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#He loves ritz so much you don't understand
novethegreat · 4 months
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A boy enjoying his favorite snack
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acheemient · 5 months
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If part 3 of 1941 is not "A Nightingale Sang In Berkeley Square" coming on the radio and Crowley standing from the table where they have been drinking wine and coming around to Aziraphale's side and offering his hand to Aziraphale to dance, and Aziraphale looking a bit wonderstruck and a bit delighted and taking Crowley's hand, and they slow dance, holding each other so close, and they look into each other's eyes, and Crowley whispers, "Angel," and he's looking at Aziraphale's lips with all the wanting in the universe written upon his eyes, and Aziraphale with a face that says he's never wanted anything more than to swallow Crowley whole so he can Keep him, and they lean in, and at the very last second, Aziraphale stops them and they are standing there breathing heavily with their foreheads pressed together, and Aziraphale whispers, "I want to; oh God, I want to," and Crowley whines and tries again, but Aziraphale pulls back but doesn't leave Crowley's arms, and says, "We can't," and Crowley looks like he's been slapped, and Aziraphale looks so heartbroken and says, "They almost caught us tonight, and they would have destroyed you" and then continues so quietly, like it's a secret, "I don't know what I would do if I lost you," and Crowley tries to protest saying they can be sneaky, they won't get caught, they can have this, together, and Aziraphale looks so sad and says, "Oh Crowley," and Crowley knows Aziraphale is so close to agreeing and so close to pulling away, and he whispers, "Please," and for a second Aziraphale looks like he is going to give in, but he can't put Crowley in danger, so he makes his face colder, and he steps out of Crowley's arms, even though it nearly kills him to do so, and he says, "Besides, you know Angels don't dance," and Crowley remembers himself says, "No I don't suppose they do," and he straightens up and puts his glasses on and pretends nothing happened and says, "Of course you're right," and they nod at each other and Crowley moves to leave the bookshop, and Aziraphale feels like he's about to lose something so precious that he will not be able to ever get back, so he calls "Crowley," and Crowley turns to look at him, and Aziraphale says, "Perhaps someday...," but he can't say what he really means (some day we can have that, someday we can be together how we want, someday I will stop pulling away), so he visually changes his mind and finishes with, "we can dine at the Ritz," and he prays to a God that he, in this moment, hates so, so much for keeping him from the demon he loves more than anything, that Crowley understands his true meaning, and Crowley looks like maybe he does and like maybe he still has hope, and he nods and says, "Stay safe, Angel," and Aziraphale nods back, and then Crowley leaves, and Aziraphale is left looking absolutely devastated and heartbroken and angry, truly angry, for the first time in his long and lonely existence that he has to be loyal to Her rather than to him, and he takes a moment, takes a breath, and walks silently over to the radio and turns up the volume on the song and closes his eyes and gives himself that moment to remember what it felt like to be held, to be loved, to imagine what saying yes would bring, then honestly what is even the point of all of this?
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queerfables · 9 months
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I wanted this post to be more coherent but I am coming apart at the seams. Listen. Listen to me. Listen look no look me in the eyes and listen LISTEN.
Crowley and Aziraphale know. They're in love, and they know. Their love is requited, and they know. That's why it hurts so much! They don't say it. They can't say it. The consequences for both of them could be disastrous. But they know, they know, they know.
This is forbidden love at it's absolute pinnacle. This is centuries of dancing around an unsayable, inescapable truth. Loving someone this way is intense. It's a fiercely romantic headrush, because everything is high stakes fantasy and it's you and your beloved against the world. It's a soul crushing nightmare because the thing you want more than anything is always there, just out of reach. It's passion and yearning and stolen touches and desperately hoping the other person understands all the things you can't say.
It's also just unbelievably stupid. You have a sizzling moment of intimacy with someone and then three days later you're trying to act like business associates.
This dynamic has been present since season one, and sometimes the atmosphere between Crowley and Aziraphale becomes urgent and surreal enough that they almost name it. There's the bandstand, where Crowley suggests they could run away together. There's Aziraphale in 1967 saying, maybe one day we'll dine at the Ritz. These aren't the words of those unsure of another's feelings. These are declarations made in the clearest terms they dare.
The clincher for me is Aziraphale's face when Shax says she wouldn't have thought he was Crowley's type. It's a nasty comment meant to play on Aziraphale's insecurities: "If you're anything to him, it must be something sordid, and I'm surprised you can even offer him that." And she completely misses the mark! Aziraphale disregards her words without a thought. That eyebrow says he knows exactly how Crowley feels about him, and Shax's insinuation is laughable. He is uniquely Crowley's type.
It's less definitive for Crowley, and it makes sense that it would be. For the most part, Crowley is the accelerator and Aziraphale is the brakes. It is hard to hold faith that someone wants you when all they can tell you is "slow down". That doesn't mean he's unsure of Aziraphale's feelings. It means that he's unsure how much he's allowed to say. Aziraphale wants him to push right up until he doesn't, and it hurts them both when they go too far and have to walk it back. Even so, Crowley's confession makes it pretty clear that they're both in on this unspoken thing between them:
"you and me ... group of the two of us ... and we've spent our existence pretending that we aren't"
And then he kisses Aziraphale. And he doesn't do it carefully or tentatively. He doesn't wait for Aziraphale to be ready. Because that's how this dance goes, isn't it? Aziraphale wants him to push, and it's going to hurt and they're going to have to walk it back but fuck it all because Crowley is going to give them the thing they've spent their existence pretending they didn't want.
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thavron · 6 months
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So I think I've cracked this moment.
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So this moment has bothered me. I've seen several people say this is Crowley breaking up with Aziraphale, but I think it has a different meaning. I think he's saying, "I understand."
Hear me out.
It was actually listening to the song Good Old Fashioned Lover Boy that caused me to have a little epiphany. I love how it's juxtaposed over Crowley rushing back to Aziraphale, indicating that he is the Good Old Fashioned Lover Boy, but there is more to it.
That song was released in 1976, which is a time when being gay or being queer of any kind was deeply frowned upon. Though laws in the UK banning same sex relationships had been lifted by this time, for consenting adults over the age of 21. Freddie explicitly coming out at this time was something that could have ended his career. Freddie danced with the media on this one, hinted but was never forthright and kept his romantic life largely under wraps. This is something that queer people did in general and had to do well into the 90s. They flirted in code, they romanced behind closed doors. They kept their love out of sight.
Much like our Ineffable Husbands.
Editing to add- that the reason this triggered something for me, is that despite the secrecy, Freddie Mercury got up on stage and sang a song about a man taking another man out on a date at the Ritz. Everyone knew. Just no one knew knew. And it wasn't enough to end his career. Much like our Ineffable Husbands. Everyone knows, including them. Just no one says a thing about it.
Which brings me back to A Nightingale Sang in Berkeley Square.
This song is about one magical night. A couple meet, fall in love, feel the magic of their romance, and then as the sun comes up they go home. It is something like a dream that has to be let go with the harsh light of day. But there is hope, because sometimes they can hear the echo of the nightingale. A promise perhaps to meet again.
So I think it is widely assumed that there is more to the 1941 flashback. I tend to concur. I think we will see the origin of why this song is important to them. I suspect the song is about them. They have one magical night, where they are both brave and express their love for each other. But then the sun comes up and they realise that they have to go back to their lives. I think they will acknowledge that the incident with the zombies was a close call, and they need to cool off and stay away from each other. Slow down.
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So 1967 is the first time they have seen each other since. They both know how they feel, they're just waiting for the right time. They shouldn't have met at all, except Aziraphale wants to give Crowley the holy water. I think that explains the awkwardness but also their softness toward each other. It's a meeting of lovers, but the time isn't right just yet. No nightingales are singing. That's what Aziraphale means by "You go too fast for me." Not yet, it's too soon. We're still under suspicion.
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So the end of season one, the world is not over and our ineffable husbands are free. What do they do? They go for date at the Ritz. You can not tell me this is not a date. Sorry, don't believe you. "The Ritz is the most romantic hotel in the world." It's like their whole selling point. It's why it pops up in the lyrics of Berkley Square, and also in the lyrics of Good Old Fashioned Lover Boy. It's the place where magic happens. And for me, the playing of the song, and the reference from God herself, it's saying the time is right. They can finally be together again. This is their moment.
So Season Two. I've read reviews of season two where people liken it to fanfiction. Neil calls it is a bridge season. I think it's the dream. Not actually a dream, I don't think Neil is that unoriginal. But in the song they liken that one magical night to a dream. It's a fantasy that they get to live until the sun comes up. They get to live their dream for four years. They are together and they are in love but they are still living in secret. They still don't acknowledge it. They're still holding back. One of the themes in this series is timing is everything. Maggie and Nina's relationship doesn't work because timing. The magic trick worked the time it mattered. Timing is important, and the ineffable husbands are bad at it. They should have thrown themselves into this but they were too cautious and they missed their chance.
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I think this conversation is when Crowley realises. Not that he is love with Aziraphale, that was established in 1941. But that everyone knows anyway. There is no reason to hide. No one cares that they're an item. Aziraphale has a similar epiphany after his chat with Shax. So they both decide to move the relationship along, but damn do they have bad timing.
Now I am as confused and heart broken as anyone about the final fifteen. And I am certain that there is something that we are not seeing, a trick that we've missed. There are six minutes unaccounted for. Neil says its a continuity error, but he's demon, he lies.
So here is what I think, and why this line "that's the point, no nightingales" is important. At some point during that conversation Crowley catches on. Whether they have a moment of stopped time, or the fact that Aziraphale is acting so utterly unhinged, there is something that happens that we don't see and it clues him in. He is hurt and angry yes, but he understands. What he is understanding is that the dawn came stealing up, and that the interlude is over. The nightingales stopped singing, and they have to go back to work. He gets it and that's how he lets Aziraphale know.
"You're an idiot, we could have been us." He doesn't like the plan, whatever it is. He thinks running would have been preferable, but he is resigned to it.
Then that kiss. One last goodbye just in case the world ends? Desperate longing and years of pent up frustration? I don't think the trick is here. I think this is misdirection. We're all looking at the kiss, we missed the coded message that came right before. I think "No nightingales" may also suggest that this isn't the kiss. The romantic kiss will come later, when the nightingales sing again. And they will, of that I'm certain now.
The song playing in the car, a message from Aziraphale or from the Bentley reminding him to have hope. Two things we know about Crowley. He is an optimist. He loves to rescue his angel. We also know that he is the trusted stooge with the steady hand. Aziraphale will perform the theatrics, he will do the rest. The fact that he waited and didn't just storm off like he did when he was rejected in series 1 tells Aziraphale that he is still here. He's still in this.
That's my interpretation anyway.
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zionworkzs · 7 months
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Alright, let's talk about this scene in S1 Ep3:
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Let's take this line by line, shall we? I added in some stage directions so we can see the acting choices alongside the dialogue (because this scene!!! this scene!! there is so much unsaid and communicated via body language).
*Crowley gets into his car and Aziraphale miracles inside*
C: *surprised*
C: What are you doing here?
A: I needed a word with you.
C: What?
A: I work in Soho. I hear things. I hear that you're setting up a...
A: *looks at Crowley*
A: caper. To rob a church.
C: *looks away from Aziraphale*
A: *concerned* Crowley, it's too dangerous. Holy Water won't just kill your body, it will destroy you completely.
C: *annoyed* You told me what you think. 105 years ago.
A: And I haven't changed my mind. But I can't have you risking your life. Not even for something dangerous. So... *pulls out thermos* you can call off the robbery.
C: *looking at Aziraphale, clearly surprised*
A: Don't go unscrewing the cap.
A: *not looking at Crowley anymore*
C: *looking between the thermos and Aziraphale* It's the real thing?
A: The holiest.
C: *attention fully on Aziraphale now* After everything you said?
A: *nods, still not looking at Crowley*
C: Should I say thank you?
C: *still looking at Aziraphale*
A: *pointedly NOT looking at Crowley*
A: Better not.
C: Well, can I drop you anywhere?
A: No. Thank you.
A: *briefly glancing at Crowley*
A: Don't look so disappointed.
A: *looking away again*
A: Perhaps one day we could, I don't know. Go for a picnic.
A: *looking at Crowley now*
A: Dine at the Ritz.
C: I'll give you a lift. Anywhere you want to go.
*silence, and the longest amount of time Aziraphale looks at Crowley this whole scene*
A: You go too fast for me, Crowley.
*both looking at each other for a beat before Aziraphale exits*
OKAY SO HOLY HECK
I feel like this scene gets boiled down to THAT line we all remember (and we'll get there), but I feel like the whole scene and the context is so so important if we want to understand THAT line.
So the background info:
1862 AD - London, St James Park: Crowley asks for holy water.
1941 AD - London: Aziraphale meets with Nazi agents inside a church. Crowley swoops in to save the day (and the books). We have the magic show and the lovely candelit dinner afterwards.
This scene takes place in 1967 in Soho, London presumably.
So, since 1862 when Crowley first asks, Aziraphale has been thinking about this request of his. Aziraphale presumes in 1862 that Crowley wants the Holy Water as a "suicide pill," and Crowley never corrects this assumption.
So, Aziraphale is under the impression that in 1967 he is giving Crowley a tool to use for his own destruction, if it comes to that.
He goes against Heaven and, from our understanding, steals Holy Water so he can give it to Crowley.
The implications of this are DEEP and COMPLEX. Because this is the FIRST time we see Aziraphale directly go against Heaven without any kind of moral out. He isn't saving Job's children. He's literally defying Heaven to protect Crowley from doing something stupid.
It's a purely selfish action that directly goes against Heaven.
This is HUGE for his character. And as I've talked about a bit in this post, I think by this point, Aziraphale was fully aware he was in love with Crowley.
This, THIS, is proof of his devotion to Crowley. Going against Heaven overtly to supply him with something he believes Crowley will use to end himself.
You can see Aziraphale's guilt and concern in this scene simply through how he choses when to look at Crowley and when to not (michael sheen, I'm in ur walls).
He looks at Crowley concerned when he talks about the church heist. He says as such. That he thinks it's too dangerous. He pointedly DOESN'T look at Crowley once he hands over the Holy Water. Like he can't bring himself to come to terms with what he's done. (Looking out for the person he loves by giving them a means of their own destruction.)
And this little interaction:
C: Should I say thank you? C: *looking at Aziraphale* A: *pointedly NOT looking at Crowley* A: Better not.
He doesn't want Crowley to thank him for what he perceives to be a sin. For giving him the ability to end himself. It hurts Aziraphale to think about. I think, even being in the car near Crowley hurts Aziraphale then.
Then we get the exchange at the end.
Crowley offering to drop Aziraphale off, which the angel denies.
Aziraphale clearly reading Crowley's disappointment and offering a fantasy of the future he doesn't believe they have in an attempt to cheer the demon up.
A: Perhaps one day we could, I don't know. Go for a picnic. A: *looking at Crowley now* A: Dine at the Ritz.
He looks at Crowley for the briefest of moments when he says "dine at the Ritz."
These things that Aziraphale is offering are normal, human pastimes. Nothing grand or overtly romantic. Just, a picnic. Dinner. It goes to show us how deeply Aziraphale loves humanity and recognizes that same love in Crowley (even if their love presents itself in different ways).
He's saying: one day, when I'm not me, and you're not you, we can do the things humans do. We can be simple.
And then, of course:
C: I'll give you a lift. Anywhere you want to go.
Crowley says this line almost desperately. He wants to stay in this moment. He wants to draw it out. This moment where this angel he's befriended cares for him so deeply that he'd risk everything.
I haven't talked much about Crowley in this scene because at this point in their relationship, and I know this is controversial, I don't think Crowley is in love with Aziraphale here.
I talked about it in the aforementioned post, but it's my interpretation of Crowley's character to be naturally distrusting of others. Which makes sense given his history.
I don't think he's in love with Aziraphale in 1967.
But I think he recognizes Aziraphale's love for him, even if only for the briefest moment. He sees Aziraphale's willingness to save Crowley from himself and knows that there is something there.
But he is SCARED. Big scared. And he doesn't know how to deal with the influx of information being presented to him.
And I think he reads between the lines of Aziraphale's words. He hears Aziraphale say: one day, when I'm not me, and you're not you...
I'll give you a lift. Anywhere you want to go. Is Crowley saying: You're saying we have to be different people, but we don't. I can take you right now to a picnic, to the Ritz. Nothing has to change. We can be us.
And Aziraphale says:
A: You go too fast for me, Crowley.
You go too fast for me, you treat life like a speedrun to get to the good parts. Hell, Crowley slept through the 19th century because he wanted time to move forward. Aziraphale recognizes this. He's in love with this demon who won't slow down and appreciate the mundane, human things that Aziraphale treasures. He goes too fast. He never settles down.
And I think this is a gross misunderstanding of Crowley's character on Aziraphale's part. He thinks Crowley is too fast and never settles down. Changes his hair, his clothes, his accent. But the clothes and the hair are all set dressings to Crowley. They are distractions from how set in his ways he truly is.
Crowley is s l o w to everything.
So slow that it scares the shit out of him and he overcompensates by re-inventing his image every chance he gets. He wants to blend in with his surroundings so he can be just like everybody else.
It's a deep self-hatred most likely instilled in him since before his Fall. He was not good enough for Heaven. He isn't bad enough for Hell. He can't even pass as a human because of his eyes. He doesn't fit anywhere.
So he could never fit with Aziraphale.
He doesn't even see it as an option.
Not yet, anyway.
Aziraphale misunderstands this as Crowley being unable to take time and care and put work into things that truly matter. Aziraphale thinks that they can't be together because they are too different. No matter how much he loves Crowley, Crowley is, and will always be, just a few steps ahead of him. He will always be just out of reach.
This scene is Aziraphale's confession and subsequent realization that they can never work.
This scene is Crowley understanding Aziraphale's feelings and his inability to process his own.
This scene is devastating. Because it's another miscommunication. It's a clear example of how these two understand each other, and, even after 6000 years, don't understand each other.
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katz-chow · 10 months
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Task Force 141's Love Languages
John Price is a careful man. He loves to plan and take his time on small to extravagant dates so he loves his quality time with his partner. Dates can range from small movie nights to a fly-in dinner at the Ritz with a good ol' fashion lover boy. John is an old soul (and an older man) and not to mention his constant ups and downs when he's on duty, so he likes to slow down to savor every moment with you. Everything about you makes him want to cherish you and breathe in every moment. The way he'll call up multiple reservations just so he can find the perfect time and perfect restaurant for you to spend your night at. Or just lounging around his cabin by the lake watching old movies or staring out the window into the beautiful lake. You two don't even have to talk, y'all can just sit next to each other and give each other a smile every once in a while just to know that everything's okay. He loves physical touch on your end. Having your hand in his, walking through the small town right near his cabin. Grabbing his bicep whenever you're walking down some steps so that you won't fall. Or having his hand on your thigh whenever you're out sitting next to him. It doesn't have to be a big gesture such as cuddling on the couch or your arms wrapped around his waist as he cooks dinner. It can just be you two bumping into each other on base when he isn't so fond of PDA. Although, you actually did slap his ass once. He stared you down when Soap and Gaz started snickering, but he of course let it slide. You're his darling. Just give him a little skin on skin to remind him that you're real and you're okay. He wants to know that you're still with him and not just a ghost from his past haunting his present.
Simon Riley is a man with a few words, so he opts to gravitate towards acts of service to make sure you know he's got your six. Whether it be actually having your back on constant walks such as holding your bags and walking behind you like a lost puppy whenever you are both out shopping, or just making you a simple dinner (that he probably watched a youtube video on). Whenever it's a chore day that you normally have every Sunday, it doesn't really apply to you as he's already up early making breakfast for you while the laundry's already in the washer. You just have to wake up and clean your desk, because he doesn't want to mess with your paperwork and belongings...especially when he doesn't know where everything goes. It doesn't really matter if it's inconvenient for him, as long as he's there to help you, he's even willing to put up with having to clean the damn toilet. He doesn't ask for much in return, really he doesn't ask for anything at all. Although... he's a sucker for quality time. Just having you there with him makes him sure of himself. Sure that you're safe, sure that you're under his watchful eye, and sure that you're not going anywhere. Of course he understands if you need time to yourself and with your friends, he'll let you go, but he wants your location shared with him indefinitely. He's paranoid-scared even. So whenever you ask "Simon, what do you want to do today?", he always answers by giving you a kiss and cuddling you. His favorite date night is when you guys order take out and turn on a movie, or watch you game for hours on end. Just anything that has to do with staying at home, and getting to see your gorgeous smile.
Johnny MacTavish is a silly man in which he loves physical touch. Gosh is he intoxicated with you. He cannot stop feeling the warmth of your skin against his cold hands or even when you're freezing him with your ice cold feet on his back. He doesn't care, if he's warming you up, then he'll be your personal heater. Whenever you two are out and about, he'll always make sure his hands are on you, especially when you're in big crowds. His hand? In yours, or behind the nape of your neck, or around your waist...or on your ass. What can he say? He's an ass kinda guy. Johnny loves PDA too. He'll surprise you with kisses whether on your forehead, your cheek, or straight up just a kiss on your lips, it doesn't matter. One time, when he went in for a kiss on your head, you turned around really quickly and basically headbutted his face. It hurt a lot. He loves making sure that you and your body know that it's loved. This man is like a crow, give him a gift and he will cherish it for all his life, even if it's just a pretty pebble. So, yes he's into gift giving! His apartment is basically a thrift store or a grandparent's house at this point with the amounts of clutter and knickknacks he has displayed on his shelves and cabinets. Honestly, there's things in his laundry machine too since you'll pick him tiny flowers or pick up shiny coins, or give him little origami animals that he'll just praise you and stick it into his pocket without thinking anything of it. He'll just hear weird tumbling from the laundry machine and after he finds a shiny rock. Christmas and birthdays are an ease for you two because he will use and wear anything you give him. There's just something about knowing that every gift he receives from you has the same thought behind it: "Oh! Johnny would love this!". It just makes him feel so, so appreciated.
Kyle Garrick is a simple romantic and he grew up in a pretty quaint household and only joined because he wanted to. He also spent a lot of time abroad so I'd say his love language is gift giving. But this is a lot more thoughtful and extravagant, different from how Soap is with his. Honestly it has a lot to do with the fact that he doesn't want you to think that he can't take care of you. So his gift giving is a lot more like paying your bills, buying you a new fridge if it breaks down, and buying you expensive clothes. He loves spoiling you and taking care of your financial needs since he knows he can't always be there for you. With this, he's able to make sure you're comfy and situated from your home and just spend your days doing whatever makes you happy. He's a simple man, his bank account is your bank account. A happy wife is a happy life, right? In return, he LOVES words of affection. Kyle, I feel like, would love reading poetry and just soaks up every word until it's imprinted like pearls in his chest. Oh and when you say anything as simple as just a small praise, "You're the bestest, Kyle!", he will melt in your arms. Honestly, this might be the biggest incentive for him to spoil you, just seeing you thank him into oblivion and proudly exclaim how he's yours, it just makes him so full of pride. His favorites are when you text him when he's at work either locally or somewhere with service. He lives for those spontaneous texts of just, "I miss you :(( hurry and come home." Good God, if he wasn't working to pay off that car he just bought you, he would just quit right then and there to come home to your precious sweet nothings and praises. But he doesn't want you to work, because then he won't be able to hear your angelic voice.
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amuseoffyre · 9 months
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A Purely Selfish Action
I've had the show running in the background while I've been working and this line tripped across my ear and made me realise this is how/why Aziraphale is going to save the world.
He knows the Second Coming is on its way and this time he's front and centre for the ride. The last time it was Armageddon (Antichrist Edition), Crowley appealed to Aziraphale's love of human things to get him on side: food, music, shows, nice wine.
Yes, Aziraphale has other reasons for standing his ground as well, but when it comes down to it, he is selfish. He wants to keep his things and his people safe and comfortable. He likes to be around his people and his things and being promoted to manage the Second Coming has cut him off from all of it. From his bookshop. From his books. From his little part of Soho. From his coffee shops and restaurants and the Ritz. And, most importantly, from Crowley.
There's a lot of mess surrounding their final interaction, both of them speaking at cross-purposes and actively not understanding why the other is doing what they are doing, but there can be no mistake that there is the love there. And I have absolutely zero doubts that the Metatron used Crowley as leverage against Aziraphale in ways we didn't see - there's a reason we were only shown parts of that conversation.
In Aziraphale's mind, if they're on the same side, then Crowley is safe. He's thought that since S1. "Heaven will win, of course". "You were an angel once". When Crowley rejects that, it is precisely a rejection of that - Heaven and angeldom and stepping back into that rut. Crowley makes it crystal clear that he would be happy with just Aziraphale. The love is there, from both sides. Instead of one saying "come away with me" we got the double-whammy "come away with me".
I'm absolutely certain that being stuck back in Heaven is Aziraphale's worst nightmare, especially without his emotional support demon. And the bigger the threat of Armageddon 2.0 grows, the more he realises what he will lose.
I don't doubt that any threat to Crowley will activate every Guardian instinct in that fluffy angel's head. Aziraphale has spent many a happy time letting Crowley rescue him from dangerous situations, but if anyone - anyone - threatens harm to his demon, Aziraphale Will Not Care For It.
I am so here for the territorial fierce Guardian of the Eastern Gate who puts his foot down and says "No, actually, this is my world, that is my city, that is my demon, and you are not destroying them, thank you very much. If you want to get to them you have to go through me and thank you very much for giving me all the powers of the highest of Archangels :)"
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deppiet · 9 months
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About the yassification of GO2.
Warning: the following text is highly critical of the second season of Good Omens. If you enjoyed it, I am happy for you, and a non-negligible amount of jealous as well. Please scroll past before I inevitably rain on your fandom parade.
So, I did the thing. I binged the entire second season of what was, up to now, my favorite show ever, in one sitting. And I have a great deal of things to say, but hardly any of them is positive.
Let me start by saying that I don't mind the cliffhanger or the melancholy ending, like at all. In our era of Marvel apologists and the instant gratification culture, it is necessary for media to persevere and add nuance to romantic relationships. That said, what transpired during the six hours leading up to this sort of unearned climax hardly contains anything remotely close to nuance.
Who are these people? I don't mean the new characters, all of them written as cardboard-cut anthropomorphic personifications of stereotypes, yassified to the point of representation losing its purpose and getting in the way of, you know, actual writing. I mean the protagonists themselves, Aziraphale and Crowley, up to now my favorite characters in the entire world and -up to now- tangled in a love story so beautiful I had, for better or for worse, devoted a large part of my creative output on it, making art, songs, and metas on why what those two entities had was as close to perfect as anyone can hope to find for themselves.
These are not the characters I knew. The characters I knew spent hundreds of human lifetimes revolving around each other in a treacherous yet familiar dance- they both knew the love was there, it was comfortable like an armchair that has taken the shape of the body using it for years. They argued the way old couples do, and of course, like all fictional beings that are counterparts of one another, had differences to settle, but what stood in their way wasn't misunderstanding or miscommunication, in was their fear of Heaven and Hell, and their fundamentally different approaches on how to keep each other safe.
What is all this teen angst? This will-they-won't-they silliness that lacks any nuance, thematic coherence, or literally even trace amounts of understanding of the source material? Where is the dark humor, the quotability, the chaotic overarching plot, the self conscious camp? The season is so cynically written to cater specifically to a certain part of fandom, that I am losing respect for the original work- because if Neil Gaiman doesn't care for these fictional beings, and he evidently doesn't, why should I?
The thematic core of what made Good Omens what it was, had always been the "Love in unexpected places" trope Sir Terry Pratchett knew how to write so well. It had never been about the fantasy, because Sir Terry wrote satire wrapped up in a supernatural package, it had never been about the romance, because when the ship becomes the end instead of the means, the love rings hollow, like artificial light trying to pass as sunshine. The beating heart of GO lies in its philosophy, in the beautiful notion that the agents of two oppressive systems at war have more in common with one another than with their respective oppressors. That being a nobody, a mere cog in a larger machine, says more about said machine than it does about you, and that you can try to break free and build a life for yourself, where a happy ending looks like a dinner at the Ritz with the one you love most.
Shoehorning an underdeveloped "romance" between Beelzebub and Gabriel not only feels like bad fanfic (disclaimer: I like the ship and feel like it could have worked if developed in any capacity, and presented in a more humorous and character-appropriate way. I hate with passion how much they watered down Beelzebub in order to make them stereotypically romanceable, adding the Ineffable Bureaucracy to the ever-expanding list of characters I don't care about anymore.) but also, it muddles and grossly undermines the thematic raison d'être of Ineffable Husbands. If the ramifications for defecting and fucking off with the enemy were a slap on the wrist for the respective leaders of both sides, well surely the system can't be that oppressive after all. And if fear of the oppressive system wasn't, after all, what kept these beings apart, surely these two entities don't like each other as much as we thought. Or rather, one is reduced to a lovesick puppy and the other to a brainless husk of a character, a plot device, a means to go from place A to place B without spending much brainpower on the logistics.
And if these two new people got to kiss I care not, for they are not the same people I rooted for (props, though, to the actors, who gave, somehow, an almost Shakespearean gravitas to their love affair, underwritten and dumbed down as it was. They both love the characters, and it shows in the minuscule yet brilliant ways in which they added nuance where the script had none.)
What was that thing with the lesbians about? Though straight passing, I have always known myself to be attracted to women as well as men, and I am always highly suspicious when an "ally" writer (see: straight, no shade to straight people among which I live because they are, like, the majority) decides to make all characters queer, in the face of real-world statistics and despite NOT being queer themselves. When a person like Nate Stevenson does it they get a pass because writers self-insert and because, when done well, it can carry a message of equality. But when the ally writer does it, unless it is pitch-perfect, I am forced to examine the possibility of them being calculating about it and trying to score representation points, often because they need the rep as a fig leaf to cry homophobia behind when people start complaining about the atrocious plot.
Nina and Maggie were boring. They had no personalities, no cohesive backstories, nothing to make us understand what they are to one another and to the overarching plot ("plot" is used loosely here, for there was no plot: the series ended where it should have started, with six hours of -progressively more offensive to my intelligence- fanfic tropes in a trenchcoat serving as the, well, "plot"). I didn't care whether or not they'd end up together, because I have no idea who they are. The blandness of the dialogue had the actresses, both very talented as evidenced in the first season, grasping at straws with what little characterization they were left to work with, and the "ball" was so unbelievably bad a plot device no amount of suspension of disbelief was ever going to make it right.
The minisodes, though at parts clever and philosophical, felt out of place. This was another narrative choice I had to raise my eyebrows at, because it felt like a bunch of executives sat around a table and watched Neil Gaiman's powerpoint presentation of what made Season 1 financially successful. They were shoehorned in, largely irrelevant to the, eh, "plot", and most of them lasted far more than I personally deemed welcome, or necessary.
What else is there to say? The wink-winks and nudge-nudges to the Tumblr nation? The in-your-face Doctor Who reference? The narratively myopic choice to make Crowley a former archangel? The cheese dialogue, not one bit of which was quotable?
I am distraught. I am grieving an old friend, and a part of my fandom life I cannot, in good faith, return back to after this gross betrayal. I am happy for those who don't see it, because I wish I could love this season past its flaws. However, the writing isn't simply mediocre, it is irrevocably, immeasurably, undescribably bad, so bad I am shocked to my very core, so bad I find it offensive to Sir Terry's memory and everything his own creative output was lovingly filled with.
I am passing all five stages of grief and very much doubt I will return to this fandom. I loved the original story and the characters with all my heart- now the aforementioned heart is broken, not by the breakup or anything as pedestrian as cheap romantic tropes. But because my old friends, my family of fictional beings, are no longer the ones I loved and could relate to.
Deppie out.
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REWATCHING GO S1, LIVE PLAY-BY-PLAY OF DOOMSDAY WAHOO
HELLO MAGGOTS REWATCHING SEASON 1 BECAUSE THE FIRST TIME WAS A KIDNAPPING CHAOTIC MESS. EPISODE ONE HERE GOES. I DON'T REMEMBER A LOT OF DETAILS BUT YES.
Opening scene and Earth's got vibe-checked by God and I've been gaslit about the dinosaurs
GARDEN OF EDEEEEEN wow his first appearance and Aziraphale's already so prissy and flustered might fuck around and fall in love with him idk
I finally understand who these mf's are hi Hastur and Ligur you're not zombies after all
FOR FUCK'S SAKE SECOND SCENE CROWLEY'S BEEN IN AND SHE WALKED IN, SERVED HIPS HAIR AND CUNT, AND THEN MANAGED TO TALK HER AWAY INTO A PROBLEM
LIKE GENUINELY SHE COMES AND SASHAYS WITH HER HAIR AND SAYS TIMES ARE CHANGING AND HEAD OFFICE LOVES ME AND JUST INSTANTLY HASTUR AND LIGUR USE HER WORDS AGAINST HER
idk sister mary loquacious is kinda doing it for me rn with that satanic nun's habit and losergirl energy
third crowley scene and he's misplaced THE LITERALLY GODDAMNED ANTICHRIST because he made small talk with a bloke outside without checking for details
mmmmhm yes sister mary wink again your bitchless decisions are sexy y'know what i mean
Gabriel feels like his brain was eviscerated and replaced with one of those youtuber's paid course promos at the end of their how to change your life in 45 days: three simple mindset shifts video
so THIS IS WHY EVERYONE KEEPS SAYING PAVLOVIAN IN THIS FANDOM IT'S BECAUSE OF DUCKS of course it's because of ducks
mmmhm yes sure crepes French revolu--Crowley stop eye-fucking Aziraphale you're making everyone at the Ritz horny
Aziraphale don't moan into your food man you can't take these two anywhere
Crowley thanking the driver for slowing down is everything to me
And they're drunk hu-fucking-zzah good thing we'll have 11 year olds saving the world coz these fuckers sure ain't doing shit
OH MY GOD HE WAS TRYING TO SAY BOUILLABAISSE I JUST REALISED. I THOUGHT HE WAS JUST MAKING KISSY FACES AT AZIRAPHALE I'M NOT OK-
What Aziraphale was doing back was definitely kissy faces though that mfer wasn't even trying to say bouillabaisse when Crowley said what sounded suspiciously like baby
kissy kissy from lil miss prissy [i would have made such a great high school bully shame i had no inclinations that way]
SORRY WHAT THE BLOODY FUCK WAS THAT SOBERING UP EXCUSE ME THE FANFICS MADE IT SOUND LIKE IT WAS A CLICK AND THEY'RE SUDDENLY NORMAL WHY IS THE ALCOHOL REFILLING
oop nun down nun down
i want ya see a wile ya thwart amirite on a t-shirt
"actually i encourage humans to-" just say you're a lazy bitch azi we love you
love crowley fake-manipulating azi into helping like azi wants to be manipulated y'know so it's not technically his fault he was wiled over or whatever and they're both just such ENABLERS
not azi going SOFT at being godfathers with crowley
NOT BROTHER FRANCIS PLEASE NO FOR THE LOVE OF ALL THAT IS SACRED AZI WHY WOULD YOU DO THIS PLEASE
WARLOCKKKKK I LOVE YOUUUUUUUUUUUUUU
HNNNG MICHAEL SHEEN HAD TOO MUCH FUN WITH THIS
why is nanny ashtoreth so seductive with that of course dear is it just crowley's inherent disastergirl sex appeal
HALF PONYTAIL CROWLEY I AM A FUCKING SLUT FOR HALF PONYTAIL
GASLIGHTING HEAVEN AND HELL THAT'S MY BABYGIRLS
erIC THE DISPOSABLE DEMON I DIDN'T KNOW THEY COME IN S1 well not come i hope unless being eaten by a hellho--nope
ANGEL CROWLEY SAID ANGEL ANGEL ANGEL
CROWLEY TRYING TO BE SUBTLE ABOUT KILLING BEFORE GETTING ANNOYED
waiter crOWLEY OUTFIT I CANNOT BE NORMAL AFTER THE WEDDING DRESS DESIGNING ABOUT THIS COSTUME
FOOLS WRONG BOY YOU FOOLS IM DEAD
DOG IS UNIRONICALLY SO CUTE EVEN BEFORE IT GOES SMOL
gonna give my roxie a kissy brb she's my angel and all this dog talk makes me miss her (she's a few feet away under the bed)
i asked her for a kissy and she crawled out and gave me a kiss i love her
DOGGGGG ADAMMM
...roxie's crying to be taken downstairs it's nearly 2 am this is on me for waking her up i crowley'd myself fml
EYYYYY WELCOME TO THE END TIMES don't mind me I'll have to take roxie down yes I know maggots I'm crowley-coded I KNOW THAT I'M A BLOODY DISASTER BYEEEEEEEE
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Okay now that I'm calmer and have time to think about good omens season 2 properly and am not engulfed in gay despair I need to talk about the latter portion of episode 6. (So spoilers. Obviously.)
I kind of believe in the Coffee theory. If you haven't heard about it, there are much better descriptions of it out there, but I'll summarize it for you to the best of my abilities.
So the coffee theory stems from the coffee that the Metatron bought Aziraphale at the end of episode 6. How I understand it, is that he performed a miracle on it and by getting Aziraphale to take it, it kind of brainwashed him into going along with it. That's why he was so out of character, because he literally was out of character.
Although I feel like this has a part to play in it, I feel like there's a bit more under that. The Metatron straight up used many manipulation tactics to get Aziraphale to go along with him. I reblogged a post about it earlier (I think) but pretty much he originally made it seem like Aziraphale had a choice but after what went down with Crowley (which I will also get into in a bit) he didn't let Aziraphale actually choose if he was going to go. He said "are you ready to proceed?" rather than asking what he decided. AZIRAPHALE WAS STRESSED THE FUCK OUT AT THIS POINT AND DIDN'T HAVE HALF A MIND TO ACTUALLY THINK ABOUT WHAT WAS HAPPENING.
Also, to circle back to what happened with Crowley, I'm very upset, as are many other people, but what happened makes sense to me. Firstly, their relationship had been seen as pretty much taboo since the beginning of everything. Of course Aziraphale wouldn't reciprocate after what had just happened. He, again, WAS STRESSED THE FUCK OUT. Also, he had just had the shitshow of a conversation with Crowley and he wasn't expecting the kiss. He had pretty much turned Crowley down at this point. Don't misunderstand, however, I don't think that the kiss was not wanted (you can literally see Aziraphale fighting with himself over to reciprocate or not; hence his hands going to like caress Crowley's back for a moment at the start, about to pull him closer before he decides against it and just lets his hands hover) but it really just didn't come at a good time.
Anyways, this was all to say, Aziraphale did do a lot of wrong in the last 15 minutes, but it wasn't his fault. Crowley very much did NOT deserve that (poor love just wanted to have breakfast at the ritz with the ethereal being he'd loved for 60 centuries) but please PLEASE do not frame Aziraphale as a villain of any kind. If we get a season 3, he will realize what the fuck is up. I'm sure of it. And if he doesn't, well fuck me I guess.
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mimisempai · 2 months
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Our oath
Summary
What was supposed to be just a romantic flight takes on a whole new meaning as Aziraphale and Crowley gaze up at the world from the starry sky.
Notes
I didn't plan them to take me there, but I don't regret it...
For the @flashfictionfridayofficial - #FFF242 Soaring Above
On Ao3
Rating G -  755 words
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He spread his wings, made a few movements with them to make sure they were working properly, then took a deep breath and said, "Let's go."
He flew up into the sky, and as he soared higher, he saw the bookshop, the busy Whickber Street, and then the city lights grew smaller and smaller. Then he flew past some clouds until there was night and stars all around him, and he stopped to look at the Earth, now barely bigger than a small marble.
So small in this great universe, so beautiful and fragile. 
But oh, so precious.
He felt, as he always had when it came to the little planet, this deep, strong, raw love that drove him to protect it and its inhabitants from all dangers and whatever else his and Crowley's ex-sides might think of doing, because for Heaven and Hell, Earth means nothing or just a means to an end.
At that thought, he feels anger growing deep inside him. The same anger he is filled with every time he thinks about how Heaven regards its own creation. He feels it growing inside him, intense, burning, uncontrollable.
"Angel?"
Then it immediately stopped.
Just that word, uttered in a soft voice, overcame the rage that overcame him, and the gentle pressure on his hand was enough to make it subside, leaving only the love for this planet and the fierce will to protect it, no matter the cost.
Then a caress on his hand removed the last vestiges of anger and he turned his eyes to the demon at his side. Crowley, in whose eyes he read understanding and the same fervor as his own.
This planet, so precious to them, for it was what brought them together in the first place. Before their shared love, it was the will to save the Earth and its people that made them overcome all the obstacles that fate had placed between them.
Once he's calmed down, he can also see the concern in the demon's eyes and blames himself for being the one who put it there.
Crowley asked him gently, "Are you all right, Angel?"
Aziraphale, without letting go of his hand, moved closer to him, his wings fluttering gently, then replied, "Yes, I'm fine. I'm sorry, I didn't mean for this flight in the sky to turn into a drama."
Crowley gently stroked his cheek and shook his head before saying, "Don't be sorry. I know how you feel. We won't let anything happen to them."
"How do you understand me so well?"
The demon winked at him and replied playfully, "Thousands of years of practice," then his expression turned serious again as his eyes focused on the planet far below their feet and he said quietly, "This is our home. So we will protect it. Together."
He wrapped his arm around the angel's waist, and Aziraphale rested his head on his shoulder, repeating softly, "Together."
They stayed like that for a few minutes, embracing in the starry sky, looking down on this world and its inhabitants that they loved so much.
Then Aziraphale slid his hand down the demon's arm and intertwined their fingers, saying softly, "Come on, let's go home."
Crowley smiled at him, nodded, and together they flapped their wings before diving toward the Earth.
They both felt their hearts racing as they approached the Earth. Crowley gripped Aziraphale's hand a little tighter as they flew over Tadfield, and a little later, Aziraphale's hand tightened around Crowley's as they passed over Whickber Street, where their family and the heart of their home lay.
They finally landed on the roof of the bookshop, still holding hands.
Aziraphale pushed back a lock of red hair that had fallen across Crowley's forehead during their flight and said quietly, "How about dinner at the Ritz to end the evening on a high note?"
The demon simply asked, "By land or by air?"
The angel immediately replied, "By land, among them."
Crowley planted a light kiss on Aziraphale's lips and nodded before saying quietly, "Let's go, Angel."
Some time later, they entered the Ritz and a butler escorted them to their usual table.
After their champagne glasses were filled, Crowley raised his to the angel and said softly, "Cheers, to the world."
Aziraphale clinked his glass against the demon's and replied, "To our world."
They said nothing more, they didn't need to as the same burning will to cherish and protect this world was shining in their eyes.
Their oath.
To the world.
To their world.
_________
Still not beta'd
Still not my native language
Still hoping you'll enjoy this story  🥰
Still thanking you for bearing with me 😝
Ineffable Growing Love series : (After season 2) 
Part 1 Story 1-99
Part 2 Story 100-?
Ineffable Husbands masterlist : here (Before season 2)
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lucidlivi · 11 months
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Chosen For Pleasure (VI)
Series Masterlist/Warnings
Tag List: @ladysparkles78 @suckitands33 @little-x-wolf @stoneyggirl2 @creative-writing92 @jc-winchester @mrsjenniferwinchester @lessons-of-red @jamerlynn @deans-baby-momma @willow-sages @ritz-hell-hotel @perpetualabsurdity (If you would like added, please send me a message, it's easier to keep track of! Much love to everyone already on it!)
soft ass chapter for you all!
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I walked back down the dirt path towards Jared's house, a few stray tears slipping from my eyes. I quickly wiped them away.
I wouldn't give Jensen the satisfaction of seeing me cry.
It's not like he would anyways.
He was already practically at the door, taking larger strides than me. I noticed him stop, his hand on the handle, his shoulders slumped over. I thought he was going to turn around and apologize but instead he sulked inside the house with a huff.
I sat down on Jared's porch steps, taking a minute to collect myself. It wasn't like I could just leave, we were almost three hours away from Laredo, and I came here with Jensen.
Fuck.
Why did he have to make this so difficult?
I was trying really hard to understand him, but I won't fight for something if he won't even meet me halfway.
I heard the door open slowly a body slipping out.
"can you please just give me a minute Jensen.." I started but was cut off.
"It's Jared."
Jared sat down beside me placing a comforting hand on my shoulder.
"sorry, I just uh needed a minute." I said playing with my hands.
Jared nodded his head as I took a shaky breath.
"he's kind of a asshole sometimes." Jared spoke making me smile.
I thought asshole was putting it mildly but I wouldn't say that.
"just a little." I spoke biting my lip.
"look it’s really not my place, but he's been through some really bad shit, and so for him it's just easier to push people away then deal with his feelings which is why he acts like an ass." Jared explained.
I was silent, fighting the tears that threatened to fall any minute.
"but I can honestly say, him bringing you here, him grabbing your hand in front of the guys, that's him trying, something he doesn't do very often." he added.
"why can't he tell me this himself?" I asked placing my head in my hands.
Jared didn't say anything as he rubbed a hand down my back in comfort.
"he makes it so incredibly hard to get close to him." I spoke finally picking my head back up.
“I’ve watched Jensen push away many good things in his life, but I don't want to sit by and watch him lose this too. I think you're good for him, whether he'll admit it or not. you...you push his buttons, and you don't allow him to get away with his bullshit. that's exactly what he needs. I guess what I'm trying to say is to give him some time, he'll come around, and when he's ready, he'll let you in."
I chewed on my bottom lip contemplating his words.
"Jared, what did Jensen whisper to you the day I first met you, when you came to his house?" I asked nervously, turning my body so it was fully facing Jared.
Jared beamed with a smile looking in my eyes.
"he said you were definitely not like the other girls who've been there."
I couldn't fight the smile that appeared on my face. I guess if I really wanted Jensen, I'd have to take him flaws and all. I was just hoping that Jared was right, if I just gave it time, he'd finally let me in.
"thanks Jared." I smiled giving him a hug.
"of course, now you have to come in and try Gen's dessert, it's to die for." Jared smiled helping me up.
As he opened the door for us to go in, Jensen stood on the other side, like he was coming out.
"I'll uh, give you guys a minute." Jared said smiling at me and stepping to the side so Jensen can come out.
I stood in silence, my arms folded across my chest.
"what did he uh say to you?" Jensen asked hesitantly.
"don't worry, he didn't spill any of your secrets... said you were an asshole though." I smirked satisfied with my jab.
"I am." Jensen said.
It hurt me to hear him talk badly about himself. Even though he totally deserved it.
"he also told me that you were trying, and that you push people away because it's easier for you." I said uncrossing my arms.
Jensen looked slightly relieved at my words.
"I am trying, god (y/n) I've never had to try this much with a woman before, I slept with you in my bed, I.. I threatened a douche bag at the bar for you, I even went looking for a stupid sd card…” he rambled but I cut him off.
“you went looking for my sd card?”
“yeah, I mean I needed some excuse to see you again, so I went looking for it.” He said rubbing his neck nervously.
I felt my heart rate increase, the butterflies in my stomach erupting.
He does care.
“I’m trying and it's driving me crazy, you're driving me crazy." He murmured, his large hand cupping my cheek.
"Jensen I'm not trying to drive you crazy" I said laughing.
"you're driving me crazy because you're changing me."
I felt the breath get caught in my throat. I bit my lip looking up at him. I could tell this wasn’t him acting, he was being real and raw right now.
"how about this I won't push you about your past as long as you promise me you'll at least try to meet me halfway?" I offered him with a smile.
"I promise I'll try." Jensen said bringing his lips down kissing my forehead while pulling me to his chest.
I wrapped my arms around him, squeezing him tightly. He removed his arms, but settled one around my waist as he led me back inside.
"oh there they are, thought you two were screwing somewhere on the property." Jeff laughed, a shot glass in his hand filled with what appeared to be whiskey.
"I think he's drunk." Jensen whispered in my ear.
"no we uh save the screwing for his house." I joked with Jeff sending Jensen a wink.
I could see his eyes go dark with lust.
I walked in to the kitchen, wanting to apologize to Genevieve for my leaving. Jared was on his way out with a bottle of rum. He quickly caught my elbow.
"everything okay with you guys?"
"thanks in part to you." I said offering him a smile.
"yeah well, like I said he needs someone to keep him in check." Jared laughed.
It was a rather uneventful rest of the night. All the guys sat around a small fire pit on Jared's deck swapping stories while sipping on some rum from Jensen's business.
Well with the exception of Jeff who was chugging it, and was clearly wasted.
I sat beside Jensen listening intently to them talk, laughing at their antics. Jensen's hand stayed at rest on my thigh, stroking his fingers gently making me flinch every time he did so. Everyone started to say their goodbyes. I gave Genevieve a big hug.
"please come around again, it's nice to have another female here." she said smiling.
I gave a hug to Misha and Jared, and a handshake to both Mark's and Richard, not having the time to connect with them as much as Misha and Jared. Jeff gave me a big hug that lasted a little too long, forcing Jensen to pry me away as I laughed.
"ah come on don't be such a party pooper Ackles." Jeff slurred with a smirk.
He wasn't serious, it was all just in good fun.
“get your own Jeff.” Jensen laughed.
Jensen led me back out to the ferrari opening the door for me. Once he was in he looked my way with a smile.
“I think they liked you, some of them a little too much.” He said.
“I liked them too… especially Jeff.” I shot back biting my bottom lip.
He was an asshole tonight, so I was going to push his buttons, I mean it was only fair after all.
“oh is that right?”
“uh huh, he’s my favorite character from the show.” I smirked.
I could see Jensen’s jaw tense as I continued to tease.
“In fact I always found him kind of sexy.” I pushed further.
“sexy huh?”
“sexiest on the show.”
Jensen growled. He kept one hand on the wheel while the other rested on my leg running up my thigh. He continued upwards until he was rubbing his fingers over my lace thong.
“how sexy is he now?” Jensen asked rubbing his thumb over my sensitive spot.
I bit my lip not wanting to moan at his touch.
He wasn’t winning this one that easily. I put my hand on his thigh starting to massage it. He groaned as I let my hand linger over his crotch. He was already hard.
He pulled my panties to the side, easily inserting his two fingers, and rubbing up and down my slit. I panted heavily, it was getting harder to choke back the moans that wished to escape.
okay then, two can play your game. I reached over undoing the button on his pants and palmed him through his boxers.
“you better stop that if you don’t want me to crash this car.” He groaned.
“stop what?” I asked innocently.
I slipped my hand into the waistband of his boxers, gently running my fingers over his length He removed his fingers gripping the wheel tightly with both hands.
“fuck.” He groaned throwing his head back.
I rubbed up and down his length with my hand, his hips instinctively bucking up to meet my palm.
“fuck, you gotta stop, can’t focus on driving.”Jensen panted.
I slowly pulled my hand out of his boxers making sure my fingers danced over him one last time.
“oops” I smirked.
Jensen looked over at me, his pupils dilated with pleasure.
“take your panties off.” Jensen ordered.
“hm what for?”
“cause as soon as we get out of this car I’m fucking you senseless… or I could always rip them off, up to you.” He growled.
I leaned over peppering light kisses to his neck.
“I think I’ll go with option two..” I whispered seductively in his ear.
“as you wish angel.” Jensen growled.
I felt the car speed up, making me clutch the door handle for stability. I laughed as Jensen ran a stop sign trying his quickest to get back to his house.
“okay easy there race car driver, we can’t fuck if we don’t make it back in one piece.” I said as Jensen increased his speed a little more.
I gasped as he did a burn out in to his driveway. Once the car was stopped he grabbed me pulling me over to straddle his lap. His lips went to my neck kissing up and down it feverishly. I could feel him throbbing through his jeans. I ground my hips down on to his causing a throaty moan to escape his lips.
His hand traveled to my panties. The sound of ripping fabric filled the car.
“Jensen please fuck me.” I whined.
I’m not sure how he did it, but he somehow got out of the car with me still straddling him. My lips sucked on his neck, kissing his bearded jaw. He fumbled with his keys, trying to unlock the door.
Fuck he was taking too long.
He finally got the door unlocked. He walked me over to his dining room table laying me down gently. He quickly disposed of his shirt, before pulling his pants and boxers down to his ankles. I yelped as he pulled me by my legs down the table until my butt was dangling off the edge. He wrapped my legs around him, lining himself up with my entrance.
I let out a breathy moan as he thrust in to me.
“fuck you feel so good.” Jensen groaned.
He worked at a quick pace thrusting in and out of me. Jensen worked my dress over my head leaving only just my bra.
“better take that off, or I’m gonna rip it too.” He groaned thrusting deeper.
I quickly unclasped my bra, sliding it off and throwing it to the floor. Jensen’s lips came down to my breast, his sweet lips wrapping around my hardened nipple.
“fuck Jensen.” I moaned as my hands came up to his hair tugging it.
“that’s right angel moan my name.” He growled, his thrusts becoming noticeably sloppy.
“Jensen.” I moaned again feeling my high approach.
Jensen snapped his hips harder and faster.
“I’m not making it much longer sweetheart.” He moaned.
“that’s fine me either.” I panted.
Another snap of his hips had Jensen spilling out, a string of curse words leaving his lips. Just that sight alone was enough to make me reach my high. His name leaving my lips as I orgasmed.
My body went limp as he pulled out.
Fuck.
I don’t think I’d ever get tired of that.
Jensen picked me up bridal style bringing me over to his sectional, laying us down so I was on top of him. My head lay on his chest as his hands rubbed up and down my back.
“do you really have to go to California this weekend?” He asked hands now playing with my hair.
“yeah I do… I have to meet Richard.”
“but you already met Richard?” Jensen said confusion in his voice.
“not that Richard you doofus.. my moms new boyfriend.” I laughed.
“Oh and how do you feel about that?” He asked in concern.
“I feel that she deserves to be happy, and if this guy really makes her happy then I’ll be fine… she was really hurt when daddy died, she told me she’d never find another love like that, and she did… so maybe that means there’s hope for the rest of us.” I said biting my lip.
I noticed Jensen was quiet again. Oh no, he wasn’t shutting down again was he?
“Jensen? I didn’t say something that upset you did I?” I hesitantly asked.
“maybe some of us are just hopeless.” He whispered.
I quickly picked my head up to look in his eyes but he was glancing at the floor.
“Jensen look at me.” I said placing a hand on his cheek and forcing him to look in my eyes.
“you are not hopeless.” I spoke sternly.
“how can you say that, I’ve been nothing but an asshole to you?” He said.
that wasn’t entirely true.
“yeah well I guess I have a soft spot for you Ackles, I mean you did go through all that trouble to find my sd card.” I said smiling.
“do you know how hard that little thing was to find in the dark?” He asked laughing.
“oh I’m sure it was.”
“I spent over an hour looking for that thing, had Cole and a couple other guys helping me.” He said laughing still.
I felt the heat rush to my cheeks. I leaned down pressing a soft kiss to his cheek.
“and who said you didn’t have a heart?”
“I guess I let it come out every now and then.” He murmured licking his lips.
“well I really like when it does.” I whisper brushing my fingers across his cheek.
He cuddled me closer to his body. I laid my head back on his chest wishing we could just live in this moment forever.
however that wasn’t reality….
and reality sucked.
Author Note:
Damn another cliffhanger, I be doing this to myself too don’t worry. Remember if you’re enjoying and want to see more, show some love! It’s all appreciated!
xoxoxo
Part (VII)
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yello do you want to read something mildly depressing? (if you don't, then just don't read this :)
We talk about Crowley and Aziraphale being depressed after the second season all the time, but I think we're all expecting a dramatic post-breakup pettiness with loud sobbing and love songs. I've got a very different idea of how their depression could be presented
Crowley never drives the Bentley anymore because it used to give him so much joy and he doesn't think he deserves it. He walks everywhere but his walk is no longer a saunter, just a deflated step after step. He might take the tube round London, but he never gets off at Soho, never goes near the street with the bookshop. Crowley stays far away from the Ritz, St James' Park, and all bookshops in general. He always stands on the tubes and the trains, even if every seat is free, he never lets himself sit down, Crowley never gives himself a rest. The colour in his yellow eyes has faded to a sickly grey, so he never wears sunglasses in public anymore. He'd opened his heart up and it had flown away to heaven and never returned, he has no vulnerability to hide anymore. Although it wouldn't matter if his eyes were unusual enough to frighten passers by, because he never revisits the places he goes, everyone who sees him only sees him once, as he never goes back to the same places. Crowley never drinks, of course it reminds him of how he no longer has anyone to share the bottle with. The energy in his expressions, the amusement, the sarcasm is all gone. He doesn't sleep and he doesn't leave London. There are plenty of pubs that he's yet to drink tap water in. His life is one continuous dry and lonely pub crawl. Crawling is what he does after all, his frivolous walking days are over.
Aziraphale has lost the brightness in his eyes, he never sways on his feet in excitement, never fidgets with his hands in anticipation, not that he has anything to anticipate. Time never moves in heaven. His face is no longer patterned with flitting micro-expressions, his eyebrows never raise, and the corners of his mouth have forgotten how to smile. Aziraphale's tartan features have dissipated and his beloved coat is filed away between rows and rows of archived material in a storage room on one of the lowest floors. He doesn't ever plan to go and look for it. So he wears a clean white suit with stiff, cold fabric. He never sits at his desk, but instead stands behind it, facing away from the long hall and looking out onto what happens to be a ghostly apparition of the Taj Mahal through the large windows. He looks like he's deep in thought, but in truth very few thoughts pass through his mind now. Every angel silently fears him, not because Aziraphale is a harsh boss, but because of his quiet demeanour that instills an emotion not unlike guilt, as if they've taken something from him that they could never begin to understand the importance of. He does his job impeccably, he knows exactly how to make each decision, but there's no enthusiasm, no emotion whatsoever in the few words he utters.
They aren't talking because neither talk much to anyone.
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aziraphales-library · 7 months
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heyyy - first off im so sorry if my request fits into one of your general tags 😭 but um, could y'all rec any a/c fics (ace please) where there's miscommunication about feelings and/or a situation on both of their parts (i think there's a tag requited unrequited love that fits) and with a happy ending? preferably 4k plus but whatever you can find is cool - tysmm <33
You can browse our #asexual, #misunderstandings, and #not actually unrequited love tags for fics to enjoy. Here are more...
Communication Skills by ineffablefool (G)
It's become apparent to Aziraphale that there has been some fundamental miscommunication between himself and Crowley as to the nature of their relationship. Unfortunately, Crowley keeps running away every time he tries to set the record straight.
A Rubber Duck by CassandraLie (G)
There is a gift from Crowley on the table. A little box tied with a bow. Aziraphale is absolutely certain what's inside. (He is wrong.)
Falling for the Illusion by elf_on_the_shelf (G)
After a certain Doomsday That Wasn’t, a trial, and a dinner at the Ritz, both Crowley and Aziraphale plan on making their feelings known but severe miscommunications ensue that make them both doubt themselves and the bond they seem to share. Enter Anathema on her quest to make sense of angelic and demonic auras. Maybe that’s the nudge they needed in the first place to get them properly talking.
the taste of dried-up hopes by rattatatosk (T)
He'd thought Aziraphale would understand. They've known each other so long, spent so much time speaking this language of things implied and left unsaid, and the angel is usually so good at reading between the lines. Surely he would hear what Crowley meant now, when it mattered the most. Instead, the angel had thrown it all back in his face. (Crowley is trying to declare his feelings as loudly as he dares. Aziraphale gets the wrong message entirely. They figure things out eventually.)
The Bookshop by st_jimmy_987 (G)
Aziraphale and Crowley, while closer than any other living being in any plane of existence, seem to have two very different ideas of what they mean to each other.
Definitions of Love by organizechaos (T)
Aziraphale thinks that all the abuse and trauma he endured in heaven is ‘love’. After being freed after the apocalypse, the angel is beyond happy. He wants nothing more than to spend eternity with Crowley but the demon is ready to put a name to their feelings. They both know that they care for each other deeply and when Crowley finally has the courage to put it in words (‘I love you’), it sends Aziraphale spiraling into believing Crowley will start treating him like heaven did. "We- we don't have to pretend anymore.” Crowley stuttered out, golden eyes looking frantically about the angel. His sunglasses were clutched tightly in the palm of his hand, “The apocalypse is over, it has been for years. Can't we- can't we say it now?" his voice wavered only slightly. "I don't love you, Crowley." Aziraphale emphasized each word to better help the demon understand. He had never truly loved something in all his years of existence, he didn’t think he was capable. To love another being — especially Crowley... "I could never love you."
- Mod D
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Hey! I have another fic, fresh off AO3. Aziraphale asks Crowley about his trial. CW for a swear word and mention of hellfire.
Bon appetit! 🩷
The Trial That Never Was
It was a nice day. 
Not all of the days had been nice, as of late. But this one was. At least, for a certain angel and a certain demon, it was. Crowley and Aziraphale were enjoying a delightful evening stroll together, hand in hand, back at St James' Park again, following on from their wonderful dinner at the Ritz. 
Aziraphale had been quiet for the past ten minutes, however, and it was beginning to concern Crowley a tad. He squeezed his hand. "Penny for your thoughts, angel?"
Aziraphale turned to him, his expression unreadable. "What was my trial like?" 
Crowley's eyes widened behind his dark sunglasses. "You what?"
"Oh, you heard me, Crowley. What was my trial like? I can imagine they weren't particularly happy with me. Gabriel especially," he chuckled. 
For a second, Crowley considered lying to him. Only it wouldn't be fair, not considering everything they'd been through together. He sighed, and ran his spare hand through his hair. 
"You didn't get a proper trial, 'm afraid," he said, his voice just as soft as it had been the night before, when he'd suggested that Aziraphale stay at his overnight, following his bookshop burning down.
Aziraphale's eyebrows knitted together. "Wh-? Oh, it's not that I mind jokes, really, I don't-" 
Using his free hand again, Crowley removed his sunglasses and tucked them into his pocket. "Oh no, no jokes. I'm serious." 
Beside him, Aziraphale stilled. "But-I don't understand. You got a trial, Crowley. In Hell. The barbaric place full of demons. I don't get it." 
"Think it says a lot about Heaven then, don't you," Crowley muttered. 
Aziraphale's eyes filled with tears. Noticing this, Crowley took his thumb and moved it across Aziraphale's hand in a soothing, circular motion in order to calm him down.
"I just-we're supposed to be the good guys, for Heaven's sake!" Aziraphale pointed out. Crowley winced slightly.
"I know, angel. I know. I'm sorry, and I'm here. I'm right here," Crowley replied. 
Aziraphale still appeared to be distressed, however. "What did they say?" 
"Huh?" 
"What did they say? To you," Aziraphale asked. 
Crowley's jaw jutted out a little. He needed to protect his the angel, just a bit. He couldn't tell him.
"They wanted for you to get into the fire. That was all. Didn't say much," Crowley said, feigning casualty. 
"I see," said Aziraphale, but he still looked disturbed nonetheless. 
Crowley's eyes darted around the park. He noticed a small smattering of people ahead of them and clicked his fingers. They miraculously disappeared. 
"Angel," he said, with a cautious air, "would you like a hug?" 
Aziraphale smiled in that disarming manner of his. "I would love one, dear." 
As Crowley hugged Aziraphale against him, one thought kept running around his head, in circles: I am so bloody glad it was me who stepped into the hellfire, and not him. 
*******************************************************
Thank you guys as ever, for your support! It means a lot to me 💗💗💗
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just-1other-nerd · 9 months
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Good Omens live blog ep. 12
Once again, did not totally forget this one in my drafts, I don't know why you're saying that...
He doesn't have real candles anymore, after the incident
How did he know from which class Muriel was?
I like the way he contrasts heaven so much, it just looks so weirdly pretty. Also, he's just got the gayest walk
Oh no, not the angel outfit
Maggie, love, now is the wrong time to awake your inner badass. Aaand just minutes later we've got an I told you so situation
The circle is such a nice callback and clever as well
The Muriel Crowley combo is one of the best things in this season
Crowley was high up in the heavenly ranking? I just know that there will be so many fan theories
Gabriel, or shall I say Jim, is just enjoying the chaos
Did Gabriel just say "Nah", like for real? He's such a bitch
Why is Saraqael so chill right now?
I'll do myself one better: Why was Gabriel so chill about going to hell? Very sus
So that was the institutional problem, a bit unspectacular if you ask me
Not the BOOKS!!! As a fellow bookseller, this season really hurts me as much as the last one. Why do they keep doing this?
So halos are weapons? Cool. Idk how to explain it, but he throws it in such a gay way. Are they dead? Discorporated? Unconscious?
Love how Crowley just keeps giving orders, and they just follow them like he isn't a demon
So we got the high-ranking angels there, Lord Beelzebub and this seemingly high-ranking demon, but wtf is Furfur doing there?
Crowley just keeps insisting that there is no war and weirdly everyone listens?!
Saraqael has got the sass
I knew something was up with the fly! But I thought it was a false lead or to spy on them, not a container of Gabriel's memories!
Beelzebub is strangely nice and gentle
INEFFABLE BUREAUCRACY IS CANON?! I thought of this more as a fun crackship, and I thought it was so silly that this would never become canon, so I didn't expect the fly to be connected to Beelzebub in a good way.
When he shows them the statue, they just make an "okay weird" face and move on, I think that's hilarious
How his love for Beelzebub not only makes him do a miracle but also appreciate earthly things
But that montage convinced me that they deserve a happy ending somewhere where they can't hurt anyone. The way they look at each other. Damn Beelzebub has a pretty smile
Today everyone seems to forget Saraqael's name
Crowley's got such a fun dynamic with so many people
Oh, that one guy is still alive
Maggie makes some moves, you go girl!
The way Crowley proudly watches when Aziraphale becomes bossy
Alpha Centauri is back, I can't cope!!!
They're singing their song, that's so cute
Shax and Furfur being besties, like slay
Is that the Metatron? What is he doing here? I sense something bad coming
The way Crowley recognises him before everyone else is so funny
The Ritz, oh my God, the Ritz! And alone time?! Like a date?!
Crowley is putting everything back to where it was, that's husband behaviour
Nina and Maggie speaking the truth! And Nina called her angel! Best advice, 10/10. Is this really happening? Will the ineffable husbands really become canon? So excited!
The romantic music from the Blitz!
No, Aziraphale, don't interrupt him now!
Please, don't let that go to where I think it's going!
FUCK IT IS!!!
Aziraphale, I know you really believe what you're saying, but I'm with Crowley on this one!
We get a love confession anyways? I think I might be dying. The way he looks up trying not to cry, like same.
So many daggers are being put directly into my heart right now!
The sunglasses, NOOOOOO!
He really does understand it better than you, but he needs to explain it! There is so much more to say!
No nightingales. Really?! Neil knows the fandom to well, he knows exactly where to hit us, so that it really hurts. I love and despise him for this
Oh my God, it's happening, everybody stay calm, stay fucking calm! They really just kissed! It's canon y'all! But also: not like this! NOT THIS DESPERATELY AND NOT THIS DEVASTATINGLY! I'M IN AGONY!
Not the "I forgive you"! Aziraphale, you idiot, I can't even express why that line and Crowley's answer are so damn emotional and full of meaning. The parallels! I can't cope! I literally rolled off the couch, and now I'm lying on the carpet crying!
Not the lip touch!
I don't think Muriel will do any harm to the shop, but they'll probably make lots of mistakes...
He doesn't take anything with him because Crowley was the only thing that really mattered!
Crowley judgingly and sadly looking at Aziraphale and the Metatron makes the pieces of my heart break again! And the dramatic strings in the background aren't helping!
The second coming?! We're in for a wild ride in season 3, not only emotionally and characterwise but also plotwise! I literally can't wait!
I can't help but hope that he won't step into this elevator until the last second, but somewhere inside me, I know that he just isn't there yet in his character development
Crowley looks so heartbroken, he finally sees their relationship for what it is and now he's lost it! He's shutting down the nightinggales song and drives away expressionless
WHAT KIND OF AN ENDING IS THIS?! WHAT THE FUCK, NEIL, WHAT THE FUCK! HOW CAN YOU DO THIS TO US! ONLY SEASON 3 MIGHT BE ABLE TO HEAL US, BUT IT'LL TAKE FOREVER TIL IT'S OUT!
Loved this season, but damn do I feel an emotional overload and I have a love/hate relationship with that ending because as an aspiring writer, I would have done the same, it's brilliant, but it hurts so much!
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