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tossyouforedinburgh · 2 days

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I'm sick and I need to be gently cheered up, so here is more South Downs fluff for everyone

It had been so much to take in. Aziraphale must have been planning this for years, the entire cottage was a perfect home for the two of them. The sofa, long enough for Crowley to stretch all the way out on. the television, which must have been state of the art (in 1999) and a Golden Girls boxset. The sunroom with an oversized comfy chair surrounded by heat lamps, climate control for the whole room, and every single gardening tool Crowley could imagine--including a cheap plant mister from Sainsbury's. The statue of Evil Triumphing Over Good in the upstairs hallway. The compromise bedsheets in black and red tartan. As he stared around the garden, nothing much happening there yet, just a space begging to be dug up and planted and scolded, he felt a craving for a sit down and discovered a familiar looking bench shaded by an apple tree.

"Where did you get an exact replica of the benches in St James's park? Wait," Crowley interrupted himself to lean over and look underneath the bench. "This is our bench!"

"Oh yes, I did a jolly good deed and got the good people of London a brand new bench. and then I obviously had to take away the old one, so I did another good deed and brought it here. but... how did you know it was the same one?" Aziraphale peered under the bench, where someone had carved a heart into the wood. inside of the heart were the initials C and A, around the heart were wings and a little pointed tail. "How long has that been there?"

Crowley blushed and looked the other way. "A... while. Well, since they took the old benches away and put these ones in and I had to redo it. And before that... about 1990 I think."

"Well, that's no good, why is it under the bench?" Aziraphale rummaged in his pocket and pulled out a small knife, the kind you might use to cut up an apple, or defend yourself if you unexpectedly got into a scrape. well, you never know. best to be prepared. he leaned over the bench and neatly, in his best handwriting, carved Aziraphale&Crowley into the wood where it could be seen by anyone who walked by, and then paused and added a heart.

#good omens #aziraphale #crowley #ineffable husbands #aziracrow #ineffable idiots #ineffable spouses #neil gaiman #pls don't judge any mistakes my brain is full of fog and aoup

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talesoftheunimagined · 3 days

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[Mistaken Identity] Chapter 2

Rating: General

Fandom: Good Omens (Neil Gaiman & Terry Pratchett)

Relationships: Aziraphale x Crowley, Aziraphale/Crowley

Tags: Angst, Fluff, Heartbreak, Love, Georgian Era

Summary: The year is 1797. King George has just gotten over a bout of illness and a member of the English royal family had just gotten married to a Duchess of Holland, so why not throw a masquerade ball to celebrate the occasion and invite all the noblemen and women of The United Kingdom and surrounding areas?

Crowley and Aziraphale meet at the ball. Crowley, though, mistakes some identities.

Chapter one can be found here

Notes: Thank you for all the love for chapter one! <3

😇😈😇😈😇😈😇😈😇😈😇😈😇😈😇😈😇😈😇😈😇😈

If you'd wondered how big the ballroom was, it could hold an entire 60-person Classical orchestra. You might not think that's a lot. But consider the musical instruments and then also consider how many hundreds of people would appear at the ball; Dukes, Duchesses, Barons and Baroness, Kings, Queens, Princes, Princesses, foreign diplomats and attachés, counts and contessas. Then a whole armoury of staff plus the dresses and clothes they were all wearing. So it was no surprise to Aziraphale when he had lost Crowley for nearly three and a half hours. In his tipsy-nearly-drunk state, he had thought that he'd seen Crowley at least four times but it was just a mask that looked similar to his.

It was nearly ten o'clock when Aziraphale had spotted Crowley by the open doors of a balcony absent of the Swan lady he had danced with earlier. He was leaned up against a doorframe idly and looked out downwards out into the sconce-lit courtyard. Crowley had found out that the name of this woman was Frederica (but he hadn't found out that he had bedded crown Princess Frederica Charlotte of Prussia - daughter in law to the king) and that she was rather good in the bedroom. His hair was ever so slightly out of place but this wasn't extremely noticeable unless one had paid scrupulous attention to his hair before and after he'd vanished into a guest room. The demon was enjoying the cool summer night breeze (not that he actually needed it) and was also, rather squiffy.

"Having a rather good time, aren't we?" Said Aziraphale with light amusement.

"Mmh." The demon hummed, not looking at him. Probably just too drunk to speak.

"She'll confess you realize?" It wasn't a question but more or a statement. It still came out with a wistful, dreamlike tone. "We'll get her back on our side-"

"You're gorgeous, y'know that?" The demon cut him off. Aziraphale blushed deeply. "And - And - And - I would like to, to very much dance. With you. Now." Crowley, still not paying mind to Aziraphale, took his hand awkwardly and stumbled out into the center of the room. It all happened so quickly. Aziraphale's head spun from the sudden and unwarned movement - like when you stand up too fast and become dizzy and when he came to his senses, he found himself being thrown into an underarm spin by Crowley. He winced slightly as he drew the alcohol out of his system and sobered himself. The angel's heart raced. He suddenly became very aware of the situation: Crowley's slender fingers firmly grasping his waist, his smooth palm resting against his, both their chests pressing together and the feel of other women's dresses brushing against his legs and ankles as well as his own coat tails on the backs of his calves and knees. His heart fluttered and his face and ears glowed a brilliant bright red.

"Crowley-"

"I've been admiring you all night, you know."

"Well, Crowley, I must admit that I-"

"You're- you're angelic. Positively glowing in brilli- in brilli- you're beautiful." The demon slurred.

"Oh well, thank you, my dear-"

"And-" Crowley spun Aziraphale again. He was quite a skilled dancer even if he was drunk. He placed his hand firmly on the angel's hip once more and rested his chin on top of his head as they both fell back into a simple box step.

"I'm quite sure that you want what I'm after," His voice came out low, sensual. Almost a purr that would weaken anybody's knees. Aziraphale nearly melted.

"O-Oh, Crowley, I feel the exact same way I've just been rather too shy to admit! I thought it would be far too forward of me."

"- Frederica." Frederica. Bloody Frederica.The angel's heart sank down to the depths of hell and he could now feel his face heating up for another reason. This was now humiliation. His face fell, he tensed every muscle in his body. It was clear now that the demon had confused Aziraphale with the swan woman. After all, they did have similar masks and their heights and frames were similar. Similar enough for a drunkard to draw the conclusion that they may have been the same person. He hadn't even been listening or looking at him. He was far too drunk to even realize that she was not him. Tears stung his eyes. He wished, after nearly 6000 years of being on Earth, that he had never been sent down to this infernal planet!

"Crowley." The demon continued muttering things. Aziraphale ripped his hand out of Crowley's and threw his hand from his waist. He ran as fast as his legs could carry towards an open balcony before anybody else could catch on to what had just happened. The humiliation! Oh good heavens how could he have ever believed for one second that Crowley had meant those words for him?! Of course, he didn't! Couldn't! Wouldn't. Ever. A hard lump formed in his throat and he felt his lip quiver. He collapsed behind the door and bought his hands up to his forehead, staring down at the paving stones. He had let himself be tempted by the very force he was meant to have thwarted. How dare he! The stupid, foolish, hopeful angel.

Crowley stood in a daze in the middle of the ballroom. Then he realized the full weight of what had just happened as he miracled himself sober. A handful of couples stared at him in disgust - or maybe it was annoyance that he'd upset the mood of the party. His insides churned and twisted in a way he was quite sure shouldn't have worked in this human body. He felt like a true demon for the first time in centuries.

"Aziraphale...Aziraphale!"

Aziraphale leaned his head against the stone of the balcony railing. His head was thrumming. He could quite clearly hear the calls of his name getting nearer and nearer to him. The angel slammed the balcony door with such ferocity that the pigeons on the roof scattered scared into the night and the glass pains almost shattered. The last thing he wanted was to face Crowley and cause any more humiliation on his own part - thank you very much!

"Oh! Oh!" His face scrunched up in almost pain. "OH! Will you please just fuck right off!"

#aziraphale x crowley #aziraphale/crowley #chapter 2 #mistaken identity #good omens #crowley #aziraphale #fluff #angst #aziracrow

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aziraphalalala · 8 months

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I am not entirely certain what will happen once the actors & writers strike ends, but I'm pretty sure Michael Sheen will break the sound barrier with how fast he will go feral on the internets about how Aziraphale wants to eat Crowley's ox rib

#i mean have you seen how he looks at David Tennant #Have you seen how Aziraphale looks at Crowley #it's not a “I like him a normal amount” kinda look #it's more of a “I hope you've put down some solid roots cause Imma climb you like a tree” manic stare #and he has been 0% chill in all earlier statements about it #so i anticipate a feral front approaching from Wales with a hefty precipitation of Sheenussy on display #Is this post inappropriate?#i don't even know anymore #my brains are scrambled to the point of no return #what is reality #hahaha I don't care let me shitpost and die on this hill #good omens #good omens 2 #michael sheen #aziraphale #ineffable idiots #ineffable husbands #aziracrow

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athousandyearstime · 4 months

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Holy water won't just kill your body. It will destroy you completely. You told me what you think 105 years ago. And I haven't changed my mind.

GOOD OMENS | 1.03 "Hard Times"

#good omens #goodomensedit #goedit #anthony j crowley #crowley #aziraphale #ineffable husbands #aziracrow #michael sheen #david tennant #goodomensgifs #tvedit #cinematv #tusermyra #ughmerlin #arthurpendragonns #mygifs #lay awake the other night thinking about the soft way crowley asks 'after everything you said? 🥺'#no wonder he looks at him like this behind those glasses have you seen how pretty aziraphale is in this scene

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joycrispy · 8 months

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I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

#good omens #ineffable husbands #aziracrow #Crowley #Aziraphale #good omens 2 #good omens meta

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inhonoredglory · 9 months

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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

#good omens #good omens 2 #ineffable husbands #it's kinda like capt america: civil war #with Azi as Tony Stark: traumatized and trying to do the right thing #and Crowley being Steve Rogers: fuck the establishment let's go rogue #gos2spoilers #good omens meta #good omens 2 meta #go s2 #michael sheen #go s2 meta #go meta #*mine #*mymeta #ineffables husbands #ineffable soulmates #*mybest

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sing-you-fools · 8 months

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thinking about Good Omens 2. and stories, and the shape of them, and Terry Pratchett and his themes. and something clicked.

Aziraphale is cackling.

it's not just the ball. he spends the entire season trying to force the story into a shape it's not, and everyone suffers for it.

i've seen some less than charitable takes on Crowley's actions and they all ignore how much Crowley did try to talk to Aziraphale, did try to ask Aziraphale questions, did try to help, only to be ignored or brushed off. because his questions, his offers, they didn’t fit with the story Aziraphale was telling himself.

quiet, gentle, and romantic. it was, if you're our favorite Angel - right up until the end, at least. because he decided that's the story he was in. from the very beginning, he's off in la-la land, living out this romcom with a cute little mystery wrapped up in it, completely ignoring what's actually going on around him. i'll set Nina and Maggie up! (completely ignoring that Nina tells him she has a partner, and at that point, he has no reason to think she's anything less than happy.) i'll take ~our~ car to go do investigate this silly little mystery (he's not taking it even a little bit seriously!) while you stay here and run the bookshop and it will be so quaint and domestic! soon we'll dance and confess our feelings that we obviously share because we're already so clearly a couple we just need to finally say it!

Crowley knows the entire time that they're in a horror story but Aziraphale ignores every attempt he makes to point that out because it doesn't fit the story he decided he's in the middle of.

he brushes off Crowley's concerns and questions - his QUESTIONS! - like they're nothing. he doesn't want to see it, so he doesn't. and Crowley should have told him more?

why would he?

when you are CLEARLY in distress and it's being BLATANTLY AND WILLFULLY IGNORED, what the fuck are you supposed to do? "Crowley didn't comminicate" well okay if I were having a panic attack about something and my husband completely ignored it, chattering on about our dinner plans or whatever, that wouldn’t exactly make me want to open up about what was wrong! that would send the very fucking clear signal that he didn't want to know!

words aren't the only way we communicate and Crowley's body language, the entire season, is that of someone who is living in a horror story, knows he's living in a horror story, and is fucking terrified. if Aziraphale were paying any attention to Crowley instead of focusing all his energy trying to set things up just so for the big climax of his love story, he would know something major was wrong.

why would Crowley have told him how cruel Gabriel was about the execution when Aziraphale's already so thoroughly convinced that heaven is pure and good and has shown over and over through the millennia that he's not really open to considering that it can be cruel!

just look at them at the dance. Crowley freaking out because there's a horde of demons out there and Aziraphale giggling as they go to dance. that's the whole season!

you know who Crowley reminds me of this season?

he's watching helplessly and with increasing levels of distress as Aziraphale shoves every plot point into the romcom hole even though it's obviously not remotely romcom shaped! and i'm sick of people saying he was abusive because he raises his voice about it a few times!

#good omens #good omens season 2 #crowley #aziraphale #neil gaiman #terry pratchett #square hole #sing-you-fools #1k #5k #neil approved

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shitpostingkats · 9 months

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An Asexual's love letter to Good Omens 2

There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.

I disagree.

The final episode of season 2 was deeply, deeply comforting to me.

I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.

For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it.

Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.

We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic.

We were just quiet and gentle.

And that wasn’t love.

Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.

Then I found myself in stories, and it felt like a revelation.

Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.

Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just.

It's just that.

Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps.

That sequence means far more to me than any kiss ever could.

Love isn’t only real when it's hot and sudden and ephemeral, it can also be

Quiet.

And gentle.

And still romantic.

Still real.

#I sometimes remember this sequence and just feel so light inside #good omens #good omens season 2 #good omens season 2 spoilers #good omens s2 #good omens s2 spoilers #asexual #ace #ace pride #actually asexual #asexual spectrum #essays #ineffable bureaucracy #lord beelzebub #archangel gabriel

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inconveniently-discorporated · 9 months

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I think I have a potentially controversial opinion on Aziraphale and the ending.

So one of the things that made me smile so, SO much, was THIS:

That PURE ABSOLUTE UTTER JOY.

We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.

Now, let's consider what we know about Heaven:

It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.

Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?

Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.

Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.

Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.

He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.

He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.

"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.

I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.

I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.

So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?

I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.

But nothing lasts forever, as much as he wishes it did.

I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).

I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."

I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).

Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.

Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:

#good omens #gos2 spoilers #good omens meta #aziraphale analysis

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eviebane · 4 months

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Cannot believe the plot of S2 was:

Aziraphale's old boss shows up completely naked & with amnesia, Aziraphale wants to adopt him and Crowley says No, then shoots fucking lighting and it literally becomes the Locked Door trope for the lesbian neighbours

Crowley's old boss turns up and is like Have you seen my boyfriend the Archangel. btw Heaven has a Death Note. And Crowley goes Ah shit and drives back to his husband's shop, does a little apology dance, then they casually do a miracle with enough power to raise TWENTY FIVE people from the dead in order to turn the Commander of the Heavenly Host into the Bookshop Assistant

Heaven rocks up and goes Um Aziraphale what the fuck was that about? and he panics and says Ah yes, I made the lesbians over the road fall in love because one of them gets my favourite records

Heaven sends an angel to verify his painfully bullshit story, but they have literally never been to Earth before so Aziraphale just makes them tea and Crowley's winds them up by being a little shit as usual. Then Crowley goes Hey husband can we have a lil chat and Aziraphale goes Yes darling let's shut the door in the most suggestive way possible, then joke about how I'm a terrible liar, but also I want to roadtrip darling so can I borrow our car? And Crowley's like Fucking fine I guess I'll try and get the lesbians to hook up & look after our new children

He's a great terrible house-spouse while Aziraphale larps in Scotland for a couple days, then Aziraphale decides to get the whole neighbourhood to role-play Jane Austin while still trying to make the lesbians shag

Then Crowley's replacement throws a brick through the window, yeets the dude who's been crushing on Aziraphale. So Crowley goes Alright husband stay put, I'll take these loser mortals outta here. Then he has a little spy mission in Heaven with one of his new children, while Aziraphale declares war on Hell to avoid ruining the good books via yeeting them at demons

The whole gang arrive, Aziraphale’s ex-boss and Crowley's ex-boss High School Musical their way off the face of the planet, then S2 ends.

That's it. Credits roll right here

#badly explained good omens #good omens #we do not discuss the Final Fifteen #ineffable husbands #crowley #aziraphale #aziracrow

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brainwormcity · 4 months

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I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.

#good omens #crowley #aziraphale #ineffable husbands #aziracrow #aziraphale x crowley #michael sheen #david tennant #good omens meta #abel talks meta #good omens through the ages #good omens 1967 #signed by an autistic pwBPD with a penchant for over-analyizing tone and body language #anthony j crowley #you go too fast for me crowley

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thethingswedotomorrow · 6 months

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Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.

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cornchrunchie · 7 months

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After rewatching the Final Fifteen over and over again, I don't think Crowley wanted to kiss Aziraphale.

Look. I know we’ve all read a lot of different readings of ✨the kiss✨ and why it happened the way it did. It’s just that none of the posts I’ve seen so far captured exactly the feeling I was reading into the scene, so I thought I might as well share my interpretation. Because I don’t think Crowley wanted to kiss Aziraphale, actually. I mean of course he wanted to, but– let me explain.

I brought gifs and a little more heartbreak :)

First of all, I do agree with most of the interpretations going around. Crowley wanting to change Aziraphale's mind? Totally plausible. Wanting to show him what he’s losing? Probably. Taking the last chance he might get to finally kiss him? Yes, please!

What I mean when I say I don’t believe Crowley wanted to kiss Aziraphale are essentially two things, one of them being that Crowley didn’t plan on kissing him. He planned on leaving.

We know this because it’s exactly what he does.

The moment I come back to over and over again is when Crowley puts on his sunglasses and heads for the door.

Look how close they are to each other. Usually, you would expect the kiss to happen in a moment like this. All it would take Crowley is to lean forward. If he wanted to kiss Aziraphale and change his mind, he would do it right there. But he doesn’t. He nods in a way that screams: Right. This is a losing game.

Aziraphale had just told him that nothing lasted forever (so why should he stay) and he already put back his wall of defense (the sunglasses). Of course, we can't tell for sure but everything in his appearance tells us that for him, the moment between them is gone. The only chance he had decided to take had slipped through his fingers. It is time to leave. So he does.

Crowley does not stop until Aziraphale cries out his name and wants him to come back. He is not held back by his own desire but by his incapability to resist Aziraphale’s cry for help. Not that these things can’t be connected – but look at his body language, look how reluctant it seems, annoyed almost.

It looks like he really doesn't want to stay. At the same time, he doesn’t want to hurt Aziraphale. He wants him to know that he cares. It’s not easy for him either. So he stays. Listens to what Aziraphale has to say.

But it hurts even more. Crowley doesn't even bear to look at him. Aziraphale just doesn’t understand him, doesn’t understand the way Heaven works, even after all these years. At least, that’s what Crowley thinks. Everything that made the air around them vibrate, every nightingale that ever sang, is now dead silent. Crowley says so himself.

This is not him pathing the way for a kiss. This is him saying goodbye.

And then he says: “You idiot. We could have been –“

Maybe he doesn’t quite know what exactly he wants to say or maybe he does but he doesn’t know how.

“– us.”

His voice is trembling. He lets the words linger in the room between them. Note how he is already speaking in the past tense. We could have been. But we’re not.

However, Crowley admits that the possibility of them being an Us was there, hence the possibility of everything that being an Us means to him. It drips from his toungue, every moment and every feeling he connects to the sense of being an Us. You have to remember the feeling to voice it, even when you do it to say goodbye.

And I think – we’re getting to the essence of this post – I think what happens is that Crowley gets overwhelmed by his own words, or rather: by grabbing his feelings and putting them into words, by the implication of them as an Us and everything he imagined it would have been for them. And what it means to lose it.

And I don’t think he consciously decides to kiss Aziraphale. I don’t think he wanted to kiss him in the sense that he didn’t want to take this step and actually do it. He had already lost.

(We could have been us but we’re not.)

They are still too far away from each other.

(We’re not. But we could have been.)

Eventually, Aziraphale averts his gaze, and turns his head to the side.

And this! This is the moment Crowley steps forward! Let me emphasize it once again because I do believe it’s crucial to Crowley's change of heart.

Aziraphale looks away. And Crowley snaps.

He snaps like a rubber band you pull at for too long, like the clip of a ballpoint pen cap you push too hard upside. It’s not a conscious decision. It’s a reflex. Like closing an app on your phone and opening it again directly after. Like someone calling your name and you turn your head in the direction of the voice. You don’t think about it. It just happens.

And I think Aziraphale looking away was the last straw that held the rubber band in place. The last thing that kept Crowley from falling once again. I genuinely don’t believe he would have kissed Aziraphale if the latter had continued to look at him. Too scary, right? Too real. Too close.

So this is the second thing I mean when I say that Crowley didn’t want to kiss Aziraphale. Of course, he wanted to but he didn’t make a deliberate decision. He just … gave in.

And when he pulls away, he knows that everything between them has changed. He waits for Aziraphale’s reaction, everything about him is tense.

And if he dared to hope for anything at all, it surely wasn’t this.

Forgiveness.

"I forgive you."

I forgive you for giving in.

Don't bother.

So Crowley does what he wanted to do in the first place – and leaves.

He didn’t plan on kissing Aziraphale. He wanted to leave, maybe even to prevent this from happening. And when it happened, I don’t think it’s because of ulterior motives like changing Aziraphale’s mind or grabbing the opportunity as it presented itself to him.

I’m not saying these motives aren’t there – in fact, I pretty much believe so! I'm just saying that maybe he didn’t think about them when kissing Aziraphale and that he didn’t decide to kiss him because of that.

Maybe this is more than obvious to everyone else already and I'm stupidly rambling to myself. Also, I'm truly sorry if I overlooked another analysis of this.

I just don’t think there was time in Crowley’s head to reflect on any of his feelings.

I think he was just not holding back anymore.

#good omens #aziraphale #crowley #ineffible husbands #meta #good omens season 2 #final fifteen #crowley x aziraphale #s2e6 #aziraphale x crowley #analysis #aziracrow #gif #good omens meta #mine #good omens 2 #good omens spoilers #the kiss #ineffable breakup

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ineffableigh · 5 months

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Wait what the hell is Aziraphale mouthing here. Lip-readers sound off!!

This is RIGHT before "The Metatron! I don't think he's as bad a fellow - well I think I might have misjudged him."

His line was: "I, um... [mouthing something]" THEN the above line.

This can't be nothing. Can it? "We need to get out"??? Not sure. EDIT: I agree with @maximumpenguinpuppy here, I think he's saying

"WE NEED HELP."

Further deep dive on the most painful conversation I've ever seen:

Azi makes the most INTENSE EYE CONTACT I'VE EVER SEEN during "I think I might have misjudged him."

"PLEASE HEAR WHAT I AM SAYING TO YOU RIGHT NOW."

After a few intercuts with the flashbacks we get to the really painful bit.

"He said that I could appoint you... to be an angel." His voice is so strained and high pitched even for him, here.

"Like the old times, only even NICER!"

The super nice old times where you couldn't be together at all, eh?

Crowley starts his confession and we get the "What the blazes is he doing?" face as he starts to realize Crowley is NOT picking up on any of this. Azi's breathing heavily here, revealing how very stressed the fuck out he is.

After this point is when things get really hard to interpret. Aziraphale sounds so genuine about "Come with me!" and "We can make a difference, I'll run it and you'll be my second in command." It feels like Crowley starting his very real confession broke through the charade of 'The Metatron knows something and we're in fucking danger'.

He blathers about Angels and Doing Good before breaking again, letting the "I need you!" slip. We get this HALF A SECOND look of the most profound sadness right before the "I don't think you understand what I'm offering you."

"You idiot. We could have been us."

Azi looks like he can't believe just how badly this went. This is right before he looks away.

OH NO NOW I'VE SEEN CROWLEY'S FACE RIGHT WHEN HE STARTS TO GO OVER FOR THE KISS AH MY FEELS

Azi is not hiding his emotions well, right before the grab:

Then of course we get the I Forgive You, which sounds like his most bitter one yet. A flash of anger and resentment, frustration, immediately followed by remorse and grief.

Having seen all that, my best guess now is:

Metatron made the (barely) veiled De Facto Partnership threats, implying he knows about the body swap and, implicitly, threatening Crowley with Holy Water, at least to some extent.

Aziraphale tries his damnedest to communicate to Crowley that Something is Fucking Wrong and they Have to Go to Heaven to Fix It.

Crowley, having been primed by the various chats with Nina and then the 2v1 chat with Nina and Maggie RIGHT before this, clearly timed by the Metatron, fully misses all of this and takes it all at face value.

Crowley starts to give his confession and Aziraphale realizes what he's trying to say, tries to adjust his Heaven Pitch to hinge on staying together as a team to fix things."

"You cannot leave this bookshop." "Nothing lasts forever." Azi has chosen the worst way to make another attempt at saying he has no choice but to leave the bookshop. I don't think this is about the Second Coming, given his reaction to the info later.

Everything deteriorates from there as Aziraphale tries again to imply something is Fucking Wrong by going back to the "Angels! Doing good!" shtick, but it's too late. It's always too late.

"I don't think you understand what I'm offering you." He doesn't but Azi is also communicating it very badly, likely because the Metatron is indeed watching.

Crowley thinks this is all real so he gives his No Nightingales line, etc etc. Aziraphale can tell there's no fixing this, gives up.

Crowley swoops in with The Kiss as a last ditch effort to get Azi to listen. Azi WAS listening, but cannot respond other than in anger and frustration that Crowley, in his view, refuses to listen to him again, has called him an idiot again. This happens multiple times throughout the show so there's history to fuel that assumption.

This is the precise outcome the Metatron was vying for, to split them up and emotionally/psychologically weaken them, to ensure there was no chance of a united front as there was for Armageddidn't.

My heart hurts, ow.

#aziraphale #crowley #the metatron #ineffable divorce #ineffable husbands #good omens meta

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