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#Daisy-is-a-writer rambles
star4daisy · 2 months
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🦈 🎬 👑 for the ask game <33
heey thanks for asking hon <3
🦈 Which character is the toughest to write?
hmm i think reg cuz i had a specific idea of him before I entered the fandom and by reading so much fics on his pov I sometimes struggle with the characterization I'm gonna use for him and sticking to it
🎬 If a movie or show were based on your fic, which fic would you choose and who would you fancast?
THIS IS SO HARD FOR NO REASON LOL I think I'd go with either compass or power over me cuz they'd be the most aesthetically pleasing, i don't have fancasts for them but I'd have to go with Michael Cimino for James even tho he doesn't look like how i imagine him, kahlil beth for Evan, for Barty maybe Freddy Carter cuz he's got that weird haunted face, very wide eyes and I liked how he looked with blood on his face lol but if it was Compass cuz its a band au I'd choose Damiano David for him for sure, reg would be timmy just cuz idk the name of the other guy i ac see him as (but also they all look so young and i imagined them looking older on power over me)
👑 Do you like writing short fics or long fics?
I wish I could be the type of person who writes long fics, like I've got plenty of ideas that are, but I struggle so much with sticking to only one idea and being consistent on my writing that recently I've decided to focus mainly on my short fics so I can actually finish them and maybe write the longer fics on the side and only post them once they're mostly done (which I struggle to do too) so currently I prefer short fics heheh
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alisheaburgess · 1 year
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I was just reading a blog about techy stuff (software engineering)... there was a pretty picture. I thought, "Ooh, now maybe I'll understand!" So I zoom in (face to computer) and let's just say... I got called stupid by a pretty picture... I don't know how to feel...
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thedoorsofmyheart · 2 years
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“Which of all my important nothings shall I tell you first?”
- Jane Austen
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excusemeaminute · 1 year
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Say what you want about the henry cavill chaos but his fanboys are getting real scary out there
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daisywrites-stuff · 5 months
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Apologies in Writing
I love noticing the way characters apologize in writing. I've just written an apology scene and wanted to talk about it.
Apologies can show a lot about a character, and when you can show your character through their apology, it makes both the apology and the character so much better. For example, it can show how a character feels about why they're apologizing. If your character doesn't understand what they've done wrong, then they'll apologize differently than a character that is overcome with guilt.
An apology can also show their background or backstory. If your character has had everything in their life handed to them, they'll apologize differently than someone who's had to work for what they have. Apologies can also give information on a characters motives! A person that has nothing to lose will apologize differently (or maybe not apologize at all!) than one who has everything on the line. It can also show what kind of character they are. Do they avoid conflict? Are they only doing it to get something? Do they grovel? Or act nonchalant?
An example of apologies (or non apologies!) showing character is in the song "Betty" by Taylor Swift (I'm a swiftie, if there are any other swifties here pls come ily). The song is about a boy, James, apologizing to his girlfriend because of a summer fling he had while they were still dating.
He begins his apology by saying,
"You heard the rumors from Inez You can't believe a word she says Most times, but this time it was true"
He begins by blaming another person, Inez. He deflects the blame, avoiding the apology. Already you can tell that he's not one for conflict and he doesn't want to take responsibility for his actions.
The next part of his apology is,
"But if I just showed up at your party Would you have me? Would you want me? Would you tell me to go f--- [censored for tumblr because idk the rules] myself? Or lead me to the garden? In the garden would you trust me If I told you it was just a summer thing? I'm only seventeen, I don't know anything But I know I miss you"
He blames his age and he never actually apologizes. He also says that his fling didn't mean anything to him, showing that he doesn't value Augustine (his summer fling). Does this mean he values Betty? By the way he's avoiding apologizing, it doesn't seem like it. The rest of the song showcases him not saying "I'm sorry" once.
This is a prime example of apologies showing character. It's amazing and such a smart way add depth to your characters.
Some things that helped me put character into my apologies is think about their background, how they view the situation, the actual situation, and their traits.
In my book, the characters are both apologizing to each other. The first character, Christabel has never really had to apologize. She grew up in an environment where she never had to be wrong. She also doesn't believe that she's done anything wrong, she did, in fact, indirectly participate in events leading up to what happened, but she was not the sole person at fault. Because of the way she views the situation, this leads her to believe that she has no need to apologize. But, she's also a very caring and loving person. She genuinely cares for the other character and doesn't want conflict between them.
The other character, Elisabeth grew up the exact opposite of Christabel. While Christabel had whatever she wanted whenever she wanted, Elisabeth didn't have that kind of luxury. She grew up in a poor area and had to work for everything she earned, which made her a very hard worker and very conscious of both her and others actions, but she also had to miss out on a lot of things. Elisabeth felt like she had been wronged, she didn't have anyone to blame so she blamed Christabel, who at the time she believed was at fault. Some time passed between their incident and the apology, and in that apology, Elisabeth realized that Christabel wasn't totally at fault, though her anger is still justified because of the role Christabel played.
Elisabeth knows that Christabel is not totally at fault and it wasn't right to blame everything on her. So she apologizes for that, for blaming her. She was justified in some (maybe even a lot) of her anger because Christabel did play a role so she won't fully apologize for blaming her. She says it straight out, saying the words "I'm sorry." On the other hand, Christabel never apologizes. Her actions and the way she talks shows she's sorry, but she never actually says the words.
I think this is a super interesting way to show a character's traits and backgrounds, so even though this is crazy long I wanted to share it.
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factual-fantasy · 2 months
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I remember part of the reason why I dropped off my Mario AU a bit was because I didn't really have a satisfying explanation/lore for the princesses..
Why is Peach the queen of the mushroom kingdom if she isn't a Toad? Why is Daisy the princess/queen of the Delfino's if she's not a Delfino? How does Rosalina fit into all this? No matter how hard I tried, I just had a bit of writers block and couldn't come up with anything I liked..
But lately I've been thinking about my Mario AU.. a lot. And after some brain storming.. I believe I'm onto something. I've been thinking about the prophecy, the super stars, 1-up mushrooms.. and I think I'm on my way to building some proper lore and fixing a lot of the plot holes my AU had. Starting with the princess' and their designs.
My version of Peach, Daisy and Rosalina(sort of) are the same species as Wario and Waluigi. So I gave them the make over they should have had from the start. Pointy ears, pink/purple noses, blue markings under the eyes and those classic black ring eyes that the Wario "bros" both have.
With the lore I'm working on, I gave Peach a new dress, color scheme and hairstyle. For Daisy I changed up her whole outfit, her crown, her hairstyle.. I also drew a bizarre mark on her shoulder/face.. hmm..
With some updates to Wario and Waluigi's story, I gave them the bruises and wounds they unfortunately should have..
Rosalina's design was the hardest to execute, and took the longest to color.. but I think I finally got the look I was after and might not need to redesign her again. I hope ya'll can tell what I was going for- <XD
Anyways, I would love to ramble about their stories sometime. But for now everything is still under development. And some of these designs are not final. I'm bound to go over Daisy and Peach a few more times until they look juuuust right. Until then, I hope ya'll like my artwork! :}}
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rippersz · 9 months
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𝖰𝗎𝖾 𝖲𝖾𝗋𝖺, 𝖲𝖾𝗋𝖺
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(An OC/Named Reader x Larissa Weems one-shot) (Bittersweet/angsty. Possible part 2 depending on feedback.)
Summary: Odette sends a letter and it ends up in the wrong hands.
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‘January 11th, 2023
Odette,
I am terribly sorry to inform you that the letter you sent to a woman named Mirabelle did not end up in her hands. I believe the mail carriers fell short along the way and got it mixed up within my pile of documents; thus my wayward response to you. Considering the nature of your words (I must admit I read them - my actions were caused by split curiosity and confusion), I suggest you re-envelope and reseal your letter before sending it again. I have slipped it in with this one. And if you choose to listen to me, then we shall both hope your sentiments arrive to Mirabelle in a timely fashion with no surprise stops along the way. Until then, someone must tell her that she is a very lucky woman.
And that I am very sorry she broke your heart.
Happy New Year Odette. Be well, Larissa W.’
‘January 18th, 2023
Larissa,
Oh my goodness! Oh my goodness. I am far sorrier than you are. Obviously if I knew that was going to happen, I would not have let it. Okay that doesn’t make much sense, but I’m sure you know what I mean. I think. Hopefully? Anyway, thank you very much for sending the letter back. I gave myself some time to think it over and did as you suggested. New envelope, new seal, new everything. Except the perfume on the letter was different. Are you wearing Jean Paul Gaultier? It’s very nice. Mirabelle may appreciate the mix of scents (I’m wearing Marc Jacobs - Daisy), so at least she’ll get something out of it. The words, on the other hand, I’m not so sure. That ship sailed a long time ago - I’m just not the type to give up easily. That’s a big flaw, I think. Oh well. I guess rambling’s a flaw too. And here I am. Forgive me?
Thank you again. Happy New Year. Odette’
‘January 23rd, 2023
Dear Odette,
Please don’t apologize. It wasn’t your fault, as you know. And if I knew the letter did not concern me at all, I would not have read it. But, I’m sort of glad that I did. It was perhaps one of the best letters I’ve ever read in my entire life. Are you a writer, by any chance? If not, you should consider becoming one. The rambling could add a nice personal touch - it’s not as big a flaw as you think it is. It certainly introduced me to your keen sense of smell. Speaking of which, Daisy is wonderful. I may have a roll-on tube of that somewhere. Otherwise, you’re correct. La Belle was released in 2019, it has become my new personal favorite. Are you a perfume collector? Or perhaps a bloodhound? I jest, I jest. Though I do appreciate the follow-up. If Mirabelle doesn’t appreciate your love, I may have to send her a letter myself. That being said, please let me know what she says? If it isn’t too much of an inconvenience.
Be well, Larissa W.’
‘January 29th, 2023
To Larissa,
You are far too kind. I write in my free time, yes, but I’m not sure I’m good enough to become a writer. However, your support still means a lot - even from all the way in California. Quite a long way, right? Crazy how paths cross. Anyway, I’m not a perfume collector, no. But my friend, Cassie, wears the same kind. I know for certain that she’d say you have good taste. And I’d agree. That bloodhound comment was funny. I know you can’t hear my giggling, but trust me when I say I am. I wish I could be as witty, but I don’t know what to say. My humor is typically made up of making fun of people. Do you have a guilty pleasure I can harp on? An embarrassing secret? I’ll tell you mine if you tell me yours. And as soon as I get something back, I’ll let you know. Don’t start writing just yet.
Best, Odette’
‘February 5th, 2023,
Odette,
Telling you my secrets already? My, I believe we’ve skipped a few steps. What happened to a favorite color? A favorite memory? An age or profession, perhaps? If you couldn’t tell by now, I am still jesting. One of my guiltiest pleasures, though you may find it juvenile and silly, is the fact that I am a huge chocolate fiend. Many of my coworkers are aware that the best drink to buy me is a hot chocolate - hold the whipped cream. I am watching my figure after all. And because I pity your lack of matched wit, I’ll tell you that my biggest secret is the fact that I quite enjoy Taylor Swift’s music. Don’t ask me about my favorite song, I don’t think I could choose just one. Oh is that- is that the sound of your giggling? Maybe I can hear it from here, Ms. California. Now it’s your turn to hear mine. In the meantime, enlighten me on what you write about. I’m thinking poetry and free-form, with a focus on romance. I do a bit of writing myself from time to time, but it’s always in a diary. Never further. Perhaps you can do both of us justice and contemplate publishing? I’ll be the first to run to the shelves.
I hope you are well, Larissa W.’
‘February 13th, 2023
Dear chocolate fiend,
White. My first trip to New York City after Mirabelle. I arrived in the afternoon, went to see a movie, grabbed dinner and headache pills on the way back to my hotel room, and couldn’t sleep for the entire night. So I went out at 3 AM to see Times Square. It was only a block away and let me tell you, Larissa, it was beautiful. It was unlike anything. I felt safe for the first time in a while - beneath all of those lights. I was invincible. Not even loneliness could touch me. 27 and counting. Secretary. And potential writer. Someone I met recently has been trying to push me further into my hobby- to really adopt the lifestyle. You wouldn’t know them, though. Them? They/them? Please correct me if I’m wrong, Larissa. These letters wouldn’t be nearly as enjoyable if I was calling you something you weren’t. As for me, I go by she/her. Mirabelle did as well. Does? Did? I’m not sure - I haven’t heard anything back yet. But that may be for the best. Horrid segue here (shame on little writer Odette), but Taylor Swift? Wow, I must be giggling quite loudly. HA HA HA HA HA!! HEE HEE HEE HEE HEE!! I swear that one day I’ll get a laugh out of you as well. In the meantime, as you say, I’ll happily inform you that you’re a psychic of some sort. Yes, I write poetry and free-form romance. Novels have never been my thing though. But if I did write any, I’d have to say psychological horror is a favorite. I may give it a crack if you’d edit for me? Unless you’re terribly busy, Ms. Vermont. Then please don’t worry your pretty little head.
I hope you’re ‘weller’ than I am, Odette
(P.S. Happy Valentines Day)’
‘February 19th, 2023
Dear sweet poet,
Do forgive the late response. Work has been keeping me busy; but if you’re serious about editing, I’m sure I can set some time apart for you. That memory of yours does sound quite glorious - nearly heavenly. Such freedom is a dream for many people, myself somewhat included, so I admit I’m the tiniest bit jealous. However, I could always visit the city in the summer. Times Square is already calling my name… maybe I’ll even see a certain 27 year old stranger there. Maybe we could even grab hot chocolate. But I suppose you’d rather enjoy your independence. That being said, you are quite correct - they/them is one of my preferred pronouns. Much like yourself and the mysterious Mirabelle, she/her is another. And I’m glad we both agree that these letters are quite a treat. I have not had a pen-pal in quite a long time. My old roommate and I used to talk after we graduated, but times change. Much like they did for you and Mirabelle. I believe I may have loved my roommate in that way, too… but it’s as I said. Then again, she was always more of a psychic than me. I just got lucky. As for the answers to my questions, I’m quite sure none of those were secrets. Unless, of course, your favorite color is known only by myself. In which case, I’d consider myself lucky again. But either way, come to the table please Odette. Tell me yours - but only if you wish to.
Weller is not a word, Best, Larissa W.’
‘February 23rd, 2023
Dear Larissa,
Weller is a word if I want it to be. That is my secret. No, but in all seriousness, you’re correct. Fair is fair. So I’ll grant you this: I’m a redhead. Ugh I know! I know! It’s terrible. Horrible. I’m sorry. If you find that you can’t stand me anymore, I understand. A writer, secretary, AND a redhead? What’s next? An FBI agent? I can’t disclose that information. Speaking of which, you have yet to answer your own questions. All is fair in love and pen-paling, am I right or am I right Larissa? It’s okay. You can admit it. I’m right. Just like I’m right in saying that your roommate made a big mistake if she’s not with you now. Speaking from experience, love like that is not something one finds often. I’d say I’m glad you experienced it, for it has its good moments, but I know that the ache can be bad. Quite bad. Not to worry, though! If you figure you want to send her a letter, you may get a pen-pal out of it. Kind of neat, huh?
I’m sorry she broke your heart, too. What a foolish woman. Tsk tsk.
Best, Odette’
‘February 28th, 2023
To the resident redhead,
How could you betray me like this? A redhead? On the other side of these pages? I feel scorned. Scorned and touched. Very much like a writer to offer comfort for an offhand comment. I appreciate the sentiment more than you know. And just for your information, Ms. I’m-Always-Right: Silver. Getting my teachers certification and celebrating with a few friends before life pulled us in different directions. It was a wonderful night. I haven’t laughed so much since - and that was quite a while ago. 32 next year. Principal. I do hope that was enough to sate your burning curiosity; I’m sure you can be at ease now. And since I do so enjoy meeting you halfway, I’ll tell you that I’m very fair-haired. Very. Perhaps one day you’ll see. Until then, don’t let the curiosity kill you little cat.
Best, Larissa W.’
‘March 5th, 2023’
‘March 12th, 2023’
‘March 16th, 2023’
‘April 14th, 2023’
‘May 21st, 2023’
‘June 9th, 2023’
...
And the months went on.
And on.
And on.
And every few days, another letter came. Another letter went. Another letter was written. Another letter was sealed. Another letter was received. Another letter was cherished. Kept. Forever a lovely memory. Larissa and Odette went and went and went- on and on and on- exchanging and smiling as each paragraph grew in length. From this to that and whatever else they could find to think about; they formed a banter and connection like no other. Poking fun, making jokes, referencing previous letters, gossiping until their hearts were content. Purring within their chests, eagerly awaiting another letter. It kept their days moving. It kept their souls dancing. From miles away, they cheered each time they saw the thin familiar scrawl of Larissa’s writing and the loopy tilted words of Odette’s penmanship. At one point, they even tried copying each other’s style. It was hilarious. It had both of them laughing at the same time - and later doing it purely to mock. Such things, little but large, were frequent and lovely. One time, Odette mailed a perfume scent strip of her new favorite; and Larissa, never one to be outdone, sent a roll-on tube of La Belle. Odette got so ticked off she made her promise that they stick to letters and paper only. Larissa, usually a stubborn soul, agreed. That was their dynamic. Their push and pull. Their agree to disagree. Never did they fight; rarely did they not see eye to eye; and constantly did they playfully argue. It was small things- small insignificant little things- but they moved the conversation along. And it made them smile. It made them laugh. And during the hardest parts, the parts in which life pinched at their skin and dragged at their souls, it made them cry. It made them weep. It made them open up. It led to Odette confessing that Mirabelle had left her and it led to Larissa confessing that Morticia had left her as well. Two women, two ships in the night, both of which got away. And not gently, not two slow drifts into the night, but a harsh yank. Morticia left school with a man on her arm and Mirabelle returned to California one day from a business trip in France with a ring on her finger. The two of them agreed that it was funny how life likes to slap lovers in the face. That it was funny how life likes to get in the way. And enjoys ending good things and ruining them. Taking them away too quickly. With no warning at all. Without a single goodbye.
The last letter Odette sent was on October 28th, 2024.
Larissa hadn’t responded to her previous one. Or the one before that. And eventually, after much contemplation, she gave up. It wasn’t healthy- worrying so much. Odette figured that perhaps, finally, her worst fear came true and that Larissa realized their little arrangement was more odd than she thought. That she knew virtually nothing about Odette, not even her last name. And that she didn’t find her amusing anymore and didn’t want to associate with her anymore and didn’t want to even say hello. Or goodbye. Or anything in between.
It broke her heart a little bit.
Okay it broke her heart a lot a bit.
The radio silence left Odette living on autopilot for weeks. Months. Nearly half a year. She’d get up, check her mailbox, and go to work - only to come home, check her mailbox, and go to bed - just to do the same thing over and over and over again. Day and night. Night and day. It was worse than Mirabelle. It was worse than anything. No amount of teenage angst or familial grief could get over the deep void left within her soul once those letters stopped coming. Once the friend she found by accident, the kindred spirit she stumbled upon, the woman she lov-…. well. Once that one person decided never to write again.
Though like most difficult things that left her raw, Odette’s heart began scabbing over. She cleared her desk, packed away the special pens she used, put the paper neatly into a box, and tucked the leftover Larissa letters away right along with those sweet memories. Then she put them into the back of a closet she rarely rifled through… and tried to forget it was all there. The La Belle, which she rarely touched, was hidden in her pajama drawer at the very back- wrapped up in old T-shirts she no longer wore. And every other thing that existed around her, that reminded her of Larissa, was pushed out of sight. Out of sight and out of mind. Out of sight, out of mind. Out of sight, out of mind. Out of sight… out of mind.
The company was celebrating her 5 year anniversary. They wanted to fly her out to Vermont. Jericho, Vermont. To have a little vacation there. To enjoy life. To fucking torture her.
She almost didn’t go. She almost canceled entirely. She almost quit her goddamn job because that was the same job she had when she first met Lar-…..
But she went anyway. Vermont was large enough. She’d be fine.
And she was, much to her surprise. She was entirely fine. It was a beautiful change of season; the air was crisp, the trees were changing color- morphing back into sunny greens. The world enjoyed its rain as April introduced May to Jericho and as the year of 2025 blossomed into being. Odette spent her days reading, taking walks, basking in the beauty of the log cabin the company rented for her. It was truly lovely. Truly a dream come true. And she didn’t even think- didn’t even wonder- about the other ship that got away from her. That barely even brushed past her, or lingered, before parting the water and skating away into the night all those months ago.
It was blissful. It reminded her of New York. Of that freedom- that independence- that song within her soul, dredged up from the depths.
But there was one thing.
One tiny little thing.
One little reminder that never left her. That she didn’t let go of.
“Hot chocolate, no whip, for Odette?”
A small smile grew on her lips as she slid out of the booth and made her way up to the counter. The young man met her eyes, returned the smile, and gestured to the warm cup on the counter with a nod of his head.
“Thank you lots.” And with that, she retreated to her booth.
Hot chocolate.
She wasn’t going to give up hot chocolate, let alone any chocolate at all, just because a distant soul enjoyed it. The whipped cream was something she wanted, but… old habits did always die hard, didn’t they? Oh most definitely. And as Odette reclined against the comfortable seat, eyes tracking the screen of her work laptop, hot chocolate firmly placed on the coaster to her right, she lived up to that sentiment with no room to spare. Leaving work at home was hard. She dove into it some time ago; dedicating more time, thinking, and hours into the well-oiled machine of her job just to distract her from everything outside of it. When she was there, responding, taking calls, managing dates and meetings and this, that, and the other, the world fell silent. Into a distant buzzy din. Into a land of muffled sounds and unimportant chatter - like her head was dunked under water as soon as she opened her emails. To a certain extent, it was calming. Repetitive and not at all that difficult after she figured out a proper routine; the worst part was dealing with those who couldn’t write properly. And in the professional world, that was rare. Well- if a person wanted to keep their job of course. And she definitely wanted to keep hers. It was fulfilling. Enriching. She made some friends, she shook some hands, she reassured her bosses. They knew she was reliable. Friendly. Odette never faltered. And they counted on that. Counted on her. Gave her the time of day. Responded when they could. Cherished her like a human. Like a friend. Unlike-
“Larissa? Hot chocolate, no whip?”
Odette blinked.
The muffled bubble popped. The world flooded back. She looked up from her screen.
Was she going mad? Crazy? Bonkers, finally? After all that time? Had she misheard? Maybe the young man said Patricia. Or Melissa. Or-
“Larissa! Hey, long time no see!”
Larissa.
Odette turned around in her seat so fast, she nearly broke her neck. She shuffled to the end of the booth, peered around the side, eyes wide and hands gripping the edge of the table… only to feel her excitement die as soon as it existed.
Of course. Foolish her. She didn’t know what Larissa looked like. She never got a proper description. Never got a photograph. Or a phone number. Or anything at all. Just a P.O. Box and a state. Just… nothing.
“Hello Jerry, it has been a while, hasn’t it? How are you?”
No, she- well she did get something. She got little things. Details. Odette’s brow furrowed as her eyes, hazel and starry and glazed over with apprehension and fear and admiration and horror, ran up and down the woman’s body. She was tall. Larissa never mentioned tall. She was curvy. Larissa never mentioned curvy.
‘I am watching my figure after all.’
…She was stylish. Larissa never mentioned style and fashion.
“Oh I’m good, I’m good. What about you? How’s the semester going?”
“I’m well, thank you. It’s… well it’s definitely going, Jerry.” They shared a laugh.
She was English. Larissa never mentioned being English. She wore gloves. Larissa never mentioned gloves. She-
Wait. Semester?
‘Getting my teachers certification…’ ‘Principal.’
Odette felt her heart drop.
But-
“I’m sure it is! I- oh shoot. More customers. Sorry, Larissa. Can we catch up later?”
“Of course Jerry. You know where to find me. Until next time.”
Hazel eyes watched the stranger wave. Then turn around.
Oh.
Dear lord…
She didn’t recognize her- not really- but the fair hair, which only registered then… and the silver jewelry. And the… the…
Odette watched as the woman walked past. She watched and she felt her heart in her ears- pounding, clawing, dancing- as she closed her eyes and breathed deeply. So deeply. So deeply it made her lungs ache. So deeply it made her soul tear in two.
La Belle.
Odette had never packed up her things so quickly. She never slammed her laptop closed so fast, never slid it into her bag so messily, never threw the bag over her shoulder or shoved her wallet into her pocket or grabbed the hot chocolate with such vigor ever before. Not once in her life. And rarely did she act so impulsively- not after Larissa. But seeing her then, somehow knowing deep within her soul that it was her… it broke- snapped- the thin resolve of Odette’s sanity and sent her flying out of the Weathervane like a bat out of Hell. She was burning up inside. Electric. Her eyes held fire and ice and so much warmth, so much desperation, that she nearly toppled over herself in her hurry.
The woman- Larissa- was a fast walker. Her long legs took her far as she distractedly typed on her phone with one hand and held the cup of hot chocolate in the other. Odette, being short and clumsy, was red and out of breath by the time she got close enough to call out her name. And call, she did. Call, cry, silently plead, she did.
“LARISSA!”
It was loud. Like a roar. Like a harrowing yell. Like something that held months and months and months of pain and sorrow and grief behind it. It instantly made her throat hurt, running it raw in only a second, but she didn’t care. She didn’t care at all. Not when her voice got Larissa to stop in her tracks and turn around, eyes searching and confused.
Of course, as to be expected, she had no clue who she was. Not even an inkling. Larissa got no description either - not even a photo. All she knew was that Odette had red hair. And that a woman with red hair was storming toward her, all fucks thrown to the wind, sneakers smacking the pavement hard as she stomped down the sidewalk. Larissa looked utterly puzzled, slightly mortified, entirely put off by the sight of such a determined stranger. Like she wasn’t sure if she had done something wrong and if she had, she wasn’t sure how to fix it. But Odette would tell her. Odette would make it known.
“What the fuck?” was the first thing out of her mouth.
A rather harsh introduction, but necessary nonetheless. She didn’t even really mean to say it, but the surprised widening of Larissa’s eyes had a twisted spark of satisfaction spiraling up within her soul.
And her outburst, naturally, meant many things. Not just ‘What the fuck?’ but ‘What the fuck? Why did you disappear? What did I do? Did I hurt you? Did I say something? Did something happen to you? Do you feel sorry? Do you miss me? Do you wish you responded? Do you hope to never hear from me again? Did you always know this would happen? Did you ever even bother to think that you should tell me you’re that beautiful? What the fuck, why are your eyes so blue? And why are they piercing? Staring at me? Heavenly and deep and never-ending? Like.. oceans… and why are your lips so soft looking and plump and red? Where did that scar come from? Do you hate it? Do you know that I like it even though I’m only seeing it now for the first time ever? Did you always wear your hair like that? How long does it take you to get it like that? How does it feel to take it out after a long day? Did you know your makeup is flawless? And that your jawline is magnificent? And that you’re so tall… and you look so strong… inside and out… and why the fuck did you not mention you were British? English? What does it matter? Just what the fuck? Why the fuck? How the fuck? What the fuckity fuck?!’
But overall, it only meant ‘What the fuck? Why didn’t you say goodbye?’
“I beg your pardon?”
Unfortunately, Larissa could never read minds. Or hearts. So the vague pangs of longing, like old rusted blood, only ached harder as the taller woman blinked and frowned.
A blush painted Odette’s cheeks. Right. Somehow, along the way of admiring, she’d forgotten. Larissa had no idea who she was.
“Um.” Clearing her throat, she adjusted the bag on her shoulder. Suddenly, things were very awkward. Terribly awkward. So horribly bloody awkward. It was a wonder if Larissa could feel the odd lull in conversation, the sudden dousing of Odette’s flames, but it didn’t really matter. If she wanted to, Odette was sure that if she chose to walk away, if she chose to take one last look before turning around and never coming back, then Larissa would never know. Then she’d just be another story. Another odd memory to tell her children one day, if she ever wished to have them. In her letters, the taller woman admitted that she didn’t think she ever would. But Odette always had a feeling that she’d be an amazing mother. Looking at her then, taking in the perfect posture and the crisp seams of her clothing, the feeling became fact. Larissa would be the best mom.
Funny that… there was a time, long ago, where Odette fantasized about making sandwiches for picnics and uprooting her entire life. Just to see the proud smile on her pen-pal’s face as her child grew and grew and grew and flourished. And maybe even ended up calling her ‘mom’ one day too.
But as Larissa wrote once upon a time, things changed. Time went on. And that was how it was.
So she could turn around. She could very well wrench herself from her spot and drag herself back the way she came. She could apologize, tell her she was mistaken, and that she was sorry - and then she could walk off into the sunset and pretend nothing ever happened. She could burn the letters. She could burn the very memory of her. She could forget the name ‘Larissa’ entirely and all would be left to rest. And that would be that. Que sera, sera.
But Odette was never the type to give up easily. Mirabelle, wherever she was, could attest.
So instead of abandoning ship, she powered through.
“It’s Odette,” came her firm tone. She straightened her back and tilted her head to look up properly, trying to stand tall in the face of heartache.
But heartache didn’t recognize her.
“Have we… met before?” Larissa blinked, turning to present her full attention.
Odette flushed red. Angry. Sad. Liberated.
“Have- have we met before?” She repeated, scoffed, outraged by her old friend’s obliviousness. “Just how many Odettes do you know?!” Her hands ran to her hips, firmly rooting themselves there as she began tapping her foot and glowering.
Such a display had Larissa scanning her from head to toe, desperately scrambling for understanding and recognition. The loose T-shirt, the black leggings, the sneakers, the hazel eyes, the pretty features, the freckles, the plump cheeks and curved body, the bag on her shoulder, the hair on her head. Red. Fiery. Standing out against the blue of the sky like a stain on white fabric. Messy curls and natural red red red.
Red… red…
Odette watched as Larissa froze. Her lips fell open, her eyes widened, she could practically see the way her heart stopped in her chest.
She remembered.
She remembered.
“…Odette?”
The shorter woman nodded, slowly feeling the anger and excitement drain from her body. It was fun being anonymous for just a moment. It was fun being the only one that remembered - having the chance to feel properly scorned and betrayed. But that didn’t last very long. The come down was harsh. Quick. A fall from immense grace. Especially when she saw the tears. They welled up in Larissa’s eyes, glossy and wet, making those sapphires shine. So swift they were. So rapid. As if sparked by Odette’s very existence.
Though maybe Larissa wasn’t the one that was tearing up. Maybe it was just her. Maybe the haze of the world, growing slightly blurry, was caused by the water that threatened to fall over her own lashes.
“Yeah.” It was all she could think to say.
For even with all of her passion, even with her love of words and her many discarded story drafts (all coincidentally started in the year 2023), even with whatever eloquence she was naturally born with, Odette couldn’t come up with a single meaningful thing to say. There was much, of course. But none of it fit. None of it made sense. Everything that lingered on her tongue, finally unlodging itself from the stickiness of her throat, was too heavy. Too heavy for the moment. Too heavy for the sidewalk. Too heavy for the side of the street. Too heavy for Jericho. Out in the open. Vermont. Miles away from home. Too close too close too close. Too much all at once. Maybe running after her was a bad idea. Maybe taking the vacation was even worse. Maybe sending that letter to Mirabelle in the first place was the poignant moment in which she should have changed her mind and threw it away when she considered it.
But she hadn’t.
And so there she was, staring up at Larissa, suddenly helpless. That ship that passed her in the night all those months ago had come back around; except that time she had stumbled upon it herself. And she wasn’t entirely sure if she was grateful- or terrified. Maybe the ship hated her. Maybe the ship would crash into her and ruin her and maybe the ship would begin shooting cannons. Maybe the ship would continue right past her. Maybe the ship would-
-hug her?
Odette blinked, very much unsure of what was happening as soon as she felt the comforting weight of long arms pushing themselves under her biceps and interlocking behind her back. La Belle and the soft clean smell of faded shampoo filled her senses. Her nose. Her lungs. Her eyes. Her heart. And soul. Part of her was so confused it wanted to grasp Larissa’s shoulders and shove her off. And the other part of her, the part of her that had dreams about receiving another letter from the one that broke her heart, wanted to give in.
‘That ship sailed a long time ago - I’m just not the type to give up easily.’
Odette’s arms pressed against Larissa’s waist. Their holds were odd, skewed by the cups of hot chocolate they held and the other items in their grasps. But nonetheless, it was… it was unlike anything. Each breath died on Odette’s tongue. She felt the atoms in her brain disappear. Like they never existed at all.
“I’m sorry.” It was said so softly, she was near certain it wasn’t uttered at all. But then Larissa was pulling back, hands shaking as she brought them to her lips. “I’m sorry.”
There was grief in her eyes. A sadness that not even the most haunted of poets could explore, nor understand, nor emulate. It gleamed. It cut Odette in half. It had her taking steps back, suddenly unsure. Suddenly disoriented.
“What-… what happened?” She was breathless, bewildered at the sight of regret swimming in Larissa’s eyes.
The taller woman opened her mouth… then hesitated. Her gaze burned through her old friend- then twitched away and ran over the world around them. The sidewalk, the street, the shops, the Weathervane, the town itself. They were out in the open. And their… reunion… was too good for that. Too painful for that. Odette watched as Larissa’s lower lip quivered; as the thoughts ran through her mind at the speed of light. And before she even spoke, she knew what she was going to say.
“Please, come with me,” her voice was soft. Silken. Heavy with guilt. Pouring with unspoken words.
It was Odette’s turn to hesitate. Years… nearly. However much time. She didn’t really know. She stopped keeping track once she realized she was losing sleep over it. Hours upon hours of sleep. It affected her work - it affected her body. It slit the throat of her life and dragged it through dirt. ‘It’ being the silence. ‘It’ being the goodbye that never came. ‘It’ being Larissa, Larissa, Larissa.
The same Larissa who held an apology wound up in her lungs. The same Larissa who looked down at her as if she couldn’t quite believe she was real, standing before her, breathing and living. The same Larissa whose shaking hands held a cellphone and a cup of hot chocolate that was swiftly running cold. The same Larissa with the same shining eyes that glistened with tears and crackling memories and affection, warmth, that seemed so out of place. Years without the comfort of that dove-like soul… years without the… the love? Love? Is that what they had? Perhaps it was too little too late to wonder. Perhaps Odette was just dipping into wishful thinking. Giving into the dreams she repeated over the years. With every word, every breath, every letter - she found herself begging. Pleading. ‘Please. Please please please invite me to Vermont. See me. Know me. These pages are killing me.’ All of it secretly scrawled between her slanting lines. Running in circles behind her hazel eyes. Displayed for Larissa, even though Larissa did not exist before her at the time.
Not like she did in that moment. In Jericho. In tears.
“Let me explain, Odette. I meant- I… just- give me a chance.” Larissa blinked her tears away and straightened her shoulders, tone growing desperate, body growing tense.
Never before did she sound like that in their letters. But never before did she leave Odette for so long. Interesting circumstances… Funny how life ended things so quickly. Funny how life brought out the truth in a person when they felt themselves tugged at a loss. Pushed to their knees. Though she said she had an explanation… and her old friend had never been a liar.
“Okay,” Odette breathed, clearing her throat. “Okay.”
“Really?”
‘Yes of course, really,’ Odette thought, looking at her with a mix of surprise and anger and devotion. ‘What are you, mad? I’d never just walk away. I’d never just give up. I can’t help myself. I never could. You know this. You know me.’
───※ ·❆· ※───
I quite enjoyed writing this. Might take a break from writing 'Heat' and 'To People Watch One Person' for a bit- same with requests. For the foreseeable future, whatever comes to mind will be written. I've started watching GOT again... and a certain Ser of Tarth has strummed the strings of my heart {as always} so maybe expect something with her? Dunno. Either way, thank you for staying with me. You mean the moon and stars, believe me. - Ripley x
───※ ·❆· ※───
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retr0scum · 13 days
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(Cookie run tbd event spoilers)
I was rambling to my friends about how much I missed Devsis daring to show/talk about death like in the first 2 seasons of the TBD or just do something cool with Timekeeper again but I just finished the story and god I wont lie, I'm disappointed- I'm not even asking for angst (not a fan) but I miss the writers playing with fire a bit. Not just "woopsie daisy haha a screw in my vacuum!!" Maybe like "oh holy shit it was the director fucking with me all along" Just that would have been more interesting
At least we had maple Taffy digging in the trash like the raccoon he is
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thyme-in-a-bubble · 1 year
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making daisy chains with spencer reid on a date hcs
A/N: this was an old request by @sunflowerharrington, originally posted back in September of 2022, it read: making daisy chains with spencer on a date
∼ gentle reminder that feedback, but especially reblogs are the way you support writers on here ∽
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I imagine this being one of your very early dates
this time (probably because he was busy with work) he said that you could just pick something and you didn't have to fly it by him first.
I think a simple "surprise me" was uttered by the doctor.
so at first, you panicked
you're all like "what even is a date?"
but after a mild freak out, you come to the conclusion to just make it something you're 100% sure that is an activity you're comfortable with, since being around a guy that makes your heart go a million miles an hour isn't exactly calming...
so, a walk around your favourite park it is! (the one that you go on walks in practically every day)
when you tell him, he just gets this really warm smile, like it's a privilege that he already gets to join you on such a cute normal little thing.
when you get there, you start by taking a long, slow walk all around the edge
(it's a LARGE park)
(big boiii)
you introduce him to your favourite trees
the large willow tree at the edge of the pond where you sometimes take your lunch with you and eat it there
the birch trees, that are honestly just really nice to touch
you also get distracted looking at the little family of ducks that swim by you.
he of course can't stop himself and spout off random duck facts
after about two minutes of him infodumping, he gets a bit nervous, stops himself and apologises quietly, being too used to people finding it an annoying trait of his.
but he had been so busy looking at the ducks and rambling about them that he completely missed the dreamy way that you were staring at him.
"please don't apologise," you pop down on the grass, "keep going."
"O-okay," he joins you in the grass and continues.
while you're listening to what has quickly become your favourite sound in the entire world, you at first start by just picking some of the small daisies that are scattered around you, just to do something with your hands
but then when you start finding a bunch with longer stems, you almost intuitively start making a small chain
you almost don't notice till Spencer asks in amazement, "how did you do that?"
with all of the books he read, you just assumed that he knew how to do everything, in theory, that is
but this one, he genuinely didn't
so you showed him
you scooted closer, showing him how to wrap the stems around
"no, no, if you do it like that, it'll just fall off, you have to weave it up over and around that one so it kinda locks it into place."
and because he has terrible vision, he gets the flowers all up close to his face
and because you have to guide him through it, aka you have to be able to see what's going on, your face ends up getting all up in there as well.
at one point, the grip he has on the stems loosen
"Spencer! you can't just let go or they will fall apart!" you yelp, but when you look at his face, he's just watching you intensely, probably wasn't aware that you'd scooted just that close
and for a moment everything stops.
the other people in the park disappear
the trees
the lake
the ducks
they all disappear for but a moment
they only come back after Spencer kisses you
leaving you a flustered mess, while he just continues to stare at you sweetly
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© 2022 thyme-in-a-bubble 
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asingleietsist · 9 months
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Random but whew finally another bowuigi artist/writer who isn't into proship stuff! Too many artists I like end up being creeps, that or while they are not into it are fast to call people antis and block for simply setting up boundaries and keeping a distance when it comes to content or people that make them uncomfortable (like just because you can tolerate a mutual that makes stuff you're not always about doesn't mean everyone else has to tolerate and accept people like that interacting with them ew)
UUUHHHH mention of incest n such
Yeah, I've noticed that it is a pattern for Bowuigi artists I used to like. (I've seen a few artist on Twitter who've been revealed/straight up draw incest. Mainly, Mario n Luigi. I've also seen Bowser n Bowser Jr. IT MAKES NO SENSE.). This has given me a LOT of trust issues in any artist I come across, so I tend to keep my distance from creators.... I should probably learn to unpack that..
I never really understood the appeal of being a proshipper and while I do like to draw n write Bowuigi, I'm not gonna do EVERY request.
I remember a specific artist I used to like on Instagram, then found out about the proshipper stuff they were doing on Twitter and when they got called out, were completely immature. Heck, they ended up with more support from:
A.) The followers that say they don't like the artist, just the safe Bowuigi art/art style (basically the "I just like the art not the artist" argument)
B.) Were from other proshippers in the community
It was weird and I immediately blocked them once they responded immaturely.
I guess the only thing I can say I ship that is 'weird' is Daisy x Mario (I have art of them that'll be kept private for a bit 'til I feel comfortable)
If ya don't ship Bowuigi and you still like my posts/blogs/rambles, it's all good.
There are definitely more decent Bowuigi artists out there, hard to find tho...
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House of the Dragon Finale/Series thoughts
As someone who finished Fire and Blood a few days ago… oh boy do I have some thoughts.
Obviously spoilers below the cut for all of S1 and for F&B, don’t read if you don’t want spoilers, etc etc.
Oh fucking BOY what a goddamn mess
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Let’s get the rant/complaining out of the way first:
Just to be clear, the cast are all amazing, my complaints are NOT directed at them, I love them, they did the best with what they had. The writers, however: 🖕🏻🖕🏻🖕🏻
The writers so wanted to make Team Green as likeable as possible, it’s actually pathetic, and they basically whitewashed every single one of their actions instead of allowing them to do morally bad things - instead, everything was a misunderstanding or an accident.
Like hear me out, the reason Team Green is even interesting to read or watch is BECAUSE of the bad things they do. That’s literally ten times more interesting than “oopsie daisy! Accidentally started a war” and no one actively choosing to do anything
All of the key Team Green players have basically no agency, it’s actually sad: this is especially obvious in regards to Alicent and Aemond
In F&B, Alicent intentionally ignored Viserys’ wishes of putting Rhaenyra on the throne and put her r*pist son on there instead. In HOTD, it’s “Alicent misunderstood the ramblings of a clearly delirious and dying man and is not in the wrong”. Also in F&B, she is much older than Rhaenyra, who is only 10 when Alicent and Viserys marry - which makes it kind of funny because Alicent is literally beefing with a 10 year old. But in HOTD, they aged Rhaenyra up and Alicent down to be the same age, and invented some “they were clearly lesbians” BS for no reason - and no, it’s not me being “homophobic”, the fact is that Rhaenyra and Alicent’s friendship/relationship has constantly reminded me of a toxic friendship that I was in for more than half of my life, so no, I don’t ship that thank you very much
By the way, accusing Daemyra fans of being homophobic because we don’t ship Rhaenicent is so fucking dumb, most of us are gay/lesbian/bisexual/not straight?!? And most of us are mad that they erased Laena/Rhaenyra in favour of some toxic nonsense with Alicent
I don’t even like Alicent but the whole Larys-foot-scene was so unnecessary. What was the point in showing her as a victim even after her husband’s death? What was the point in showing yet another example of abuse? I’m so tired of shows using abuse and violence against women for shock value or plot drama, it’s so gross and it’s never treated seriously or with the sensitivity it deserves. This whole show has basically made the female characters defenceless weak victims and made the men key players
And no, I’m not saying victims of abuse/assault are weak or whatever. I’m saying that the show has gone out of its way to make every single female character a victim instead of showing any of them actively making any decisions/taking any action, and instead of giving them actual character development. And I’m also saying that this show hasn’t dealt with the topic well, it’s been very mishandled.
Basically… Let let women be evil! Let women be fucking unhinged!
Then there’s Aemond: his character defining moment is him becoming a kin-slayer and murdering his teenage nephew in that Storms End moment. He celebrated the fact he did it. But in HOTD, it’s painted as “oops he didn’t mean to! He just couldn’t control his dragon!”… which is so lame for him as a character, like what makes him and Team Green interesting is that they do awful things. It being reduced to accidents is just so lame.
The fact that people out there are actively stanning Aegon II even after seeing the scene of the maid sobbing after being r*ped AND knowing he’s done it before… y’all are sick. Literally sick. And I also blame Sara Hess for basically saying “yeah he’s a r*pist but we can still redeem him”, like no??? Shut the fuck up and stop trying to say we should like a r*pist?!?!
It’s so painfully obvious that the writers for each episode all disagreed with each other and never tried to work together because characterisation is all over the fucking place
In one episode you’ve got writers like “daemon is evil and I don’t know why people like him”, and then another it’s “he loves his family and he’s got light sides too”… it’s a MESS
Can I just say that Rhaenyra has also been diminished and denied any agency as a character either; we saw some of that fire and fierceness in her when she was younger, but then when older she kind of just became really complacent and lost that fire. And that’s not me blaming Emma, they did great with shitty scripts they had, but it’s a problem.
Like you seriously think that book!Rhaenyra would have just accepted being choked?!? She’d have fucking murdered the man who did that
WHICH BRINGS US TO DAEMON
Matt Smith clearly pissed someone off at HBO because how is it that every single scene that shows Daemon in a remotely positive light is deleted?!? Eg. Hugging his daughters, comforting Rhaenyra after Visenya, etc. Matt Smith HAS to have somehow rubbed someone the wrong way because that poor man has been done so dirty
Matt Smith is quite frankly the ONLY one who fucking understands Daemon at this point, judging by his interviews, even GRRM is getting the side eye from me at this point given how he signed off on this travesty of an adaptation, especially given that he said Daemon is his favourite Targaryen
Daemon would NEVER hurt Rhaenyra is the thing (not unless it was in a kinky way), and anyone who respects the source material knows that. Are they the healthiest couple? No, not in the slightest, but this is the world of ASOIAF, pretty much no couple is 100% healthy in this universe, and they were actually one of the healthier examples quite frankly (as opposed to Aegon/Helaena, Sansa with Joffrey and Ramsey, etc)
“Why are you so surprised he choked Rhaenyra? He killed his first wife” — that’s just it, in F&B he was nowhere NEAR the fucking Vale when Rhea fell. Like the book made it painfully clear that he was not there when she fell and died several days after… but the show had to make him evil somehow, because apparently feminism is now “all men should be evil”.
By the way, you think a little OOC choking is gonna stop me shipping them and writing fanfics for them? Bitch, you wish, I’ve shipped pairings with worse problems than a little tension-charged choking
One thing I will say is that at least the show made their relationship less of a probable “groomer” thing. Although, in the context of the world of ASOIAF, a teenage girl would be considered of age and married off - by modern standards, no, that’s wrong, but that world isn’t running by modern standards so 🤷🏻 but yeah, I felt like the show made it less like Daemon was grooming her at the start and more like they had a chemistry simmering under the surface that they were both playing around with? Idk
Also, no, don’t give a fuck that they’re uncle and niece: incest is quite literally a Targ tradition, literally all of them marry their brothers/sisters/uncles/aunts/cousins etc. In real life? Absolutely agree, in real life that’s gross and I don’t condone that, but this is a FANTASY show. Also, if you’re watching a show about a family that is literally built on incestuous relationships, then don’t complain when there’s incest 🤡
This show has given the show-only fans brain rot because they literally saw Rhaenyra go “I’m not a child, I want you” to Daemon and STILL think he forced her into their marriage, like no sis, girlie was gagging for him and I don’t blame her!
I literally don’t care what the show runners and writers say, they’ve proven they don’t know what the ever-loving fuck they’re talking about: I am going to continue firmly believing that the reason Daemon left suddenly at the brothel is because he didn’t want to fuck her in a dirty brothel because he knew she deserved better than that - that, and he realised that she was still very young and inexperienced, and he didn’t want her to jump into it spur of the moment only to regret it later. If Rhaenicent shippers can believe Alicent and Rhaenyra are in love (lmfao) and that Alicent cut her arm open out of love (🤡) I’m allowed to believe this if I want to!
I will admit that leaving her there with her pants down was a shitty thing to do, but hey, it’s Daemon, he’s morally grey and that’s why we like him! I’m going to theorise that he had to get out of there as soon as possible because he knew if he stayed, he’d do something he’d regret (like taking her against a wall)
The fact that Baela and Rhaena had barely any lines, especially in the last episode, is fucking disgusting. Like truly disgusting. The show had time to show us that disgusting feet scene as well as Aegon wanking out a window but NOT to give those two girls any lines??? Especially since they’re black???
Also, Baela in F&B is described as having cropped her hair as short as a boy's, so it would not whip about her face when she was riding, and as being a tomboy - not just as a child but as an adult too. We saw a little of that when she was younger but they seem to have abandoned that since aging the kids up?!?
By the way, Laena was done SO dirty by the writers; changing her death from childbirth to basically offing herself was… definitely a choice. On the one hand, yes, showing her dying in childbirth five episodes after Aemma dying in childbirth may be repetitive, but guess what? That’s life for women in this universe! And it’s like she decided that it’s more honorable to kill herself than die in childbirth, like the way she talks about not wanting to die giving birth is very… off. It’s like the writers are saying it’s not feminist to die giving birth or some shit???
I do genuinely feel like some of the time skips (especially the one after Rhaenyra and Laenor’s wedding) were a mistake. I personally didn’t feel connected to most of the characters who died because we didn’t get to actually spend that much time with them or get to know them. Like Harwin??? Laena??? A lot of what happened between time skips was simply told and not shown, which is lazy storytelling quite frankly.
The way that Visenya’s death was handled was so bad, oh my god?!? They didn’t even mention her name, the fact Rhaenyra in E1 had named the baby in Aemma’s stomach Visenya if it was a girl, also the fact that Dark Sister (Daemon’s sword) was wielded by Visenya in the days of Aegon the Conquerer… none of that is there. It just comes and goes like it’s nothing.
Also the fact that Daemon’s grief over the simultaneous deaths of his brother and his daughter are just… brushed over completely. It just really pisses me off because men’s feelings are often brushed aside when it comes to miscarriages/stillbirths, and also for any kind of loss quite frankly; we got two quick shots of him on the beach and that’s it. And we know Matt Smith shot more because there’s photos of him on the beach shooting it, doing all kinds of shit like on his knees in the water etc. It hits especially hard considering a) he already lost Laena and their third baby under similar circumstances, b) he’s also grieving his brother, and c) according to leaks, he was supposed to comfort Rhaenyra after she gave birth to Visenya. They were supposed to have a moment of grief together… and HBO/this show shat all over that.
I’ll write a fic to explore it, I swear-
And now for the bridge scene in E10 because that BULLSHIT deserves its own fucking section
You’re telling me that Rhaenyra is more emotional over a book page she ripped out of a boring old history book twenty fucking years ago than she is about losing her only daughter?!? Than she is about her father’s death?! You can fuck off with that bullshit right now
To me, that’s just more proof of Alicent’s manipulation - it’s a crap attempt but it’s still toxic and manipulative as fuck. “Look, this page from 20 years ago that you ripped out of a boring history book while we were under the tree - we’re friends, remember! Now let my rapist son sit on the throne and we can be friends again 💚”
If I were Rhaenyra, I’d send that page right the fuck back with the words “an eye for an eye, a son for a son” written across it in bold
Like I don’t know how Rhaenicent shippers think that’s a win, that’s literally Riverdale levels of cringey and crap writing, I would be so embarrassed if I shipped that
It does make me laugh that people are ripping that scene apart like literally most of us know how fucking dumb it is - and people are so busy making fun of it that they’re not even that mad about Daemon, so that’s a win in my book
I also need to say something about Rhaenicent shippers in general: yes, maybe there are some Daemyra shippers out there who have been dicks - there are literally shitty people in every fandom. I’m sorry if any Daemyra shippers out there have harassed or bullied Rhaenicent shippers because that’s not okay, most of us don’t condone that. But it’s not like Rhaenicent victims are all innocent because on the Daemyra discord, for nearly two months straight, we’ve had numerous trolls (including Rhaenicent shippers) come into our chats and harass us, saying we’re disgusting and even a few privately messaging me to tell me to end my life over a fucking tv show pairing. Like if you don’t like it, I understand, I truly do - but harassing us over it isn’t okay. Just stick to your corner and we’ll stick to ours.
Anyway, there are some wins out of this whole trash heap:
DAEMYRA 🖤 I’m gonna write the fix it fanfics for you, don’t you worry, it’s my week off this week and I got you
I’m just gonna come out and say it, that brothel scene was hot and you know I’m right, stop booing me
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That beach sex scene was beautiful, especially since there’s a copy floating around that’s removed the music and increased the breathing/kissing noises 👀
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We got to see Matt Smith’s bare ass, I’m not complaining even if that scene was awkward and uncomfortable as fuck
The acting was phenomenal throughout, I may hate certain characters and also the writers, but I can’t fault how brilliant the actors are
The soundtrack was really top tier the entire show, Ramin Djawadi NEVER misses, every piece of soundtrack absolutely fucking slaps, THANK GOD IT GOT RELEASED TODAY
The Valyrian wedding ceremony was perfect, I just wish we’d seen more of it and heard the words!
DAEMON CROWNING RHAENYRA AND KNEELING TO HER FUCK YEAH
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When I say I will defend Caraxes with my life, I mean it, I love that huge boi with his squeaky deviated septum roar
I love the designs of the different dragons and that no two look the same, especially Vhagar - they did not make her pretty and I respect that wholeheartedly
RIP Luke 😭🖤 knew it was coming, still hurts so bad
Kind of shipping Jace and Baela even though I know what’s coming and also that knowing these writers they’ll make him sleep with Sara Snow
And finally…
“I would rather feed my sons to the dragons than have them carry shields and cups for your drunken, usurper cunt of a king.”
Daemon Targaryen, you will always be a fucking iconic legend 👏🏻 it’s also especially fitting given that both of his sons with Rhaenyra become kings!
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daisywords · 1 year
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Hello everyone! You can call me daisy if you want to. I'm an editor in my early 20s and the world's slowest writer!
What you'll find on my blog is mostly writing-related content, art (my own and reblogs) and rambling about my own wips, the books I read, and general life updates, as well as anything else that strikes my fancy
I'm generally interested in fantasy but I also dabble in scifi, historical, contemporary, whatever looks interesting
always tag game friendly but I do them based on the capricious whims of my brain gremlins
feel free to come to me with any editing/grammar related questions btw! I am happy to be of service and I did go to school for this
always on the lookout for writing friends but also everyone is welcome feel free to come and chat about books or art or linguistics or folklore or whatever you want
Long-running projects:
Deep and Dark, Beautiful and Bright
(working title: second chance wip) tag: second chance wip
intro post • comic sans ppt • character art
Deep in the forest, two people wake up with no memories. The world they stumble into is scarred and ruined—something terrible has happened here, long ago. Stumbling upon a treasure hunting party, they are relieved to find that a remnant of humanity has managed to survive, making their homes among the ruins of a past age. But when their memories begin to resurface, they are forced to question if they can really trust each other.
Starring: Trip, a thief who poses as the chosen one to escape his criminal record, and Lya, another (so-called) chosen one, who's world-saving destiny is getting more complicated than planned
Fear Me (working title: Starlight) tag: starlightwip
"intro" post • comic sans ppt • character art
Alya and her brother Eli have grown up on the run, hiding from the mysterious cult of Rin. When their pursuer finally catches up to them, their guardian is left dead and the siblings are separated. Alya’s quest to find her brother brings her back to her native land of Daenar, into a world of cutthroat politics and secret societies, marked by a series of ritualistic murders.
She finds refuge with her mysterious aunt, a high-ranking government official who teaches Alya to harness the power to manipulate the emotions of others. Maybe there was a good reason she grew up on foreign soil. But Alya will do anything to find Eli, even if it means leaving a trail of destruction in her wake.
The Long, Long Way to Kaminatra
(tag: tllwtk) • intro post (w/ art)
An unlikely duo is conscripted to escort a princess with a target on her head to her coronation in a foreign city. Hijinks ensue, the plot does some twists, etc. etc.
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an-theduckin · 6 months
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pls tell me about your ocs
This ask made me realise that I don't have alot of ocs lmao (aside from the @da-emoji-squad ones)
This is Nox. Her name is Nox. She's an aspiring writer who goes extreme lengths to "research" for her book. Like for example she has scars all over her body cuz she stabs herself to write stabbing scenes better. She's adventurous, impulsive, emotional and crazy. She treats people in her life, like her "friends" and stuff, as an experiment to test out manipulation tactics and stuff and is extremely two faced. Like she'll be very loving to one person and be hateful towards another for no reason other than to see their reaction. Pretty edgy ik, but I love her <3
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This is smallcake. I know her name is weird but like, she's based on an among us oc that me and my friend made in 2021. She loves her girlfriend Rana, who is my friend's oc. She's been through a LOT of character changes cuz it's a very old oc. At first she actually had a bf "Nerd" but fuck him she has Rana now. She's a little crazy but a lovely lady.
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Take a guess of what her name is. Yes you're right, it's Daisy. She's a twomp + tadc inspired oc. So the lore behind her character design is so yk how there's weird ass flowers in gardening with argos, so there's a plant (I haven't design it yet) that's incredibly lonely so it make friends by turning people that touch it into plants. The process is rather painful. Cuz like flower veins internally grow inside you, it bashes thru ur eyes and replaces it with flowers. And basically turns u into a flower yk. Daisy is a naive girl who got tricked into touching that plant, and now she turned into this. But she stay silly <33
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Anyways so that's all!! Thank u so much for the ask, it was really fun to ramble about them!! :D
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elegiacmarquise · 1 year
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My thoughts about Princess Peach character in the upcoming Mario Movie
I don't usually like to vent about media. I feel like it's pointless rambling most of the time. In the past I did twice and both times defending characters widely hated in their respective fandoms, one of these being Princess Peach.
I'm a fan of Peach as first as I saw her in my very first Mario game, when I was a kid: she was always a role model to me as she was one of the few characters who I saw overcome their physical weaknesses with great emotional strengths. Princess Peach is an unapologetically classy and feminine girl capable of a great spectrum of emotions and even capable of using them to protect herself. I always saw the Princess, at the contrary of what I read everywhere on the Internet, as a complex and unique character. The only thing she ever needs is a more consistent writing to fully showcase her awesomeness.
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So, I have a lot of contrasting feelings with how she seems to be portrayed by the trailer of the upcoming movie.
Her character design is GORGEOUS, and her dress seems so floaty and cute: maybe her face needs a slight touch up but she looks cute nonetheless. I won’t express myself on Anya Taylor-Joy’s voice acting, since I’m not an expert in the matter nor I’ve seen her previous roles to compare her voice range.
Seeing the princess leading her reign melted my heart, so seeing her training Mario and joining him on adventure! It's I always liked to see her more of these moments in the games. I’m looking forward to see how the Princess and the Plumber’s relationship will be handled, it seems to have quite the potential.
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But I admit I was kind of disappointed by how the trailer seems to depict Peach almost as a... soulless contemporary female lead role deprived of a lot of things that made her compelling in the videogames. This may be an hot take but I hope that the halberd scene will only be relegated a gag or some character's power fantasy: the one depicted in that scene didn’t resemble Peach at all, instead she seems an impersonator of hers. Peach is the kind of person who despite she can actually fight, she wouldn’t use any conventional weapons and would instead be happy to fight in a dress and a parasol.
In general, Princess Peach can have everything that could make an unique AND strong character: imagine a bubbly and kind princess, who likes to bake cakes and is somewhat naïve but when she's in danger she could lead a reign and she would fight, with pans and literally anything she picks on the ground. This is Peach: she doesn’t have to be kidnapped anymore but she needs  to retain these strong feminine attributes that help her facing her situations, like a mahou shoujo, a Disney/Barbie princess or a Ghibli Movie heroine.
We must, everyone in this site, in the Internet, the society as a whole, needs to aknowledge that like there isn’t a single type of intelligence, there are multiple types to strenghts as well, emotional being one of them.
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Also, repeat with me: FEMININITY IS NOT WEAKNESS.
This may be an extremely hot take but giving masculine outfits or weapons DON’T give automatically a personality to a character. Instead, it almost looks that the writers want to deprive women (also men and everyone who don’t feel neither) of traditional femininity in order to be accepted by society while it’s just as valuable as virility. It’s just a way to express oneself that shouldn’t be shunned upon. I don't mean to hate to actual tomboys, though, as everyone deserves to be happy in their own skin and I also like fictional ones, like Daisy.
Peach is the type of character who can perfectly lead the kingdom with a whole lot of tact and intelligence, the Princess is perfectly fight for her kingdom, despite her physical weakness, as she is selfless enough to be willing to sacrifice herself for them. No need to ripped cloth, no pants. no need to show over the top weapons. Her sweet personality speaks for herself. Remaining kind and empathetic while in difficult situations is as strong as slaying thousands thousands as enemy: sometimes violence isn’t even a solution to an actual problem.
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I hope to see this post age like milk: luckily, already from the trailer, we’ll see Peach using some of her traditional means to pave her way through the Mushroom Kingdom and I hope that this trailer would be assembled for the specific purpose to not turn off the probable person who dislike Peach’s personality in the games. Actually it seem that the scene I was heavily criticising is quite disconnected by the rest of the trailer, so I second the possibility of a one moment gag. At least, we’re seeing Peach in her suit in its rightful context again in the Mario Kart segment.
In general, I prefer to keep a cautiously optimistic stance on the matter, until I’m definitely proven otherwise.
I’m sorry to had to ramble that much, Princess Peach is one topic I feel strongly about. I may delete this post later.
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go-to-the-mirror · 1 year
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ATTENTION ATTENTION
IF YOU GET NOTHING ELSE OUT OF THIS POST AND SCROLL AWAY WITHOUT READING THE READ MORE OR APPRECIATING MY WINNING HUMOUR PLEASE JUST. PLEASE JUST LISTEN TO THE SECOND OUTLIERS TRAILER. ITS SO FUCKING LIKE- "HE GRIPS MY ARM WITH A STRENGTH I SHOULD NOT HAVE THOUGHT POSSIBLE AND BEGINS TO TELL ME ABOUT THE STARS" WHO LET JONNY BE THIS GOOD AT VOICE ACTING HHH
That out the way, welcome to 154, aka the episode in which jon and martin say fuck! And jonny does a great job with the voice acting here bc of course he does he's like a fantastic actor and writer or SOMETHING. gosh.
i swear the rest of this is gonna be really tma related, but i heard that trailer today and cant stop thinking about it.
without further ado, @a-mag-a-day, it's TIME for the episode that LEFT US ALL IN SHAMBLES!!
(this is all rambling, my words are not the grand words of episode 152)
Shout out to patreon "Jess?", their name gave me a sensible chuckle.
(sigh) Hm. (sharp inhale) I’ve, uh, I’ve been doing a lot of thinking after what happened with Daisy last week. About- what I can do. What I am. What feels right.
Immediately puts me in mind of
MARTIN I’m sorry. That sounds… (small sigh) That sounds horrible. ARCHIVIST I wish it was, Martin. I really wish it was. But it feels… right.
(MAG 160.11)
Hm.
There was one, this one, that my hand…. pulled back from. I dropped it, twice, when I went to pick it up. Even now, I’m… (slight quaver to his voice) struggling to hit play.
Ok, like, his voice puts me in mind of this line
I don’t like this. I don’t like not being sure what’s going to be in my mind, what thoughts are mine and what are from… elsewhere, why I just know some statements are what I should be reading.
(MAG 129)
And how like, yeah, if you think about it, that must be really like... there's something else in your head, pushing unwanted "awful knowledge" in it, altering your perceptions, your wants and needs, yourself in a fundamental and unchangeable way, like. UHM. THAT'S TERRIFYING.
God, why's Jonny such a good voice actor? The way he does Jon's... sort of about to laugh in a very bad way voice? That's just fantastic.
I am the avatar of awful knowledge and revealed secrets, so what does it not want me to know?
EATING YOUR PROSTHETIC MEET YOUR ANESTHETIC-
No, but there's this fantastic edit by instagram user archxvist that I listened to before I got to MAG 154, and it's that line, and I/Me/Myself and it's so coool you want to follow her and listen to it (it's pinned on her profile) don't youuuuu
(also it puts me in mind of this line)
ARCHIVIST Healthy? I am an Avatar of voyeuristic terror, who unquestioned craving for knowledge has condemned the entire world to an eternity of torment; healthy i-isn’t- i,it’s not
(MAG 161)
Which 1. HHHHH JON D: ANJSDFDHVD HHHHNHRHHNRNHNHR and 2. is a line that gets stuck in my head all the time and as you can see from point 1... it's not a great time. :( im so sad about him
"When he opened his eyes, he saw nothing, but he heard her breathing, slow and steady and focused, and he immediately knew that she was finally going to- (slight stumble) -kill him. When the garden shears plunged into his chest, he was surprised by how little actual pain there was- just the sudden feeling of moisture on his chest and the realization that his body was growing weak, fading away. He wished she would say she was sorry she was doing this, that she loved him, that she would miss him. But he knew better, and his final thought was a gentle sadness at how little he was surprised."
Lots of things! First of all, Getrude's little stumble is just like :(. She may have been less of a care about people person, and more of a care about the fate of the world person - and doesn't that ache, to know that all those deaths were for nothing - but she was still upset to know that he died. She was still upset when she read his page. And I'm upset about that in turn.
Secondly, why are their deaths so sad, Gerry and Eric's. Like, I just, was this necessary? Yes, yes it was, I'm glad it's like this, it doesn't make me any less sad at that... poor guy, poor Eric. Fuck you, Mary Keay.
GERTRUDE Yes. Well. I’m sorry. ERIC Wasn’t even hard for her, was it? Handing me over? No sign of regret. GERTRUDE (Still a bit shaky) No. ERIC No. GERTRUDE I’m sorry, Eric; I know this must be hard- I just read your death. I didn’t realize it had been quite so…
:(, poor guy.
ERIC God, I was a mess. I mean, part of me kind of suspected she’d killed before, but clearly she hadn’t done it enough to be a decent hand at chopping up and dumping bodies. She was having a real bad time of it. My legs were all over the shop. (Long inhale) Would probably have been funny, if it hadn’t been me.
I like him, he's funny, also jesus christ, mary why the fuck? Just to be evil? Fuck her.
ERIC I don’t know how to describe it. Never was great with words. Bad. It feels bad. All the time. I know that I’m not really Eric. I’m just a memory someone wrote down. It hurts, most of the time. I don’t like it.
"It feels bad."
I'm sorry, I'm sorry, it's sort of funny. Also interesting, I never really... paid attention to the statement/Gertrude part of this episode, and I mean it's interesting, I didn't know they weren't them. Makes sense, I suppose.
ERIC You too. (beat) You got old. GERTRUDE Better than being dead. ERIC (Short sigh of a laugh) Fair enough.
I love their little dynamic, they're friends your honour :3
ERIC S’pose that makes sense. And Gerry? Have you seen my son?
HIS DAD USED TO CALL HIM GERRY!! (starts sobbing)
ERIC Oh, just thinking. Five years as her husband, god knows how many as her possession, and she just couldn’t stand being bound in the same book as me. GERTRUDE Hm. I’m sorry. ERIC Yeah, it doesn’t feel great.
:(
^ that's going to be like half of my reactions
GERTRUDE James? He died about twelve years ago. Elias is Head of the Institute now. ERIC Elias? Elias Bouchard, seriously? GERTRUDE Hm, he’s changed a lot. ERIC Must have!
HAHAHA! THE WAY THEY TALK ABOUT HIM, IT'S SO FUNNY
also uh. huh. you know i still don't get how the people who got elias was jonah magnus before the 158 reveal did it, but this does make it obvious in hindsight.
ERIC Well, that’s it, isn’t it? I suppose that’s why she gave me to you. One final screw you to the Eye. GERTRUDE Eric. How did you quit? (Eric holds back.) GERTRUDE (warning) Eric. ERIC (short laugh) Sorry. I just- (laugh) I don’t mean to be a dick, but- well, it’s been a long time since I’ve had any sort of- leverage, I guess? Just a- little bit of power. It’s kind of nice.
Hm, both :( and I really like him. he's funny.
GERTRUDE I suppose he might be useful.
...
hhhhhhhh
ERIC I don’t want to disappear on her terms. Or yours. I want to speak my piece, have it recorded.
fuck yea dude!
but the mystery, the promise of secret knowledge, of seeing something that no one else was privy to. A secret world that gripped my imagination.
ok, eye guy. fairly eye.
So when I finished my Masters in library science and saw a vacancy at the Magnus Institute, of all places, I jumped at the chance. The chance to pursue my passion and my career at the same time seemed like too good an opportunity to pass up!
THE ONLY GUY THERE WITH A DEGREE IN LIBRARY SCIENCE IS THE ONE THAT QUIT, LOVE HIM FOR THAT, HE ACTUALLY KNEW WHAT HE WAS SUPPOSED TO BE DOING
(Amused, wistful hm) I knew she didn’t have an uncle. I knew the man was dead.
Good lord. That's... good lord.
She never promised anything, not even in her vows. She never betrayed me. Not like you. She never played dumb when I was stalked by bloated, blood sucking things, or told me I was imagining it when your friend Adelard dropped a screaming box into the Thames. She didn’t try to keep me in the dark just so I wouldn’t stop being useful; she never made me complicit in a thousand nightmares, and lives ruined for the sick joy of some otherworldly voyeur.
Really shitty boss. Really a shitty boss. God, poor guy, poor everyone who worked for her.
And I just... she really had the audacity to kill Emma, with all that blood on her hands?
...
And that’s when you turned nasty, isn’t it? When all your resources, they no longer want to serve your purpose. I suppose you didn’t know there was a way out, a way to escape. But if you had, would you have told me?
Hm
It was fitting, I suppose. Even after everything, she made me taste blood one last time.
headinhands :(
ERIC Then if you don’t mind? I think I’d like to go away now.
hmhnrhr that's just... the way that line is delivered
(The Archivist sighs heavily.) ARCHIVIST Fuck.
INDEED!
MARTIN Look, Peter, I- [The door is thrown open. The Archivist bursts in.] ARCHIVIST Martin! MARTIN (Overlapping) Oh- (quieter) Jon! God, don’t do that!
MAKING A SOUND LIKE A CAT COUGHING UP A HAIRBALL RN NHNHRNHNRR
MARTIN No, it’s fine! I j- you just surprised me, that’s- (surprised) Jesus, you alright? You- You look like hell.
His only description is looking like shit. I love him so much.
ARCHIVIST Oh! Uh, Ri, Right, I um, God, I get weak. Hungry, I guess, sort of. I, I’ve been trying to avoid, being, um- sticking to old statements? Thank you for your little intervention, by the way. MARTIN Look, I wouldn’t have to if you’d hadn’t been- ARCHIVIST (Overlapping) Yes no, I know, I know; I’m sorry; that didn’t come out right; honestly, thank you. It’s been hell, but- I, I did need to hear it.
He stutters so much when he's talking to Martin, dude, get a grip. But also, well, I'm glad, yay! Good for them and stuff. Maybe with the power of heartfelt gratitude and love and stuff they'll gouge their eyes out and elope together? PLEASE!
ARCHIVIST Yeah. But it’s- (heavy inhale) It’s pretty drastic. MARTIN What, you gotta gouge your eyes out, or something? (Beat.) MARTIN (CONT’D) Fuck off.
AHHAHHAAHAHAHHAHHAH THATS JUST SO FUNNY, JUST THE SILENCE LIKE "UH WELL" QAHJDFSHAJDFSHJFJJSF IM SURE IT'LL ALL TURN OUT FINE
right?
ARCHIVIST I, I, I don’t know; I suppose. I, If your vision comes back, the Beholding probably does as well- probably. But i-it’s not like it’s easy to only blind yourself temporarily anyway I-
First thing that popped into my head was that in a nuclear explosion you can go temporarily blind for a couple of hours from the light. Enjoy that factoid, I guess.
ARCHIVIST No, you’re the first. MARTIN Why? ARCHIVIST Uh, because… because, because I trust you. I, I’m trying to think about what to do, and I… (exhale) If I did try this, I- I don’t want to do it alone. But we could leave here, you and me. Escape.
ITS FINE THIS TIME ITS GOING TO TURN OUT FINE, FUCK ITS GONNA BE FINE ITS GONNA BE SO FINE
"because I trust you" "we could leave here, you and me" HHHH
MARTIN I mean, (mirthless laugh) Could you even survive at this stage? Is there anything else keeping you alive? ARCHIVIST Uh, I,I don’t know. I don’t- know. But… maybe it’s worth it? The risk- y,you and me, together, getting out of here- (Martin sniffs.) ARCHIVIST (CONT’D) -one way or another.
ONE WAY OR ANOTHER
one way or another
ARCHIVIST Cut the tether. Send them away. Maybe we both die. Probably. But maybe not. (Emotional) Maybe, maybe everything works out, and we end up somewhere else. MARTIN Together? ARCHIVIST (Emotional) One way or another. Together.
(MAG 200, but you already knew that, didn't you)
it's fine. i'm fine. it's fine
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[ID: Drawing of a person sitting at a computer, crying. /End ID]
ARCHIVIST But what if you don’t? (Small exhale) We could just leave. I mean, whatever their plan is for me, I am damn sure that doing that isn’t it. I’d derail everything- we could derail everything, and then just- leave!
THEY COULD HAVE! ALEXA PLAY ROLLING IN THE DEEP!
why... why... why...
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[ID: CC!GoodTimesWithScar with his head in his hands. /End ID]
MARTIN Who are you kidding, Jon? You’re not going to do any of that. ARCHIVIST I, I, I could. MARTIN (Still brimming with false laughter) But you won’t. That’s why you came to me, isn’t it? (The Archivist exhales.) MARTIN (CONT’D) You know I can’t do it, not now; you don’t want to blind yourself; you don’t want to die; what you want is a reason to not do those things, so- you come to me. Well, you’re welcome. B,Because I can’t follow you on this one.
im literally, literally, in real life, crying. podded cast. why? why?
ARCHIVIST The Lonely’s really got you, hasn’t it? MARTIN You know, I think it always did.
no words, just sadness.
ARCHIVIST (Quiet) Maybe. (beat) Well, I’ll be here, if you ever need me. MARTIN (Also quieter, softer) I hope so. ARCHIVIST (Faster) Just-don’t-wait-too-long, okay? [He moves towards the door, sighs.] ARCHIVIST (CONT’D) If you haven’t already.
"I hope so" wh yherrghweherfv wdaj "just dont wait too long okay" hnhrfthrjhfsdehhhh hhrhnnhhh hhh h but he just they just htey they thyfruscdafsfidvjjfhvdxnj "if you havent already" AAAA just KILL ME it would HURT LESS
Now, let's see what past me had to say, while current me is sad. very sad /ref
It's so funny how despite me thinking it had 200 episodes the magnus archives ended on episode 154 with Jon and [Martin] running away and getting married wow what a plot twist
(Instagram Story. 2 September, 2022)
Jon and Martin are so lovely together and they are together and they all left in episode 154 and they are all happy did you know that? Also no kayaking or.. freaky tables happened and everyone is ok did you know that wow it's so weird how episode 155 is just nothing for 24 minutes ahaha i love the magnus archives what a satisfying and happy ending
(Instagram Story. 2 September, 2022)
Everyone go home the magnus archives is over and martin said yes to what was essentially a weird marriage proposal and they all left. True & real
(Instagram Story. 2 September, 2022)
Obsessed with how this is the happiest ending for them /neg
(Instagram Story. 2 September, 2022)
I'm going to elaborate on this - I'm really upset that this is the happiest plausible ending. There's no escaping, no preventing Tim and Sasha's deaths, and all they had to go through. Their happiest ending is after so much has already happened. After Jon's gone through the wringer, 13 out of 14/15 (yes, 15) marks. After Martin's gone through the wringer, what with Jane Prentiss, and the lonely, and tim and jon dying, and everything. After Tim and Sasha are already dead. This is their happiest ending.
Not okay!!!
DIVERSITY WIN! LOVE WINS HHH
(Instagram Story. 2 September, 2022)
[(about the edit mentioned previously)] Love that this is from the episode where [Jon] proposed to martin (real not fake)
(Instagram Story. 2 September, 2022)
AND ALSO I FOUND THIS IN OLD MESSAGES TO MY LOVELY BOYFRIEND SLASH PLATONIC (follow !!!)
My brain is so rude fr fr I was having a lovely tiem Well no i wa thinking about season 4 jon I was having a wretched time and my brain said "we can make em worse" [...] So the au would go like this: - canon compliant until post-ep 154 - jon think "well if i gouge my eyes out, then martin will know im serious about this" - eye gouging commences - oh lawd he dying (episode 181 fades in ig?) - either becomes one of those archivist things as the eye tries to stop him [or] dies - times get even worse
Messages to @/asideofsalt (@scarandjoelenthusiast). 22 September, 2022.
Also there were some other things said:
Jon said "is anyone going to be self destuctive" and didn't wait for an answer
He had No Friends, he believed he was a monster, he repeatedly said that he can't die because "they need me". No other reason provided. He... thinks he's responsible for everything that went wrong in the world and has to fix everything and is the only one [who] can. He thinks he's the most important worst person in the world. Which is uh.
ok so jon and martin's love language is martin makes tea for jon and jon comes back from his recent kidnapping and worries about martin's well being
Uhm, well, hope you enjoyed that little ramble, god im so abnormal about this podcast. I wish they'd be okay, but actually I don't because I... I'm listening because I wanted to listen to a horror podcast, that is why i am here. so, rip to them. part of me wants them to be okay, part of me is eating popcorn as they... you know, have this whole tragic thing going on :(
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burningvelvet · 8 months
Note
so i have some random questions, maybe you could answer, and am curious if any have had any academic papers written up about them, or if you just.. know where to find the information? Bit of a meta question: How much information do we actually have of the gang on their days in Geneva around the time of digging into their ghost stories? Is it just ex. what you've posted before of their journals of the time, or do we have other later recollections akin to Mary's own in her intro of Frankenstein? Just how much remains, and how much can we pull from various sources etc? (research is fun, go off on this on, i love to read it.) The evening before mary's waking dream, do we have any further recollection by the others on their discussions on the principle of life, other than her account? Or even in general by the squad thru their lives, does anyone dig into the technological advancements and scientific theories of their time, or even those of the Enlightenment thinkers? (Newton, Hooke, Boyle, et al.) I assume since it's the Romantics with their general dislike of the prior period it's a no, and also because I'm asking about bloody poets, not academics, but..? Likewise, anything written by the gang on her waking dream and the effects after? (could've sworn I read something about Mary appearing gastly pale?) (I'd love to hear your thoughts and rants and rambles on the following, :D): Or do we have anything written by others outside the gang in reference to her dream after she gave her Intro? Something like.. (I can't articulate this well, pls bear with me; ) Has there been any sort of mysticism, or poetic acknowledgement of Mary's 'waking dream'/'hallucination' being written as something 'supernatural'? Anything written akin to that one parody/horror film you mentioned where everyone basically hallucinates that night lol. like.. Mary's Intro gives such an inherent je ne sais quoi (lol) of.. this entire fragment of history? It reads like a frozen slice of a gothic novel/poem in itself. Very 'based on a true story' but the true story holds more substance than Frankenstein itself. As if Mary herself was in a gothic novel writers could only dream of. Has nobody noted this? Tried to catch it, wax poetic on it? I feel like there's a.. gravitas here but I don't see anyone speak of it? (other than that horror film.)
This will be long!
Re: Geneva 1816 sources: We have letters, journals, records (like receipts), accounts from the other people on the lake, accounts from aristocrats Byron visited at Geneva without the Shelleys presence, and some accounts from Lord Byron's Geneva servants given to inquiring tourists later on. Lake Geneva was an insulated aristocratic vacation town and gossip abounded.
First-person documents: - Polidori’s 1816 journal, his prefaces to The Vampyre and Ernestus Berchtold. - History of a Six Weeks Tour, Mary’s first book, co-written with Shelley; travelogue containing letters and journals from their travels in 1814 and 1816. - Mary Shelley’s other journals and letters. - Mary Shelley's (voluntarily uncredited) contributions to Thomas Moore's biography series on Byron, where the time in Geneva is talked about and where most of the funny stories come from, and a handful of comments in Thomas Moore's diaries/letters regarding Mary's recollections. - Byron’s letters, found here on Peter Cochran's site (he was an editor/scholar & leading Byronist) https://petercochran.wordpress.com/byron-2/byron/
Best books about the summer of 1816: - Byron in Geneva by David Ellis, - The Poet and the Vampyre by Andrew Stott, - The Making of Mary Shelley's "Frankenstein" by Daisy Hay.
Books on Frankenstein or the tech & science of the time in relation to Mary & other Romantics: way too many to mention! Frankenstein is one of the most written about works of all time, and tech discourse is inherent to Romanticism — there are tons of books & articles written about all topics. Percy studied science with James Lind and was inspired by Erasmus Darwin who Mary refers to in a Frankenstein preface. 
On if others at Diodati recollected specifically about Frankenstein or Mary being pale: Percy wrote a review of Frankenstein as well as the novel's introduction section (he wrote it from Mary's POV), and he mentioned the novel in his letters; Claire discusses it several times in her letters with praise, Byron mentions it once or twice with brief compliments; Polidori mentions it in the preface to Ernestus Berchtold in compliment but with possible jealousy beneath. Your "pale" reference likely refers to how she and Byron said she looked when learning of the news of Percy's missing boat; I made a post about that (https://www.tumblr.com/burningvelvet/710178692214784000/from-conversations-of-lord-byron-with-the-countess?source=share). 
My Interpretation of Mary's "waking dream": This was largely metaphorical. Mary probably did have an inspirational dream (scientists have found evidence: https://m.csmonitor.com/Science/2011/0928/Frankenstein-moon-Astronomers-vindicate-Mary-Shelley-s-account) but at the same time I do think she sensationalized the trip a bit. From the novel The Poet and the Vampyre: "these [visits to Diodati were] not always convivial - Mary describing the 13 August visit in a single word: 'War.'" Mary, like everyone else, mythologized the summer of 1816. The preface to the 1831 edition of Frankenstein (different from the 1818 original) sensationalizes the origins with a gothic flare because that’s what she knew her fans wanted; she was a widowed single mother in her 30s determined to make a living off her writing, and she enjoyed the immense popularity of Frankenstein, helping to proliferate it through the wildly successful stage adaptation which was spookier and showier than the philosophical novel.
Mary “said the three or four months she passed there were the happiest of her life,” (source: Thomas Moore’s journal, vol. 5, p. 178, via Internet Archive). Before, and especially after this summer of 1816, Mary experienced many traumas which left her with severe depression, and so she romanticized that time, ignoring all of the many ongoing problems surrounding it.
1816 was extraordinary fun for all of them, but it was not paradise. The summer was littered with actual storms as well as emotional storms. In the 1831 preface Mary makes no mention of Claire’s existence, though Claire was the only reason they were even there, since Claire wanted to visit Byron who she was having a horribly drawn out affair with. The two dramatically broke up that summer, made worse by Claire then revealing she was pregnant with his child. There was also a lot of drama with Polidori (writer, and Byron’s doctor) who fought with Byron and Percy, threatening Percy to duel him over a sailing race.
Mary was also in denial about Percy’s many problems. Shelley was mentally and physically ill, perpetually on the run from debtors who had imprisoned him, disowned by his family for being kicked out of Oxford due to atheism, publicly notorious, had a wife and children back in England, and more than likely had an ongoing affair with Claire, causing Byron to briefly wonder at their child’s paternity. Still, Mary was madly in love with Percy from the time she met him until her last moments on Earth when she died staring at his preserved heart which she requested to be buried with. She shared his struggles and spent much of her life defending him, and she's the reason he achieved posthumous fame thanks to her relentlessly promoting, annotating, editing, transcribing, publishing, and republishing his works.
She occasionally does hint at the drama of that time, and how hurt she felt at times, but generally Mary ignored these things, as well as their many other flaws, so that she could remain on good terms with all of them (especially Claire and Byron after their break-up). Despite the drama, she had felt the good times at Lake Geneva were the best times of her life thus far. She was in the most beautiful place in the world, she loved traveling, she felt inspired to write, her baby was healthy and had a good nanny, her own health improved, she spent fun times with her lover who was happily preoccupied with sailing, Claire (who she loved but also found annoying) was preoccupied with Byron, and she found Byron fascinating.
Not even a year after the trip, she was already painfully reminiscing about her good memories: 
“that time is past, and this will also pass, when I may weep to read these words, and again moralise on the flight of time. Dear Lake! I shall ever love thee,”
“We may see [Byron] again, and again enjoy his society; but the time will also arrive when that which is now an anticipation will be only in the memory. Death will at length come, and in the last moment all will be a dream.”
“why is not life a continued moment where hours and days are not counted — but as it is a succession of events happen — the moment of enjoyment lives only in memory and when we die, where are we?”
Frankenstein was started in the summer of 1816 and first published in 1818. Then there was an 1831 edition, the most commonly read today, which is slightly different (slightly less radical for Victorian audiences) and which includes the preface which refers to the “waking dream.” Scholars have noted that Mary’s recollection is partly based on her mythologizing and romanticizing her youth. This is even more obvious considering all of the traumas she had experienced afterward. In her journals (via Project Gutenberg) she often refers to her youth as being like a dream before Percy's death. She was seeing her life through rose-tinted glasses to cope, and possibly experiencing depression-related derealization. 
Condensed timeline of Mary’s traumas to show what I mean about the Frankenstein period being a relatively happier time for her: Her mother died giving birth to her. June 1814: her and her step-sister Claire run away with Shelley. Problems with her father for years after (though they eventually rekindle). Feb 1815: 1st child dies, becomes pregnant a few months later. Jan 1816: has 2nd child who is healthy. Summer 1816: Geneva summer, begins writing Frankenstein; Claire in love with and pregnant by Byron before their relationship dissolves. Oct 1816: Mary’s half-sister Fanny kills herself. Dec 1816: Shelley’s wife kills herself; Mary marries Percy to protect their kids & so he can gain custody of his first 2 kids. Mar 1817: they stay in Marlowe; Mary described this as maybe their happiest residence, and this is where she wrote much of Frankenstein. 1817 misc.: court denies them custody of Shelley's first two kids due to his unorthodoxy; Percy self-exiles from England, they move to Italy, move around continuously, & suffer illness. Sept 1817: 3rd baby is born & dies. Jan 1818: Frankenstein published. June 1819: 2nd child dies while Mary is pregnant with 4th child. Nov 1819: has 4th & only surviving baby (Percy Florence, who lives a long life). 1821: Polidori dies from suspected suicide. April 1822: Claire & Byron’s baby Allegra dies. June 1822: news of Allegra’s death. Mary almost dies from a miscarriage, Percy saves her life. July 1822: Percy dies in a boat accident. Their social circle splits up. Claire moves to Russia. After comforting her, Mary’s closest friend Jane (whose husband died with Percy; the two couples lived together) breaks up their friendship & moves abroad. Mary suffers multiple social conflicts which are largely not her fault, & becomes socially isolated. 1823: Byron & their mutual friend Trelawny join the Greek War. 1824: Byron dies. Mary writes her apocalyptic novel The Last Man as a tribute to her broken social circle & it’s members.
From her journal, Oct 2, 1822: “Father, mother, friend, husband, children—all made, as it were, the team which conducted me here, and now all, except you, my poor boy (and you are necessary to the continuance of my life), all are gone, and I am left to fulfill my task.”
Several times, she wrote that the only reason she didn’t kill herself was because of her son Percy. However, note: Her life did improve after The Last Man. It's a bit of an outdated view that she was just a stereotypical depressed widow forever after. She was a strong and determined woman, and she eventually had a full social circle, friends, married son, daughter-in-law, flirtations, a successful writing career, hobbies, and so on. She found meaning through motherhood, writing, and paying tribute to Percy. However, for all these reasons, she saw the period of Frankenstein and prior to be some of the happiest times of her life and a "calm before the storm" (literally, the storm that killed Percy), which explains all the above.
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