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#DONT LET HIM TALK
prince-of-red-lions · 6 months
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nintendonintendonintendonintendonintendonintendonintendo
WHY LIVE ACTION I WANT MY GOOFY SKRUNGLE CARTOONY BOY :(
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verflares · 1 month
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(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
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Jason: the Batfam member I see most as my brother is Tim
Dick: What!!! That's no fair, I should be your brotherly-ist brother!
Dick: No offense Timmy.
Dick, turning back to Jason: But I am the one who has been your brother longest, I helped you kill that druglord, I even gave you some of my cookie dough last week!
Bruce: uhhh, back to the druglord thing-
Steph: You shared your cookie dough with him!
Jason: Sorry Dick, but there is one thing that makes you brothers more than anything else, not blood, or time, but...
Jason and Tim at the same time: Contempt
Jason: I have contempt for Tim, like all siblings should. Really the only thing I love more than hating Tim is shit talking other people with Tim. That form of contempt is how siblings bond and I will just say, surprisingly I love bonding with Tim even more than I love terrorizing Tim
Tim: aww, I didn't know we were that close
Jason, panicking cause he doesn't wanna ruin their dynamic: *punches Tim in the gut and runs out*
Tim, shouting after him: You can't take it back now, you ass
Jason: *turns around while running to give Tim the middle finger*
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theoldkyokodied · 1 year
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Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')
#tomgreg#succession#dont even talk to me i started watching this show when i had nothing to do at work and now i watch it with averiel my good friend averiel#and we are going to watch s4 together and i feel physically ill from bein so excited#so ya thats what ive been up to... anyway. i love these idiots they desever nothing but the worst (affectionate)#im also a tomshiv lover btw. im the one who yells 'THIS IS HOW TOMSHIV CAN STILL WIN' while they are actively losing on screen#thats the kind of person i am#dont look at me (lying on the floor)#okay i was not going to say stuff in the tags and let the art speak for itself but i NEED to point out details in the wine Painting..#i put a lot of work into that one. thinly veiled metaphors and symbolism yknow..#greg is gripping the stem of the wine glass with his full fist. tom and greg are dressed in the same outfit (sock garters included)#greg look appalled but he is not doing anything about the spill. tom is fondly pouring greg more and more wine. he is doing him a favor#i colored the red wine the same way i would color blood :) oh and tom is not really touching greg#only holding the chair in place. greg is making himself look smaller than he is like usual#oh and @ the person who said that it's the inverse of the tom and nate scene i love the way you think. i did not think of that before#but god. yeah. i actually thought about the scene change from when roman uhh.. christens his office in s1. the one with the coffee machine#i always go insane at that cut. this is not exactly the same since it's more.. about emotions but yknow.. it can be.. the same...
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dykealloy · 4 months
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the catholic rejection of it all
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ddjstar · 6 months
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Them: you better not be cunty Adam Faulkner babysitting cutie patootie Diana Gordon when i get there
My goofy ass:
[click for better resolution]
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fanficmaniatic · 9 days
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HE IS HERE HE IS HERE HE IS HERE HE IS HERE HE IS HERE HE IS HERE HE IS HERE
JAZZ IS BACK JAZZ IS BACK JAZZ IS BACK JAZZ IS BACK JAZZ IS BACK JAZZ IS BACK JAZZ IS BACK
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skitskatdacat63 · 7 months
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2023 Qatar Grand Prix - Sprint - Oscar Piastri
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lord-squiggletits · 4 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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moeblob · 11 months
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Mr. Yang is indeed the absolute love of my life. The man I wish would just talk to me as he chaperoned my adventures. Please. I love him so much. I just..... wanna listen to him talk about whatever.
(and I genuinely love how the MC texts him like "what is this" and I do have a silly idea involving that but.... the fact even in canon your character looks at him and goes 'that's a very smart man whom I trust with my life despite him literally knocking me out! I'll just text him!')
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ganondoodle · 5 months
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even if i didnt love botw as much as i do, totk drives me nuts bc, similarly to pokemon, this series is so SO SO full of potential, they have so many games they can pull from, theres so many themes, characters and worldbuilding thats just left to rot, you dont need to connect anything with a chain to old titles, you dont need to bring back any things that already had their ending, but PLEASE harness at least a fraction of all this!!!! and they just refuse to do it beyond shallow references
totk jsut drives it all home to me, bc this isnt just the next game in the franchise, but a DIRECT SEQUEL no 10 years apart from botw, yet they cant even, they REFUSE to even keep the continuity with its OWN lore it established in botw together, and that, i think, is what truly makes me so insane (derogatory) about totk
it PROVES they do not care, they dont care to build on anything of the lore of old titles beyond references in form of amiibos or whatever, they dont even care to make a sequel to their most successful game in the franchise coherent with its own lore
botw established a captivating detailed world full of potential, while lacking in active storytelling, it had environmental storytelling, characters and ideas that were the perfect ground to build on-
and then they do away with it bc idk .. they want you to build mechs and make videos of it that go viral and thats all they care about or something
shiekah tech? forget that existed character being the character you know? act as if you are seeing them for the first time just like they are lame story? dont think about that just be distracted by the epic presentation of it lore the previous title established? forget that, all that matters is what is here and now beloved character from old games beign brought back? hes a new guy and has no background and no lore and just sits waiting for you at the end to have a flashy fight with references from old titles and their lore? just here for nostalgie bait, dont you remember? you LOVE this series, now give me 70 bucks for a glorified DLC that ruins what you loved about the series and makes you realize that nothign matters and nothing is interesting anymore
you are supposed to take it all at face value, to not think about anything, to see a character say something and just go with it, and forget it the second its over, be distracted by good music and pretty visuals, but dont think about, dont think about anything but what is directly said to you like you have no critical thinking skills, forget there was a game before this one, only the one you play matters, empty your skull and dont let yourself feel anything but what the game tells you to feel
if they dont even care to make the sequel to their most successful game actually build on the previous title, dont even care to keep their continuity of two games supposedly directly happening one after the other in tact- maybe they never cared, and all the meaning we thought we saw them build into their games was all accidental and meaningless
and that is absolutely soul crushing for fans like me to discover
its a game. its not a story, its not a world, its not themes, its not characters, its not lore. its a product made to make you pay money, not to make you think about anything.
#ganondoodles talks#zelda#ganondoodles rants#i know it sounds silly to say this game makes me mad bc its so clearly a game#but do you get what i mean??#and the worst part is#they dont even keep the lore said in the SAME GAME in line#the people in hateno where links HOUSE used to be that is now ZELDAS not remembering him#the children acting like they dont know him#where has link been?#did zelda put him into the forest and just let him live with the boars?#even so the house is here so link must have been here to buy it-#but no forget that#its somethign that happened in botw and that never actually happened or mattered remember?#to have balloons and rocktes and people with WINGS in this world but none of them going up to the sky islands everyone is obsessed about`?#well its for YOU to play around with with meaningless rewards not for the NPCs living in this world#the godly goat guy and the hylian priestress directly saying zelda is their distant descendant to her and then#not show nor say not even hint at them having any offspring and then both die a stupid meaningless death to try and make you feel something#“doing the dragon transformation robs you of your soul forever and you will never return”#*returns via deus ex machina without even letting the player take any part in it but by -getting to the end tm-*#also i HATE how totk constantly dangles set ups in front of you#only to NOT follow up on them#the intro giving you a taste of what you might expect for- NOPE zelda is gone immediately its jsut botw but worse again lol#zelda getting the hang of her time powers so she might return to her time on her ow- NOPE dragon lol her powers are irrelevant actually#impa being the only one you can tell about zelda being a dragon and her going oh no im gonna search for a way to bring her back- LOL NOPE#its solves itself and you dont even do anything for it and just watch a cutscene#oh no link lost his arm and its beyond repair- LOL NOPE have your arm back like it was freshly made no matter how few of the light things-#you actually got- the things that where supposedly to battle back the thing destroying your arm#also howt he game gives you endless busy work without any good reward#krogs - mayoi signa - poes - scematics - lightroots - sign guy
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robynrocksforbrains · 8 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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Porcelain Steve - Part 6
Part One🦇Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six🦇Part Seven🦇Part Eight🦇Part Nine
Even though he's expecting company, Eddie still jumps and yelps when his front door flies open without so much as a knock, revealing Dustin and Will.
"I know I said to let yourselves in, but a warning knock would have been nice," Eddie shoots them a glare, not bothering to stand from the couch where he'd been pretending to watch whatever terrible daytime movie was playing.
"Sorry," Will apologizes sheepishly while Dustin just laughs.
"Which of your moms dropped you off? If it's Claudia, I'm filing a complaint about how you were raised."
"Har har," Dustin says, swinging his backpack off and knelling down to unzip and dig into it. "We biked here."
"Lucky you, then. The complaint will wait."
Dustin wrestles a blanket from his backpack. Unwrapping it reveals Steve, hair rumpled but otherwise unharmed. "Alright. Delivered safely. We gotta go meet El and Mike now but we'll see you on Saturday, right?"
Eddie sets Steve on the couch, angled towards the TV. "Yeah. I get the feeling if I don't show for the barbeque that Joyce will show up here and drag me there by my ear."
"She would," Will confirms with an easy shrug. The boys turn to leave before Will exclaims, "Oh! Almost forgot!" before digging into his pocket for something, turning around to give it to Eddie.
"What?"
"El and Steve spoke again. He had a lot of things to say. I spent a good portion of the last three days writing down everything as El repeated it to me. This is your letter," he says, having successfully pulled out what looked to be a folded piece of paper out of his pocket.
"Oh," Eddie takes it, and realizes it's not just one folded piece of paper, but three. "Wow."
"Seems you are Steve's second favorite," Dustin grins at him from the doorway.
"You are first, I assume?"
"No. Robin is. She got five pages."
That tracks, actually. Eddie's not surprised Robin got the most pages.
Soon enough, the boys are off and Eddie returns to the couch, pulling his legs up to sit crisscross. "Alright, Stevie, let's see what you have to say."
He unfolds the pages completely and is met with Will's now familiar penmanship scrawled across the sheets of wide rule paper that has clearly been ripped from a composition notebook. He's seen Will's handwriting plenty over this last year, quickly scribbling notes during DnD sessions and on the little item cards Will makes himself to hand out when he DMs.
Will's handwriting isn't always the neatest, but this looks like Will took time, wanted his writing to be legible. Flipping through the papers he sees it is two pages, front and back, of a letter, and the third page is a list of questions in a different, neater handwriting. He gets the feeling that Will probably didn't paraphrase anything. How many people got letters? How much of Will and El's time was devoted to doing just this?
Eddie feels emotional over this, misty-eyed and a lump in his throat, and he hasn't even read the damn letter yet.
"Shit, Stevie, do you even realize how loved you are?" Eddie asks out loud, turning to look at Porcelain Steve like he might answer him this time. Blank hazel eyes stare forward. Eddie shakes his head, to clear away his thoughts, and gets to reading. Not out loud, because he doesn't want Steve to hear how wet his voice will sound.
Eddie,
I guess the first thing I want to say is thank you. I was kind of freaking out when I first woke up like this. It was calming, that day on the lawn, after Robin and Nancy found me. You were so chill and just chatted my ear off like you would have if I were, like, there. I mean, there there and not like, doll-there, if you get what I mean.
Shit, man, being stuck like this would have been a hell of a lot worse without you, I'm certain. Everyone's been great, of course, and, like, no offense meant, Will and El, but you act most normal. Helps me feel, well, I don't know how, exactly. Describing emotions is not something I'm like, good at. Robin's great, too, but she catastrophizes, you know? And since I can't speak back, she can get herself pretty worked up about this and I hate that. Hate that I can't do anything to help her.
Shit. This isn't your issue. Don't include that. No, wait, do. Sorry, El. (It is here, off in the margin, that Will has added 'I wrote everything word for word. Enjoy the asides to El and me.) Hanging out with you helps her, I think. She seems less anxious on days we spend with you. So, I guess, I also want to thank you for that. For being there for Robin when I can't.
Eddie has to pause there because he had no idea. Robin has been a grounding force for him this whole time. He had no idea he was doing the same for her. She never said, or let on... well, that was probably her goal and now Steve's spilled the beans.
This is getting easier to say, even if I still don't know how to feel about the other two people who are going to be privy to everything said, or I guess from your end, written here. (Here, Will has transcribed a conversation they seemed to have had in the middle of writing this up.) Oh. He means us. - El Yes. Don't worry Steve, we'll do our best to forget everything you've said once it's written down. - Will Steve laughed and says thanks. - El I appreciate that but- well, being honest there's some things I want to say but I don't want anyone else to hear. Those conversations are better left face to face, anyway. So, uhh, what else did I want to say?
Oh! Yeah, I told Robin she could drive around the Bimmer, so she can have a car while I'm- so she doesn't have to bike everywhere but knowing her she probably won't take me up on that offer. Maybe you can talk her into it? Or, maybe she'll be willing to drive your van around and you can take the bimmer.
"Jesus, Stevie, can't you just be okay with existing?" Eddie says it under his breath and tenses instantly. For a moment, he forgot that Steve was right there on the couch with him, could hear him. Now he has to explain himself because Steve's already heard, and without the context of how Eddie really means those words, they can sound judgmental. "Shit. Sorry. I just read the part about your car and, dude, you just don't know how to not try and be helpful, huh? I bet it's destroying you on the inside that you can't do anything. But Steve, you gotta know, we don't care about you because you're useful."
Steve, of course, can't reply, so Eddie goes back to the letter.
Uh, what else was there? Oh! Yeah! I don't get migraines here. Or, in this body? Or, whatever it is. I haven't had one since this happened. Also, no hearing issues. Though I find myself wishing to be completely deaf sometimes. I get that Max can listen to Kate Bush for a week straight, but I'd like a little variety. God, what I wouldn't give to listen to the Top 40 again. Don't say anything, Munson. I can already see your judgmental face at my music taste. Unlike you, I have the ability to like multiple types of music. The Top 40 AND that one song from, uhh, shit. Might not have migraines or hearing issues at the moment, but the memory is still as it was. Which means it is shit. That one song by that metal band where their name sounds like it's metal? You know who I mean. (In the margin, Will has just written five little question marks in a row ?????)
"The band you were thinking of, it's Metallica," Eddie says.
Not important. But, uh, the reason for telling you this. I was hoping you might smuggle me to a show the next time your band plays at the Hideout? Last time I tried to go it was too loud and gave me a migraine, you remember, but I think that I could listen to your whole show like this. We might as well take advantage of the perks of this shit situation, right? So, uh, I wouldn't mind if you did that. Or, like, had Robin or someone else bring me. Whichever.
Actually, wait, I lied, I do care which way. I've already had them pen down Robin's letter, so you'll have to pass this on, but I want Robin to take me. So, I can also watch the show, not just listen. That was the part I liked most, when I went last time, before I had to leave. Wait. Scratch that. Ask Argyle. Other than you, he seems like the only person willing to be caught holding me in public, mostly because I don't think he even knows how to be embarrassed. Jesus that was such a weird sentence to say. Holding me in public. Such a weird thing to experience, too.
Uh, anyway, I think that's it for now. Thanks for everything, Eddie.
"I think you're handling this loss of bodily autonomy rather well, Steve. This letter is a lot more positive than the one I would have written if our roles were reversed," Eddie says with a sigh. He can't help but wonder what Steve would have said in this letter if it hadn't had to be filtered through two teenagers first.
He looks to the last page, the list of questions, and is surprised to see that, mixed in with questions about which sports team is winning (he is not going to watch Sportsball for Steve. There has to be a line drawn somewhere and this is it. He will ask Wayne about it later and hate the glee he sees in his uncle's eyes because now he's going to have to pretend to like sports for the unforeseeable future) and for honest updates about their friends are questions about Eddie's campaign that he's rambled on about since Steve can't escape. Steve wants spoilers, wants to know what Eddie has planned.
Steve has actually been listening. He'd been operating on the assumption Steve just tunes him out when he gets going, unable to stop his brain to mouth filter when it comes to talking about Dungeons and Dragons and his current campaign.
"I'm at your list of questions now. I can't answer anything about sports, and don't think I'm unaware of how you asked me and not Lucas. I see what you are doing and I'm not going to fall for it. So, your first non-sportsball question here; How is Dustin doing, really? Well, that's a whole thing but overall, okay."
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Text
On Tim's Boat
*Tim and Bernard are laying in bed sleeping, limbs entangled as Bernard sleeps on Tim's chest*
*at 3:47am Bernard is awoken*
Bernard, swatting Tim as he is squinting in the dark: Hey grasshopper? Is that a sleep paralysis demon-
Tim, shifting slightly, eyes still shut, basically sleepy mumbling: you wouldn't be hitting me, you'd be paralyzed
Bernard: then I think someone is stealing clothes from our closet
Tim, running his hand through Bernard's hair so Bernard knows he is listening: don't know why, we are the pits of fashion, they should be stealing from Sophie and Louie's closet, or even Tammy and Lauren's closet
Bernard: is that... Robin?
Tim, wide awake now, swiveling his head towards the closet: WHAT?
Damian, standing there in a Robin outfit looking through their clothes in the closet, gathering a pile on his arm: Your father wants you to call him, Drake
Bernard: Robin works for Bruce? Actually, that's not surprising.
Robin, walking out with a pile of clothes on his arm: I am confiscating these *walks out the door*
Bernard:
Tim:
Bernard:
Tim:
Bernard: Guess you could say he was... Robin us.
Tim: You're lucky I love you
Edit: Part 2
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ilyhaitanii · 5 months
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your thoughts on manila mikey 😵‍💫
kei…oh my god u are going to have to RESTRAIN ME. dont ever let me speak abt any mikey. anyways u ask and u receive my love <3
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mikey is..different. when everyone had lost him, when he had disappeared he still kept you at his side. he treated you the same as always, though that sparkle in his eyes when he looked at you was dimmer. his love for you was still the same, he was still mikey— your manjiro.
the two of you share a small flat— nothing major, just a mattress, a table, couch, tv, and a small pot plant in the corner near the door. manjiro’s sitting outside on the concrete balcony. he sits in the cold ground, the gloomy weather aiding his bad mood.
groggily, you crawl out of bed, the blanket still around your shoulders dragging behind you. you make your way over to him. you stand behind him, adjusting the blanket to drape around his shoulders.
he’s adapted a new habit of drinking black tea in the mornings. very unlike him considering he enjoys the sweet things in life, but the taste of the tea on his tongue allows his brain to settle down from all of his disgusting thoughts as it occupies itself with the disgusting taste of it.
“jiro,” your morning voice rings in his ears as his attention is now focused on you, not the waves of the sea in front of him. “come inside. it’s too cold,” a soft pout on your lips makes his lips curl every so slightly. wordlessly, with your hand in his, you drag him inside and back to the comfort of your queen sized mattress.
manjiro lays on his back, arm around your shoulders. he pulls you close to him, his cold fingertips leaving goosebumps in its tracks.
“stop,” you whine, pawing his fingers off of you. you move away from him, yet keep your legs draped over his hip. “you’re too cold,” his reply is almost instant,
“warm me up then?” the slight raise of his eyebrow, makes your heart flutter. he says these things so easily. you turn to face him, his hands cupping your chin. his thumb taps your bottom lip and your mouth opens for him. he slips his finger inside your mouth as your eyes flutter shut.
majiro feels himself twitching in his pants. he feels bad for this, he feels bad for keeping you with him. if not for you, manjiro’s pretty sure he would’ve been gone by now. you keep him tame, keep him somewhat grounded. you make his life worth living even if everything else has gone to shit.
some drool drips down the sides of your mouth. manjiro slips his leg between yours, allowing you to ride his thigh. it elevates some of the tension in your body. you pant around his fingers. that hazy look in your eyes makes him smile a little more,
“good girl,” manjiro’s other hand digs into your hip, pulling you further onto his lap. he leaves bites and small hickeys across your chest and neck as his fingers dip under your shirt. “no panties? you’re such a slut, jeez…” his voice sounds annoyed, but manjiro is salivating at the thought of you sleeping beside him without underwear. how did he not notice this sooner?
his thumb rubs up and down your slit, catching onto your clit. you lazily shudder in his hold, eyes threatening to close. he can feel the heat radiating from your pussy as it drips onto his fingertips.
“tell me what you want, baby. come on,” he coos at you as he watches you bounce on his fingers. you mewl into his neck, trying your best to move your hips up and down, but it’s so early and you’re so tired.
“please…please, jiro,” you meekly reply to him, brows furrowing at the effort you’re putting in. he thumb catches onto your clit, rubbing little hearts into it.
“you’re awfully lazy for such a needy thing,” he replies back in a flat tone, watching your tits bounce in front of him. you dig your nails into his shirt, balling them in your fist. his fingers brush over your most sensitive spot and you yelp as he curls them into it. your vision is blurring, spots of white are seen in the darkness behind your lids.
“jiro,” you whine, much louder this time. “i need you, please,” the high pitches whiny tones have him biting into your shoulder. you clench hard around his fingers as him palm is soaked.
“come on, baby. you can cum for me, yeah?” and just like that, you’re gone. you clench so hard around his fingers, gushing around them. he watches as your stomach contracts and your thighs tremble around him.
you lay limp against him, dripping onto his lap. your head rests against his shoulder as you almost fall asleep. that is until you feel his cock pressing against your hole. you jolt awake, hands on his shoulders, gasping.
“i think im cold here too, baby. warm it up for me, yeah?”
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sorry i got carried away 🚶‍♀️🚶‍♀️🚶‍♀️ this was supposed to be short but i made it into a mini fic. sorry kei 🤥
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bonefall · 5 months
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I’m rereading Po3 and despite its flaws I really enjoyed the introduction to the three. Jaykit isn’t mentioned to be blind in the first few chapters and instead they chose to show how much MORE capable he is compared to his littermates; until at the end of chapter 3, he brings up his blindness on his own. It makes forcing him to be a medicine cat SO much more frustrating because it really feels like they’re setting him up to be a warrior and choose his own fate (note i haven’t finished the reread this is just my first impression)
I like how you seem to take that path in BB regardless! It makes his arc so much more enjoyable
His arc in canon is super frustrating because he's such an independent character who clearly wants to make his own decisions in life, but then he just gets shoved into the medcat den. I LIKE that he ultimately goes there and that he enjoys it; but it was still really fucked up that they stripped away his autonomy in the process.
Re: they are not real, they are writing choices. Taking away the choices a disabled character can make over their own life, forcing them into a celibate nun role, and then going "awwwww dont worry see? he likes it! This was the best thing for him :)" was fucked up.
And imo it didn't have to be that way! You wouldn't have to go the FULL route I did with big changes, he could just be more involved in the descision to stop being a warrior apprentice and it would be fine. Minor change that would make a world of difference.
I do also have to interject to say though... blindness should really not be an extremely severe impairment for a ThunderClan cat.
I'm dead serious.
Whiskers are built-in sensors that tell you the exact position of everything within several inches of your head, ears swerve to pick up sound, and the jacobson's organ provides a sense of smell so keen that I have an entire Clanmew expansion draft because I needed to make WORDS describing the power of this sense that humans do not have. I cannot stress enough how delicate their other senses are, felines do not rely on their sight like primates do
ThunderClan lives in a mixed-oak woodland, where sight is already often obscured by foliage, objects are close together (for whiskers to feel), and nearly every movement makes noise against the leaf litter. RiverClan and (moor-running) WindClan cats would have a harder time with this disability than Thunder or Shadow.
Cat sight SUCKS to begin with. It sucks BADDD. They don't have color vision, they're significantly nearsighted, and they can't track up-and-down movements well. WC doesn't write realistic cats (more like small fuzzy people really) and I also work with more humanesque eyesight, but the only thing Jay should really lose is an ability to rapidly track a small animal swerving fast. Blind cats are often still excellent hunters in spite of that!
So it's an extra big waste that they railroaded him into a position he didn't choose, saying he couldn't be a warrior. This is the perfect disability to write, if you want to explore how ableism can impact the characters in this society who ARE legitimately still capable of nearly full independence, but still need to find accommodations for what they can't do.
In the same arc they're doing the dumb Cinder Reincarnation Plotline, no less!! Where SHE is also feeling like she has no choice over her "destiny," and gets a conflict over a potentially disabling injury
"Oh nooo if cinderpaw breaks her leg she wont be a warrior!"
"What the f-- Im Jaypaw and im reporting live from the scene where a Category 1 Idiot Moment is taking place. Woman breaks leg, suddenly everyone believes she is a horse, more at 11."
One of these days I should really make "herb guides" just covering how various sensory disabilities impact the lives of Clan cats and some tips for writing them as warriors, especially between Clans. Stuff you wouldn't usually consider, like how much noise deaf cats tend to make, how RiverClan would get a ton of sinus infections and lose their sense of smell, being blind in Sky vs Thunder, etc.
#I once saw someone say offhandedly 'well what if someone snuck up on jay from behind and attacked him. No whiskers there'#NEWSFLASH! YOU ALSO DONT HAVE EYES IN THE BACK OF YOUR HEAD#He doesn't have short whiskers either they're normally sized#Something like 4 - 5 inches on a cat like him. About double the size of the head foward and sideways#Once you're talking about close combat like the cats usually do there's no way that you can stay back far enough to avoid them#I want to rewrite owl and jay's fight or make a rematch where jay realizes owl is being a coward#Hanging just out of his range and jabbing at him#But once he realizes it's just a coward's strategy it clicks that the counter is to be aggressive#And not let his opponent out of his 'range'#Also give him a neat little scene where they're grappling next to Black's dam project where it's super muddy#And Jay is like 'YOU WANT TO PLAY DIRTY? LETS GET FILTHY' and dunks Owl's face down into the mud#Because Jay can fight without his sight but Owl doesn't know how to continue while there's stinging gunk in his eyes and nose#I like thinking about what I'm going to do for BB!Jay's matches because his fighting style is really fun to write#1. Be aggressive and proactive 2. Don't let them out of range 3. SCARE THEM#From the Mud Match he learns that the best way to end a fight quickly is to absolutely terrify them#Because they're usually not expecting the fight to be difficult nor are they expecting to feel like theyre in danger#So if you surprise them it breaks their willpower real fast#And as he gains a reputation for brutality he faces less opponents until he's practically known as the Cleric Without Mercy#Bone babble
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