(teaching my art class)
me: and what’s the number one rule when designing characters with wings? …well?
a handful of students, sighing reluctantly: no good fa-
me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald
gerald (my least favorite student): why not just do some minimal research instead of-
me: listen you little shit i can and will singlehandedly tank your 4.0 gpa
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the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.
the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.
friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.
if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!
what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!
people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.
you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.
your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.
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missed opportunity to recast Gwendoline Christie as geralt tbh
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Just watched the Wonka movie.
I enjoyed it as a standalone film but especially enjoyed it as a prequel to the Gene Wilder Wonka. It retroactively made Wider’s Willy so much more tragic.
And that’s because Chalamet’s younger, earnest and kind Willy Wonka is CONSTANTLY having his kindness and compassion and belief in the good intentions of others thrown back at his face almost. Every. Single. Time.
What happens to him, in no particular order: People take advantage of him when he is at his lowest; they sabotage his chocolate; Hugh Grant steal his chocolate and beats him with a frying pan; he is nearly drowned by the chief of police; a boat he’s in is rigged to explode; they try to drown him AGAIN but now in melted chocolate under a church; he is tricked into debt and forced into indentured servitude; the chocolate mafia wants him dead; he has to crawl in the sewers just to sell his chocolate without the police beating the shit out of him at the chocolate mafia’s command, and a bunch of other moments either his earnest nature (or the fact he is illiterate, because by the way he is illiterate) is taken advantage of.
But he keeps believing in the good of others. He has friends, and a pseudo daughter that taught him how to read and his mother’s memory and so many dreams…
And then we arrive at Wilder Wonka. Who was betrayed one too many times. Who had his recipes stolen from him. Who shut himself from the world and trusts no one.
Who doesn’t care for these spoiled people walking around his factory, even if they were his last attempt at proving to himself that good people, good kids (Like Noodle) still exist.
Who is alone.
TL;DR: seeing a young Wonka who is so optimistic knowing how he is going to end up after being betrayed over and over and over again is a emotional experience that I was not quite ready for.
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