#in the book sophie discovers she can actually do magic! while making hats she would say ’oh u look like u belong to a rich woman’ | Explore Tumblr Posts and Blogs

madamhatter · 3 years

Text

reminiscentsky inquired: meta/hcs/drabble request - first I went through your headcanon tag but I didn't manage it til the end yet, so if you already wrote about it then that's completely fine. I will try to send more in the next days. and second, I haven't read the book yet so if anything is described there, my apologies I don't know yet. as for the word request: family, especially family by blood vs found family. UNPROMPTED ASKS | ALWAYS WELCOMED | @reminiscentsky

Hey there, Lisa! Thank you for sendin’ this in. It’s completely a’ight and I appreciate you reading through the headcanons (There is a lot and I’m really sorry, I just can’t shut up). By all means, anything you can send is great since any theme and word can lead to so many write-ups. Even a simple word like “red” could have several different headcanons, drabbles, and metas written around it for a character. It’s all about how the receiver interprets it–!

Preface: I am going to be generalize “by blood” family to first-determined family. This is directly acknowledging family situations that do not have all blood-relations, but are considered the “first” family the child is conditioned into. After all, Sophie isn’t from a nuclear family situation with a stepmother and half-sister. And also she’s technically the ‘mom’ since she raised Lettie and Martha and even her stepmom acknowledges that, don’t @ me.

FAMILY. Howl’s Moving Castle is a novel following fairy tale tropes and creating subversions, if not adding realistic reactions, for those who live in those tropes would face. While we may find Ingary to be a world that is capable of having so much magic and remarkable things in it from Seven League Boots to Cloaks of Invisibility, it is still very much a world full of monotonous, if not limiting, things that exist and happen.

One of those “monotonous” things happens to be the life of Sophie Hatter. While the book directly states that the evil stepmother trope is not all applicable to the Hatters, and how the evil/ugly stepsisters trope is far from applicable to the older Hatter daughters, there is a very apparent truth about the family arrangement that fits and happens too commonly in our world. At its basis, it is the case of "eldest daughter syndrome” for Sophie.

But, there’s more at the root of Howl’s Moving Castle. This novel explores family structure, family issues, and the impacts of lacking expectations, support, and stability has onto a young woman. (NOTE: I am including neglect and trauma here because of HMC’s implications and how we’re led up to the mindset and rationalizations of beginning Sophie in the novel, which is very unhealthy/concerning). What happens in this situation is the creation of someone who lives a purposeless life and focuses on the lives and successes of those around her to make herself experience something. She isn’t even being at all materialistic about it -- goodness, the woman just WANTS, an innocent desire, and that is something she knows she can’t ever have.

This can also be applicable for Howl, but his version of the story follows the opposite of what Sophie deals with. In his case, he is the youngest son who has been in a world where stability and expectations fell on him (e.g., he is a doctoral student, an uncle, etc.). His structure is intact and pressure is placed on him. Much like Sophie, there is a dread of unfulfillment and desire that he finds in his life, but unlike her, he happens to do something (hence why he is another world rather than Wales -- read into that and interpret that as you will).

Both are in roles that do not satisfy and help realize themselves. Sophie makes her role, which is detrimental to her own emotional and mental development. Howl breaks his role, but makes a role for himself, which still doesn’t make him happy. Because, for both, there are still missing elements they need to discover or realize about themselves -- be it through self-awakening or making bonds.

Family, which can be extended now to society and their norms, is an place of origin for most what most begin their socialization, development, and understanding of who they are in context to the world around them. And, in many cases, first-made family is not idealistic and is not a healthy environment for growth and discovery. They can be toxic, harmful, and traumatic, purposefully or unknowingly, for the impressionable minds by the adults who are preparing for the “real” world and how these individuals are expected to be and expected to do.

Sophie was prevented to participate in that “real” world because she was, essentially, not given any purpose or anything that made her feel qualified or worth living (originally). Instead, she made herself a role that is participating in her family’s world that she could be accepted in -- one where she had to do everything because no one else would, and also, it was a remedy (albeit a terrible one) to combat what she was feeling on the inside. So much of her upbringing informs us of her character and how she sees herself -- as an unremarkable person with nothing out there for her.

Intentionally or not, as mentioned before, Sophie’s family has taken advantage of this and didn’t raise Sophie to see herself on the same level as her peers (or even help her be aware of her capabilities). Personally, I do view the Hatter’s situation having started as unintentional. However, it was something comfortable to do (rely on Sophie as if she were an adult) and they continued doing it. More to my characterization, I do believe there IS awareness, hence Martha’s outburst at the beginning of the story -- her opinion on the matter, albeit skewed, still has grounds because she isn’t an outsider. She is someone who was raised and living in the household.

Returning to my point, this buffer is essentially a destruction towards Sophie’s potential and self. It can be seen as both self-destructive by Sophie (she believes the next best course of action is to assure her sisters’ happiness and success) and created by her family (mainly, adults) to benefit what they want.

Despite that, Howl’s Moving Castle knows that one of her greatest gifts is something she already does for a living: creation. Sophie already creates; she always created hats and outfits, being so advanced at her age that she never needed an apprenticeship to hone her skills. Her products are well sought for, even excluding the magic she accidentally imbues in them. But, her power by hands is also her actual magic (not that everything she says comes true/able to create truths/etc.) Particularly, it is the tenacity and choice to create herself to whoever she wants to be and what she can do.

The problem is that her origins made her believe to be herself incapable of anything and that misfortune was her plotted end. There was no point resisting even if she tried to as a child. Yet, it was that moment when disruption came and she found herself being given a chance to leave, she created her own journey. Though, it was originally to get her curse removed and return to her sisters, she took the first step for more.

She ends up finding herself exploring an avenues of herself that are rarely touched upon or even acknowledged by others. That, of course, changes when in contact with Calcifer, Michael, and Howl. While she might’ve crashed into the castle, dubbed herself the ‘help,’ it was the beginning of her creating herself in a place where she wasn’t restricted or made to believe poorly on herself.

In the end, she made her family. A family that she knows that is a group of those who are as out of place in this world (or the other world) because of matters out of their control. She makes a family when she decides that she could live happily ever after, a complete contrast to what she originally believed herself for. This family, now different from the one before, is the start of being her feeling found, but also continuing her self-discovery.

And, Sophie Hatter could not be any happier creating her new life.

#( checkbooks inquiries and much ; answered asks )#( in which we learn about the eldest ; headcanons )#reminiscentsky #[ HOOOOOOOOOOOO. this is a late one and you can tell how old it is bc of banners. ]#[ so the portion above the break was when this was first saved. all the stuff under? now writen. ]#long post tw #long post #[ EDIT: made edits for clarity ! ]

8 notes · View notes

nhatlynguyennln · 3 years

Text

HOWL'S MOVING CASTLE: DIFFERENCES BETWEEN NOVEL AND MOVIE

New Post has been published on http://www.ngoisaokpop.com/howls-moving-castle-differences-between-novel-and-movie/

HOWL'S MOVING CASTLE: DIFFERENCES BETWEEN NOVEL AND MOVIE

HOWL’S MOVING CASTLE: DIFFERENCES BETWEEN NOVEL AND MOVIE

Link Video:

youtube

Opening

Following the resounding success of the 2001 animated classic Spirited Away, director Hayao Miyazaki continued to release a Japanese animated fantasy Howl’s moving castle. The film was inspired by the 1986 novel of the same name by British author Diana Wynne Jones.

Most Studio Ghibli fans turn to the book after watching the movie. This caused a little disappointment, a bit of “disillusionment” for the ladies who put too many dreams into the handsome wizard Howl in the movie. Although both the novel and the movie revolve around the two main characters – Sophie and Howl, there are huge differences in the storyline and character construction that cause both the novel and the film to turn in two directions.

Stay tuned with ASK KPOP until the end of the video to see what made “romantic fiction” fans disillusioned with the difference between novels and movies Howl’s moving castle.

Body

Sophie Hatter, a girl born into a family of hat makers, does not believe that luck will come to her and she will do something great in her life. She decided she would spend the rest of her life looking after the hat shop her father left. But her life changes after being cursed by the Witch of the Waste, turning her into an old woman, and worse yet, she can’t tell anyone about it. Fearing that her family would no longer recognize her, Sophie set out to find a way to cure the curse, and then arrived at Wizard Howl’s castle. Since then there is a big difference between books and movies, especially the plot and character lines.

The difference in the story between the novel and the movie

Because the novel Howl’s moving castle was written for children by writer Diana Wynne Jones, these factors such as : magic ,humor, fantasy come first. The content of the novel mainly tells about Sophie’s journey to break the curse. In that journey, Sophie has discovered the true strength of herself and the good qualities of those around her. However, when it was adapted to the big screen, director Hayao Miyazaki incorporated many lofty messages about love, peace, and anti-war.

Throughout the movie, we see a fight break out between Ingary (the land of Howl and Sophie is in) and the neighboring country, whereas there is no fierce battle in the original novel.

The whole movie revolves around the theme of anti-war, and its true villain is the pointless war and cause the loss. However, the original story directs the reader towards Sophie’s journey to find herself, how Sophie realizes her worth, which is partly through the movie. Coming to the movie, you will experience the brutal combat scene, the dark battleships .As for the book, Howl has to confront the Witch of the Waste and her powerful fire demon. The two missions of the movie and the novel have different message stories with different audiences, both great stories with their own merits.

The difference in the character’s personality between the novel and the movie

The second most highlighted difference between the novel and the movie is the characters. The characters in the book and in the movie are transformed from the original. Some minor characters have been removed or merged together with other characters. Characters with significant changes include:

(Howl)

Howl in the movie is a perfect version, a “Prince Charming” with many advantages in personality: courteous, gentle, and also the hero of fighting to protect Sophie.If you are familiar with this Howl image then Please be mentally prepared before reading the novel of the same name. Real name’s Howl is Howell Jenkins, from Wales. It is mentioned in the book that the castle door leads to different places according to the color on the door, and the blackness opens into a dark night. However, the side when that black curtain was Wales in the 1980s, with modern equipment such as cars and computers . This is not mentioned in the movie.

In terms of personality, Howl in the novel is actually a “lady-killer” who flirts with so many beautiful ladies and any girl will not escape by him, until they fall in love with him, he leaves without leaving a trace. This was also the source of his trouble with the Witch of the Waste Throughout the novel, Howl spends most of his time dressing and grooming in order to win the hearts of beautiful girls, including her sister Sophie. The rest of the time, Howl sulked and acted like a child beside Sophie. Howl in the novel does not want to tie and always tries to avoid responsibility. But the more we read, the more we like Howl in the novel, because his personality is especially funny and witty. “I’m a coward. Only way I can do something this frightening is to tell myself I’m not doing it.” Throughout the novel, we see only a Howl chasing the girls, his words in the last chapter confuse readers and other characters: Howl is still searching and saving people from being lost from the Witch. Meanwhile, he tells himself “I’m not doing it”.

Howl in the movie gets rid of Howl’s flaws of the novel. Because the movie’s message is hind-minded about peace protection and anti-war, a heroic character is needed to be able to send the message to the audience. The hero in the movie is Howl, he is idealized in the film, becomes a hero fighting for peace, denouncing the destructive power of war. When the court asked Howl to go to war, Howl refused ,not for his cowardness. He knew from which side the war was coming from, then the end was like that for everyone, just bring pain only. However, at night, Howl quietly turns into a monster out to fight alone, fighting against planes and monsters that both sides release to tear each other up. It is an ideal, incredibly romantic image of a hero fighting evil, fighting for peace, and fighting for the things he loves. In the end, Howl in both the novel and movie has to face Howl’s problems and settle it.

(Sophie)

Sophie in the novel has red hair, stubborn, straightforward, and always seems angry after being cursed. She sees cleaning as a way to forget about the problem she is facing. She often talks to hats, clothes, objects around and this brings miracles, even life to them. Meanwhile, Sophie in the movie has brown hair and is much softer. She also knows how to control her emotions better, and she cleans out of order. However, Sophie in the movie has no magical powers. This is most noticeable in the part where Sophie meets Turnip-Head. Turnip-Head in the story is an inanimate scarecrow, but gets up and follows Sophie after hearing her talk. In the movie, Turnip-Head had life when Sophie met him. While the-story Sophie was very scared of Turnip Head and wanted to chase him many times, the Sophie-movie was friendly, even grateful to the Turnip-Head.

Sophie in the story has sent a message: “When we are young, let us go out and explore ourselves, we will find our power hidden and know what our strength is. and where is our limit. ” That is a very precious meaning that Sophie’s journey to find herself brings back.

(Author)

Author Diana Wynne Jones observed that Howl and Sophie on-screen seemed “softer and more noble than their characters in my book.” In the movie, we really liked how Howl became “lost” as he transformed into a giant crow in battles and gradually “couldn’t return.” Meanwhile, Sophie’s curse fades more and more as she becomes stronger to save Howl and to heal herself. These details are not included in the book. However, I also want to say that Howl and Sophie in the book seem more real and that the quarrel between the two is what makes me appreciate their feelings more; love each other and learn to accept each other’s imperfections.

(Witch)

She was once a charming, powerful woman. Howl in the novel once chased and abandoned her. Both the story and the movie show Howl once captured a shooting meteor and gave it his heart in exchange for power, which is Calcifer. However, the sorceress in the novel cursed Howl to complete a list of things to do and they slowly led Howl back to her hand. In the movie, the witch tries to cast a curse on Howl, but he easily removes it. In the end, she lost her magic and became a pitiful, harmless old woman.

()

There are also some minor differences in the side characters. Sophie in the novel has two younger sisters, Lettie and Martha. Lettie is the younger sister sent to learn magic, and Martha is the assistant at the bakery. These two sisters exchanged looks and names in the beginning. Lettie is a huge support character in the series, even part 2 is present. However, the film only mentions Lettie – the sister at the bakery, and she can only say a sentence or two to Sophie and finish. Howl has an apprentice. In the book, he names Michael Fisher , a teenager. And, in the movie he names Markl , a boy. In the story, Suliman is the Royal Mage, male and missing. On screen, Suliman is a female magician who taught Howl before, and she is a bit mean.

Ending

“Howl’s Moving Castle” is a film with a stunning image and a beautiful European context, but it does not lose the Japanese culture, oriental styles of Ghibli. The good soundtrack both “The Promise With The World” and “Merry Go Round of Life” are great tunes but for us “Merry Go Round of Life” is still more beautiful, the scene of Howl holding Sophie’s hand , two people walking in the air together forever is a very beautiful, very romantic scene that is hard to describe in words.

Howl’s Moving Castle is not just a love story, a magical adventure and heart-fluttering romance, but also a story of growth and a journey to find oneself. Whether it’s a novel or a movie, the film’s meaningful message is expressed in tolerance, forgiveness after struggles, hatred, and curse. In addition, the extraordinary life energy of the people who have suffered many injuries in the film overcoming all the difficulties to achieve a happy destination is also the message that the filmmakers send to the audience.

#HOWL’S MOVING CASTLE

3 notes · View notes

sophieellisbextorarchives · 4 years

Text

Lockdown's dancing queen: Sophie Ellis Bextor explains how she's survived with five sons while performing web concerts from her kitchen - and owes her life to the NHS after almost dying during childbirth

SOURCE: https://www.dailymail.co.uk/news/article-8371137/Sophie-Ellis-Bextor-talks-surviving-lockdown-five-sons-performing-concerts-kitchen.html

Any mother of five who is still sane after two-and-a-half months of lockdown will surely have some survival tips for the rest of us. And Sophie Ellis-Bextor does indeed have advice.

Come Friday night, when the textbooks have been flung in a corner and you've finished screeching at the kids, you should dig out your heels and put on your sparkliest hot pants, she says.

'If you don't own a sequined one-piece, you should get one,' the singer insists. 'They make you feel like a disco superhero!'

She would also recommend a glitterball to hang in the kitchen. It will distract from the dirty dishes, she says.

Tidying the kitchen is optional, though: 'I do try to but if there's the odd dish in the sink, who cares?'

When the history of the great British lockdown is written, there will be villains (take a bow, Dominic Cummings) and heroes.

And Sophie Ellis-Bextor will surely be in line for a medal, for services to the national dancefloor (kitchen disco division).

Every Friday night for ten weeks she has donned her own glad rags and, via the magic of social media, invited us all to a disco round at hers.

She has been in charge of the mic, singing her own hits (with tweaks) and cover versions of some of her other favourites (speaking of favourite things, she even does a mean Julie Andrews).

Each week she has changed the lyrics of one of her biggest hits, Take Me Home, to the lockdown-friendly Stay At Home. We cheered. We heeded. 'Well, most people did,' she says.

Lots of entertainers have been doing their stuff in lockdown. Few of them have done so with five children in tow, though, and with such pizzazz.

You'd never guess it from the size of her waist but 41-year-old Sophie — whose mother is former Blue Peter presenter Janet Ellis — has five sons, aged from 16 down to 16 months. Her family life has never really been a part of her work.

But at the start of lockdown, something changed and she decided to stop being so precious about the work/home life divide.

'I've always been quite private, never showing the kids' faces, that sort of thing,' she says.

'But suddenly it all felt totally irrelevant. I just had this desire to sort of connect with people, to have fun and do something that just distracted us all — and for me, as an entertainer, that meant getting up and putting on a show.

'If it was going to be a show in my own house, the kids had to be involved as we're all locked down together. That overwhelmed any other emotion, really.

'I said to them, 'We're going to have a party. Do you want to come? What do you want to wear?'

'We pulled out all manner of sequined things we already had. They got out costumes, hats, whatever. There were no rules. They could be in their pyjamas if they wanted, because they often are.

'At the end of the first one, I remember making a joke like, 'This could be the end of my career.' '

In another time, it could have been. What too-cool-for-school singer sashays around the Lego, for goodness' sake? And what pop star hoicks a baby onto her hip, limbos around the lightsabers or attempts some sexy strutting when there is a pint-sized Superman in the way?

'It has been quite surreal, hasn't it?' she says with a laugh. 'But this whole situation is surreal, so I guess it has been fitting.

'We've had all sorts — the kids joining in, or sitting there bored with it all as I dance around them. We've had the baby crawling across the floor, trying to pull the plug out of the router. It's not stuff you normally have to contend with when you go on stage.'

And the performances have been all the more magical for it, I suggest. Her kitchen discos have been in keeping with the national mood, which lurches between delirium and despair and involves much trying to get on with the day job, with the kids at our feet.

All our kids are represented in hers, too. There is Sonny, 16 and a typical teenager, who mostly rolls his eyes at the idea of being in his mum's disco 'but actually he's invaluable because he helps with the baby so I can relax'.

Kit, 11, has 'kind of dipped in and out of the discos. He has missed a few. Sometimes he'd just rather do something else'.

Ray, eight, and Jesse, four, are generally game for anything — but if the children all join in at the same time, while wearing masks, the potential for chaos is high.

Last is baby Mickey, who likes to reach for bright lights. And cables. And sparkly shoes.

'I think what has kept some people tuning in is the music, but others are only watching to see if any of my kids injure themselves,' Sophie says.

People may also be tuning in to see her game attempts at making the most inappropriate songs kid-friendly. Her new repertoire includes the highly suggestive Prince song Gett Off. If the kids ask, it's a song about getting off the climbing frame, she explains.

When we speak, Sophie is preparing for — sob! — the last lockdown disco. Kitchen Disco No 10 will finish with a rousing rendition of the Madness hit Our House, which contains the lines 'Our house it has a crowd/ There's always something happening/ And it's usually quite loud'.

How apt. That sums up family life in all its messy glory.

It will be the end of a very weird chapter for Sophie.

'We could keep going but I'm getting the feeling that lockdown is being eased. There is a different feel, so it's time to stop. Although I'm bad at saying 'never again'.'

It has been a blast — and Sophie admits she has benefited herself.

'The discos have done my soul and my spirit the world of good. I've always turned to music anyway when anything has been happening in my life, good or bad, but I don't know what shape the past few months would have taken without this outlet.

'I've been doing cover versions of songs and they have all basically been like love letters to people I can't see any more.'

Lockdown came earlier for this household than for most of us. One of the children showed symptoms even before the schools closed, so they all isolated early.

That Sophie's stepfather — Janet's husband, John Leach — was having chemotherapy as part of his cancer treatment made the situation even more serious.

They are a close family. Janet, who lives only a few streets away in West London, is used to popping in and out, and provides childcare once a week. Any contact at all between them stopped overnight, as it did for so many families.

'I haven't hugged my mum since I don't remember when,' Sophie says. 'They couldn't leave their house at all at the beginning, so it was a case of leaving some groceries on the doorstep. My stepfather has Stage Four lung cancer and was in the middle of chemo, which had to stop.

'Now, thankfully, it has restarted but it has been a terrible time — devastating, really. For so many families the world has just tilted.' The older children understand why they can't see their grandparents, the little ones less so.

This is a united family (Sophie's mum split from her father, film and television producer Robin Bextor, but they are all on good terms), yet not necessarily one that ever did things by the rulebook.

Many will recall the furore when Janet — then the nation's darling, as many Blue Peter presenters were — fell pregnant with Sophie's brother Jackson. She was unmarried at the time and it was a national scandal.

It sounds as if Janet was the sort of mother Sophie has become — old-fashioned about some things (table manners, eating together) but more relaxed about others. And Mum having a slightly crazy day job was par for the course.

'I remember going with her when she did a skydive. She was in the Guinness Book of Records at one point for the highest-altitude jump for a female. At the time it was just normal.'

Janet didn't mind when Sophie decided she would not go to university because she wanted to join a band. 'Many parents would have said, 'No, we have paid for this private education. You will go,' but they never did. They were completely supportive.'

And of course, it worked out. Sophie started to get attention in the industry in the Nineties with indie band Theaudience — but in 2000 her career went mainstream thanks to a feature spot on the song Groovejet (If This Ain't Love) by Spiller.

Further hits followed. Then, in 2013, she went even more mainstream, signing up for Strictly Come Dancing. Her Charleston was a thing of wonder but she lost in the final to Abbey Clancy.

She knew her husband, The Feeling bassist Richard Jones, for a year before they started dating. When they did, it was something of a whirlwind and she discovered she was pregnant within weeks.

'Sonny was premature, so he was actually born eight months after we got together. Weird maths.'

Then, finding that it was rather fun, they kept having children. 'In a way I think it sort of set the tone, having Sonny so early. We've never really known what it is to be just the two of us.'

Juggling a pop career with five children can't have been easy, but her laid-back approach must help.

Some aspects of her parenting style have come in handy in lockdown, she says. 'I try to get up and dressed myself, but I'm not bothered if they want to stay in their pyjamas,' she admits.

Other aspects of lockdown have been hard. She admits she is not a natural home schooler.

'With five, it has been really difficult keeping up with the school stuff. I think their teachers do a brilliant job and I can't compare.

'At the start I did try hard, but to be honest I was feeling a lot of pressure to be running the home and making them emotionally happy. I quit quite early, realising it was making me really tense and really unhappy.

'We've kept the eldest two doing more formal work (Sonny is in his GCSE year, she explains) but with the little ones it's more about projects they can do.'

She says it isn't practical — or even desirable — to turn their home into a school. 'I'm hoping that home is where they learn to interact with each other, where they learn how to be happy, how to be kind.'

They have all been clapping on the doorstep on a Thursday night, too, aware of the debt they owe the NHS.

Sophie's life was saved by doctors when she suffered from complications during her first two pregnancies and gave birth prematurely both times. Kit weighed just 2 lb 6 oz.

'Anyone who has ever had a loved one's life in the hands of hospital staff knows what it is to feel that gratitude,' Sophie says.

'If it wasn't for them, I wouldn't be here and neither would my first two.

'I'll never forget their faces, the doctors and nurses who treated us in the neonatal unit. You don't, because you owe them everything.'

To be a singer in this climate is perhaps to feel a little superfluous, but Sophie says the only things she can do are sing and dance. The reaction from the wider world to her 'little discos' has been heartwarming.

'If you can make people smile and laugh at how daft it all is, then you make a connection that is actually quite special.'

We are getting all wistful now, when I suggest that her sons will grow up knowing they were a part of something magical. She laughs.

'They are more likely to roll their eyes at their crazy mum dancing around and tell me to keep the noise down!'

#Sophie Ellis-Bextor #Instagram #Daily Mail #Kitchen Disco #article #interview #British #Singer-songwriter

10 notes · View notes

kpopdancings · 3 years

Text

HOWL’S MOVING CASTLE, SỰ KHÁC NHAU GIỮA TIỂU THUYẾT VÀ PHIM

New Post has been published on http://www.whatsupkpop.com/howls-moving-castle-su-khac-nhau-giua-tieu-thuyet-va-phim/

HOWL’S MOVING CASTLE, SỰ KHÁC NHAU GIỮA TIỂU THUYẾT VÀ PHIM

HOWL’S MOVING CASTLE: DIFFERENCES BETWEEN NOVEL AND MOVIE

Link Video:

youtube

Opening

Stay tuned with ASK KPOP until the end of the video to see what made “romantic fiction” fans disillusioned with the difference between novels and movies Howl’s moving castle.

Body

The difference in the story between the novel and the movie

Throughout the movie, we see a fight break out between Ingary (the land of Howl and Sophie is in) and the neighboring country, whereas there is no fierce battle in the original novel.

The difference in the character’s personality between the novel and the movie

(Howl)

(Sophie)

(Author)

(Witch)

()

Ending

#HOWL'S MOVING CASTLE

0 notes