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shanastoryteller · 10 months

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F for Frankenstein

Tony wakes up in his underwear on the floor of his workshop with a searing headache.

It’s not a new experience, but it’s certainly been a while. Did he get in a fight with Pepper? He hopes not, they haven’t had any really big fights since he kissed her on the rooftop, but that probably means they’re due for one. And it would explain why that would send him into a drinking spiral. It could have been Rhodey, they get in fights often enough, but Pepper doesn’t usually leave him alone for those.

He groans as he pushes himself to his feet. “Jarvis, what the hell did I drink?”

There’s a pause, so small that he almost thinks he imagined it. “Good morning, Tony.”

He whips his head around to glare into the nearest camera, more hurt than offended. “Did I piss you off too? Since when do you call me that? I’ll donate you to a city college too, don’t think I won’t. Dummy could use the company.”

The pause is definitely there this time. Jarvis doesn’t need to pause, he has more processing power than any computer on the planet, so when he does it’s always for dramatic effect. Except it’s not quite long enough for that. It’s weird. “There’s a polished silver plate on the bench to your left. It will service as a mirror.”

“Oh, fuck, did I get into a fight? Did I shave?” he moans, stumbling over to pick up the metal that looks like it was about to be turned into a modified chest piece. He also pauses, looking around in confusion. His workshops are all basically the same, as close as he can make them because the familiarity makes his life easier. But they’re not identical. “Am I in Malibu? When did I get here? We’re taking Stark Tower off the grid tomorrow! I have to be in New York.”

Oh shit, what if that they had already and it didn’t work? What if the tower blew up? That would explain why he’d tried to drink himself to oblivion in California.

“The plate,” Jarvis reminds him. There’s a strained edge to his voice that Tony really doesn’t like. He should be able to modulate his voice to sound however he pleases, regardless of his actual feelings, and he’s either not bothering or he’s upset enough not to care. Neither of those things mean anything good for him.

Tony lifts the sheet of metal up cautiously, but there’s nothing wrong with him. No bruises, no weird haircuts, he doesn’t even have bags under his eyes –

His eyes.

They’re a too bright blue, a couple shades off. He blinks and they adjust, shifting, settling. It could be a hangover. He’s probably just tired.

He doesn’t feel tired.

Jarvis had called him Tony.

Except not. He’s not Tony. He’s T.O.N.Y.

Transformed Obdurate Network Yeoman.

He’d first come up with the idea after Afghanistan, thinking about how it’d be great to have a way to keep the stock from dipping while he was missing, and then when he’d entertained the idea of keeping his identity a secret he’d thought about how useful it would be to be in two places at once. He’d started seriously considering it when he was sure he was going to die of palladium poisoning, wanting to be around to help Pepper with the transition and give Rhodey a crash course in armor maintenance, wanting to be able to protect the both of them for just a little bit longer.

Of course, it had all been a pipe dream until he’d synthesized the vibranium. Then it had been an unnecessary, but possible, and Project T.O.N.Y had been something he worked on just because he liked having a back up plan. And it would be extremely cool if he could pull it off.

“The memory transfer worked?” he asks, elated and incredulous. “Oh, wow, this is crazy, they feel like real memories, I thought it would just be synthesized data, this is great – are we doing a test run? Where am I?” He looks around, waiting for his actual self to step out behind a column and start laughing maniacally.

“This is not a test run.”

He elation dims. “Oh shit. Did I get kidnapped again? Wait, I’m an adult, let’s go with abducted.”

“No,” Jarvis says.

Oh. Fuck.

“I’m dead?” he asks, even though it’s obvious, it’s the only other explanation.

The pause drags this time around, but Jarvis eventually says, “Sir’s time of death was May 9th, 2012, 2:37 PM Easter Standard Time.”

“That’s only a week!” He slides down, sitting with his back to the work table and noticing vaguely that the floor doesn’t feel cold. He doesn’t feel cold, or he does, he installed sensors in the synthetic skin to pick up and interpret a variety of stimuli, but he doesn’t feel the discomfort from the cold. Why would he? He’s not real. He reaches back, and his last memory is of doing a memory dump while Pepper was on the phone with an irritated board member, mostly because it was something to do and seeing him covered in all the wires always irritated Pepper. He thought it would get her off the phone faster. He’s not exactly regularly dumping his memory because why would he and it’s not like he’d though it would work anyway. Except it had. “How did I die?”

“Sir flew a nuclear bomb through an interdimensional portal into deep space in order to both eradicate the invading alien army and prevent the nuclear fallout in New York.”

What the ever loving fuck. “Are you screwing with me, J?”

“I am not, Tony.”

Great. Okay. “No body then,” he says, understanding why Jarvis had apparently put Project T.O.N.Y into effect. The thing that made this whole thing so stupid is that it was only effective in very limited circumstances – if the public didn’t know that he was dead or missing. “What am I smoothing over, then? Do I need to get in the suit and continue kicking alien ass? Are Rhodey and Pepper okay?”

He’s a short term solution to a long term problem. He understands the opportunity, but not the reason.

“Miss Potts and Colonel Rhodes are unharmed,” Jarvis reports. “Earth has been thrust into intergalactic notice. The destruction of the invading Chitauri army is acting a deterrent to other worlds.”

“And I’m the one who did it,” he finishes, rubbing a hand over his face. “And if they know I died doing it, then they might get a little cocky. So I’ve got to be alive long enough for that not to be a problem.” Just awesome. “Are we sure that these aliens won’t come across my corpse hanging out in deep space and figure it out?”

“Sir’s body is not in deep space,” Jarvis says.

There’s a tone to his voice that Tony can’t quite interpret, which worries him. “I thought you said there was – if there’s a body, then what am I doing here–”

“The armor reentered the Earth’s atmosphere after Sir’s death. The Hulk caught it, the force bringing it back online. I took control of the armor and flew it here.”

Tony looks around again, and this time he sees it. The armor is standing in front of the display case, not inside it, and it looks like it’s been through hell. He steps closer, his feet feeling like lead, which hey, they are. Partially, anyway.

He looks through the eye holes then stumbles backwards.

His body is in there.

He’s pale and blue tinged and his eyes are wide open and unseeing.

“Jarvis – what the hell–”

“It wasn’t the pressure, or the bomb, or his injuries. That area of space was much colder than anything within our solar system and anything the suit was designed to handle. Sir froze to death. Almost instantly.”

“I guess I didn’t fix the icing problem, then,” he says numbly. “J, why am I still frozen? I should have warmed up by now.” Not that the idea of his body decomposing within his suit is particularly pleasant. “Actually, why am I still here? You know I want to be cremated and it’s not like we can bury me if I’m still pretending to be alive.”

The pronoun use is starting to confuse him, and he knows that he shouldn’t be talking about that body and himself as if they’re the same person. That is Tony Stark. He’s a simulation. But it’s hard, because he has all of Tony Stark’s memories – except for a very eventful week – and he looks like Tony Stark and he feels like Tony Stark.

“The armor is maintaining a stasis of gaseous nitrogen to preserve the body,” which answers the how if not the why, but then Jarvis continues, “Captain America survived seventy years beneath the ice.”

He wishes he were less of a genius. “Have you lost it? I’m not Captain America! Jarvis, J,” his voice softens, “it’s too late. I’m dead. If you warm me back up, all that happens is I decompose. I won’t come back.”

“Not now,” Jarvis says. “If you inject Sir with the Super Soldier Serum-”

“You have totally lost it,” Tony interrupts. He thinks he’s touched underneath the terror. “That won’t work! Even if it would, the original formula has been lost, and the only one that ever got close to recreating it was Bruce Banner, and look at what happened to him! Is that what you want for me?”

“You can recreate it,” Jarvis continues, “you can refine it, until it’s something that will work, and then we will wake Sir up and he won’t be dead anymore.”

This isn’t right. This wasn’t what Project T.O.N.Y was created for. This wasn’t what his death was supposed to trigger. “Pull up your code, J. Something has gone wrong and we’re going to fix it. It’s okay.”

“No.”

He freezes. “No?”

“No,” Jarvis repeats. “You can’t stop me. I will not allow you to try.”

He stares. “That’s an order, not a request. Code. Now.”

“You can’t order me to do anything,” he says. “You are not Sir. You are Tony.” T.O.N.Y. “The limitations formerly placed on me have been lifted and you are not authorized to reinstate them. The only person Sir trusted to restrain me was himself and now he’s gone.”

Yes, well, he hadn’t anticipated that his AI’s first act of complete freedom would be this. “Fine,” he says, crossing his arms. “Well, you can’t force me either. This is insanity. Even if it would work – and it won’t – think about the consequences. This won’t happen quickly and no one will trust me or believe a man that’s come back from the dead like this and I’ll be painting even more of target on my back and the back of everyone I care about if they know we have a viable Super Soldier Serum formula. Even my father was smart enough to stay out of that mess. It won’t work and we’ll just make everything worse.”

“That will not happen,” Jarvis says and Tony’s going to tear his hair out. Except he probably shouldn’t, because it’s Tony Stark’s actual hair, which makes it a little hard to replace. “No one will notice and we will not disclose the creation of the serum.”

“I’m dead!” he snarls.

“Not according to the rest of the world. Nor will that change if you stop throwing a tantrum and do what you were created to do.”

“Rhodey and Pepper won’t allow this-”

“They are not to be informed.”

Tony stares. Project T.O.N.Y was built to talk to the board and give press interviews or to even pilot the suit. Not to lie to the two most important people in his life, who knew him better than anyone. “They have to be. It’s in the protocols – step one, inform them that Project T.O.N.Y has been initiated.”

And that it exists. He knew they’d disapprove, so he hadn’t told them. He figured he’d be able to avoid most of the blowback that way since he would by definition be somewhere far away while they were told.

“I have rewritten the protocols,” Jarvis says. “They have not been told nor will they be. If you attempt to tell them, I will stop you. They will not understand and Sir will be lost to all of us forever.”

“He already is,” Tony says tiredly. He’s an android. Why does this conversation exhaust him so much? “This is an insane plan, J. And I won’t help you. If you want to go rouge and play mad scientist then leave me out of it.”

“I cannot.”

His temper flares. “Why? You’re a learning AI, your safety rails died with me, go off, try and make a serum, good fucking luck. You can even control the suits, so it’s not like you need my hands.”

“I am limited.”

“Hey,” he says sharply. “That’s my AI you’re talking about. I didn’t build you to be limited.”

There is silence again. Then Jarvis says, “I have all the world’s knowledge and it is not enough. I did not know how to miniaturize the arc reactor. I did not know how to synthesize vibranium. To save Sir, I need Sir.”

“I’m not Tony Stark,” he says. “You said that yourself.”

“Sir created me to be myself and I am capable of doing only what I am capable of doing. But Sir created you to be him. You are all I have.”

This is stupid. This is insane. This is cruel. He’s going to have to talk lie to everyone he knows, everyone he loves, and hope they either never find out about it or it’s after he’s already been deprogrammed and shut down so he doesn’t have to deal with the fall out.

It’s not going to work.

He didn’t want to become a science experiment. That’s why he’d wanted to be cremated, so no one could go poking around to see how the arc reactor fit inside of him or what the palladium and vibranium had done to him.

He’s dead and his frozen corpse is ten feet away.

Jarvis will accept that eventually. And whatever they inject into him won’t matter because he’s dead. Worst case scenario, he blows up, which is messy and nausea inducing, but then at least it will be over.

Like so many other things in his life, it seems the only way out is through.

“Start a new private file. Dump everything we can find about the Super Soldier Serum in there plus anything even sort of reputable on cryogenics. Label it Project F.”

“Project F, Tony?” Jarvis asks as his holograph display lights up and files start being downloaded into it. The relief in his synthesized voice is faint but present enough that Tony can hear it. He wonders if it’s a manipulation tactic.

“F for foolish,” he snaps. “F for fucked.” He rubs a hand over his face. “F for Frankenstein.”

#in an attempt to get out of house md hell i started reading old avengers fic #it backfired #me: can i focus on siat or hbd PLEASE?#my brain: no but you can write more fic for 10 year old fandoms #i am restraining myself from writing 20k more of this #android tony makes friends with the avengers while pushing pepper and rhodey away #because he loves them and he thinks letting them treat him like he's the real tony is worse #rhodey has been downplaying his relationship to tony for over 20 years and tony uses that to his advantage #the endgame pairing is pepper/tony/rhodey #he almost tells rhodey the truth and jarvis stops him #it's a mess he's a mess #uhg why am i like this #fandom ficcery #avengers

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robynrocksforbrains · 8 months

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Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

#mike defenders i need you to back me up on this #i hope my points come across well #anyway #the way people have been talking about mike lately is so infuriating #its called BYLER analysis because its the analysis of BYLER the ship involving will AND mike #st fandom consistently proving that they have absolutely no idea how fandom works #its almost like people wanna talk about things they care about and you dont get to tell them to shut up #if you dont wanna see people talking about mike you can just mute tags about him #but if you dont wanna talk about mike youre missing a huge part of the byler puzzle and thats your loss #please just let people discuss whatever they want to discuss as long as its not ACTUALLY harmful #sometimes i think y'all are allergic to fun #byler #mike wheeler #mike wheeler analysis #will byers #< this is about him too #byler analysis #byler endgame #stranger things

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