TTD - And then They Were Roommates ™
Before Villain was their roommate, Hero never had any peculiar feeling about their apartment. They were grateful to have a roof over their head, but were not particularly picky about how it looked like under. It wasn’t like they had the kind of time to arrange the place. To be honest, with their working hours, they didn’t see why they would find energy left for this. As long as they had a bed and electricity, it was fine. The result was a reasonably clean room, but a rather bland place. The only thing that was really personal was the vanity in the bathroom, covered with hair products and beads of all colors. At Villain’s displeasure, Hero spent hours in front of it, because unlike some people whining from behind the door, they had their priorities well in order.
True, Hero had felt a bit insecure when Villain had entered for the first time, stopping in front of every furniture with such solemnity you’d swear they were staring at a masterpiece in a museum. Flustered, the not-so-proud owner had explained that they were not that rich, but Villain had seldom made any comment, and well, with their shadow covering them it wasn’t like their body language was readable. Maybe they were tired too, and after their place had just been destroyed by Supervillain it was understandable. They’d glistened towards the guest room and locked their door without a word.
The agency had called in the middle of that night for news. Hero, toying with their blanket, had assured their superior on the phone that yes, Supervillain had been destroyed for good, no they weren’t making it up, and oh by the way, Villain had reformed and changed their ways, hmmhmm, yep, definitively. On the other side of the line, that declaration was met by no little skepticism. After one hour of pleading, they’d at last convinced their interlocutor not to send a team to eliminate the threat. The next day, they were ordered to keep Villain under lock and key. Villain had stared when they’d shyly explained the situation to them, brandishing a padlock they didn’t really know how to use, and had only said:
“I could open this pathetic thing in my sleep.”
Given how gifted Villain was with building tools and machines, it was probably no idle boast. The good news, though, was that they’d accepted to stay in their room whenever they were left alone as long as Hero would give them an old game-boy left in a drawer for years to keep them occupied. As time passed, it became evident that Villain was an indoor creature who was delighted at the idea of not stepping outside ever again. In return, Hero had given them pretty much whatever they wanted, including scraps of metal and lots of tools. At first, they’d said nothing, but when parts of the room had began to be covered with sinister forms, they’d felt they had to put their foot down:
“You are not building a torture room in my place.”
“What else am I supposed to do, you oppressor ?”
“I’m the one paying the taxes.”
Villain had sulked for a moment after that, but then they’d suddenly asked:
“Aha, but what if my torture tools were also useful appliances?”
Hero had stared and said:
“No.”
“No as no or no as it can’t be?”
“Both.”
“You have little faith.”
Villain had immediately put themself to work. In an alarmingly short time, they’d built a tiny guillotine for the kitchen. It could cut even coconuts properly, in one strike. Hero couldn’t use it much, because it made them feel sorry for the poor vegetables (especially after seeing Villain do it, yelling “death to all of you, you feeble preys!” at a bunch a carrots), but they had to acknowledge it was a decent tool to slice a loaf of bread. Actually, Villain was good with the kitchen in general. Being disturbingly fond of cutting vegetables and fruits, it was no surprise that they’d fallen in love with the blender Hero had never used before:
“For what it is but a miniature death trap, where my innocent victims are trapped in a transparent prison and melted into oblivion by unforgiving blades?”
Hero had asked what kind of blade would be forgiving, and they’d got lightly tapped on the head with a cardboard tube for their trouble. But the outcome of all of this was a fridge always filled with bottles full of drinkable food that never got Hero’s stomach upset. Villain had even made a damn acupuncture chair which spikes looked deadly, but were in fact quite soothing. After that they’d stood up, and Hero just knew that they were puffing their chest behind their shadow:
“So, have I succeeded in my impossible task?”
And Hero could do nothing but answer:
“Yes. Completely. It’s genius.”
And it was. Really, the biggest beef they had was the time when Villain had stolen their two favorite magnets on the fridge. They’d stopped dead in front of the aro and ace pride flags that fixated the to-do lists of the day, declared that green, purple and black were traditional colors for villains and so they were “bound to have them”, had yoinked them and flied back to their room before Hero had time to react. And as much as they were for people exploring their own identity, how were they supposed to keep their groceries list in sight now?
But none of this was the weirdest thing. It was the fact that whenever Hero returned to their place with all these strange additions, it didn’t feel bad or crowded. It was the strange new and warm feeling that finally they were home, they were home, they were home.
(Though they still wanted their magnets back.)
*
Check the These Two Dorks Masterlist or Tag for more snippets with this Hero and Villain. This is how they met and now they’re roommates.
Or back to Hero x Villain Masterlist.
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Hi Sugar!
I was reading your analysis of the five couples you see as endgame (this one here) and I really enjoyed it! But I was wondering; how do you think that Pyrrha plays a role in Jaune and Weiss's relationship? Is it something like Cinder or something unique, or maybe nothing at all?
Hi,
thank you so much for this ask! I really really love White Knight, so asks on its structure and thematic meaning are welcome!
So, Pyrrha is 100% important, as it is Ruby. They both are key for Weiss and Jaune's relationship. Of course, I am headcanoning WK is gonna be endgame. However, even if this isn't the case, I think many of the things below will still hold true in a platonic sense :)
TRIANGLES
Let's consider these two scenes:
What do they have in common?
They focus on Weiss and Jaune
They involve a dynamic among three characters
They deal with the choice of a partner
Both Jaune and Weiss have a specific partner in mind. Jaune wants Weiss, while Weiss wants Pyrrha. However, the end results are different from what they expect. Weiss finds Ruby, while Jaune is chosen by Pyrrha.
Why is that so? It is a case of want vs need. Here is an extract from the above linked meta:
By this point Weiss and Jaune are pursuing a superficial dream of heroes and monsters. They figure their most perfected selves beside the "right" patner.
On the one hand Weiss wants Pyrrha to be the "knight" to her "princess":
Weiss: This will be perfect! The smartest girl in class combined with the strongest girl in class! Together we will be unstoppable!
She wants someone strong (body) that complements her intelligence (mind). She thinks that in this way she can't fail.
On the other hand Jaune wants Weiss to be the "princess" to his "knight":
Jaune: Don't worry! No need to be embarrassed! So, been hearing rumors about teams! I was thinking you and me would make a good one! What do you say?
He wants someone who is beautiful and looks frail, so he can protect her. He thinks in this way he can appear strong.
Both are wrong obviously. This is why they end up with respectively Ruby and Pyrrha as partners.
Weiss needs to realize what complements mind is not body, but heart. This is why she is paired with Ruby, who lacks physical strength, but has more than enough heart to guide Weiss. Throughout the initiation, Weiss herself has to act as a Knight by saving Ruby from the Nevermore. And later on, she needs to follow Ruby's plan (so Ruby's mind) to take down the Grimm and pass the trial.
Jaune needs to realize a real knight is not physically strong, but is wise (mind) and brave (heart). This is why he ends up with Pyrrha, who is both and challenges him in two different ways. She doesn't fit feminine stereotypes and sees Jaune's value not in his superficial traits, but rather in his willingness to help. Throughout the initiation, Jaune shows this by staying behind to lead others into kiling the Grimm.
In short, Jaune wants Weiss, but needs Pyrrha, while Weiss wants Pyrrha, but needs Ruby. Let's make two considerations:
1- WK is built on "triangles". A triangle is a trope where one character wants another, but this other wants a third person, who is instead interested in the first. This is obvious in Weiss, Jaune and Pyrrha's dynamic. Weiss wants Pyrrha, who wants Jaune, who wants Weiss. The song Dream Come True strengthens this idea, as Pyrrha sings to Jaune, while throwing shades at Weiss.
Obviously, the triangle is quickly solved. Weiss warms up to Ruby as her partner and Jaune gives up on Weiss and falls for Pyrrha.
Still, this early setting is important. As a matter of fact RWBY plays with romantic archetypes in its ships. Two examples:
Renora deconstructs and reconstructs the childhood friend to lover trope. Usually, there is a character, who falls first and supports the other, until their love is reciprocated. Here, though, Nora eventually realizes that to stay with Ren, she needs to grow as her own person. Both partners need to change, so that their dynamic can transform.
Bumbleby uses a harem to explore Blake's developing interiority and animus. Each one of Blake's love interests tie into her sexuality, inner maturity and fairy tale symbolism. By going through Blake's "harem", we get many different relationships that help Blake explore herself, until she is ready for Yang.
In short, RWBY gets inspiration from love tropes, but it makes them thematic. The same can be said about WK and triangles. The point isn't that W,J and P or W, J and R are in romantic triangles, but rather that these characters make 2 thematic trios. In other words, Pyrrha and Ruby foil Weiss and Jaune and are both important for their relationship. Similarly, Weiss and Jaune's bond is key for their respective dynamics with Ruby and Pyrrha.
2- Weiss and Jaune's want vs need struggle applies to more than just the choice of a partner. It actually defines their whole arcs.
Weiss wants to honor her family legacy, but needs to define herself outside the Schnees. Jaune wants to be a strong hero, but needs to love himself for who he is. That said, Weiss and Jaune will both realize their early want. Weiss is gonna define a new legacy for the Schnee Family. It is just that the SDC is no more a part of it. Jaune is gonna bloom into a hero. It is just that true heroes are not always the strongest. Both are getting their want, but in an unforeseen way.
The same holds true for their preferred partners. Weiss is getting Pyrrha (yes, really) and Jaune is getting Weiss. Confused? No worries, it will all be clear in a minute ;) For now, let's analyze both Whiterose and Arkos and what they mean for White Knight.
WHITEROSE - HUNTRESSES
Weiss and Ruby are each other's "hunting" partners. They fight side by side to save lives and pursue the same dream of becoming Huntresses. This is the thematic heart of their relationship, which is mirrored in their intertwined allusions. As a matter of fact there is a Hunter in both Snowhite and Little Red Riding Hood.
On the one hand Snowhite's Hunter is weak. He wants to help Snowhite, but all he can do is not to kill the princess and to leave her alone in the woods. On the other hand Little Red Riding Hood's Hunter is the hero of the fairy tale. He kills the wolf and saves the protagonist and her grandmother. What does it mean for Whiterose?
It ties in how Ruby inspires Weiss. Let's consider this scene:
Ruby: Weiss! Go for its belly! There's no armor underneath...
In the fairy tale, the Hunter kills a boar to help Snowhite. It is his one good deed. Similarly, Weiss kills a Boarbatusk with Ruby's help to act as a true Huntress. This is why the Grimm later on becomes an avatar symbolic of Weiss's Huntress side:
Port after Weiss kills the Boarbatusk: Bravo! Bra-vo! It appears we are indeed in the presence of a true Huntress-in-training!
Weiss in the aftermath of the party where she summons the Boarbatusk for the first time: The Schnee family legacy isn't yours to leave. It's mine, and I'll do it as a Huntress.
The metaphor is clear. Ruby (LRRH's Hunter) inspires Weiss (SW's Hunter) to grow into a hero. She leads Weiss towards a better version of herself:
Weiss: Just know that I am going to be the best teammate you'll ever have!
This is the perfect set-up for Weiss to eventually inspire Ruby back. For her to become the Huntress who saves Little Red Riding Hood:
Weiss: I don’t know who you think you are, but let me tell you who I am: I am the granddaughter of a hero and a child of a villain. I am a citizen of a fallen Kingdom and an heir to nothing. I will not be defined by my name because I will be the one to define it. I am Weiss Schnee, and I am a Huntress!
Past Ruby: So, are you a Huntress? Like the ones you read about in books?
Ruby: I… I don’t know…
Volume 9 offers Weiss a perfect chance. Ruby is lost and is eventually eaten by two Big Bad Wolves (Neo and the Curious Cat). However, Weiss fails:
Ruby: Don’t worry. We’ll find a way outta here and we’ll go back home. Weiss?
Weiss: It's… It’s all gone… There’s nothing left for me to go back to… Just like Beacon…
Ruby: You did the best you could for Atlas, Weiss.
Weiss: But it wasn't enough! We hatched a crazy plan that put a whole kingdom at risk, and we don't even know if we saved the Relics from… Maybe… Jaune and Winter were able to get them out, despite… everything… despite us…
Several times Ruby notices Weiss's pain and tries to comfort her. Several times Ruby is similarly struggling, but Weiss can't support her. Weiss herself explains why:
Weiss: Maybe she didn’t feel like she could… Ruby has always been the one to get us through the hard times. We say things like “We believe in you”, “We can count on you”. I know we mean well, but…
Weiss idealizes Ruby too much and downgrades herself. She thinks Ruby can lead them all, but Weiss has actually grown enough to guide others too. She shows it by helping Jaune:
Weiss: I think you’re asking too much of yourself. We’ve been telling ourselves that failing means we’re no good. But I can guarantee even the best Huntsmen in history… they’ve all lost. But they were still incredibly brave… and good.
Weiss's speech here is an inversion of her initial dialogue with Ruby. There she feels her best is not enough and she drowns in self-hate. Here, she realizes that even if she and her friends lose, they are still good people.
It is a game of mirrors. She fails to see Ruby because she can't help herself. She sees Jaune and saves herself by helping him.
In short, Weiss fails with Ruby, but succeeds with Jaune. I think this is key for Weiss, Ruby and Jaune's dynamic.
At Beacon, Weiss is too immature for Pyrrha and doesn't see Jaune as a romantic partner. She needs Ruby to grow as a person.
In the Ever After, Weiss depends on Ruby too much and needs Jaune (who is Pyrrha's legacy) to develop.
So, she grows with Ruby until she and Jaune are ready for each other. Now, her bond with Jaune is helping her to bloom in the friend Ruby needs. It is a virtuous cycle where both Ruby and Jaune help Weiss mature, so that she can be the best partner ever. Platonic for Ruby and romantic for Jaune (imo).
If this turns out true, then Weiss's Nevermore might be tied to both Ruby and Jaune (other than to her team and family).
It is already strongly associated with Ruby, as team RWBY killed the Grimm together. Moreover, Weiss first tries to summon it to save her partner:
Later on, she materializes its wings while fighting with her team minus Ruby:
And eventually conjures the whole thing, as Ruby comes back:
It is possible the Nevetrmore will be linked to Jaune, as well. After all, he is the one who calls Weiss "Snow Angel". The Grimm is meant to show that Weiss can indeed be an angel to others:
Ruby and Jaune are equally important for Weiss. She needs Ruby to end up with Jaune and she needs Jaune to be the Huntress Ruby deserves. At the same time, Ruby and Jaune represent two sides of Pyrrha, the partner Weiss initially wants.
I usually don't use spinoffs, but I think Ice Queendom makes it pretty clear:
Weiss looks at Pyrrha in awe, but the ones she needs are Ruby and Jaune.
Ruby is a paragon, just like Pyrrha. She has both mind and heart, like our Achilles. The main difference is that Ruby is younger, so she lacks experience and fighting prowess. Weiss needs Ruby for 2 reasons:
She needs to reconcile with her inner-child that has been suppressed by Jacques's abuse:
Weiss: I always wanted bunk beds as a kid.
She needs to see what's important is the heart (Ruby's idealism) and not the body (Pyrrha's fighting skills).
What about Jaune? In which way is he Weiss's Pyrrha? Let's discover it.
ARKOS - ANIMA
Pyrrha is Jaune's partner and his love interest. She is also the key character of Jaune's story, as his allusion makes clear. Jeanne d'Arc is a maid whose actions are inspired by God. Similarly, Jaune is a knight able to perform miracles:
Whose hands and resolve are guided by his Goddess:
Jaune: No. I don't think I'm healing her. Our Aura heals our bodies. It feels… it feels more like I'm using my Aura to amplify hers!
Nora: Wait, aren't you worried about running out?
Jaune: Pyrrha once told me I've got a lot of it. I still believe her.
Pyrrha is Jaune's deity and inspiration:
Pyrrha: For it is in passing that we achieve immortality. Through this, we become a paragon of virtue and glory to rise above all. Infinite in distance and unbound by death, I release your soul, and by my shoulder, protect thee.
So, Jaune's arc is about:
becoming like Pyrrha
overcoming Pyrrha's death
Still, how can Jaune become like Pyrrha, while leaving her behind? Aren't these 2 objectives contradictory? Only superficially. What Jaune must do is to integrate with his anima. In Jungian Psychology, the anima is the feminine part of a man. It is a side, which is often suppressed, but that needs to come to light for the man to truly mature into a balanced person. A person, who can have positive and healthy romantic relationships.
This is the crux of Jaune's character. He is inspired by Jeanne because she is both maid and knight. Similarly, Jaune must transform into a knight, who is also a maiden. A hero who overcomes his toxic masculinity by accepting his feminine parts. The only way for him to succeed is to integrate with his anima, who is represented by Pyrrha. From the first meta linked:
Jaune's journey through the anima is well conveyed through 4 stages, which stand for archetypical female figures. Each one represents a different level of maturity:
Eve is the mother - The boy has no romantic attachment and sees the woman as a source of protection and nourishment
Helen is the seductress - The boy feels romantic attraction and sees the woman as a talented individual, but pays no attention to her spiritual or inner life
Mary is the virgin - The boy feels mature love and sees the woman as a paragon of virtue, but pays no attention to her negative traits
Sophia is wisdom - The boy is ready for a relationship with a woman as an equal partner and sees the feminine as a source of wisdom with no need to objectify the woman anymore
These phases describe Jaune's general approach to women and how it changes. He arrives at Beacon looking for a girlfriend because that is what a man should do, which in itself is a very childish behavior. Then he grows to see the girls around him as powerful individuals, but he can't go behind the surface. This is true for Weiss, but also for Pyrrha, whose struggles he ignores. After her death, Pyrrha becomes an ideal, but she isn't the only one. For example, Jaune believes Weiss and Ruby can save Pyrrha from Cinder and later on he keeps idealizing them. In volume 9, he learns to let go of his idealization and to see others as their own people. He is stepping into Sophia (wisdom).
Pyrrha is Jaune's anima in the sense she represents the feminine side Jaune needs to acquire. At the same time, the way Jaune's relationship with Pyrrha changes highlights the boy's maturation:
Eve > Jaune is nurtered and protected by Pyrrha to the point he even compares her to his mother:
Jaune: Bring it on, Ice Queen! I'll have you know that I have been told that I am a natural born leader!
Weiss: By who? Your mother?
Jaune: A-and Pyrrha!
Pyrrha: Hello again!
He feels no attraction towards her.
Hellen > Jaune grows attracted to Pyrrha, but struggles to understand her interiority. For example, he is unable to see her feelings for him or to fully grasp her inner conflict about the Maiden powers:
Pyrrha: I don't know if I can do it.
Jaune: Of course you can. The Pyrrha Nikos I know would never back down from a challenge. And if you really believe it's your destiny to save the world… you can't let anything stand in your way.
Despite Jaune's intentions, this doesn't bring relief. Instead, Pyrrha looks absolutely shattered, covering her mouth as she begins to sob.
Mary > Jaune idealizes Pyrrha and sees her as a paragon of heroism and virtue. He tries to emulate her and to become a hero like her:
Jaune: I think… I think she knew she wasn't going to win. That she might not come out alive. But… she also knew she was the only one that could try.
Ren: So she did.
Nora: Maybe we should too.
Jaune: Yeah, we should.
This idealization is heartwarming, but it's what's keeping Jaune stuck. He can never overcome Pyrrha's death if he transforms her into an idol. Not only that, but it is something Pyrrha herself would not have wanted:
Pyrrha: I've been blessed with incredible talents and opportunities. I'm constantly surrounded by love and praise, but when you're placed on a pedestal like that for so long, you become separated from the people that put you there in the first place. Everyone assumes I'm too good for them. That I'm on a level they simply can't attain. It's become impossible to form any sort of meaningful relationship with people. That's what I like about you. When we met, you didn't even know my name. You treated me just like anyone else. And thanks to you, I've made friendships that will last a lifetime. I guess, you're the kind of guy I wish I was here with. Someone who just saw me for me.
Pyrrha is drawn to Jaune because he is the only one who does not put her on a pedestal. However, after her death, this is what our Knight does to an extent. So, a good resolutioin would be for Jaune to see Pyrrha for who she is. A brave girl Jaune loves and who dies too soon. This is the only way Jaune can forgive both Pyrrha and himself. This is where Weiss (Sophia or Wisdom) steps in:
Curious Cat: I am talking about you, Wise Huntress.
Let's compare these 2 scenes:
Both have Jaune struggling with grief and self-hate. In the first one, he has just lashed out at Oscar out of anger for Pyrrha's death. In the second one, he has just lashed out at Ruby out of anger for the paper pleasers ascending. Both times, he is doubting himself. Both times, a woman comes and reassures him. The first time, Pyrrha's mother/ghost/vision encourages him to keep going. The second time, Weiss encourages him to let go. Both scenes end with a family like re-union (team JNR and team RWBY).
Not to count there are mystical leaves flying around:
Someone coming back in an unexpected form:
And a giant stone:
Both situations emphasize that even the best heroes fail. Still, they give this lesson a different spin. Pyrrha teaches Jaune the importance of going on despite the risk of failure. Weiss teaches Jaune the necessity of forgiving one-self for failure. Pyrrha acts as Mary and guides Jaune towards an ideal. Weiss acts as Sophia and leads Jaune towards his real self.
The final stage of the anima is about seeing one-self and the other clearly, both strengths and weaknesses. The romantic partner stops being objectified and is simply accepted as their own person. So, Jaune's final step towards self-actualization will be to let go of Pyrrha's idealized memory and to embrace Weiss, for whom she really is. This conclusion would be perfect for his bond with both girls:
Jaune would overcome Pyrrha's death by stopping his idealization of her. He would put Pyrrha down from her pedestal and love the girl in all her beauty and contradictions. He would finally be able to understand her fully, which is what he fails to do at Beacon.
Jaune would love Weiss for her true self, instead than her superficial beauty. He would appreciate the girl because she shares some of Pyrrha's best qualities, like her bravery and her heart, which is that of a Huntress. He would accept some of Weiss's most masculine traits, that he initially ignores.
In other words:
Jaune needs to mature by Pyrrha's side to be ready for Weiss
Jaune needs Weiss's help to face the memory of Pyrrha properly
As a matter of fact only by seeing Pyrrha clearly, Jaune can fully integrate with her, which means he can fully bloom into a hero like Pyrrha. Not only that, but he can succeed, where Pyrrha fails. What are Pyrrha's 2 objectives?
Pyrrha: I've always felt as though I was destined to become a Huntress - to protect the world
Nothing, even death
Could separate our souls
'Cause you're my final goal
Pyrrha's 2 destinies are to be a hero and to be in love. She fulfills them both tragically. Jaune will fulfill them both in a more positive way.
He is guiding Cinder towards her destiny, by conveying the meaning of Pyrrha's words (heroism)
He is getting his happily ever after with Weiss (love)
In other words, Jaune is fulfilling Pyrrha's legacy thanks to Weiss and is ending up with Weiss thanks to Pyrrha.
THE BEAUTY OF WHITE KNIGHT
Let's summarize Weiss and Jaune's arcs.
Weiss's story is about overcoming her father's abuse. This starts with her affirming who she is outside her surname, goes on with her healing her family and it ends with a new legacy and a new romantic interest. The Schnee name is dirtied when Willow is caught in an abusive relationship with Jacques. Their marriage twists Weiss's perception of romantic relationships:
Weiss: All my life, boys have only cared about the perks of my last name.
So, it would be the cherry on top of Weiss's arc for her family to be reborn together with a new love. A bond with someone who genuinelly likes Weiss:
Jaune: It's Weiss. I'm completely head-over-heels for her, and she won't even give me a chance. She's cold, but she's also incredible. She's smart, and graceful, and talented. I mean, have you heard her sing? I-I just wish she's take me seriously, y'know? I wish I could tell her how I feel without messing it all up.
Jaune's story is about loving himself for who he is, as a whole. Strength and weakness. Masculine and feminine traits alike. The path to do so is to integrate with Pyrrha and become the hero she was. At the same time, he needs to work through his grief over Pyrrha's death. Both goals can be celebrated with the beginning of a fresh relationship. A bond with someone Jaune has always admired. That would be Pyrrha's final gift to him:
Pyrrha: Then do it. Tell her exactly what you said. No ridiculous schemes, no pick-up lines. Just… be honest. You can't get it wrong if it's the truth.
This is why I personally don't believe either Weiss or Jaune ending up single fits their stories. Weiss deserves a romantic partner who loves her, so she can write a story different from her parents'. Jaune needs a new relationship to give both himself and Pyrrha closure.
In conclusion, I personally think both Whiterose and Arkos are intertwined with White Knight.
Arkos especially is a part of White Knight. White Knight would not be possible without Arkos. At the same time, Arkos would lack a powerful catharsis without White Knight. They are 2 bonds that are bound to grow and develop thanks to each other.
Thank you for the ask! I hope my rambling made sense :)
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okay, so, spoiler alert: I actually haven't seen the season final bc I'm canadian. in canada we get rez dogs from disney +, and for some reason, s3 came out weeks later then it did in the states. so I'm only on the episode with cheese camping with the uncles (which was a sweet episode!), but, because I can't help myself, I've been snooping in the tags anyway for ppl's reactions. and, unfortunately, I found out about jackie/bear.
honestly, I'm usually not surprised by forced m/f romances when it comes to tv/movies just bc of how often they happen. but, this to me is more crushing - because unlike all the other times, I was given a bit of hope.
that's what makes this so frustrating. one, because of the dynamics with jackie/bear vs jackie/elora which I'll get into in a second, but namely - because these are good writers. that's what makes this show so special; all the relationships are well built and organic (or organtic, as big would say) and are properly developed along with the show. you can really see how the characters care and fit in with each other, bc the writers have cared about them and the dynamics. which is why jackie/bear makes no sense, as does the complete drop-off of elora and jackie's dynamic.
while I'm gaming for more queer relationships, I'm actually not against a m/f couple if they're developed well (take 'the good place', for example) and the characters genuinely care for each other. so, my question is, given all this and how well the writers have done with all the other relationships -
if jackie was inevitably going to end up with bear, why does her story start with elora?
granted, it starts with the whole rez dogs gang and bear getting beat-up, but we don't actually start to see jackie as a character until she starts interacting with elora. we have so many moments, where you can see, how jackie pays specific attention to elora. from the very moment jackie approaches her, saying she 'knows' that her friends aren't seeking escape as badly as she is and, quite literally, shoots her shot by saying that if elora changes her mind, she knows where to find her. giving elora her knife, asking about daniel, confirming with elora after getting home that they were going to try again for california together, texting her after the incident at the youth program with willie-jack to say sorry and ask 'what are you up to?', and especially that moment when she steps aside to tell elora to be safe going to cali with the rez dogs and elora assuring her they'd be back, these extra two seconds where you see a longing look..
there was such specific tiny details that would give off how much, maybe, jackie really cared about elora. perhaps now, we could just say this was all a showing of jackie being lonely and wanting friends, but if that's the case, then why not do this with bear???
that's my problem with the bear thing - there was no build up. sure, they had their moments, like the potato dance and falling asleep on each other and whatnot, but, maybe this was just me, it didn't feel especially significant? starting with the potato dance, I thought they were just building the pathway for jackie to be enveloped into the group and that this was the way to make up for jackie and those other kids hurting bear; it honestly wasn't giving me anything else. and even bear wasn't reacting any which way to jackie in the beginning, besides with animosity and maybe some nervousness. they really just didn't like each other. and even as the show went on, that didn't change much; they clearly became friendlier (ie jackie texting bear about his mom), but going into s3, we didn't get those special moments between like we did with elora.
straight up, jackie didn't pay half the attention to bear as she did elora, (besides maybe singling him out to beat him up but even that was with others). jackie singles out elora specifically, and even when they return home, continues to stay by elora and be invested in her and a possible friendship/relationship, showing it was never really about her needing elora's as a get-away ride. jackie is open and almost soft with elora; with bear she's resistant and gruff, and even when the two groups are cool with each other, they seem to just get on each other's nerves, ie the scene in 'friday.' yeah sure 'opposites attract' or whatever, but if that's what you're going to do, then there has to be some merit to it when it comes to writing a story (also, I am so sick of the 'boy and girl are constantly arguing and seem to hate each other hahaha bet they're gunna be married in ten years' trope).
whichever one you ship, the big thing is that if it was going to end in romance, why was it written this way? elora/jack seemed so intentional that even I fell for it, and bear/jackie seemed hastily chopped together without any emotional weight or appeal to it - and yet it played out in the exact opposite on screen.
there's no point to this post. I'm just confused. I feel a lot of disappointment bc it's almost like these writers know better, know how to write organic relationships, and then while they appeared to be building one, suddenly threw it away for another without much structure behind it.
someone make it make sense.
edit: ppl in the notes saying there was no confirmation of jackie/bear, so just to clear this up, I'm, again, going on what I've HEARD. and what I heard, was that there's a scene where the rez dogs + jackie are saying goodbyes to the adults - at some point, bear lifts up his hair, exposing two hickies on his neck, and then - either before or after, it was unclear - when jackie is hugging rita goodbye, rita playfully whispers to her to 'go easy on his [bear's] neck' while jackie looks a bit embarrassed. once more, this is just what I've heard has happened, from multiple different posts, and frankly even if they don't announce the relationship by having them kiss or something, it's clear enough as the audience what we're suppose to pick up on.
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