#ALSO CAN YOU BELIEVE ALL THIS IN ONE EPISODE????

[chirpsythismorning]

The Vanishing of BLANK Wheeler

I wanted to make a list, from least likely to most likely, for which Wheeler I think is going to go missing.

But I also wanted to give a little disclaimer first, that even if these titles are real, they could still be fake, or could even possibly change given how much time we still have until s5 actually premieres.

For s2-3, the Duffers literally released official promo videos announcing episode titles for their upcoming season, with some of them changing when the season finally premiered.

Like in the case of s3 for example, they dropped a s3 episode promo video only a day after they completed filming. Meaning them titling 3x06 The Birthday, made absolutely no sense. They knew they didn't film anything birthday related for that episode. So they intentionally gave that one a fake name.

In the case of s4, that was the first time they promoted an upcoming season without giving fake titles, with the s4 promo announcing them following through with what we ended up with when s4 finally dropped.

I guess I sort of assumed s5 would follow in s4's footsteps, but from a leak standpoint, it might be smart to remember that fake titles are still a possiblity regardless. Especially in this case, where it's getting to the point in production where leaks are unavoidable. And so that might even explain why they play with this idea of fake episodes, which is because they can rest easy knowing leaks will mostly consist of half fake titles they planted there.

But for the sake of this post, lets humor the title for episode 2.

For starters, it's worth noting that the person who shared this leak originally said 'BLANK wheeler'. So as far as I know, they did not give any number of letters via underscores (_) to hint at who this Wheeler could possibly be. It's when ST news accounts caught wind of the leak and started rolling out posts, replacing BLANK with 5 underscores, that led a lot of fans to assume that the Wheeler had to have 5 letters in their name, which would have obviously ruled out Ted and Mike. But since all the Wheeler's are still on the table based on the original leak, they will all be included in this list.

5. Ted Wheeler

Believe it or not, there is something that I think actually warrants considering Ted as a possiblity.

There were some posts @stranger-chichka made a while back, comparing visual parallels between Stranger Things and Chernobyl, which could be hinting at this concept of Ted being in danger.

TBH though I think Ted being in danger or ending up dead is a possiblity regardless of him actually being the missing Wheeler.

Technically speaking, quite literally no one on the show is ruled out from being in danger at this point, so that's not saying much.

And considering the show is going to need to kill off some people next season and they are insistent on not killing any of their leads, supporting characters amongst the ranks have a high risk at being taken out. The emotional connection for Ted from the audience isn't as strong as other characters, but at least him being in close relation to a few main characters is something? I mean, he's funny I guess?

Quite frankly I don't think it's likely nor do I think it would actually make sense narratively for Ted to be the one to go missing out of all of them. I think it's a lot more likely they'd just kill him off, hence the Chernobyl parallels which imply he's gonna die. And so wasting time by having him go missing, only to kill him, just doesn't track. I think they'd just get that over with without dragging it out for very long, if anything.

Can you just imagine someone on the show shouting emotionally, It's Dad (Ted). He's gone.' Like, okay... And? I have a hard time imagining the characters being in serious turmoil over this, at least not enough for it to warrant like final season stakes amongst a bunch of other crazy shit happening. At best, the characters would be indifferently guilty for getting him roped into all this.

So yeah, I really don't see it happening.

4. Nancy Wheeler

I honestly feel like Nancy is even less likely to go missing than Ted, but the un-seriousness of an episode titled The Vanishing of Ted Wheeler is so astronomical, that I really had no choice but to put him last.

The reason I think Nancy is just very unlikely to go missing is because they technically already had her go missing as a cliffhanger between Vol 1 and 2 last season. It would just fall flat if they repeated something along those lines, with that same character, 3 episodes later. Vecna could have killed her and yet he didn't. His point was to send her a message, which was why he did what he did and then released her. The choice to target Nancy and taunt her about her family's safety in the first place, felt like their attempt at foreshadowing the danger that is to come for all of them, but one specifically. One of them that is not her. Which will make this moment back in s4 feel a lot more impactful upon rewatches.

So yeah, not feeling like Nancy is very likely.

3. Karen Wheeler

Karen is sort of a hard nut to crack all around. In the case that she is somehow connected to the Creels (Alice), anything is possible in terms of not only her being targeted, but again the entire family being at risk in some capacity. Without much to go off of outside of the obvious very haphazard timeline confusion, I feel like putting her somewhere in the middle. She was given a poster for s4. If she is Alice, then yeah it would make sense to target her. The stakes are also a lot stronger in comparison to Ted, because she was the parent in the family that actually came to Mike or Nancy and told them verbally that she wanted them to open up to her and is actually shown trying on several occasions. Whereas Ted is sort of just there when he's on screen. So the characters' distress would be a lot more dire and interesting to see unfold amongst everyone.

I also remember there being a leak in relation to Karen, Holly, Mike and Nancy all being at the hospital filming. And this was also like a day or so after ST dropped a video of Cara saying she was filming that day to hype up fans. So that leak did check out on the Karen front at least. Which puts her at the hospital at some point, potentially along with the rest of the Wheelers. Now that I'm thinking about it though, this could all fit with a Ted Wheeler death...

At this point, I'm sort of like indifferent to the possiblity, but it's still more likely than Ted and Nancy to me.

2. Holly Wheeler

It all goes back to s1, when Karen was visiting the Byers to console Joyce after Will went missing, when Holly sort of ventures off to Will's room, being guided by the lights, and sees the demogorgan in the wall.

I feel like people overlook this moment too, because it's kind of crazy that Holly has seen UD shit for herself. She was young enough that she could rule it out as just imagining things. And that could be partly the case even if she is skeptical.

There is something about Holly that makes her curious and sort of open to this world that most around her have no idea exists. And yet simultaneously some of the people closest to her do know about it and could easily clue her in when the time comes to do so, and because of that, I think she would probably be able to believe it all a lot faster than others.

Maybe this is a story where things need to happen and it just always ends up this way, but she has this tendency to be included in things that feel very important. Like in s4 with her playing with the lite-brite, and how that ended up being used to communicate with the others in the UD. There's this almost clairvoyance vibe about her. Her feeling the need to follow the Christmas lights to Will's room and her noticing and then fixating on the trees in s3.

Like I said, I don't know if it's something deeper, but it very well could be in the case she is connected to the Creels.

And while that is all somewhat compelling, at the same time it also feels very convoluted. Even if the Wheelers are Creels, I don't think that means the Wheelers would have powers, given that Henry got them when he was a child, meaning none of his family could have gotten them unless they too were taken in by the lab at some point, or were born with it.

Though I'm being full serious when I say the theories about Mike having time powers or maybe just manifestations from his emotions connected to the powers of others around him is one of my favorite theories of all time. I want it to happen. It would be cool. But that just opens the door to all of the Wheelers in my opinion, assuming his time powers came from being related to Henry. And if it was done that way, I feel like it would add way too much confusion to the story, where now all the Wheelers are gonna need to have powers, and then as a result would just takes away from the uniqueness that is already associated with Henry, El and potentially Will. One person potentially having powers without us knowing until the end aka Will, is enough honestly. Adding the Wheelers to the mix might be a bit much.

I'm also not totally convinced of the Wheeler's being Creels, and yet I also can't seem to want to rule it out entirely. But the prospects of Holly having powers or some sort of ability and just going through the same thing as Will when he was young and unaware of his powers, who is just now finding out the truth about his experiences... It just feels like serious whiplash honestly, when they haven't spent much of any time on Holly up to this point.

Like what are the stakes here exactly? What makes her disappearance and what that would look like compelling, on her front specifically? Because sure, I can see it being compelling watching the perspective of those around her reacting to this, what they would do to try to save her and all that, but what does that mean for her exactly? Are we going to see what she's doing? Are they going to hide it from us like they did with Will and then have to spend even more time uncovering it later on. And what does she even gain from being alone and taunted by Vecna presumably? What does the audience gain from witnessing that sort of event? There isn't a lot of story to explore there, outside of maybe making direct parallels to Will in s1? And then wouldn't that sort of take away from the importance of Will's role in it all just now being uncovered, if it all just repeats for Holly?

Which brings me to something that I see a lot of people using as strong evidence for why it has to be Holly, which is the fact that they recast her character.

What I think people are failing to consider is the fact that the twins who were cast to play Holly originally, were like 3-4 years old while filming s1. They weren't just kid actors, they were damn near baby actors. And while I know a big part of the reason why they gave Holly such few lines over the years was because the actors were aging way faster than the character they played, I think another factor could have been the fact that their acting experience is near nothing outside of Stranger Things, which is also pretty little on its own as well given that they have very few lines on the show.

It's not at all uncommon for child actors, let alone toddler actors to leave the industry once they start getting older. It could be for personal reasons, like wanting to explore other ventures, or it could be that they just don't perform as well with all the added expectations that come with acting as a character who is a kid with a lot of lines vs. a baby with 2 lines.

The girls got cast because at the time, they were able to perform as well as a 3 year old possibly could and would be expected to be in that role. But does that skill carry forth as they grew older? When now they have to deliver full sentences and carry conversations for scenes that are longer than 5 minutes? They've never really had to do that up to this point. Is it something that they feel comfortable with doing? Is their performance believable and is it something the writers feel confident about?

Honestly, I think they might have recast Holly, not because I think she is going to be targeted and focused on as this missing person they have to find, going through a near identical situation to 11 year old Will, but because they simply want her to be more apart of the story in general. And maybe because either the twins and/or the production didn't feel that they would be able to perform it in the way that they wanted it to be done.

And I mean, even if Holly isn't the one to go missing, one of the Wheelers is going to go missing based on this leak. If it was one of her parents, she would get a lot more scenes than she has in the past. If it was one of her siblings, again it would make sense for her to be more involved with the story. No matter what she is going to have a bigger role.

So no I don't think her being recast is as strong enough of proof as some might believe. If anything I think there is much stronger evidence that, like Karen, if they are related to the Creels, Holly is as fair game as any of them. The stakes could be high because she i such s a child. And her parents and Nancy and Mike worrying about her seems like something they would obviously do because she is so innocent and completely ill-equipped to endure something like that. But like I said, I just can't picture an focus like that on her, for her character, being very compelling given that Holly isn't really someone that needs like alone time with us witnessing it...

But there is one Wheeler left, and boy oh boy would he benefit from being alone.

1. Mike Wheeler

The most simple explanation for why it makes sense for it to be Mike, is that he genuinely benefits more than anyone when it comes to being alone with his thoughts, and with the audience watching. There's a lot of stuff dude has to work through in his own head, and since they haven't really let us have a moment alone with him that isn't under ten seconds since s3, an episode or two dedicated to making that a priority would make him coming back and things building up to the end, feel a lot more earned.

The audience needs to feel confident about how Mike feels about things. It can't be a guessing game for much longer when so many different factors are involved.

And while I think Mike may be the strongest possiblity in terms of the value it would add to the overall story is compelling enough to put him at number 1, the evidence supporting it happening is even stronger.

If we want to be crazy we can go back to the beginning. Plenty of fans have already speculated about how Mike is always late at the start of every season and how that might play into the beginning of season 5 again. I made a post about this recently and speculated it would happen one last time around the 15 minute mark. And maybe I was wrong... but maybe I was also right? Because if the second episode is called The Vanishing of Mike Wheeler, it's likely Mike's fate wouldn't be confirmed by the opening of 5x01, but in fact the closing scene of 5x01.

Throughout the show Mike plays a key role in leading the others, he's even referred to as 'the key' in s3 by Hopper. You know this show and their keys, they don't joke about that sort of thing. It's likely that Mike's story and what it is leading to is going to be central to how all of this ends.

Also in s3, there is one scene in particular that I think could be hinting at Mike being targeted, along with the s4 main poster with all of the characters. In the poster, we see El at the top, with Max and Mike as near equals on each side of her. Of course their roles are central and that's a fair layout on it's own arguably, but the equal-ness provided to Mike and Max feels very intentional. While she is slightly bigger than Mike in the frame, that could be a hint in regards to her being central now in s4, with Mike joining the mix alongside her in s5. Honestly, they could have made it so these two were beside other characters that also played a huge role in s4, and yet they chose those two to give a specific focus to. I think that is interesting (and probably intentional).

But if I'm being honest, there are so many moments in s4 specifically that hint at Mike being in danger, that I will not be able to include it all in detail in this post. So I'm going to link those below and then build off of some of it with some new details I've recovered that are worth re-contextualizing again with all of this in mind.

Hints regarding Mike and Will being targets of the town, but Mike specifically being focused on after the word 'missing' is said...

I'm gonna expand on this one because I think it's important to recognize the massive curtain in the background as this is all happening. And I vaguely reference this concept here as well which is worth checking out. But not is this whole concept of the curtain pretty blatant in this episode, this scene of the town all fleeing to hunt down hellfire club, is followed directly after, by this:

Notice how Mike is nearly always central in these moments? And how what follows feels eerily similar to what is about to go down at the end of s4 aka Suzie = Mike.

Now, this has already been talked about plenty so I won't go into detail, but... based on everything else happening surrounding this, this would apply to Mike in the sense that not only is he not in love with El, he's gay and in love with Will aka a boy. A BOY!

And then this mention of 'the terrible truth'. This word has been used like 3 times in the last few minutes. First intensely during Jason's speech about a terrible truth, with Ted and Karen being focused on with the Mike and Will extra in the background.

But what is even more crazy is that what follows sort of seals the deal for me that, this IS about Mike and it's foreshadowing what is about to come in s5.

5:02... 5x02!!!!

Also peep the watch and the letter from Dustin under it... I don't want to speculate but lettergate is looking extra relevant within all of this as well...

And to close off this point, lets show the shot that follows directly after this one.

Then later in the season, after Nancy is back from being taken by Vecna, here we have this long and emotional pause before she says Mike's name, last after her mom and Holly.

If they wrote and filmed this scene, knowing Mike would be the Wheeler missing early s5, it would make sense for them to list off the characters like this.

Mike peeking in the frame at this moment is not suspicious at all...

If it wasn't enough that Jason hyped up the whole town to see the Hellfire club as their enemy responsible for all of this, here we have a focus on Mike specifically being targeted by Jason.

The Duffer's statement about the show overall in the Piggyback script, and I gotta say it fits Mike a lot more than any of the other Wheelers.

Mike is a Paladin. And when they break an oath, they might spend an all-night vigil as a sign of penitence... aka everything is going to come to a head and Mike is going to be alone dealing with this shit for a bit, until he can come back ready to face it.

And I know it's controversial, but this post explains perfectly why Mike being central to this would make the show go full circle in a really compelling way.

Mike hasn't really unpacked...

Karen lookalike standing in front of the missing persons board. Could be any one of them but still, considering the costume of this extra looks closer to what Karen was wearing when she reunited and hugged Mike... I'm gonna put it more so with him.

Mike's guilt and shame regarding the past and what it has led them to could also play a big role and why him going missing would be worthwhile to explore. Part 1 / Part 2

Mike paralleling Yuri, who eventually reveals the truth (in his pocket) after stalling. If Mike parallels him all throughout the start of that moment, what does that mean for how it ends for Mike?

An antique funeral home fan behind Mike in the s4 character promo photos in the Creel attic, how Mike is seen sitting before Will sits beside him shortly after and it involving upside down imagery, Mike's first line in the show being used to later foreshadow his fate in early s5, and also bringing it back to Suzie's house which I already went into but it might be helpful to look at it again from this lens.

The Duffers would not pass up on the opportunity to parallel Mike with Finn's other character Richie in IT, which is literally based on a book that heavily inspired ST in the first place. And how all of that plays into the queer-coding for Mike going all the way back to s1.

The Duffers revealed after posting the funko-pop shotplanning pictures (2) that they were finished with planning for 5x01-5x02.... meaning this shot of Mike all by himself, is going to occur in one of those episodes...

We could still hypothesize Holly is the one to be taken, given that she doesn't have a funko and so they couldn't include her here regardless. But the fact that Nancy is with the other seems to imply to me that they are all likely working together to get Mike back, who is alone.

This one is a little more hard to pinpoint for sure, but it comes from a BTS Ross posted recently.

We are clearly in the Wheeler's house here. And if you zoom in, it looks like someone is standing (hiding?) behind a doorway/curtain. And the only person that seems to fit it imo is Mike... But why would he be hiding in his own house...?

It just makes me think about what is going on with Mike in early s5. What would be occurring that has him in this sort of situation? And it makes me wonder if him going missing has solely to do with him being taken and gone in one single moment, or if it could involve him avoiding his family and others potentially, with him being taken after that.

Lastly, I'm going to go into more choppy territory, stuff I know only a couple of people will actually consider. But it is pretty fucking fitting of what is about to go down so I can't not mention it.

In the Puzzle Tales' most recent Hellfire Campaign, this is the title...

Like the whole chapter is just a big joke on Mike about him being scared to be alone, which is painfully ironic if this is the direction the show is about to go for the next 2 upcoming episodes.

And then we have a song WSQK posted on Twitter back in January. I know people don't believe that this account is connected with anyone in the production, which is fair because I myself rarely believe leaks from anonymous accounts as it is. But I've been keeping up with it and it genuinely doesn't seem like a fan could come up with these songs.

The song I'm about to mention is the 7th song they posted, called Army Dreamers by Kate Bush. And you might fight it sounds a lot like the situation Mike might find himself in in early s5.

And though I'm sure I didn't cover everything, I feel like all the things I've mentioned and referenced from other posts are plenty to at least consider this as opposed to rejecting it all together.

At the end of the day I think there are some valid arguments for all of them to some extent. And quite frankly all of the Wheelers and most of the characters in the show will find themselves in danger in a way that is going to probably last longer than just one single moment the entire season. So even if it's just one of them, I don't think that rules out the others playing a bigger role in what is going down.

I just think narratively, there is one person that benefits from being on-screen and alone with their thoughts. And the other 4 being confronted with what that person discovers eventually will also make all of this a lot more worthwhile than any of the other options in my opinion.

#byler #stranger things #st5 theory #st5 speculation #mike wheeler #mike wheeler run #I think i'm going to just not tag a bunch like i usually do because jesus this was long and I think I got my point across #if you're still not convinced and think it's more likely to be one of the other wheelers that's fine #as long as it's not ted bc i can't take that episode title seriously i just can't #also if there are errors it’s bc I only edited this 50x instead of 100x like I usually do #I’ll come back later to check so sorry for what I imagine is a bunch of confusing parts 😭

[soralymystaken]

I think a lot about Lloyd and Harumi, solely because they have one of the most unique yet complex relationship dynamics in all of Ninjago, and it’s something I don’t feel like we talk about enough.

So often I see online that their dynamic is overly simplified. I so often see people arguing between them being “true-love” or “friends to lovers to enemies,” but stating it’s just one of those is overlooking all of the complexities. Even stating it as a one-sided thing from Lloyd isn’t looking at the whole picture. Of course, there can be many interpretations of how they interact. Again, that’s the reason I adore this dynamic so much. This, however, is my personal interpretation:

Also, warning, spoilers plus some swearing.

At the beginning, we see Lloyd have the whole “love-at-first-sight” trope, and we learn that Harumi invited him into the castle. While, of course this immediately is seemed as a positive interaction, later events reveal otherwise. It continues like this: Lloyd falls deeper in love with Harumi whilst she continues manipulating him to keep him on strings. She eventually realizes his feelings, and wants plays on that, making the process work exponentially better. Finally, we learn Harumi’s motives and her reasoning, and, in the episode, Lloyd is devastated. However, I have some additions on this, but I’m gonna finish up my review of canon before getting to that. We do also know that Lloyd still has feelings, though. We primarily see thing from Lloyd still trying to save her from Garmadon’s grasp along with his sadness from her death.

The next time we see her and Lloyd’s dynamic (at least as far as I want to mention,) is Crystalized. When Lloyd is captured, he apologizes. He still clearly has feelings for Harumi, and, in a turn of events, it seems that Harumi does as well, as she convinces the Overlord to spare him and to try to get him on their side.

Okay, enough about prior knowledge, lets discuss headcanons. So, firstly, I’m 100% sure that Lloyd was tormented by Harumi’s origin story. We know how high of a standard he holds himself to, and we also know how morally-driven he is. Him learning about the real stories of the real people who he had really hurt couldn’t have been taken easily. I’ve actually written a whole fic that revolves on that fact, and how Lloyd’s lingering feelings would have amplified that feeling to oblivion. Also, for people who assume he would immediately drop his feelings when he learned Harumi’s true motives, literally just look at how he talks about Garmadon and you’ll see he can’t exactly move on that easily. Things like this take time, and, again, he has guilt because of this whole thing. Moving on from a relationship when you believe you were the reason the person tried to destroy the entire world and subsequently died isn’t the same as a high school breakup. That’s fucking devastating, and especially for someone who hasn’t had the best relationships up to that point.

However, this dynamic really starts to become cloudy when you look at Harumi. Now, look: I’m like 90% sure she only had feelings for Lloyd in S15 as fan-service, but, fan-service or not, it’s canon, and therefore I’m still gonna cover it.

So, first off, when and how did Harumi develop feelings? Personally, I think there could be three main reasons. For one, gaslighting. The whole time, she was gaslighting Lloyd into loving her. Sometimes, when you keep up a lie like that for so long and with that level of commitment, you can convince even yourself of these feelings. Do I think this is the case for Harumi? Well, it depends. If you truly do believe there is a spark between them, then no. However, if you really don’t like the fact that they were given a romantic storyline in S15, then this is a totally valid reasoning.

The second reason that comes to mind is Lloyd’s persistence. Now, just to cover all our basis, reminder that “being persistent” and “never giving up on a love that could be” are not cutesy tropes and relationship goals, and no means no. I see too much stuff online saying shit like “I never gave up on her and, even though she said no 20 times, she gave in in the end.” This is not something to romanticize. If someone rejects you, fucking respect that and move tf on. That being said, though, I think that could actually be the case in this dynamic, albeit in a much less creepy way than some fuckers online do it. Lloyd clearly, even after all of the shit Harumi pulled, still has lingering feelings: a mix of platonic and romantic. I truly believe Lloyd is someone who believes that anyone can change for the better, and applies this to Harumi. The fact that, even after all the pain Harumi caused, he still searched for her in the rubble could be the reason she developed feelings. In my opinion, this is the most likely option.

The final one is a bit colder, and is for y’all who believe Harumi is evil through-and-through. Lloyd is fucking overpowered. Harumi’s reasoning to the Overlord could be just that: the reason. I personally don’t love this one as much, but if this is something you resonate with, I would totally understand why.

All of these factors strung together make Lloyd and Harumi one of my favorite dynamics. There is so much more that I didn’t even discuss here. Is it romantic or platonic or just romantic for one of them? Did Harumi develop feelings even sooner yet denied them solely because of her hatred? Is Lloyd’s relationship with Harumi less to do with Harumi herself and more-so to do with trying to rebuild a relationship with his father through her to prove he can hold onto someone he loves? All of these are questions I’d love to dive into but simply do not have time.

Hopefully you enjoyed my little rant. I love overthinking stuff like this and also love chatting about over-the-top headcanons. If you have any thoughts on this (or other headcanons you want to share), please do!

#ninjago #lego ninjago #ninjago headcanons #ninjago lloyd #lloyd garmadon #lloyd ninjago #ninjago harumi #princess harumi #harumi jade #harumi ninjago #llorumi

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

#the x files #x files meta #penultimate partner episodes #wetwired #x files #demons #season 3 x files #season 4 x files #folie à deux #season 5 X files #field trip #season 6 x files #je souhaite #season 7 x files #mulder and scully #fox mulder #dana scully #MSR

[youryurigoddess]

Maggie’s pendants and good omens

Yes, you’ve read it right. This post is going to deal with some literal good omens, not just title drop! But first things first, let’s take a closer look at the topic of this analysis.

A toucan

The top necklace is a lovely design involving a crowned toucan — believed to be a messenger of gods able to travel between the spiritual and the physical world, often associated with rain and rainbow (a Christian symbol of divine love, grace, and mercy, a reminder of the covenant between God and humanity to spare the latter from future trials like the Flood) — encircled by a gold band (a symbol of infinity, eternal love and promise) spun by a small butterfly (a symbol of transformation, hope, and rebirth). All three symbols combined seem to deliver a divine message of hope for rebirth, possibly resurrection, and the eternal life. Very fitting in the context of the Second Coming.

The fact that toucans were revered by the native South Americans as rainbringers strengthens the symbolic meaning of another type of bird we can spot on Maggie’s clothes in the very first episode, as her character introduction — a swallow. Swallows flying low are also believed to be harbingers of rain and bad weather. If you see one close to Earth or a building, it means that there’s a storm — or a certain biblical tempest — on the horizon.

In Ancient Greece and Rome swallows were representing Aphrodite, goddess of love. In Christianity they were considered to be of God and symbolized hope, awakening, and revival of life as messengers of spring and protectors from winter colds. Also helped Jesus on the Cross — according to a Christian legend, a group of swallows was supposed to take out the thorns from the Crown of Thorns and alleviate His Passion on the Cross. Humans banding together in the name of good have been a big theme in the series ever since The Them made an appearance, and from what we already know about the unpublished Good Omens sequel, we can assume that Jesus is going to take the spotlight in the upcoming season.

Maggie definitely attracts sudden inexplicable weather changes, like a thunderstorm with weirdly localized lightning strikes or a sudden downpour. And we’re still waiting for some vavooming (and the following happy ending) to happen in S3.

A heart with an eye

Now, the more nuanced clue hidden in the bottom necklace. I know that some of us were trying to tackle the concept of Maggie’s eye in a heart pendant suggesting her Masonic connotations, but this symbol (or the Eye of Providence in general) isn’t strictly Masonic, it isn’t even limited only to Judeo-Christian art. And while it is used a lot in Christian iconography, we should focus on a very specific example of it already referenced in the show.

Buckle up, we’re making a parachute dive into S1.

It seems like our old friend, Agnes Nutter, still has our backs.

Prophecy 4020:

Let the wheel of fate turne, let harts enjoin, there are othere fyres than mine; when the whirl wynd whirls, reach oute one to another.

If you look closely at the bottom right corner of this frame, you will see that as an illustration for the above prophecy the production team chose a 1611 engraving titled The Minde should have a fixed Eye On Objects, that are plac’d on High first found in Gabriel Rollenhagen’s Nucleus emblematum selectissimorum.

In 1635 it was published in A Collection of Emblemes, Ancient and Moderne Quickened With Metrical Illustrations, both Morall and Divine, Etc by George Wither with the accompanying hymn:

A Heart, which bore the figure of an Eye

Wide open to the Sunne; by some, was us'd,

When in an Emblem, they would signifie

A Minde, which on Celestiall Matters mus'd:

Implying, by the same, that there is nought

Which in this lower Orbe, our Eyes can see,

So fit an Object for a manly thought,

As those things, which in Heav'n above us be.

God, gave Mankinde (above all other Creatures)

A lovely Forme, and upward-looking Eye,

(Among the rest of his peculiar Features)

That he might lift his Countenance on high:

And (having view'd the Beauty, which appeares

Within the outward Sights circumference)

That he might elevate above the Sphæres,

The piercing Eye, of his Intelligence.

Then, higher, and still higher strive to raise

His Contemplations Eyes, till they ascend

To gaine a glimpse of those eternall Rayes,

To which all undepraved Spirits tend.

For, 'tis the proper nature of the Minde

(Till fleshly Thoughts corrupt it) to despise

Those Lusts whereto the Body stands inclin'd;

And labour alwayes, upward to arise.

Some, therefore, thought those Goblins which appeare

To haunt old Graves and Tombes, are Soules of such,

Who to these loathsome places doomed were,

Because, they doted on the Flesh too much.

But, sure we are, well-minded Men shall goe

To live above, when others bide below.

And hey, guess what 4020, i.e., the number of the prophecy, symbolizes in Strong’s Concordance? Periergazomai, a Greek word meaning “to waste one's labor about something” — to meddle, going beyond proper boundaries (where a person doesn't belong); to fixate on what others are doing, instead of doing what the person himself is supposed to do.

It appears only once in the Bible:

2 Thessalonians 3:11: We hear that some among you are idle and disruptive. They are not busy; they are busybodies. Such people we command and urge in the Lord Jesus Christ to settle down and earn the food they eat. And as for you, brothers and sisters, never tire of doing what is good.

To make things slightly more interesting, in the Hebrew version of Strong’s Concordance 4020 has another meaning — migbaloth, meaning “twisted things, i.e. cords”. Which doesn’t make much sense until we read the actual passage:

Exodus 28:24 and two chains of pure gold, twisted like cords; and you shall attach the corded chains to the settings.

And compare it to the most recent post on the topic published directly by Word of God:

What if all these clues didn’t apply to Maggie and Nina, but Aziraphale and Crowley instead? What if Maggie served as a messenger — consciously or not — just like the toucan, delivering the prophecy to those who need it most?

“When the tempest comes and darkness and great storms, and the dead will leave their graves and walk the Earth once more and there will be great lamentations for the end is near, don’t lose hope, hold hands and look up.”

Basically what Aziraphale and Crowley already did when they performed the 25 Lazarii miracle, only with no interference from Gabriel this time around.

And, if both Strong’s Concordance and Maggie’s personal addition to her second pendant are to be believed, with a wedding band somehow involved in the process.

#everything has a meaning #the invisible and unbreakable line that joins Crowley and Aziraphale #two chains of pure gold twisted like cords #never tire of doing what is good #don’t lose hope #hold hands and look up #the good omens crew is unhinged #good omens props #good omens costumes #the nice and accurate prophecies of agnes nutter #agnes nutter #good omens #maggie service #good omens meta #good omens analysis #strong’s concordance #yuri is doing her thing #ineffable husbands #wedding bands

[whumpsday]

3 whumpy anime to check out this spring!

Go Go Loser Ranger is a heroes vs. villains anime where the villains are the good guys and the heroes are downright evil. Having wiped out all the powerful monsters more than a decade ago, the heroes keep the weakest monsters captive, to parade around and torment on a weekly basis while the public believes otherwise. Because they're immortal when hit with most weapons, they'll always reform to be hurt over and over again, despite feeling all the pain.

Footsoldier D is one of those weak monsters, an immortal shapeshifter made of dust, called a "duster". After escaping the heroes' arena, he forms a plan to kill the heroes and steal the few weapons they have that can permanently kill dusters, freeing the rest of his kind. Given that he has the constitution of a porcelain doll, he can't use strength to fight: he has to rely on wits, stealth, shapeshifting (despite knowing very little about humans or the outside world), and a shaky alliance with a double-agent ranger who seems to be taking advantage of him for her own gain.

Whump tags: villain whumpee, hero whumper, immortal whumpee

Watch it on Hulu, Disney+, or any unofficial anime site.

And if you don't have time to check out a whole anime, the Go Go Loser Ranger opening theme video is also really good, with fantastic visuals symbolizing D's struggles!

An Archdemon's Dilemma is a romantic comedy stuffed to the brim with popular whump tropes. Zagan is a demonic sorcerer who attends an auction for the possessions of another recently-killed sorcerer, when he sees that one of those "possessions" is an elf slave, Nephelia. Having had a destitute, harsh past himself, he feels a rush of sympathy and buys her way out, vowing to ensure her safety. However, Nephelia is terrified, believing she's about to be used as a sacrifice in a dark magic ritual. And unfortunately for both of them, Zagan is a socially awkward loser who sucks at communicating.

It's surreal seeing something that looks like it could be a caretaker-new-master whump fic as an actual, fully-realized anime. It definitely doesn't take itself too seriously despite the premise, leaning heavily on the "comedy" part of romantic comedy, and is mostly just a silly time with lots of whump-adjacent stuff thrown in. Fanfic-y to the point of "there's only one bed" being an actual line.

Whump tags: fantasy slavery (very pet-whump-esque in its tropes), caretaker new master

Watch it on Crunchyroll or any unofficial anime site.

The Grimm Variations is an anthology of horror retellings of several Brothers Grimm fairy tales. With each episode being written and directed by different people, it varies wildly in quality, with episodes ranging from laughably bad to incredibly good, but I'm here to talk about episode 2: Little Red Riding Hood.

The Little Red Riding Hood takes place in a dystopian future where the upper and middle class use virtual reality technology to augment their reality. One man, Grey, is tired of this and craves the real: specifically, the feeling of real blood spraying him as he murders countless women, his wealth and connections protecting him from consequences. But when this serial killer makes the mistake of targeting a woman called Scarlet, he finds himself on the other side of the knife. This episode is a complete and utter gorefest with multiple onscreen torture scenes.

This isn't even my favorite episode of the series, it's like my 3rd favorite. But episode 2 is the one with the gruesome torture scene, so it's the one that goes in this post.

Little Red Riding Hood whump tags: whumper-turned-whumpee, torture, gore

Little Red Riding Hood warnings: sexual assault, eye gore, fingernail gore, violence against women, major character death

Watch it on Netflix or any unofficial anime site. Orrrr if you just wanna watch the big torture scene without any of the context, it's on Youtube.

that's all I have for now :)

(P.S: Dungeon Meshi, while not really whumpy as a whole, is also currently airing and very very good and I might write whump fanfic for it at some point in the near future. Netflix or any unofficial anime site.)

[anthroposeen]

tmagp 13 relisten notes!!

there are spoilers for episode 13 below the cut!

celia:

- admits to sam that she asked alice for advice and general information about him. this implies she has a pretty friendly relationship with alice (evidenced by alice buying her a mocha) and seems relatively unthreatened by her past with sam so far.

- "no one, im mysterious" -> evidence for her not being from this dimension, if no one can give a lot of information about her

- reveals jack is her baby! (not followed by a glitch)

- says the past couple years "since the move" (between dimensions?) were weird for her

- believes the incidents they work with are real, and im certain shes in the same boat as the audience rn, trying to categorize them with background knowledge that isnt accurate anymore

sam:

- easy to make blush, doesnt know how cute he is, is an overachiever, obsessive, a but repressed, nosy, kind of a recluse, and very easy to wind up

- gifted kid syndrome poster child; he seems to view being turned away by the magnus institute as the beginning of his rejection streak (not admitted to oxford, didnt get first, got fired from his legal firm). i think this will be a major point in his motivations and a fear of rejection and need for validation is going to drive him to receive the greatness he wants (and believes he has earned). i can already see a corruption arc brewing for him, poor thing

- did NOT tell celia about his experiences in the institute or what his "incident" was (referring to lena's interview where she asked him what the worst thing he's seen/experienced was). this isnt super sketchy considering its a first date, but is interesting since he was the one who wanted "all the baggage" out early

- he doesn't want to accept that the incidents are real, but i think he does believe in them. he brought the topic up to celia and has asked alice about it before too, so he may be aware that the incidents are real, but is unwilling to fully conceptualize what that means for himself and his world view

- says that alice doesnt love the idea of him seeing celia, which means he may have picked up on her feelings for him

gwen:

- feels guilty over instigating the mr.bonzo incident -> whats really interesting is that she doesnt threaten to quit or not be involved, she accepts that she gas another email to look through and another external to interact with, but it seems to upset her

- she asks lena why this (externals and mr bonzo murder) is happening, implying that she can stomach the work if its for a reason

lena:

- gives gwen the ABCs of genre-awareness:

- this dimension also has "opposing forces- most of them meaning to be harmful.

- these "forces" need to be "balanced" and controlled in order to maintain order in the world/system -> still working off of a smirke-esque theory that retaining balance will keep the world secure. i dont know if she means balance between forces of good and evil or forces in the supernatural sense

- says the OIAR is managing the bad guys, as in monitoring their actions and directing externals to "balance" things

alice:

- actually offended that sam doesnt want to share information with her and isnt having a good time knowing sam and celia are seeing each other

- tells sam "he cant prove anything" about the cases being real, but doesnt tell him hes wrong

- i would fling myself from a sky scraper for you, miss dyer, but please never say bussin or fire again

- "stop trying to make an impact" -> the more she tells sam to cut the x-files shit out, the more she stops protesting his suspicions. her scolding has gone from "nothing is going on, chill out" to "sure, theres a conspiracy, but we are paid to ignore it"

-

alice/sam's past:

- dated at uni, previously stated they were together for several years. it seems to have been a decent split since they stayed in contact afterward.

- sam was there for her when her parents died, but lost contact after

- she contacted him w the OIAR job details after he made an exceptionally pathetic vague post

incident:

- centered around gambling and self harm to achieve success- this draws ties to episode 2 (self harm) and episode 9 (luck). i expect this is more aligned with ep 9, as the self harm seems to be in the interest of changing his odds/luck, and the incident is primarily about gaining external success, not physical change. though, ep 2 could be a personal experience with ink5oul that is not representative with their "force"

- the narrator of this statement was quick to actively sacrifice his own well being to achieve better luck, which is a pretty stark contrast to other people who looked to harm other people in their own interest (violin guy and dice guy, i forgot their names sorry!!)

- zorro trader may be a reoccurring organization in relation to gambling

- the narrators options for his debt were to either pay it back or have a personal adjustment, once he completes the voicemail he is transferred to the adjustments apartment, which was not an option on the original call log and something he did not request

- he is promptly adjusted :)

- i think this could be related to the theme of keeping balance, since the incident narrator claims it isnt wrong to play with the loophole, and it ends with him getting what he owes, which is a nice connection to lena's explanation of the OIAR's purpose

glitches/lies:

- "im happy you're happy", alice (she is not happy that sam is with celia!!)

extra comments:

- i really didnt expect an explanation of the OIAR and its position in this so early, and im surprised lena was the one to reveal it. this exposes that shes pretty open with the staff she feels are on a need-to-know basis, and it also changes my expectations for how we'll come across a big reveal in this series, since information is being given in a more open way

- i think alice and celia definitely know something but in opposing ways- acting as foils to each other with sam (information seeker) in the middle. celia knows about how the fears work in the tma dimension, and alice knows why and what the OIAR are really doing- together, they solve the puzzle that sam is trying to piece together.

#tmagp #the magnus protocol #tmagp spoilers #tmagp 13 #alice dyer #sam khalid #celia ripley #gwen bouchard #lena kelley #tmagp theory #tmagp thoughts

[bibuddie]

okay i'll bit why exactly do we want tommy in more episodes? ....like are we not rooting for buddie, why do we want tommy here when if he sticks around the chances of us getting buddie are going to drop significantly, like we should want him gone by the end of the season. I don't want him sticking around because he's a threat to the story I've wanted the writers to do for the last 6 years. I guess I assumed with your URL that you're also rooting for Buddie but perhaps I was wrong and you're rooting for Bucktommy to be endgame which just absolutely not, sorry. Yeah 3 episodes vs 6 years, does not even match.

okay idk what’s in the air today but as my beloved @canonbibuck so eloquently put, “we want tommy in more episodes so he can stick his tongue into buck’s anus. hope this helps”

on a real, first of all, please remember this is all fiction. like, we’ve lost the plot so severely i think. second of all, i’d love to introduce you to this GROUNDBREAKING concept called ✨multishipping✨!! back in the days when one direction rpf was a bigger thing and even before that, everyone was shipped with EVERYONE. in fact, it was ENCOURAGED!! the more ships under your belt, the better!! now it’s much less endorsed and i honestly have no idea why!! THIRDLY like, in the loveliest kindest way possible, i have stuff going on outside of tumblr and like i genuinely don’t think its that deep?? i get wanting your ship to be endgame (i’m actually rooting for buddie endgame despite what you want to believe), but this website isn’t my entire life?? i’m in the middle of a biomedical science major, i’m spending my full summer doing some really cool research at a really prestigious university, i’m doing stuff i’m really proud of, and i’m so happy that there’s other things in my life apart from this website and this show. i love it, and i love the community on here for the most part, but i think it’d pay for all of us to remember it really isn’t That deep in the slighest. breathe, relax your shoulders, it’s fine. me enjoying bucktommy while it lasts and writing fic about them won’t kill you, i swear.

(and yeah, i want tommy to stick around. i’ve actually got reallt attached. his crinkly eyes and crooked smile have beguiled me. sue me.)

#bucktommy #anon #asks

[1ightsen]

Maxie Infodump #1 - Little known character details from official media

I promised to post some of my maxie infodumps and headcannons, and I think I'll start it off with something simple. His official character bio that was hosted originally on the first release of ORAS (this will be ORAS Maxie focused)

here is a transcript for easy reading: "Maxie is the leader of Team Magma, the team seeking a world ideal for humanity. He pays attention to even the smallest of details, and is quite sensitive in some regards. He has a habit of describing situations in numerical terms. He possesses a cool-headed outlook, thinking that some sacrifices cannot be avoided if he is to achieve his goals." Okay, so first, after looking at the original japanese version of this page,

小さいことまで細かく気にする、神経質なところがあり、さまざまなことを数字を交えてあらわすのが口癖。 目的を果たすためなら、犠牲が出ても仕方ないと考える冷徹な思想の持ち主でもある。 The one word in here I wanted to be sure of was 'sensitive' since it can have many meanings, and the original japanese gives us some possibilities with:

Personally I think (being) highly strung is the most likely option here, but either way its an interesting character trait. And we all know he certainly builds up frustration and tension and explodes a bit like a volcano. Even if he does manage to correct himself afterwards.

~ ANYWAYS ~

Now that we have the bio, let's break it down a little and look at some fun examples of it in action! Maxie has a habit of describing situations in numerical terms. This typically comes out more when he is nervous or stressed. Here are some examples: Ill just take ORAS as an example here since this is already getting pretty long... In ORAS after fighting him at mt chimney, he lets you know in a specific numerical way, how much he fell behind:

And then again, when you battle with him and lose in the Battle Resort where he just has to let you know the situation in numerical terms by giving you the exact lose chance according to his own calculations of course:

"So the great Maxie has fallen, even when battling alongside your team... I shall commit this curious phenomenon to memory. It had less than a 1 percent probability of occurring, you know."

this culminates in a really interesting interaction between him and courtney after the delta episode. While It's pretty clear that Maxie cares for his team and especially his admins, he definitely struggles when faced with his crying admin, and being unsure of what to say, he settles with a numerical quantifier again.

He assesses the situation, and decides to comment on how MUCH courtney is crying. His "paying attention to even the smallest details" trait also ties into this habit of his, and is probably why he jumps to conclusions a little too early because of small things he's noticed. Accusing Tabitha of wanting his spot as leader, just because he disagreed with him is one of those situations.

Pokemon Masters EX has a lot of new scenes with Maxie, and I would love to talk all day about them, but I'll just pick out one here, and that's from the "A pasio Spectacle" event. In this event, Maxie overhears team break members simply say the word 'glasses' and instantly jumps to the conclusion that not only did they want to talk to him, but that they noticed his "magnificent mega glasses" and would like to hear a lecture on how they were scientifically made.

https://www.youtube.com/watch?v=rZmmaf9bhD8&t=144s here's a link to watch it, its worth it :D He certainly picks up on small details, but tends to miss the bigger picture sometimes, which is fun because I believe archie tends to do the opposite. Perhaps his mega glasses are actually designed to reflect this, because they work like horse blinders, and keep maxie looking straight ahead (trust me, I've made a pair of these, and you cannot see someone standing to your immediate side). Looking straight ahead is also relevant to his life goal, of ensuring the bright future of humanity, and as he says: "propel humanity to greater heights of progress and evolution." And that concludes my infodump regarding this one little bio that is no longer available without the wayback machine, and I just wanted to share it with any other Maxie fans out there :D Next I think I might tackle the bigger topic of how Archie and Maxie have so many fun contrasts in personality and more. and then maaayyybe I'll feel comfortable enough sharing my headcannons and theories. But only if people want more lol, I am not good at writing big posts :>

#Maxieinfodump #magma leader maxie #team magma #maxie #pokemon #text post

[flower-boi16]

”you want everything to be spelt out to you!” “The show doesn’t need to explicitly spell it out for you!” “You can just infer it!”

This is the exact same defense I always get whenever I argue with Viv fans when I criticize Viv’s piss-poor writing. And the thing is this IS true; shows don't need to explicitly spell things out to the audience, as there are conclusions that the viewer can draw on their own without having to be explicitly told by the text, usually by the text giving direct hints to that explanation.

The problem is that Viv fans' definition of inferring isn't "drawing conclusions on our own with direct explicit hints given from the text that is the canon explanation the story wants you to come to" it's "making shit up to try and explain and/or justify Viv's terrible writing".

There are three times where I got this defense when arguing with HH/HB fans all three times I lost several brain cells in the process.

The first time was in a discord server where I posted an HB episode tier list and put Truth Seekers in C tier (the mediocre one). One of users commented on this and I explained my reasoning why I thought the episode was meh. One of these reasons was the plot hole of why the Dhorks didn't send the footage they already had to the government.

The user then countered that with "how do you know didn't send that old footage?". Well, the reason why I know that is because the episode gives no actual indication that they sent it, and when I said that the user countered that with "because there was also no indication that they didn't send the footage". And then after that the argument spiraled into both of us repeating the same counterarguments over and over again.

The user says that it's logical for the audience to assume they sent the footage because it's the logical thing to do cuz why would they keep it. Which, ok, you can assume that they did send the footage but there's no indication of that within the story. This does not change the fact that this is an unanswered question that the story itself didn't answer, did they or did they not send the footage?

That's a pretty important question to answer and the show can't just leave it there. And then the user tells me "you don't need to be told, Its in your face how they act". There is no way to infer if they did send the footage because the story gives a SINGLE hint that they do, and the story DOES need to say if it they sent it or not.

This is not inferring. This is making shit up to explain Viv's writing for her. Did they or did they not send the footage? This is a big question that the episode does not answer even though this is a major plot hole and it can't just leave it hanging there for fans to just guess. The episode gave no indication that they sent the footage, so I have no reason to believe that they did. You can't infer ANYTHING from this.

This explanation is simply something made up, not a conclusion that's given direct hints from the show. If the next never said it happened, it did not fucking happen. This assumption is literally just headcanon.

The next argument was from an ask I got calling me media literate for my point about how fans shouldn't have to create fan theories to explain Viv's writing for her and Viv should explain her world-building herself. It stated that the explanation for why sinners are confined to the pride ring (making the exterminations more efficient/easier) is the clear explanation that the show doesn't have to spell out because 1) The show says that there are annual exterminations which aren't viable without the confinement and 2) Lucifer gets control over which ring his subjects go to.

Both of these explanations suck, here's why.

The exterminations simply being there does not explain the confinement. Also, this explanation doesn't work to begin with as I've talked about before

Lucifer having control over where he sends his subjects to doesn't inherently explain why he sends them to the pride ring specifically.

The "sinners are confined to the pride ring to make exterminations easier" was a fan theory created by the fans to explain this because the show itself didn't bother giving an answer. That's bad world-building.

The show itself needs to explain these things rather than having fans create explanations for it. There isn't any way to infer that because the show never once gives any hints that this is the reason. And, like I said before, the explanation doesn't even work anyway.

There is no way to infer why the sinners are confined to the pride ring at all, this explanation is once again a headcanon. But when I pointed this out, the anon said that I just want everything spelled out for me.

The third and final instance of this is with our good ol friend truffhollowell. Ya know, the person who's been going around on Hazbin critical posts spouting nothing but complete bullshit.

This argument was under this post about why Vaggie's turn around made 0 sense. In the post truff tried countering my argument with "uuuuh, actually, not all murderers are heartless monsters!" even though that is explicitly what the exorcists are shown to be.

They then go around and say that Vaggie could've been thinking "how could a child end up in hell" and she realizes Heaven's corrupt systems and develops her own identity (at least that's what I remember them saying since they deleted all of their replies once they lost the argument lmao)....even though there is NO indication within the show that this is what's happening.

This is not inferring. This is just a headcanon. But truff says that you CAN infer it because...child murder is bad...

...umm...WHY TF WOULD THE EXORCISTS GIVE A SHIT IF CHILD MURDER WAS BAD IF THAT CHILD IS A FUCKING SINNER????? And THEN they hit me with that same fucking claim of "oh, you want shows to spell things out for you!".

Ya, well, guess what, I can't infer any of this because that's not what's happening. This is not what's happening in the scene, this is just a headcanon truff made up.

There's more to their arguments than just that but that was the general point they were making.

I'm so sick of always getting this stupid-ass defense because NO, I DON'T want everything spelled out for me, I want things to actually make sense. I'm looking at specifically what the text itself is saying, the information that it gives out and what's happening within the show.

Not your headcanon you made up to explain Viv's terrible writing. None of these explanations are people infering things based on direct evidence from the show. They are just headcanons/theories with nothing in the text hinting towards it.

So, to anyone who is going to give me the "you can just infer it yourself!" excuse to defend these shows whenever I criticize them...

Shut the fuck up.

#vivziepop critical #hazbin hotel critical #helluva boss critical #vivziepop criticism #helluva boss criticism #hazbin hotel criticism #arguing with viv fans is a headache inducing nightmare #sorry #I just wanted to vent about this #because it's SO FUCKING ANNOYING getting this same argument over and over again whenever I complain about Viv's shit writting

[scoobydoodean]

just saw somebody saying that cas is a pushover for dean…. obviously that’s not true. but can i have some solid evidence just to make me feel more sane?

I mean Cas's baseline state is ignoring what anyone wants him to do imo. It's just when he ignores what most people want him to do, he makes this face: 🙄

And when he ignores what Dean wants him to do, he makes this this face. 🥺

But anyway:

"You should show me some respect. I dragged you out of Hell. I can throw you back in." (4.02)

ANNA: "Uhm, guys, the angels are talking again. / SAM: What are they saying? / ANNA: It's weird. Like a recording. A loop. It says: "Dean Winchester gives us Anna by midnight, or we hurl him back to damnation." (4.10)

"[I tricked you into coming into town] Because whatever I ask [for you to turn an innocent person over to me for execution], you seem to do the exact opposite [protect them from me]." (4.15)

After kidnapping Dean to make him torture for them: "This is too much to ask, I know. But we have to ask it." (4.16)

[Kidnaps Dean and locks him up] (4.22)

[Flies away abruptly because Dean asks a question he doesn't want to answer] (5.01)

"I killed two angels this week. My brothers. I'm hunted. I rebelled. And I did it, all of it, for you, and you failed. You and your brother destroyed the world—and I lost everything, for nothing. So keep your opinions to yourself." (5.02) (Note: Cas blaming Dean for everything going wrong here is also some major bullshit).

CASTIEL: May I borrow [your amulet]? / DEAN: No. / CASTIEL: Dean. Give it to me. / DEAN: All right, I guess. (5.02)

Cas flies off to kill Jesse when Dean and Sam are in direct moral opposition. (5.06)

ANNA: I'd say the Winchesters don't trust me. / CASTIEL: They do. I don't. I wouldn't let them come. (5.13)

You're not gonna finish that? [Takes Dean's burger without waiting for an answer] (5.14)

[Kidnaps Dean and locks him up] (5.18)

"Maybe they're desperate. Maybe they wrongly assumed Dean would be brave enough to withstand them." (5.18)

[Beats the shit out of Dean in an alley] "I rebelled for this?! So that you could surrender to them?" [kidnaps Dean and locks him up again] (5.18)

DEAN: Whoa, wait. You’re gonna take on five angels? / CASTIEL: Yes. / DEAN: Isn’t that suicide? / CASTIEL: Maybe it is. But then I won’t have to watch you fail. 

CASTIEL: You think I came because you called? I came because of this. [The Staff of Moses] / DEAN: Oh, well, it's nice to know what matters. / CASTIEL: It does help one to focus. (6.03)

CASTIEL: I need your help. / SAM: [ Scoffs. ] That's rich. Really. / CASTIEL: [ Grunts, tosses the jar of locusts at SAM. CASTIEL performs air quotes during this speech. ] Sam, Dean, my "people skills" are "rusty." Pardon me, but I have spent the last "year" as a multidimensional wavelength of celestial intent. But believe me, you do not want that weapon down here. Help me find it. Or more people will die.

[Flies away abruptly when Dean asks anything he doesn't want to answer] (6.03)

Cas tortures a child while Dean pleads with him not to do it (6.03).

[Yanks Dean's wrist over without asking and slices his palm open to use his blood for a spell] DEAN: Whoa, whoa! Hey! Ahh! Why don't you use your own? / CASTIEL: It wouldn't work. I'm not human.

[Flies away abruptly when Dean is mid-sentence] (6.06)

Cas ghosts Dean for days while Dean pleads for help in prayers (6.05-6.06)

Those are some moments of note up to my current rewatch episode.

Less organized but past current rewatch point some random momence:

The entire plot of season 6 where Cas is going behind their backs the whole time culminating in him refusing to let go of his plan while Dean pleads him to do just that.

Fun lil Deancas bitchy compilation set here

[Beats the shit out of Dean flies away with the angel tablet]

Refuses to come out of Purgatory

Ignores Dean's nightly prayers in Purgatory

Ignores Dean's prayers and calls all of the tiiiiiiiime sometimes for weeks

Locking Dean in the dungeon... again. (S9)

DEAN: I'm glad you're here / CAS: *Leaves* (10.03)

Keeping Demon Dean from doing demon things :(((( (10.03)

Works with Sam to decode the Book of the Damned behind Dean's back.

CAS: No fighting. / DEAN: Tell [Claire] that. / CAS: Both of you.

"YEAH you know what I like about him? It's that he's sarcastic, but he's THOUGHTFUL and APPRECIATIVE too."

"If I plan to do anything else stupid, I'll let you know."

CAS: So I should just sit here? / DEAN: Pretty much. / CAS: NO.

[Look of utter loathing] "Dean. You are NOT a talking dog." (13.16)

"At least I don't look like a lumberjack."

Steals The Colt to kill Kelly Kline when Sam and Dean want to save her -> Does a 180 into wanting to protect Kelly and still won't include Sam and Dean, instead knocking them unconscious (12.19)

Locks Sam and Dean out of the dungeon so he can torture Donatello for information (13.14)

Also: #hot girl cas. And anyway, if Cas decreases his bitchy basline tendencies to be bitchy around Dean and Dean only, and instead indulges him occasionally by doing things like dressing up like cowboys, we should be fond of this because the angel the size of a Chrysler building who has killed thousands lets Dean put him in little outfits to make him happy and there is something very cute about that.

#and cas is my best friend #mail #hot girl cas

[ladyvialana]

Very much enjoyed the first season of The Dead Boy Detectives.

It was fun, with great characters, interesting storylines, good pacing, and a fantastic ability to balance light-hearted storytelling with some pretty fucked up content at times.

Episode 1 was a little clunky and exposition heavy, but it's only really in that first episode (unlike fucking Wednesday!) and it's pretty easy to look past once they get into the main story. The rest of the episodes are much smoother.

Character interactions are great and all of the characters feel rounded with an actual backstory that influences their interactions and distinct personalities and traits that affect their actions. They're not just plot devices or vehicles for narrative.

Before going into any more detail, I'll just say I really enjoyed it. It's probably not as sophisticated or polished writing or style-wise as The Sandman, but it's still a really good spin off. I'd almost put it in the same vein, tone-wise, as The Umbrella Academy, though perhaps not as irreverent. Much better than similar Netflix teen supernatural dramas like Wednesday or Sabrina (and probably more mature and sophisticated, storytelling-wise than those shows).

I really enjoyed it, am looking forward to/hoping for a second season, and will definitely be watching again.

*

More detailed spoilers under the cut for those interested in my opinions about a few specific storylines/characters/episodes:

*

SPOILERS:

I am honestly surprised we don't have more people hitting on Charles. He is genuinely charming and charismatic as well as kind of open and sincere. Like, Edwin's a standoffish Edwardian public school boy with weird interests and zero people skills. I adore him. But he has negative charisma, especially compared to Charles' eyeliner and grin. Like, why is everyone chasing after Edwin? It's a role reversal I can definitely get behind, but no one is trying to get up into Charles' personal space aside from Crystal? Really??? And even she probably wouldn't have gone for it if he hadn't made it obvious he was interested in her first. Like, I really do get what the writers were trying to go with here, but it's one of those choices that kind of stretch narrative believability a little.

In saying all of that, I'm kind of a sucker for queer pining arcs that could go either way. So the not-so-subtle reveal of Edwin's feelings was both beautiful and painful in the best ways.

Episode 7 was a highlight for me. I'd been waiting for the pay-off from Edwin's backstory and the hellfire sword hanging over his head. But the flashback to Charles' death was probably my favourite scene in the series. Everything about that episode was fantastic, from the tension to the individual mini character arcs in the episodes (Nico coming in clutch with her reading comprehension skills! Crystal finally kicking David's ass!), to the beautiful release of the confession in Hell. I loved all of the insight we got into all of the main characters, knowing the truth of the kind of people they are. Knowing that, yeah, these are all good people who would do anything to help, and who love fiercely. But also, that doing what you can for the people you love sometimes involves meat cleavers and Molotov cocktails.

#dead boy detectives #dead boy detectives spoilers #text #vialana's rambling

[chevelleneech]

Both Buck/Tommy and Buddie shippers are being so dramatic about everything.

On one hand, you have people acting like Buck and Tommy is written in the stars and anyone who dislikes them are being unjust and hateful. On the other, you have people acting as if Buck can’t possibly be in a relationship with a man who isn’t Eddie, and claiming he can is somehow based in racism and hatred of Eddie.

Neither is true! The problem is that prior to 7x04, Evan Buckley was not a canon queer character. He was viewed that way by fans and Oliver Stark was all for it, but that does not change the actual canon history of the character. Therefore, the writers can only fix what they feel fits the current story. They can retcon a few things and so on, but both sides are acting like they’re right, and it makes no sense.

Yes, Buddie shippers have Oliver and Ryan on their side for the most part. Yes, Oliver believes Buck has been queer all along and he thinks a lot of the headcanons about his character’s reaction to things make sense, but he is NOT saying it’s all true. He agrees Buck was likely experiencing some jealousy when Eddie first showed up, but that does not mean Tim Minear is going to make that theory canon. It’s fans and Oliver who think it, but that does not equal canon.

As well, with things being slightly retconned or adjusted to fit the story… Tommy is obviously no longer an asshole by proximity. He was rude to Hen and Chim, but we’ve seen he him interact with the two of them since in civil ways. We know Chim thinks he’s cool. Continuing to demand he apologize on screen is a waste of time. It was five seasons ago, and the story had to change to fit Tim bringing his character back. It happens.

As for Buck/Tommy shippers, y’all have got to get off the high horse of Possibility. At the moment, there are so many ways their relationship can go, and the only reason you all are so high and mighty about it, is because you’re technically never going to be wrong until you’re wrong. Which is annoying.

Yes, Tim could choose to have Tommy stick around for another season. Yeah, Buck and Tommy could be endgame. Yeah, Buck and Tommy could… any and everything is possible, but acting as if Tommy is the love of Buck’s life and deserves fan devotion is crazy. Don’t get me wrong, I like the character. He seems nice if a little cocky, but I like that. I like that he’s written as a grown man who, even though he’s changed, still has a little bit of asshole in him.

Because yes, what he did to Buck on their first date was rude. He didn’t explain anything and left him standing outside the restaurant as if he hadn’t just told him he’s never dated a man before, and as if they hadn’t just run into his best friend. It was a dick move. However, it’s also kinda realistic. So I dug it, but that’s also all we really know about him.

Tommy is an army vet, flies helicopters, was a firefighter, and is gay. Which he struggled to come to terms with, and can be a dick. The way y’all treating him like a savior is insane. Y’all are trying to rub it in people’s face that his relationship with Buck is canon while Buddie isn’t, and I don’t understand that. Buck wasn’t even bisexual three episodes ago, so where is this higher than thou attitude even coming from?

The only thing people should be focused on is the fact that Buck is now canonically bisexual. Tim liked the idea and Oliver loved it, so they finally made it happen. Now, his story has even more potential. I’d even go so far as to say season 7 is going to be a cleaning and re-establishing of all the characters, because so many of them feel a little different.

We’ve got bi!Buck, meaning we’ll get to see him in one or more relationships that he isn’t used to being in. We’ve got a new actor playing Harry, and he’s older, meaning they’re going to have to write to his strengths and build a storyline there that is more mature. Bobby and Athena almost died together for real for real, thus hopefully we’ll get to see their relationship evolve and what if it changes them in any way. Chim and Maddie are finally getting married, so we get to see them kickstart a new chapter together. Hen and Karen have a new child, which will hopefully bring them more storylines and hijinks as a family. And Eddie is dealing with forcing himself to accept a relationship he may not even want to be in. And he’s aware this time, which could result in him ignoring his fears or bowing out, then having to face what bowing out means.

Point is, there is no reason for all this drama.

Buddie is not guaranteed just because it is a popular want for fans, and an accepted theory by the actors and showrunner. They’ve all said it has to fit the overall story without forcibly gearing the writing in that direction. Which means it could happen two episodes from now or two seasons from now. We just have to wait and see.

At the same time, Buck and Tommy are not an established couple yet. They’re going on their second date, and it’s been said Tommy isn’t in the last few episodes of the season. So it’s possible he and Buck are still together, but Lou isn’t a series regular nor regular recurring, so he’s just not contracted to be on set. Which is fine, but acting like a quick breakup is also bad storytelling is ridiculous.

Fans have hated Buck’s relationships with women from the jump, and him breaking up fast isn’t exactly new. So if it happens with the first man he dates… okay. Tommy can become more than a stepping stone, but the writers aren’t obligated to make his first experience with a man something deep and profound. It can be fun and eye-opening and still have mattered, even if it ends fast.

Y’all have got to let the stories play out, and not scream bloody murder if your headcanon doesn’t become canon. Because truth be told, Buck being canon bi is the biggest flex of fan service I’ve ever seen, even if I think it adds to the depth of him. So I can’t imagine how difficult it is to be sure not to continue giving that same group of fans everything they want outright, when there’s so much more story to unfold.

Which means they can’t just make Tommy the love of Buck’s life because Buck/Tommy fans have ditched Buddie or were never Buddie shippers, and want to be right. But they also can’t have Eddie come out and he and Buck start dating, because Buddie shippers have waited five seasons. Just wait to see what happens, and in the meantime, enjoy watching Buck discover more of himself. With Tommy as his current love interest, and Eddie as his best friend.

#911 abc #evan buckley #eddie diaz #tommy kinard #buddie #bucktommy

[dearmrshudson]

The post of saddest(?) supernatural moment gave me the idea to maka a list of my own... You know, an honest list which will not push any agenda or exclude one of the main character completely to forcefully feed to a romantic pair which does not even exist.

so here it goes-

10. Dean's reaction after Sam's death in 13x21 :

This one is so nominal and insignificant to be in this list and not one of top moments for a lot, but this scene ripped my heart open when I saw it for the first time. It manages to show us how Dean's whole world will literally fall apart and make him an empty vessel if Sam is gone and he can do nothing about it - and Jensen manages to portray it with just a walk, two blank eyes and then one drop of tear. Kudos.

9. Church Scene in 'Sacrifice' (8x23):

Anyone who has not cried in this scene? Perfeftly shows the core of the show, the deep love between two brothers- despite all the reasons, all the idiological differences, all the mature discussion and all- Sam is the baby brother of Dean; at the end he needs Dean to be there as a big bro, to tell him to let it go, to clutch him in his chest. Ultimately they will always choose each other and nothing else will come between them.

8. Dean's death in 9x23:

One of the saddest death of Dean, and perhaps it comes to this list because of the build-up and drama follows this. Both had their own reasons for the tension they had this whole season, but when the tragedy comes it hits so hard that all those logics fell apart. It scares to peep in Sam's headspace at this time of dean's dying- imagine you discarding the person you love the most as you are reasonably angry with him, and in a few days he is dying in your arms when you have hardly talked out your differences.

7. Why don’t you believe in us too (14x12) :

Probably should come much later in this list, but this scene stood out in my eyes because it was such a fresh air in the terrible plotless mimicry that SPN had become in later seasons. The scene after ages which sums up Sam and Dean, the codependent brothers whom we had forgotten. Such a long time after we see Sam the little brother, witness the emotional turmoil he was going through silently and how it exploded. The only scene which makes season 14 worth remembering. Also Jared just nailed this scene!

6.) Dead or Alive (3x16):

This scene breaks my heart in pieces. Dean bravely going for the last fight before the horrible death he will be facing. And he trying to cheer up baby bro, he wants the last memory with his brother to be in this car- singing along together... How his face slowly glooms at the end and his eyes full of fear... Early seasons really were gems!

5. Sam in Mystery spot (3x11) :

Undoubtedly one of the best SPN episode with perfect blend of mystery, fun, laughter, tragedy and emotion... The funny vibe of the episode ends in a moment when we see Sam is not waking up from the nightmare loop. Then we see a robot- a scary robot who only wants to get his brother back at any cost. This episode is yet another example of how Sam loves Dean just as fiercely as Dean does, and he is not any less codependent.

4. Barn scene and alone Sam (15x20) :

God! What can I say about this!

Just want to add, Sam wandering alone in the bunker after creamating Dean hurts me equally.

3. John's death (2x01):

Cannot forget this one. This episode happens to be another favourite of mine, and the way John sacrifices himself for his son proves that a father can go to any extent for his children. The farewell scene of John - where he asks for forgiveness and goodbye to dean without him understanding brings tears to my eyes. Such a beautiful acting by JDM and so realistic portrayal of a flawed, helpless and loving father.

2. End of Season 5 (5x22)

The ground was set, the battle was about to begin, the ultimate faceoff between Lucifer and Michael was going to start- then what happens? A stubborn idiot boy with a muscle car and hellbent attitude comes in between- knowing that he cannot survive this- just because one of these celestial entities have captured his brother as a vessel and he won’t leave his brother alone. Till his last drop of blood he keeps on trying- trying to reach his brother who is trapped under something much bigger- keeps on telling that It's okay, he is not alone, his big brother is here. And guess what, he succeed. His brother broke free the bind of one of the strongest entity of universe and fought. The climax scene gives me goosebump always followed by a bunch of grief and saddness the ending carries. Had season 5 been the last season of SPN, and this be the exact way the series ended, I would absolutely have no regret!

1. Sammy's first Death (2x21):

No matter how many sad scenes are perfectly executed in SPN, nothing can exceed the emotion of this one. Jensen will also not be able to exceed the level of performance be set in this particular scene. Period.

So this is it... I must have excluded many. And turns out my list is full of Sam and Dean only and I am also not unbiased 🤣🤣 Well, there are sad scenes that do not involve only the brothers and I still like them, but not my top 10. Maybe have to make list of top 11 to 20 in order to include them. 😁

Please share your favourite saddest top 10 as well.

#supernatural #sam winchester #dean winchester #sam and dean #john winchester #spn #jensen ackles #j2 #anti destiel #top 10 list #jared padalecki #best episode

[bymarara]

Let's talk about this.

"The Vanishing of *** Wheeler." - So... Which Wheeler? Mike, Nancy, Holly? I'm leaning towards the last one, but! They all make sense. One can imagine how Vecna, could be after Mike, to at the same time, hurt Will, Al. Or, he could be using Mike as bait to lure them into a trap.

It's also conceivable that Vekna would come after Nancy for revenge because his plan didn't work out as planned, and Nancy, who knew more than anyone, almost killed him at the end of season 4.(But also, it would be as bait for others, a trap to lure them into the Otherworld.)

And the best part. What if it was Holly? Let's look back through all the seasons and realize the fact that she was somehow but connected to the Yznan, she saw a lot of things.

Season 1 - Holly was the one who went to the Byers house to get light bulbs and saw in Demogorgon style (saw somewhere a suggestion that it could even be Vekna, who even then wanted to kidnap her.).

Season 3 - On the Ferris wheel, Holly noticed that the trees were moving and apparently didn't believe her mom that it was the wind. I think Holly sensed something wrong, you know what they say, kids see more than adults.

Season 4 - We're shown that Holly is the first to notice ash from the sky, calling it snow. Once again, she's the first to notice something weird and it's not weird?

I think she's going to play a big role. Holly, Ted's favorite and father, Ted even fell asleep with her in his arms. We're told that Ted and Mike will have some kind of interaction, so why wouldn't it be a conversation like Ted is worried and starts asking Mike what the heck has been going on for years and where is the youngest daughter missing? Also, Holly's disappearance could strengthen the family as everyone will be on the lookout for the girl.

"Escape from Camazotz" - I think this is going to be a clash of the Bylers. We all know that the Bylers will likely have some sort of tension, but we know that they will most likely be Endgame this season. There are rumors and theories that the Bylers will become canon in episode 7. I think this all makes sense since we haven't been given the title of the last two episodes because they could be a huge spoiler.

" Sorcerer." - I can very likely tell you what was going on in Yznanka with him 1983. We'll be shown this with flashbacks that may show Vecna for some purpose, perhaps to get him to his side and show how similar they all are. Also, maybe it will show us that Will has the ability to hear and sense Vecna. Because of that, everyone might be afraid of him, since he can play both sides, or even if it's not him anymore, they might be afraid of him being evil. Mike and Joyce will be reminded of the events of season 2 and assure them that Will is fine.

#byler #byler endgame #finn wolfhard #mike wheeler #byler brainrot #will byers #mike wheeler fanart #noah schnapp #stranger things 3 #stranger things 4 #stranger things 5 #st5 #stranger things #stranger things s5 #joyce byers #holly wheeler #nancy wheeler #st5 spoilers

[pinazee]

Who ya gonna call? (The DID/trans ep)

Ill be honest i was nervous to rewatch this one but turns out it held up better than i thought. I mean, the worst of it is that the DID person is the murderer but that was such a common tv thing back then for procedurals. Every one had to have a DID ep, even though, as Psych points out, its so exceedingly rare. I get it, its a fun concept, but yeah, don’t make them the violent ones when 9 times out of 10 they’re the victims of violent crimes. I will say though, Psych made sure to include they were getting the help they needed and they really didn’t have to.

But what a cool way to show it though, having the other personalities act like ghosts. It feels very poetic. And to have one personality trans is such an interesting layer on top of it. It really can’t get more complicated than that.

This episode also tells us so much about Lassiter! Hes trying desperately to win back his not-yet-ex wife its kind of heartbreaking. We’re starting Psych right at the beginning of Lassiters downfall. He gets separated, has an “affair” with his partner who gets reassigned because ppl found out thanks to Shawn, and i believe its later implied he lost the promotion to captain because of that affair. And then Shawn comes along and he’s solving his cases. I have to wonder though, since we see in this ep how distracted he can be when he has personal issues, if Lassiter isn’t necessarily a bad detective in the beginning but just going through some shit and missing things. It kind of makes me understand why he’s so hostile to Shawn in the beginning. Not that thats any excuse. Just because you’re having a bad day doesn’t mean you get to shit on other ppl’s. And it was fun to see lassiters and Juliets miscommunication. It was nice to see them easing into their partnership, and allowing friction, particularly:

What was henry going to do if that kid just started wailing on shawn??? Honestly, probably would have tried to teach shawn how to hit back and would’ve got him pummeled.

Its kind of funny that in this ep Shawns all this guy believes in ghosts, hes crazy, when in later eps he’s so excited about aliens and bigfoot haha. I can only conclude Shawn doesn’t really believe in anything supernatural but definitely wants to. I think it would have been better if Shawn didn’t think the guy was crazy right off the bat but maybe had a stalker, or intruder. (P.s were the writers implying Shawn was right from the beginning and they were crazy, or was that just poor wording??)

Sidenote: Shawn just casually spoke german and seemingly understood her response. He probably simply knew enough to impress her, but still. He does this a few times i think in the series where he lets it slip how much he actually knows.

#maybe i should make a powerpoint presentation #that feels like the right format for the time haha #psych #psych rewatch #shawn and gus #shawn spencer #burton guster #james roday #james roday rodriguez #dulé hill #dule hill #shassie #carlton lassiter #juliet o'hara #timothy omundson #maggie lawson

[entropyvoid]

Honestly with all the overlap between sci-fi and fantasy fans, I’m really surprised that “high fantasy in space” isn’t more of a thing.

There are some things generally assumed by most to be sci-fi that I’d personally label space fantasy, like Star Wars, where the high tech is just there as a backdrop to a classic heroic story of good guys vs. bad guys, who are definitely doing magic (by using the force). The point of Star Wars isn’t the tech or anything, it just happens to be a tale told in space. It contrasts pretty starkly with something like Star Trek, where the vast majority of episodes revolve around exploring whatever scientific or philosophical concept the writers thought would be kinda neat that week, using established characters as a vehicle for said exploration.

I think one of my favorite things about Honkai Star Rail is that it freely and unabashedly mixes sci-fi and fantasy. It just goes “You are a walking neutron bomb. Also turns out your bestie is from a self-reincarnating race of dragon people with powerful water and illusion magic. They live on this big, planet-sized ship that’s dedicated to hunting down this one cosmic horror that cursed all the ship’s inhabitants with immortality, under the banner of this other cosmic horror that exists solely to kill the first cosmic horror. Let’s go on vacation to the theme park planet, the actual resort is technically an Alice-in-Wonderland style dream triggered by the same kinda cosmic-horror-gifted bomb as you. Your new friend is a meme. By the way, did we tell you about the one time this super-genius harnessed the power of *imagination* to build a death ray that instantly obliterated a bunch of planets? That was kinda fucked up, huh.” Sometimes Star Rail tries to give explanations for its tech in a way that seems believably sciencey. Sometimes shit’s just straight up called magic or it’s from some deity or another and none of the characters present have a good understanding of why, so you all just go about your bullshit. It makes it work within the context of its established universe.

Cosmic horror in general is often (but not always) found in sci-fi, but where the point of sci-fi is to expand on and detail a concept in a believably scientific way or explore the impacts of a scientific thing, the point of cosmic horror is that there is a Thing that is beyond human understanding or comprehension. Sci-fi is a fun thing to insert it into, because the more scientifically sensible and well-understood elements of the world you have, the more jarring that becomes.

Then you’ve got things like Dungeon Meshi, which exists in an inverse of something like Star Rail: it takes a very Tolkien-inspired Dungeons and Dragons-esque setting, and then details it in a very scientifically sensible way. There is magic, and there are these fantastical monsters, yes, but the monsters are parts of their own delicate and intricate ecosystems, they are edible, and they have very particular nutritional values and ways you can cook them! The protag’s biggest strength lies in him being a nerd about monster biology. Magic, too, by the end of it, ends up with a plausible enough explanation as well. And the explanation is a cosmic horror! In this way, Dungeon Meshi, despite being built entirely off of very easily recognizable and classic fantasy tropes, is probably more accurately classed as sci-fi.

I just love all of it. Can I get like 50 more of these fucked up lil mixtures of science and magic please?

#ch.txt #honkai star rail #dungeon meshi #star wars #star trek #sci fi #fantasy #tagging all these bc I wanna hear if other people have cool thoughts on the subject #hopefully this isn’t considered bloating those tags or w/e #this came about from musings and conversations abt what kinda world/story I wanna write? since I’m redoing my lil sci-fantasy project