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#Dark Black Comedy
belle-keys · 1 year
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Artists: Gustave Doré (1832 - 1883)
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weirdlookindog · 5 months
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The Old Dark House (1932)
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yoursghouly · 1 year
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“Morticia Addams, You Are a Devil.”
Source: Liber Elmeri
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365filmsbyauroranocte · 10 months
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Elvira, Mistress of the Dark (James Signorelli, 1988)
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machetelanding · 10 months
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Bruce Campbell in Army of Darkness (1992)
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thetheodispatch · 1 year
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Psycho (1960) dir. Alfred Hitchcock
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kaaaaaaarf · 10 months
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The Killing Time (unwillingly mine) (1/2) on ao3
Wolfstar. Background Jegulily. 1/2. 5k words. Mature.
Did Remus expect to be here tonight? No. He had things to do. He was supposed to call his mother and go to the dentist, maybe grab a sauvignon to go with dinner. He certainly wasn't meant to be digging a grave in the back corner of the city cemetery at 2am. What was he supposed to do, though? Sirius had told him over lunch that he was going to marry Charles, his boyfriend of six months. Six months!!! He didn't even know him. He had to go. aka Remus becomes the most prolific serial killer in modern history because Sirius is a slut and won’t stop getting engaged. aka aka my Murder Husbands fic.
It's here! Welcome to Murder Husbands. This was the first fic I ever wrote, and these idiots are so, so special to me.
I hope you love it, but please for the love of god, read the tags.
Link to the playlist on Spotify.
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ex0skeletal-undead · 2 years
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All Hallow’s Eve by YannickBouchard
This artist on Instagram
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respectthepetty · 6 months
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If One Room Angel doesn't hurt me, it's gonna be number one in my heart, body, and soul.
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It's hilarious! Angel called upon the power of paper-rock-scissors to get Koki to make the meal, then insulted Koki's face as he told a ghost story that upset Koki enough that he lost feathers.
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It's sad! Angel realized that nobody could see him except Kouki and had a deep conversation with Koki about how he could merely be a physical extension of Koki's depression.
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But then it's funny again when Koki claimed he won the fight but was stabbed and both the manager and Angel told Koki him being stabbed meant he lost the fight.
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But then it's sad again because we met Angel's dad who seems like a really kind man, and Angel is covered from sight in the house by his altar because he is dead.
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But then it's funny and sad at the same time when Koki hugged Angel and gave him some of his emotions since Angel claimed he couldn't feel anything, but a kid yelled about Koki because Koki just looked like he was hugging air since no one can see Angel.
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But then Koki had a nightmare where all of Angel's feathers fell off and he frantically tried gathering them all.
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So Angel woke him up and teased Koki since Angel can feel Koki's loneliness, and they fell asleep together.
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It's an emotional battlefield each episode. Should I laugh? Should I cry? Should I stare into the black void that is life? Should I look up and see all the hope each day brings? I have no idea, but just like whatever this noodle roller coaster was, I'm enjoying the ride.
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vendriin · 2 years
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Practical Magic (1998)
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blood-bathing · 1 year
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Geri Del Bello
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weirdlookindog · 3 months
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Boris Karloff in The Old Dark House (1932)
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yoursghouly · 9 months
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And another thing! Literally any queer story that takes place during the colonial age would have a huge gaping hole in it if it didn't have anticolonialism as a theme. Especially one that centers indigenous people. Like the reason that every culture had their own concepts of gender until something happened and then suddenly the gender binary was ubiquitous is because western European colonial powers made their view of gender the only acceptable one as part of christianizing and colonizing the world. You're not gonna have a show set in 1717 in the Caribbean where the love interest is a gay Maori man and the main deuteragonist is a non-binary mestizo catholic and just skip over colonialism. Like these are exactly the people who western gender roles are being forced on at fucking gun point during this era. Jim and Ed are both mixed race characters who's gender and sexual identities are in active defiance of the colonial powers that be. And this is the fucking Stede Ed and Jim show.
And there's something to be said for the fact that Stede's toxic masculinity plot line is internalized and Ed's struggle with toxic masculinity is largely external in the form a white guy who rubs elbows with the British Navy when Ed doesn't behave to his standard of masculinity. That choice didn't come out of nowhere and it shows a deep understanding of where homophobia comes from. That's not to say that precolonial communities of color were paradise for people that we today would consider queer but the rich tapestry of sexual and gender expressions that existed in those communities were erased in the name of colonialism. That's going to affect literally any queer person at the time when OFMD is set. These two things are inextricably linked.
Like when David Jenkins says a lot of what we're taught about being men is wrong, motherfucker who taught us what a man was. Who taught Ed what a man was? Who taught Stede what a man was for that matter? It's the white dad with the English accent who is violent (derogatory) and overbearing.
Like you get what I'm saying right? Like it's a silly little rom com but also it must necessarily be that deep because of who these characters are and when and where they exist.
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legit question, I do not know.
Please elaborate in tags, replies, reblogs!!! More details the better!
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