???? Just admit that you don’t listen to pop rock tf. Louis Tomlinson is right there. Brendon Urie is right there. Mika is right there. Haley Williams is right there. Janell Monae is right there. I don’t listen to a lot of pop rock lol but i feel my point has been made

B. Public Persona

He get’s so much clout! SO MUCH CLOUT! For doing the bare minimum (this is not specifically about the fandom, that’s for later)! People will write all these glowing reviews of him for him??? Being polite??? Like okay and? Just because a person is polite doesn’t mean they’re fucking Jesus??? There’s a million and one stories so i’m not fucking looking them up but there’s the pizza story and the fish story and the plane story and the snl story and the Stormzy story and the WS story on and on and on! Stop giving this man brownie points for basic human decency. “I didn’t expect him to be like that!” okay is that because of their perception of what a rock star is supposed to be like? Because in that case we need to start holding people accountable for being assholes. Or is it because he seems like an asshole. Cause valid.

I also don’t like him leaning so heavily on the queer image thing. Like! If that’s how he likes to express himself, Fine, But so much of it is just...so manufactured! And I Know I’ve heard people say oh well he wore the one rainbow on his lapel that one time or he wore the shirt or he wore the Keith Harring.

1. That Rainbow pin is sus as hell I don’t care what ya’ll say It absolutely screams set up, if he wanted to not be seen he would have not been seen 

2. That goes for literally every other time. I can’t believe it’s not a set up to push a queer image. (that he profits from!)

3. If he actually did his homework on Keith Harring he’d know that the man was a predator, and he wouldn’t have worn those shirts. It seems so performative! To add to that, does he know now? If so, why isn’t he using his platform to correct his mistake? Why didn’t he come out and let people know not to buy Harring’s stuff??? He knows the pull he has! He absolutely could have been like “I’ve made a mistake, if you are looking for queer artists to support, here’s some” But he fucking doesn’t

4. To add on to that last part, It is actually sus that he gets to profit off of this queer image, and yet the only queer voices that he’s propping up are white gays. And then not even directly? Not a “queer artists, esp queer artists of color are important and need their voices boosted because they are the back bone of society” but this wink nod type of deal, where again, he mainly boosts white gays.like??? One queer black woman that doesn’t work for the Azoffs, and then a bunch of white gays. Like?? That’s not racist to anyone else???????Just me? okay.

Now from a professional point of view, it’s even worse. I’m not saying that artists can’t be campy or blurr gender lines, or imply that they ‘re queer subtly. But I think it’s fucking disrespectful to play both ends. Like, he profits off of using the queer image, all while Dancing around the subject, but then on the back end he never says that Homophobes/Transphobes aren’t allowed in his fandom. He gives this empty ass tpwk and then washes his hands of it. 

Don’t get me wrong, I am always upset when people who have lots of queerphobes in their fandom bullying and harassing the actual queer people never say anything to let queerphobes know they’re unwelcome (clearly money is better than morals) but for me it’s an extra kick to the gut for it to literally profit Harry to seem queer. Look at that time that  gay company sold out shirts in less than an hour,because harry was wearing it and tell me people aren’t throwing money at him because they feel he’s queer. 

C. Fashion

This one is a really rough one for me because this is partially what drew me into Harry in the first place. But he’s really not all that in terms of fashion. He’s expensive certainly, but sometimes, the things that are more expensive are worse. Even When He’s not looking like a grandparent out on the town, his style is very dated, and yet he gets paraded around like he’s the freshest new thing?? Like who is his team paying of for him to get that many articles about how he’s fashion’s biggest star. And the thing is, his style is even dated for the mainstream. There’s already a post about how he copies prominent pop/pop rock stars of the 70s, which means that his style is 50 years old for the mainstream. Now don’t get me wrong, I think it’s totally fine if you’re addicted to seventies wear. I don’t think he should be heralded as this huge fashion star if his wardrobe is this dated

Even more than that. Gucci???? The Gucci with a history of Racism?? The Gucci with the child labor??? The Gucci with the 14 hour days Gucci??? Ugly ass Gucci????? Soulja Boy don’t even fuck with Gucci no more and he fuck with Gucci since like 2007. (although that was because of the racism, not cause it’s ugly)

I think that bothers me the most though. Like it’s not enough to exploit people, you also have to be tacky ugly and expensive???? For what??? @Gucci cease to exist please.

If Harry wants to be tacky ugly and expensive, that’s of course his rights to do so! But don’t act like he’s at the very pinnacle of fashion every time he does. 

I’m actually always very conflicted about that. I personally prefer a style that’s very loud and campy and avant garde but like,,,,that ain’t it. Maybe it’s something you got it or ya don’t??? Like for example Billy Porter could wear a trashbag and make it work. The expensive sweaters and the slacks? The suits? Not a good look on one Harry Styles. Maybe it’s because they’re expensive sweaters and slacks and expensive suits. What are you, Ted from accounting??? Grow up.

D. Treat People With Kindness

Ugh this is the thing that pisses me off like the second to most. This phrase is so fucking empty. You could not have made up a more corporate mandated phrase if you fucking tried. It stands for nothing! Just like him!

Let’s break it down. “Treat people with kindness” is, at face value, a call to action. It’s asking you to do something. But it doesn’t actually tell you what to do!! So it’s pretty inoffensive! You don’t actually have to change your behavior in anyway for two main reasons:

1. What the hell is Kindness??? This phrase never actually says what it is??? It’s just this short little punchy thing that assumes you know what kindness is! What if you didn’t actually know? What if you have differing ideals of what is considered kindness? I mean to my mother, Misgendering me is kindness, but I don’t think that’s kindness. To my father, not letting his children have autonomy is kindness, but I don’t find that kind. And yet they could both use that phrase and feel confident that they go around treating people with kindness. After all they cooked dinner didn’t they? They smiled at Janice from public relations didn’t they? That’s kindness right?

2. It also assumes you know what “people” are. Queer people are people. Queerphobes don’t consider queer people, people. Racists aren’t going to consider some people, people. So they can continue their harassment and dehumanization of them and still be treating people with kindness, because they never harmed actual people (to them)

E. Harry bots

Bitch?? Corporate spies?? Tf ??? That’s not weird to ya’ll ?? I think the thing that shocked me more than someone from Colombia records admitting that he manufactures the hype around people signed to Colombia, is the fact that the Fandom been knew!!!! Ya’ll been knew and ya’ll wasn’t gon tell me???????? I just found out last week wtf????????

Another thing I don’t like about them Harry bots, is it’s one thing to hype up Harry, but why tf do they need to shit on the other boys??? Is it because they’re more talented, good looking, and charming??? How about you get good!!!! I esp hate that it’s usually Louis. What is Corporate’s obsession with putting Louis down like? What a bunch of fucking weirdos?? It’s not enough to be a Harry fan and live up his ass, I gotta hate Louis too?? You lost yo damn mind. If you reading this and you a spy? Die.

F. Capitalism

Honestly that should be the end of it but here the fuck we go I guess. Now I get that there is going to be some capitalism involved when you get music, especially mainstream music, there are tones of articles out there with people who used to be in the industry telling you about how fucking awful it is, all in the pursuit of money. (Which isn’t fucking real by the way! We made it up! People out here getting traumatized! Belittled! Bullied! Married off! So some corporation can make all the money! The Imaginary Credits! That we made up! I hate it here!) 

But it’s another fucking thing to participate in a capitalist system? He invested into that one sleep app, even going to do one of the voice sessions (So you could have Harry Styles themed sleep paralysis) and you pay for that! He makes money off that! It’s not enough that you buy his mediocre music or his ugly ass merch, you also have to give him money through the sleep paralysis app. 

Then there was that Google Camp for Rich People Only! I don’t even want to fucking hear that it was on Climate Change oh wow all the rich people took helicopters and Yachts to a resort with manicured lawns??? To talk about how they treat the environment? That’s not at all Counter intuitive! Not at all for show! Fucking disgusting.

Oh and the Covid Shirt! Really bitch??? You need to Profit off a deadly pandemic? Are you profiting off of AIDS next you fucking bastard. And he can of course get a tax write of for his “ charitable donation” fuck off.

G. Racism

This! This is the thing that gets me the most! YA’LL CAN EXCUSE RACISM???

No, I’m not talking about the Native American Headdress thing, that was plenty despicable on it’s own, No I’m talking about the on going racism. The whole, using black people for clout and then dropping them and never returning the favor when they sing his praises thing. Specifically I’m thinking of Sis the activist, Stormzy, and Lizzo. 

The Lizzo thing pisses me off the most actually. I think it’s very fucking convenient that Harry started taking interest in Lizzo after there was uproar from black fans noting his hypocrisy of performing for Pepsi (Notoriously racist) and Having BLM sticker on his guitar. So he shows up at one of her concerts dressed like a senior citizen that got lost on the way to the retirement home bathroom. She looked fucking amazing and he couldn’t put forth the effort to at least not look senile. Then there was the covering of her songs, and then there was the cuddling up with her at the awards show. Funny how I haven’t seen any interaction after the fact! And Of course everyone forgot about the Pepsi concert! Fuck all the way off!!

Also! Are we just never going to talk about the fact that he didn’t comment on the blm protests earlier this year until his team could gauge whether or not it would be profitable to do so by DATA MINING HIS FAN BASE???? And then when he actually did he got the most praise for it, truly fucking hate it here. Also when he marched with those protesters he made sure we knew it was him. There were posts flouting around everywhere on how to best cover up to make yourself completely unrecognizable should you wind up on camera or fucking worse, get attacked by the police. Funny how Close Sprouse could follow the advice and not Harry? Also supper funny how he got the hell out of dodge before things got super bad and I have not heard anything on the matter since. Guess what Harry??? We’re still out here fighting for the rights to exist! Still wanna have a photo op while our own government tries to squash us with force????? This is like that Jenner Pepsi ad but with sunglasses and a pandemic.

H. Fandom

I think I would hate him less if I didn’t have to hear about him every hour of everyday. Stop Hyping this man so much. Even after unfollowing and blocking a bunch of Harries and Larries he’s all across my dash. And twitter. And insta. KURTIS CONNER FUCKING LIKES HIM I JUST WANTED CRACK CONTENT AND NOW LOOK. 

I. Conclusion.

After writing all this I think the running theme is that Harry Styles isn’t even a person, he’s a brand. I do not like or trust brands! And I definitely don’t like being advertised to! Just like It’s fake as fuck when Absolut is all about queer rights, it’s fake as fuck when Harry does it too. Just like I know Target doesn’t actually care about Black lives, I know Harry doesn’t either. People are always like “oh he’s so nice!” no! He’s polite! There’s a difference. Zayn Is a truly kind person. Liam is a truly kind person. Louis is a truly kind person. It shines though so brightly all the time, and yet people are really out here worshiping the Brand Harry Styles. 

Do I think It was Harry or The Azoffs throwing Zouis under the bus. 

Truly doesn’t matter! Whichever one did it, Harry was totally fine with it! Which tells me that he doesn’t give a shit about anyone but himself. He’ll go along with anything as long as it gets him to the top, and that’s fucked up on one million and one levels

#hazza curly mchazzerson #This is like 4 thousand words #Have fun #Harry Styles

[lavenderek]

Why were you disappointed by the Howl's Moving Castle movie? I think I read the book years ago, but I don't remember much about it

i'm gonna critique the gibbly movie and it's my understanding that it's a special movie for a lot of people so if that's you feel free to skip this one

so i was delighted and enchanted by the book, which has only twice to date not made the movie a devastating letdown, so my dear friend sending me this book was pretty much signing a contract in her own blood accepting that i would be cranky about the movie. i'm not really a ghibli person either, like i can appreciate the artistry and value in them, and i'll watch it if the people i'm with really need to watch princess mononoke or whatever, but i just don't go out of my way to watch them. (i like reading meta about spirited away, though.)

i did go out of my way to watch this one because i loved the book so much.

it's important to remember the culture in which the movie was made as opposed to the culture in which the book was made. howl is welsh, if that says anything to you. (his name is howell, and he adopted the name howl to run from himself and seem more magical. i love him and movie howl had none of those elements except for when he told us he was a coward and i was like. ok lol, i'll jot that down because i didn't see it in the text)

so i'm not necessarily surprised by the creative changes they made, but i am confused, because those changes drastically affect the characterization, the character motivations, and the pacing of the story.

(i also was only able to get my hands on the dub and i loathe and detest christian bale as howl lmfao but that's subjective)

so first of all, does movie sophie, like, want anything? she's flawless as a character. even though she has a completely different personality as an old lady than she does as a young lady, there's nothing wrong with her. everybody is fond of her, she's shy, she's gentle, she's beautiful, and she's kind, and her only motivation in the whole movie is this vague desire to cure the curse, but even then she doesn't work on it much at all. her life before howl is about being buffeted around like a leaf in the wind, and her life after howl is about being buffeted around like a cow in a twister. sophie in the movie is a blank slate. she is insecure about her looks (seriously, they couldn't even give her like a crooked nose or something, only doll-faced, thin, pale women over here), and her confessing this and crying about it for about four seconds was the first truly deep emotional response i had seen of her. i cried when she cried, who doesn't grapple with feelings of inadequacy? then the kid came out and she was like, okay, i'm done being upset now :)

second of all, howl is a little eccentric, but mostly he's just a glorious gentleman who has a messy room and one (1) overly dramatic depressive episode. it was disturbing to me as a viewer because it was violent and came out of nowhere, and it never comes back again lmao. it was so bizarre, he's introduced as this suave, debonair man in a cape, and he stays that way the entire movie, except for a weird moment in the middle where he screams at sophie naked and then lists the character flaws that we the viewers have never witnessed. why does he like sophie? why does sophie like him?

why did they turn michael into a child? i just don't see what that added to the story lmao. i get them taking out the complexity of secrets involving sophie's decidedly interchangeable sisters and their mystery beaus, it's a lot to fit into a little movie; but like, why did they turn him into a child though lmao

there's a lot of fatphobia in the movie too.

the change that upset me the most, though, was that the element of sophie having the ability to influence things without her knowledge was totally abandoned. like i said, things just sort of happen to her. in the book, her hats are the most lovely because she's inadvertently cast spells on them to make whoever wears them seem alluring or mysterious to people. the witch curses her because she recognizes these little spells and believes sophie's trying and failing to trick her (and also because sophie snaps at her lmao, why is movie sophie only an asshole when she's old? leave my daughter alone).

book sophie unknowingly protects howl by worrying over his cape (which she previously shredded because she got mad at him, i love her), she unknowingly enchants the scarecrow by helping it stand and complimenting it. she does that the entire book. she also starts the book already feeling sort of dull and trapped, and spends the story trying desperately to solve mysteries and protect loved ones. movie sophie doesn't like, sit around and knit demurely, don't get me wrong; but all the major plot points are things that howl makes happen to her lol.

i think the scarecrow is an excellent representation of book sophie's inner struggles. it's something she inadvertently enchanted, and she doesn't understand it, so she runs from it. she's terrified of the thing. in that way it kind of stands in for her own agency: only when she was forcibly in disguise did she feel free to find out what she wants her life to look like, and that kind of power is foreign and frightening to her. i loved that for her.

and very late in the book, howl reveals that he knew all along she was under a spell, that he tried to get rid of it out of curiosity (book howl doesn't seem to notice that he's just as imperious and nosy as sophie is), but she resisted it. he couldn't get the spell off. so he assumed she wanted to stay that way and let her be about it. so basically it's very huck finn on the raft, she realizes that in running to get away, she was already away. she had that agency all along.

all of that was missing from movie sophie. the idea of her inadvertently hanging on to the curse is still there, we see that she sort of fades back to her young self while she's asleep (not the case in the book, we know this because howl doesn't know what she looks like until she turns back in the end); but she doesn't seem to gain any knowledge about herself because of this. the only time she seems to have any personal drive, it's to learn about and help howl. her inner struggles are about howl. and i hated movie howl lmao, i hated his design and i hated his voice and i hated how like, patronizing he was to everyone around him. book howl was a condescending dick at times and just weird and distant at others, but he never came across like he was absolutely positive he was seducing sophie at any given moment. it was clear that he was the star of the movie and sophie was just the audience stand in to be like 🤩🥸🧐

the scarecrow who is a prince was the most hilariously egregious moment in the entire movie. in the book, the missing prince is introduced as a plot in the beginning and is referenced repeatedly throughout. and he's a major player in the climax. in the movie, it's the last like five minutes of the film and the scarecrow turns into a dapper boy with bread for hair and is like, "you've cured me! i'm a prince who went missing from a nearby kingdom and i was cursed but now i'm free." and i was like NICE, so we just found out there's a nearby kingdom that has a prince who's been missing. love that for us

the book had a lot of themes that i don't often encounter in fantasy novels - themes of female agency, of disguise, and of chaos. the chaos is my favorite part, every chapter is equally chaotic at various levels. you'll have michael fretting over some spell, sophie fretting over her own spell, howl trying to get someone in disguise to fall in love with him, THAT someone pining over michael, and all the while sophie and howl are bickering because she is cleaning (it seems like she cleans to clean up her mind) and he doesnt want her to (he is afraid of change and of reality), and he needs a huge favor of her, and she needs to wheedle out of it, and she promised calcifer she would free him, and calcifer is repeatedly promising to die of not being appreciated enough, and everybody is having three arguments at once. it's like that in every chapter, culminating in the moment howl and sophie realize they're in love, and they stand clasping hands and sort of smiling at each other in the middle of a room full of panicking and perplexed people just yelling over each other lmfao. surrounded by chaos and no longer thrown by it, rooted there in the middle of it, stabilizing each other in a way. i loved that. i actually flipped back a few pages so i could read that moment again.

and it seemed to me that the movie tried to imply that with visual chaos, but everything else was really quite linear and simple. everything was very airy. and since the conflama and the general atmosphere and character dynamics of the book is what made me fall in love with it, the movie didn't work for me.

tumblr user door pointed out that the book and the movie are extremely different and she appreciates them both as separate entities, and she's wise and correct; i knew this and i tried so hard to engage with the movie on its own terms. but i couldn't divorce them in my mind. i felt the same way about ella enchanted and practical magic. i cant stop thinking like, i wish they hadn't gotten rid of x, i wish they hadn't added this weird element of y.

also it was boring. i checked to see how much more was left three times. sorry. i can't express enough how little i cared about the plot with the witch and somebody's secretly evil boss and time traveling to yell at howl or something, because i didn't connect with the characters. and the feathers growing out of howl triggered my weird phobia about things being embedded in skin. i'm skeeved just remembering it.

anyway, yeah. the movie was beautifully animated and whatever atmosphere they were going for was pretty consistent throughout. oh and i LOVED calcifer. he was my favorite in both the book and the movie. in fact, he was the only character in the movie who they didn't really change, he was petty and bitchy in both versions. i loved him. he's like, "SHE FED ME SOMETHING YUCKY" my perfect, horrible boy.

oh and. book sophie was a redhead. that's all.

after i finished the book i tried to draw how imagined them:

couldn't finish it though, i wasn't super jazzed about how it was coming out.

she's sitting in like, a window well altering a coat of his without permission. and he's like, i guess i'll have to wear this one instead, and she's like, i guess you will

#haters #who is this even #long post #howell's mobile home #talking out of my ass

[hamliet]

If there's anyone who must read those scientific studies on the alterations on people who were abused, it's Hori! See the way he's trying to make ende*vor "sympathetic" at cost of Touya portrayed as an unstable child by "his" choice. Just, sometimes I wonder if hori is a smart man or a stupid man who play with people's feelings, especially who mirror in Touya, because they're abuse victims too (just like me)

Firstly, I’m so very sorry you went through that, Anon. You did not deserve it. <3

I think firstly, we need to wait for the chapter before we say that’s really what he’s trying to portray. I do think he wants us to love and sympathize with Touya: Shouto directly says “he’s me,” so I am not sure what else that could mean.

However, I also think there are valid critiques to be had. I’m not addressing this chapter but instead common criticisms (and rebuttals to those critiques) I’ve seen over the past arc. Imo the critiques of this chapter are pretty similar to the ones that have gone before lol so take it as you will, but we’ll see once it’s out!

One thing I see commonly praised is that the Todoroki subplot showcases  different perspectives and unreliable narrators. In theory, I agree. However, in practice, I find the execution of this... messy. This is my opinion and not fact, but I’ll explain why I think it’s bumbling at best within the narrative.

It comes across as wishy-washy instead of hammering home a narrative theme of different perspectives. The narrative theme might be hammered home in the end (see the next paragraph) but for the time being it’s confusing. Different narrator/nuance/perspectives work best when the rest of the story is full of that to emphasize it, but frankly in BNHA the rest of the story is... not like that. Hence, having to change tone, reading, perspective for one subplot (admittedly my favorite subplot!) is a questionable writing move even if done with good intentions.

It also doesn’t work well--for me!--to have these tonal changes in a weekly manga. I’ve talked before about the struggle of serial fiction mediums being how to balance pacing and suspense when your audience gets very small increments at a time. So, while some elements of the story definitely read better when we have the full picture, when you’re giving the reader a sliver of the picture once a week and they might have to wait years for the full picture... to what extent does the tonal changes per week affect the quality of the writing? That’s a question without easy answers, but I don’t think it’s working well in a weekly manga.

Lastly, one of the messy aspects of the story since the Pro-Hero Arc is that I’m not sure Horikoshi knows who he wants to focus on in a lot of ways. Enji as the main character of the subplot--because atm he frankly is and has been for awhile--is a questionable choice. The kids have been afterthoughts for over half the manga. It seems he’s so focused on trying to persuade fans (who are never going to be persuaded) about Enji’s potential for change/that the criticisms can be answered and he’s aware of this and that and this too! that he’s struggling with the overall progression of the story. By trying to answer every criticism, the writing feels bloated and contradictory instead of tight (which can also b e contradictory but like, the themes are better reinforced).

That said, I think Horikoshi really, really cares. I don’t think he’s “stupid” (and I don’t like ableist terms!); on the contrary, I think he’s deeply emotionally invested and listening to people’s complaints. I think he doesn’t want to hurt anyone, and I think the Todoroki and Shigaraki subplots are deeply important and personal to him because of the level of care he devotes to them. But I wish he would just stick to writing what he’s gonna write instead of trying to address every possible concern. Humanity means there isn’t always time to address “well what about X?” Every story has a valid criticism of it, and no story is palatable to everyone.

I personally think the narrative is definitely heading towards reconciliation for the entire Todoroki family. I have my issues and my complaints (boy, do I) but I’m in it for that aspect (and for Shigaraki’s redemption too) even if I complain about quality all the time because critique is what we do on this here blog ;)

#ask hamliet #abuse tw #bnha 301 #bnha spoilers #mha spoilers #mha 301 #todoroki family drama

[notbecauseofvictories]

Hi Sarah! My friend and I are starting a bookclub (as much as you can with two people who aren't pressed for deadlines) and I was wondering if you have any recommendations? (That is if you have time to rec anything!) We're starting off with Deathless and have Fitzgerald next in line somewhere but I def want to try to expand the genres we read and tbh from years of following you, I trust your judgement

I don’t...like giving recommendations? At least not directly, it seems like too much opportunity for getting it wrong. Everybody has their own tastes, after all, and even the best of friends don’t necessarily vibe with what you vibe with. (I’ve experienced this with multiple friends, so I know what I’m talking about.) Truly, one of the reasons that my whole “I’m going to get back into reading for pleasure!” push has been so successful is that I only bother with books that interest me, and stop reading when they fail to catch my attention.

But I’ve now read at least 60 books in 2020, which is approximately 60 more than I’ve read in the years prior, so I’m happy to share that. Below is my list of recent reads, beginning to end, along with a very short review---I keep this list in the notes app on my phone, so they have to be. Where I’ve talked about a book in a post, I’ve tried to link to it. 

Peruse, and if something catches your interest I hope you enjoy!

2020 Reading List

Crazy Rich Asians series, Kevin Kwan (here)

Blackwater, Michael McDowell (here; pulpy horror and southern gothic in one novel; come for the monster but stay for the family drama.)

Fire and Hemlock, Diane Wynne Jones (here; weird and thoughtful, in ways I’m still thinking about)

The Secret History, Donna Tartt

Gone Girl, Gillian Flynn (here; loved it! I can see why people glommed onto it)

Swamplandia!, Karen Russell (unfinished, I could not get past the first paragraph; just....no.)

Rules of Scoundrels series, Sarah MacLean (an enjoyable romp through classic romancelandia, though if you read through 4 back to back you realize that MacLean really only writes 1 type of relationship and 1 type of sexual encounter, though I do appreciate insisting that the hero go down first.)

The Bear and the Nightingale, Katherine Arden (here)

Dread Nation, Justine Ireland (great, put it with Stealing Thunder in terms of fun YA fantasy that makes everything less white and Eurocentric)

The Haunting of Hill House, Shirley Jackson (VERY good. haunting good.)

Tell My Horse, Zora Neale Hurston (I read an interesting critique of Hurston that said she stripped a lot of the radicalism out of black stories - these might be an example, or counterexample. I haven't decided yet.)

The Rose MacGregor Drinking and Admiration Society, T. Kingfisher (fun!)

St. Lucy’s Home for Girls Raised by Wolves, Karen Russell (some of these short stories are wonderful; however, Swamplandia's inspiration is still unreadable, which is wild.)

17776, Jon Bois (made me cry. deeply human. A triumph of internet storytelling)

The Girl with All the Gifts, M. R. Carey (deeply enjoyable. the ending is a bittersweet kick in the teeth, and I really enjoyed the adults' relationships)

The Door in the Hedge and Other Stories, Robin McKinley (enjoyable, but never really resolved into anything.)

The Hero and the Crown, Robin McKinley (fun, but feels very early fantasy - or maybe I've just read too many of the subsequent knock-offs.)

Mrs. Caliban, Rachel Ingalls (weird little pulp novel.)

All Systems Red, Martha Wells (enjoyable, but I don't get the hype. won't be looking into the series unless opportunity arises.)

A People's History of Chicago, Kevin Coval (made me cry. bought a copy. am still thinking about it.)

The Sol Majestic, Ferrett Steinmetz (charming, a sf novel mostly about fine dining)

House in the Cerulean Sea, TJ Klune (immensely enjoyable read, for all it feels like fic with the serial numbers filed off)

The Au Pair, Emma Rous (not bad, but felt like it wanted to be more than it is)

The Night Tiger, Yangsze Choo (preferred this to Ghost Bride; I enjoy a well-crafted mystery novel and this delivered)

The Left Hand of Darkness, Ursula Le Guin (unfinished, I cannot fucking get into Le Guin and should really stop trying)

The Ghost Bride, Yangsze Choo (enjoyable, but not nearly as fun as Ghost Bride - the romance felt very disjointed, and could have used another round of editing)

Temptation's Darling, Johanna Lindsey (pure, unadulterated id in a romance novel, complete with a girl dressing as a boy to avoid detection)

Social Creature, Tara Isabella Burton (a strange, dark psychological portrait; really made a mark even though I can't quite put my finger on why)

The Girl on the Train, Paula Hawkins (slow at first, but picks up halfway through and builds nicely; a whiff of Gone Girl with the staggered perspectives building together)

Stealing Thunder, Alina Boyden (fun Tortall vibes, but set in Mughal India)

The Traitor Baru Cormorant; The Monster Baru Commorant, The Tyrant Baru Cormorant, Seth Dickinson (LOVE this, so much misery, terrible, ecstatic; more here)

This Is How You Lose the Time War, Amal El-Mohtar, Max Gladstone (epistolary love poetry, vicious and lovely; more here)

The Elementals, Michael McDowell

Gideon the Ninth, Tamsyn Muir (didn't like this one as much as I thought I would; narrator's contemporary voice was so jarring against the stylized world and action sequences read like the novelization for a video game; more here)

Finna, Nino Cipri (a fun little romp through interdimensional Ikea, if on the lighter side)

Magic for Liars, Sarah Gailey (engrossing, even if I could see every plot twist coming from a mile away)

Desdemona and the Deep, C. S. E. Cooney (enjoyed the weirdness & the fae bits, but very light fare)

A Blink of the Screen, Terry Pratchett (admittedly just read this for the Discworld bits)

A Memory Called Empire, Arkady Martine (not as good about politics and colonialism as Baru, but still a powerful book about The Empire, and EXTREMELY cool worldbuilding that manages to be wholly alien and yet never heavily expositional)

Blackfish City, Sam J. Miller (see my post)

Last Werewolf, Glen Duncan (didn't finish, got to to first explicit sex scene and couldn't get any further)

Prosper's Demon, KJ Parker (didn't work for me...felt like a short story that wanted to be fleshed out into a novel)

The Secret Garden, Frances Hodgson Burnett

His Majesty's Dragon, Naomi Novik (extremely fun, even for a reader who doesn't much like Napoleonic stories)

Three Parts Dead, Max Gladstone (fun romp - hard to believe that this is the same author as Time War though you can see glimmers of it in the imagery here)

A Scot in the Dark, Sarah MacLean (palette cleanser, she does write a good romance novel even it's basically the same romance novel over and over)

The Resurrectionist, E. B. Hudspeth (borrowed it on a whim one night, kept feeling like there was something I was supposed to /get/ about it, but never did - though I liked the Mutter Museum parallels)

Stories of Your Life and Others, Ted Chiang (he's a better ideas guy than a writer, though Hell Is The Absence of God made my skin prickle all over)

Gods of Jade and Shadow, Silvia Moreno-Garcia (fun, very much a throwback to my YA days of fairytale retellings, though obviously less European)

Four Roads Cross, Max Gladstone (it turns out I was a LOT more fond of Tara than I initially realized - plus this book had a good Pratchett-esque pacing and reliance on characterization)

Get in Trouble, Kelly Link (reading this after the Chiang was instructive - Link is such a better storyteller, better at prioritizing the human over the concept)

Gods Behaving Badly, Marie Phillips

Soulless; Changeless; Blameless, all by Gail Carriger (this series is basically a romance novel with some fantasy plot thrown in for fun; extremely charming and funny)

Black Leopard, Red Wolf, Marlon James (got about 1/3 of the way through and had to wave the white flag; will try again because I like the plot and the worldbuilding; the tone is just so hard to get through)

Pew, Catherine Lacey (a strange book, I'm still thinking about it; a good Southern book, though)

Nuremberg Diary, GM Gilbert (it took me two months to finish, and was worth it)

River of Teeth, Sarah Gailey (I wanted to like this one a lot more than I actually did; would have made a terrific movie but ultimately was not a great novel. Preferred Magic for Liars.)

Mexican Gothic, Silvia Moreno-Garcia (extremely fun, though more trippy than Gods and the plot didn't work as well for me - though it was very original)

The New Voices of Fantasy, Peter S. Beagle (collected anthology, with some favorites I've read before Ursula Vernon's "Jackalope Wives", "Hungry Daughters of Starving Mothers" "The Husband Stitch"; others that were great new finds "Selkie Stories are for Losers" from Sofia Satamar and "A Kiss With Teeth" from Max Gladstone and "The Philosophers" from Adam Ehrlich Sachs)

#from the bookshelf #Anonymous

[ma-lark-ey]

DnDads fandom, here’s some food for thought for you. 

You keep telling Anthony you want representation, that you want more diversity, you want characters confirmed as fandom wide headcanons, whatever. You tell him you want more. 

But, these same blogs that say these things reblog posts on the “men writing women” memes and rant on cis people writing trans characters and white people writing POC and whatever else, so let me off you this. 

If you were a content creator, and your fans were asking you for representation, while on the same note saying how people who aren’t [people group] can never get [people group] right, what would possess you to take that step to provide that? I want you to genuinely think about that, because as a content creator who prides themself on putting in the kinds of characters I’ve heard people cry for in my stories, seeing those kinds of things is very discouraging. Because, I, as a white person know my portrayal of a POC is never going to be as good as POC want it to be, but all I can do is try  my very best and listen to them on their critiques and turn around what I did wrong. 

I’m not saying Anthony is justified in the lack of diversity in NPCs, but you guys need to understand that when you tell him to provide diversity then also complain that [majority group] never portray [minority group] right is not helping your case. All you’re gonna do is discourage him from providing that. 

If you need evidence, here’s an actual Talking Dads quote form Anthony on Trans Nick and other fandom wide headcanons  ( I did not transcribe this scene, i thank my Discord friend for sending me this. I don’t know your Tumblr but if you see this just drop a say so in the notes) 

“Anthony: Oh wow. There are a lot of ones I like that are almost exclusively about gender and orientations and stuff like that. Of like, oh yeah maybe Nick is trans or or or any of those kinds of things. Cause those, it’s always like, not not that I would ever take those because uh, uh, and, make them part of the main canon just because I feel like that might- I don’t trust myself to not make that appropriative and weird. But I love that people from marginalized communities are taking those characters and being like “he’s ours now!”

Beth: Yeah. 

Anthony: ‘Nick, he’s- he’s black and he’s a trans man and Glenn loves him and it’s not a big deal.’ And like, all that kind of stuff.”

I’m sympathetic to sentiments like this, because this was my writing until this very year. My thought process was “I won’t write POC because I, as a white person, might fuck it up” and that thought process is only made so much stronger when if you do fuck up, no matter how minor or how severe, you’re met with nothing but inbox spam and threats and hostility. If you want response; use your words politely. When you attack them, nothing will change. Attacking does nothing but make them fear their own fans, and that’s genuinely not what we want. I know that’s not what we want. This callout/cancel culture people have created in this little fandom is so toxic, to both us and the dads. 

If you’re gonna ask something of the dads, do it nicely. Don’t come for their throats. If you, YOU personally, have sent them the same message multiple times and have no response after a couple weeks; then you get rights to get more aggressive. Not when you’re posting one call out on their Twitter.com and do nothing but yell and accuse. That’s not accomplishing anything. 

If I, a fifteen year old, find myself using more tact in these posts than grown ass adults, there’s definitely a problem here. And it’s not the dads. 

You wanna know that dads aren’t giving representation? Because they’re scared of fucking it up, they’re scared you ADULTS are going to come for their throats at the smallest mistake and continue to turn their fanbase into a warzone. Don’t make it a warzone. 

You know how you fix that? Approach them. Message them on some platform. Just say; Hey, I know your fans want [character] to be [minority group] and if you wanted help in learning how to confirm that, I am [minority group] and I’d be willing to help you.

It’s that easy! Wow! 

Because, honestly, even a sensitivity director can’t be perfectly knowledgeable on every single minority group. 

If you want your kind of minority group represented in DnDads, god dammit reach out to the cast and offer your input. Not you may not be an authority on your minority group, or some kind of genius on it, but one of those people reaching out and offering advice based on their own experiences is often much better than nothing. 

Like, the other day on twitter someone said, “Hey, Jenna and Anthony! I noticed you called Ratticus Finch ‘agendered’ and that’s not a perfect term for all nonbinary people, so I would suggest putting in some more research on terms before the next episode.” And THAT’S how you approach topics at first, not screaming and yelling. That’s how you put in advice. That’s how you provide criticism. 

I said when I first started talking about discourse that the adults are the problem, and i still stand by that. Because I am yet to see anyone under the age of 25 acting like this. Anyone younger I’ve seen on this has been tactful, and polite. Which really shows the difference in generations. It’s sad. 

I hold hope in the hosts, because they’ve made steps to change in the past. And they’re only gonna take the issues one hurdle at a time, you can’t expect everything to be managed all at once, they have to pace themselves or else they’re going to get burned out and that’s worse. 

And if this podcast at the moment is not up to your standards? That’s fine. Walk. Away Come check back in in a few months if you still hold interest and see if it’s what you want to associate yourself with. Just stop attacking the hosts, criticize and construct them instead. 

You get nothing out of tearing others down, only more destruction. 

#dndads #dndads discourse

[abraxos-the-phantom]

Scum Disciple: Alpha Stage

Alpha, described by google as "...an exploratory phase. Beta means the features have been locked down and are under development (no other features will be added). More commonly: Alpha: Usually the first normally interact-able thing out (private or public use is irrelevant)."

And here are some of the highlights that I liked from the first few versions lol.

Fun Times in Gusu

Lan Xichen walked to quite a strange sight.

While normally he would have greeted the younger Nie with a smile, the image of the famous Wei Wuxian pouting as YunmengJiang’s young master and QingheNie’s second master grinned was a little too ridiculous for him to process without chuckling.

“We both know you aren’t actually going to tell Ming-shixiong,” Nie Huaisang chuckled at the shifted to pat the other.

“Yeah,” Wei Wuxian sighed. “I’m worried though.”

Jiang Wanyin had raised his eyebrow, making quite the image as he looked over his crossed arms, “You’re worried about your brother? QingheNie Sect’s Monster Head disciple? The Youngest Rogue Cultivator in the Generations? The Peerless Prodigy? I think you’re a little delusioned Wei Wuxian.”

Wei Wuxian’s nose crumbled at that, “They really call Gēge that? Such lame names.”

“I think brother called him the Crane Dragon once,” Nie Huaisang added. “When you and Ming-shixiong went on a Night Hunt.”

Wei Wuxian shook his head, “Forget it, that’s not what I’m worried about- it’s just. Gēge has never let me on my own like this before. He gets antsy.”

Nie Huaisang pursed his lips, “I can understand but- A-Xian, you’re one of his best students.”

“He just- he gets this look sometimes,” Wei Wuxian sighed. “He doesn’t talk about it but sometimes he looks at me and I’m pretty sure he’s seeing something else. I never asked because he always looks sad after.”

“Didn’t you grow up together?” Nie Huaisang frowned. “I don’t think I’ve ever seen Ming-shixiong with anyone else besides the three of us but the other disciples.”

“He’s never talked to anyone except father, mother, myself, sister, and some of the disciples at our sect,” Jiang Wanyin said in agreement. “You guys didn’t meet anyone when your Brother was still Rogue?”

Wei Wuxian shook his head in Jiang Wanyin’s direction, expression slightly pinched still, “I wouldn't remember, and I know we’re close- but there’s some stuff I know he hasn’t told me. You guys realize that my brother is nineteen?”

Jiang Wanyin blinked, as well as several other disciples who were not so covertly listening into the conversation about the mysterious prodigal Cultivator of the QingheNie Sect. “He seems much older, I didn’t think anyone knew his actual age.”

Because that was the curiosity wasn’t it, for all that he was well-known, there was never truly anyone who knew Wei Ming, because he would never actually say anything about his past save for vague hints. One could ask Wei Wuxian of course, but the latter had the same result because of the mere fact that Wei Wuxian didn’t know much about his older brother either beyond his personality, likes and dislikes. Any years before Wei Ming had lived with his brother was knowledge he couldn’t even forget because he never knew in the first place. Nie Mingjue never asked, and neither did Nie Huaisang. It took Wei Ying meeting other children to realize that nine-year-olds never talked the way Wei Ming did. They didn’t know facts about monsters, and they certainly never talked about demons. Yet Wei Ming had extensive knowledge since who knows how long, and no one ever questioned it.

Whether that was because Wei Ming knew how to subvert the conversation or because they simply never asked, that was a question no one could really answer. Not even Wei Wuxian, for all that he loved his Gēge, knew where to start.

Sensing the sudden dip in Wei Wuxian’s mood, Nie Huaisang brightened as much as he could, “Well it doesn’t even matter does it? He’s your brother, he’s my teacher- and he scares my brother to boot.”

Wei Wuxian laughed, if a little weakly, “He told me he actually enjoys it a little.”

Jiang Wanyin winced, “Isn’t your brother known to your Sect as the Punisher?”

With an enthusiastic nod from both Nie Sect members, they proceeded to scare everyone else by saying, “300 copies of Consequence, 200 paces across the hills and back in three days and patrolls in three of the Qinghe protected lands by the end of two weeks!”

They silently cackled as the other Sect disciples paled at the prospect.

<page break heyho>

After gently teasing Wangji of his interaction with Wei Wuxian, Lan Xichen bid his brother a good night as he suddenly remembered what he had sought the older Wei out for. The technique he used was quite unique and not among any technique he had some knowledge of, though granted it could purely be because he himself was not well learned in any but the Lan Sect style. Regardless, he was hoping to have a discussion about it and to possibly inquire if the older Wei would use his expertise to critique his own swordsmanship.

He was just about to do just that before he heard an audible thunk and grunt of pain from within the room Wei Ming had been assigned for his stay here.

Lan Xichen abruptly opened the door out of instinct, blinking in surprise to find Wei Ming wielding a brush in his hand and a paper in the other, dark eyes roving the entire wooden table with apprehension.

“Mn?” Wei Ming looked up with a raised eyebrow. “Oh, Zewu-jun. I was under the impression you had retired for the night.”

“I had initially been hoping to discuss swordsmanship with you before,” Lan Xichen looked at the papers, elegant calligraphy lining each and every one save for the large stack of paper at the corner of the table. “I admit, however, that this seems to take my interest far more at the moment.”

“Ah, well.” Wei Ming gestured to the papers. “These are lesson plans, notes if you will- but plans all the same.”

“...Lesson plans?”

Wei Ming nodded seriously, “It’s important for a teacher to understand what they are teaching every day, so as not to leave anything important out.”

“Ah…apologies, considering the subject you are teaching I thought-”

“To be fair, the material I’m teaching does require less theory than practical. Had I been teaching something akin to a bestiary subject or perhaps even medicinal practices, I wouldn’t be as extensive as this,” Wei Ming once again gestured to the large stacks. “This is not the case however, as I am teaching fighting techniques. I also have to come up with tests and exams, sort the students into pairs for sparing purposes, note everyone’s strengths and weaknesses, formulate proper lectures concerning the techniques I am teaching- that sort of thing. Besides the fact that I’m considering adding other techniques so that my students are well informed.”

Though granted the stuff he was doing was easier than when he had been Qing Jing Peak’s head disciple, the paperwork for that Sect was monstrous because of the additional lessons for music and the tactitionary course. Both were a requirement as a disciple of Qing Jing, as they were the main jack of trades within Cang Qiong as their roles were both in support and primary fighters when it came to battles. This was especially true during the pseudo war between Lou Binghe’s forces and during the battle with Tianlang-jun. Shizun would normally do most of the work but with the absence of Lou Binghe, a lot of it arrived to Ming Fan and he didn’t have the heart to inquire about it.

After Binghe’s return Ming Fan just never thought to question it anymore, Shizun was happy and he got used to the workload. It wasn’t as if he never had help either, he took charge of the male disciples while Ning Yingying took charge of the females. After Lou Binghe soon took up some work every now and then; it’s just the way things were after...After.

Wei Ming blinked after returning from his thoughts, “Hundreds of apologies, may Zewu-jun repeat himself?”

Lan Xichen smiled, “Of course, I only wished to ask if you would be open to giving me advice on my swordsmanship? Nie Mingjue mentioned before that your advice had helped him improve his saber technique and I would very much like to also improve myself now that the opportunity is open to me.”

“Or perhaps Xichen-ge would not like to be left behind by his dîdi?” Wei Ming said with an amused smile.

At this Lan Xichen’s ears colored slightly even as he smiled neutrally, “That is also a motivation, but I believe no brother would want their younger brother to leave them behind.”

“Very well, when Zewu-jun is free; we shall spar.” Wei Ming’s lips quirked. “I would also like to know if my observations are correct.”

“Let us have this spar soon Teacher Wei, thank you for your time.” Lan Xichen stood and dipped his head slightly before exiting with a final ‘good night’.

<page break hey-ho>

“Gege what are you doing?”

Wei Ming was currently in the Lan Sect library, pouring over old books that amused him and greatly reminded him of some of the brighter moments in his past life. Namely: The Resentment of Chunshan. The book itself was poor in terms of accuracy, but amusing nonetheless. He and the other disciples found themselves horrified and amused by the story described within. Even more so when the Song of BingQiu became popular among the locals.

He was also starring an old map of the land, clearly looked into by someone considering the small hand-written notes in black ink. The penmanship was oddly familiar but Wei Ming couldn’t exactly remember where.

There was also an area circled, the name Cang Qiong Sect written in careful script.

“What do you think?” He asked absentmindedly, fingers brushing over the circled area. It was far from the other Sects, inaccessible due to the mountain ranges that circled it. If one tried, they’d have to do so by climb rather than sword. The air would be thinner; challenging even for a Cultivator.

He vaguely wondered if the land had changed so much as to the sudden growth of mountains around the Cang Qiong Sect area.

“Looks like someone was trying to look for the mythical Cang Qiong Sect,” Wei Ying peered over his brother’s shoulder. Tilting his head at the map. “Weird.”

“Oh? How so?”

“Eh,” Wei Ying shrugged as he sat next to him. “Cause it’s just a legend, no one actually knows if the Cang Qiong Sect is still around. If it ever was around. I mean- demons, the War- it’s described in pretty poetry and details, but other than that- most people write it off as a fantasy since no one’s ever seen it.”

Wei Ming considered the next question carefully, “What do you believe?”

“I think there’s some truth to it,” To himself, Wei Ying vaguely wondered why the sudden inquiry. His brother had no interest in the stories that were normally told to children, he had been busy at the time and Wei Ying only knew of it because the Nie Brothers held a rather large collection of the stories of the illustrious Cang Qiong Sect and one of their most famous Lords: Shen Qingqiu. Nie Huaisang had admitted that most of these were his brother’s, and he himself was promptly amused. Now he was starting to wonder. The stories of the Cang Qiong Sect were often used for the children of Cultivators as lessons, Lan Sect used it too if what was in the library was any indication- it was an impressive collection.

Though it did have nothing on Sect Leader Nie’s secret collection of nearly all the tales of the General from Qing Jing Peak: Huázháo-jun.

“Hm, perhaps,” Wei Ming noted non-committedly, shaking his head. “Let’s talk about what to do for tomorrow.”

“Mn! You should teach-“

[Fun fact about this one up here! In this version of the story, MF brings WWX's body up through the mountains to Cang Qiong Sect in the hopes that he could get help in reviving his brother, thereby re-meeting with his fellow disciples of Cang Qiong Mountain Sect]

[1dcraftawards]

November Author of the Month...

Drumroll please.... our November Author of the Month is none other than the incredibly talented...

@all-things-fic ! 

Congratulations to a wonderful author, Liz! You can check out our interview with her below!

1.Did you start writing fanfiction for One Direction, or was there another fandom that you wrote fanfiction for before this?

I have one fic that I wrote for One Direction Fanfic Archive, that will never see the light of day. It was really awful, but everyone starts somewhere. I’ve shared it with two people on Tumblr and we just laughed about it.

I’ve also written a Niall Horan fic which has been flagged for how explicit it is, which is quite laughable as it’s tame in comparison to the Harry stuff (eek!)

2. How old were you when you started writing fanfiction?

I was a teenager when I first started writing fics. I don’t know if I would consider it “proper” fanfic though as it was riddled with cliches.

3. What’s been your favorite fic that you’ve written to work on so far?

For the longest time I was proud of the second part of Divorce Harry and specifically the second part. It just felt real to write. I can’t even explain what it is about that piece.

I think at the time it stemmed from an ask I received where I was asked if I was a parent - I’m not - but this someone said I portrayed aspects of a marriage and how children can tip the balance really well.

The sheer bitterness of two people in love and the juxtaposed feeling it brings was an interesting dynamic. Being bitter and in love? How? It happens. You love someone, but bloody hell don’t you hate at the same time.

And I think on the hand Quarantine Harry is the opposite side of the same coin. I love it because it’s so happy. When you’re smitten and basking. Your baby waking you up at 3am and meeting your husband on the landing with the freshly made bottle is a time to enjoy because you’re doing it together.

But soon enough the third child is sprawled out in your kingsize bed and their foot is pressed against your ribs and you're tired. This isn’t me saying the two stories are linked (I do get those theories quite a lot haha)

4. Do you prefer AU or OU?

Definitely more of an OU gal. I’m massively into writing things “realistically” because I think it’s so relatable and helps draw readers in more so. Especially if the writing uses and references visuals that readers are aware of.

5. What’s your favorite trope to write?

Would we call a long-term relationship / established relationship a trope? If so then this is my favourite. Writing characters who know how to push each other’s buttons, knowing what they can and can’t say to get the other going. Being able to write two people who can share as little as a glance and know what the other is feeling.

Sprinkle a bit of angst on the top for good measure.

That’s my kryptonite.

6. What’s your ideal space to write in?

I tend to write when I’m in bed quite a bit, usually really late at night and on my phone rather than my laptop. Often lying in the dark. Sometimes first thing in a morning.

7. How do you get motivation to write?

This one made me laugh considering I’m unable to finish a single piece of writing at the minute.

Pictures are quite inspiring. New images of Harry can usually start something in me. The images of him in the whacky joggers for example from set have inspired a scene in Quarantine Harry (who knows for which part just yet!).

8. Do you typically like to listen to music when you write? If so, what do you listen to?

Very rarely listen to anything when I write, I tend to like silence really. Sometimes this is so I can dictate into my phone.

9. Your dialogue is some of the best I’ve ever read on tumblr, how do you plan conversations in your fics?

Thank you for the compliment, it’s really nice to read that you think so highly of my dialogue. I don’t really plan them - conversations or my fics. I’m quite visual in how I write, so anything that you’ve read I’ve most likely had it play out in my mind and typed it as it’s moved. For dialogue I tend to speak out loud as I’m typing to try and get the pacing right for the conversation.

No, I don’t try to do a Manc accent… Just in case anyone is wondering haha!

10. What is your writing process like?

I write what I see and then hope it fits. Honestly it’s pretty chaotic. The only time I tend to plan is when I’ve got a lot of different scenes written and I need to know if they’re suitable for an update or what order to place them.

Then I read through them and think about the characters and how they would be a certain time and move the documents into another document. Then I close all the tabs and cry cause my motivation is nonexistent.

11. What’s been your favorite scene to write from Quarantine Harry?

One that hasn’t been shared haha! I’m joking (maybe).

From part one my favourite bit has to be the part where she makes up with him by taking him a cuppa and he gets a dig in about how she hasn’t brought any biscuits with her. Also the bit where he says “come an’ love me” meaning he wants to cuddle. I’m quite conscious I don’t really ever write soppy fics, so when I’m writing “fluffy” aspects they’re more so everyday affections. Like, you know someone is properly in love with you when they’re doing the washing up cause you’re busy, or they’re taking out the bins on bin day. That kinda thing.

From part two absolutely the entirety of the morning where she takes the pregnancy test. That was the part I had as clear as day and I worked backwards to the opening scene. I really loved the idea of Harry knowing his partner is pregnant before said partner knows. Him knowing his lovers body like the back of his hand so much so that he’s able to pick up on the smallest of things.  I knew I had to write it.

And how he casually suggested she took the test, by pressing a kiss into her back. His face finding that test and then being an insufferable sod and pleased with himself cause he’s in the know about the outcome before the MC.

12. Is there a schedule you follow in terms of when you write? Or are you more impulsive and just write where and when you can?

So impulsive it’s actually embarrassing. I cringe at myself. I know I’ve mentioned this loads but I really write what I see. So if I’m not seeing anything, I’m not writing. It’s quite frustrating.

13. What is one thing you wish you would’ve known before you started writing?

To not talk about your writing before you’ve finished it. I feel like I massively let people down when I post sneak peeks and then I can’t deliver because life gets on top of me!

14. What do you prefer writing, multi-chaptered fics or one shots?

One shots and then if they develop into something more that can be exciting!

15. What's your secret to portraying such a complex and interesting relationship between your main characters??

Personal trauma…… *tumbleweed at another one of my poorly thought out jokes*

I’m a bit stumped on how to answer this one. I think being well read(ish) helps you create complex characters and relationships, not saying that I am but I’ve read a fair few books. Life in general helps too, sometimes personal relationships. Just growing up. My fic when I was younger was nowhere near the type of things I’m writing now but I’ve got a couple (okay, more than a couple!) of years on myself since then.

I think just apply your own lived experiences and call upon emotions you may have felt through certain times that you’re writing should you have experience it.

Partly I also think so many of us are a little bit nosy. Sometimes we all kinda want to be the fly on the wall in the home of couples to see if everything is a rosy as it seems or as intimate. Or whether it is just raw passion with a couple of arguments thrown in for good measure.

16. What Harry era/mood/look/vibe/song/etc. do you get most inspired by?

What’s weird is my favourite era of Harry is 2014, but I wouldn’t want to write him like that. The current Harry is quite marvellous. I’ve never known anyone like him, he really is fine wine (the real album title…. ‘we’ll be a fine wine’)

If you’re asking what mood I like to see him in, it’s either when he's pensive and looks a touch pissed off with a crease to his brow or when you watch his joke his eyes before he’s even said it and he’s amused/pleased with himself.

His current look, mainly late 2019/2020 is quite something (hence the quarantine fics)

I tend not to get inspired by his songs but my two faves if I had to pick would be Woman and TBSL. I think they’re massive Scorpio energy and would make great premises for a one shot sometime!

I’m not sure if I even answered this how you wanted it answer but hopefully it was something haha!

17. Who or what inspired you to start writing?

I’ve always loved writing, I think it’s because I do a lot of it with my line of work. The person that gave me the push on this site was actually an account called @meetyourmouths. The lovely Iz is no longer on tumblr but she wrote a Harry piece that just made me think ‘fuck it’ and I posted Practicing. If you go to that piece the authors note makes mention to Iz.

I would also say @stylishmuser was one of the first people to reach out to me and be encouraging which has always stuck with me. Massive love for, P and still talk to her all these years on.

I’m now sat here thinking about listing all the lovely lovely people who have been so nice to me both in regards to writing and outside of it and I’m conscious I’m not mentioning them. The troubles of being a bit of a people pleaser. Hopefully those people know I love ‘em… You know?

18. Some readers are wary of leaving feedback because they're unsure how the writer will take it, how do you personally like to receive feedback? Do you want to be critiqued, or would you like to just know if they did or didn't enjoy what they've read?

First thing I’d say is please don’t ever think as readers you can’t be negative. Sure there is a way to present the feedback to the author cause writing can be quite personal, but everyone has room for growth.

Just come chat to me. Can be about anything and everything. A simple ‘loved the update’ to ‘this bit was rubbish’. I’m open to all feedback.

One thing to remember is there are a lot of writers out there so there is something for everybody. If a fic isn’t for you there are tons out there waiting for you to go and grab ‘em!

19. Is writing a hobby or do you have aspirations of writing professionally outside of fanfiction?

I used to think it was mainly more so a hobby, and I do still lean towards this. However, now I’m not so sure. My problem is I tend to have long spells of not being able to find balance in my ‘real life’ job and the extra-curricular stuff.

I’m dragging myself here but I don’t think my fics have much plot to them. I’m more so about writing the everyday life and I don’t think there is a market for that really (unless you have something explosive happen somewhere).

20. And finally, What's your purpose for writing? What do you hope to accomplish?

For a while I wanted to write Harry being insufferably British. I found it quite hard to find writings that I thought wrote him using Britsh-isms (is this even a thing?) and types of phrases that are common over this side of the pond. I wanted to put that out there for someone who may have once felt like me.

Mostly,  I just want to put pieces out that take people elsewhere, even if only for a couple of minutes. A lot of the world is a bleak place, if you find my little corner on tumblr and it makes you smile, that’s achieved something, hasn't it?

#author of the month #aom #November2020 #aomnovember2020