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#also the lightning man... idk its WEIRD like especially on the reread its the thing that most consistently threatens him! it repeats
slavhew · 2 months
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Hello!
If you're not too busy, would you mind listing some of the things you think count as death flags for Mr. Spender?
There's the obvious fact that he's the "old" mentor to group of young protagonists, but what else do you think would count?
OHH BOY ok so I'd think I'm a crackpot for this but since we're talking about Zack "Foreshadowing" Morrison. I have some thoughts
No harm in leading with the (chronologically) first thing that jumped out at me:
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This one IMMEDIATELY made me antsy whenever I came back to it after my initial read, and considering Zack has referred to it on twitter in the past as one of their favorite jokes it's definitely not been forgotten about.
Second, the sheer amounts of near-misses, jokey or not, of Spender narrowly avoiding specifically lightning
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Again, not much, but it's weird that it happened thrice, latter two of which had real gravitas rather than an one-off joke.
And third, Spender himself. He's repeatedly shown himself to be kind of a self sacrificing idiot, as well as prideful to a fault. Granted, it's both him and Mina trying to take on all the responsibility of saving Mayview and its inhabitants from their fate.. But Spender is exactly that right measure of doesn't-value-himself-enough (chest footprint aftercare or lack thereof), having an obscene amount of power (enables his loner act + pride) and poor judgement that has the capacity to put him at great risk. And it has!
Spender has not only shown low enough self-esteem to view himself as the de-facto scapegoat for the safety of the town, but also prideful enough to make very bad calls that end up in people, often himself, hurt (COUGH FORGE INCIDENT COUGH)
This is all conjecture, but it's definitely enough to make me worried about him :') Even if all this doesn't mean he'll necessarily die he's definitely getting (even more) seriously injured at some point. I love the guy but he's so far doing a horrible job of convincing me he wants to live bad enough to circumvent at least that
#not art#admin answers#paranatural#pnat#richard spender#pts-fic-notes-and-blog#before i continue on with tag ramble i just want to say tysm for leaving an ask!#none of my friends read this so ive been stewing on these thoughts for some months and i loved finally sharing them#this isn't exactly proof but the hijack possession seemingly being the final nail in the coffin for his and isabel's relationship.#idk it feels significant to me. thats one more tether to support kinda gone. someone who knows him well enough to know he's unwell#he seems not exactly content but fr incapable of not burning bridges as he is now. and considering how rashly he acts he REALLY needs those#to not do stupid shit all the god damn time with no buffer other than Lucifer. who for his measured approach to rick's hotheadedness#has honestly shown himself to be pretty lenient and kinda bad at controlling spender's more (self) destructive tendencies? so he dont count#to be clear i love spender to bits but he is dumb as rocks and has all the self preservation of a fruit fly. it needs to be said#also the lightning man... idk its WEIRD like especially on the reread its the thing that most consistently threatens him! it repeats#sure he gets chewed by a bat and banged up by forge but?? he somehow always comes back to lightning. catnine has it out for him#its something i didnt even really put together until i continued reading the flashback chapter AFTER getting this ask and went OHHHGNHF#which the only reason lightning is such a non issue is lucifer's powers. which belong to his sunglasses and not to the spirit in him#so its not like they can't be taken away he's just got a really good excuse for having those on all the time#TAGS GETTING SO LONG. ANYWAYS. i hope this is comprehensible lol
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incarnateirony · 4 years
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I think the issue with death as a happy ending (to a story, I should point out - death can be many things in many places, but I’m specifically talking about it in fiction) is that it’s usually written so badly that it doesn’t feel like a happy ending and it just feels like shit. There’s a very limited number of fictional works that I’ve seen actually manage it well - though in saying that, I have a very limited range, and I don’t really enjoy new things because (reasons). The ones I do recall, it’s because they were just that good and bittersweet is exactly the way I would describe them as a happy ending.
Firebringer was a novel I read when I was 12 or 13, and I still recall it. It was about a deer and it was his entire life - birth to death - and it was a happy ending. I cried through the last few chapters. Then I reread it and cried some more. It was good.
There’s also a fic I want to mention, because it’s on the topic. It’s called The white whale. and it’s by an author named orange_crushed. The entire premise of the fic is that Dean (and Sam, but it’s a destiel fic) is already dead. He died years ago. The title itself should say a lot, and the fic itself is about finding peace. It’s brilliant and beautiful, and I love it.
My perspective on death is a bit. Odd, maybe? I grew up somewhere between Christian (mum and dad and church, a mix of Baptist and Anglican) and animist (local indigenous spirituality), and while bit of both inform my interpretation, I’m very nearly atheist.
I don’t really believe in an afterlife, or rebirth, or anything like that. I believe that this is it. We get one shot at being who we want to be and acting as we choose with what we’re given. (“And isn’t it so wonderful, that we were alive at the same time?”)
I first heard the Freedom From vs Freedom To argument when reading the handmaid’s tale in my English class at school. It wasn’t even presented as an argument, everyone just seemed to agree that freedom to is better. I believe that, too. But freedom from has structure. It’s not “peaceful” and it can’t be when it is enforced, but it is informed by rules, and there it has expectations and is reliable (where reliable means we know what the consequences are, even if they’re awful). Freedom to is anarchy (which I have come to appreciate more). But neither freedom is peace.
There’s a quote I really love, and I can never recall it properly and it goes something like this: “War is an ugly thing, but it is not the ugliest. The decayed and degraded state of moral feeling which thinks nothing is worth war is much worse. A man who has nothing for which he is willing to fight, nothing more important than his own personal fucking safety, is [the worst thing]” clearly I don’t recall it very well. It’s from an old bit of hp fanfic, of all things, a very violent and disgusting version of civil war - as war is. It was the beginning of why I’m not a pacifist.
I dunno. I guess I really feel like peace - true, genuine peace - can’t be done. It’s certainly worth striving for, worth trying, but peace is either isolation and loneliness or death. Peace is knowing you’ve done everything you can, that it was enough, and being able to let it go.
Any way I think I had a point somewhere in this, maybe something about being unable to put down a fight while you’re living, maybe something about how death can be kind, maybe something about how good writing can make sad things happy, maybe that bittersweet is still sweet. Idk.
Feel free to reply to this mess of ideas or not - or pick and choose what you want to reply to, if you’d like to reply to specific parts. I mostly just wanted to share (I can do discussion, but idk if I’m still gunna have any focus later to do so, or if I’ll even see a response) some thoughts and you’re usually the only person I see on my dash with this sort of ~vague philosophy things~.
Woah when did anons get to let someone submit something so long.
Either way, a few points on this.
1. a thoughtful piece, this is a philosophy piece I will gladly entertain. However, if we are entertaining philosophy we must
2. acknowledge this is a nihilistic piece contingent on your personal world views, that while valid, and I will not take any effort to undermine on a personal belief system level
3. do not have much to do with (dependent on fringe atheism or, perhaps, agnosticism) a piece that is far from secular and atheistic while also
4. relying on the idea that “I really feel like peace - true, genuine peace - can’t be done. It’s certainly worth striving for, worth trying, but peace is either isolation and loneliness or death.”, which is itself the very nihilistic idea imparted by Chuck’s matrix but, whether you believe it in the real world, is the active target of subversion within this fantasy world, (eg, a heaven revolution where the doors are opened just like they were in hell.)
5. Finally, presumptuous that it would not be ‘well written’ and predesignating a potential discontent with the delivery that would sour it, especially with the previous points.
That said, while I’m not going to argue directly with your real life belief system -- even if they clearly disagree with my own -- I do remind you--falling back to your point that you do not believe in an afterlife: we know this fictional story does not hold this belief, ergo using that as a judgment for how it would deliver the concept of eternity is itself already wounding oneself to receiving the moral of the canon. One can not suddenly expect SPN to become a secular show just because a viewer has secular and atheistic beliefs. It is inherently asecular, theistic, and gnostic in its bones and the story will thus tell itself within that structure, which then begs if one is willing to suspend a personal belief system for a fictional canon setting they are digesting the story of.
Similarly-and-so, this is contingent on believing that the heroes’ journey will end with them maintaining the current status quo, rather than making a world where--in this fictional world in which an afterlife exists--death does not itself mean loneliness, but rather reunion.
If we can suspend our beliefs in some shows with fighting dragons or farting lightning bolts (after all, nonnie references HP fanfic), I would hope people could suspend them in regards to a moral telling of found family and the sovereignty of man in a divine and moral play.
If one were to demand SPN have entirely atheistic storytelling, the only real way to handle an ending would be to have one of the characters wake up from a 15 year coma where none of it was real and it was all a dream or something to that affect which--lol, we’re not doing, I promise. I’m sorry, but we’re not.  We’re not taking the “none of it mattered because none of it happened” angle. We’re not going to a world where angels and the afterlife don’t exist, we’re not going to collapse it where suddenly death IS the true end and life sucks and then you die, it’s just not going to happen.
So the point then is an active choice on the part of the viewer: is this suddenly the line you draw after watching a theistic show for 15 years, doubling down that this specific theistic point is the one thing we can’t accept (despite it existing in the past already), or do we continue to watch a theistic show and interpret its theistic points as the story is trying to depict? And if it’s the “drawing the sudden line,” that is, quite frankly, a personal choice to have spontaneous discontent with a critical part of a canon story’s telling at a very sudden drawn line in the sand. 
The point to exit would have been pilot 1.01 if we were going to have fundamental problems with spirits and an afterlife as crucial elements of a story. And if not then, 4.01 with angels. And if not then-- you see where this goes on. There were multiple exit ramps if the idea of an afterlife, which became more and more directly explored, was going to be an issue in reception of or enjoyment of a text. So now we’re 15 years later, and we can’t expect the highway to reroute just because we didn’t take the other 100 ramps.
SPN will tell the full spread of its moral and divine play within the full spread of its moral and divine sandbox, which someone has--to reach the ending--accepted for fifteen years at this point. If one has a fundamental problem with the entire premise of the show, it is not an obligation to any writer to cater to someone who intrinsically disagrees with the entire structure of the body of work to fulfill something within a completely different paradigm. It’s not.
Am I lucky in that it matches my beliefs? Maybe. Also cursed. Very very cursed. Because it’s led to being Through The Looking Glass for two years to the point there’s a segment of fandom that treats me as a magic 8 ball--and sometimes rightfully so, not to sound like I’m tooting my own horn or whatever. It just knows I get the structure in play to a fault. But cursed knowledge aside -- and trust me, it’s cursed as FUCK most of the time -- in the end, even when I watch shows that don’t match my personal theology, I don’t sit here and suddenly expect them to do so. There’s plenty of shows I completely suspend my beliefs in to enjoy within the sandbox they were designed in the constraints of so I find it very weird to project a discontent with a body of fictional canon presenting ideas within its own rule set based on personal beliefs in a real life lens. I mean, I don’t believe dragons exist, but if I watch the Dragon Prince for many seasons, I can’t suddenly expect the ending to have nothing to do with Dragons?
I mean, the show is literally called Supernatural. It's right there in the name. There are going to be supernatural elements about the show. My banner image is literally a reborn soul floating down the aisle. This isn't gonna suddenly be irrelevant at the end.
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lunchador · 4 years
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Don't mind me but I'm rambling. I'm gonna yell about this here cuz it is my fandom blog and that's what it's for.
Man, The Boys is the perfect example of seeing a comic, seeing the potential, and gutting it for something better. I used to be a fan of Garth Ennis, I used to say he was the kind of writer that could balance edgy in a fun way that wasn't too much, but after revisiting his work I'm like....very unimpressed. And I feel as he keeps releasing series they keep getting worse 😬 I can't say this on FB because some of my male friends hold it in high regards(lots of them read it as angry edgy teens) but Preacher? Kinda a super shit comic. I genuinely think the show was attempting something better by polishing up the core concept (also the casting? Chefs kiss). I liked The Boys. I own The Boys. But the show is a fantastic example of how a comic adaptation does not need to be faithful. I think they made the characters a lot more engaging, they kept the graphic violence but I'm not rolling my eyes at it, and made the overall plot more of an arc versus the previous baddie hero of the week style that made it feel disjointed. And it's nice not to be able to expect what is going to happen next, not like how some shows throw it in a new direction solely to fuck with you versus genuinely interesting. They still sprinkle tons of comic stuff nicely in the show (my friend and I screamed at love sausage). I think the timing of the show is excellent in both that there is a corporate superhero burnout with so many movies and shows being churned out (often playing it too safe where money > interesting) and also reflecting irl events in an eerie but clever way. The whole comic and show is assholes, and I'm thrilled to love to hate them. I couldn't even do much of a reread because it's just not that good to me anymore. Absolutely crazy that Seth Rogan and Evan Goldberg read those two comics by Ennis and were like yeah, let's do this.
I feel the same way about Mark Millar though. I cannot stand his comics, I feel like he's pretty good with coming up with a concept but someone always executes it better on his behalf. Kingsman? Kick ass? Wanted? All superior to the comics. I think red son and jupiter's legacy are ones I did like, but I am very interested to see how netflix (?) Does jupiter's legacy in the wake of the boys. Not quite the same, but an edgy superhero series I highly expect people to make a comparison. It's about children of superheros that are struggling to live in their shadows. Drugs, sex, violence, drama.
On the other hand, I am screaming about the Invincible adaptation. IM SO FUCKING EXCITED. Invincible is in my top favorite comics, it got me INTO comics, and I always thought it was vastly superior to Kirkmans famous work Walking Dead. This I do hope sticks close to the comics (though maybe slightly better writing for women characters haha). I already know exactly what they're doing for the first arc and I really really hope we can get further than that because the series gets so fucking WILD. Insane all of the merch and now a show we are getting after the series ends. It's also super long for a western comic series at like 26 trades I think. I hope the show is a success for multiple reasons.
With the old guards success, I hope amazon finally does something with the rights they bought to Lazarus a few years ago. Greg Rucka is truly one of the best comic writers out there and that series is perfect for tv. Which reminds me I need to watch stumptown cuz I just bought the comic to reread and it's so good!!!!
And y the last man finally has its feet on the ground after being in development hell for like 10 years. Brian k vaughn writes the most human characters out there. And also paper girls is gonna be a series!!!! Fucking hell yeah!!! Hopefully it catches people attention as stranger things did. It's gonna be fun. And I hope saga never gets adapted. I truly think nothing will be able to capture it. Leave it as is.
And I'm still sad Chew ended up falling into development hell. Originally showtime wanted to use to to replace Dexter as that ended as their new bloody crime show, then it fell to an animated series which is better imo to pair with how weird it is and showcase the art style but I think the last I heard of it it was pretty much not happening. Especially since iZombie got surprising amount of traction and I guess they expected it to be too similar.
I'm also still bitter about Deadly Class's cancellation. I had a lot of potential. Great cast, good cinematography. It's such a fun tragic comic.
Locke&key was alright, it's such a good horror comic but I wouldn't be able to tell you what would have made the show better. Something didn't quite click for me.
I'm kinda really burnt out on marvel/dc. I don't think either is impressing me lately besides scattered things. I don't think I'm excited for any of the disney+ shows besides falcon+winter soldier and even then expectations are tentatively low. Maybe wandavision? I didn't give a shit about them in the movies but it's heavily based on a run of comics I did enjoy so I'm wary. I know only care about Hawkeye for Kate and she-hulk for the actress. Though I've been having a surprising amount of fun watching Doom Patrol and I enjoyed swamp thing. It's weird. It embraces that weird. There's something I feel like Umbrella Academy is missing it could learn from doom Patrol. Like ua still feels like it played it a bit safe. Idk. Haven't finished it because I'm not as motivated to.
And Faith?? Is gonna get a movie??? A plus size hero??? AHHHH. I have my first issue signed by the author I met at comic con a few years ago.
And watchmen of course.
And outcast, and happy, and powers! And I kill giants was turned into such a good movie!!! So many image comics!!
I just read nailbiter is gonna be a series so that's gonna be bloody and violent and full of serial killers lmao. The ending of that comic got a little ??? For me but I own the whole series so i guess that says something.
What a time to be a comics fan!!! We are so fucking spoiled lmao and there's still sooo many untapped series. I think Criminal would make a fantastic live action drama show. Who does like Intricate crimes and heists and overlapping stories And wic+div would make a stellar show especially if they really had fun with the music. And so many comics I like would make amazing animated series like pretty deadly, or chew, rocket girl. Haunt is another Kirkmans series that has potential to be a fun gritty superhero violent adaptation. Except the ectoplasma attacks haunt has looks like violent jizz sometimes. Idk. Like, URGHHHHHHH. Gimme gimme gimme more comic stuff.
And there's so many good things I'm not even aware it was a comic initially.
And there's so many things I hear good things I have yet to touch like black lightning, runaways ( I love the comics!!, Cloak and dagger (also great comics )
Old comic shit is good too. I've been rewatching the Spawn series. Adult animated superhero stuff is seriously underrated. The tank girl movie is FUN. ROCKETEEEEER!!!!! Disney was supposed to do a remake with a black girl. What happened to that?
I dislike all the cw shows though lmao too cheesy. Also why I can't get into agents of shield though I tried for Robbie.
So many THINGS
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