#Jane acting career | Explore Tumblr Posts and Blogs

bethanydelleman · 7 months

Note

Hello!

I rewatched Pride and Prejudice and it's surprising how my thoughts on it changed over the years 😃

When I was a teenager, Elizabeth Bennet was the plucky heroine that I wanted to be (lol) , now I'm older with a mortgage and responsibilities/bills, I'm like what was her plan in life?

Because she wasn't really educated per se (im thinking about how she answered lady Catherine about what she has to recommend her re:drawing, playing the piano etc) so I guess a 'career'(no matter how little it would be available at that time) was out of the question, but accepting marraige to the (admittedly obsequious) Mr Collins was also out of the question as well as Mr Darcys first proposal (which I get why sge turned it down!) ...I guess I'm asking what Elizabeth's plan for her future.

I've heard this from a lot of people upon re-read, "Why isn't Elizabeth more worried about her future?" I think there are a few things to note.

Early 1800s or not, Elizabeth is 20 years old when the novel begins (the average age of first marriage for women was 23). 27 year old Charlotte is in more of a future panic, but Elizabeth is still young. She has done practical thing like learn to play piano, but like most young people, she's probably just hoping for the best. And it's not like there is much she can actually do, Elizabeth is putting herself out there, she's dancing, she's playing piano, but otherwise she can just hurry up and wait. Her mother's marriage schemes are seen as vulgar and mostly backfire, and we would hardly want Elizabeth to act like Caroline. We read across Austen's novel's that women are largely stationary and it is the men who move in and out of their lives.

Also, I think a big part of Austen's point is that women are in a position where they feel the need to accept any and every proposal, because as Mr. Collins says, they may never receive another, but that this leads to misery (just look at the older couples and how many of them are unhappy!). While somewhat foolish from a financial perspective, Elizabeth is thinking about her long term happiness. She has watched her father turn bitter in an unequal relationship, she does not want that for herself. Elizabeth is choosing possible spinsterhood over being married to a person she knows she could not respect. Marrying for love, or at least on a basis of respect, is a big theme in Austen's novels. Let me add this quote from Mansfield Park to illustrate this point:

“I should have thought,” said Fanny, after a pause of recollection and exertion, “that every woman must have felt the possibility of a man’s not being approved, not being loved by some one of her sex at least, let him be ever so generally agreeable. Let him have all the perfections in the world, I think it ought not to be set down as certain that a man must be acceptable to every woman he may happen to like himself.... And, and—we think very differently of the nature of women, if they can imagine a woman so very soon capable of returning an affection as this seems to imply.”

So yes, Elizabeth Bennet isn't being financially prudent but she is being sensible in preserving her happiness. And for realism, we know Austen made this decision herself! She turned down an eligible offer.

Next, Mrs. Bennet is somewhat exaggerating: they are very unlikely to starve or be destitute. While it is never explicitly stated, Mr. Gardiner seems to be doing very well, and would probably very happily take at least Jane and Elizabeth if Mr. Bennet died. Mr. Philips is also doing well for a country attorney, he could take in his sister-in-law and nieces. It is going to suck, the Bennets should have planned better, but it's not the end of the world. We also do not know Mr. Bennet's age, but he may well only be in his late forties. He's no Mr. Woodhouse who may die tomorrow in a stiff breeze.

So what is Elizabeth's plan? She doesn't have one, she's 20. She's hoping life will throw her a man with a decent income that she doesn't hate. It works out in the end, but I don't think she would live to regret either turned down proposal if she had never met Darcy again.

#question response #elizabeth bennet #pride and prejudice #she doesn't have a plan #she's young #she just has staandards

460 notes · View notes

m1ssunderstanding · 3 months

Text

Understanding Lennon McCartney Rewatch Part 1.1

So disclaimer: I took screenshots instead of photographing my screen this time, but the quality of footage is a thousand times worse so the images are still mostly shit. But anyway, here we go :)

We're going to have to keep a tally on how many times they refer to their relationship in romantic terms. Less than a minute in, Paul has used the description, “great love affair.”

And John's right on his heels with “the sexual equivalent of . . . People in love.” So there's 2 already. Oh boy.

That opening montage of John and Paul just living for the light in each other's eyes should actually be the official music video for “I wanna hold your hand.”

Also I wonder how many songs they have about hiding. Someone's got to have a list somewhere right?

I adore the absolute lack of reaction to John manhandling Paul.

And then This Look. He's in love with him, ladies and gentlemen.

I remember seeing somewhere that this footage was literally right after they'd finished “she loves you.” Which was pretty recently after Bob Wooler, which was right after Barcelona. And if you're like me and you think that song is secretly about their relationship? If Paul's just been singing “she said you hurt her so, she almost lost her mind, but now she says she knows you're not the hurting kind. She said she loves you” at you, after all of that? Of course John's acting like a fucking puppy dog.

Poor George tally number 1

Excuse me??? John wants to live in the Beatle apartment instead of with his actual literal wife until Paul decides to move in with his girlfriend? What? He's so insane. Cynthia, you're lucky Paul's a fucking social climber.

I think it's indicative of two things that Paul said “screw secret girlfriends” while John happily went along with secret wives. One: different levels of security in masculinity (John doesn't have gay eyebrows etc) and two: different relationships. Jane and Paul's relationship was a smart career move for both of them and I think, being upper-class, and having her own career, and not being a mother, Jane was in more of a position to have a say.

Every time I watch that footage of Ken Dodd asking about their parents I physically cringe. Poor poor babies. Do your research you idiot! I don't think that ever happened again. I wonder if Brian made sure of that.

Paul literally talks like such a husband here. “We've thought about it, and probably the thing that John and I will do . . .”

Obsessed with Paul shouldering himself between George and John after George's little joke shove. It's so protective and yet so subtle. Exactly the same strong posture and easy smile as when he stepped between John and that interviewer during the Jesus scandal.

Poor George tally number 2 (you can't quite tell from the pic but John is shoving him out of the way because how dare he put his suitcase by Paul's?! That's John's suitcase's spot!!)

All the Beatles were cuddly with each other. It's one of the cutest bits about them, the puppies in a basket aspect. But I think we'll need a “noticable spacing difference” tally for this rewatch, too, and here's the first.

Paul wearing John's hat for attention and it fully and completely doing the job? They're so embarrassing!

I actually love that John's imitation of his upper-class Scottish family (which Paul can't do) is actually much more convincing than his broad Liverpudlian (which Paul nails in two variations, one based off his own family) I'm obsessed with the class dynamics between them.

Poor George tally three. He shares this one with Ringo. That moment when Paul's pretending to interview them about their purple hearts and cuts them both off with, “thank you. Mi-mister Lennon,” and John and Paul proceed to completely forget the other two exist for who knows how long – certainly longer than the videographer was willing to record.

I find John sliding into Paul's raspy “tiiight yeeeah” with his very turned on “mmmMM it's been a hard” extremely suggestive. I'm sorry but I do.

It's like he thinks if he looks away for too long he's going to disappear or something. Which. Now that I said that. Yeah. That is what it is. Poor separation-issues baby.

Ringo: Paul, you wrote a beautiful song and you sing it great. John: yeah and you're SEXY! Let's not forget that, everyone.

Am I crazy to obsess over every little musical similarity in their songs? Yes. Can I help it? No. The little “oh-oh ohoho” in the If I Fell demo is exactly the same as in Imagine and (frothing and writhing) it means something I can feel it! I just have no idea what.

I also find the lyric change from “i hope that she won't cry” to “i hope that she will cry” extremely interesting. There's always a heterosexual explanation. Trust me, the straights are the Simone Biles of mental gymnastics. But while the published lyric can be read as a man bitter toward his ex girlfriend hoping to hurt her by flaunting his new relationship, the demo version is trickier. Could it be that he doesn't want to hurt his wife's feelings by letting her know he's in love with someone else? But who else could John Lennon possibly have been in love with at the time?

“Too too much in love. Woah, too too much in love with you.” My heart

#I'm sad because I really wanted to make a post about y'all's excellent tags on get back especially some that were such good points but I got #So if you want more discussion on those get back posts or if you want to laugh check out the tags on them #I think I'll just highlight and comment on tags as we go with ULM #ringo starr #george harrison #ulm #understanding lennon mccartney #mclennon #the beatles #paul mccartney #john lennon

239 notes · View notes

flanaganfilm · 10 months

Note

I’m curious what the challenges are to working with kids- such as in both Haunting series. All the child actors did a fantastic job but I can imagine it can be harder to direct kids vs adults.

The biggest challenge I've had working with kids is just logistical - they are not permitted to work nearly as many hours as their adult co-stars. And they have strictly regimented breaks between work periods that must be used for school. On projects where a younger actor needs to be in the majority of scenes (like Oculus or Before I Wake) it can create an enormous scheduling puzzle. Also, in a lot of markets they cannot work past a certain hour of night. We call it "pumpkining." So we'll need scramble to get all of their scenes done before they "pumpkin" and have to go home, leaving us with nothing to shoot - but with hours left on our day.

When it comes to the actual acting, I have spent my career being pleasantly surprised (if not downright shocked) by how prepared, professional, and precise they are. I've been very lucky, as well - I have worked with some of the absolute best young actors in the entire business. Jacob Tremblay, Lulu Wilson, Kyliegh Curran, McKenna Grace, Julian Hilliard, Violet McGraw, Annalise Basso, Garrett Ryan, Amelie Smith, Ben Ainsworth, Paxton Singleton - I mean these really are the A-team. Jacob Tremblay was 7 years old when we shot Before I Wake and he had to carry almost the whole movie. Not only did Jake show up completely prepared with his scene work every day (and delivered a heartbreaking performance), he also was prepared for his scene partners - I distinctly remember a few times Thomas Jane forgot his lines, and Jake casually reminded him what they were. That can sometimes create friction with actors on set, but because it was little Jake feeding him the lines, Tom just smiled and thanked him. I was very nervous when we were filming episode 6 of Hill House, which consists of several very long, unbroken takes. The second of these shots was a 10 minute take through Hill House that involved all five of my youngest actors. In that episode, if someone forgot a line, missed a mark, or didn't land in precisely the right place at precisely the right moment, we'd have to scrap everything we'd shot so far and start over. It was insanely difficult. I was very nervous that the kids (the youngest of which was 6) would not be up to the challenge. But when we filmed episode 6 of Hill House, the only actor in the entire cast who ever forgot a line during filming was the seasoned, established Oscar winner. The kids were PERFECT.

I've been very lucky in my career. I think I've worked with some of the absolute best young actors in the business. I have had challenges and intense difficulties with actors on my sets, but each and every one of those difficult people were grownups.

#the haunting of hill house #the haunting of bly manor #behind the scenes #before i wake #child actors #jacob tremblay #lulu wilson #mckenna grace #kyliegh curran #annalise basso

565 notes · View notes

the-cat-and-the-birdie · 2 months

Text

I don't know who needs to hear this, but you should make an OC.

You should make an OC. Specifically a Spider-Sona. Like now. Preferably yesterday. [A MEDIUM-LONG essay about OC's, fanfiction, and how to enrich and better your writing skills in literally every sector. Throughout this essay I reference my two characters Disco-Spider and Inca-Spider as examples of the way OCs can be used.]

_________________________________________

"But no one cares about OCs -"

OKKAYYYY??

IDK about ya'll but fandom is NOT my final destination no siree

I feel like a lot of the time we get so caught up in posting and notes we forget that for many artists and writers on this platform - fanfiction is not the true end goal.

Many of us write and draw fanart for years -

But the fact of the matter is if you want to be an author someday, if you want to be a graphic novelist, an animator, etc, etc - You're going to HAVE to make OCs.

If you want to study English in college or publish books - you're gonna have to write an OC at least once. If not hundreds of times.

If you want to study art - chances are at some point you're gonna have to fill a portfolio with original pieces, including some of OCs.

If you want to do something with your writing, if you want to get better - or make a career out of your art, you HAVE to make OCs at some point.

And this is especially true for fanfiction writers.

You can get very very very good at writing in your specific fandoms, you may have the emotions of the characters on point, and the ability to describe the scenery.

But if you don't know how to create and design a character - if you don't know how to worldbuild, or come up with scenarios without the help of characterai and ChatGPT - you won't be able to write a book.

If you're an artist and you don't know how to draw an original character from scratch, how to match colors, how to draw certain skin tones, certain hair, wheelchairs and mobility aids, how to design a character from looks, to clothing - it's going to be so hard to expand your art outside of fanart. You'll always be beholden to the notes and popularity of your particular fandom.

Do it - even if you've never written or never draw before. Even better.

That's why I CHAMPION Spider-sonas so much. They're basically OCs on easy mode.

Can't write backgrounds yet? Here's a bucket on canon events to pick from? Can't draw faces? Blank mask with eyes.

Hell, if you're really really new about it - just pick a character and make a slightly different variant. Make a Hobie of your own, make a Peter variant. Make a Mary Jane variant. Pick a something you like and turn that into a character.

Can't write? Just fill-in the 'My name is [blank], I was bitten by a [blank]' script that Miles does. Can't draw, just draw out a basic shape of a body and color-out the suit, no fancy pose needed. That still counts!!

Make a self-insert. Make yourself fit into the story, design your suit, write out how you fight crime, how you'd act at the Society, meeting Miguel or Miles.

That's still character design, that's still worldbuilding.

We always hear people say 'Make art for yourself' and yeah that sounds nice - but people also misinterpret it.

Make art for yourself doesn't just mean making art that you personally like.

Making art for yourself also means making art that develops your skills even if no one gives a fuck. It's about making art as practice without the intention of it being 'completed', making OCs that never get used, drawing locations you see or writing a random ass short story then shoving it into your Google Drive forever.

Making art for yourself means making art that invests in yourself.

It means making art that interests you, challenges you, or helps you develop.

And making OC's helps develop your fanfic writing skills.

In may fandoms we begin to fall into these routine 'tropes' between characters and their personalities. This is usually known as the 'fanon' characterization.

Because when you have a set amount of characters and people, there's also a set amount of interactions and relationships between those people.

Writing OCs and having those OCs interact with canon characters allows you to dig deeper into sides of the canon characters we'd never otherwise see.

That's why I wrote Disco-Spider Diane like I do. Often, we see Hobie characterized as the chaotic, rowdy, confident type - which is perfect characterization for him. But in almost all of his interactions - he's the wilder, bolder, extroverted one. I wanted to put him in a situation where for once, he was the calmer one. I wanted to explore more grounded and chill sides of Hobie, one where he's the one grounding the other, and thinking logically - because in canon, we're hinted at a side of Hobie who's way more methodical and slow-paced and willing to stop and wait it out and play it off. And I wanted to see that. I wanted to explore what he'd do if he was faced with someone just as chaotic, who put on a cheeky ironic act - just the same as him.

Because no other characters serve that purpose in canon.

If there are elements of a character or concept you think are interesting but outright ignored by canon and fanon, you can create an OC to explore those parts.

For Disco-Spider: I wanted to explore how someone like a militant Black Panther would handle being Spider-woman, when Spider-people are usually shown as pacifists - what that would look like or how it'd shape her morals based on era, etc. For Inca-Spider: I realized there were so many culture based Spider people like Pavitr and Spider-UK. But none for indigenous communities, and NONE from countries that only existed in other universes. So, I created an indigenous character from Tawanti - a country that's located where Peru would be for us.

You can give a canon character a sibling, to explore how they'd interact with family. Give them a partner that acts totally different than their canon partner, write how that'd change the way they show love.

OC's make your original writing better, AND your fanfiction writing too. They can help you understand canon characters on a deeper level.

And sure, nobody likes your OC. NOW.

But every single character you write about, is someones OC. Every character you write about was once treated that way. Once upon a time, Dean Winchester was just some rando character in the pilot script of a show that hadn't picked up yet. Probably no one gave a fuck until CW picked it up.

The writers had to not only make him and develop him - they had to BELIEVE in him enough to pitch him to a TV show channel to make people care.

That's always the first step. Believing your character's story is worthy enough of being told and presenting it as such.

ESPECIALLY if your OC represents a demographic you don't see represented. Cause yes if there isn't any black women in canon then I'll Thanos this shit and do it myself.

Make OCs.

Write them. Draw them. Even if it's bad. Who the hell cares. Big Mouth is on Netflix with multiple seasons, have you seen that show?? 'Ugly' art is not a crime.

Make piccrews, fill out OCforms or take quiz's as them. Write little blurbs of them hanging with canon characters then post it in the tag.

You don't need a huge Spidersona sheet or a long long fic explaining their backstory. They can just be there.

MAKE OCs.

Make them to explore more in your fanfiction, make them so future you can write that novel or draw or that comic or sell those prints or whatever it is you plan to do.

Make it so your fanfiction AND original writing can grow stronger. It isn't just about notes and content and follows.

Make an OC. Make a Spidersona. Literally you have nothing to lose but your chains.

"Nobody cares-"

Oh they'll care when you pop out with that 6-book publishing deal. They'll care when you're designing big characters for movies. Cause that's how it happens. Watch.

ANYWAYSSSS if you made it this far I hope this inspired you to at least play around with the idea of OCs and Spidersonas in general.

Here's Hobie.

BYE.

If you want to make a sona and are kinda lost on where to start, lemme know!! Because I think they're amazing starting places for those who have never written or drawn before. Or if you have a sona but want to develop them further.

I haven't seen a guide to spidersonas and i wonder if that's something some people might want/need.

Seriously if I can even get one person into writing or drawing I'll be over the goddamn moon.

MAKE OCS PLEASE.

148 notes · View notes

hotvintagepoll · 1 month

Text

Propaganda

Miriam Hopkins (Design For Living, Trouble in Paradise)—miriam hopkins had great range as an actresses, truly a woman who could play a passionate outburst for either dramatic or comedic effect and sell the ever-loving hell out of it. she's wonderful in the witty and sophisticated comedies she made with ernst lubitsch, great examples of movies that could never have been made after the hays code; the frothy musical comedy the smiling lieutenant where she plays a naive princess who accidentally gets betrothed to maurice chevalier, the polyamory classic design for living where she gary cooper and hot vintage shadow king fredric march are a throuple, and the ineffably exquisite comedic masterpiece trouble in paradise in which she and hubert marshall are sexy jewel thieves trying to con sexy rich lady kay francis, but will emotional complications ensue???? watch to find out!!

Joan Fontaine (Rebecca, Suspicion, Ivanhoe)— Check out the screen tests of other actresses for Rebecca to fully grasp how subtly and effectively she plays the role. Competence porn! Good acting before the method!

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Miriam Hopkins:

She is an incredibly charismatic and versatile actress who brings a certain captivating je ne sais quois to each and every one of her roles that makes her impossible to ignore. Her pre-code films were considered quite risqué, with her part in a thrupple in Design For Living, and some saucy scenes they had to cut from Jekyll and Hyde. She also had a strong career in early television, so good that this queen literally has TWO Hollywood Stars, TWO!! One for TV and one for Film

youtube

Also she is Gorgeous, capable of being the girl nextdoor and also a stunning blonde bombshell. She's not as well known as some golden-age Hollywood stars but she's really incredible and I recommend everyone watch her films

In Trouble in Paradise she plays a pickpocket who flirts by stealing from her criminal boyfriend and I fell in love

queen of the pre-code era. often her roles were of carefree, flirty and lighthearted but intelligent women. famously in the movie where she was part of a fredrich march/gary cooper throuple.

youtube

Linked gifset

She's got this sly slouchy confidence that just draws you in. Almost no one wore 30s fashion as well as her

We all know that Design for Living is THE pre-code movie and she is so iconic in it. Her eyes are everythingggg. Also everyone look at her in a suit in She Loves Me Not please

A Frequent collaborator of Ernst Lubistch, Miriam Hopkins like up the screen in her comic roles, as is especially sexy in her pre-code performance in Design for Living; probably one of the first movies to showcase a coded polyamorous relationship. She toes the line between adorable and sexy, and had the acting chops to back it all up.

Joan Fontaine:

ABSOLUTELY too hot to have played Jane Eyre like what were they thinking.

#joan fontaine #miriam hopkins #hotvintagepoll #fuck that old woman #ladies 2 #Youtube

132 notes · View notes

undying-love · 2 months

Text

Jane's grievances during her relationship with Paul

"Jane appeared on the BBC Simon Dee television show and admitted that her relationship with Paul was over. A few months later Jane told me how naïve she'd been so far as other girls were concerned. But there were other problems. She was also unhappy about drugs, which were as common among rock stars then as they are now, and definitely not thrilled by Paul's friendship with some of the Rolling Stones. [...] And more important to Paul than his relationship with Jane, was his partnership with John Lennon, whom he'd met shortly after his mother died of breast cancer when he was 14. In his emotional vacuum, Paul had turned to music and joined John's skiffle group the Quarry Men. And when John's mother was also to die just over a year later, the friendship had intensified with a shared sense of loss. And so it was to remain as adulthood and fame arrived, and the girls came and went. And, in John's case, a wife as well." --Ray Connolly (The Ray Connolly Beatles Archive, 2016)

--------------------------------------------------

This is very significant because Ray Connolly was a friend of Jane, Paul and John. Jane opened up to him and talked about many things that caused problems in her relationship with Paul, and one of these was apparently his relationship with John and how it appeared to be even more important to him than his relationship with Jane. Here is anither similar quote:

"Throughout the years, the underlying tensions in their relationship had remained the same. They centered on Paul's misgivings about Jane's commitment to her acting career and Jane's misgivings about Paul's primary ties to the other Beatles."

-Book: Cant Buy Me Love, by Jonathan Gould

#hmmmm #interesting #👀👀#mclennon

134 notes · View notes

midchelle · 12 days

Text

I was looking through my drafts and found this compilation of quotes I put together of Beatle girls talking about other Beatle girls. It's probably not totally comprehensive, but I thought some people might find it interesting.

Cyn + Mo

Far from being a shy little thing, Maureen was talkative, full of laughter and great fun: we all liked her enormously and thought she was good for Ringo.

All of the Beatles’ women got on with each other, but Maureen, who was one of the most down-to-earth, honest people I ever knew, became my closest friend. After their son Zak was born in September, seven months after the wedding, she and I used to go up to Knightsbridge to shop. Anthony would drop us off and we’d do the rounds of Harrods, Harvey Nichols and the designer shops in between, then stop for lunch in a smart little bistro. We’d buy cute little outfits for our sons and we were always on the lookout for something different or special for the men. We loved to surprise them with a psychedelic shirt, a piece of ethnic jewellery, or I would buy John a new plectrum for his guitar. John always loved prezzies, as he called them. No matter how small they were, he’d be delighted and I loved looking for things to surprise him. Much as Maureen and I enjoyed our outings, she always made sure she was at home for Ringo when he came in. Such was her devotion to him that she would stay up sometimes until four in the morning to greet him with a home-cooked meal. She wanted him to feel loved and cared for and, like me, she had been brought up in a family where women did the caring and nurturing while men provided. We often went over to their house and hung out with them, it was always party time at the Starkeys’. Ringo was gregarious and fun-loving, a clown and a joker with an infectious laugh. Together, he and Maureen made an irresistible double act, both extrovert and uninhibited. Ringo had installed a replica pub in their front room, which he called the Flying Cow. It had a counter and till, tankards, mirrored walls and even a pool table. He’d nip behind the bar to serve us all drinks, while Maureen supplied us with endless plates of food. It was a cosy, comfortable house with what felt like the ultimate luxury at the time: a TV – usually switched on – in every room. They had large grounds, in which Ringo had built in a go-kart track. He and John would race the go-karts or play pool while Maureen and I chatted over a cup of tea or took Zak and Julian for a walk. Ringo’s other passion was making his own short films. He had lots of equipment and loved to experiment, so after the nanny had taken over Zak and Julian we’d watch his latest movie. One was a fifteen-minute study of Maureen’s face. Innovative, perhaps, but not the most riveting entertainment.

Cynthia Lennon, John

Cyn + Jane

Jane was different from the girls Paul had been out with previously. The daughter of a psychiatrist father and a music-teacher mother, she was highly intelligent and cultured. She had a strong inner confidence, with a maturity and grace way beyond her years.

Paul stayed for a while. He told me that John was bringing Yoko to recording sessions, which he, George and Ringo hated. Paul had broken up with Jane Asher a couple of weeks after John had left me. I was sorry because I’d really liked Jane.

Cynthia Lennon, John

Cyn + Pattie

I liked Cynthia, but of all the Beatle wives and girlfriends I found her the most difficult to make friends with. She and I came from such different backgrounds; she had no career, she was a young mother, and we had no point of reference apart from our attachment to a Beatle. She wasn’t like my friends, who enjoyed a giggle and some fun: she was rather serious, and often, I thought, behaved more like John’s mother than his wife. I tended to leave her to her own devices but invited her to join me for shopping. I think she felt a bit out of her depth in the smart, sophisticated circles in which the Beatles were now moving in London. And I don’t think it helped that John thought I looked like Brigitte Bardot, or that I got on so well with him. There was a rumor—I don’t know where it came from—that John and I had an affair, and I suppose Cynthia may have believed there was something in it. It was completely untrue: we never had an affair. I wouldn’t have dreamed of it and neither, I am sure, would John.

Pattie Boyd, Wonderful Tonight: George Harrison, Eric Clapton, and Me

Meanwhile George, who had just turned twenty-one, had met a young model called Patti Boyd and fallen in love. Pattie had been given a part in A Hard Day's Night, playing a schoolgirl, because she had appeared in a successful crisps advertisement -- she was known as the Smith's Crisps girl. She was blonde, beautiful, and a sophisticated Londoner, like Jane Asher. But, like the rest of us Beatle girls, she was friendly, too, and easy to get on with.

Patti and I were becoming close friends. I admired her gorgeous figure and perfect fashion sense, and I think she enjoyed the company of someone who’d been with the Beatles from the beginning and knew the ropes.

Cynthia Lennon, John

"George has a lot with the others that I can never know about. Nobody, not even the wives, can break through it or even comprehend it. It did used to hurt me at first, as I slowly began to learn there was a part I could never be part of. Cyn talked to me about it."

[Pattie speaking] "It's not so bad these days, but it happens. Cyn was attacked not long ago in the street. Some girl kicked her in the legs and said she had to leave John alone, or else. Isn't it amazing, after all the years that John and Cyn have been married?"

[Pattie speaking] "Some people do understand. If they've been developing a lot themselves, growing up more, they know what it's all about. Cyn was very helpful at first, telling me what to do. That was when we thought of the boutique."

Cyn now and again would like to try something new, to have a job, perhaps use her art-college training in some way. She and Pattie, George's wife, did discuss the idea once of opening a boutique together in Esher, but it never came to anything.

Hunter Davies, The Beatles

Mo + Jane

I got to know Jane as well during that trip. While Paul and Richy were off horsing around, Jane and I chatted quite a bit. She’s such an intelligent person and I thought them quite an odd couple at first. Paul is such an assertive fellow (you know) he knows what he wants and Jane is that way too. I often wondered to meself how they ever stayed together as long as they did (you know).

Maureen interviewed by Maurice Devereux for Le Chroniqueur (July 1988)

Mo + Pattie

Again, she and I had little in common but she was jolly and friendly, more relaxed than Cynthia. We got on but I felt there was definitely a north-south divide among the wives and girlfriends. And I had the definite impression that the girls from the north felt they had a prior claim to “the boys.”

The final straw was his affair with Maureen Starr, Ringo’s wife. She was the last person I would have expected to stab me in the back, but she did.

Pattie Boyd, Wonderful Tonight: George Harrison, Eric Clapton, and Me

Pattie + Jane

Jane Asher was the girlfriend with whom I felt most at home, but because we both had heavy work commitments she was also the one I saw least. She came from a professional family, had grown up in London and, like me, had been privately educated. The family lived in Wimpole Street; her father was a psychiatrist and her mother a music teacher—her brother Peter became half of the pop duo Peter and Gordon. She was three years younger than me but we got on well and I’ve always been pleased to see her whenever we’ve met.

Pattie Boyd, Wonderful Tonight: George Harrison, Eric Clapton, and Me

BONUS: Mo on Linda + Yoko

I always thought [Yoko] strange. I mean she would always interrupt the lads when they were working or do strange things without any reason whatsoever. I was there when John brought the bed, and said something about wanting Yoko to be there. I asked Richy about this and he just shook his head in disbelief. I often wondered how they all put up with her. Even Richy would come home and tell me all these strange stories about her. He once told me about her moaning into John’s microphone while they were recording a song and how the two of them would make-out during takes. I always avoided her in the studio for those reasons. She was just too strange for me.

Q: What was it like to sit in the studio with John, Paul and George? A: It was like watching a couple of actors rehearsing a scene in a movie (laughs). I would sit there with a cup of coffee in my hand and watch them for a while or maybe gossip with Linda [McCartney] or Mal [Evans]. When I did watch them, I always thought to meself, so this is what he’s been doing for the last six years! (laughs) I sometimes felt like a fly on the wall, but I knew that I had to be the luckiest fly in the world. Pattie [Harrison] would sometimes be there, but she would always leave early.

Maureen interviewed by Maurice Devereux for Le Chroniqueur (July 1988)

Can't really find any proper quotes from Pattie about Yoko or Linda. She mentions both in her book without much judgment and there are pictures of her with both of them throughout the years so they probably got on okay. I don't think Jane has ever been in the same room as either Linda or Yoko. Same with Cyn and Linda. Cyn's thoughts on Yoko are probably well-established at this point.

#was not expecting the cyn + pattie section to be the longest honestly #midposts #maureen starkey #pattie boyd #jane asher #cynthia lennon #linda mccartney #yoko ono #mo #pattie #jane #cyn #linda #yoko

124 notes · View notes

mercyreg · 1 month

Text

Lestappen Headcannons

Fair warning, I made these more so based for a Discord Sever but I thought I’d share. Requests are happily accepted !! 💕

Met each other during Karting days (7-9 yrs)

Charles was afraid of Max’s dad so he never approached him, Only watched

Charles and Max got extremely close at the beginning of their F1 Careers

Secretly stayed friends out of the public eye for years

Dated for 3 years 2015-2017

Successfully kept it hidden the entire time too from even teammates

Broke up due to Carlos Sainz and Daniel Ricciardo

Charles calls Max French to piss him off

They are closer than anything to due to when they dated.

Mutually broke up because they both started liking other people.

Act as somewhat friends with benefits when desired

They eat dinner together weekly on Sundays

They tell everyone that they are going on dates (jokingly) not realizing everyone took them seriously

They sit and discuss their week together, Usually ending in them talking about Carlos and Daniel

They both equally use code names (Chess = Daniel, Checkers = Carlos)

Charles likes to sing the Verstappen song simply because it annoys Max to a small degree.

Max bought Charles a Linkin Park Vinyl after he said he’d never heard of them in a interview

Max follows Charles closer via Media/Internet

They both equally copy each other or repeat things that the other said to get the media riled up

They both are Plain Jane’s yet not at the same time.

Max owns several bracelets from Charles over the years.

They don’t showcase how well they know each other publicly besides within the F1 Grid.

They still actively shock the F1 with how close they are, Many being unaware how far back the competition goes between them.

#lestappen #charles leclerc #f1 edit #formula 1 #cl16 #mv33 #mv01 #max verstappen #f1 2024

53 notes · View notes

littlequeenies · 1 year

Text

Hallmark’s ‘The Wedding Veil Journey’ Stars Muse Who Inspired Several Beatles Songs

January 21, 2023

Hallmark Channel, News

Hallmark’s The Wedding Veil Journey stars Alison Sweeney, Victor Webster, Lacey Chabert, Autumn Reeser, and Jane Asher, the woman that inspired such Beatles’ classics as “I Want To Hold Your Hand,” “I’m Looking Through You,” “And I Love Her.”

Who is Actress Jane Asher From Hallmark’s The Wedding Veil Journey?

London-born actress Jane Asher started acting at the age of six. However, according to the Telegraph, Jane Asher’s life changed in 1963 when she interviewed Paul McCartney of the Beatles. They went on to date for five years. Moreover, they even got engaged. Jane inspired many of McCartney’s iconic songs that include “We Can Work It Out,” and “Martha My Dear.”

However, despite being a muse to one of the most famous songwriters in the world, she was determined to continue her acting career. Most of all, she does not like to talk about McCartney or this time of her life.

In addition, Jane’s brother Peter Asher recorded McCartney-Lennon reject songs in the duo, Peter And Gordon. Peter eventually became a manager and producer who helped along James Taylor and Linda Ronstadt’s careers. He was very sought out in the 70s.

Jane Asher Is An Entrepreneur And Writer

The Hallmark star is more than an actress. Jane Asher has written over a dozen books. This includes three novels called, The Longing, The Question, and Losing It. However, most of her books are non-fiction. They focus on baking and lifestyle.

She is a British Martha Stewart. In her books, Jane shows people how to paint furniture and cake decorating. She even has a book on how to create costumes for children. Most of all, her years of working in showbiz gave her some good tips on creating good costumes.

In addition, the mother of three also is an entrepreneur, owning a cake shop when her children were young.

However, acting has been her primary career.

Jane Asher’s Successful Love Life

Although being a muse was not meant to be, Jane Asher’s love life is something out of a Hallmark movie. Three years after she publicly broke it off with McCartney, she met cartoonist Gerald Scarfe. He is best known for his work in The New Yorker, The Times, and Pink Floyd’s The Wall.

Moreover, they have now been married for over 40 years, and together for over 50.

What Is Hallmark’s The Wedding Veil Journey About?

The final Hallmark movie in the popular sequel trilogy is The Wedding Veil Journey. What is it about?

According to the Hallmark synopsis, “Tracy and Nick agree to set aside work to make time for a long overdue honeymoon to Greece. When they are stranded on a secluded island, they confront their life choices.”

We don’t know much about Jane Asher’s character, Lady Dalton. However, it looks like she could watch the magic of the veil work on someone close to her.

Best of all, they filmed this movie in Greece! They filmed this movie on the Greek island of Rhodes. Sir Ron Oliver directed this movie. Moreover, this is a historic movie for Hallmark. This is the first time that a movie has been filmed at the Acropolis of Lindos.

#Jane Asher #Jane Asher news #2023 Jane #Jane acting #Jane actress #Jane acting career #The Wedding Veil journey #Hallmark #actress #cook #writer #author #activist #boutique owner #muse #2020s Jane

15 notes · View notes

eternal-love · 3 months

Text

Austin and Me

“Wife to the ‘king’. Icon to the world. Destined for more.”

Summary: At 18 years old, she fell in love with Austin, at 20 years old, she became his wife, by 22, she was his doll. In which Cynthia’s life changed drastically after falling head over heels with a man that promised her the moon and the stars. She takes us down the memory lane of what could’ve been— the perfect marriage.

Inspired by the book: Elvis and Me by Priscilla Presley.

I do not condemn any of the portrayals I decide to do about certain people, it’s just fanfiction. And it would be divided in parts.

English isn’t my first language so I’m trying my best!

It was one hot day in California, June 13th, 2023. I was packing my stuff while he slept peacefully, as if nothing was happening around him. I had to wake him up, if not then he’d resent me for the rest of his life. I opened the blind right beside our bed, letting the sunlight enter aggressively and making him slowly open his eyes and speak groggily.

“Baby— what’re you doing?” He spoke as he was still lying in bed, I sat besides him and started putting some small stuff from my nightstand inside my velvet box.

I dreaded to say this for a long time, I wasn’t an insensitive or cruel woman, if I could I would like to take pain away from the world but we had reached my breaking point and not any kind of reconciliation would work now. I took a deep breath and turned my head harshly towards him and said the words that would torture me forever.

“I’m leaving.”

——————————————————

All my life I’ve been going back and forth between México and L.A, it’s been my two homes since I can remember. I was born to a new formed family, my mother met my dad when she already had a baby which was my sister, and since then my parents had two more kids.

I’ve always dreamt of being an actress, ever since my father forced me to watch ‘Viva Las Vegas!’ and ‘King Creole’ with him. For two years, my innocent little me actually believed Elvis was still alive and somehow young, so my dream was to act besides him. I cried hours when my older sister told me Elvis had died decades ago.

My parents always told me that acting was a waste of time and that I wouldn’t make it, not because I wasn’t talented but because out there, there were people that were the same or even more talented than me.

But somehow, I was making it, I had my debut when I was 14 years old and since then I was constantly booked— I adored doing any sort of horror movies, I was a scream queen if you know what I mean.

Once I turned 18 years old, my career was stable, I wasn’t no A-Lister but people at least recognized me, that’s when I was invited to a party, which obviously— my parents didn’t want me to go, they were very strict when it came to permissions, specially when those permissions involved other actors.

“You want us to let you go to a party with other actors?” My mom asked rhetorically as we were setting the table for dinner.

“Absolutely not.” My father interrupted firmly, he was quite strict.

“It’s the weekend, why can’t I go? I’ll be with Elle and her sister.” Hollywood was separated from my family life, my parents didn’t like hearing about actors or nothing, just me and my movies.

“Who are those people, we don’t know them. So no.” My mother was harsh whenever she wanted to, and I get now their distress of being adamant to not let me go to that party, I wish I had listened to them.

I was a girl that was sheltered all her life, so with a sigh and pout I walked to my room, mumbling some cuss words as I knew it would be difficult to convince them.

Surprisingly, Elle and Dakota convinced them, Dakota was older, she had been an adult for quite some time and she knew how Hollywood worked. Freaking out I waited for the day and picked up something from my closet, which now seemed to be all wrong in the eyes of an excited me.

Vintage clothing, go-go boots, Mary Jane heels. I chose something I could work with. I chose a 60s baby blue dress, it only reached mid my thighs so I knew it was good, I grabbed some blue heels too and for my hair I went all out as always, I liked the 60s, my fashion icons were women from that era so I teased my hair to the high heavens, creating a bouffant, my makeup was also heavy around the eyes, black eyeliner and two pairs of falsies, I liked it. I smiled once I saw myself in the mirror, this was me.

The party was surprisingly chill, nothing like the parties I heard about so I was comfortable but I stuck out like a sore thumb, I started to regret going all in on my own style until I saw him. Long blond hair, tall, blue eyes, perfect nose and he was wearing black pants and a white tee. I recognized him immediately, not only was he Hudgens’ ex but he was also the guy that was on one of my favorite movies: Sharpay’s Fabulous Adventure.

We stared at each other for some long minutes, until he finally got closer to me.

“Hey— I know ya. You’re the girl from that movie about the psychotic grandparents.” He said playfully, he pushed his hair back.

“I am. Cynthia.” I extended my hand shyly and he accepted it, shaking it and squeezing it a little bit. I was not a fan of the long hair but he looked handsome enough.

Austin knew my age but there’s no problem on asking, once he knew I was legal enough, he hit it off right away. Austin couldn’t help but eye my whole look which made me think he was judging me.

“I like your dress.” Austin laughed. Feeling embarrassed, I snapped at him.

“I don’t even even know why I decided to wear this stupid dress and stupid hair today!” I snapped harshly, which only made him laugh.

“Little girl has some spunk.” He joked which made me feel even more embarrassed after snapping at him.

“Thanks.” I rolled my eyes playfully. He was 7 years older, for some reason he acted as if he was 20 years my senior.

Since that night, we both started seeing each other. He was my first real boyfriend— I think he liked that, he liked the idea of teaching me what love was, he felt that responsibility.

My parents weren’t at all okay with my relationship, for some reason they said that no relationship with an actor could ever turn right. Once again I wish I had listened to them. He trusted me enough to talk about his late mom with me, when we were in his room after an hour of being intimate or whatever we were doing.

“I wish my mom could’ve met you. She would’ve really liked you.” Austin whispered to me in full confidence, he felt like I was the kind of gal his mother always wanted for him, not someone like Vanessa.

“I wish I could’ve met her too.” I whispered back to him softly, I hated seeing him with tears in his eyes while he talked about his mom because I didn’t know how to comfort him.

“She was my whole world… my mama.” Austin rubbed his eyes and sniffed some tears, I tried cuddling closer to him.

Take my advice here: never date a mama’s boy.

“Why you? Why can’t he go back to dating women older than him? You’re only 18.” My mom nagged me, sometimes I felt bad because not only did she have to worry about me but also for my younger sibling, who were barely even teenagers.

“He’s not like you imagine, mami.” I tried excuses for my relationship, they didn’t even know him that well to judge him.

“Oh really? He’s just another damn white actor. Tu crees que tu papá va a dejar que te cases con alguien cómo Austin? (Do you think your father will allow you to marry someone like Austin?)”

I stayed silent, marriage had not been discussed by Austin and I, we were still in the honeymoon phase of the relationship. I was happy— we were happy. Out first Valentine Day’s was amazing and it made things finally official to everyone. Austin gave me this beautiful locket with his picture inside, great gift.

I think he also liked that things were pretty much private between us, I barely posted him on my Instagram since he barely posted me on his, he liked that I wasn’t loud, bitching and moaning about our relationship.

“Should I marry her?” Austin asked his older sister, Ashley, who was engaged herself.

“I don’t know, Aus. She’s not your type.” Ashley never really liked me, she was weirdly a Trump supporter and well— it’s not like Trump was the most inclusive person.

“She’s exactly my type, she’s not bossy or loud. She’s a brunette— well I would rather her being more natural and drop the jet black hair. But she’s exactly what I want.” Austin said.

“You do whatever you want, just remember that marriage ties you down. Don’t let her cut your wings.”

I was 19 years old— marriage was the last thing on my mind. I was happy with my career and surely acting in more stuff gave me more fame and people started to recognize me more. But every action has its consequences and not wrapping it before tapping it caught up to us.

Have you guys heard of shotgun weddings? Well us was in some way. But the wedding should be another part of this.

So, this is the beginning. Austin will be kind of an asshole just cause his behavior is kinda inspired by Elvis.

#Spotify #austin butler imagine #austin butler #austinbutler #austin butler fic #austin butler fanfiction #austin butler x reader #elvis presley #priscilla presley #elvis and me

69 notes · View notes

jamiesfootball · 9 months

Text

After careful consideration and a lot of angry tags, I think I have pinpointed for me where Ted Lasso, especially season three, fails to succeed all the way at the themes it explores.

The narrative uses the deconstruction of toxic masculinity to paint their characters as being stronger for having let go of their preconceived notions of acceptable behavior - but the narrative also never lets their characters be weak or fragile without having toxic masculinity to blame. And there are a lot of situations in this show where you would expect someone to go ‘hey man, are you okay? Are you doing alright? because that was a shit thing that happened. it’s okay if you’re not okay.’

And it never does.

There’s an undercurrent in how scenes play out that suggests that the male characters should be strong enough to deal with hand they’ve been dealt. The narrative suggests that they’re the ones who need corrected. They can act better, but they can not be treated better themselves as a result. The male characters are allowed to express themselves, but they are not allowed to ask for anything back from the situation.

Which is why you can have a fight with your assistant coach, but when he comes back to apologize you don’t articulate how it made you feel. You don’t tell your friend how he hurt your feelings. You just accept it and move on.

The Diamond Dogs give advice on how to handle external problems with emotional roots. They never discuss how they feel internally on its own merit.

The closest we got to a male character just having a bad one and expressing it without a clear source of external conflict? Jamie in the boot room. And that was played for laughs.

Which is why you could be in a deep depression over losing your career of twenty years and part of your mobility, I guess. But also maybe that’s a problem of you not being able to let go, and maybe you should apologize for not moving on sooner? We should pity Roy for getting so stuck in his own shit all the time. Not because the man has lived an incredibly stressful and emotionally isolated life in a high pressure environment for so long he doesn’t have the tools to deal with it, but because the narrative would like us to know if he just stopped getting in his own way all the time, this wouldn’t be a problem.

Is your ex-wife seeing someone else, who happens to also be the person who was your marriage counselor? I don’t know man, relationships are hard. Don’t worry about how hard that must have shaken your trust in a profession that already made you feel skittish. Maybe you should stop obsessing over her and move on.

Your girlfriend can tell all your friends and coworkers how you’re too smothering. Yes, this is the ‘learn how to communicate better’ show, but that was on you, really. Good on you for apologizing for smothering her.

The women may have worrying relationships with people who love bomb them or turn out to be controlling, but Jane and Beard are just a bit weird. Don’t worry about it, Higgins.

You can take accountability for your actions, but if it was your email who was hacked - who cares? You apologized, and everyone is very proud of you. We won’t ever bring up how incredibly mortifying that must have been for you to realize, because something more mortifying happened to someone else.

You can show your emotions, but not the angry ones, not the bad ones - those you should get a hold on, no matter how warranted they are. The stronger you are, the more divorced from toxic masculinity you are, the less those things should matter.

Struggling with your abusive dad and how his relationship with you has literally scared you so badly that you keep looking over your shoulder, afraid he’ll be there? That is clearly the anger talking. This is definitely not a situation that calls for your pseudo-father figure to put his hand on your shoulder, look you in the eye, and say, “i’m really sorry to hear that, son, but you know we got your back. Ain’t nothing bad gonna happen to you while we’re here.”

No no, this is a you problem and you can correct it by forgiving that man who hurt you. In fact, you thank him for motivating you. It was the anger that got you this far. It wasn’t getting up at 4am every morning for extra training. It wasn’t your mentor, the one invested all his time in helping you. It wasn’t the coach who gave you a second chance when you blew your whole life up to get away from that man. It wasn’t your own drive and passion and love for the sport that pushed you towards succeeding in a career you only had a one-in-a-million chance of ever getting. No, it was the anger that carried you. You should let that go. And hey - what if hypothetically speaking, he might try to be better too one day? You can’t hold it against him. You should let that go too.

Breakdowns and displays of crying are fine, but expecting people to care or show concern afterwards? The narrative doesn’t know her. The narrative will not validate that. We don’t see what happened after Wembley. We don’t see what happened when Isaac came back to the locker room after blowing up. What the show will validate, however, is moving on. Just be a goldfish, or forgive and forget.

And finally-

Embrace your feelings, but not too hard - you can’t be trusted with them, actually.

Can you imagine that we actually got a scene of Roy telling Jamie that he was worried if either of them pursued Keeley it might ruin their friendship? Can you imagine? From the beginning they have butted heads. From the beginning, Roy has struggled to actually articulate his feelings, especially to the people they involve. And here is Roy doing exactly what the narrative has been teaching him to do - he voiced a feeling that was bothering him to the person who was involved in the problem. Unprompted. He did that on his own. After three seasons of being told that is what he should do when he has a problem, that should have been the moment of narrative reward. That would have been the audience’s release of tension: they’re still at odds, they’re still the same bull-headed people they’ve always been, but they’ve learned to talk about it. No matter what happens next, at least, they’ve gotten this far.

Instead the narrative rewarded him, and us, by having them fight it out in a back alley. Because they’re idiots, and they can’t be trusted to handle their feelings without someone else in the narrative (Keeley) setting them straight.

Yes, people backslide in real life all the time. But when the narrative backslides at the very end of the story - that’s just nihilism. That’s what this felt like - all that progress and promise that you can be better, and two of the people who struggled the most tripped at the finish line. The audience don’t even get to see them pick back up. I mean they’re fine now, I guess. They went for kebabs. I have to assume it worked out. I guess after that they found a way to be happy, but I would have preferred to see them find a way to be happy by way of their own actions. Not in a fanfic. Not by way of imagining how it went afterwards. Not by what’s implied in a montage. By the story actually showing me they could get there on their own.

And the worst part about all of this is that when the show gets it right? It fucking sings. The team coming together to repair Ola’s? That sings. Ted’s ‘ain’t nobody in this room alone’ speech? Wonderful. Trent telling Colin that ‘some people need time to adjust; it’s not fair, but they do’? So delicately wielded, so painful. Beard’s speech to Nate about stealing a loaf of meth? Chef’s kiss. Ted forgiving Rebecca when he learns why she brought him to coach Richmond? The tears in his eyes when he tells her ‘divorce is hard’?

The hug at Wembley.

That’s what I wanted, from start to finale. When the show knew how to wield its empathy, it wielded it like a knife, cutting into the deepest parts of your heart.

Which is why when it does mess up, it hurts so much worse. Because by season three, the show has sunk so far into the deconstruction of things that it’s forgotten that what it fixed were not the only problems those characters ever faced. The show zoomed in too close on the themes. It forgot that at its roots, the its biggest strength has been its empathy. And that to me is where the show failed.

#i am upsetti spaghetti #and this has been rolling around in my noggin since the finale so- here #ted lasso meta #people don't care when bad shows mess up #they care because the show was good #oh and because i can't say this enough #fuck jamie's dad #i'm all for forgiveness and fuck jamie's dad are two sentiments that can should and do coexist

153 notes · View notes

guspartenza · 6 months

Text

THE SUPERWOMAN FROM KRYPTON, FANART+FANFIC INTRODUCTION

art by https://www.deviantart.com/gabrielrb91

What would you think about an alternate universe with a female-Clark as Superwoman in the golden age?

Is the only main change in the classic canon together with her love interest, is not Earth-11, let's say is Eart-19...meet Clara Kent/Superwoman!

It's 1948, in Metropolis!

Up in the sky! Look! It's a bird? It's a plane? No! It's Superwoman!

Faster than a speeding bullet! More powerful than a locomotive! Able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Woman of Steel: Superwoman!

Empowered with X-ray vision, possessing remarkable physical strength, Superwoman fights a never-ending battle for love, truth, and justice, disguised as a mild-mannered newspaper reporter, Clara Kent!

In a world plagued by the Cold War and mistrust, can Superwoman bring peace to the world while fighting for love, truth, justice, and the American way? Can she finally find a happy life with Louis Lane, the love of her life? Can she defeat Lex Luthor and the terrible ancient evil he is about to awaken?

You can download full free illustrated fanfic in pdf here! SUPERWOMAN FROM KRYPTON-FREE ILLUSTRATED FANFIC by lordmallory on DeviantArt or here https://drive.google.com/file/d/1XPh48B9_giTgDpnBXjRP-4Z4ksUU-WzR/view?usp=drive_link

Art by https://www.deviantart.com/letoart

KALA-EL/CLARA JOSEPHINE KENT/SUPERWOMAN

BORN: Krypton, a moon in a distant galaxy. Formally 28/02/1918, SMALLVILLE, KANSAS

PROFESSION: ASSISTANT REPORTER

YEAR: 1948

PLACE: METROPOLIS (METROPOLIS COUNTY, NEW YORK)

art by https://www.deviantart.com/wagemagegames

-Farmgirl, born Kansas 1918. No sisters nor brothers.

-Nicest girl in the office but very unfunny.

-Disappears without reason very often.

-Lives alone in a little flat and has a golden retriever dog called Krypto.

-Daddy issues. Her father didn't let her pursue a career as ballet dancer or swimmer (he didn't want her to take advantage of her powers) and died when she was 18.

-Former nurse during the war in the Pacific Ocean and in the Philippines.

-Loves children and dogs

-Tomboyish trails. Not quite elegant.

-Music-Hall fan, Katherine Hepburn and James Stewart fan

-Favorite books: Scarlet Pimpernel adventures, Jane Austen, Upton Sinclair and Virginia Wolf, somewhat eclectic.

-Amateur writer of children's stories, with characters such as DeeDog and the Komfy Dragon.

-She greatly admires her boss, Perry Weiss. A 1940s very liberal Republican style journalist, chief editor of the Daily Planet. She despises her deputy boss Cat Grant.

-Ambiguous relationship with her other boss Louis Lane. Clara has a good friendship with Louis and hides that she is very much in love with him. At the same time, she competes a lot with Mr. Lane and is annoyed by his political ideas and his paternalism.

-Strange friendship with young millionaire Bruce Wayne, something that is very surprising for the people in the Daily Planet newsroom.

-Always good scoops but never appears in the front line and too stubborn and independent to grow fast in the newspaper.

-Progressive quaker like her fathers.

-Civil rights supporter.

-Dislikes General McArthur, dislikes even more Lex Luthor

-Loves Eleanor Roosevelt but also Governor Dewey.

-Hates guns

-Supports unions, splits ticket between Metropolis Liberal Party and the two main parties. Politicians must be kind.

art by https://www.tumblr.com/bobbinalong

SUPERHEROINE LIFE

-Superpowers: Flight, Super-Strength, Super-Speed, X-Ray Vision, Heat Vision, Enhanced Vision, Super-Hearing, Super-Breath, Freeze-Breath, High Invulnerability, Super-Stamina

-Can fly to a Mach 100 speed.

-Acts as Superwoman since October 1945.

-Defeated Zod invasion in July1946.

-Initial bad relationship with Batman but now close friends and allies. Together with Flash they conform the Justice League.

-Didn't act as Superwoman during the World War II because she was afraid of her powers. After the discovery of the Holocaust and the atomic bombs she decided to step in and showed herself to the world on autumn 1945.

-Worst enemy: Lex Luthor, heir of Nikola Tesla, rocket engineer & CEO of TELCORP (Tesla-Luthor Co.)

-Deeply in love with Louis Lane, who strongly rejects the superheroine.

-She hides her supersuit and cape under her normal clothes. The material is extraordinarily thin, flexible and resistant, and very easy to wear under normal clothing. Whenever someone needs Superwoman, she just needs to find an inconspicuous place, rip her shirt, unfold her cape and fly away at full speed.

-Widely admired.

art by https://www.deviantart.com/bluerollerball

art by Gabriel Larragan (Ko-Fi)

FAMILY & ORIGINS

The El family & Krypton

Krypton was a decadent civilization located on a moon near a large gaseous planet in the Orion belt, next to a green sun. In the past they had visited Earth and other planets expanding civilization, but their penchant for slavery, war, resource extraction and violence caused many of these projects to fail. Even in 10,500 BC the Kryptonians almost caused the terraforming of the Earth, melting the poles and destroying Atlantis and other civilizations, causing among other things the end of the Ice Age. Nearly 99% of humanity perished during that Kryptonian attack.

Over the centuries the Kryptonians lost the fuel necessary to travel across space and ended up confined to their planet, dedicated to warfare, genetic engineering-creating clones whose organs they needed to extend their lives-to pleasure and to exploiting the subsoil of their planet. The Kryptonians also established a dictatorship with a caste system based on genetic engineering and prohibited natural reproduction.

Jor-El and Lara were a couple of scientists critical of the system and supporters of the abolition of the caste system. They also fought against genetic engineering, violent repression, and the permanent destruction of the ecosystem. After a series of terrible earthquakes, volcanic eruptions, and gas outbursts, it became clear that Krypton's core was collapsing, due to the energetic drilling and magnetic energy used in Krypton's industry. The Planet was doomed but the ruling caste ignored it. Jor-El and Lara had a daughter, Kala-El in a natural way against all the rules of Krypton. Lara managed to manufacture a small ship capable of making a space jump to save her daughter from the end of Krypton. General Zod stole her design and managed to build a larger fleet of ships but Jor-El managed to sabotage them and send the fleet to the Phantom Zone, a black hole near Krypton.

Lara decided to send Kala to Earth, confident that the culture of this planet was much more hopeful and kinder, and less prone to the mistakes of Krypton than other distant inhabited planets closer to them. Jor-El preferred to send her to New Genesis, another distant inhabited planet, because there Kala would receive less radiation and develop less extraordinary abilities that would allow her to live a normal life, but eventually Lara convinced him. During her journey to Earth and her growing period under a yellow sun, Kala would develop wonderful powers and could live a long life in the service of mankind, rehabilitating Krypton's legacy.

Within hours of Kala's birth, she was placed in the small ship, accompanied by the robot guide Kelex, whose memory was imprinted with the consciousness of Jor-El and Lara, as well as nearly all of Krypton's cultural heritage. They included several Kryptonian artifacts inside, such as a nearly indestructible ceremonial female ancestral caped suit with the crest of the House of El on its chest.

The ship was launched just hours before Krypton's demise and travelled through space for thirty years...

art by https://www.tumblr.com/bobbinalong

Joe&Martha Kent, Kansas life

Joe and Martha Kent were a Quaker farming couple whose farm was struck by the pod carrying Kala-El the 28th of February of 1918. Although owners of substantial property they were a very humble, cooperative, austere, devout, and civil rights-minded people. Martha Kent was a descendant of Kansas abolitionist guerrilla fighter John Brown. They both raised Clara very lovingly and unwilling to ask too many questions about the baby's origin. Clara was a very sickly child as her body did not adapt to the Earth. She was an affectionate and obedient girl and devoured books. The Kent family were avowed supporters of the New Deal and Joe Kent was a member of the local farmers union.

With puberty Clara developed very fast, and her superpowers began to appear. She soon began to excel in swimming and ballet, while still questioning her origins, but Joe forbade her to pursue a professional career to prevent her from taking advantage of her powers, and moreover he forbade her to use her superpowers to help others, fearful of humanity's reaction and wary of savior messiahs in the era of interwar dictators.

Clara rebelled against her father but eventually gave in, fearful of her own abilities and understanding her parents' position. During these years, Clara didn't fit in very well, but she had two best friends, Pete Ross, with whom she was secretly in love, and Lana Lang. Pete didn't know about her superpowers, but Lana did. In 1936 Joe Kent died of a heart attack, devastating her daughter. Clara was unable to go to college after her father's death and worked as a teacher and nurse's aide in Smallville. Her engagement to Pete Ross, her teenage sweetheart failed in 1939 when she revealed her powers to Pete and he panicked, although he later promised to keep the secret. In those times of sadness, Kelex, the Kryptonian robot, was activated, explaining to Clara her true origins, which filled her with confusion.

Between 1939 and 1941 Clara lived in Canada and Alaska searching for the Fortress of Solitude, a strange place Kelex was pointing, but with the outbreak of World War II she decided to enlist as a nurse in the Pacific, refusing to use her powers except to help the wounded, fearing to cause more harm than good. In late 1944, the hospital ship on which he was traveling, the USS Shuster, was torpedoed by the Japanese. Clara jumped into the water and managed to keep the ship afloat with her super strength until she managed to beach it. No one understood how miraculously the ship had stayed afloat and even levitated. The incident was kept secret. Clara got a permit to return home and she revisited Alaska where she found the Fortress of Solitude with the help of Kelex. There she was able to better understand her origins and began to train her superpowers.

After learning about the Holocaust first and the atomic bombs later, Clara decided to become Superwoman and help others with her superpowers dressed in the ceremonial Kryptonian costume of her ancestors. Her mother Martha supported her decision. She relocated to Metropolis, where in September 1945 she was hired as an assistant reporter by Major Louis Lane, who had just returned from Europe.

art by LuisF47 - Hobbyist, Digital Artist | DeviantArt

On October 1, 1945, Superwoman unveiled herself to the world and caused a huge sensation. The world was changed forever. Superwoman introduced herself to the newly formed United Nations, explaining her origins and her desire to help others and to stay out of political conflicts except to protect civilians.

Clara Kent began her double life as a journalist and as Superwoman. In July 1946, she defeated the invasion of General Zod and the survivors of Krypton. She also had to face other enemies such as the Intergang - an alliance of all organized crime in Metropolis and Gotham, Atomic Skull - an ex-Nazi agent with terrifying technology, Lex Luthor who began to develop his hatred and paranoia towards the superheroine, and his creations such as Metallo.

art by https://www.deviantart.com/xtophe

DAILY PLANET CHARACTERS

Perry Weiss, a major shareholder and editor in chief of the Daily Planet. Born in Odessa in 1886. Jewish immigrant from humble origins who became a skilled journalist and founded the Daily Planet as a tool of the liberal wing of the Metropolis Republican Party to unseat the city bosses of the time. Still a staunch liberal, he supported Roosevelt in 1932 and 1936, is an ally of Mayor LaGuardia. He won the Pulitzer Prize in the 1920s for defending the innocence of Sacco and Vanzetti. Friend and ally of Louis Lane's father. He is very demanding with his employees but is very fond of Clara. He admires and defends Superwoman despite Louis Lane's distrust. Best friend of Cat Grant.

Cat Grant, Co-chair of Perry Weiss, Pulitzer winner, closeted lesbian, and Ayn Rand Fan. Born 1901, she comes from a fine family of Metropolis Knickerbockers. She is like Louis the least liberal element of the newspaper. To protect herself she married a very old friend of her father who helped her lead a double life. For twenty years she lived with a painter named Margaret Ivy. Considered the best writer of the Daily Planet, in addition to being a journalist she has published two novels. Very elegant and popular in intellectual circles. She is tremendously authoritarian. She mistreats Clara a lot because she does not respect her authority and because of her different political ideas, but as Clara grows as a journalist and Cat Grant suspects that she is Superwoman, she will protect her and push her forward without Clara knowing it. Best friend of Perry Weiss

Jimmy Olsen and Lucy Weiss, best friends of Clara.

Jimmy is a junior urban photographer. He comes from a town in Massachusetts. He is 7 years younger than Clara. He is a party animal, friendly, generous, and somewhat naive. Yet he is a skilled photographer who has been able to capture the worst of the night and day of Metropolis. Miraculously he always gets the best pictures of Superwoman (Clara helps him a little). Very democratic and complains about working for a newspaper that is too conservative for his taste. Adores Clara whom he treats as his big sister. It doesn't even cross his mind that she is Superwoman. Jimmy thinks that Louis is a snob and a bigot.

Lucy is a senior political photographer and the only woman on photo reporting on the Daily Planet who works outside the fashion department. She is the eldest daughter of Perry Weiss. She is an intrepid photojournalist who gets overseas passes and has been to several military conflicts. A loyal friend of Clara, and a very serious and professional woman. She is suspicious of Clara's double identity but would never say anything. She is the same age as Clara and a lover of jazz and the more alternative circuits of Metropolis.

art by https://www.deviantart.com/milkydraws8/gallery

art by https://www.artstation.com/pabloalcalde

LOUIS LANE, SUPERWOMAN'S WEAKNESS?

NAME: LOUIS LANE

BORN: 08/02/1912, METROPOLIS (NEW YORK)

PROFESSION: SENIOR REPORTER

YEAR: 1948

PLACE: METROPOLIS (NYC)

art by https://www.deviantart.com/rickcelis/gallery

-Rich family, born in 1912, first of 6 brothers.

-Caustic, cynical, ironic but somewhat kind.

-Commanding.

-Lives in Park Avenue with his 6-year-old daughter and his rich unfaithful wife, fashion reporter Pat Lane (neé Kelly). Very unhappy marriage.

-Major rank during the war in the US army. He also worked with the OSS.

-Elegant, sportsman, plays violin.

-Teaches music lessons in an orphan house in secret.

-Not that snobbish nor Wasp, new rich family traits.

-Arkham University alumni.

-Classic music and literature lover.

-Heavy drinker.

-Does not enjoy journalism, thinking of quitting to politics or teaching literature.

-Jewish father (Lane surname is a change from Lantzman), Irish catholic mother, raised catholic and religious, but not extremely orthodox.

-His father is a self-made tycoon who started as democrat in the Tammany Hall and then switched to republican. Close ally of Mayor LaGuardia.

-Fought in the European theater during World War II.

-Conservative republican opposed to his father liberal republican views, loves McArthur, who he thinks should be the next President.

-In the past he had a good opinion of Lex Luthor. He saw him as an innovator and freedom fighter, but his opinion changed when Luthor kidnapped him to set a trap for Superwoman.

-Perry Weiss favorite reporter.

-Won the Pulitzer Prize in 1941, for his articles about the first defeat of the Intergang.

-First person to interview Superwoman.

-Very nice and paternalistic to Clara. Louis pushes Clara's career forward despite Cat Grant's opposition. He is also secretly in love with Clara. Although he rejects Superwoman and suspects she is the same person as Clara, he deludes himself and rejects these suspicions.

-Tired of New Deal Politics, anticommunist.

-"a brilliant and kind man" for most of the Daily Planet staff, a "terrible asshole" for many others like Jimmy Olsen.

-Strongly rejects Superwoman and other heroes.

-Sometimes Clara really hates him.

-Famous line "Neither reds nor capes".

-He lives a bizarre love triangle with Clara Kent and Superwoman. Although he publicly rejects the superheroine, he also desires her and he and Superwoman have had moments of passion, which Louis feels guilty about because he is married and because of his religion. On the other hand, he is in love with Clara Kent as much as he rejects the figure of Superwoman. He deludes himself about the identity of both. A bit James Stewart in Vertigo, which destabilizes and infuriates Clara.

art by https://www.deviantart.com/guinnessyde

art by https://akiko02.carrd.co/

CURRENT AND PAST ENEMIES

Lex Luthor

Rocket engineer, CEO of TELCORP and Heir of Nikola Tesla. A Brilliant scientist who defines himself as a "radical humanist"...but in the early 30s supported closely fascism to stop "imperialism" and "usury" but later changed his mind and move closer to the USSR to fight "predatory western capitalism". Publicly, he is a tycoon and scientist loyal to the United States and works closely with the government. The world's greatest philanthropist. Loving father and husband. Hates Superwoman to death and believes she spells the end of humanity. Paranoid and ruthless but convinced that he does everything for the greater good.

art by https://www.deviantart.com/gus-art

General Zod & Faora

Political dissidents like the El on Krypton on the other hand believed that Krypton's only salvation lay in emigrating and invading, terraforming, and exterminating other planets. They almost succeeded in a coup d'état but after their failure they and their henchmen tried to flee by space jumping their ships, Jor-El managed to sabotage the launch and send them to the Phantom Zone. Over the years they managed to escape and arrived on Earth in 1946, shortly after Clara showed herself to the world as Superwoman. They tried to exterminate all humanity, but Superwoman and the armies of Earth managed to defeat them. Their invasion caused 5,000 human casualties but could have caused complete extermination. The experience was traumatic for Clara because she had to send Zod and Faora back to the Phantom Zone where they would surely die. Zod, Faora and their henchmen had not yet developed the full powers of a yellow sun like Earth's and so several of them were killed by human bombs and missiles. Their remains were stored by Russians and Americans. Superwoman managed to expel all Kryptonian technology and weaponry into space so that humans would not use it for warfare.

Doomsday

A truly near-indestructible abomination.

Perhaps from Krypton's past? Perhaps created by mistake by human scientists?

art by https://www.deviantart.com/fernando-damasio & https://www.deviantart.com/kristherion

The Toyman

Winslow Schott, former entrepreneur, and inventor of the 1920s toy business who was ruined in the Great Depression by banks and various betrayals. After a crime spree he was imprisoned in 1933 but escaped from prison recently completely crazed and ready to take revenge on the whole city using his inventions.

Brainiac "The Eternal Traveller"

An android resulting from the abhorrent merger of a famous astronaut and artificial intelligence, which was used by the first civilization of Krypton to collect information from other worlds. It is more than 100,000 years old. With the passage of time, he revealed against the Kryptonians, became evil and phobic to any form of life that he considered imperfect or inferior. It caused the destruction of many cultures. He wanders through space visiting planets and analyzing life forms. He probably has no enthusiasm for humans, much less for a descendant of the House of El.

art by https://www.instagram.com/estefaniaart_/

art by https://www.deviantart.com/midnightowl07

art by https://www.deviantart.com/artsandar

art by https://akiko02.carrd.co/

art by https://www.deviantart.com/son-neko

art by https://www.deviantart.com/dommnics

99 notes · View notes