#THIS IS ALSO NOT PROOF READ SO

[eddiesghxst]

no thoughts just loser!eddie losing his shit when he sees you over at his house for the first time, rifling through his things like any normal friend does.. but you stumble upon a box.under his bed. it’s like slow motion when he walks into his room and sees you open the lid and he nearly drops a glass of water, literally biting his fist in pain, trying to stop you but then you’d only get more curious of what he was hiding.

you. he has polaroids of you except they’re the dirty cum covered kinds. he has your underwear with his stains in it. he has your perfume bottles, your rings (he would totally get hard seeing how tiny they are compared to his, and imagining the dainty stones on the rings on your ring finger like an engagement stone)

it’s like a fucking shrine for you and he thinks he’s gonna pass out as your eyes widen.

but you only turn to him and smile, and his knees weaken. literally almost fainting when you kiss him because you have definitely slept with his sweatshirts, came to the idea of eddie, etc. he’s just such a fucking loser but that night he makes you cum so much you see stars and he’ll have a scrapbooks worth of polaroids (just from that night alone lol)

anyways do you think you could write a lil something based loosely off that? 🫶

BESTIE I MIGHTVE DIED YES. YES YES YES.

also this ended up longer than I'd intended but who cares its pervy!loser!eddie

18+ — MINORS DNI

word count: 1k

————

Eddie’s not sure if he believes this is real. There’s no way this is real, right? There’s no way he has his best friend naked on his bed, covered in sweat and cum— his cum, at that.

He almost thinks it’s all another one of his sick, perverted dreams, but then he’s reminded that none of those dreams have felt this real. None of his dreams have felt this vivid to where he can actually feel the tremble in your hands as you wrap a fist around his wet cock, the shift of the bed as you clumsily scramble to your knees, the lewd and unmistakable shlick sound of your hand fisting his spent cock. It’s never been this vivid— that’s how he knows this isn’t a dream.

You’re blissed out and cock-drunk as you shuffle to lean on all fours, lowering your mouth to suckle on Eddie’s leaking tip. Your toes curl at the sound of Eddie groaning above you, a hand resting on the back of your head to shove himself further down your throat. “Take it all the way in, that’s it— fuck,” Your center throbs at his words, a wet gagging noise emitting from the back of your throat when Eddie’s tip meets the tight space. He curses with a groan, head dropping back for a moment before he looks back down at you with a lazy smirk.

“You have no idea how long I’ve been waiting to hear you gag on my dick, sweetheart.”

You whine, your hips grinding back against nothing, the cool breeze of his room sending shivers up your spine when it graces the wet heat of your cunt. Around you, scattered on the bed, are the many polaroids you had just discovered earlier. Snapped photos of you in bed, in the shower, getting dressed in your room; all images that would’ve sent anyone else running for the hills. Eddie was so sure you would never speak to him again when you found that box full of all things you, but to his surprise (and sinful delight), you were just as fucked up as Eddie, if not more.

Eddie’s eyes dart all over the bed; polaroids, lace panties and matching bras, dainty jewelry, lipsticks, and perfume bottles. Eddie Munson was a perverted thief, and it somehow landed him balls deep down your throat. 

He reaches down and picks up a particular Polaroid, one of his favorites; a picture of you laid on your stomach in your bed, one leg hiked up to form a comfortable sleeping position. You’d forgone your sleeping shorts this night, and Eddie took it upon himself to jack off and cover your ass in sticky ropes of his cum, snapping a photo as the white substance dripped down between the folds of your ass to stain your pretty panties (Eddie stole those panties that same night).

He takes the picture and holds it up between two fingers. “So many nights of wasted cum… you’ve got a lot to make up for, sweet girl.” His voice is low and teasing, and you whine against him, nuzzling his cock further down your throat until your nose brushes against the curly hairs surrounding his base.

Eddie’s knuckles are tight against your scalp when he pulls you off his cock, shivering at the wet gasp you take, bleary eyes blinking up at him as your spit drips onto his thighs. “Think you’ve been good enough for it?” He wraps a hand around himself and rubs his throbbing tip against your lips, humming in approval when you open your mouth to offer your tongue. He slaps himself against your tongue a few times, chuckling when you whine and squeeze your thighs together. You can feel the sticky feeling of his cum and your arousal sliding against the insides of your hot thighs, and your eyes roll at the sensation. You lean forward and nuzzle against his cock, “Please, Eds— want it so bad. I’ve been so good, I have.” Your words are nearly slurred; the only thing on your mind is the overwhelming urge you have to feel Eddie’s cum in the back of your throat.

You don’t see Eddie reaching for his camera, too focused on licking your way down to his balls. “Fuck— look at me, sweetheart, give me those pretty eyes.”

You slowly blink up at Eddie, wet lashes fluttering and pouty lips grazing his cock as you gaze at the camera. A flash and a snapping sound echo through the room before a white card come out the bottom, a curse falling from Eddie’s lips as he shakes the paper and tosses it to the side for later. He nods down towards you, “Love on it, baby; show me how much you love my cock.” You don’t wait for another second, licking a thick stripe up his cock, rounding your lips around his tip to suck eagerly. Eddie takes another picture, and you whine.

“Shit, I’m gonna come— keep sucking baby, keep taking me in.”

You shuffle forward, nose brushing against his pelvis once again, and Eddie takes it as permission to secure a hand atop your head and begin fucking himself into the back of your throat. Both of your hands are fisted into the sheets below you, watery eyes gazing up at the blissed-out Eddie above you. His hips falter during the last few thrusts; he doesn’t last much longer. 

“I’m gonna come… don’t swallow, okay?” You nod as best as you can, and without further directions, Eddie’s cum floods your mouth until you nearly choke on it. 

He pulls out of your mouth with a moan, instructing you to open your mouth and show him your tongue, which you immediately obey. He reaches for the camera once more, snapping one picture with you on all fours, gazing up at the camera with your tongue out, white sticky cum coating the inside of your mouth. He takes a second picture, this time with his hand cradling your jaw. The third and last picture he takes is with his hand still cradling your jaw, but his thumb is now pressed against your tongue, smearing his sticky mess across your tastebuds.

And when he tosses the newly printed photos into the pile of new Polaroids, he catches a glimpse of one clear picture of your pussy freshly fucked and covered in his cum. Eddie can’t help it when his cock twitches against his thigh once again.

It’s safe to say that Eddie had to get a new box the next day <3

#🫶 anon #THIS IS FILTHY IM SORRY BUT IM NOT #THIS IS ALSO NOT PROOF READ SO #HERE U GO! #eddie munson x reader #eddie munson #drabble #eddie x reader #stranger things fanfic #eddie munson fanfic #eddie munson smut #eddie munson blurb #eddie munson au #eddie x you #eddie munson x y/n #stranger things #eddie munson x you #perv!loser!eddie #perv!eddie #perv!eddie x reader

[rax-writes]

↬ when night falls

Tywin Lannister x Reader

intended to be a sequel to the morning after, but it's not necessary that you read it prior to this

Warnings: Smut, MDNI, 18+ ONLY ⇆ P in V sex, unprotected sex, creampie, age gap, nipple play, bit of breeding kink, mentions of pregnancy, pregnant!reader

The journey from Winterfell to King's Landing took considerably longer than necessary, given the Queen's insistence that she travel in that godsforsaken carriage of hers. As such, five weeks after your marriage to Tywin Lannister, you were spending one final night in a lavish red and gold tent alongside your lord husband.

For the entirety of the journey, the two of you spent the entire day apart – your horse trotting behind your father and King Robert, and Tywin a short distance behind, alongside Ser Jamie. Occasionally, Arya would pester you into allowing her to sit in front of you on the saddle, as you quietly conversed with her and taught her how to control the horse. But, aside from that, you were alone with your thoughts all day, every day.

The nights, however, were spent in the arms of your lord husband.

The two of you quite quickly developed a very… peculiar dynamic. You had quickly learned and adapted to the way the fearsome Tywin Lannister operates – preferring you speak concisely and directly, vehemently uninterested in anything otherwise. Additionally, there was a degree of mutual respect, as well as a vaguely guarded openness to one another – but certainly no love, or any semblance of romantic feelings at all. In truth, you assumed there never would be.

But gods was there lust.

On your end, it was your first and only experience with sex, and it was undeniably good, so you were eager for it. On his end… you couldn't be sure. It could be that the man was pent up from years as a bachelor, but it would be safe to assume he had simply sent for a whore when the mood struck him. A more likely reason would be his pursuit of an heir, but surely he wouldn't have needed to fill your cunt nightly to achieve that goal. No, you were almost certain that he was simply enjoying fucking you – just as much as you were enjoying fucking him.

When Tywin entered the tent, you were sitting on the edge of the cot, toying with the goblet in your hands, already undressed to your shift. He met your eyes as he entered, but said nothing, that unreadable (but somehow always leaning toward annoyed) expression on his face. He silently began taking off his boots, then removed his sword and placed it beside the cot. He was in the middle of pouring wine into his goblet when you found the courage to ask your question.

"Will you stop bedding me when I become pregnant?"

Tywin said nothing, setting the pitcher down and turning to face you as he took a sip of his wine. He wore that calm, calculating expression as he stared at you – but you could swear there was a hint of amusement in his eyes. The golden goblet made a faint clank as he set it down before speaking.

"Do you ask because you wish for me to stop? Or because you wish for me to continue?"

"I wish for you to continue."

"Then I shall continue," Tywin stated, the ghost of a smile on his lips.

"Good," you replied, then added, "Because I am."

"You are what?"

"Pregnant."

The smile dropped and Tywin's eyebrows raised, making his forehead crinkle.

"Already?" he inquired dryly, surprised. Then, incredulous, he asked, "How do you know?"

It was a fair question. You had never been pregnant before, so perhaps you were mistaking soreness and fatigue from travel as signs of pregnancy. But no. You knew.

"I should have bled three weeks ago, but I have not. My breasts are extremely tender, and certain smells make my stomach turn."

Tywin nodded, then stated, "I do not doubt that you are right, but we will have a Maester provide his confirmation and look you over when we arrive in King's Landing. In the meantime, is there anything you need?"

A faint but wicked smile spread across your face, and you stood from the bed, setting the goblet down as you slowly made your way over to him. The metal of his armor was cold beneath your fingers as you idly ran your hands over his chest, before toying with the belt around his hips, looking up at him through your lashes.

"You," was your simple answer. But both of you knew that it wasn't meant in a romantic, sweet sort of way.

Tywin's hand reached up to cradle your face, somewhat harshly, hooking his thumb under your jaw to tilt your head up and kiss you. It was lustful and full of desire, accompanied by the scratch of his beard upon the delicate skin of your face.

When he pulled away, Tywin smiled quite faintly, then hummed lowly and said, "Well, what sort of man would I be to deny his pregnant lady wife her wish?"

The old lion made quick work of removing his armor and smallclothes, and relieving you of the thin linen shift you wore, before guiding you to the luxurious cot. Tywin continued to kiss you, eventually trailing kisses down your neck, until he reached your chest, unexpectedly taking one of your breasts into his mouth and swirling his tongue around it.

The sensation nearly made you shout, opting to take in a sharp breath instead as your back arched off the blankets. Eyes squeezed shut, you heard a low chuckle, and looked down to see a set of very amused, crystalline eyes staring up at you.

"Hm, I see you were not exaggerating about the sensitivity."

Electing to ignore him, you let your head fall back onto the pillow. However, it seemed he did not intend to grant you any reprieve, moving to the other breast and doing the same thing – prompting you to dig your nails into his shoulders and bite your lip to avoid crying out. Unfortunately, that made matters worse, as Tywin let out a low groan with his lips still wrapped around your nipple, earning a loud, pitiful whine from you.

Seemingly enjoying himself, Tywin began peppering your chest with gentle bites, which he soothed with his tongue afterwards, sure to become small little bruises by morning. Breathy moans and sighs of pleasure filled the tent, as he then resumed his ministrations on the hardened peaks of your breasts before snaking one hand down to toy with your clit, expertly rubbing it in small, steady circles. Astoundingly fast, your release washed over you, soaking his hand as you moaned and writhed beneath the Warden of the West – who only chuckled darkly at your quick climax.

Noticing that the continued kisses and licks upon your breasts began to make you twitch, Tywin captured your lips in a brief, rough kiss, before rolling onto his back. He then pulled you into his lap, with a strength one wouldn’t assume the older man to still possess – which was, admittedly, arousing. Your mind was still foggy from the orgasm, and your movements were not unlike a rag doll, eyes half-lidded and jaw slack, moving somewhat limply as you allowed him to maneuver you. He gripped his hard, leaking cock in one hand, then reached behind you to urge you forward with a flat palm on the small of your back.

A hiss through gritted teeth escaped Tywin, and you gasped lightly, head thrown back and hands flat on his chest. Although you’d already lost count of how many times he’d taken you, it still felt more incredible than anything you’d ever experienced. A passing thought reminded you of the fact that he seemed to share the sentiment, always hissing or groaning when he first sheathed himself inside you.

Tywin’s grip moved to your hips, prompting you to begin rocking them against his own, keeping your pace steady. However, he made no move to halt you when you eventually began to move faster, leaning back to rest your hands on his thighs as you fucked yourself on his long, thick cock. The sound of it alone would have made a Septa drop dead – a symphony composed of wet skin upon skin and gruff grunts intermingling with breathy moans.

He reached up to grasp and knead your breasts in his rough, calloused hands – but he then surprised you, his hands drifting lower, until they rested flat against your lower stomach. You thought perhaps he was focusing on the movement of your hips, but then his thumbs began to stroke across the soft skin of your belly.

At first, it seemed very sweet and sentimental. You thought that perhaps he was basking in the joy of another child being on the way – until you felt the way his cock throbbed, deep inside of you, as he stared intently at your belly. Immediately, you came to the realization that it must be arousing for a man to have successfully fucked a babe into his wife – stroking their ego and their pride to have done their husbandly duty, as well as show everyone that you belong to them.

Truth be told, you were surprised to learn that it aroused you just as much.

Tywin groaned as you clenched around him, and when his eyes flicked up to meet yours, it felt as though he knew you had been thinking the very same thing he was.

That seemed to ignite something within your husband, and in the blink of an eye, Tywin flipped you onto your back and began driving into your soaked cunt with a newfound ferocity. You bit down on your knuckle to keep quiet, but Tywin pinned both of your wrists down, his arms on either side of your head. The act did not last much longer beyond that point, both parties having already been too near the precipice of climax, and the pair of you met your releases in unison.

Tywin rolled off of you, breathing heavily, a light layer of sweat covering his chest, along with the small patches of silver hair. You allowed yourself a few moments of recovery, before moving to leave the cot in order to extinguish the candles, as well as tidy yourself up. However, Tywin grabbed your arm to stop you.

“Where are you going?”

“The candles –”

“Can wait,” Tywin interrupted, voice sounding unbothered as always, albeit with a hint of fatigue. He exhaled slowly, as he gently pulled you back down to lay upon the cot beside him. “One of the guards outside can see to the candles in a moment. You are carrying my heir, so you are to rest. As much as is feasible, from now until the babe is born. And if anyone questions it, they are to discuss it with me.”

Anyone possessing the sense the gods gave a mule knows “discussing” something with Tywin Lannister was just the opposite – it was not to be addressed at all, because what Tywin Lannister says, goes. A fact which made you smile softly.

“As my lord husband commands,” you replied, a hint of sarcasm in your tone, but you did exactly as he bade you, pulling some of the blankets over you and nestling into the pillows. You were already yawning by the time Tywin called for a guard, who extinguished the candles, and bathed the room in darkness as you drifted into a deep, contented sleep.

#i'm hoping this stayed in the realm of “we have a mutual understanding and respect but no love at all” #also this isn't proof-read or beta-read so if there's anything wrong lmk #tywin lannister #game of thrones #got #tywin lannister x reader #tywin lannister x you #tywin lannister fan fiction #tywin lannister fanfic #tywin lannister fanfiction #tywin lannister fan fic #tywin lannister fic #got fanfiction #got fan fiction #game of thrones fan fiction #game of thrones fanfiction #my writing

[cassowarywary]

[Start ID: 10 photos of a bound book of the I am in Eskew transcripts. Photos 1 through 4 show the casing with and without a dust jacket. The dust jacket is marbled silver and white with the title written on it in black ink, and the casing is black leather with vertical insets of the same silver and white paper, grey book cloth, and red book cloth. Photos 5 through 10 show the inside: the red and black marbled endpapers, the silver and white decoration paper, the title page with an illustration of a bird turning into a city, a translucent vellum page before Chapter Zero: Initiation, the beginning of Chapter 15: Crossroads which displays the red binding, and a closeup of a page from episode 20: Cruelty. /End ID]

I have always had plans to, once I finished the titlecard art pieces, print them with their corresponding transcripts for myself. Then I decided that I wanted to add the lineart pieces. Then I realized that the transcripts were not fully accurate, so I went through and transcribed corrections to match the audio. Then I decided that I wanted to go back and redo a couple of the titlecard pieces, etc, etc. This printed version ended up not including any art-- I don’t have access to a printer which can handle that--but I wanted a physical copy which I could annotate. As a result, this thing is huge. It’s easily twice the size of any book I’ve bound before, and the cut edges are a bit wonky, but I’m still really happy with it. 

#i am in eskew #my art #bookbinding #Part of the reason I prioritized this now even though I am so close to being done with the titlecards #Is because I am moving at the end of the month #and I won't have access to most of my art supplies for a couple of months at the very least #Also because. New city. New region. All alone travelling thousands of miles and living in a new part of the world. #Perfect time to read Eskew #I did do a proof of concept bind of Correspondence with my art in it a couple of months ago. #But I like this much better

[cyberghouleo]

Any Tim content pls pls 🙏🙏

Maybe a sweet innocent reader 🫶🫶🫶

Would make jokes and innuendos that you don’t understand, he likes watching you stare back at him puzzled as you try to put it together.

SUPER protective over you. He knows others will see your kindness as a weakness and knows he has to be on guard when the two of you are around the others, proving that you are off limits. 

Will wrap an arm around your shoulder and bring you close to him while around others. Also will occasionally press a quick kiss into your hair when others aren’t looking, that’s as much pda as he’s willing to do. 

If you try to hold hands together around others, at first he moves his hand away. He thinks it’s too vulnerable and the other guys won’t take him as seriously as a leader. But if you are persistent with it, he will slowly start allowing it to happen and won’t inch away, wrapping his hand around yours. Then it turns into his hand slowly inching over to yours first, trying to subtly hold hands under a table. 

While your kindness is a big contrast from his brashness, he actually likes how kind you are. It reminds him of a part of his old self, the type of person he was before the Operator got involved with his life.

Deep down he wishes he could protect you from the life and job he has, but he knows he can’t. He’s too far under the Operator’s control to do so, and he finds himself resenting it when he watches you sleep peacefully next to him. You make him realize just how fragile normal life is, and he wishes he could have met you under different circumstances, before he lost his former life. 

NSFW

To him, it’s a turn on how innocent you are. He’s into corruption so it’s his goal to turn you from innocent into his personal whore. Also gives him an advantage in power over you, something he won’t complain about. At first you are shy, covering yourself up with your hands and hiding your face while he’s deep inside you. But slowly you start opening up to him, to the point you are laying down and spreading your legs wide open for him. He’s going to make you a complete slut for him sooner or later. 

He loves making you tell him what you want while he’s fucking you, stopping his thrusts until you tell him how badly you want him to fuck you. He’s obsessed with how sweet and innocent you are to everyone else and how pathetic you get as you beg him to fuck you senselessly. 

“Tell me exactly what you want” He will say as he bottoms out inside you, completely stopping his thrusting.

“I want you to fuck me,” you say sheepishly, hiding your face behind your hands.

He grabs your wrist, pinning them down to the bed before speaking. “Say it the way I taught you, baby”

If you're inexperienced it makes him fall ten times harder, he loves the idea of being the only one to have you and his dick being the only one you know. He will make you grind down onto his fingers, enjoying how embarrassed you are and how clumsy your movements are. He finds it hot to be able to teach you exactly how to touch yourself and watching you try to stuff all of him into your mouth. 

Uses your innocence and sweetness against you while degrading you, using fake pity against you whenever you act embarrassed. “Aw, can the poor baby not take it? Don’t tell me you’re fucked out already, hmm?”

#tim wright x reader #masky x reader #marble hornets #creepypasta x reader #masky marble hornets #tim marble hornets #tim masky #creepypasta #x reader #innocent reader #request #all i do is write abt corruption it feels like LOL sry not sry #smut #currently got some cod brainrot so im trying to focus on writing the proxies lol #also didnt proof read this loll fuck it we ball

[spicyet]

What are you looking for here? Scroll back up.

Just kidding, here’s a treat:

#laishuro #laios touden #nakamoto toshiro #dungeon meshi #delicious in dungeon #Fic writing takes time but at least my wife is helping m #e proof read #for now.. i can at least draw the possible scenes that i wANT TO WRITE SO BAD but don't know how to go about em yet lol #STILL!!! As you can see i refuse not to let these dudes feel themselves a lil bit :) #Laios wants to feel all of those textures and toshiro's heart will explode with all the intimacy #also Laios' getting into the intricacies of the East culture that he starts to notice and enjoy things about Toshiro #also both of these guys have dad issues #that alone gives me TOO MUCH to work with >:) #But I must admit 70% of these are self-indulgent and I will not stop <3 #Sam's doodles of the day #shuro

[safety-pin-punk]

Punk 101: A Guide To Critical Thinking

We all know that critical thinking is important, and it's something that any punk will tell you is an essential component of advocacy and pushing for societal changes. But, what exactly is critical thinking? As defined by the dictionary, it's “the objective analysis and evaluation of an issue in order to form a judgment”. And that's a good, short definition! But it can make the act of thinking critically seem a bit hard and over complicated for some people. So lets phrase it in a way that seems more manageable:

Critical Thinking is the act of taking in information, understanding it, and forming or connecting ideas because of it

Sounds easy enough, right! So then what are the steps one has to take in order to be a critical thinker? I’m glad you asked! Here's a list in no particular order:

Learn About Things - In order to fully understand information and evidence, you need to know about the topic! Whether the issue is social justice or environmental protection, you need to have a base knowledge on the topic in order to form opinions on it. Researching topics on your own or taking classes are great ways to get informed!

Recognize Bias From The Source And Prejudices From Yourself - No source of information will ever be without bias. A good example of this is how different new networks discuss the same event. One might praise it, while another says it was bad. When trying to understand the information to form your own opinions, it's important to separate the information from the biases of the source. In general, it's good to remember that a pure fact is just the information without an opinion attached to it. On a similar note, you also need to be aware of your own bias! When you form opinions, ask yourself *why* you have that opinion. Do you have a reason? If you were to have grown up with different life experiences, do you think your opinion would be different?

Go Straight To The Original Source - A good way to try and avoid bias is to go to the original source. Maybe news network A and news network B have differing opinions on a Tumblr post. Instead of trying to navigate those conflicting opinions to find the facts about the post, you can just go straight to the post itself!

How Reliable Is The Source And The Evidence - How much should you trust the source that you got the information from? Do they have a reputation of giving factual information? Can you find the information on any other sources? Or maybe someone is yelling about something online, but they’ve failed to add a link. It might make sense to trust what a well established researcher says without a source for their information, but maybe not some random person on twitter. Even if you have a primary source for where the information came from, it’s good to be cautious of the information itself. Sometimes false information is spread around on purpose or because of misunderstandings. 

What Is Being Excluded - Because biases exist, it is always possible that the source you are getting your information from is excluding more information either by accident or on purpose. To avoid missing information about a topic, it's good to check multiple sources and see if any have information that the others didn’t. A simple example of this would be two children playing on a playground. Child A pushes Child B, who gets hurt. When asked about what happened, Child A would say that Child B got hurt, but exclude the fact that it was their fault to avoid getting in trouble. Meanwhile, Child B and any bystanders would likely provide that information. 

What Is The Other Side Of The Issue And Why Does It Exist - You don’t have to agree with other sides of an argument, but it’s very important to be able to understand what they are, who thinks that way, and why they think that way. This will help you to see other points of view and counter any points they make in a discussion with understanding rather than anger or frustration. This is also important because it can expand your own opinions and judgments on a topic. Maybe the other side has points that you have never considered before, but now thinking about them has developed your own beliefs.

Avoid Black And White Thinking - Remember that the world does not exist in a good/bad duality. Everything will have problems, and the things that have problems might even have benefits. The world and its problems exist on a grayscale. To incorporate this into your thinking, try to understand *why* someone or something is doing something, the impacts it may have on multiple different communities, who it helps, and who it hinders. It's important to understand all facets of something before you form your opinion, otherwise you may be lacking very important details.

Don’t Forget To Fact Check - Never trust just one source, no matter how reliable it is! I usually recommend finding the information from at least 3 different sources before you confirm whether it's true or not!

Be Willing To Change Your Mind - Part of being a critical thinker that is often forgotten about is remembering to keep an open mind. Because critical thinking is based on the practice of learning new information, understanding it, and then forming/linking ideas, it is an opportunity to grow and change. You may start out advocating for one thing, but then through time, experience, and thinking, end up advocating for something slightly (or majorly) different. That is more than okay, and it's a sign of growth and maturity!

Resources to help learn how to think critically:

The Foundation for Critical Thinking https://www.criticalthinking.org/pages/index-of-articles/1021/

The University of Tennessee https://www.utc.edu/academic-affairs/walker-center-for-teaching-and-learning/thinkachieve/critical-thinking-resources

The Element of Thought https://theelementsofthought.org/further-exploration/links/thinking/

The Better Future Program https://www.betterfutureprogram.org/liberation-library.html

My entire masterlist can be found here!!

#punk 101 #add to masterlist #critical thinking #okay so it wasnt out by jan 6 but in my defense my dad is currently radioactive ☢️ #also. i didnt proof read because TIRED and lifes been wack so have fun with that

[flutterflora]

Whenever I see people say things like "Pinkie Pie should've been a pegasus" or "Fluttershy fits earth pony more" I get a little frustrated because TO ME the mane six have always been a really good example of "societal expectations" VS "societal deviance" of the three pony species within equestria.

Earth ponies are almost always expected to be providers. Like the Apple family for example or the Cake family OR even the "flower trio". They provide necessities, often food or they often provide hard labour (note how "background" jobs like construction and taxi pulling are most often done by earth ponies too). Applejack is obviously a perfect example of this! She's the head of her family, she's extremely hard working, shes incredibly physically strong, she's known and relied on by most of Ponyvill. Applejack very much lives up to the expectations that pony society has of earth ponies.

Pinkie Pie on the other hand is not one bit concerned with hard work. Her whole thing is having fun and throwing parties. In a way she is also providing something very important and necessary, socialisation and relaxation, however these are generally not deemed as valuable as strenuous labour and food production. Pinkie Pie is always written off as "childish" or not taking things seriously enough. She isn't deemed as very reliable a lot of the time and has to work very hard to prove herself, more so than someone like Applejack.

Ponyvill was founded by earth pony farmers, and is densely populated by earth ponies. Earth ponies are expected to work hard and grow food and provide for everyone, their roles are incredibly necessary and their work is highly appreciated. However, without someone like Pinkie Pie who deviates from those expectations, Ponyvill would be a miserable place (as seen in the episode Magical Mystery Cure). She may not be a farmer or a construction worker but her divergence from earth pony "standards" is what keeps everything in balance.

The same can be said for Rainbow Dash and Fluttershy too. Rainbow Dash is an exceptional athlete, she flies like no other pony and she almost always has her wits about her. At the end of the day, Rainbow Dash is truly a performer at heart, she wants to be in the Wonderbolts and show off her skills to all of Equestria. Pegasi are expected to be fast, agile, eager, always cool, proud and quick witted just like the Wonderbolts, and just like Rainbow Dash. She is a peak performance pegasus.

Fluttershy is Rainbows exact opposite. She doesn't care for speed, adventure or displays of athleticism, she truly doesn't even care for flying. She is, in both a literal and metaphorical way, very "down to earth", however her role is still very important and her being a pegasus is still very integral to who she is. If it weren't for her experiences of being ostracised for being different she would never have the empathy and dedication to her animals the way she does (and on more practical note, being able to fly does aid her in her work a lot the time). Fluttershy slows down, she's quiet and she gentle which something that other pegasi (and earth ponies honestly) struggle with. It was alway right for Fluttershy to be a pegasus who could soar the skies, because if she never fell down to earth she would have never found her true calling. Without ponies like her, many important things, creatures and events would go unnoticed and unchecked.

Rarity and Twilight Sparkle is kind of a funny one because I think a lot of people may expect Twilight to be the prime example of unicorns, but that's not really true at all. Twilight, despite being our mane character, is actually the deviant one here.

This is illustrated for us almost immediately in the first episode, where she's invited to a party by three other unicorns but ditches it to go study instead. Magic is merely a tool for most unicorns, but for ponies like Twilight or Starlight, it is their whole existence, it's what they were quite literally born to do. Twilight does not value social status at all, she doesn't have time to and growing up so stuck in her studies I'm not even sure she aware that it's such a big deal to others, especially within Canterlot. It's also worth noting that to Twilight, Princess Celestia was always her teacher and Princess Cadence was her babysitter so their status as royals never really mattered to her and she's able to see them more are regular ponies for that reason also.

Most Unicorns are socialites, they value "social currency" and monetary gain more than they value magic. They don't care that the Princesses are very powerful magically, they care more about their political powers and their social status as royals. We see this clearly in the season 2 episode "Sweet and Elite" where Rarity gets swept up on the high society life of Canterlot, when she mentions being from Ponyvill to two random snobby unicorns they look down on her, yet once it's revealed that she's staying at the castle for her visit, things change, mostly notably: her status. Rarity is a prime example of a unicorn, she's stylish, she's ambitious, she's concerned with image, she's social, she has very fine tastes and she's a businesswoman.

As the series progresses we she both Twilight and Rarity gain some fame. Twilight is mostly inconvenienced and troubled by this whereas Rarity, like most unicorns would, relishes in any sort of limelight. Unicorns are expected to be professional, they're most often more modern or "ahead of the curve" than other ponies and tend they to be the primary business owners of Equestria. However without ponies like Twilight, magic would become just an afterthought. Without powerful wizards like Starswirl, dedicated students like Subburt or magic obsessed freaks (affectionate) like Twilight Sparkle, pony society would crumble.

Applejack, Rainbow Dash and Rarity are prime examples of what is expected of earth ponies, pegasi and unicorns, respectively, in Equestrian society. However without ponies like Pinkie Pie, Fluttershy and Twilight Sparkle there would be no balance and no progression. In fact in the episode "Hearts Warming Eve" we literally get canon lore telling us that if it wasn't for three ponies who deviated from the rules and expectations of their respective tribes, that Equestria wouldn't even exist today.

I think the mane six are a great small scale example of how pony society functions and I really appreciate this aspect of the writing <3

#mlp #my little pony #my little pony friendship is magic #mlp fim #quilly rambles #also i'm aware that in HWE smart cookie is played by AJ not ponkie but it's just a play so plz just let me have this #this has been on my mind a lot tbh #for a very long time #genuinely very sorry or any spelling errors typos or phase misuse i tried to proof read but dyslexia is still dyslexing

[the-broken-pen]

“I’ve never used a gun before,” the hero swallowed, mouth dry. They had never needed to, but now—

The villain’s head lolled over to look at them. A lazy grin spread across their face.

“Don’t worry,” they held the hero’s gaze, unflinching. “I have.”

The gun went off. Across the room, one of their enemies dropped, blood splattering against the wall.

Still, the villain didn’t break eye contact, content to shoot without looking. They hit their target every time, but still—

“Can you please look where you’re pointing that thing?”

“Why,” the villain tipped their head, and that shit eating grin was back, “Am I making you nervous, hero?”

The hero grimaced as the villain sent another target sprawling onto the floor. Surely they had to run out of ammo eventually?

When the hero didn’t respond, the villain laughed.

“Oh, I am. Well, that’s adorable, frankly.”

The hero flinched at the next gunshot, and the villain nodded their head towards the hero’s gun. “If you were to—and bear with me this is a crazy idea—help me, this would be over with way faster.”

The hero looked down to their gun, shifting it side to side in their hands. It didn’t look all that hard. Point, aim, shoot. They could do that, right?

They lifted their gun, aiming at the nearest combatant—

The villain slid to a stop next to them, tsking, and their hand settled onto the hero’s gun too quickly for them to see. “Not-no not quite like that,” they hummed in the hero’s ear, and though they couldn’t see their face, the hero knew they were amused. 

The hero’s jaw clenched with irritation.

“First,” the villain murmured, far too close, “Safety needs to be off.” They clicked something on the hero’s gun, repositioning the hero’s hands as they did. “Second,” they continued, and the hero shivered. “Don’t aim at me, love. You like me too much to kill me.”

“You’re awfully sure about that.”

The villain half rested their chin on the hero’s shoulder, batting their eyes. Their free arm jerked up, firing a shot behind them at someone who had evidently gotten too close to the two of them.

“I am,” they grinned. Their hand rested over the hero’s once more. “Now, aim,” they guided the hero’s hand towards the nearest enemy. Their finger slipped over the hero’s on the trigger. “And shoot.” They pulled down on the trigger, trapping the hero’s finger underneath theirs, so when the gun fired, they fired it together. The hero winced.

It was louder than the hero had thought it would be.

Across the room, the body dropped.

“Good,” the villain praised, voice low, and something stirred in the hero’s chest. “Again, love.”

They guided the hero through the motions once more.

By the time there was no one left to fight, the villain was staring at them with a look they couldn’t decipher. It was all encompassing. Hungry. Wild.

The hero cleared their throat, and the villain smirked like they knew what the hero was doing.

They eyed the hero, still with that look on their face.

“God, you’re pretty with a gun in your hand,” the villain cursed. They stepped closer. The hero didn’t move, holding their breath as the villain wiped a splattering of blood off their face. “Pretty covered in blood, too, but that might be a bit too insane for you, hm?”

The hero’s face went hot. It wasn’t, they thought. They wanted to kiss the villain so badly they worried it might be a sickness, twisting their mind, something terminal. But still, that smile—

The villain stepped away. They scanned the hero’s blushing face, and grinned harder at whatever they saw.

Gently, they took the gun from the hero’s hands, vanishing it behind their back.

“The next time you need someone to show you how to shoot, give me a call,” they nodded towards the hero’s hands. “I wouldn’t want someone else touching my hero, now would I?”

The hero couldn’t stop the smile that spread across their face.

The villain winked, stepped back, and was gone.

My hero.

Oh, the hero was well and truly fucked.

#writing #writing community #creative writing #snippet #heroes and villains #writblr #hero/villain #hero x villain #gun #death mention #flirting #flirty villain #fluff #or at least #angst #the broken pen #im sorry I haven't posted in a while school is absolutely kicking my ass #everyone said this year would be easy because 'senior year is so light' you fucking liars I am drowning #also I wrote this like two weeks ago at three am and then I sent it to my friends to proof read #and yk they forgot #they only read it today because I locked them in my car while I pumped gas #well actually only one of them forgot #the other read it and then forgot to tell me their opinion #also send me writing asks #please #send asks #I am waiting for this one college acceptance letter that is supposed to come out between now and the fifteenth #actively shitting myself over it tbh its my top school and like sure ive got twelve safeties but I want this one. #ficlet #fic writing

[m-arkmywords]

there's a blue light in my best friend's room

continuation of a stoner!mark ask word count: 1.5k

"Can you uh do something for me?" He whispered, trying to hold himself together.

"Mhmmm" you bit your lip and nodded.

"Can you be a good girl and touch yourself for me?" 

Silence fell around the room, air thick with desire. All you could hear was the neediness in Mark’s voice and your own heart beating in your ears. You felt shyness mixed with excitement palpitate through your body. Mouth dry, you gulped.

Looking up at Mark, you fiddled with the bottle cap between your fingers before twisting it shut and putting the bottle away. You blinked at him, trying to find a single coherent response to utter at his request. But your mind was empty.

“Babyyy show me what you like.” He added, voice still low.

Enchanted by his words, it seemed as though your hands were moving before your mouth could catch up. You began to palm your breasts and they felt heavy in your small hands. Sighing at the feeling, your hands made their way to your torso and into your shorts. It was only when your fingers grasped how wet you had become, you snapped back to reality. Sliding your fingers through your folds, you let out a shy giggle.

“Mark..” 

“I’m so wet..” You gasped, sliding two fingers inside you to really gather up all the evidence that you could. “See!” You brought your fingers closer to the camera, to show Mark how he made you feel. You separated your fingers that were still connected through your sticky arousal that glistened in the blue light. 

Mark swore he was seeing stars. “Fuck baby.. Can you taste it for me?”

He pulled himself out his boxers, still slowly stroking himself. His eyes were fixed on you, when you lazily brought your digits to your mouth and wrapped your lips around them. Letting out an “mmm” sound with your eyes shut, you did as you were told. A good girl. 

You opened your eyes to meet Mark’s hooded gaze and his hands languidly stroking his dick. You never imagined seeing him like this for the first time, through a screen. There was an ache in your core, longing to touch him, right there, in that very moment but alas, distance was your enemy tonight. 

“It’s pretty” a shy whisper fell from your mouth as you got on your knees to remove your shorts, leaving you in just underwear. Mark took his bottom lip between his teeth, holding back a smile at your comment. You could hear his breathing grow heavier by the second. 

“And so are you, turn around lemme see..” He licked his lips in anticipation. And when you turned around, sitting on your heels. Words like “dang” “baby” “fuck” rolled off Mark’s tongue and he babbled on about how pretty you look and how much he can’t wait to have you. Impatience and neediness was growing in his voice, you savoured every second of it. 

Resting your hand on a pillow, your mind had a light bulb moment when you turned to your side. You grabbed the pillow and placed it under you. Now straddling the pillow, you looked at Mark with eyes saying “Can I?” 

You could see his passive movements becoming more mindful when he gently spat in his hand and coated his heavy dick, grabbing it more intently than before. “You’re gonna drive me crazy baby..” He let out a sigh and light squelching noises filled the room with his airy breaths.

You tried to match his rhythm as you began to grind yourself onto the pillow. Heat radiating in your body, made your brain melt with each movement. Every time your clit rolled against the edge of the pillow, you felt dizzy. You let out a light sigh, rolling your hips.

Mark’s eyes scanned your body, the way you threw your head back, letting out soft moans.

“You sound so pretty baby, lemme hear you. Don’t be shy.” He encouraged you and his eyes trailed down to the strap of your tank, slowly slipping down your shoulder. Exposing your collar bones and the shape of your breast from the side.

Seeing your frame, outlined by the blue light was doing something to him. He fixated on your hard nipples, poking through the tank. He prayed for it to keep slipping further so he can get a view of your bare skin.

And, as his wish is granted, Mark thrusted up with a groan. “God, you’re so beautiful.” 

It was late at night, the world around you was covered in muted greys, blues and silence. It felt absurd to be so needy that you both had to chase your pleasure through a screen. However, when it came to your feelings for Mark, nothing made sense.

Seeing his name pop up on your phone screen, made your head spin. The way your name sounded a little sweeter, in his mouth. A little safer. The way his eyes lit up when he saw you or the way he always held your hand and kissed randomly. Even his smell. You were crushing hard and you were down bad. Your mind was full of him.

Thinking about the day he kissed you. The way his lips delicately brushed yours before his tongue hungrily entered your mouth. Your movements got harder and Mark’s mouth fell open when his eyes found your hips. The way they were illuminated in the blue light, felt like a dream. The crease where your hips end and thigh begins had all of Mark’s attention as he worked his length. He wanted so desperately to be between those pillowy thighs that he contemplated leaving the tour half way through, just to be buried inside you. 

“You’re doing so good for me baby” Mark coo’d, fucking into his fist. Mark was always so good with his words, his voice was raspy and slightly slurred from the thc and it went to your core. Your thighs gripped the pillow tighter as you fell forwards on your hands. You imagined using Mark’s chest for support. You imagined, running your hand up his chest until you reached his throat and how it would feel to grab it. Maybe give it a gentle squeeze whilst he's inside of you. Would he enjoy it? Would he twitch inside you, hitting your spot extra hard? Your mind trailed off, making you unravel by the second.

“That’s right baby, fuck yourself good for me.. show me how you cum.” Mark continued to egg you and you thought all of this could only be a result of madness. The madness of desire you both felt towards each other. Everything felt euphoric and you felt your orgasm approaching. The heat in your core was slowly rising up, making your thighs shake and your moans louder. 

“You sound so pretty baby.. keep going” Mark continued to talk you through it as he chased his own high.

You could see that he was also close when his lips parted with low moans. You watched his shoulder flex with every pump of his fist, he looked so majestic. 

“Need.. to.. feel you” finally being able to form a sentence, you were beginning to get loud.

With each motion, your breath got heavier and curse words started to roll off your tongue. “m’close” is all you can get out before a moan from the back of your throat took over your entire room and Mark’s. Finally hitting your peak, your thighs started to shake uncontrollably and more moans followed after. 

“You’re so loud baby, you sound so nasty.. wanna fill you up and make you scream my name” Mark did his best to match your rhythm until he bucked his hips up into his fist and finished with a groan.

His release, all over his stomach and hands. He was left in a daze, watching you still riding out your orgasm. And then falling onto you stomach, you were both left both panting. 

“Wow” is all Mark could muster up, trying to catch his breath.

“That was…” His lips curled into a smile and you mirrored his expression. 

“That was something” You both giggled in the comfort of your beds, feeling safe and tucked away from the outside world. A little bubble of just you and Mark.

“Babe, you should really get some sleep, baby, you’re going to be tired.” You whine, realising the time as worry creeped into your mind. 

Mark’s left hand flew to his chest, fake offended. “Wow, she only wanted me for my body. I’m texting the homies right now, letting them know I have been tricked.” He said dramatically, making you roll your eyes. 

“Yeah, get some sleep so we can do this again tomorrow, you piece of meat.” You wink, making you both laugh. 

“Alright babe, meet me by the fountain in my dreams? We’ll take it from there?” His eyes now sincere. 

“Of course, as always.” You shoot him a warm smile, feeling butterflies in your stomach from your sweet exchanges. “Good night y/n. Sleep well.” Mark brings his phone to his face and kisses the camera. 

You giggle once again at his cute antics, “Good night goofy. I hope you sleep well too.” 

#mark lee #mark lee x fem reader #nct dream #mark lee fanfic #mark lee smut #nct 127 #nct #feeling a bit feral ngl #also Ihave proof read this as always but I know my dyslexic ass defo missed some typos so I apologise #as long as you know what I meant then its all good #enjoy

[stormsthatrage]

Have a Bleach extended-winter-war time-travel-fix-it idea. In this AU Kaien's death happened before the whole turn-back-the-pendulum arc. (Yes, another Bleach time-travel AU, I know, shut up.)

As Ichigo and Kisuke are planning to go back to the past, Kisuke makes sure to emphasize to Ichigo that they have to protect Shiba Kaien. Apparently, it's of the utmost importance.

Ichigo doesn't know exactly how Kaien's continued well-being plays into saving the future. Kisuke never really explains it, or gives him a straight answer when he asks. But Ichigo knows that the Shiba Clan-Head carried a great deal of political power, and Ichigo also knows that Kaien -- according to Kukaku and Rukia -- was highly competent, incredibly noble, and fundamentally kind. It's not exactly unintuitive that a person like that could be important to bringing down Aizen.

So Ichigo listens, when Kisuke tells him to protect Shiba Kaien. He memorizes how Kaien died in the original timeline. He's attentive as Kisuke reiterates for the thousandth time that Aizen will keep trying to assassinate Kaien until he succeeds. He takes notes when Kisuke hypothesizes about what Aizen's various assassination attempts might look like -- poison during a meal, hired assassins at night, an ambush during a mission.

Ichigo ingrains the assignment into his core: protect Shiba Kaien, because if Kaien falls, the mission fails.

So when Kisuke slips a paralytic into Ichigo's tea and places Ichigo in the middle of the time-travel kido array and drains the entirety of his own spiritual energy to activate the array, a sacrifice that Ichigo never would have agreed to--

Well. The first thing Ichigo does when he arrives back in the past, numb and alone and only able to function by focusing on the duty that is his purpose -- is track down Shiba Kaien.

After all, if Ichigo is going to kill Aizen -- and he is, no matter what it takes -- he needs to keep Kaien alive.

Ichigo goes straight to the Shiba family grounds. In true Shiba fashion, they accept him immediately as family. They tend to his wounds and give him a meal and welcome him home. They let him get away with his weak excuses and explanations, and they defend his presence to the rest of Soul Society.

Kaien, in accordance with everything Ichigo has heard about the man, personally takes the newest addition to the family under his wing.

Ichigo's plans to deal with Aizen take shape around his need to keep an eye on Kaien.

Ichigo, instead of running as far and fast as he can from the Shiba clan, accepts the offer to live in the Shiba compound. He gets to know every clan member and retainer, subtly vetting for traitors. He sleeps in a room near Kaien's, allowing him to both guard against assassins at night and place warding runes around Kaien's door without having to worry about being caught somewhere he has no business being.

He joins the Court Guard in the 13th division instead of the 5th, because the only real way to protect Kaien on a mission is to be there with him. Ichigo knows that if there's an ambush, or if the mission details have been tampered with, he'll be more than enough fire power to get Kaien out of it. And it's easy to always get paired with Kaien; Kaien -- reliably taking every opportunity to hover around Ichigo that he's offered -- does most of the work, leveraging his status as lieutenant and Ichigo's combat ability to keep them together.

Ichigo finds himself frequently taking meals with Kaien and Kaien's friends. Kaien always invites Ichigo, and Ichigo accepts so he can subtly check the food for poison.

(Ichigo does not tell Kaien about Aizen. Ichigo is still unsure what Kaien's role is in the whole fight, and in the meantime, telling him about Aizen is a sure way to get him killed.)

Things heat up. Ichigo prevents both Miyako and Kaien's death, killing Metastacia before it can hurt anyone. Ichigo's shadow war against Aizen gets more intense. Ichigo sneaks out regularly to dismantle Aizen's illusions, destroy his labs, and attack his network of power, slowly weakening him.

Ichigo waits for the assassination attempts against Kaien, but they don't come, even several weeks after Metastacia fails. Ichigo takes it as a sign that he's got Aizen distracted.

Things continue for a while. Ichigo falls into a strange routine.

(And Ichigo tries not to break, seeing so many of his loved ones alive and unknowing of him. It is agony, to be around Shunsui, who is not his mentor, and the Visored, who are neither visored nor pack.

But the worst is when Captains Urahara and Shihouin catch on to his war against Aizen. He finds himself working with them as allies.

Allies. Mere allies, instead of --

Well. Not that it matters anymore.

All that matters is his duty.)

Time passes. Aizen weakens. There are no attempts on Kaien's life yet.

And then Aizen's web has unraveled enough for Ichigo to attack.

It's a long battle. It's a bloody battle. It's a very public battle.

Ichigo wins.

And it's only after it's all over -- after Aizen's crimes are revealed and Soul Society is at peace and the future is saved; after Ichigo finds himself still alive and adrift, with nothing left obligating him to keep going and everything telling him to give up; as Kaien refuses to leave Ichigo alone and escorts him to regular appointments with Unohana and forces him to talk about the truth of his past --

It's only then that it clicks.

Ichigo is whispering secrets about the future into Kaien's chest, Kaien's arms wrapped tight around him, when Ichigo confesses that he messed up, that he put the Shiba clan in unnecessary danger. Ichigo tells Kaien about his death in the original timeline. He talks about how Kisuke told him that in this timeline, Aizen would try and kill Kaien again if the first attempt failed. Ichigo promises desperately that he never would have sought out the family -- would have kept the danger far, far away from them -- if he hadn't thought he had to watch Kaien's movements so closely.

And Ichigo admits that Aizen never actually tried again. Ichigo admits that he and Kisuke miscalculated, that Ichigo brought danger to the Shiba's doorstep for nothing.

It happens like this:

First, the words leave his lips, "Kisuke" and "miscalculated" in the same sentence. Hearing himself say it lays bare the absurdity of its premise.

Then, Kaien draws away slightly, to look Ichigo in the eyes. Ichigo sees, plain on Kaien's face, a terrible, damning gratefulness.

Then, Kaien says -- fierce and defiant in the face of what could have been -- "I am so glad you came home."

And it clicks. At last, Kisuke's final manipulation reveals itself to Ichigo's eyes.

The emotions flash through him: the sting of betrayal; a flavor of love that bursts across his tastebuds as hurt; a familiar brand of exasperation that, a split second later, has his knees giving out under the weight of old pain made fresh.

Kaien catches Ichigo before he hits the ground and holds him as he shatters. And Ichigo can barely breathe through the knowledge that Kisuke would have been so smug to see them.

A sob rips itself from Ichigo's chest, and it's followed by another, and another.

Ichigo's older cousin holds him, in the home of their family, through it all.

_________

THE END except not really.

This must immediately be followed by a whole arc where Kaien, much to his own dismay, finds himself trying to hook Urahara up with his little cousin.

After all, Future-Urahara sent Ichigo to the Shiba clan. Future-Urahara tricked his little cousin into bypassing his own self-destructive tendencies to seek out family and love and support. Clearly, Urahara would actually be good for Ichigo.

And, you know, Ichigo clearly loves Younger-Urahara, judging by Ichigo's whole... well, everything, whenever the two interact.

(This whole matchmaking endeavor is made easier by the fact that 1) Kisuke is already infatuated, fascinated, and not a tiny-bit madly in love, and 2) Yoruichi is also, from the other end, trying to set Kisuke up with Ichigo.

This whole endeavor is made more difficult by the fact that 1) Ichigo is in denial that he loves this younger Kisuke since he never thought this younger Kisuke could also fall in love with him, 2) Kisuke is in denial that he loves Ichigo because that is a Shiba and he himself is a creepy low-born ex-assassin mad-scientist, and 3) neither Ichigo nor Kisuke know what it looks like when someone is interested in them.)

Poor Kaien. He succeeds eventually, but not before witnessing truly legendary social ineptitude.

#bleach #bleach au #time travel bleach style #time travel #kurosaki ichigo #urahara kisuke #shiba kaien #uraichi #can someone please explain to me why this CONCEPT/IDEA is over 1.4k words #please #help... #also if any sentences or concepts don't make sense or if there are typos feel free to say so in a note or something #i did this in a very short amount of time and am too done with it to actually properly proof-read

[oozeandgoo-art]

Stubbornness.

#oc #haven #i worked genuinely hard as fuck on this one #tfw you follow someone to their home to demand they speak with you face to face because you want to commit extreme violence on them #over a business dispute. and because they do not want you to do this they simply do not come outside. and you eventually make it clear you #will not be leaving until they come outside so you can discuss (read: harm them over) said business dispute. so they turn on their #sprinkler system and go to sleep. and you decide on the spot that this isn't that big a deal and if you leave now you'll lose ALL #credibility FOR EVER. so you decide to stand around and wait until they come out and . by the time the morning arrives you have #contracted Hypothermia and The Beginnings Of Pneumonia and also Did Not Maul That Guy #started this as a proof of concept test of doing an overpainting on super vivid red #expecting to spend like #maybe forty minutes on it #and then about uh.... like... at least seven hours later i was like okaayyyyy now im done #stay tuned i have two variants that didnt make the cut also #also the picture is big as fuck so i recommend straight up opening it into a different tab to look at details #not that there are that many #i painted it 80% at zoom-out scale

[tenderpreyy]

​I’m thinking again about Astarions sexuality and how I've seen some people (to be fair, just a few) talk about it. Mainly, people pointing out his flamboyant behavior, and that us as players are learning more about his past male lovers than female ones and basically all these things for some people pointing to him being gay or at least not interested in women in the same way he is in men. And him only being a romance option regardless of gender, because, well, all companions are and he is therefore just "playersexual", only showing interest in female player characters because he has to, because of the game mechanics.

I think what really rubs me the wrong way about this topic is that it echoes the kind of things bi/pan people (speaking as a bisexual woman myself) find themselves dealing with irl. Whether through some form of internalized biphobia or from the outside through other people's comments. Of course this is about a fictional character so it’s not like he has any feelings that could be hurt. But when i see people tallying up how often he mentions men vs. how often he mentions women it really reminds me of a way of thinking I sometimes fall into in regards to my own sexuality. This is definitely just an internalized response and not something I actually believe when I truly think about it for a second, but I know these patterns of thought very well. Of observing my own behavior. How often do I find which gender attractive? Am I attracted "enough" to women? Do I talk about men's attractiveness too often? Is it the other way around? Am I only saying this woman is attractive to prove something to myself? I literally have a girlfriend and my attitude towards mine or other's sexual orientation is generally a huge big "whatever, I don't care". And I still have a passing thought like that from time to time.

So seeing people talk about a fictional character in this way really sends home how many people (whether consciously or unconsciously) see attraction as some sort of equation, you can solve, where in the end you get a result of either gay or straight.

#bg3 #baldurs gate 3 #baldur's gate 3 #astarion #this has been sitting in my drafts for a few days but i thought why not just post it. its been on my mind. #i saw someone in the notes under a post about astarion literally counting off how often he mentions men vs women #and asking for proof of where he shows he is in fact attracted to women. #like... do you see what you're doing here?? #aaaand another thing since people love bringing up his flamboyancy.... he is obviously playing that up a lot #because you know... that whole 'i have to seduce people so i am safe' thing #not saying that thats not also the real him but breaking it down to flamboyant=gay makes even less sense in the context. #its not that i think people shouldn't headcanon him as gay or asexual or whatever #i think thats great too. seeing different people's readings of the character. #just.... leave out the bi-/panphobia ffs. people dont have to show proof that they are in fact bi/pan.

[boomiy]

yes i will post more railao weed smoking hcs thanks for asking!

- when they're both high they get reaaally handsy, if they're watching a show or movie together there's a 90% chance they're either spooning on the couch or leaning against one another and by the end of the night they usually end up in each others bed with the offhand excuse that they're too lazy to get up (altho they secretly just love feeling the warmth of one another, neither of them ever get into really committed relationships so they always find solace in one another instead .... even if they just pretend that they only do it bc it's convenient)

- i also think they'd loooove to watch trashy shows just to laugh at or so that they can judge other ppl (even though raiden likes to act like he's too humble for that) ... im talking jersey shore, drag race, the simple life, etc etc, any mindless show that's currently available, they will be watching it !!!!!!

- kung lao is the equivalent to an evil scientist in the kitchen, with raiden only watching in horror: (

kung lao, already grabbing tons of different food ingredients to concoct together: dude doesn't *crazy food combination* sound so good rn?????

raiden: ... i would probably have to disagree

kung lao: maaan how do you still manage to be so boring while high )

- also, this photo:

#this post was brought to you by: me (also high) #mortal kombat #kung lao #raiden #railao #i didnt proof read this either so what u see is what you get #boomiy

[aresianrepose]

Before the semester kicks off and murders me, @disniq​ asked for my essay on Jason Todd and hysteria. So, without further ado, here is an actual essay (fucking dissertation) because I refuse brevity. It is extremely long. I’ve split it into sections so you can find the section header and read what you want. This does not encompass all the narrative trauma themes and lived experiences that this boy holds, just specifically hysteria. 

Jason Todd, The Hysteric & Bruce Wayne, The Batman

I think it’s a common reading that Jason Todd is girl-coded and the patron saint of victims, at least within the circle that I’ve fallen into within this fandom. There are plenty of meta discussions on why those readings stand, so I’m not going to reiterate them. A pillar of him being girl-coded and someone trauma survivors have latched onto as one of our own has to do with being written in the context of hysterical femininity. And let me just say, I don’t think that writing was done in a way that he was intentionally coded as hysterical, but it is a function of our patriarchal society that this coding was used on him albeit without the explicit purpose of writing a hysteric story. 

For the purpose of this post: the word woman includes ciswomen, transwomen, and any person who is socially positioned as a woman regardless of gender identity. I include the positionality here because anyone can experience misogyny and sexism depending on the perception of the perpetrators either interpersonally or systemically. 

The History and Context of Hysteria

To understand the context, we have to look at the history and oppression of hysteria. Hysteria (in the modern context of psychology) emerged in the nineteenth century and is difficult to define by design and often applied to traumatized, unruly, and broken women. The main patriarchs who contributed to hysterical study were Jean-Martin Charcot and Sigmund Freud. I only mention this because it’s important to know their names moving forward for any of this to make sense. The beginning of this started with Charcot literally putting women whose lives had been marked by rape, abuse, exploitation, and poverty on display in his Tuesday lectures (which were open to the public) to show his findings on hysteria. This was actually seen as restoring dignity (fucking yikes) to the women because before Charcot these hysterical women were cast aside and not treated at all. In Charcot’s work, the women’s speech was seen as simply “vocalization” and their inner lives, their stories, their words, were silenced. After hearing a woman cry for her mother during one of the public sessions Charcot remarked, “Again, note these screams. You could say it’s a lot of noise over nothing” (Herman). 

This led to Freud, Charcot’s student, wanting to surpass his teacher by discovering the cause of hysteria. This was disastrous. Freud started with listening to the hysterics. In doing so, he learned and believed them about the abuse, rape, and exploitation of their pasts. He then published his work and gave a lecture on it. The work rivals even contemporary psychological work on trauma in it’s level of compassion, understanding, and treatment of survivors. However, he was then labeled a feminist (this was all happening during the first wave of feminism) and professionally ostracized. How in the world could these aristocratic French men be sexually abusing their wives, sisters, and daughters??? Insanity, truly. And... This always fucking gets me. He recanted his work and then told his patients they all imagined it because they wanted to be sexually abused by their husbands, brothers, and fathers. This set back the study of trauma by literally a century. One colleague called his work “a scientific fairy-tale” simply because he had the audacity to believe victims. Also, I want to point out that the famous hysteria case during this time was the case of Anna O and she was ultimately villainized by the entire psychological community for going into crisis after her care provider abruptly ended their therapeutic relationship after two years of DAILY sessions. 

Anyway. We can see how the power of these men over vulnerable women silenced, pathologized, villainized, infantilized, and used male ‘logic’ to completely destroy their credibility and lives under the guise of care and hysteria. Even when credible men lend their expertise and voices to the victims, their voices are silenced. This particular iteration of hysteria lasted over a century, and we are still dealing with the consequences of these actions and ideas within our social construction, medical and mental health care, interpersonal relationships, and more. Patriarchal pillars such as hysteria don’t die. We saw it move from hysteria to schizophrenia (which used to have the same symptoms of hysteria before the diagnosis changed in more contemporary psychology) after this which led to widespread lobotomies and electroshock therapy (my least favorite case of a lobotomy being done is on a woman who was diagnosed with LITERALLY ‘narcissist husband’) to depression in the 40s-50s with the over prescription of benzodiazepines to house wives to keep them in a zombie state (these prescriptions were sometimes double and triple what we take today with the intent of medical catatonia). In my opinion, as well as other counselors within the feminist therapy theoretical orientation, we are currently seeing it with the emergence of borderline-personality disorder. Think about how BPD is treated and demonized for a second. I professionally know therapists who refuse to work with BPD clients due to this villainization and just fucking gross perception of victims.

These are just the highlights, but it shows the history of hysteria. There have been centuries of women being marked as hysterical and the cures have ranged from lobotomy to bed rest (which sounds not so bad but read the Yellow Wallpaper and get back to me on that one). While the Yellow Wallpaper is fictional, the life behind it was not. After the traumatic birth of her child the author, Charlotte Perkins Gilman, was remanded to bed rest by the authority of her husband and doctor. Within the sphere of medical control, hysterical women are often treated as children while their doctors make decisions for their mental well-being without consulting them, or they hide the truth of their procedures for “the woman’s own good” and because “she’s hysterical and wouldn’t comprehend the logical need for this.” She then had a mental break due to the treatment. Again, we see hysterical women being silenced, infantilized, discredited from their own experiences, and under the narrative control of male logic and voices. 

Hysterical women have often historically been seen as beneath men, except for when they’re dangerous. Listening to victims is inherently threatening to the status quo because all trauma comes from a systemic framework. The framework that upholds patriarchal power. It’s easy to see why that would be seen as dangerous to powerful men. We saw this with the European witch genocide in which oppressed women were targeted and wiped out under the excuse of what was considered women’s work. (Before this time, witchcraft wasn’t tied to any religion and was mostly just seen as women’s work. It was targeted specifically to have an excuse to persecute widows, homeless, disabled, and vulnerable women who no longer had men to reign over them during a time of political unrest and scarce resources). This time period saw hysterical and traumatized women demonized as dangerous, evil, immoral, hypersexual, and supernaturally wily. A threat to the moral fabric of society. 

(Interesting history side note: this caused the view of women’s base traits we have today. It stemmed from the Victorian era that came after this time period in which women learned if they behaved a certain way, they would be spared the stake. For example, before the witch trials, women were actually seen as the ones with unsatiable sexual appetites, something we culturally prescribe to men now.) 

Notice how none of this has to do with the actual abuse that happens to the women, but instead the labeling and treatment of women when they are already showing the symptoms of abuse, trauma, control, exploitation, and rape. 

Jason Todd, The Hysteric

So, how does this relate to Jason Todd? To say that Jason has experienced trauma would be an understatement. Extreme poverty, loss of parent to death and addiction, loss of parent to the justice system, parental abuse, manipulation, witnessing violent crimes, witnessing the aftermath of sexual abuse and assault, arguably (not explicit in the text) his own sexual trauma, witnessing the dead bodies of victims, a violent death, and subsequently a violent resurrection. There’s also an argument to be made for being a child soldier and how that is romanticized up until he dies, but the text does not treat this as traumatizing.

Now, I’m not going to dive into the trauma he experienced. The purpose of this is only to look at how he’s framed as hysterical in the narrative, and as I stated, hysteria was a word slapped on women after they tried to talk about their trauma or exhibited symptoms (or were just unruly women). Jason does embody many facets of the victim experience and this is just one of them. 

Feelings vs “logic” - Firstly, it is really hard to talk calmly about things that you carry, your experiences, your trauma, and things that specifically harm you. It is easy to talk calmly about things that don’t. This is why there is an abuse tactic of gaslighting or silencing victims by framing their very real reactions to harm or their triggers as abuse, this is known as “reactive abuse.” This tactic is also employed in oppressive settings where the privileged group will often default to ‘winning’ a debate by being able to remain calm while the marginalized group whose life, personhood, etc is being harmed by the things being discussed and are unable to have a sterilized, emotionless debate. 

Both of these settings fit Jason nicely within the moral context of vigilante comics. He fought back, he didn’t lay down, and he will do what he deems as necessary to protect himself and others from his fate. This, however, is framed by Bruce and others as being just as bad as his murderer or even just as bad as Joe fucking Chill. To put this in perspective of a real world equivalent. Combine every billionaire on this planet into one person and instead of their shitty business practices murdering people, they did it with their own two hands. And due to their resources and political power, they would never, ever stop killing or be reasonably contained. More people would die with absolute 100% certainty. Would killing that one person make you equally bad as that person or violating the sanctity of life? That’s the moral question that Bruce puts onto Jason. While the moral question inherent to Jason is actually, is there a line worth crossing to provide reasonable safety (for yourself or the nameless community)? There is actually a difference between those two questions and the reactive abuse framing is certainly a choice. Also, it is funny to me that a man with the amount of power Bruce has (and frequently misuses) can lecture a murder victim on the misuse of power and morality. Are we supposed to be agree with his stoic, philosophical lecturing to a marginalized, abused, murder victim? (yes, we are). Bruce leverages (personal) philosophy against victim’s voice for their own safety, and take a wild guess which one is framed as logical and reasonable.

Jason’s morals come secondary to Bruce’s philosophy in a universe where there is still harm being done (but it’s an acceptable harm). Why is killing the line? Bruce is regularly destroying families and lives by feeding them into the prison industrial complex while supporting it with his whole chest. Or he’s disabling and seriously maiming people with the level of violence he uses. 

Crying - Throughout the entire story of Under the Red Hood, we never once see Bruce emote while interacting with Jason outside of tight grimaces. With the exception of the shock he shows at the Joker’s life being threatened, which... Okay, suuure. We never see him cry during any of their interactions, but we do see Jason cry. Specifically, we see him crying when he’s at his most emotionally vulnerable and physically dangerous to the toxic male power fantasy. This kind of vulnerability is rarely shown by male characters, and when it is, it’s usually done with a mist of a tear in their eyes or their face is hidden. There are a few narrative devices that allow men to cry, but they are the exception rather than the rule. Usually, it’s to play for laughs, infantilize, or emasculate. Here, we see Jason combine the violence of a bad victim, bucking the system of power, and fully crying. Just slide right into that hysterical coding like a glove. Jason often shows his feelings entirely. Time and time again, the readers have seen Jason have breakdowns, cry, and be overcome with grief. This is tied to his portrayal as hysterical and unstable in the narrative, but in actuality it shows his capacity for love and how vastly impactful his death was. 

This fits nicely with the next point that Jason fits into the hysterical box. Love is framed as one of his key faults. A son reaching for his father. 

Love - One of Jason’s defining features is the amount of love and compassion he holds. He’s willing to put up with any treatment, shoulder blame, and sacrifice himself for others to almost an unhealthy degree. However, this doesn’t extend to what he defines as his baseline safety. This one line of safety is the one thing that can’t be crossed, even with all of the love he feels for his father. He desperately wants to feel connection, have a family, and be loved in return with the same unwavering ferocity love that he gives. This is such a fucking key part of the victim experience, especially victims of childhood trauma. The desperation to just be chosen. He’s raw and honest with his reasonable expectation for love to provide safety for him and that is framed as hysterical, needy, unstable, naive, and fucking childish. Victims know what they need to have safety, and this framing as Bruce knowing what’s best for Jason and literally giving a cold shoulder to his needs is disgusting. 

Less than - Jason is portrayed as less powerful than Bruce even though they have similar expertise. There are so many instances of this that if you just open any media they both appear in, you can close your eyes, point, and land on an example. It makes me die laughing every time I remember that the Arkham games made Jason just one inch shorter than Bruce. Like, they can’t even be the same fucking height, that’s the level of insecure masculinity surrounding this relationship. Jason cannot and will never be able to be on par with Bruce because of his hysterical femininity and the power of Bruce being the self insert for the toxic male power fantasy. This power dynamic applies to the other batkids as well, but specifically in Jason’s case there is an element of hysteria. The reasons change because he’s so inconsistently written but usually he can’t surpass or even meet a stalemate with Bruce because he’s too emotional, he’s unstable, traumatized, and simply Bad. It’s even explicitly stated by Alfred in Under the Red Hood. 

Victim blaming - Jason deserved to die because he didn’t follow orders. Jason deserved to die for not following his training. Jason deserved to die because he was an angry Robin (oh no a child had an appropriate reaction to sexual violence). Jason deserved to die for being human.

Infantilization - Jason is repeatedly infantilized in contrast to Bruce. When given the ultimatum at the end of UtRH, Bruce speaks to Jason like a child, or a bad dog. Ordering him to do things like, “enough!” or “stop this now.” Bruce knows what’s best for Jason (and for everyone in the entire world), we should really just take his word for it and not the victim’s. Imagine staring at a 6 foot wall of a man and scolding him like a child. Beyond that, as mentioned above, his views of love and safety are framed as childish. Even though they are actually leaning more toward collectivism rather than the rampant individualism that Bruce so strongly defers to. (also, just a side note, collectivistic methods in healing from trauma is actually the only scientifically reliable way to heal. Every other method has absolutely abysmal results and higher rates of relapses.)

Silenced and Safety Villainized - Jason is silenced in his own story, acceptable and honored when he was dead and met with vitriol in life. All of the love given to him as Robin turns to ash as soon as he collides with Bruce’s power and morals. I think any survivor can relate to the experience of being told that what happened to them was a long time ago and it’s time to move on. Or even that they’re leveraging their own safety to get what they want in a manipulative way. Regardless of whether or not there was any accountability or justice for the harm done to them. Alfred asks Bruce if he should remove Jason’s memorial in the cave like two seconds after learning of his resurrection because Jason’s methods of securing safety for himself and using his own voice to define his story. Bruce was able to tell Jason’s story when he died. He was able to memorialize, grieve, and ultimately define Jason’s story because Jason wasn’t there to speak for himself. When Jason does speak for himself, he is villainized and literally stripped of his past significance as Robin (or a good victim) by Alfred within seconds. This is reflected in real life with adoptee advocates speaking about how adoption is unethical/harmful/traumatizing and subsequently being framed as ungrateful, selfish, etc. They were little perfect victims without voices before they grew up and could speak for themselves.

Erased - Gestures at the entirety of how Jason is either talked about or completely erased during the 90s Tim Robin run. He wasn’t convenient to talk about, as victims rarely are. This also ties into how Steph’s death was erased and Babs was written like she “won” at trauma by simply... beating it??? 

Dangerous - Jason is framed as threatening the basic fabric of society (in a story with vigilantes this is hard to do, so they have him oppose the no-kill rule, and then doubled down on Bruce’s characterization of no-killing). Anything that bucks the status-quo is usually marked as villainous in mainstream vigilante/superhero comics, but this is a step beyond that into the interpersonal and political sphere. Hysterical women are often framed as dangerous, villains, snakes, and treacherous (the other side of this coin is weak, pathetic, and pitiable) because they are victimized and then have the audacity to do something to the system about it. Whether that be the system of their immediate families or the political sphere. I don’t think it’s a coincidence that Jason was paired with Talia in Lost Days to hammer this point home to the reader. It could’ve just as easily been anyone with access to the Pit that rescued him, but no, we had DC’s favorite brown, treacherous, venomous, female punching bag. 

Bruce Wayne, The Batman

Bruce fits well into the father, enforcer, and logical man slot in Jason’s hysterical story. There is a history of ownership throughout women’s history when it comes to their subjugation to men. Women actually couldn’t be put on trial before the witchcraft genocide because they weren’t seen as legally a person. Their male owner would be put on trial instead. Women would go from being owned by their fathers to their husbands after entering marriage, the most dangerous woman being one who isn’t owned (orphaned, widowed). Bruce does treat (and even thinks) about Jason like he’s something that he owns. He’s his protege, his son, and his responsibility. 

The narrative function of Bruce as a perpetrator in Jason’s story. 

“The perpetrator asks the bystander (reader) to do nothing. He appeals to the universal desire to see, hear, and speak no evil. The victim, on the contrary, asks the bystander (reader) to share the burden of pain. The victim demands action, engagement and remembering” (Herman). 

Bruce does remember what happened to Jason. He keeps a permanent memorial to his dead son. However, this doesn’t translate into any kind of tangible action. He doesn’t do anything to actually stop the murderer who took his son’s life and he continues to throw child soldiers at the problem of crime (how many children have died for the sake of his no-kill rule at this point?). When met with the reality of his inaction, he fits into the perpetrator’s role like a glove:

“In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the first line of defense... If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens... From the most blatant denial to the most sophisticated and elegant rationalization... One can expect to hear the same predictable apologies: it never happened; the victim exaggerates; the victim brought it upon herself; and in any case it’s time to forget the past and move on. The more powerful the perpetrator, the greater his prerogative to name and define reality, the more completely his arguments prevail” (Herman). 

I think it is simply fact at this point that Bruce is the head patriarch in Gotham if not, arguably, in the entirety of DC. That level of power in the narrative cannot be ignored, especially when faced with the very real, screaming voice of a victim that Bruce uses all of that power to silence. Bruce, because of his status as patriarch, default protagonist, and self-insert for the toxic male power fantasy, has the ultimate power to name and define reality. Especially to the reader. Bruce doesn’t deny what happened to Jason, because that’s physically impossible to do. But what he does do is ensure that no one listens to Jason, discredits him, and rationalizes his own inaction, actions of violence towards Jason, and victim blames.

Here’s Bruce using the most base form of denial and victim blaming:

After this panel, Bruce also revokes Dick’s access to his childhood home simply for asking a question.

This theme extends to other members of the batfam because of Bruce’s narrative power over them. It’s why we can’t have Dick, Steph, Babs, or even Damian step in and relate to Jason’s trauma or vindicate him. Even when we, the readers, can see parallels and wonder why these conversations or bonds aren’t forming. Jason HAS to be a lone wolf because he is hysterical and a threat to the system of power. This also shows why most of his runs in group settings outside of the batfam fall apart or fall flat. If he was humanized by any other character or had his trauma validated in any actionable way, it would be recognizing the failure of the toxic male power fantasy. The readers are not supposed to see the flaw in this system that allows the bodies of children to pile up and sympathize with one of their voices. It would be a crack in the system of power that exists not only in the source material, but very much within our real world.

Side note: Jason is allowed to interact with others in a wholesome and validating way when he no longer threatens the systemic power of Bruce. When he is silenced by the writers and plays the “nice victim” (like Babs does), he is allowed connection. Only when his healing is done in a way that doesn’t demand action and is only his personal responsibility (gotta love the rampant individualism). If he is hysterical, demands action, and asks for someone to be held accountable for his death, he is shoved away into a lone wolf box. Examples: Gotham Knights (from my very basic understanding, I haven’t played the game, only seen play throughs) and WFA. Victims are acceptable if they do their healing in a neat little box and stay there, but hysterics are the ones who step outside of that box.

Red Hood, The Political Voice of Hysteria and Trauma

Red Hood is deeply political in terms of hysteria and trauma. Herman stated that victims and those that authentically care for them or listen to them intently (whether that be interpersonally, clinically, or professionally) are silenced, ostracized, and discredited. Survivors need a social context that supports the victim and that joins the victim and witness in a common alliance. On an interpersonal level this looks like family, friends, and loved ones. However, trauma is systemic and the social context mentioned above must also be given on a wider social scale. For this to be done, there had to be systemic change and political action. Jason had the interpersonal social support and witnesses to his trauma ripped from him by Bruce. So, we see him move onto a systemic level of addressing trauma in his own political way. He literally cannot escape Bruce and this constant trigger because of Bruce’s philosophy and just... fucking power to define reality... being re-enforced constantly in DC no matter where he tries to go. So, he tries to heal by taking the systemic issue of perpetrators who cannot be held accountable or have fallen through the cracks of accountability into his own hands in a very personal way. A one man political movement.

Whether his methods are moral or ethical doesn’t really matter in the overall framing him as hysteric. He simply has to be opposed by the male power fantasy in some significant way. This shows that the goals, needs, and work towards victim’s and the marginalized’s freedom is dangerous, doomed to fail, and ultimately unethical if the victim is framed in a villain light instead of the more pathetic/pitiable iteration of hysteria. 

You can see how this is not only problematic but also reflects the real world values instilled in arguments against human rights movements (which are intrinsically tied to victims rights). Defunding the police is dangerous, the MeToo movement is dangerous, abolition is dangerous, trans rights are dangerous, etc etc etc. Think of the victims voices tied to each of these movements and how they are integral to the real change offered by these political movements. You can’t have human rights violations without creating victims. And you can’t have political movements surrounding human rights without listening to victims.

We can also see how the individuals within these movements are ostracized, villianized, and often silenced (sometimes ultimately silenced with death) because they rally against the systems of power that victimized them. The framing of traumatized, vulnerable people as hysterical is integral to upholding the system of power that traumatizes and harms them.

A popular comic book movie adaptation that highlights the importance of Jason’s hysterical framing and how it impacts the political narrative/how he is written is V for Vendetta. To be fair, it received an insane amount of backlash by conservatives (not within leftist or liberal spaces) for V’s methods in over throwing fascism, but only because of the movie’s release date being so close to 9/11. V and Jason have many parallels, it’s only the lack of hysterical framing that makes V more palatable to the viewer. We are told, not shown through behavior, that V is traumatized by his past and he does not pick a fight with the protagonist that functions as a toxic male power fantasy. He is the protag, with his version of Bruce being men who are not framed in a sympathetic, heroic, or relatable light. 

Additionally, there is literally an unemoting mask standing between the viewer and V, whereas Jason takes off his helmet to allow the reader to see every aspect of his trauma and pain. V readily dehumanizes himself into an idea, rather than a person. Whereas Jason screams to be seen as a person in a very hysterical way. So, we can see how the framing of Jason as hysteric against the logical, heroic man greatly impacts how the audience reads him when contrasted by a very similar political story/character who uses similar (and arguably more violent) methods to meet his ends. (This just made me realize that I would die for a Jason adaptation written by the Wachowski sisters). 

Jason’s work as Red Hood is seeped in leftist, victim, and community centered politics. His portrayal as a hysterical antagonist (at best an anti-hero) is rooted in misogyny and upholding patriarchal, capitalist, and the prison industrial complex systems of power. He is the righteous embodiment of “the personal is political” for victims. Even his Robin run draws attention to and shows correct, angry reactions to the system of patriarchal power in sexual violence.

Patriarchal Writing and Enforcement

Jason is girl-coded and hysterical because he’s supposed to be emasculated, discredited, and disliked by the reader. He serves the narrative function of boosting the toxic male power fantasy of Bruce and in doing so, the writers use one of the oldest tropes in the book (one that we have all subconsciously been taught since birth) to get the reader on their side. Make him a hysterical woman. 

References: for anyone interested in furthering their understanding of any of the concepts mentioned above and to, you know, use sources for my own writing.

Barstow, A. Witchcraze

Bondi, L., Burman. E. Women and Mental Health: A Feminist Review

Freud, S. The Aietology of Hysteria

Gilman, C. P. The Yellow Wallpaper

Herman, J. Trauma and Recovery

Ussher, J. The Madness of Women.

Van der Kolk, B. The Body Keeps the Score

Wilkin, L., Hillock, S. Enhancing MSW Students’ Efficacy in Working with Trauma, Violence, and Oppression: An Integrated Feminist-Trauma Framework for Social Work Education

#jason todd #bruce wayne #hysteria #dc #meta #clovis writes #listen I regularly have to write 20-30 page research papers on therapy theory and mental health #I'm so sorry this is so long but it is actually impossible to shorten it #one of my profs once said I write in a way that's academic but still readable and know the meaning of brevity #and I was like: sir I've never been accused of brevity before #this took 3 days to write and get my thoughts straight on it #remember: you asked for this lol #holy fuck the word count on this is nearly 5k I'm so sorry #I literally can't proof read this because my brain has shut off from reading this post #there's probably some stuff misspelled and also missing from this but I'm done with it lol

[anglerflsh]

my favourite passtime is making up incredibly unaccurate armour designs. That's a lie my passtime is researching but this comes at a close second

#[.art] #is it even armour at this point? it's a chestplate with a mantella over it. It's armour to me. In spirit. #oh I dread to maintag this but my blog has to be organised or I get hives so I am in fact putting this in at least his tag #This was mostly an excuse for me to shade metal and draw armour but he's there as a character base because I wanted to put constellations i #Javert #les miserables #les mis #<- the- what was it. The mortifying ordeal of being known? me when I post art I did for fun in my free time #also this file is called knightvert. You should know this #also I got an answer about the constitution in place in 1820 and I regret to inform you that mister Valjean was probably elected lawfully #mostly because he'd been there for the minimum required year in order to be a citisen and be appointed by the prefect as mayor #or by the double decimal process if we go by 1799 law and not the 1814 charter. #not counting the fake identity but alas I do not believe proof of identity was required by law for that so. Dreadfully not added to the lis #which doesn't exclude entirely document forgery because I believe property law comes into the needing proof of identity? #But I've been looking at french law for three days and I need to not read for a week now So I'll check that later

[slavhew]

Hello!

If you're not too busy, would you mind listing some of the things you think count as death flags for Mr. Spender?

There's the obvious fact that he's the "old" mentor to group of young protagonists, but what else do you think would count?

OHH BOY ok so I'd think I'm a crackpot for this but since we're talking about Zack "Foreshadowing" Morrison. I have some thoughts

No harm in leading with the (chronologically) first thing that jumped out at me:

This one IMMEDIATELY made me antsy whenever I came back to it after my initial read, and considering Zack has referred to it on twitter in the past as one of their favorite jokes it's definitely not been forgotten about.

Second, the sheer amounts of near-misses, jokey or not, of Spender narrowly avoiding specifically lightning

Again, not much, but it's weird that it happened thrice, latter two of which had real gravitas rather than an one-off joke.

And third, Spender himself. He's repeatedly shown himself to be kind of a self sacrificing idiot, as well as prideful to a fault. Granted, it's both him and Mina trying to take on all the responsibility of saving Mayview and its inhabitants from their fate.. But Spender is exactly that right measure of doesn't-value-himself-enough (chest footprint aftercare or lack thereof), having an obscene amount of power (enables his loner act + pride) and poor judgement that has the capacity to put him at great risk. And it has!

Spender has not only shown low enough self-esteem to view himself as the de-facto scapegoat for the safety of the town, but also prideful enough to make very bad calls that end up in people, often himself, hurt (COUGH FORGE INCIDENT COUGH)

This is all conjecture, but it's definitely enough to make me worried about him :') Even if all this doesn't mean he'll necessarily die he's definitely getting (even more) seriously injured at some point. I love the guy but he's so far doing a horrible job of convincing me he wants to live bad enough to circumvent at least that

#not art #admin answers #paranatural #pnat #richard spender #pts-fic-notes-and-blog #before i continue on with tag ramble i just want to say tysm for leaving an ask! #none of my friends read this so ive been stewing on these thoughts for some months and i loved finally sharing them #this isn't exactly proof but the hijack possession seemingly being the final nail in the coffin for his and isabel's relationship. #idk it feels significant to me. thats one more tether to support kinda gone. someone who knows him well enough to know he's unwell #he seems not exactly content but fr incapable of not burning bridges as he is now. and considering how rashly he acts he REALLY needs those #to not do stupid shit all the god damn time with no buffer other than Lucifer. who for his measured approach to rick's hotheadedness #has honestly shown himself to be pretty lenient and kinda bad at controlling spender's more (self) destructive tendencies? so he dont count #to be clear i love spender to bits but he is dumb as rocks and has all the self preservation of a fruit fly. it needs to be said #also the lightning man... idk its WEIRD like especially on the reread its the thing that most consistently threatens him! it repeats #sure he gets chewed by a bat and banged up by forge but?? he somehow always comes back to lightning. catnine has it out for him #its something i didnt even really put together until i continued reading the flashback chapter AFTER getting this ask and went OHHHGNHF #which the only reason lightning is such a non issue is lucifer's powers. which belong to his sunglasses and not to the spirit in him #so its not like they can't be taken away he's just got a really good excuse for having those on all the time #TAGS GETTING SO LONG. ANYWAYS. i hope this is comprehensible lol