#aziraphale analysis

[inconveniently-discorporated]

I think I have a potentially controversial opinion on Aziraphale and the ending.

So one of the things that made me smile so, SO much, was THIS:

That PURE ABSOLUTE UTTER JOY.

We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.

Now, let's consider what we know about Heaven:

It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.

Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?

Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.

Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.

Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.

He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.

He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.

"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.

I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.

I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.

So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?

I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.

But nothing lasts forever, as much as he wishes it did.

I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).

I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."

I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).

Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.

Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:

#good omens #gos2 spoilers #good omens meta #aziraphale analysis

[sarosthewizarddude]

Aziraphale never chose Heaven over Crowley. Aziraphale chose CROWLEY OVER HEAVEN.

What Crowley saw was Aziraphale choosing Heaven over Crowley, and some imagined, idealized Angel Crowley over the real Crowley.

The fandom at large has lots of interpretations. Aziraphale chose Angel Crowley over Crowley. Aziraphale chose humanity over Crowley. Azirphale wanted Crowley to be happy.

BUT.

Azirphale didn't choose anything over Crowley.

Aziraphale chose CROWLEY. He didn't choose humanity, he didn't choose Heaven, he didn't choose some long-dead version of Crowley. He took a bad situation, and he said, Crowley, you're the only person I trust to help me with this.

The Metatron wasn't going to just leave them be. Aziraphale's not stupid. And so he chose Crowley. He chose Crowley above all the angels he's worked with in Heaven, and said you know what fuck them, you're the one I trust, you're the one I want to work with. He said I know you're a demon and you're supposed to be evil and the enemy but I trust you more than I trust ANY of them.

I NEED YOU.

I need you because I don't trust them. I need you because being there alone will destroy me. I need you to help me make things right.

Aziraphale looked at heaven and saw a problem that needed fixing, and then he said I can't do this on my own, and then he said Crowley, you're the only one I trust.

What Crowley heard was, you're the bad guys. You're a demon, and you'll always be less because you're fallen.

But what Aziraphale meant was, I don't care that you're a demon. You're the only one I trust. Please come back to Heaven with me. I want you by my side in Heaven, because you mean so much to me.

What Aziraphale meant was, fuck the others. I love you.

#i guess this isn't exactly a new idea but this floated into my brain and suddenly I knew how to articulate my thoughts #aloevera on good omens #good omens #good omens 2 #good omens spoilers #ineffable husbands #air conditioning #aziracrow #ineffable divorce #ineffable partners #aziraphale and crowley #crowley and aziraphale #aziraphale #crowley #good omens aziraphale #good omens metatron #azirapalala #final fifteen #aziraphale analysis #good omens show #good omens season 2 #good omens s2 finale #good omens meta #this counts as a meta right? #i think it does #guys what defines a meta #good omens analysis

[chaoticace2005]

Okay so with all this talk about how our idiotic angel and demon still can’t communicate- I figured I’d try my hand at breaking down some dialogue from their “divorce.” The biggest issue is the fact that both are saying things to try and be together, but the other is misinterpreting everything they’re saying. They essentially just threw what the other person was saying through google translate a dozen times and only heard what it spat out.

This is my interpretation of what the characters seemed to have been trying to say vs what the other heard. Feel free to comment if you have any differing ideas of interpretation! I’m running on like 3 hours of sleep.

A: Come with me, to heaven. I’ll run it, you can be my second in command. We can make a difference. (We can work together and then can create a world where we can be happy together.) (We can fix heaven, I can fix you.)

C: You can’t leave this bookshop. (You can’t leave me) (What about earth? What about all the earthly things you love here?)

A: Oh Crowley, nothing lasts forever. (It’s okay, it doesn’t matter as long as we can be together.) (We weren’t meant to last forever.) (this is from Crowley’s POV where he officially gets rejected)

C: No. No I suppose it doesn’t. Good luck. (I understand, you don’t want us to be together.)

(Crowley starts to leave) (it’s only at this point Aziraphale seems to realize that Crowley is turning him down)

A: “Good luck?” Crowley? Crowley come back! …to heaven. Work with me. We can be together. Angels! Doing good! I- I need you! I don’t think you understand what I’m offering you. (Where are you going?! Don’t go! We can save the world and be happy together.) (Come to heaven. We can be angels. You can become good. Once you’ve changed we can be together!)

C: I understand. I think I understand a whole lot better than you do. (You can’t change anything. Not the corrupt system and not me. They’re toying with you and you should be smarter than this. You shouldn’t WANT this.) (I don’t want to be with you. It’s too much work. I hate heaven too much to be with you.) (this is from Aziraphale’s POV where he officially gets rejected)

A: Well, then there’s nothing more to say. (I understand, you don’t want us to be together.) (Okay then, you can go. We’re done.)

C: Listen. Hear that?

A: I don’t hear anything.

C: That’s the point. No nightingales. You idiot. We could have been us. (Why am I not enough you? Why can’t you stay?) (You’re not enough for me. I won’t go.)

(Crowley kisses Aziraphale) (Please stay- at least understand I love you. If you’re going away this is my only chance.) (Goodbye, I’m not going with you so this is my only chance.)

A: I forgive you. (I forgive you for not wanting to come with me, you don’t want us to be together, I understand. Goodbye) (I still have to go. I forgive you for kissing me though, and for not wanting to go to heaven with me. You just aren’t enough for me.)

C: Don’t bother. (I’m not sorry for kissing you and I don’t want you to go. I’m never going to be an angel and that’s not going to change.) (No, I don’t forgive you. You aren’t enough for me. Goodbye.)

#good omens #good omens 2 #no nightingales #gos2 #good omens 2 spoilers #good omens meta #gos2 spoilers #good omens spoilers #ineffable husbands #ineffable divorce #ineffable divorcées #ineffable spouses #ineffable breakup #Crowley #crowley and aziraphale #aziraphale #anthony j crowley #aziracrow #aziraphale analysis #Crowley analysis

[queenofthearchipelago]

Hey! I just saw your post about some meta doing good but then misunderstanding the characters at some point. If you do not mind sharing, what are certain misconceptions that you usually see and don’t agree with?

Hi! I don't mind sharing but before I answer this I wanna say that I do love that this fandom has so many interpretations of Aziraphale and Crowley's actions and thoughts and motivations. I think some of those interpretations don't always line up with everything we see of them in the show and I feel that both of them have areas where they can be misunderstood. But if anyone reading this finds themselves disagreeing with me, that you do see some of what I'm about to say in their characters, I'm not trying to take your version of Crowley and Aziraphale away from you and like, ruin that fun by saying people are wrong, or something. Fandom becomes really stiff when the culture only has one idea of who the characters are.

That said, I'll start with Crowley because I've always found him most relatable, and so I think about his character more than Aziraphale's.

The first thing is Crowley's temper. I've read quite a few metas talking about how Crowley needs to better manage his anger because it shuts Aziraphale down and makes it harder for him to talk. I don't see this. I mean, yes, Crowley has a temper. Crowley has been shown to be angry. But I've not seen it shut Aziraphale down. When Aziraphale gets nervous around an angered Crowley, it's always because Crowley has said something blasphemous. Such as at the bandstand when Crowley is cursing the Great Plan. Aziraphale becomes scared FOR Crowley and Crowley is never angry AT Aziraphale. I can't think of a scene off the top of my head where anything Crowley does makes Aziraphale feel like he can't say something he clearly wants to say.

But also, I feel that this take of Crowley's character, that he struggles with his temper around Aziraphale, somehow erases how gentle he really is with Aziraphale. He's always so patient with him, even when it would make sense for him to be off the rails angry. And also also, the two main times we see Crowley lose his temper around Aziraphale (the bandstand and then the fight in episode 1 of this season) are both times of great desperation. The world was ENDING. He was SCARED (He's really good at hiding how scared he is). And then Gabriel shows up and Crowley doesn't know how but he feels this will disrupt every single good thing in his life. And so he explodes in the street, something we don't have reason to think Aziraphale saw. Crowley literally left to go cool down. I think he did his best.

I also see a lot of metas speak to Crowley's apparent lack of self-worth. I've spoken about this before, I think Crowley is very confident in who he is. I think he knows himself better than Aziraphale knows himself. Crowley has ALWAYS known who he is, his arc is not one of self-discovery. It's actually Crowley's dedication to being himself despite what Hell would have him be that causes him conflict and intrigues Aziraphale so much.

That also leads into this idea that Crowley can't see himself clearly and therefore can't accept Aziraphale's love. As if he can't comprehend why Aziraphale might love him. But, we literally watch as Crowley graciously accepts every advance that Aziraphale makes. Crowley is the one who "goes too fast" and he probably has a lot of joy every time Aziraphale makes another step forward. It's Aziraphale who said, "Let's go out for lunch" the first time. It's Aziraphale who invited a demon into the bookshop meant to be an embassy for Heaven. It's Aziraphale who said "our car", and then Crowley gave him the keys. Crowley even blatantly says, "We've spent our entire existence pretending that we're not." This implies that he KNOWS. He knows Aziraphale has been pretending too, for 6,000 years, and before that too. Crowley knows he's loved, the problem was that he wasn't allowed to be loved by an angel, and neither of them ever got to say it out loud.

And then there are other, smaller things I see in metas that I don't generally agree with (though I completely understand how people got there). Which is this idea that Crowley feels rejected by Aziraphale. I mean, yes, but also no. I don't think Crowley got in the car at the end and drove away thinking that Aziraphale loves Heaven more than him. I think he's more angry that every single time Aziraphale falls to Earth, Heaven tugs on this rope around his waist and pulls him back up. I think Crowley understands Aziraphale's dilemma a lot better than we think he does.

And also, more recently I've seen some speculation about how Crowley wanting to run away is somehow a character flaw? Like, I agree with the point that both of them were wrong. Fixing Heaven won't work, so Crowley was right. But also, running away isn't a long term solution for them because they both love Earth too much. But I don't exactly see this as a character flaw? In season 1 when he mentions running away, let me remind you that THE WORLD WAS ENDING. He was desperate and he was scared. And in season 2, it wasn't so much a plea to literally run away into the stars and escape as it was an immortal being saying, "Look, Gabriel and Beelzelbub did it. Wherever they are, they're together, and they're dedicated to being happy together. Can we do that? Can we do that forever? In this bookshop or in the stars (in a cottage in the south downs?) Because I love you and I don't wanna think about belonging to anyone else anymore. WE don't need to belong to anyone else anymore. What do you say?"

And as for Aziraphale, I've said before that I don't think he wants Crowley to be an angel so that he can love him more. Aziraphale loves him as he is. And I think there are more articulate posts out there outlining why. The ask for Crowley to be an angel again has nothing to do with Crowley himself except that Aziraphale thinks Crowley would be safer that way. Aziraphale can fix Heaven FOR Crowley. Crowley's fall was wrong and he can now right that wrong. This happened, tragically, because Aziraphale loves him exactly as he is. And as much as Crowley's heart is broken right now, I don't think he doesn't know that. He knows the love he's had from Aziraphale these millennia was real. He knows it.

This became an essay, maybe one day I'll figure out how to get my points across quickly lol. But yeah, these are just my thoughts about who I understand these characters to be in canon. And I know that even though it's been nearly a month since the season dropped, people are still working through all the details that led up to our favorite angel stepping into an elevator and the demon who loves him more than life driving away alone in silence. I'm honestly still working through it too, there's still so much to think about.

#thanks for the ask! #good omens #crowley #aziraphale #good omens meta #crowley analysis #aziraphale analysis #thoughtsfromthequeen #asks

[pigeon-smidge]

✦✩ Crowley & Aziraphale (Taylor’s Version) ✩✦

So for the past couple of months I’ve been pouring my heart and soul into an analysis masterpost of this playlist, a Crowley and Aziraphale playlist comprised purely of Taylor Swift songs. I had been curating this playlist for a little while over the latter half of last year, and around November or so I decided to write up an analysis for why I’ve included each song! Some are about a specific character, some about their relationship, and many are about both! Five-ish months and eighteen pages of analysis later, here we are. It’s been so awesome to combine probably my two biggest interests, and even if you’re not a swiftie, I encourage you to read some of this if you’d like to!! You might find some songs you really like the sound of. If you like it, please support :) I spent so long on this

The track list is as follows:

All You Had to Do Was Stay

Say Don’t Go

How You Get the Girl

You are in Love

Wildest Dreams

hoax

peace

mirrorball

Come Back … Be Here

The Very First Night

All Too Well (10 Minute Version)

The Archer

Death by a Thousand Cuts

Cruel Summer

tolerate it

champagne problems

ivy

Back to December

The Great War

Midnight Rain

Tied Together With A Smile

Don’t Blame Me

Dancing With Our Hands Tied

✩✩✩✩

Notes: song titles are in the same order as the track list. they're numbered and colour-coded by album (1989 and midnights share the same colour, as do folklore and rep because Tumblr has limited options) so it’s easier for people to find specific songs they want. They’re not in any particular meaningful order, just grouped by album. If you want to read specific song analysis, please scroll to that point, or open this post in its own window and do a page search (on mac it’s command+f , but I’m not sure about other operating systems.) Obligatory disclaimer that this is all my subjective analysis, both of Taylor’s songs and Crowley and Aziraphale’s characters. I am not making any assumptions about the creative intentions behind them, these are purely what they mean in my view. What I think is not necessarily what the creators intended. If you disagree with anything, that’s fine!! Just please don’t be rude about it. I’d love to hear what you have to say about it!! If you’ve got any thoughts or additions, please add them in a reply or reblog, and we can make it a discussion :D Check back in the future if you want, because I might be adding more depending on if I have some new ideas! ✩✩✩✩

Alright, with that stuff said, here we are!! Grab a snack and get cozy if you want, this is a long one. You can read as much or as little as you want!! I hope you enjoy :)

✦✩ Crowley & Aziraphale (Taylor’s Version) ✩✦

All You Had to Do Was Stay

Title is self-explanatory. However it fits both perspectives; Crowley begging Aziraphale to stay with him and to not leave for Heaven, and Aziraphale begging Crowley to stay with him. They both view the other as being opposed to their own plight because their failure to communicate leads to misunderstandings. Specifically the choruses are most relevant. The verses don’t really feel like they fit; they’re very, very angry and bitter, and describe a relationship that the narrator has pretty much moved on from (‘and people like me are gone forever when you say goodbye’ & ‘now you say you want it back, now that it’s just too late’ to name a few lyrics). I don’t think this is accurate to them as I don’t think they’re going to be able to move on in this way. I also don’t think they’re this angry with each other. The narrator, in the verses specifically, describes their partner in a very reductive way. ‘People like you [..]’ etc, is a very insulting way of talking. Not that either party isn’t upset with the other; I think they’re both very confused and hurt. But I don’t think they’re at the stage where they can be this vitriolic. Partially due to character reasons, and also because obviously the story isn’t going to end with them in the exact positions they’re in now (otherwise there wouldn’t be a third season and the show would be very unsatisfactory). They’re upset, but they’re resigned and bitter, as opposed to outwardly aggressive about the other. ✦ Notable lyrics: ‘You were all I wanted, but not like this’ Because Crowley wants Aziraphale but only if they can stay the same, not both angels in Heaven.  ‘Had me in the palm of your hand, why’d you have to go and lock me out when I let you in?’ Because Crowley poured his heart out and from his perspective Aziraphale didn’t think him enough to leave Heaven behind for. 2. Say Don’t Go

This is THE Aziracrow song. I had a 1989 (Taylor’s Version) listening party with my friends and when this played I went WAIT … especially the second verse and the bridge. The entire song is about begging someone to say that they want you to stay. Even though they both did tell the other they wanted to stay together, neither of them actually realised that’s what they were saying. ✦ Notable lyrics:

‘Cause you kiss me and it stops time, and I’m yours, but you’re not mine.’ The first half of the sentence being from Aziraphale’s perspective in reference to the kiss, and the second from Crowley’s, in reference to how Crowley’s much more accepting of his romantic feelings. 

‘I’m standing on the sidewalk, alone. I wait for you to drive by. I’m trying to see the cards that you won’t show.’ Because of those shots in the Final Fifteen with both of them ‘standing on the sidewalk’ watching each other from opposite sides of the road. Also, any lyrics with references to cars or driving makes me think of these two. ‘Cards that you won’t show’ is very interesting lyric, because it’s a reference to Aziraphale’s love for human magic tricks, and also to their inability to actually properly express and explain their thoughts to each other. ‘I said ‘I love you’, you say nothing back.’ Crowley’s perspective. 3. How You Get the Girl

This song is about how to apologise to someone after breaking their heart … while the breakup was not entirely Aziraphale’s fault (they BOTH need to learn to communicate and properly confront their feelings), some of the lyrics do have some similarities to their relationship.

✦Notable lyrics: ‘That you were too afraid to tell her what you want.’ He was just scared about what his feelings for Crowley mean :( 4. You are in Love

The single happy song on this playlist. Honestly, it’s a song which isn’t that specific to them and I feel like it’s applicable to every ship ever; you know, the Love Song. However, there are some lyrics in this song that have some of their vibes. The whole song is about how love is constant and yet unable to be put into words or exactly understood, which perfectly describes them. ✦ Notable lyrics: ‘He says ‘look up’, and your shoulders brush’ reminds me of someone telling someone else to look up at the stars !!! because Crowley made the stars and he was so happy about them :( and Aziraphale remembered that AHHHHHH

‘and why I’ve spent my whole life trying to put it into words’ it’s ineffable <3

5. Wildest Dreams This song is about falling in love with someone while knowing that it can never last.The relationship in this song is one that is magnetic and beautiful and messy, and the protagonist enters it while knowing it’s going to end but wanting to stay anyway. This describes their relationship perfectly. They both have a tendency to repress their feelings because they both feel like they can never be acted upon. Even them being friends is something that is constantly fraught with danger, something that they actively need to fight for if they want to keep it (See The Great War). To Aziraphale, indeed to both of them before their shared realisation of ‘this is possible’ because of Gabriel and Beelzebub’s confession, their relationship only ever existed in their ‘wildest dreams.’

✦Notable lyrics:

‘He said, “Let's get out of this town, drive out of the city, away from the crowds.” I thought, “Heaven can't help me now” Nothing lasts forever, but this is gonna take me down.’ All of Crowley’s invitations to run away; invitations that are always declined, even if Aziraphale wants so badly to go with him. There’s always a duty that pulls him away, something he feels he needs to fix before things can be how he wants them to be.

‘Nothing lasts forever’ HAHAHAHA … ‘I said, “No one has to know what we do.”’ A relationship that’s kept hidden. “He’s so tall, and handsome as hell. He’s so bad, but he does it so well.”Beauty and love that pulls you in, but feels wicked and frightening. See Cruel Summer.

6. hoax 

THE Crowley song. About loving someone who exposes your vulnerabilities; they feel like part of who you are, so they’re also your biggest weakness. ✦Notable lyrics: ‘Stood on the cliff side screaming ‘give me a reason’’ is very much ‘show me a Great Plan.’ ‘My best laid plan, your sleight of hand.’ References to magic!! Crowley prepared and tried to gain enough confidence to confess to Aziraphale and ask for them to run away together, but Aziraphale’s ‘sleight of hand’ and the Metatron’s influence messed with that. It looked like he was actually going to confess and they maybe had a chance, but then that all fell apart because he didn’t foresee any reason why Aziraphale would go back to Heaven . ‘You knew it still hurts underneath my scars from when they pulled me apart, but what you did was just as dark. Darling, this was just as hard as when they pulled me apart.’ Aziraphale ‘abandoning’ him hurt him greatly, as it felt like such a core part of him was being torn away. This is akin to what Falling would likely have been like, obviously not the same, but in both instances his sense of normal, his identity, and everything that he held dear to him was destroyed.  

‘You know I left a part of me back in New York.’Crowley and Aziraphale can both never truly leave the other without leaving ‘a part’ of themselves behind, because they’re so intertwined in each other's existences. 

7. peace

Describes how they could never find peace with each other because ‘hereditary enemies’ etc etc etc. They can’t be safe together; for a long time they couldn’t even admit their friendship because it would mean danger. We can still see this in Aziraphale; he’s constantly afraid of doing the wrong thing when he should be a good angel.

8. mirrorball

THE Aziraphale song. Perhaps one of the most Aziraphale songs of all time I'm genuinely not joking or exaggerating it's SO GOOD. About a people pleaser who revolves their life around others. Their existence and value is determined by their role in relation to someone else and how well they serve said role. The image of a mirrorball, shining high above the dancefloor, providing light and a shiny jewel for everyone to look at, yet being all alone (that Taylor Swift described was the inspiration for the song), is very fitting. ✦ Notable lyrics:

‘I’ll show you every version of yourself tonight.’ For so much of his life, Az’s purpose has been to serve Heaven. This lyric reflects that. His character growth throughout the show largely focuses on him coming to terms with their lies and abuse, and forming moral codes of his own.

‘You are not like the regulars, the masquerade revellers, drunk as they watch my shattered edges glisten.’ ‘Masquerade revellers’ referring to the angels, watching Aziraphale ‘break in a million pieces’ to serve Heaven, without understanding that he has limits and he’s his own person.

‘Hush, when no one is around, my dear, you'll find me on my tallest tiptoes, spinning in my highest heels, love, shining just for you. Hush, I know they said the end is near. But I'm still on my tallest tiptoes, spinning in my highest heels, love, shining just for you.’ Aziraphale only really acts himself when it’s just him and Crowley and they’re free of Heaven and Hell’s observing forces. Also ‘I know they said the end is near’ ; reference to Armageddon!! ‘I’m still a believer, but I don’t know why, I’ve never been a natural, all I do is try try try’ He’s trying to be good but his warped understanding of what good is hindering that. He has such a low self-esteem especially in regards to his own ‘goodness’, hence he tries so hard :( he’s just trying to do the right thing but he doesn’t realise what he believes to be right is far from it ahhhhhh

‘I’m still on that tightrope, still trying everything to keep you looking at me.’ Remember the ‘I’m standing on a tightrope, alone.’ Lyric from Say Don’t Go? He’s positioned above everyone else, on a completely different level to them, representing his isolation and unique status as really one of the only angels who’s simultaneously trying to do the right thing to help people while following the will of Heaven, things which often contradict each other.

9. Come Back …. Be Here

Long distance anthem!!!!! Them pining after each other after the s2 finale when they’re separated; it mostly feels like Crowley’s pov. 

✦ Notable lyrics: ‘taxi cabs and busy streets that never bring you back to me’ London is busy, but to Crowley, it feels empty because one of the things he loved the most is gone. ‘If I'd known what I know now, I never would have played so nonchalant.’ Because their own constant inability to confront their feelings and dancing around their relationship is what lead to their misunderstanding and then them being separated. If they had actually talked about things together, maybe they’d have a better understanding of their relationship and what the other wants.

10. The Very First Night.Nostalgia and looking back on what was. Very fitting for a show with immortal beings that features their histories together all throughout time. ‘I knew the angel you used to be.’ ‘The angel you knew is not me.’ ✦ Notable lyrics:

‘I wish I could fly, I’d pick you up and we’d go back in time, I’d write this in the sky, I miss you like it was the very first night.’ opening scene of season two, CROWLEY MADE THE STARS DKAJNS They both want things between them to be normal and safe. Aziraphale thinks that them being together in Heaven, like things used to be, would ensure this, but Crowley of course wouldn’t touch it with a ten foot pole. ‘I wish I could fly’ is interesting. Falling being akin to clipping a bird’s wings; removing them of their power. Obviously Heaven would think taking away an Angel’s Heavenly status is a terrible punishment. It’s interesting because Crowley doesn’t actually wish he could fly because he doesn’t want to be an angel again. This lyric could be representative of both of their wishes for more power to be able to change things. They both want to be able to make things better for the two of them and for everyone else, Aziraphale just thinks he has to become a better angel and embrace his Heavenly duties even more in order to make things how he wants them (‘If I’m in charge, I can make a difference.’)

11. All Too Well (10 Minute Version)

One of her most iconic breakup songs …. but this song, and the 10 minute version specifically, has lots of lyrics that remind me of them. Notable lyrics: ‘Something ‘bout it felt like home, somehow’ Aziraphale was home to Crowley, when neither Heaven nor Hell ever treated Crowley like he had a place. One of my favourite metaphors in this show is the use of Crowley’s glasses to represent his vulnerability. The bookshop is one of the only places he ever takes them off because it’s the only place he feels really safe. Him taking them off during his confession only to put them back on again when he realises Aziraphale isn’t going to follow him, and then being on during the kiss is just so symbolic!!!! AJSNBSKDNSBSK ‘You almost ran the red cause you were looking over at me’ obligatory driving lyric ‘you used to be a little kid with glasses in a twin sized bed’ Crowley used to be so happy about making the stars :( ‘Oh, your sweet disposition, And my wide-eyed gaze’ THEM !!!! More vibes of them as angels though. ‘And I was thinkin' on the drive down: Any time now, he's gonna say it's love. You never called it what it was. ‘til we were dead and gone and buried, check the pulse and come back swearing, it's the same after three months in the grave. And then you wondered where it went to as I reached for you but all I felt was shame, and you held my lifeless frame’ This entire section is them. Aziraphale could never admit their friendship or his own feelings because of his relationship with heaven. He feels ‘shame’ because it’s not what he should be doing as an angel. ‘And there we are again when nobody had to know. You kept me like a secret, but I kept you like an oath. Sacred prayer, and we'd swear to remember it all too well, yeah’ Hiding their relationship because az is afraid and it puts both of them in danger. However Crowley doesn’t have the same loyalty to heaven or hell so he keeps aziraphale like an ‘oath’ because it’s an important vow as opposed to something you have to keep hidden. Also any references to prayer is yeah !!!! ‘Well, maybe we got lost in translation, maybe I asked for too much.’ Because they never talk about their feelings!!!!!!!!!!!!!!!!!!!!!!!!!!!! ‘They say all's well that ends well, but I'm in a new hell every time you double-cross my mind. You said ‘if we had been closer in age maybe it would've been fine’ and that made me want to die’ References to hell. Crowley thinks Az will only love him if they’re both angels (but this isn’t true, while Aziraphale does still have biases against Hell because of Heaven’s abuse -’You’re the bad guys!, etc-, he just wants them to be happy :( ) Also ‘every time you double-cross my mind’ is such a clever piece of lyricism. I’ve got nothing too deep to comment on with that one, it’s just plain clever. ‘The idea you had of me, who was she? A never-needy, ever-lovely jewel, whose shine reflects on you’ Again, Crowley thinks Az will only love him if they’re both angels. Aziraphale also deeply failed to understand that Crowley doesn’t want to go back to heaven; this section is from Crowley’s view that aziraphale only cares about him as an angel, which is partly true but he remembers how happy and safe they both were as angels, and he just wants that feeling back. ‘I'm a soldier who's returning half her weight’ fighting for a broken cause; applicable mostly to Aziraphale’s loyalty to Heaven, but could also have meaning in regards to him and Crowley (See The Great War). ‘I still remember the first fall of snow and how it glistened as it fell. I remember it all too well’ because they were together for the very first fall of rain EVER !!!1

12. The Archer This is perhaps one of Taylor’s most Crowley songs ever. His anxiety and paranoia. He’s constantly on edge, constantly worried. He’s lived consistently exposed to danger and lies in every single direction with Aziraphale being the only one he could really trust, and even then, the two of them weren’t ever fully honest with each other. ‘The archer’ is someone who is consistently ‘ready for combat’ and thus sabotages their relationships because of this and feels guilt for it. ✦Notable lyrics: ‘I jump from the train, I ride off alone.’ Crowley’s way of dealing with stressful things is to run away from them. He consistently abandons situations he isn’t prepared to deal with because he ‘never grew up’ and gained the ability to properly communicate his feelings. Him walking out the bookshop door and driving away could be a representation of him running away from his feelings for Aziraphale because the fragile hope he’d gained in the previous scene had been torn down.

‘I’ve got a hundred thrown out speeches I almost said to you.’ Because they never actually talk to each other:

‘Because you and Mr. Fell don’t ever talk to each other.’

‘We talk all the time, trust me. We’ve been talking for millions of years. Blah, blah, blah, blah. I say something brilliant, he says something unintentionally funny back, it’s great.’

‘You never say what you’re really thinking.’

‘I wake in the night, I pace like a ghost, the room is on fire, invisible smoke.’ Bookshop fire ….. also just general restlessness and inability to sleep; to rest, because he always feels like he needs to be fighting for what he has and wants otherwise he’ll lose it. 

‘All of my enemies started out friends, help me hold on to you’ Crowley’s whole life and sense of self was torn away from him and burned, and any relationships he managed to have before he Fell would have gone up in flames as well. His desperately self-sustaining and combative attitude towards existence was likely borne from this; being unsteady in anything he ever gained. Aziraphale obviously was the only relationship he really was able to ‘hold on to’,  but even the angel was never able to fully feel like he could be himself … and also, this lyric:

‘screaming who could ever leave me, darling? But who could stay? [….] you could stay.’ Except ‘he’ didn’t stay, did ‘he’?

13. Death by a Thousand Cuts

A breakup song about a relationship that you can’t move on from because it formed such a key part of you for so many years. It was ‘a great love; one for the ages’ yet you’re ‘still writing pages.’

✦ Notable lyrics: ‘I ask the traffic lights if it’ll be alright, they say ‘I don’t know’’ very much Crowley driving around aimlessly trying to fill up the space Aziraphale left behind.

‘I get drunk but it’s not enough because the morning comes and you’re not my baby.’ Because that’s also how Crowley copes with his feelings when they get too overwhelming; running away and drowning himself with drink.

‘Gave up on me like I was a bad drug, now I’m searching for signs in a haunted club.’Aziraphale doesn’t really feel comfortable admitting his relationship with Crowley. We can see that Crowley doesn’t like this through, for example, their dialogue when Crowley first asks for holy water (‘fraternising’ etc). To Crowley, Aziraphale leaving must have felt like Crowley wasn’t enough to stay for, and that Aziraphale never really loved him as much as he loved Aziraphale. Also bears similarity to Don’t Blame Me (‘Lord save me, my drug is my baby, I’ll be using for the rest of my life, oh.’) which gives the impression of love that was addicting and powerful, but it became too much. ‘Our songs, our films, united, we stand, our country, guess it was a lawless land.’Get ready because this line is so much more meaningful than I ever realised when I added it to this post. ‘Our songs’ something something nightingales.

But the real meat of this lyric lies in the second half. The phrase ‘united, we stand, divided, we fall’  is often used in mottos of organisations and countries in order to inspire collaboration and patriotism for them. It preaches the importance of staying loyal to a certain side, for if division sows among them, then they will ‘fall.’ Historically, it has been frequently used as war propaganda in WWII, and the American Revolutionary War. It has also been used in the struggle for Indian independence, by Ulster loyalists in Ireland, and by many political leaders, for example. Similar phrases can be found in the Bible, for example in in Mark 3:25 (If a house is divided against itself, that house cannot stand),  Matthew 12:25 (Every kingdom divided against itself is laid waste, and no city or house divided against itself will stand), and Luke 11:17 (Every kingdom divided against itself is laid waste, and a divided household falls).

In this song it describes the relationship between the singer and their former lover, which further animates their love as a physical nation or state (as well as a house with the lyrics ‘I look through the windows of this love, even though we boarded them up, chandelier’s still flickering here ‘cause I can’t pretend it’s okay when it’s not).

This animation and the use of this specific phrase which has been used to garner a sense of loyalty towards a cause shows their love to have been a deeply personal thing, something you pledge your devotion to. However, in this song it’s contrasted with the lyric ‘Guess it was a lawless land’ which shows that the nation and love was hollow. It fell apart due to division.

Remind you of anything? Loyalty conflicts is a big part of this show, particularly with Aziraphale’s character, who is still shown to be attached to Heaven as late in his character arc as the Armageddon storyline in season one:

‘Even if I did, why would I tell you? We’re on opposite sides!’

‘We’re on our side!’

‘There is no ‘our side’, Crowley!’

Aziraphale’s turmoil between his Heavenly duties and his feelings for Crowley (not just romantic, even their friendship) is a large part of his unwillingness to admit their closeness, but he’s also just afraid that they’ll get punished. He’s just afraid.

 ‘we could’ve been …. us.’ 

‘our side.’ 

‘a group of the two of us.’

etc , etc

Their relationship is repeatedly treated like it’s its own ‘side’ or ‘group’ that can be pledged allegiance to or deserted. This perfectly sets up Az’s character conflict and growth. It’s so GOOD!!!!!!

It also has a double meaning with Heaven’s patriotism, which has a façade of goodness but is really very corrupt and ‘lawless.’

‘But it wasn’t enough, it wasn’t enough, no, no.’Crowley tried so hard to convince Aziraphale to go with him, he did everything he could, but it didn’t work. That’s what the kiss was; not a moment of love, but a moment of desperation. A final attempt to lay everything out. But it wasn’t enough.

14. Cruel Summer

Secret relationship that makes you feel whole but destroys you at the same time. ‘Devils roll the dice, angels roll their eyes.’ Religious language. The inability for Heaven and Hell to understand love, and even just friendship, between angels and demons is possible. Hell, and the demons, ‘roll[s] the dice’, the language featuring references to gambling shows their more opportunistic nature and need to trick every situation into benefiting them, because otherwise they’re stuck at the bottom of the pile. They can risk everything on a bet that could see them losing all their money, but they don’t really have anything to lose, which makes them very dangerous (like Furfur). Heaven is more judgemental, ‘roll[ing] their eyes.’ This judgement is what Aziraphale is afraid of (and, of course, the physical retribution that follows). It’s rather akin to an abusive relationship such as between a parent and a child, with an unhealthy power dynamic and Heaven always having more control. The child is always trying to do what’s right, but their view of what is right is often in relation to what their parent has raised them to believe is right, or simply in relation to whatever will make the parent happy. This is an analogy that perfectly describes Aziraphale and his internal conflict. ‘and if I bleed you’ll be the last to know’ Az hides his distress and doesn’t like people seeing him cry. See Tied Together with a Smile (second to last song). 

‘and I scream for whatever it’s worth; ‘I love you, ain’t that the worst thing you ever heard?’’ From Crowley’s perspective, Aziraphale loves Heaven more than him, and loving him is something that is shocking and unthinkable. Aziraphale is aware and okay with his feelings for Crowley, he’s only okay with them on a very, very surface level. He’s only sort of okay with their friendship, but doesn’t want to acknowledge anything more than that. So even if a confession of love is something Aziraphale wants from Crowley, he also doesn’t want to hear because he knows that they could never work. AHHHHHHH 15. tolerate it Largely about Aziraphale’s relationship with Heaven. He gives them everything and works so hard to be a good angel but they never fully value him.  ✦ Notable lyrics: The bridge also is in reference to his and Crowley’s relationship: ‘While you were out building other worlds, where was I?’ Because they made the stars!!!!! 

‘Where’s that man who threw blankets over my barbed wire? I made you my temple, my mural, my sky … now I’m begging for footnotes in the story of your life.’ CROWLEY CROWLEY!!! Also religious imagery is just *chef's kiss*.

16. champagne problems

About a proposal that’s refused … I feel like I do not need to elaborate much on this, however it does apply to both of them, because they BOTH were offering something that the other refused. ✦ Notable lyrics: ‘this dorm was once a mad-house, I made a joke, ‘well it’s made for me’’ Crowley vibes. ‘I never was ready so I watched you go.’  Aziraphale wasn’t ready to fully turn away from Heaven, so he had to watch Crowley leave. ‘You had a speech, you’re speechless, love slipped beyond your reaches.’ Crowley tried so hard to convince Aziraphale; he knew he had to start talking first because if not he’d ‘never start talking. He knew what he was going to say, he ‘had a speech’ but it ‘wasn’t enough’ and Aziraphale ‘slipped’ away.  

17. ivy

This song is about an affair, and it’s also a very, very queercoded song. To Aziraphale, his relationship with Crowley feels like figuratively cheating on Heaven, ignoring his duties and shunning his responsibility and role as a ‘good angel’. Notable lyrics: ‘He’s in the room, but your opal eyes are all I wish to see.’ “But it’s pretty!” 💛💛 ‘So tell me to run, or dare to sit and watch what will become.’ Aziraphale’s relationship with Heaven is very mentally abusive. He will only be free of their influence if he ‘runs’ from them. He can’t stay connected to Heaven and be truly free and happy. 

‘So yeah, it’s a fire, it’s a goddamn blaze in the dark and you started it, you started it. So yeah, it’s a war, it’s the goddamn fight of my life, and you started it, you started it.’ Both of their, but especially Aziraphale’s, internal conflict symbolised through fire and war. ‘Spring breaks loose, but so does fear’ Their bond and love has remained throughout history, and with Gabriel and Beelzebub revealing their relationship, the spark of hope was lit in both of them. ‘Spring [broke] loose’ but the Metatron’s offer subsequently pulled Aziraphale away from Crowley and reignited some of the ‘fear’ that he’s spent the show trying to grow away from. 

‘He’s going to burn this house to the ground.’ Speaking of Aziraphale’s fear; he’s worried about what admitting his feelings for Crowley, romantic or even just their friendship, will mean. The danger that it will draw. This lyric also has an interesting double meaning, referencing the literal burning of Aziraphale’s bookshop.

18. Back to December.

Another song about apologising to someone for breaking their heart. ✦ Notable lyrics: 

‘You gave me all your love and all I gave you was goodbye.’ The first part of this lyric is only really relative to Crowley’s confession in the Final Fifteen, because their relationship has never really been stable; they never gave the other ‘all [their] love’ because their fear stopped them. Crowley only ever showed his love to Aziraphale because he felt like he didn’t have a choice and it was the only thing that could save them. But Aziraphale 

‘But then the cold came, dark days when fear crept into my mind.’ I initially added this lyric because it reminded me of Aziraphale, but it also now reminds me of both of them. Their own fears interfered with their abilities to accept the other’s confession and to be happy. They need to both grow and learn before they can actually have a healthier romantic relationship.

19. The Great War

The metaphor of relationship troubles and trauma being connected to war.

There are some references to said relationship troubles relating to the inability to properly confront feelings and issues, instead turning away and using silence as a punishment to avoid really having to change your relationship.

Also relevant because their relationship isn’t just a metaphorical war; there is the imminent threat of literal war between Heaven and Hell, and literal physical negative repercussions to each of them due to their love being known. The motif of soldiers is also connected to the line of ‘I’m a soldier who’s returning half her weight.’ from ATW10MV.

✦ Notable lyrics:

‘It turned into something bigger, somewhere in the haze, got a sense I'd been betrayed. Your finger on my hair pin triggers …. soldier down on that icy ground, looked up at me with honour and truth, broken and blue, so I called off the troops. That was the night I nearly lost you. I really thought I lost you.’

They are each other’s weaknesses; see hoax. Their inability to communicate their feelings lead to the breakdown of their relationship. They ‘really thought [they] lost’ each other. ‘And maybe it's the past that's talkin’, screamin' from the crypt. Telling me to punish you for things you never did. So I justified it.’

A bit part of Aziraphale’s character is his journey of developing his own sense of morality independent of Heaven’s. This is especially delved into in season two through, for example, the Job storyline and the Edinburgh storyline. However, we can see that he’s still very much under the influence of Heaven’s abuse during episode six through the way he still believes what they say about right and wrong and about the nature of Hell (‘Of course you said no to Hell, you’re the bad guys’ as opposed to ‘they’re the bad guys’). He doesn’t want to do anything malicious, and he doesn’t want to leave to Heaven, with his conflict about staying or going being quite obvious (as numerous points in the Final Fifteen he appears very tortured, frequently hesitating and trying to say things other than wanting to go back to Heaven). But he feels like it’s what he had to do, ‘So [he] justified it.’

20. Midnight Rain

This song is actually on their official playlist!!! About moving on from someone who wanted something different out of your relationship; a sentence which almost perfectly describes the way they view their relationship (of course, their misunderstanding led them both to believe the other wants something different, when in actuality they both want the same thing; to be safe together).

‘My town was a wasteland, full of cages, full of fences, pageant queens and big pretenders, but for some it was paradise’ 

&

‘It came like a postcard, picture-perfect, shiny family, holidays, peppermint candy, but for him it’s every day.’Heaven… I don’t think I really need to elaborate on this.

‘He wanted it comfortable, I wanted that pain. He wanted a bride, I was making my own name, chasing that fame, he stayed the same, all of me changed like midnight rain.’

Crowley wants them, he wants them to be ‘comfortable’ and safe, and he thinks that’ll only come if they distance themselves from both Heaven and Hell. Aziraphale also wants this, but he also can’t leave Heaven behind to the extent Crowley wants him to. He wants the ‘pain’ of belonging to Heaven’s institution and having high value there, because it’s familiar to him. It might be incredibly abusive, but it’s home to him. 

He wants to do the right thing, and he thinks that the only way to do that is to stay there. Ahhh ..

21. Tied Together With A Smile

Aziraphale song :( another one about his massive insecurities, folks. 

✦ Notable lyrics:

‘you walk around here thinking you’re not pretty’ Aziraphale always doubts how good of an angel he is and how well he’s doing what’s expected of him.

‘That you cry, but you don’t tell anyone, that you might not be the golden one, and you’re tied together with a smile but you’re coming undone.’Aziraphale doesn’t like letting anyone see him cry. He always turns away and tries to pretend he’s the ‘golden one’, trying to pretend everything is fine and he’s always doing exactly what Heaven wants, yet he is so insecure about his goodness. 

The entire second verse about him wanting love and praise from Heaven: ‘I guess it’s true that love was all you wanted […] but he leaves you out like a penny in the rain’ he’s tossed aside and talked down to by the people he works so hard to do the right thing for.

22. Don’t Blame Me Mainly this song is included because of its heavy religious motifs. It’s very reminiscent of a gospel song, also connections to Cruel Summer; ‘love made me crazy’. Of course a lot of this song is very ironic because it describes a love so strong and intense that it ‘made [me] crazy’, that you disregard everything ‘true’ and ‘right’, only doing what you feel is right in connection to your lover, nothing else mattering. However, this is absolutely NOT what happened in this show, in fact the exact reverse. I think this song describes how Crowley feels; not feeling connected to the institutions of Heaven and Hell and being willing to leave them completely behind. Perhaps it also describes a hypothetical future in which Aziraphale has grown and reached the point he can comfortably leave Heaven completely.

✦ Notable lyrics: ‘Baby I would fall from Grace, just to touch your face. If you’d walk away, I’d beg you on my knees to stay.’ Because .. because that’s what happened. They begged eachother to stay :( Also religious language. ‘I get so high, oh, every time you’re, every time you’re loving me, you’re loving me.’ Their relationship is so powerful (especially how they were able to perform the really large miracle ACCIDENTALLY). ‘Something happened for the first time in the darkest little Paradise.’ Religious language. Them being together is their own ‘little Paradise’, because, due to them being forced to hide the nature of their relationship, their relationship becomes very intimate and personal. ‘Halo, hiding my obsession, I once was poison ivy but now I’m your daisy.’ Religious language. Aziraphale helps Crowley be able to relax and to rest, letting down his guard. Crowley’s not fully able to do this, and he’s not fully willing to embrace the fact he is indeed ‘nice’, but he’s getting there. He’s still The Archer, but he can put down his bow slightly easier (but of course, the one time he fully put it down and opened up his heart, he was burned, so I don’t think he’ll be doing it again any time soon). ‘Lord save me, my drug is my baby, I’ll be using for the rest of my life, oh, oh.’ This lyric is particularly meaningful when parallelled to Death by a Thousand Cuts; ‘Gave up on me like I was a bad drug.’

23. Dancing With Our Hands Tied This song describes a love that you desperately want to be hidden yet you know that it’s only a matter of time before everyone finds out and the danger starts.To have one’s hands tied is to be unable to affect something, representing how their relationship and their own lives were always out of their control because they could never live how they wanted to without fear of retribution (an excellent metaphor for queerness). Additionally, the motif of dancing, which in this context is an intimate and notably private act between the two lovers, is happening while the lovers’ hands are tied, representing the division and conflict that intrudes even while they’re alone together (‘Something happened for the first time in a darkest little Paradise’ from Don’t Blame Me). 

✦ Noteable lyrics: ‘I, I loved you in secret.’ ‘Yeah, we were dancing, dancing with our hands tied, hands tied.’ See above for analysis of the title lyric!! This song also reminds me of them because thy did actually dance together in season 2 episode 5, which is one of my all time favourite GO episodes. ‘I, I loved you in spite of deep fears that the world would divide us. So, baby, can we dance, oh, through an avalanche?’ They couldn’t live how they wanted because of ‘deep fears’ that outside forces would ‘divide’ them, which in the end is what happened. Feeling like the world is against them (‘angels and demons, they can’t just-’)

Honourable mentions!!

Lyrics that make me think of them but there’s not enough content in the overall song to justify it being put on the playlist. They don’t have much, if any, elaboration, but if you want to hear my thoughts on any of these, let me know!! Of course I’ll add analysis to these if anyone wants them. This will probably be the section of the post that’ll be updated the most frequently, and feel free to reply or reblog with any of your additions :D 

~~

‘Just a shot, just a shot in the dark, oh oh.’ - Sweeter than Fiction, 1989 (remember the ‘I’ve known it from the very start, we’re a shot in the darkest dark’ from Say Don’t Go?)

‘Now you hang from my lips like the Gardens of Babylon. Your boots beneath my bed, forever is the sweetest con.’ - cowboy like me, evermore

‘Eyes full of stars, hustling for the good life […].’ - cowboy like me, evermore

‘And you asked me to dance, but I said ‘Dancing is a dangerous game.’ - cowboy like me, evermore

‘I knew it from the first, old-fashioned, we were cursed, we never had a shotgun, shot in the dark.’ - Getaway Car, reputation (again, the ‘shot in the dark’ lyric! Also this was my suprise song WHAT THE FUCK?!??!!?!?!?!?!?!?)

‘We were jet-set, Bonnie and Clyde, oh yeah, ‘till I switched to the other side, to the other side.’ - Getaway Car, reputation (‘We’re on our side!’ … ‘There is no ‘our side’, Crowley!’).

‘Cause lately I don’t even know what page you’re on.’ -The Story of Us, Speak Now

‘Oh, simple complication, miscommunication leads to fallout. So many things that I wish you knew, so many walls up I can’t break through.’ -The Story of Us, Speak Now 

'But I liked it better when you were on my side.' -The Story of Us, Speak Now

‘And I wouldn’t marry me either, a pathological people pleaser, who only wanted you to see her.’ -You’re Losing Me, Midnights

‘Loving him was like driving a new Massarati down a dead end street; faster than the wind, passionate as sin, ended so suddenly.’ - Red, Red

'You dream of my mouth before it called you a 'lying traitor.' - Is It Over Now? , 1989 (Taylor's Version)

thanks for getting to the bottom!! it means so much to me that you wanted to read this in any amount, you truly have no idea. here's a cookie 🍪 !!!!!

bye :D

#good omens #good omens 1 #good omens 2 #good omens show #good omens analysis #good omens meta #crowley #good omens crowley #aziraphale #aziracrow #ineffable husbands #ineffable partners #crowley analysis #aziraphale analysis #songs #spotify #music #good omens playlist #ineffable husbands playlist #crowley playlist #Taylor swift #swifties #Taylor Swift analysis #playlist #the eras tour #eras #pigeontalksgoodomens #PIGEONGO

[shae-s-heartsong]

Imaginary Friend and Aziraphale's inner monologue

So I just read a novel called Imaginary Friend by Stephen Chbosky and there was an extract that hit me (probably because of my GO2 obsession):

The character, Mary Katherine, is talking to God. 

“When Eve bit the apple, she did not commit the Original Sin. YOU DID! [...] You didn’t have to ban her!  She loved You! You were her father! When you love someone, you don’t test them. You trust them. You talk to them. And You never spoke to me! You remain silent. I’m the only one talking. I’m doing all the work, and You do nothing! [...] Help me understand, God, because I’m starting to hate You, and I don’t want to. I need You to speak to me, now! I can’t do it on my own. I know You remain silent because of free will, but this time, You can’t. I lost everything. [...] My lover. [...] My church. My house. [...] My freedom. [...] God, I’m a sinner. [...] And my biggest sin is that I’m so scared of You that I never really loved You, before this moment.”

This. This is the type of inner monologue I can imagine Aziraphale having with God, in the future. Not exactly, but a lot of things fit. And it hurts. 

But then, there’s:

“But I’m no longer afraid, because Heaven and Hell are not destinations. They are choices.” 

Aziraphale will come to a similar conclusion. Eventually. But first, he has to finish this monologue, and admit all these things to himself. 

(Note: I’m French, so I read the book in French. Which means this is my translation from French, not exactly the original text. I’m sorry if my translation is not exact.) 

#good omens #good omens spoilers #good omens 2 #good omens 2 spoilers #good omens season 2 #good omens aziraphale #good omens analysis #good omens parallels #aziraphale analysis #aziraphale's trauma #aziraphale's psychology #imaginary friend #good omens thoughts #good omens speculation

[somegoodomens]

Rambling about Good Omens with @alwaysademonneveragod (as one does) and for the sake of making each other miserable with more angst than is needed, she said: Imagine how Crowley felt seeing how easily Gabriel gave up Heaven in order to be with Beelzebub. And, yes, hello pain, old friend.

But also, there's something about this that just needs to be said, and that's that, in Aziraphale's defense, the stakes for Gabriel are so much lower than they are for Aziraphale, and this is something I think Crowley might accept and recognize once some of the pain left from Aziraphale leaving cools down a little and gives him some room to see the whole picture.

At the end of the day, Gabriel is still a character that doesn't care about much beyond himself, just as we saw in S1. We do see him more empathetic and selfless in his Jim version, but at the very core Gabriel is still rather selfish, caring mostly about himself and now, of course, about Beelzebub as well because he is in love with them. I'm not saying choosing to leave Heaven and his position as Archangel just to be with his demon partner was any less noble and romantic and high risk, but at the same time it was still easy since Gabriel doesn't personally care about much else. For them to leave to Alpha Century and never come back makes sense.

Aziraphale, however, is in a much more complex situation with much higher stakes. Making the same decision as Gabriel would make no sense with his character.

Aziraphale cares about Crowley, LOVES Crowley, but he also loves the world and, right now, he's put in a position where he has to pick one and risk the other (something he didn't want to do, and for that he asked Crowley to go with him). Aziraphale loves having his little restaurants, loves his first edition books, his records of classical music, his store of magic tricks. He loves how imperfect and messy humanity is, because all of it is part of the precious, peaceful and fragile existence he's carved for himself AND for Crowley. Aziraphale loves the world as something that's his but also as something that's theirs. That's where their love story happened, the common ground they could share together, making company for each other each time the lines of good and evil became too confusing to follow. They can't share Heaven (white) and they can't share Hell (black) but they can share the world and its immense amounts of grays.

It makes me think how Aziraphale's love for Crowley and his love for the world has fuzzy edges that bleed into each other until it's a messy whole that can't be torn apart. A whole he wants so fiercely to protect, for himself but also for both of them, him and Crowley. And, right now (manipulations being considered), he knows he has a chance of doing just that from Heaven while keeping Crowley by his side according to the Metatron's offer.

The issue is that, of course, they don't TALK and when they do they say half of the things they need to say, and it's always disguised in this carefully put together veil of pretence, never daring to cross the line of pretending there's nothing more between them than there should be. Either way, they don't TALK and if they do, they don't say enough, so now Crowley is left thinking that Aziraphale, after everything, still chose Heaven over him, but NO.

Aziraphale is choosing the world ("To the world.") He's choosing to protect this beautiful thing he found from the greedy hands of those who don't understand a thing about it and only seek it to see it destroyed in order to fulfil their own needs and wishes.

He's choosing to protect the world from yet another apocalypse, and when he chooses the world he is choosing Crowley too, because for Aziraphale one can't go without the other. Does he do it from his still present blind faith in Heaven and its goodness? Yes, and that's because his arc as a character is not done yet. But the purpose is not, in my opinion, to be back in Heave's good books. The purpose is to fight for what he loves, and that's the world and Crowley.

#basically I don't wanna READ another post about aziraphale not deserving crowley's love #they both want to fight for it in their own way and the lack of communication is what makes this entire situation so messy #they just need to talk man #like REALLY talk #good omens #ineffable husbands #crowley #aziraphale #good omens 2 #aziracrow #my txt #aziraphale analysis

[gayofthefae]

I saw a post saying that Aziraphale wants to see Crowley as happy as he was when he was an angel. What he doesn't understand was that he wasn't that happy because he was an ANGEL. That was ignorant bliss. It started when he found out God's Plan. Going back to God can't undo what's been done, what's been found out. The same thing is true. He wants to see him that happy again so he doesn't see that that won't give it anymore and refuses to try the thing that now will because he assumes Crowley is settling for not having the stars again.

#crowley #aziraphale #aziraphale analysis

[imagopersonal]

Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;

Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,

which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)

Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.

That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.

It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other

and the way he looks at Crowley while they’re talking about them.

I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.

So, my point is:

Fuck Metatron.

That’s my point.

Imago

#good omens #good omens 2 #good omens spoilers #ineffable husbands #aziraphale #crowley #media analysis

[biceratops7]

This, this fucking image...

It drives me insane, just activates something visceral, and I finally realized why. It's not just an appropriately placed close up shot to denote intimacy between Gabriel and Beelzebub, it's a fuck damn pov shot.

Gabriel is not dressed in accordance to his preferences, he is borrowing Aziraphale's clothes. And Beezlebub, well lets just say a black blazer is a black blazer, not exactly the easiest thing in the world to differentiate. Just looking at those hands joining, the individual identities of their owners melts away. The moment could have so easily belonged to Aziraphale and Crowley... and it's just- it's... it's just like the Rats of Nimh. They've seen this sign everyday for almost their whole lives, and have never once known what it says. They can make inferences, use context clues, wherever they are, it seems to be too so it must be about them, but they couldn't ever know for sure. Until one day, without warning, they looked at the words, and understood them.

And the sign communicated a way out.

Aziraphale and Crowley are the first of their kind. I don't think we really appreciate or understand how utterly unfathomable what they feel for each other is in their lived contexts, even to them. All this painful fear, all these lengths they go to, all to keep safe this precious experience they don't even have the language to name. It's not just unallowed, it's unreal. So then just imagine what the actual fuck they must be feeling when they see someone else... just fucking do it. Just like that. An angel and a demon. In love. Intimate, affectionate, in front of heaven, in front of hell, in front of humanity, in front of GOD, and She knows who the hell else.

For literally the first time, they’re seeing the things they feel for each other exist in others like them.

#so basically baby gays from Kansas seeing men kiss on cable for the first time lol #season 2 #good omens #2x06 #ineffable husbands #ineffable bureaucracy #aziraphale #crowley #beezlebub #Gabriel #secret of nimh reference #meta #analysis #biceratops

[inconveniently-discorporated]

My heart hurts so bad for Aziraphale because I can honestly just relate to him so, so, so much.

(not putting this one under a cut so warning season 2 ahead, I'll tag it at the bottom too)

Aziraphale says, "Nothing lasts forever," but I don't believe for a second he doesn't wish that it did.

He WANTS things to go back to how they used to be. He WANTS the seraphic Crowley squealing with joy as he cranks up the universal machine and sets the stars aflame. He WANTS there to be no sides, he WANTS to believe in the idea of the host united, he WANTS to go back before Crowley got himself in trouble by asking questions. He wants, I think, to be in that moment of creation and adoration forever.

Change seems to frighten him. There's an aspect of uncertainty. There's an element of chaos, the loss of control. I understand this deeply. And what the Metatron offered him was just that: certainty, control, the ability to dictate his own narrative.

I used to be in a toxic job. On top of it, I had intense anxiety and other undiagnosed neurodivergencies that made it even harder to fit in and understand the untold rules I was supposed to follow to get along. When I first got there, it wasn't so bad -- perhaps I was, like Aziraphale, also a bit idealistic. Then there were some changes that brought instability, significant more anxiety, and a lot of nights spent agonizing over my lack of control over it all.

My friends and significant other tried to convince me to leave, but I didn't want to. I didn't know what else was out there. I didn't know if it would be worse. I didn't know what kind of stability it would have.

Then my manager left, so that spot opened up. I had worked there for a long time, and honestly, I never saw myself going into management. I didn't think I could. I wasn't sure I even wanted to. All of that extra stress, on me? Not to mention, getting FURTHER into the job that was taking a massive toll on me? But then...

Then I would have control. Then I could run things the way *I* had always thought they should run. I wouldn't need to worry about who would replace my manager and whether my life would be a living hell -- I would make it what I wanted it to be. Upper management was really pushing for it, so I applied.

To make a long story short: I don't think it went very well. I didn't have the support I needed. I didn't have the emotional skills I needed. I think I did my best, but I'm not fond of those times. At the time, I was SURE that I wanted to move up even more, I was SURE this would make it all better. I thought this was what I REALLY wanted.

But that's not what I needed. What I needed was to get out, and eventually I did. Even as ready as I was to leave, it was absolutely agonizing. I could barely stand to handle the unknown. I was going to work together with my spouse, actually, and I was so excited for that, but I still... I still was upset and worried sick over the dramatic change that would befall my life, after I had made the decision to leave.

That's where I can relate to Aziraphale. I wonder what would've happened if, before I had actually left for good, the head honchos had come up to me and said, "We want to keep you -- how about we offer you (an even higher position)?" -- would I have said no, or would I have wanted to make a difference?

Funny, I said exactly that, too. That's almost why I didn't change jobs in the first place. I said, "But I feel like I'm really making a difference with what I'm doing now." But what pushed me over the edge was realizing that none of that mattered to them, it was all about THEIR control of ME, not the other way around.

I'm so intensely curious to see what happens with Aziraphale next, but I'm sure he will learn what Crowley understands: nothing lasts forever, and sometimes it's good that it doesn't -- even if sometimes we wish it did.

#good omens #gos2 spoilers #good omens meta #Aziraphale analysis

[inafever]

Oh my god I've been so stupid

GIVE ME COFFEE OR GIVE ME DEATH

It was an outright goddamn death threat

You either take the coffee, or take the death

Metatron you nasty little piece of shit

#good omens #good omens 2 #gos2 spoilers #good omens spoilers #gos2 #aziraphale #crowley #ineffable husbands #good omens season 2 #episode 6 #good omens season two #good omens season 2 spoilers #gomens #gomens 2 #good omens theory #good omens analysis #ineffabel divorce #aziracrow #neil gaiman #the metatron

[aduckwithears]

Ok so I know I posted the whole set, but I keep coming back to this particular moment-

Because look at this whole situation. Aziraphale steps forward, directly into Crowley’s shadow. Not only is he getting closer, right into his personal space, but suddenly Crowley's face is going to be a lot clearer, not backlit anymore. At the same time the Crowley's hand retreats just a little from almost grabbing and dragging Aziraphale's cravat to doing a pointy finger. And then we have-

Where the eye contact is basically the most indecent thing I've ever seen. It's just... a lot.

#i'll see myself out #good omens #good omens s2 #the resurrectionists #ineffable husbands #gif analysis #gif set #aziracrow #goomens #crowley x aziraphale #i am so unwell over them #a duck gifs #a duck talks

[queenofthearchipelago]

"Go and tell your friend the good news..."

That's what the Metatron said to Aziraphale before the Final Fifteen. And I wanna take a second to talk about the word choice there.

The Good News

In Christianity, people tell each other to "spread the good news." They believe it is part of their purpose to spread the good news.

And what is the good news?

That Jesus died on the cross for their sins, so they can be saved from death, and live forever in Heaven with their Heavenly Father, their God who loves them. All they have to do is believe.

So when the Metatron tells Aziraphale to "tell his friend the good news." He's not saying that to be friendly. He's not saying this is an amazing and happy thing. What he is saying is "Angel, serve your purpose. Spread the good news."

He's telling Aziraphale to do his job.

It was an order. And that's why the Metatron walked in after the Final Fifteen assuming that Aziraphale was coming with him. Because simply by having that conversation with Crowley in the first place, he'd already said yes to the job of being an angel again.

He spread the good news.

You can be saved. From Hell, from death. You can come live forever with your soulmate who loves you. You can be saved.

"Heaven is the side of good."

He did his job.

This is it, the moment he was no longer a renegade angel. He going in to work.

And this?

Just, maybe let's analyze the final fifteen with the assumption that Aziraphale was already working the moment he walked into the bookshop. I think we'll find some value there. And perhaps some more insight into his intentions. Did he actually want Crowley to come with him? What did the Metatron say that Aziraphale felt he had to return to being a working angel after just one conversation? All we actually know is what Crowley knows. What Aziraphale decided to tell him about what the Metatron said, after all.

And more importantly...

Was the Metatron using the phrase "the good news" as a threat? That Jesus was coming back and everything would be destroyed? That Crowley would die and be sent to Hell forever if he didn't accept the good news?

Or maybe that Crowley wouldn't just die. Maybe he'd be destroyed if he said no.

Or maybe...

Or maybe Aziraphale thought it was all a trap, and he didn't want Crowley to come. Hence the insults about Hell being the bad guys among other strange choices in what he said.

All I know is that Aziraphale is a horrible liar. But he can do it when he needs to.

"You have my word as an angel."

An angel.

An angel.

He can lie. As an angel.

Not Crowley's angel. Heaven's angel.

He can lie as an angel.

Maybe Aziraphale does know better than thinking Heaven is the side of good. But he's clocked into work and he's lying his ethereal face off for the greater good of saving Crowley and hopefully Earth too.

#good omens #good omens meta #the final fifteen #aziraphale analysis #crowley #the metatron #thoughtsfromthequeen

[hoarder-of-dragons]

[Season 2 summed up]

Aziraphale's thoughts: Oh I shall team up with Crowley and make Nina and Maggie fall in love and make them confess. Oh what if I also confess then. I need to prepare everything to set the scene.

Still Aziraphale's thoughts: Ooohh a ball with dancing and tiny snacks to make it fancy and it will be like a Jane Austen novel coming to life and then I will ask Crowley to dance and all our problems will go away as I stare into his eyes....

Crowley's thoughts: Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe FUCK YOU GABRIEL Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe PLEASE HOLD MY HAND AZIRAPHALE Keep Aziraphale safe JANE AUSTEN WAS AN AUTHOUR?!?! Keep Aziraphale safe-

#my autistic bastard and adhd disaster #poor souls cant communicate #AM I WRONG #good omens meta #good omens analysis #good omens 2 #good omens #good omens season 2 #incorrect good omens #good omens spoilers #neil gaiman #incorrect quotes #ineffable husbands #aziracrow #ineffable partners #aziraphale #anthony j crowley #david tennant #michael sheen #incorrect good omens quotes

[crowleys-hips]

ok i know everyone's analyzed the shit out of the Job minisode. but i think everyone has overlooked this Very Important detail, and it's this:

do you see it?

golden kermit collar

thank you for listening

#good omens #good omens s2 #good omens 2 #good omens meta #good omens analysis #aziraphale #aziraphale good omens #good omens aziraphale #good omens theory #ineffable husbands #ineffable idiots #ineffable lovers #ineffable partners #aziracrow #crowley #aziraphale x crowley #crowley x arizaphale #air conditioning #good omens shitpost #good omemes #good omens memes #xanshitposts