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#mike wheeler run
chirpsythismorning · 12 days
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The Vanishing of BLANK Wheeler
I wanted to make a list, from least likely to most likely, for which Wheeler I think is going to go missing.
But I also wanted to give a little disclaimer first, that even if these titles are real, they could still be fake, or could even possibly change given how much time we still have until s5 actually premieres.
For s2-3, the Duffers literally released official promo videos announcing episode titles for their upcoming season, with some of them changing when the season finally premiered.
Like in the case of s3 for example, they dropped a s3 episode promo video only a day after they completed filming. Meaning them titling 3x06 The Birthday, made absolutely no sense. They knew they didn't film anything birthday related for that episode. So they intentionally gave that one a fake name.
In the case of s4, that was the first time they promoted an upcoming season without giving fake titles, with the s4 promo announcing them following through with what we ended up with when s4 finally dropped.
I guess I sort of assumed s5 would follow in s4's footsteps, but from a leak standpoint, it might be smart to remember that fake titles are still a possiblity regardless. Especially in this case, where it's getting to the point in production where leaks are unavoidable. And so that might even explain why they play with this idea of fake episodes, which is because they can rest easy knowing leaks will mostly consist of half fake titles they planted there.
But for the sake of this post, lets humor the title for episode 2.
For starters, it's worth noting that the person who shared this leak originally said 'BLANK wheeler'. So as far as I know, they did not give any number of letters via underscores (_) to hint at who this Wheeler could possibly be. It's when ST news accounts caught wind of the leak and started rolling out posts, replacing BLANK with 5 underscores, that led a lot of fans to assume that the Wheeler had to have 5 letters in their name, which would have obviously ruled out Ted and Mike. But since all the Wheeler's are still on the table based on the original leak, they will all be included in this list.
5. Ted Wheeler
Believe it or not, there is something that I think actually warrants considering Ted as a possiblity.
There were some posts @stranger-chichka made a while back, comparing visual parallels between Stranger Things and Chernobyl, which could be hinting at this concept of Ted being in danger.
TBH though I think Ted being in danger or ending up dead is a possiblity regardless of him actually being the missing Wheeler.
Technically speaking, quite literally no one on the show is ruled out from being in danger at this point, so that's not saying much.
And considering the show is going to need to kill off some people next season and they are insistent on not killing any of their leads, supporting characters amongst the ranks have a high risk at being taken out. The emotional connection for Ted from the audience isn't as strong as other characters, but at least him being in close relation to a few main characters is something? I mean, he's funny I guess?
Quite frankly I don't think it's likely nor do I think it would actually make sense narratively for Ted to be the one to go missing out of all of them. I think it's a lot more likely they'd just kill him off, hence the Chernobyl parallels which imply he's gonna die. And so wasting time by having him go missing, only to kill him, just doesn't track. I think they'd just get that over with without dragging it out for very long, if anything.
Can you just imagine someone on the show shouting emotionally, It's Dad (Ted). He's gone.' Like, okay... And? I have a hard time imagining the characters being in serious turmoil over this, at least not enough for it to warrant like final season stakes amongst a bunch of other crazy shit happening. At best, the characters would be indifferently guilty for getting him roped into all this.
So yeah, I really don't see it happening.
4. Nancy Wheeler
I honestly feel like Nancy is even less likely to go missing than Ted, but the un-seriousness of an episode titled The Vanishing of Ted Wheeler is so astronomical, that I really had no choice but to put him last.
The reason I think Nancy is just very unlikely to go missing is because they technically already had her go missing as a cliffhanger between Vol 1 and 2 last season. It would just fall flat if they repeated something along those lines, with that same character, 3 episodes later. Vecna could have killed her and yet he didn't. His point was to send her a message, which was why he did what he did and then released her. The choice to target Nancy and taunt her about her family's safety in the first place, felt like their attempt at foreshadowing the danger that is to come for all of them, but one specifically. One of them that is not her. Which will make this moment back in s4 feel a lot more impactful upon rewatches.
So yeah, not feeling like Nancy is very likely.
3. Karen Wheeler
Karen is sort of a hard nut to crack all around. In the case that she is somehow connected to the Creels (Alice), anything is possible in terms of not only her being targeted, but again the entire family being at risk in some capacity. Without much to go off of outside of the obvious very haphazard timeline confusion, I feel like putting her somewhere in the middle. She was given a poster for s4. If she is Alice, then yeah it would make sense to target her. The stakes are also a lot stronger in comparison to Ted, because she was the parent in the family that actually came to Mike or Nancy and told them verbally that she wanted them to open up to her and is actually shown trying on several occasions. Whereas Ted is sort of just there when he's on screen. So the characters' distress would be a lot more dire and interesting to see unfold amongst everyone.
I also remember there being a leak in relation to Karen, Holly, Mike and Nancy all being at the hospital filming. And this was also like a day or so after ST dropped a video of Cara saying she was filming that day to hype up fans. So that leak did check out on the Karen front at least. Which puts her at the hospital at some point, potentially along with the rest of the Wheelers. Now that I'm thinking about it though, this could all fit with a Ted Wheeler death...
At this point, I'm sort of like indifferent to the possiblity, but it's still more likely than Ted and Nancy to me.
2. Holly Wheeler
It all goes back to s1, when Karen was visiting the Byers to console Joyce after Will went missing, when Holly sort of ventures off to Will's room, being guided by the lights, and sees the demogorgan in the wall.
I feel like people overlook this moment too, because it's kind of crazy that Holly has seen UD shit for herself. She was young enough that she could rule it out as just imagining things. And that could be partly the case even if she is skeptical.
There is something about Holly that makes her curious and sort of open to this world that most around her have no idea exists. And yet simultaneously some of the people closest to her do know about it and could easily clue her in when the time comes to do so, and because of that, I think she would probably be able to believe it all a lot faster than others.
Maybe this is a story where things need to happen and it just always ends up this way, but she has this tendency to be included in things that feel very important. Like in s4 with her playing with the lite-brite, and how that ended up being used to communicate with the others in the UD. There's this almost clairvoyance vibe about her. Her feeling the need to follow the Christmas lights to Will's room and her noticing and then fixating on the trees in s3.
Like I said, I don't know if it's something deeper, but it very well could be in the case she is connected to the Creels.
And while that is all somewhat compelling, at the same time it also feels very convoluted. Even if the Wheelers are Creels, I don't think that means the Wheelers would have powers, given that Henry got them when he was a child, meaning none of his family could have gotten them unless they too were taken in by the lab at some point, or were born with it.
Though I'm being full serious when I say the theories about Mike having time powers or maybe just manifestations from his emotions connected to the powers of others around him is one of my favorite theories of all time. I want it to happen. It would be cool. But that just opens the door to all of the Wheelers in my opinion, assuming his time powers came from being related to Henry. And if it was done that way, I feel like it would add way too much confusion to the story, where now all the Wheelers are gonna need to have powers, and then as a result would just takes away from the uniqueness that is already associated with Henry, El and potentially Will. One person potentially having powers without us knowing until the end aka Will, is enough honestly. Adding the Wheelers to the mix might be a bit much.
I'm also not totally convinced of the Wheeler's being Creels, and yet I also can't seem to want to rule it out entirely. But the prospects of Holly having powers or some sort of ability and just going through the same thing as Will when he was young and unaware of his powers, who is just now finding out the truth about his experiences... It just feels like serious whiplash honestly, when they haven't spent much of any time on Holly up to this point.
Like what are the stakes here exactly? What makes her disappearance and what that would look like compelling, on her front specifically? Because sure, I can see it being compelling watching the perspective of those around her reacting to this, what they would do to try to save her and all that, but what does that mean for her exactly? Are we going to see what she's doing? Are they going to hide it from us like they did with Will and then have to spend even more time uncovering it later on. And what does she even gain from being alone and taunted by Vecna presumably? What does the audience gain from witnessing that sort of event? There isn't a lot of story to explore there, outside of maybe making direct parallels to Will in s1? And then wouldn't that sort of take away from the importance of Will's role in it all just now being uncovered, if it all just repeats for Holly?
Which brings me to something that I see a lot of people using as strong evidence for why it has to be Holly, which is the fact that they recast her character.
What I think people are failing to consider is the fact that the twins who were cast to play Holly originally, were like 3-4 years old while filming s1. They weren't just kid actors, they were damn near baby actors. And while I know a big part of the reason why they gave Holly such few lines over the years was because the actors were aging way faster than the character they played, I think another factor could have been the fact that their acting experience is near nothing outside of Stranger Things, which is also pretty little on its own as well given that they have very few lines on the show.
It's not at all uncommon for child actors, let alone toddler actors to leave the industry once they start getting older. It could be for personal reasons, like wanting to explore other ventures, or it could be that they just don't perform as well with all the added expectations that come with acting as a character who is a kid with a lot of lines vs. a baby with 2 lines.
The girls got cast because at the time, they were able to perform as well as a 3 year old possibly could and would be expected to be in that role. But does that skill carry forth as they grew older? When now they have to deliver full sentences and carry conversations for scenes that are longer than 5 minutes? They've never really had to do that up to this point. Is it something that they feel comfortable with doing? Is their performance believable and is it something the writers feel confident about?
Honestly, I think they might have recast Holly, not because I think she is going to be targeted and focused on as this missing person they have to find, going through a near identical situation to 11 year old Will, but because they simply want her to be more apart of the story in general. And maybe because either the twins and/or the production didn't feel that they would be able to perform it in the way that they wanted it to be done.
And I mean, even if Holly isn't the one to go missing, one of the Wheelers is going to go missing based on this leak. If it was one of her parents, she would get a lot more scenes than she has in the past. If it was one of her siblings, again it would make sense for her to be more involved with the story. No matter what she is going to have a bigger role.
So no I don't think her being recast is as strong enough of proof as some might believe. If anything I think there is much stronger evidence that, like Karen, if they are related to the Creels, Holly is as fair game as any of them. The stakes could be high because she i such s a child. And her parents and Nancy and Mike worrying about her seems like something they would obviously do because she is so innocent and completely ill-equipped to endure something like that. But like I said, I just can't picture an focus like that on her, for her character, being very compelling given that Holly isn't really someone that needs like alone time with us witnessing it...
But there is one Wheeler left, and boy oh boy would he benefit from being alone.
1. Mike Wheeler
The most simple explanation for why it makes sense for it to be Mike, is that he genuinely benefits more than anyone when it comes to being alone with his thoughts, and with the audience watching. There's a lot of stuff dude has to work through in his own head, and since they haven't really let us have a moment alone with him that isn't under ten seconds since s3, an episode or two dedicated to making that a priority would make him coming back and things building up to the end, feel a lot more earned.
The audience needs to feel confident about how Mike feels about things. It can't be a guessing game for much longer when so many different factors are involved.
And while I think Mike may be the strongest possiblity in terms of the value it would add to the overall story is compelling enough to put him at number 1, the evidence supporting it happening is even stronger.
If we want to be crazy we can go back to the beginning. Plenty of fans have already speculated about how Mike is always late at the start of every season and how that might play into the beginning of season 5 again. I made a post about this recently and speculated it would happen one last time around the 15 minute mark. And maybe I was wrong... but maybe I was also right? Because if the second episode is called The Vanishing of Mike Wheeler, it's likely Mike's fate wouldn't be confirmed by the opening of 5x01, but in fact the closing scene of 5x01.
Throughout the show Mike plays a key role in leading the others, he's even referred to as 'the key' in s3 by Hopper. You know this show and their keys, they don't joke about that sort of thing. It's likely that Mike's story and what it is leading to is going to be central to how all of this ends.
Also in s3, there is one scene in particular that I think could be hinting at Mike being targeted, along with the s4 main poster with all of the characters. In the poster, we see El at the top, with Max and Mike as near equals on each side of her. Of course their roles are central and that's a fair layout on it's own arguably, but the equal-ness provided to Mike and Max feels very intentional. While she is slightly bigger than Mike in the frame, that could be a hint in regards to her being central now in s4, with Mike joining the mix alongside her in s5. Honestly, they could have made it so these two were beside other characters that also played a huge role in s4, and yet they chose those two to give a specific focus to. I think that is interesting (and probably intentional).
But if I'm being honest, there are so many moments in s4 specifically that hint at Mike being in danger, that I will not be able to include it all in detail in this post. So I'm going to link those below and then build off of some of it with some new details I've recovered that are worth re-contextualizing again with all of this in mind.
Hints regarding Mike and Will being targets of the town, but Mike specifically being focused on after the word 'missing' is said...
I'm gonna expand on this one because I think it's important to recognize the massive curtain in the background as this is all happening. And I vaguely reference this concept here as well which is worth checking out. But not is this whole concept of the curtain pretty blatant in this episode, this scene of the town all fleeing to hunt down hellfire club, is followed directly after, by this:
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Notice how Mike is nearly always central in these moments? And how what follows feels eerily similar to what is about to go down at the end of s4 aka Suzie = Mike.
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Now, this has already been talked about plenty so I won't go into detail, but... based on everything else happening surrounding this, this would apply to Mike in the sense that not only is he not in love with El, he's gay and in love with Will aka a boy. A BOY!
And then this mention of 'the terrible truth'. This word has been used like 3 times in the last few minutes. First intensely during Jason's speech about a terrible truth, with Ted and Karen being focused on with the Mike and Will extra in the background.
But what is even more crazy is that what follows sort of seals the deal for me that, this IS about Mike and it's foreshadowing what is about to come in s5.
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5:02... 5x02!!!!
Also peep the watch and the letter from Dustin under it... I don't want to speculate but lettergate is looking extra relevant within all of this as well...
And to close off this point, lets show the shot that follows directly after this one.
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Then later in the season, after Nancy is back from being taken by Vecna, here we have this long and emotional pause before she says Mike's name, last after her mom and Holly.
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If they wrote and filmed this scene, knowing Mike would be the Wheeler missing early s5, it would make sense for them to list off the characters like this.
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Mike peeking in the frame at this moment is not suspicious at all...
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If it wasn't enough that Jason hyped up the whole town to see the Hellfire club as their enemy responsible for all of this, here we have a focus on Mike specifically being targeted by Jason.
The Duffer's statement about the show overall in the Piggyback script, and I gotta say it fits Mike a lot more than any of the other Wheelers.
Mike is a Paladin. And when they break an oath, they might spend an all-night vigil as a sign of penitence... aka everything is going to come to a head and Mike is going to be alone dealing with this shit for a bit, until he can come back ready to face it.
And I know it's controversial, but this post explains perfectly why Mike being central to this would make the show go full circle in a really compelling way.
Mike hasn't really unpacked...
Karen lookalike standing in front of the missing persons board. Could be any one of them but still, considering the costume of this extra looks closer to what Karen was wearing when she reunited and hugged Mike... I'm gonna put it more so with him.
Mike's guilt and shame regarding the past and what it has led them to could also play a big role and why him going missing would be worthwhile to explore. Part 1 / Part 2
Mike paralleling Yuri, who eventually reveals the truth (in his pocket) after stalling. If Mike parallels him all throughout the start of that moment, what does that mean for how it ends for Mike?
An antique funeral home fan behind Mike in the s4 character promo photos in the Creel attic, how Mike is seen sitting before Will sits beside him shortly after and it involving upside down imagery, Mike's first line in the show being used to later foreshadow his fate in early s5, and also bringing it back to Suzie's house which I already went into but it might be helpful to look at it again from this lens.
The Duffers would not pass up on the opportunity to parallel Mike with Finn's other character Richie in IT, which is literally based on a book that heavily inspired ST in the first place. And how all of that plays into the queer-coding for Mike going all the way back to s1.
The Duffers revealed after posting the funko-pop shotplanning pictures (2) that they were finished with planning for 5x01-5x02.... meaning this shot of Mike all by himself, is going to occur in one of those episodes...
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We could still hypothesize Holly is the one to be taken, given that she doesn't have a funko and so they couldn't include her here regardless. But the fact that Nancy is with the other seems to imply to me that they are all likely working together to get Mike back, who is alone.
This one is a little more hard to pinpoint for sure, but it comes from a BTS Ross posted recently.
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We are clearly in the Wheeler's house here. And if you zoom in, it looks like someone is standing (hiding?) behind a doorway/curtain. And the only person that seems to fit it imo is Mike... But why would he be hiding in his own house...?
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It just makes me think about what is going on with Mike in early s5. What would be occurring that has him in this sort of situation? And it makes me wonder if him going missing has solely to do with him being taken and gone in one single moment, or if it could involve him avoiding his family and others potentially, with him being taken after that.
Lastly, I'm going to go into more choppy territory, stuff I know only a couple of people will actually consider. But it is pretty fucking fitting of what is about to go down so I can't not mention it.
In the Puzzle Tales' most recent Hellfire Campaign, this is the title...
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Like the whole chapter is just a big joke on Mike about him being scared to be alone, which is painfully ironic if this is the direction the show is about to go for the next 2 upcoming episodes.
And then we have a song WSQK posted on Twitter back in January. I know people don't believe that this account is connected with anyone in the production, which is fair because I myself rarely believe leaks from anonymous accounts as it is. But I've been keeping up with it and it genuinely doesn't seem like a fan could come up with these songs.
The song I'm about to mention is the 7th song they posted, called Army Dreamers by Kate Bush. And you might fight it sounds a lot like the situation Mike might find himself in in early s5.
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And though I'm sure I didn't cover everything, I feel like all the things I've mentioned and referenced from other posts are plenty to at least consider this as opposed to rejecting it all together.
At the end of the day I think there are some valid arguments for all of them to some extent. And quite frankly all of the Wheelers and most of the characters in the show will find themselves in danger in a way that is going to probably last longer than just one single moment the entire season. So even if it's just one of them, I don't think that rules out the others playing a bigger role in what is going down.
I just think narratively, there is one person that benefits from being on-screen and alone with their thoughts. And the other 4 being confronted with what that person discovers eventually will also make all of this a lot more worthwhile than any of the other options in my opinion.
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wheelerssecret · 1 year
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This is so funny to me, like
One moment Mike is sitting miles away from Will
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And in the moment Will says a simple "Oh no", SUDDENLY Mike is standing by his side like a GODDAMN MEERKAT
Tell me that they're not the same, JUST TELL ME
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artiststarme · 10 months
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One day Steve notices that the kids have stopped trying to set him up with Robin and takes a sigh of relief. But then it occurs to him that they’ve stopped trying to set him up with any girls period. He expected to be relieved but instead, it just made Steve all the more wary.
The kids all come over for a pool party and spend a good hour and a half trying to convince Eddie to take his shirt off in the water and winking at Steve when their badgering finally succeeds. It occurs to Steve that the kids think he’s into guys, into Eddie in particular, and interested in seeing him with his shirt off. And holy fuck, it turns out he is.
After internally panicking and trying to avoid checking Eddie out for the rest of the pool day, Steve realizes that the kids knew he was interested in him before he did. This prompts an sexuality crisis, rethinking his entire life, and avoiding eye contact with everyone while he tries to sort through everything. It takes a few days but then Steve goes on like nothing happened.
Unfortunately for the kids, their meddling doesn’t seem to move anything along. Steve and Eddie only get together two months later when Eddie wears a tank top with his scars on display and hair in a bun that Steve finally breaks. He asks him out, hardly hears Eddie say yes, before he bolts to tell Robin and the kids that he finally landed Eddie Munson.
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lighthouseas · 8 months
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will holding mike's face when they kiss and mike holding will's neck when they kiss. that is all
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drangues · 8 months
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i love how they sit so differently
also maybe i'm autistic but i never really saw much of the heart eyes people say mike gives will, that's why i find it funnier to imagine he just stares like he's at a boring funeral while being all <3333 inside his head.
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doriandrifting · 9 months
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Ah yes, Milkvan and my other fav romantic dynamic Dustin and *looks at smudged handwriting* Dart?
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Giant E.T. figurine by Dart's cage vs. Mike dressing up El like in E.T.
And this is not to dehumanize El, like obviously the entire point of El's arc throughout the entire show is about breaking out of the dynamics that she is put into where she doesn't have agency. But if we compare S1 and S2, we can see that the writers have created this sort of meta situation with the audience becoming a part of Lucas and Dustin's projection of romance onto Mike and El's dynamic—a dynamic that the writers are very much poking fun of in S2 by recreating a bunch of the scenes with Dustin and Dart at the focus.
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paladibun · 9 months
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mspaint breakfast byler 
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bloodmoonblitz · 1 year
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the heart || (i kinda winged it when rendering the armor, so dont ask me how i did it)
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chirpsythismorning · 11 months
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How I know the boy in blue is supposed to represent Mike is not only bc he’s wearing blue but also bc he’s matching with Ted 🤣
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harringroveera · 2 months
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Dustin: And that’s the plan! Anyone got any questions?
Steve: Yeah, what’s the signal when something goes wrong?
Mike: I don’t know. Maybe we can come up with word for it
Lucas: Yeah, like a code! Like red!
Billy: What if we just yell “oh shit” and run?
Steve: …that’ll work
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gayofthefae · 2 months
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Here's my take: even if Mike suspected that Will had a crush on him, even if that idea made him uncomfortable, he still. would have. hugged him.
They are best friends of 9 years who haven't seen each other in 8 months, any suspicion would be only mildly grounded at BEST, and we do not know him to prioritize his comfort at the expense of Will's feelings.
Even if he wanted to avoid leading him on or something, he did not have time to calculate that decision. This might be a justifiable excuse for the later fight, but not the hug. He missed him and he would have hugged him before he even thought of that or temporarily prioritized the hug.
Even if he did think he had lost him, he would have taken an opportunity in which Will was visibly happy and initiated a hug to take it. He didn't just not hug him. He avoided WILL'S hug.
If Mike was scared Will had become distant, if Mike was scared Will had a crush on him, in the situation that we saw...he still would have hugged him.
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emblazons · 1 year
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So. Now that we're all finally on the "Mike Wheeler has been forced into a parental rather than boyfriend role for El" track...lets talk about THIS damn near direct parallel moment in (wait for it) both S2 and S4's Episode Three.
We start with the parentified male figure putting together an "eggo offering" and going to a moping El in her room in the hopes of getting her to open up after they've made a "mistake" in her eyes, which means she's stonewalling them, which they both comment on.
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We then move into a conversation about an adjacent problem that both Hopper and Mike are trying to solve thinking it will get her to talk...which leads into a whole other issue that has been bubbling up (without her communicating it) in El's mind.
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That's followed by El latching onto one word they say and then getting upset about how they don't understand her attempts to communicate her feelings...to the point that she moves into an argumentative position, puts them on the defensive, and demands (repeatedly) an answer to something that neither one of them can clearly give her (soon with Hop, love with Mike)—
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—and we end with El shutting them out entirely...only to go off on her own to find the answers she wants by herself (her going to find Mama in S2...and (what turns out to be) Papa in S4).
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We even get a clear marker that the S4 scene should remind us of something else with this line by Mike...and the fact that El is mirrored...while rebuilding her diorama of Hopper's cabin???
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—like? besties. There is "on the nose" and then there's "we need you to notice this because it gives away a idea/framework you need to grasp to understand the wider narrative.” This one is definitely the latter.
Quadruple bonus points for the fact that this is what Hopper says about Mike in the S2 scene, when El says she wants to see him...because its what's most true about the parental role Mike has taken on in Hopper's place come season four.
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bylersrise · 7 months
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when mike looks at wills lips again for the 2048371859 time in season 4 alone
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drangues · 1 year
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gay tumblr users said they wanted more cleradin i said oh im sure
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aurorabyler · 2 years
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Flashbacks in Stranger Things: When, Why, and How They Are Used (Long Analysis)
sit back and relax everyone. this is gonna be my longest post yet.
disclaimer before anyone proceeds--i have not tagged this post with any relationships other than byler so if you do not like this pairing please just scroll past this post! i never cross tag because i truly want a safe fandom space for everyone. this is just my analysis of the show and my own brainrot.
I’ve thought about the usage of flashbacks in Stranger Things a lot over the past few weeks. I saw a post by user @girlskth on Twitter (HUGE shoutout to them for this very eye-opening post, please go check it out their tweet and give them all the love!!), who mentioned the contrast between Max’s scene in Dear Billy (running up that hill → from Vecna), versus El being trapped by the vines in 4x09.  First: we need to talk about flashbacks as they have been used throughout film and TV history as a key literary device. Here are some articles that I found that explain why flashbacks can be so important to understanding characters:
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This quote is vital:
"Flashbacks are really a function of character, not story…the visual image we’re seeing is what the character is thinking and feeling at that present moment…it illuminates a character’s point of view.”
Flashbacks are never pointlessly placed. There is always an intent behind reverting back to the old material to demonstrate something about the character’s current mindset. 
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These two scenes are clearly parallels (complete credits to @girlskth for bringing this up), as both Max and El are encountering the same situation–being trapped in Vecna’s lair and hearing a monologue from him. The scenes are not only plot parallels but visual ones.
However, there is one thing lacking in this parallel, and @girlskth brilliantly points out what it is—their emotional connection. Max relies on flashbacks of her happiest memories to free herself from Vecna’s trance and come back to reality. There are MANY flashbacks of her platonic relationships (her friendship with El being the most significant), and her romantic relationship with Lucas, which is ultimately what gives her enough time to run away from Vecna.
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Now, going into El’s scene, I as a viewer was EXPECTING that they would show flashbacks of El’s happy memories with Mike during his monologue. This is coming from someone who does not ship these two characters together at all.
I like them as friends, and I was still waiting for them to show us moments from their kiss at the snowball, from Mike giving Eleven the name “El,” from Mike calling her for 353 days in season 2, from Mike saying “No, El, you’re not the monster–you saved me,” from El saying she loves him at the end of season 3…but nothing. 
Absolutely no flashbacks were shown apart from the scene of the boys finding El in the woods. This is extremely odd for a couple who has supposedly been the centrepiece of Stranger Things for four seasons, or, in the words of people who ship these characters, have been “built up for four seasons.” But no. Nothing.
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This is an INSANE contrast to Max’s Dear Billy scene, which went out of its way to show her history with all of these characters over the 3 seasons her character has been in the show. 
The concept of “show, don’t tell,” is critical in understanding this parallel. Take Max’s relationships that are highlighted when she is in Vecna’s trance: these flashbacks all occur because she knows they will give her strength. She is never verbally prompted to think about these memories because she has confidence they will help her fight in her darkest moment. Here’s some more information on show don’t tell and how it is used in media:
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If we apply Max's unconcious logic to El’s scene in Vecna’s lair, being able to pull from her happy memories with Mike should have been something that came relatively naturally to her. Except, this didn’t happen. What did happen? El’s memories with Max DID come naturally, and those memories ultimately saved Max’s life.
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Zero Flashbacks to Mike/El's Past Seasons' Dynamic
While waiting for volume two, even as someone who likes this pairing platonically, I was excited to see flashbacks to season 1 Mike/Eleven once they reunited at the Nina Project. I’ll always be nostalgic for seasons 1 and 2 and I wanted to see some of their friendship dynamics from those seasons come back. I was literally expecting there to be some sort of “still pretty?” flashback, or some other cut back to season one. Again, I am saying all of this entirely as someone who 100% believes in a byler endgame for this show. I was still very surprised by this, and it is clearly intentional on the writer’s part.
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Some would argue that the lack of flashbacks is due to the varying perspectives in Mike’s monologue scene. We see Mike’s, Will’s, El’s, and Jonathan’s POVs switching between each other in this scene. When peeling back the layers, we learned that Mike's monologue utilizes the miscommunication trope in a big way. Let’s analyze:
Mike is under the impression, because of Will, that “these past few months she (El) has been so lost without you…You make her feel like she’s not a mistake at all–like she’s better for being different. And that gives her the courage to fight on.” —Will, 4x09
First and foremost: Mike’s monologue would not have happened without Will’s veiled confession in the van. He believes Will’s feelings are El’s, and it is these feelings that make him think that what he says is what El needs to hear. 
Mike is TOLD (not sure if he entirely believes it especially after the final scene in the cabin when El walks away from him, but we’ll have to wait for more scripts to see the truth), that El has been “lost” without him and that she “needs” him to be able to fight.
This is what he is TOLD by Will about El, and this is not true, as NOWHERE during any of El’s scenes at school in California, or once Mike comes to visit, or during her time at the Nina Project, or during her battles with the military + Vecna does El EVER give the impression that she somehow needs Mike in her life to keep fighting, or that he gives her courage. In fact, given all of the parallels El draws between Mike's "what did you do?" and Brenner's "what have you done?" I would say what Mike gives her is the opposite of courage.
El keeps fighting because she has come into herself and she is powerful and strong, not because she needs Mike there to help her. And Mike, prior to Will’s confession, knows this is the truth, as seen by the line in the official script that was cut out from the show: 
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If El truly needed Mike to “fight on,” as Will implies with his own feelings, I believe that more flashbacks would have been utilized, regardless of the multiple perspectives in the scene, to show how Mike has supposedly helped El “fight” in the past. But none of this was shown BECAUSE El’s battles have always been about her personal arc and growth. In the past seasons, El has never relied on or needed Mike to help her fight–he has been misled because of Will’s veiled confession. 
Perhaps the best example of El’s battles being about her own growth is in the 2x09 scene where she closes the gate: you'll see here that all the flashbacks she has during this critical battle have to do with her personal growth and past trauma. The same is true of her fight with the Demogorgon in season 1, of learning from Kali in season 2, of fighting Billy and the Mind Flayer in season 3--her relationship with Mike is not critical to any of these battles. It is her friendships and familial love that motivates her as well as her own coming of age.
The miscommunication about El "needing" Mike to be able to "fight" explains a lot of things, including, at least to an extent why Mike VISIBLY HESITATED when saying “I love you” for the first time in his monologue. There are obviously other reasons to this that have been analyzed by many other people, but I feel this miscommunication is critical.
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This is something that has really been annoying me ever since season 4 came out: the whole plotline about Mike not being able to say he loves El should be extremely clear to audiences about what it implies. I love romance and I KNOW that the Duffers can write amazing love stories (Lumax, Jancy, Jopper…).
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Lucas and Max never once say they love each other but it is clear to audiences–they SHOW it in their own ways. 
True love is shown, not told–especially in media.
That is how the most popular romantic pairings are so believable to audiences. Showing, not telling your love for someone, makes it feel real. And boom: ever since season 3 and ESPECIALLY after season 4, there have been hundreds of thousands of people saying that Mike/El's dynamic seems "off" somehow.
My point here is that if you love someone unconditionally, if you are truly, deeply in love with them, you would not hesitate for a moment to say that you love them, especially if they practically beg you to say it while crying about that very fact. You would also not call them “ridiculous” after they start crying and then you proceed to deflect blame about a situation you caused onto other people. 
Love is powerful. To me, it’s one of the most powerful things that exists in this world. And I believe that the writers of this show feel the same way: Love Conquers All. I’ll insert one of my favourite quotes from Avatar: The Last Airbender to display how I feel about this topic:
"You have indeed felt a great loss. But love is a form of energy, and it swirls all around us. The air nomads' love for you has not left this world. It is still inside of your heart, and is reborn in the form of new love." -Guru Pathik, Avatar: The Last Airbender
Real, romantic love is never something that should be questioned at critical moments. Let me emphasize: I do not question that Mike platonically loves El. He clearly loves her a great amount as shown by what he has gone through with her over the course of the show, just as he loves Lucas, Dustin, Max, Nancy, etc. 
Millie literally said in an interview for ST4 that “Mike is not loving Eleven the way she wants to be loved.” This situation for El is honestly extremely heartbreaking because she truly deserves so much better than what she’s been given. El is one of my favourite characters and I love her dearly, and seeing her suffer because of this relationship as well as the bullying at school hits very close to home for me. She deserves so much happiness and I hope she gets to have endless amounts of it by the end of season 5. 
How else have flashbacks been used in Stranger Things? 
The article I cited earlier holds true to the Stranger Things writer’s perspective on flashbacks. Remember: "flashbacks are really a function of character, not story…the visual image we’re seeing is what the character is thinking and feeling at that present moment…it illuminates a character’s point of view.” Utilizing flashbacks as a literary device in this manner has been seen multiple times in the show at key character moments. 
Will and Joyce
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This flashback is key to showing Joyce's relationship with her son and how much she loves him. It holds true to the article in that it SHOWS that while searching for Will, she thinks back to the time they spent together in Castle Byers.
Jonathan and Will
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Jonathan's relationship with Will is key to season one and remains one of the most beautiful parts of Stranger Things. This flashback, just like the ones with Max and Joyce, happens naturally. Jonathan associates The Clash with Will and can't help thinking back to their happy memories together once he hears the song play. This simple scene shows the depth of their relationship.
Hopper and Sarah
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In my opinion, this is by far the most effective use of flashback Stranger Things has used to date. When I watched season 1 in 2016, this was the scene that made me cry my eyes out. I still think about it to this day as the catalyst that started my long-running love for this show. While trying to revive Will, Hopper is reminded of his daughter Sarah's struggle with cancer which led to her death. This flashback is a perfect representation of Hopper's development.
Hopper's arc in seasons 1 and 2 was one of my favourite things to watch: he starts as someone cold and isolated who drowns himself in drugs and alcohol to cope with his past trauma. Eventually, he learns to love again in all sorts of ways once Joyce comes back into his life. Hopper's drive to find Will and his love for Joyce inadvertently led him to El, and as he says in season 3:
"For so long, I'd been stuck in one place...And then, I left some Eggos out in the woods, and you came into my life. And for the first time in a long time, I started to feel things again." -Hopper's Letter, 3x03
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In summary: flashbacks are used with intent and to SHOW the audience a character's internal struggles and thoughts. Stranger Things follows the textbook way to use flashbacks effectively, and has clearly been selective for a reason when it comes to which moments they choose to remind us of, as well as when, how, and why these moments are used. They have juxtaposed two very similar scenes and how the characters have escaped from the series' antagonist, Vecna, using these flashbacks/memories to their advantage. The final battle between El and Vecna was driven by El's love for Max. Mike was under the impression that what he said was what El needed to hear because it was veiled in Will's feelings. While these ideas have been widely discussed, showing how flashbacks have been effectively used throughout the show and comparing them to their usage (or lack thereof) in season 4 gives us excellent insights into El's headspace, as well as what the future holds for these characters. I put my blood, sweat, and tears into this analysis so I really hope you enjoyed it! Please give it a reblog if you can and leave your thoughts in the comments. I'd love to know your interpretation :) Thank you so much for reading! <3
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voydhund · 6 months
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Modern AU Byler in highschool but Mike is a dumbass who is so constantly distracted by just how pretty Will is and runs into shit because of it
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