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twentyfivemiceinatrenchcoat · 7 months

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i love you, i love you (kill me in the morning) ; suguru geto

synopsis; everyone has a weakness. some are harder to get rid of. (or, alternatively; suguru geto befriends a non-sorcerer as a child.)

word count; 10.0k

contents; suguru geto/reader (not explicitly romantic but the subtext is there), gn!reader, geto-typical angst, childhood friends to [redacted], mild gore, suguru geto’s defection but with added angst, twisted depictions of love, depictions of stalking, depictions of death/murder, general bloodlust (geto wants to kill u soo bad but also not really), unresolved yearning, hurt/no comfort, curse user geto is his own warning tbh

a/n; ok so. this is kind of a mess. just my own take on geto’s childhood and defection + how i think he’d deal with a non-sorcerer reader after defecting……. so it turned out kinda. Dark. it’s entirely sfw to be clear!!! just sorta twisted. in conclusion i love my cult leader wife who wants me dead <3 (pls listen to ’kill me’ by indigo de souza it is SO geto)

suguru geto meets you in the afterglow of sunset, by a dusty summer creek.

it’s his special place, hidden in the outskirts of your tiny town; a place where the water glimmers with silver-hued fish, and all the biggest cicadas reside, singing softly and waiting to be caught.

a place where he can be himself. alone, with no one to curse him.

— except, this time, he isn’t alone.

your crying face is the first thing he sees. big, wet tears, cascading down your scrunched-up face, accompanied by little sniffles as you sit there. curled up into a ball, knees against your heaving chest.

the next thing he sees is the bruise on your leg. a scrape on your knee, gritty and a little bloody, but it’s not so awful. he can tell that it hurts, though — you bite your lip to stop yourself from trembling, like you’re trying to be brave. but you look pained.

and it sends a tremor running through his very soul.

suguru was born with a bleeding heart, an empathy unusually developed for his age. always pushing him forward, coaxing him into taking action; this nagging desire to protect, to nurture. born with an inability to avert his gaze from the suffering of others.

so when the two of you lock eyes, he manages a smile. warm and soothing, even though deep down he’s alarmed. but he masks it, slathers over it with something kind, something comforting — and he can tell that it works, from the way your teary eyes seem to soften in the buttery hue of the afternoon glow.

you’re crying. and suguru finds himself wanting to wipe those tears away, more than anything. you look small, and you’re in pain.

(protect the weak, urges some voice in the back of his mind. insatiable. protect those who can’t protect themselves.)

he asks for your name, all while cleaning your wound. the wince that slips from your lips when the cold water of the creek licks at your knee makes his heart clench.

but you tell him. you tell him your name, as the sun sets in the horizon, and he tells you his.

suguru. a sweet kid who sees you fall and patches you up. a cool kid who teases you a little for being so clumsy. who holds your hand tightly in his own, to make sure you won’t fall again.

the sun melts away beyond the cluster of trees that surround you, its burning glow breaking through the gaps between the branches and dyeing the summer creek a deep red. illuminating your blurry silhouettes, as you walk back home. hand in hand.

and that’s how it begins.

the two of you grow closer, in the same way flowers who share a stem learn to lean on each other, grow in the same direction, a mess of mingled roots. a natural connection, blooming out of nothing more than a sweet coincidence — that kind of blissful, innocent childhood friendship. the kind you never have to question.

you learn very quickly that suguru isn’t like the rest. that when compared to all the other kids you know, he’s mature, almost mystical, like he knows something they don’t.

you learn that there’s a gentleness to him, one he could never fully hide. one that shines through when he looks at you, when you play and laugh to fill the silence of the hills overlooking the small town you both live in.

you also learn that he can see ghosts.

curses, you’ll both come to learn, but that’s later. for a child in a remote town, isolated and alone, the familiarity of the ghost stories that adults tell you is the only kind of comfort suguru has to cling to. something lighthearted, to explain the predicament that haunts him — the flickers of black in his vision, that lingering taste of charcoal on his tongue.

suguru is different, you realize, different from the rest. and you eventually learn, from him, that you are far from alone in that belief.

in the town you both had the misfortune of being born into, suguru is the black sheep. his parents think there’s something wrong with him. the other kids think there’s something wrong with him. he isn’t right in the head, they whisper, he sees things that aren’t there.

(it’s a debilitating isolation that never truly leaves him.)

so suguru learns to stay silent, learns to keep his pretty little mouth shut, learns to lie. it’s easier that way. easier to survive, in the remoteness of your tiny town, with all the adults who scorn him and look at him like he doesn’t belong anywhere at all.

and suguru learns to be content, in that solitude. that heaven-granted isolation. a lone white chrysanthemum, in a sea of red and lavender; blossoming alone.

but then suguru meets you.

and, contrary to everyone else, you don’t think there’s anything wrong with him. when you tell him that he’s different from the rest, you mean it in the best possible way. you say it with starlight in your eyes, gleeful, giddy. like he’s special, not broken. like you’re also tired of those other kids, those sneering adults, the silence of a town so isolated it could crush a child’s heart.

like you have something in common. like you’re the same.

and you stay by his side. throughout the most difficult years of his early life, when he’s still growing accustomed to the duty he’ll have to bear for the rest of his life, you’re there. every single day. to smile at him, to speak to him like you’re both just normal kids — even though suguru is well aware that he’s anything but normal.

(when he’s with you, he feels like it, though. feels like he’s just a normal boy, like there isn’t something glued down wrong inside his brain. something twisted, something that needs to be plucked out.)

suguru finds comfort in you. in your presence, in the notes you pass him when classes get boring, in the way you cling to his sleeve while exploring the woods during recess. in the way you grin so brightly after managing to catch a firefly in the darkness of the summer night, all proud and toothy, a childlike innocence he wishes he still had.

you’re sweet, and understanding, and suguru thinks you might be the coolest person he knows. you’re his friend, his very best friend, his one and only.

and when he tells you what’s wrong with him — when he tells you what he can see — you ask him something that will forever rest in his subconscious. a flicker of precious, fleeting, genuine acceptance, one he won’t ever feel again. not until he meets a certain boy with blue eyes, but that comes later.

(a memory he’ll return to, over and over again. even after all the evil in the world has already descended upon him like a crackling hurricane.)

what do they look like?

there is no judgement in your voice, in the way the question slips from your lips. no mocking laughter, no silent rejection or whisper of crazy, evil, wrong. there’s only you, the way you’ve always been, curious and understanding and wise beyond your years.

suguru decides, right then and there, that he’ll protect you forever. no matter what.

you can’t see curses. you aren’t like him, in that regard, and he learns that quickly. and as suguru grows up, grows a little taller, a little wiser, he is glad that it’s true. he’s glad, because he already knows what kind of road lies ahead of him.

he already knows what kind of world you both live in, how unforgiving it can be. how many people die every day, every second, because of monsters only a select few can even see. he already knows that curses aren’t the eccentric, silly ghosts you were hoping for when you were kids — but pure, unadulterated evil.

(he already knows what they taste like.)

and suguru takes careful measures, day by day, to keep you away from it. as much as he can without lying outright. you’re curious, by nature, almost fascinated by curses and sorcery and everything you do not understand. an endearing trait, though it exasperates him to no end.

someone like you has no business sticking their nose into that kind of cruelty, he thinks, that kind of bloodshed.

and you’ve always been clumsy, a little scatterbrained. enough to make him worry instinctively when you’re out of his sight. like when you tripped and scraped your knee, by that tiny summer creek, all because you wanted to catch a dragonfly.

so he tries his best to keep you away from it, all of it, away from a darkness he knows would swallow you whole. away from the small, weak curses that sometimes litter the woods or the schoolyard; away from his cursed technique, the disgust of a power he never once asked for.

(he never lets you see him swallow those things, never lets you witness the way he throws them right back up again before it happens so many times that he grows used to the disgust. you’re sharp, though, and he can’t hide the grimace that always lingers on his features.

you don’t ask — you only give him a packet of gum, to chew away the taste with, and suguru thinks to himself that he’ll love you forever.)

time passes by, slowly but surely, and the two of you stick together.

and as he grows into his teenage years, so much weight already resting on his tiny shoulders, suguru has already developed some sense of it all. of his ability, of the world of sorcerers. he’s already spoken to people like him, has already been made well aware of his potential.

he’s already been given a choice, a choice that was never really a choice at all, but he decides that it doesn’t matter.

suguru decides to become a sorcerer. to train his abilities, to hone his skills. to eventually move away, from the stifling silence of that town, the silence that was only ever filled by you.

and suguru thinks to himself that he’s doing this for you. that in doing this, in being this, he’ll fulfill his promise to protect you.

(forever. no matter what. he echoes the words in his mind like a prayer.)

suguru wants to protect those who cannot protect themselves. those who are weak, those who are alone, people he has the power to help.

but more than anything, above all else, suguru wants to protect you.

you are the most precious thing in his life. and if he can turn the world a little brighter for you, just a little bit kinder, then isn’t that enough? isn’t there enough meaning in that to give him the strength he needs?

there is. suguru decides that there is.

so when he tells you about his plans, under a pleasant, ephemeral starry sky, he does so with conviction. he knows that you will understand, because he knows you. you’re his best friend.

and he’s right. you do understand. you’re proud of him, and he’s your best friend, too.

i’ll support you, no matter what.

the instantaneous answer makes suguru smile. not the kind of smile he plasters on to appease the adults around him, nor the smile he wears when he needs to lie convincingly. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the moon; a warm, gentle smile, one you’ll always, always associate with him.

(forever and ever. no matter what.)

and when suguru eventually has to leave, for a high school he’ll spend the next few years of his life living at, he carries that conviction with him. his choice is steadfast, unyielding, inevitable. the only one that matters.

the whistling of the wind breaches his ears, as you both stand on the platform and wait for his train to arrive. a spring breeze caresses your skin, and suguru’s bangs flutter in the wind. sunlight scatters across the train tracks and seagulls cry out in the distance, and the acute sensation of a parting lies heavy in the air.

it’s embarrassing. it’s childish. suguru wants to claim that he isn’t a child, anymore; that he wouldn’t give in to hesitation, at the sight of your meek expression. that he wouldn’t cry, at the thought of moving away from his best friend.

but the slight puffiness under his eyes is evidence enough. evidence of the tears he shed last night, when the reality of the situation finally dawned on him.

suguru doesn’t want to part from you. he’s nervous, too — leaving you alone in that town, all by yourself, with no one around to protect you properly.

it's stupid. because deep down, he knows that you’ll escape too. that you’ll come after him, no matter how long it takes, that'll you'll both end up in tokyo. that you'll end up together, despite his duty as a sorcerer — eating soft serve ice cream cones, playing shooting games at the arcade, strolling around the big city aimlessly. doing all those things you always talked about doing.

because the two of you will always, always find your way back to each other. just like how he found you with that bruise on your leg, all those years ago, a fated encounter as natural as the glow of sunset. two lone dragonflies, who always meet somewhere in the middle of a dusty summer creek.

still, suguru can’t help but feel sad. a little lost. he can only hope you don’t notice the soft frown on his face, the faint redness of his eyes.

(then again, when have you ever not noticed something he was trying to hide?)

there's no need to worry about it, suguru knows. he’s never had to worry about you judging him, looking down on him. never you.

and when his gaze falls on your face, after the train he’s supposed to board screeches to a halt behind him, your own tears are enough to make him realize how silly he’s being.

he laughs, from the bottom of his stomach, when you tackle him into a hug and tell him with teary eyes that you’ll come visit. he squeezes you especially tight, in a boyish fashion he can never quite hide from you, and murmurs into your ear that he’ll be waiting.

he asks you not to forget him. you laugh through your tears, and tell him that you never could.

before he has to let go and step into the train, you tell him that you love him, and his grin blooms with honeyed affection. he ruffles your hair, always gentle, always teasing, always the same suguru.

he tells you that he loves you, too.

— then he’s gone.

(you’ll forever regret not convincing him to stay.)

the two of you stay in contact, all throughout his first year. texting, calling — making sure neither of you get the chance to forget the other. suguru tells you about his life, his missions, his classmates, leaving out all the gritty details. and you listen; attentive, curious.

at one point, you even visit him. his friends tease him relentlessly, but all he does is roll his eyes and flick their foreheads, biting back a smile. that makes you laugh, and he’s relieved that the sound hasn’t changed in the slightest.

and suguru stays the same, throughout that one first year. he is steadfast, unyielding, decisive. he has a conviction he’ll never let go of, and people he's vowed to protect. people he needs to protect.

(non-sorcerers, is what he tells satoru, and he means it. but suguru chooses to omit the fact that he specifically wants to protect one single non-sorcerer, above all else.)

and suguru is happy, with his choice. thoroughly and wholly. the road ahead of him will be long, full of obstacles and thorns, but he always knew that would be the case. and he knows that it’ll hurt, that it’ll be tough, but he also knows that this is what he sincerely wants to do. what he was meant to do. the only choice worth making.

suguru is content. suguru will not falter.

— then, his second year descends upon him.

riko amanai dies. toji fushiguro dies.

satoru gojo becomes the strongest sorcerer of the modern era.

(and suguru geto is left behind.)

it is a slow, sinking realization. one whole year to lose sight of his goal, lose sight of the conviction he held onto so tightly. one whole year to feel it slip through the gaps between his fingers, helpless to stop its course. everything grows muddled, molding, rotting before he has a chance to root it out — and all he can do is wait, as it festers like bile in the bottom of his gut.

suguru geto falters.

(he doesn’t quite know who he is, anymore.)

words he’s swallowed down like curses all his life keep flooding his subconscious, building up inside the back of his throat, spinning and spinning and spinning inside his brain until he feels sick enough to throw up. evil. crazy. protection. responsibility.

duty, duty, duty —

(what does that word even mean?)

suguru doesn’t remember. he can’t recall what made him step onto that train with such conviction, how he was able to smile so assuredly. how he was able to laugh, from the very bottom of his gut, as if it was the easiest thing in the world. he just can't remember.

who is he doing this for? what meaning lies in all this pain?

suguru keeps watching, hoping for an answer that’ll save him just enough. waiting and watching. he’s always just watching, isn’t he? never changing anything. always too late, too weak, too fucking useless to stop even a single person from dying.

he watches helplessly as a little girl gets shot in the head, for the crime of having been born different, for the sake of simple currency. watches helplessly as satoru carries her lifeless body in his arms, across a room full of people so vile that some deep, rotten, intrinsic part of suguru just wants to —

but there would be no meaning to it.

(does there really need to be one?)

suguru honestly doesn’t know, anymore.

riko dies.

(curses spring up like flies. he devours and devours.)

then haibara dies, too.

(in the distance, he thinks he hears the sound of clapping.)

sorcerers. non-sorcerers. curses.

the words begin to rot inside his mouth, like wilted flowers, syrupy sweet and nauseating. crumbling on his tongue, numbing his senses until it’s all he can taste. a mouthful of honey, sticking to the walls of his throat, too sweet to stomach.

this is wrong, he thinks. everything is all wrong.

everything is wrong and i don’t know how to fix it.

— and then there’s you.

during your third year, both of you are busier than usual, but still find the time to talk when you can. the normalcy of your little stories is a comfort, to suguru — but also makes him burn with something he fears may be close to envy.

you tell him about your new school, your new town, your new beginning; bright and dazzling. one that suits you just fine.

the two of you are different, he realizes, all at once. some part of him always knew. you were born to be happy, kept away from the bloodshed, hands unsullied by the deep red that always dries beneath his fingernails. there was never a place for you in the world of curses. and he’s glad, that it’s true, he always has been, but —

(resentment festers in his gut. he can’t tell how long it’s been there, and he’s afraid to know the answer.)

these days, suguru takes a little longer to answer your texts. his voice comes out sounding a little more fatigued when he’s speaking to you through the phone, and he doesn’t talk as much as he used to. your voice soothes him, though, he thinks. just a tiny bit. but it’s enough.

(he’s doing this for you, too. he can’t forget that.)

and when you come to visit him, during his third year, suguru is surprised. surprised to see you, standing outside of his dorm, bags full of his favorite snacks in hand. smiling.

you look the same as always.

(he’s the only one who’s changed.)

it’s a pleasant surprise, though, despite everything. he really did miss you. in his life, your presence alone has been nothing but a comfort, for as long as he can remember. even now, when everything feels so blurry and uncertain, you appear to him as a flicker of starlight; shining through the darkness that’s been plaguing him for the past year.

so he tries to smile, tries to sound the same as always, but he knows you don’t buy it. you know because you know him, despite everything.

suguru wonders what you would think of him, if you could hear the thoughts he’s been having these past few weeks. he wonders what he looks like, reflected in your eyes. he wonders how much he’s changed since you last saw him.

(he hasn’t felt like himself in months.)

your presence is like a balm, to his soul, but it also seeks to hurt him further. because you’re still the same. still so understanding and wise and patient. you can tell that he’s fading, and he can tell that you can tell. but he doesn’t want to tell you why. he refuses to open up to you, because what would that accomplish? how could you possibly understand?

how could you understand his hatred, his resentment, towards the very people he’s supposed to protect? he told you that, himself. he decided to protect them, on his own accord. that’s his duty — steadfast, unyielding, inevitable. that’s all it was ever meant to be.

protect the weak. protect the ugly. protect everyone except his comrades, until all of them lie dead in a pile of maggots and tangly limbs and buzzing flies.

a bitter, heavy kind of vomit settles inside his chest, his throat. and somewhere deep inside suguru’s mind, in the very bottom of a drawer he vowed never to open, the image of non-sorcerers shifts, distorts, flickers on and off under the light.

protect those monkeys until his very last breath.

(what a fucking joke.)

you couldn’t understand. he doesn’t want you to. he promised himself that he would keep you away from that kind of darkness, no matter what, and —

and you’re the only good thing he has left.

not only that — you’re a non-sorcerer, too. and suguru knows what that means. if what his brain is telling him is true, if that’s really how it is, then you are no exception. then you’re just like the rest, something lesser, nothing but a —

(he thinks he might throw up.)

suguru does not tell you anything. despite everything, despite your pleading expression, despite the heavy bile at the bottom of his gut. he does not tell you what is truly wrong. he does not open up to you.

and that is suguru’s first act of betrayal, to you. before he even betrays the jujutsu world.

(it is perhaps the only betrayal he’ll ever feel any kind of remorse over.)

you try, though. persistent in your affection. he loathes how little you’ve changed, how brightly you still shine when reflected in his eyes. you sit right next to him, under a pleasant, ephemeral starry sky, stars blurred by the light pollution, and tell him what you always have.

i’ll support you, no matter what.

…

suddenly, all he can hear is the whooshing of the sea. as if he's been pulled underwater, a heavy weight tugging at his limbs, lungs gasping for air that doesn't exist. pure static, in his ears, a sharp crack of something. like a rib, or a train of thought. all he can taste is saltwater.

the dam begins to break. it cracks at the edges, like two giddy children poking a stick into a puddle layered with ice, giggling at their scattered reflections. memories resurfacing, images flashing in his subconscious. suguru looks at you like he’s lost. something inside of him breaks, disintegrates into a pile of despair.

because you don’t understand what you’re telling him. you don’t understand what he thinks about doing, sometimes, when the nights are especially long and the school is especially empty and the taste of curses lies especially thick on his tongue.

you don’t understand. you never will.

but you’re smiling at him, so very gentle. so accepting, so all-encompassing of everything that’s good, everything worth cherishing. just like always.

suguru recalls your teary face; when you scraped your knee, when he left that town behind. he recalls all the ways you’ve soothed him, saved him, in all the years you’ve known him.

i’ll definitely come visit. i love you.

i’ll support you, no matter what.

what do they look like?

— suguru falters. these days, that’s all he ever seems to do.

how could he hate non-sorcerers, when you’re among them? how could he hate a world that has you in it?

(he can’t, he can’t, he can’t. he can’t hate you. not you.)

the words that spill so very easily from your lips break him. he can’t tell if you’ve mended the damage, or only worsened it. he can’t tell where the jagged hole inside his chest ends and begins. he can only tell that it’s extending, extending, extending.

suguru wants to fall apart. he wants to fall apart, for only you to see, because you’ve always been the only one who could ever understand. the only one who wouldn’t turn your eyes away from him, even back then. the only, only one. the only other white chrysanthemum.

he wants so desperately to be honest with you, to let every dark thought he’s ever had flow out from his lips. for you to hear, for you to scorn or to accept at your leisure, doom him or bless him, a bleeding dog at your feet. to get rid of the tangled mess of thoughts inside his muddled mind — to just let go of everything, even if it’s only for a minute or two. just a second would be fine.

suguru wants to drag you down with him. drag you down into the depths, into the abyss, to share the weight of his suffering. so that you can be together, just like you always have; through thick and thin. always and forever.

but he doesn’t.

(and what a betrayal that is.)

suguru keeps his pretty little mouth shut, and he gives you a smile. a smile that doesn’t reach his eyes, the kind he always wears when he needs to lie convincingly.

he could tell you so many things. could ruin you completely, take you down with him. hand in hand, staining your unsullied skin with the blood on his own. into the gaping maw.

but at the end of the day, he chooses not to.

suguru chooses your peace of mind over his, just like he always has, and feeds you a vague half-truth. not quite a lie, but something that ignores the underlying question of your statement, a silent plea for sincerity. something deep and true, but almost sorrowful.

i know, he says.

i know you will.

the moment does not save him. but suguru does feel just a little more hopeful, a little less like he’s slowly rotting from the inside out. a little less like he’s completely and utterly alone, isolated in his agony.

you are the same as always. and what a relief that is.

(for you, he can wade through the hell for just a little longer.)

when it’s time to say your goodbyes, suguru can tell you aren’t satisfied. that you wish you could do more. but he also knows that you won’t push it, because you’ve always respected him in a way no one else ever cares enough to do.

before you leave, you tell him that you love him. in a quiet voice, a whisper, as if trying to squeeze some sincerity from his chest — a last-ditch attempt at reaching him. he squeezes your hand, instead, and doesn’t say it back.

suguru just smiles, flimsy, a smile that doesn’t reach his eyes.

you look like you want to say something, but you don’t.

and he watches you go, with forlorn eyes, until the dot that is you gets too small to distinguish from the darkness of the night. until he can almost delude himself into thinking that you’ve turned into a star. he watches you go as if trying to burn the sight into his memory, as if this is the last time he’ll ever see you.

(the curse of i love you rots in his mouth, unspoken, unvoiced.)

two weeks later, suguru stands in front of a cage, covered in blood.

the girls in front of him, skinny, frail, crying — beaten and exhausted — look at him like he’s a god. him, pale, smiling, with blood staining his white uniform, bathed in moonlight —

like some kind of angel of death.

suguru soaks up the metallic scent of the room, basks in that sickeningly sweet feeling of release. he soothes the girls, as best he can. he leads them away, careful not to let them see the bodies.

(there isn’t much left of them, anyhow.)

suguru geto makes his choice. the only choice that matters.

he will twist himself into a curse. he will devour his ideal, until it’s all that’s left of him. he will embody it, become it, through and through. it’s fine if he dies in the process, it’s fine if everyone dies — just as long as it means something.

that is the conviction he will carry with him. the decision to only ever see the line between ends and means, the bright light at the end of a never-ending tunnel.

the blood of an entire village is on his hands.

(a part of him wants to throw up. another grins with ecstasy. every part agrees that it was inevitable.)

their screams weren’t beautiful. they were aggravating, revolting, the wretched buzzing of bugs ringing like static in his ears. but it felt good. it felt just. something in his bones settling into its rightful place, a spark of affirmation.

and suguru doesn’t stop there. as if desperate for the cup to finally run over, to make sure that there truly is no going back, his feet take him to a place he always hoped he’d never have to see again.

when suguru returns to that stiflingly silent town, to kill his parents, you are no longer there.

it’s not a surprise. he knows you escaped, long ago, just like him — just like you always said you would. not quite to tokyo, to your grave disappointment, but you managed to find some other town to live in. bigger, better. the new beginning he always hoped you’d get.

suguru does not want to think of you. he doesn't want to remember your face, the sound of your laughter, the way your eyes shone in the light. he wants to erase every single trace of your existence from his memory, if only to protect you from the person he will soon become. or perhaps only to spare himself the heartache of it all.

but when he passes by that one summer creek, forgetting you becomes an impossibility.

his eyes gaze at the silver-hued fish, sparkling beneath the moonlight, the big cicadas singing sadly under the shadows of the trees. he closes his eyes, and breathes in the solitude, and recalls a child with teary eyes.

suguru knows what school you go to. he knows what your town is called, what your street looks like.

and it is far, far away from the town he’s in. far from tokyo, too.

— and suguru is relieved.

(it gives him an excuse not to hunt you down just yet.)

the sight of his childhood home stirs no fondness in his heart. it is empty, it is silent, it is the same as always. and now it doesn’t even have you in it, anymore.

so it doesn’t matter.

suguru moves on with conviction, with bloodstains scattered across his clothes, seeping into the fabric. the screams of his parents don’t mean anything — they blur together with old echoes of evil, crazy, wrong.

(there is something wrong with that child.)

their blood sticks to the soles of his shoes and he is repulsed by their fragility. their blood stains his shirt and he is elated by the irony of it all. all he sees is a blur of red.

the road before him becomes clear.

finally, there truly is no turning back. that one sliver of good still left in him, crushed beneath the heel of his boot. at last. homicide, patricide — the more he adds, the easier it’ll be. easier to distance himself, easier to convince himself that his choice matters. that the blood of mere animals is a small price to pay for the future he envisions.

that he is right. that he is just.

(self-affirmation. what a holy thing it is.)

there is still much left for him to do. so suguru leaves the town behind.

he leaves that tiny summer creek behind.

it is a premature death; a resignation of identity. he isn’t an adult, not yet, but he has long since stopped being a child. he stopped being a child the moment he saw a bullet go through the skull of an innocent girl, the moment he saw haibara’s ghostly pale skin. no sorcerers stay children for very long.

none of it matters, anymore.

time passes with a speed that’s almost frightening.

suguru disappears, almost entirely faded, leaving only geto in his wake. a new person, an entirely different human being — ten years of living in an echo chamber, ten years of forming his personality in the shape of something twisted.

(something almost divine.)

and geto is right. just. geto has conviction, and that’s all he needs. everything goes according to plan; geto has a goal, and a family to pursue that goal with, to pursue that goal for. everything finally feels just right. breathing feels a lot easier. living feels a lot easier.

but everyone has a weakness.

and there is one thing, only one thing, that still acts as a thorn in his side. something that holds him back, a stain yet to be wiped away, a piece of gum stuck to the sole of his shoe. a tattered memory, clinging to his subconscious as if haunting him.

(i’ll support you, no matter what.)

if only you could see him now.

when geto left his old life behind, he did not contact you. he did not say goodbye. he threw away his phone, deleted every single thing that someone could use to locate him with, and left. he hasn’t heard from you in years, hasn’t spoken to you.

but he has seen you.

geto knows where your town is. what your apartment looks like. he knows what university you go to, where your go-to café is located.

so resisting the temptation eventually becomes impossible.

he tries not to think of you, he really does. he tries to act like you are nothing, to him, because you aren’t. you are proof of weakness and a fragility that geto loathes, proof of his own foolishness, his young naivety. you are everything he hates and everything rotten and everything he’s vowed to cleanse from the earth.

but, despite that undeniable truth, geto cannot help but seek you out.

he tells himself that it means nothing. that he’s only doing it to make sure he knows where he’s got you, like a predator watching over their prey, preparing to lunge out of hiding when the moment is right. because geto knows that your death, at his hands, is inevitable. what you are is a weakness, a connection that lingers on his skin like a mold, one he still has to the creatures that disgust him so.

so it’s inevitable.

in reality, he should have killed you first. before his parents, before the village — he should have killed you, because that would have solidified his devotion in a way nothing else ever could. but he didn’t.

geto likes to think of it as a symbol, of sorts. that he’ll save you for last. the same way children eat every last part of the cake, greedily, before gulping down the strawberry. every single non-sorcerer will be dead by the time he gets to you. you’ll be the one remaining obstacle, the one final stain to rinse away before his dream becomes reality, the one thing still standing between him and the divinity he seeks.

it is an honour, geto thinks, an honour he would not bestow to anyone but you.

but until that time comes, all he can do is watch over you. silently, so you don’t notice. always from afar, sometimes through the eyes of the curses he’s bound to. just to make sure that you’re still alive. that you haven’t tripped over your shoelaces and gotten yourself into a car accident, or gulped down a mouthful of food too fast and choked to death, or anything similarly pathetic. he wouldn’t put it past you. really, he has no idea how you’ve survived this long without him.

weak, fragile, clumsy. soft enough to sink his teeth into. you are everything that geto hates. you are nothing, nothing at all.

(and you are the same as always, despite everything. what an aggravation that’s become.)

he watches you, anyway; like a god finding amusement in his creations, an omniscient overseer watching you stumble day to day. he watches as you live your life, as you talk to other people with that familiar smile on your face. it hasn’t changed in the slightest.

he watches you laugh, watches you grab a crêpe from a street vendor, watches you cry when you think nobody is there to see.

(the sight sends a tremor running through his soul, one he desperately wants to pretend not to feel.)

on melancholic summer days, when the sun paints the sky pink and golden, he watches you clutch onto his old sweater. one you always said you were going to return, but never did — never got the chance to. you used to tell him it was too comfortable not to steal. that it smelled like him, that it made you feel less lonely. geto so tenderly wishes he could have forgotten those words, by now.

but he watches you, in the solitude of your apartment, as you bury your face in the wool and inhale the fading tinge of his old cologne. then you cry and cry, like a child, until the moon rises in the sky; until you’re breathing softly, lulled to sleep by his scent.

(geto thinks to himself that you are a fool, to still miss him after all these years.)

it’s not an everyday occasion. most days, he does not think of you. there are many other monkeys to kill, many things to discuss. there’s money to be made, plans to be forged, wars to be brewed. geto is a busy man. a family man, no less.

but when boredom is all he can feel, he still finds himself seeking you out. just to make sure no one has gotten to you before him. just a god enjoying the struggles of a lesser being.

that’s all it is, geto tells himself. that’s all it’ll ever be, from now on.

no one needs to know if he spends the occasional morning checking up on you, curious if you did well on that exam you were studying for. no one needs to know if he absorbs the curses that sometimes cling to your fragile skin, gulping them down before they cause too much damage. no one needs to know if anyone who gives you a little too much trouble suddenly disappears off the face of the earth.

no one needs to know if he reminisces, every once in a while, when the summer nostalgia is too much to bear. about your childhood, about that question you asked him — a million years ago, back when the center of his universe was a single summer creek.

(no one needs to know if he finds comfort in your presence, even now.)

on days when the moon hangs low in the sky, and geto can’t choke back the longing in his chest, he sits by your bed and watches you sleep. a forlorn expression on his face, lips stuck in a tight line. it’s risky, careless, but he’s helpless to the temptation.

most nights, you lie perfectly still. so still he can almost delude himself into thinking that it’s over, that you’ve passed on, that he won’t have to kill you after all. sometimes you twist and turn, mumble something unintelligible under your breath that he doesn’t catch.

he wonders what you dream about. he wonders if you ever have nightmares, if they’re ever about him. he wonders why he even cares at all.

geto resents you. resents you for existing, for smiling every day, for being a bridge between him and lesser creatures. he resents you, resents you, resents you.

(self-affirmation. what a holy thing, indeed.)

— he could kill you so easily.

he wouldn’t even need a curse to do it. a flick of his pinkie would be more than enough. that’s how fragile you are; asleep, right in front of him, breathing softly while he watches you like how the fox watches the lamb.

(he could end all of this, right now, in the silence of the night. in your most vulnerable state.)

and yet, geto allows the opportunity to pass him by.

he can’t get too greedy. that’s what he tells himself, as he slips out of your window in the dead of night, leaving your sleeping figure behind him. it’s not the right time. he can let you sleep, for just a little while longer. the bags under your eyes have looked especially heavy, recently.

(he tries not to remember the sleepover you had as kids, when he stayed perfectly still as you dozed off on his shoulder. doing his best not to wake you, watching you fondly until the sun began to rise. back when all he wanted was to protect you.)

geto knows that you know he’s not dead. he knows because he’s almost certain that satoru spoke to you, back then, even if he probably didn’t let you in on any details. because he knows that you’re sharp, sharp enough to know that he’s alive.

and even if that were not the case, geto knows because he’s sent you gifts. letters. absentminded, almost taunting, cruel in their joviality — always anonymous, always mysterious and vague and impossible to trace back to him. but he knows that you know who they’re from.

a little dance, if you will. geto haunts you like a ghost. he never lets you see him, but he lets you know that he’s there, sometimes. just out of frame.

he can only hope it’ll eventually haunt you to death.

(if it ends up as a comfort to you, instead, then, well — it is what it is.)

all of it is a safety measure in disguise. a way to satisfy the yearning inside his chest, without coming too close. that doesn’t mean he never falters, though.

every once in a while, he feels strangely compelled to talk to you. to waltz into your home, in a lighthearted fashion, to soak up your shocked expression. to ask how you’ve been, casually, and watch you stammer, stumble over your words — he can imagine the face you’d make, the way the lilt of your voice would tremble. would you cry? he can’t help but wonder, sometimes.

yet he always resists the temptation. careful, cautious, with every move he makes. like a shadow. he deliberately leaves no traces of himself behind, no breadcrumbs for you to follow like the curious creature you are. geto lets you know that he’s there, but he doesn’t let you see him, because if he talks to you he knows that he’ll kill you. and he can’t have that, not just yet.

eventually, he’ll do it. he’ll do it, and he’ll watch as your blood stains the silk of his robes like the inevitability it is. but not yet.

you’ll be the last one, the last one he’ll kill. the final proof of his devotion.

until then, he can have this. this sickeningly sweet scrutiny of your life, your life without him. the sound of your laughter, the reflection of untainted light in your iris.

(you are the same as always, and you are a weakness that geto is learning to live with.)

he can’t rest, won’t rest until it finally ends. until the curtain calls on your bloodied body, until he feels the cold skin of your palm against his lips.

only then will he finally know if it was all worth it. only then will he be free of this yearning. only then will he be able to say that the last remnants of suguru have been well and truly cleansed from his soul, that there is nothing left of the person he was.

only then will geto be able to call himself wholly divine.

but until that time comes, he can do nothing but watch you. when the temptation begins to crawl under his skin again, when he needs to remind himself of what he’s fighting for. that one thing, at least, never once changed; suguru geto has always fought for you. for your protection, for your survival, for your demise.

for your happiness, in life or in death.

(geto hates you, loathes you, resents you for being what you are; but suguru will always, always love you. forever and ever. no matter what.

and that will be their undoing.)

suguru geto dies without saying goodbye to you.

if there are any regrets to speak of, any at all, then maybe that’d be it. he never got to see that shock on your face, never got to hear you stammer in the way you always used to when you were nervous.

in the golden hue of sunset, the last of his resentment finally fades away. the curse known as geto disappears, and what remains is no more than a ghost — the ghost of suguru, the person he was, the person he never quite stopped being.

and when geto disappears, when the last of his resentment fades away, suguru finally allows himself to think of you. fully, without interruption, without unspilled blood festering beneath his tongue. just one single touch of sincerity, one last indulgence before it all ends. he thinks of you, you as a person, not you as a non-sorcerer. he gives your memory the respect it deserves. something worth cherishing.

he wonders what you’re doing, right now. he wonders if you studied enough for that exam next week, if you found a good gift for your friend’s birthday party. he wonders if you still miss him, even though he'll never be deserving of it.

satoru stands in front of him, genuine, sincere. and suguru thinks that he is a fool, just like you; to still have any kind of affection left for someone like him. after he left you both behind, that summer.

satoru doesn’t curse him. suguru wishes he would.

a soft bout of laughter falls from his lips, as the sun sets behind him, and he knows you would have found the sight breathtaking. you always did love sunsets, didn't you? the sun was setting when he found you with that bruise on your leg, he recalls — such a miniscule detail. he wonders why he remembers only now.

suguru chokes back his tears, still smiling. it’s a smile of love. a smile of regret. he thinks of satoru.

at least curse me a little at the very end.

those should be his final words. he should avert his gaze, follow the script, tear his eyes away from the only other person besides you who ever truly knew him —

but he doesn’t. he can’t. suguru looks straight at him, at satoru, into his eyes, so blue they seem to gleam in the orange hue of the melting sun. sparkling like little galaxies, like the crinkling of soda pops, like crystallized summer skies. he looks beautiful, as beautiful as he always was.

(i wish i had told you, suguru thinks. i wish i had told you everything.)

in a voice so small he barely hears it, so tender that geto would’ve felt disgusted to his very core, suguru asks his best friend for one last favour. he’s not sure why, not sure why it matters —

but maybe, just this once, it’s fine if it’s meaningless.

satoru listens, intently. he looks at his best friend with eyes so soft it makes suguru want to laugh and cry and go back to a time when they were all happy. but they can’t, that choice was lost ten years ago — he threw it away. smothered it beneath his boot heel. there was never any going back, from the very beginning.

satoru answers his plea. one final favour, one best friend to another.

of course.

a shaky breath. he can’t tell who it came from.

of course i will.

suguru smiles. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the sun. it’s the last time anyone will see it.

satoru clenches his jaw. he crouches down, and presses his fingers against his best friend’s battered body, right over his bleeding heart. he will never, ever forgive himself for what he's about to do.

(suguru already has.)

and the moment before the last flicker of light leaves his eyes, suguru chooses to think of you.

he thinks of your smile, the way your lips curled up at even the smallest things. he thinks of your curiosity, how it always lead him back to you. he thinks of what could have been.

he thinks of that question you asked him, all those years ago — how accepted it made him feel. that sensation of being understood. suguru thinks you saved his life, that day.

(he never got to thank you for it.)

you were his childhood friend. his nearest, dearest, oldest one.

suguru doesn't believe the world he lives in is kind enough to allow him a second chance. and he doesn't think he really deserves one, either way.

but if there is a next life, if he’s lucky enough to be reborn —

then suguru hopes he’ll be born as a dragonfly, so he can find his way back to you.

he’ll meet you, again; in the afterglow of sunset, by that dusty, forgotten, tiny summer creek. framed by silver-hued fish and cicadas, and the silence of a town that glimmered while you were both in it.

he won’t be able to wipe your tears away, won’t be able to clean the bruise on your knee — but he can be with you. and maybe, in your next lives, that’ll be enough.

(what a lovely thought.)

suguru smiles, and lets a final breath of air course through his burning lungs.

— it tastes like summer.

there is a silent understanding, between the two of you.

it’s been ten years since you last spoke to satoru gojo. it wasn’t a very pleasant conversation, and somehow, you doubt this will be an exception. an acute awareness lies heavy in the air — and deep down, some part of you knows what he’s about to tell you.

(as if it was an inevitability.)

gojo doesn’t smile. his voice has no masked amusement to it, no sense of joviality. if you strain your ears, you think it may even be wavering, slightly, so faint it’s hard to tell for sure. just that one low shiver of his lips, saying more than words ever could.

he doesn’t beat around the bush. and you see that for the kindness that it is, despite the ice cold chill that creeps into your veins when his words spill out into the air, a full body shiver traveling down your spine.

he tells you that suguru is dead, and you don’t flinch. you don’t even cry. that comes later.

in the moment, all you can do is nod, a little pitiful, teeth digging into the flesh of your bottom lip to stop it from wobbling. like you’re trying to be brave.

truthfully, you had a feeling that was the case.

sometimes, it was as if you could feel him. just barely out of reach, a certain cologne lingering on your windowsill, a box of cookies you’ve liked since you were little delivered to your doorstep. a sudden feeling of being watched. a note wishing you luck on whatever exam or driver’s test or job interview you had the next day, accompanied by a silly smiley face so distinctly suguru it made you want to cry.

— how cruel of him.

but you couldn’t help but feel comforted by it, all the same. it made you feel like he was still with you, somehow, like he still cared. even though he disappeared from your life without saying anything. even though gojo told you explicitly all those years ago to stay away, if you ever saw him, as if he was suddenly dangerous —

but you could never be afraid of him. you don’t think you have it in you.

to you, suguru will always just be the boy who helped you up when you scraped your knee, all those years ago. a sweet, cool kid, who held your hand firmly and gently wiped the blood off your skin.

(he’ll always be your nearest, dearest, oldest friend. even if you aren’t his.)

but lately, there’s been nothing. you haven't felt any traces of him at all, no lingering gazes boring into your back. so you knew. deep down, maybe you always kind of knew.

gojo looks at you with compassion, understanding. and without him having to say it, you know he loved suguru too. you know because his breathing is shaky, because his eyes look puffy from hours of crying; you know because grief is like a stench, thick and heavy, overwhelming, one that clings to your skin and haunts your very being. just like love.

and you can smell it on the both of you.

(you both loved the boy who died for his ideals, the man who was so moral it killed him.)

the news will sink in, later. you are sure that you will crumble, and you are sure that you will cry. you’re sure that the road ahead will be a long one, full of obstacles and thorns. but that’s fine. you’ll deal with it when the time comes. suguru was always a little mystical, a little too good to be true.

maybe you always sort of assumed things would end like this; that he’d walk ahead without you, with all his whispered secrets and gentle lies.

(asshole.

he could have given you a call, at least. even just once.)

for now, all you can do is try to keep your trembling skin intact. and you assume that gojo will leave, now that you know, that this was all he came here for. just a messenger of death, coated in a grief so strong you doubt he’ll ever be rid of it.

but gojo doesn’t leave.

he hands you something, instead.

a polaroid, you quickly realize. a photograph, of three kids — one with white hair, one with brown hair, and one with black hair. the black haired boy is trying hard not to smile, you can tell. the other two have got their arms around him, squeezing his body tightly with matching grins, throwing up peace signs. he looks at them with exasperation in his eyes, but you can tell that there’s a love there. you can tell, you know, because despite everything, you still know him.

a lump forms in your throat.

it’s not the original copy, is what gojo tells you, apologetic. you’re almost certain that he kept it for himself, and you don’t blame him. i’m sorry. but i wanted to… you know.

(he wanted to give you something to hold onto.)

the gesture is a little bit awkward, just a tad clumsy. but it’s a genuine concern, a sincere kindness. you aren’t really surprised that suguru spent his last moments with this man instead of you.

gojo continues to speak, and you continue to listen, attentive — hungry for anything to mend the hole in your heart. but your eyes never once stray from the photograph.

(suguru looks so, so happy.)

he tells you that suguru talked about you a lot, back then. and without him having to say it, you know what he really means is he loved you a lot. the words of consolation ring like static, in your ears. it hurts. the hole in your heart just keeps extending, extending, extending.

gojo notices. so he gets to the point, the final point, the only one that matters. this is his duty, too — granting suguru’s last request. the only one he ever asked of him in words.

(it’s the least he could do, for the man he loved so dearly, the one who left him behind in the shadow of summer.)

he tells you that there’s one more thing. that suguru asked him to tell you something, that it was the last thing he ever said. words that he wanted you to hear, more than anything.

gojo’s voice does not waver. it is not his place.

you listen. you listen as if it will bring him back. you listen as if it is the last thing you will ever do.

and gojo speaks.

the words mean everything, and also nothing at all. how very like him. they bounce off the walls of your apartment, spilling into the suffocating air, echoing inside your mind. cutting into your bloodstream, rooting themselves in a particularly soft spot deep within your ribcage, chrysanthemums blooming from your flesh. petals filling up your stomach until you can scarcely breathe.

the final words of your childhood friend. your nearest, dearest, oldest one; suguru geto, who you will always love, in the same way the sun loves the moon, as naturally as breathing.

the dam breaks. the sky shatters. the sob you choke on tastes salty, and gojo looks remorseful, his figure blurred by your tears. everything comes crashing down around you — an inevitability you were hoping to put off, in the same way suguru put off talking to you all those years.

and now, finally, he tells you his honest feelings. when it’s already far too late. how very, very like him.

(tell them i’m sorry. and that i hope their exam goes well.)

— honestly. what a fucking asshole.

not once did you ask for an apology. you never wanted one, never thought to even wish for it. you didn’t need one.

all you wanted was for him to come back to you. to find you, again, the way he always did.

tears cascade down your scrunched-up face, big and childlike, but no one’s there to wipe them away anymore. you cradle the photograph in your hands, savouring every single memory you have of him. all the love your heart can muster.

the tears never seem to end. they continue to run down your cheeks, until all you can smell is sea salt, until the sun has set in the horizon, until the moon has hanged itself in the sky. a silent comfort, but it’s not enough. it never will be.

a sniffle pushes past your lips, and you hear yourself laugh — bitter, raspy, gentle all the same. what a moron, you whisper, a soft lull of your tongue. didn’t he know?

(you forgave him long ago.)

bonus 👀

#get u a man who loves you so deeply it causes him cognitive dissonance #im a lil unsure abt this piece pshshs but it has a rly special place in my heart!!#i just like the idea of geto being so desperately in denial about his love for u that he forces himself to hate u. self-affirmation yknow?#subconsciously putting u on a pedastal above the rest… being unable to let go of the connection between u even though he wants to sever it #having this evident fondness for you but its constantly battling with the part of him that hates what your existence means for him #telling himself that he’ll ’save u for last’ but its more of a measure to keep himself from killing u bc he knows his ideal is unattainable #so he’ll never have to kill you. it'll never get to that point. he wants to so badly though. but does he really?#yeahhh. im normal abt fucked up curse user geto <3 soft canon divergent sugu is still my fave to write for tho #geto suguru x reader #geto x reader #geto x you #geto suguru x you #jjk x reader #jujutsu kaisen #jujutsu kaisen x reader #jjk #geto angst #jjk angst #jjk x you #jujutsu kaisen x you #geto x y/n #jjk x y/n

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exilepurify · 1 year

Text

“You know a lot of big words.” — Determining Shigeo’s Kanji Literacy

An analysis in four parts:

Jouyou kanji and Japan’s compulsory education system, explained.

An introduction to the analysis—what I did and why I did it.

A presentation of data, evidence, and counterarguments.

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Jouyou kanji and Japan’s compulsory education system, explained

Let us begin this analysis by establishing a basic understanding of how Japan’s education system is structured.

As you may already know, only elementary school and middle school are compulsory in Japan, meaning that high school and college are completely optional. Therefore, compulsory education in Japan consists of grades 1-9, with grades 1-6 being 小学校 (primary school) and grades 7-9 being 中学校 (middle school).

The term 「常用漢字」(jouyou kanji, “Daily-Use Kanji”) refers to a list of 2136 kanji that the Japanese Ministry of Education requires be taught throughout education grades in Japan due to their importance and frequency of use in Japanese daily life. Knowing all 2136 is defined by the Japanese government as the baseline for basic, functional literacy in Japanese. The jouyou kanji list is further divided into two sub-categories: 「教育漢字」(kyouiku kanji, “Education Kanji”) and 「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”).

教育漢字 (kyouiku kanji, “Education Kanji”) (A.K.A. 学年別漢字配当表 [gakunenbetsu kanji haitouhyou, “list of kanji by school year”]) is the Japanese term for the 1006 kanji that are taught over the 6 years of primary school in Japan, grouped into different grade levels by difficulty and complexity.

「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”) is the term for the 1130 kanji that students are expected to learn throughout middle school and high school. This list of kanji is not strictly divided by grade level, though a general grade level is often provided, because students in secondary school—whether it be middle or high—are expected to learn kanji more independently. Though the responsibility of learning these kanji is shifted from the classroom to the individual, the importance of knowing these kanji by the end of one’s education, if that be middle school or high school, cannot be overstated. Once again, these 2136 kanji are considered the basics of Japanese kanji fluency.

According to the “Kanji Frequency Number Survey/漢字頻度数調査” conducted by the National Cultural Affairs Division in 2000, in 385 books published by a major publishing company, 8474 different kanji were used (not including duplicates). However, speakers are able to understand 99% of them if they know the top 2457 kanji, and 99.9% of them if they know the top 4208 kanji. And as is true for speakers of every other language, people can generally read more words than they can write.

I determined the “grade level” of each kanji in this analysis according to the grade level provided in my Japanese-English dictionaries, but consideration will be made for Secondary School Kanji due to the lack of official grade divisions and the less organized circumstances involved with learning them.

An introduction to the analysis—what I did and why I did it

In this analysis, I focused specifically on Shigeo’s ability to write kanji, not to read them. This is most obviously because it’s much harder to determine whether or not someone can actually read something, especially in anime, without it being explicitly mentioned. However, it is also because the meaning of kanji can be inferred from knowing the meaning of radicals, and as mentioned above, it is common for people to be able to read more words than they can write. The true mark of knowing a kanji is being able to write it.

To determine Shigeo’s kanji-writing ability, I studied screenshots from a few scenes from the anime, specifically a couple of scenes from the Reigen OVA where Shigeo is writing a LOT, and a couple scenes from the regular anime where Shigeo is explicitly seen writing stuff down and the audience is shown the writing.

The data has been organized into two different excel charts—one for kanji he uses correctly, and one for kanji he doesn’t know or messes up. The kanji in each of these charts have been color-coded and organized by grade level, with readings, translations, and explanations provided. There is only one kanji in the entire analysis that is not considered a part of the jouyou kanji, and this kanji has been marked by “N/A” in the grade level section.

I will provide each chart alongside a percentage likelihood that Mob will know any given kanji from each grade level based on the information gathered from the anime. Please note that the sample size is obviously limited, but I’m working with what I have. If there is a kanji with some sort of detail worth consideration, I’ve marked it with a (**) in the chart and will explain below.

Lastly, I included kanji used in names in the chart here after some deliberation. Name kanji are tricky in general, because multiple kanji share the same pronunciation and people usually don’t know what kanji are used in someone’s name unless they are shown by that person (unless it’s some crazy common name like 高田 or 森 or 田中).

A presentation of data, evidence, and counterarguments.

Shigeo’s known kanji:

Shigeo’s unknown kanji:

IMPORTANT NOTE: There are one or two instances of Shigeo NOT using a kanji at all that I’ve decided not to include on the chart. This is because it is common for Japanese speakers to omit kanji for super common verbs and write them in kana instead, either for personal style reasons or for convenience. Since the verbs are so fundamental and commonly-used, it’s unlikely that they will be misunderstood or mistaken for another word if written in kana. So, if Shigeo wrote the verb for “to read” or “to eat” without using kanji, I didn’t include it, as I highly highly highly doubt he doesn’t know those kanji and I felt like it would unfairly skew the results against him.

米** = I don’t blame Shigeo for not knowing this kanji. It’s fair to assume that Mob might not have seen Mezato’s name written out and therefore wouldn’t know which kanji to use. On TOP of that, “me” for 米 is a special nanori (used for names only) reading and is super obscure and uncommon. I couldn’t even find it in my name dictionary by searching “Mezato”, I had to find her name written in kanji in S1E3 and go from there. I wouldn’t expect this kanji to be in anyone’s top ten possible kanji guesses for the “me” in “mezato”. I included it because rules are rules, but wanted to mention this to make it fairer on the boy.

世** = I want to make it known that Shigeo does successfully write this kanji in the image shown here, when he writes 「世紀」(century):

HOWEVER. However. He messed it up SO BAD before that I think it actually overpowers him using it correctly and brings it back around to a “not properly known” kanji, especially because it’s a kanji taught in second grade that he shouldn’t be messing up at all:

The subtitles intersect it but I’ve rewritten what Shigeo wrote there at the bottom. He tried to write 「世の中には」”In the world…”, but tried to write the kanji, messed up, crossed it out, and then rewrote it in kana. Didn’t even try to write it a second time. This is egregious and, in my juror’s power, cancels out his later usage. This would be like misspelling “world” in English. I’m willing to entertain arguments that he just wanted to write it in kana for some reason, but as it is now, I don’t think that excuse is compelling enough against such damning evidence, so in “missed kanji” it goes. (It’s partly cut off but what gets me is that it doesn’t even look wrong in the first place lol but if he crossed it out, it means he didn’t know it well enough, which allowed him to doubt, which is still damning enough.)

造** = Just like above, Shigeo actually does successfully use this kanji once in the show when he’s filling out his paperwork for the Body Improvement Club in S1E2 (forgive my awful kanji, it’s hard to draw on the phone lol):

However, that was not only on an official school document, it was also in the presence of a student council member and Saruta (#2 in the grade lol) so I have to assume he either asked someone for help or got corrected. Either way, the instance where he doesn’t use the kanji is when he’s in his bedroom alone, writing in his personal notebook—a much more casual environment, and one that takes place AFTER s1e2 (can’t argue he learned it):

This leads me to believe that Shigeo does not naturally know the kanji, as he can’t reproduce it in casual day-to-day or when alone.

焉** = This kanji is not only not included in the jouyou kanji, but it is also used in an obscure word. In fact, it took me a minute to locate it in my Japanese-English dictionary app. It is absolutely not reasonable to expect Shigeo to know this kanji off the top of his head, and he probably wouldn’t know it even if he were a kanji ace. It is included and working against him, however, because the kanji he initially tried to write in its place was 「円」, a.k.a. the kanji for YEN/¥:

Sure, 「えん」is a reading for「円」, that part makes sense. But 「終焉」means “the finals years in one’s life”, so I’m really struggling to understand why Mob would think the yen money kanji would be a part of that word and why he would try to write it with that kanji instead of just writing it in kana first, like the majority of the kanji he didn’t know. It’s truly an enigma to me. I’m bewildered he even tried that, and for that, I’m holding it against him.

BASIC STATS:

GRADE 1 KANJI:

- Total known: 17

- Total unknown: 0

- Grand total: 17

- Shigeo knows: 17 out of 17

- Percentage likelihood of Shigeo knowing a grade 1 kanji: 100%

GRADE 2 KANJI:

- Total known: 16

- Total unknown: 3

- Grand total: 19

- Shigeo knows: 16 out of 19

- Percentage likelihood of Shigeo knowing a grade 2 kanji: 84.2%

GRADE 3 KANJI:

- Total known: 13

- Total unknown: 6

- Grand total: 19

- Shigeo knows: 13 out of 19

- Percentage likelihood of Shigeo knowing a grade 3 kanji: 68.4%

GRADE 4 KANJI:

- Total known: 11

- Total unknown: 0

- Grand total: 11

- Shigeo knows: 11 out of 11

- Percentage likelihood of Shigeo knowing a grade 4 kanji: 100%

(Baby apparently had a great year in fourth grade.)

GRADE 5 KANJI:

- Total known: 3

- Total unknown: 4

- Grand total: 7

- Shigeo knows: 3 out of 7

- Percentage likelihood of Shigeo knowing a grade 5 kanji: 43.9%

GRADE 6 KANJI:

- Total known: 0

- Total unknown: 2

- Grand total: 2

- Shigeo knows: 0 out of 2

- Percentage likelihood of Shigeo knowing a grade 6 kanji: 0%

😭

GRADE 7 KANJI:

(No known or unknown 7th grade kanji found)

GRADE 8 KANJI

- Total known: 5

- Total unknown: 6

- Grand total: 11

- Shigeo knows: 5 out of 11

- Percentage likelihood of Shigeo knowing a grade 8 kanji: 45.5%

^ To Shigeo’s credit, this isn’t bad at all considering he’s only halfway through his eight grade year at this point in the story.

% OF JOUYOU KANJI SHIGEO KNOWS:

% known from observed data:

65/86

75.6%

# of jouyou kanji: 2136

75.6% of 2136 = 1615 jouyou kanji

Here’s a graph for your visualizing pleasure:

Finally:

(All values are rounded up)

There are 1006 kyouiku kanji. There are 1130 secondary school kanji. Because high school in Japan is not compulsory, we’ll assume that the secondary kanji are to be learned over the three years of middle school. That means about 377 words per middle school grade. If Shigeo is halfway through eighth grade, let’s say he should generally know 1006 + 377 + (377/2) kanji, which comes out to 1,572.

There are 80 kyouiku kanji assigned to first grade, which Shigeo should know 100% of—80 total.

There are 160 kyouiku kanji assigned to second grade, which Shigeo should know 84.2% of—135 total.

There are 200 kanji assigned to third grade, which Shigeo should know 68.4% of—137 total.

There are 200 kanji assigned to fourth grade, which Shigeo should know 100% of—200 total.

There are 185 kanji assigned to fifth grade, which Shigeo should know 43.9% of—81 total.

There are 181 kanji assigned to sixth grade, which Shigeo should know… 0% of…. 0 total.

This all totals out to:

80 + 135 + 137 + 200 + 81 + 0 = 633/1006 elementary school-level kanji. That’s 63% of the kanji required for elementary school.

(Didn’t include a calculation for middle school kanji due to having 0 data on seventh-grade kanji and also him being halfway through eighth.)

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Uh… no. Maybe? Well… probably not, no.

I mean, of course there are flaws with my methods. I had a super small sample group and applied the stats there to all of the jouyou kanji, which is almost guaranteed to be lower than reality. I just didn’t really have another choice. Also, I’m very certain that Shigeo MUST know some 6th grade kanji, even if in the results here I considered the probability to be 0%. That’s assuredly not accurate. There were just, by chance, only two instances of sixth-grade kanji in all of the sample writing and he happened not to know either of them. This is just for fun, anyway. I can say with confidence, though, that he certainly isn’t a writer, and he definitely knows less kanji than the average eighth grader, but I wouldn’t take my numbers for anything more than entertainment.

But yeah. Shigeo is…. a little kanji-impaired. Which explains why he struggled with Emi’s writing and is only ever seen reading Shounen Jump volumes lmao. I believe in him though. He makes it work. My illiterate king. Who needs the other half of your elementary sight-words anyway?

All jokes aside though, he really started to scare me with the 世 and 円 things 😭😭😭😭😭

#mp100 #mob psycho 100 #FINALLY IT IS DONE. This took me forever bc i’ve been SOOOO busy this past week #i’ve missed posting on here #so here’s a super long post as apology lol #i actually had a lot of fun with this #im so tired rn tho so i’m desperately hoping it makes any damn sense at all #our illiterate boy #i love him #like i said don’t take it too seriously. it’s all in good fun #kageyama shigeo #shigeo kageyama #mp100 analysis #mp100 meta #described in alt text

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overtake · 11 months

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Max Verstappen Silverstone Interview | Can Max Be Beaten?

#max verstappen #f1 #formula 1 #op #everyone talks about how often max says 'of course' but just has to be up in the numbers as well #also adore that he remembers the exact number #also desperately hope he meant the vacation with martin recently #bc thats such an image #anyway don't think people are usually up bc 80% of f1blr is european but im posting this now anyway #bc hes just too endearing

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comradekatara · 25 days

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sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who��s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

#analysis #sokka #katara #katara&sokka #hakoda #kanna #kya #hakoda&sokka #kanna&sokka #kya&sokka #kanna&katara #whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me #like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal #but simultaneously dehumanized etc etc #but also the fact that like. zuko treats her the same way katara treats sokka #he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor #when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE #katara and zuko are like ‘let’s put azula in her place’ and high five #and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet #so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf #but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times #so there’s rly no need to argue that #whereas katara loves calling sokka an idiot so i do believe that some clarification is in order #but like. yeah there’s no way sokka was dismissed or neglected as a child #he’s dismissed and neglected by the world at large #but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye

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